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South Africa - The recently-opened, multi-purpose Sun Arena at the Time Square in Pretoria (see report on the venue in LSi March 2018) hosted the Extreme Fighting Championship (EFC) in December last year.
With the heavyweight title up for grabs, it was lighting designer Gary Sam who was throwing the blows. In his arsenal was the in-house Robe lighting system which South African distributor DWR Distribution supplied to the new venue. The lighting included 12 Robe BMFL Spot, 6 Robe BMFL Blades, 12 BMFL WashBeam, 24 Robe Spiiders, 24 Robin Pointes, 12 Robin LedBeam 100, 42 Longman F4Up and a LeMaitre MVS.
“The brief from EFC was to make the show look as spectacular as possible, using effect lighting without compromising the TV ‘key’ lighting,” said Gary. MGG Productions were the technical support at the venue and assisted with set up, while Gearhouse South

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USA - Southside Baptist Church in Warner Robins, Georgia, recently upgraded its dated LCD video system with a high-resolution FLEXTour 2.8mm LED video display provided by Nashville-based LED video manufacturer PixelFLEX.
Chris Clark, Southside Baptist director of media, explains: “In our previous design, we had an array of twenty-four 65-inch LCD TV’s, with a 2-inch bezel around each unit, so you can only imagine our challenges and frustrations. With the LCD display, it was impossible to create a seamless image, and it looked a bit clunky and cheap. Since I go to a lot of sporting events, I knew LED video would be an ideal solution, and we couldn’t be happier with our new high-definition, video system from PixelFLEX.”
Clark continues: “During our initial research, we also thought about the possibility of using a projection system, but it’s simply not as bri
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USA - Cornerstone Church in Milwaukee, WI, a portable church that converts into a large banquet hall and wedding venue, has recently upgraded to a Martin Audio Wavefront Precision Mini line array system.
Wavefront Precision introduces a scalable approach to resolution and control of coverage that functions in tandem with external, dedicated multi-channel amplifiers in a uniquely flexible, upgradeable, and price-conscious system. The more cabinets with dedicated amplifier channels, the higher the resolution and scale of coverage control achievable.
System designer and integrator David Price says: “The hall is in a historic building and has several acoustic challenges which explains why we chose the WPM system. The room has a mammoth 35ft. tall x 30 ft. wide curved centre channel area where tons of acoustic energy can get trapped. WPM gives us control over directivity

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USA - A successful band setting up a studio is not particularly noteworthy, but when it is set up to record in DSD and features a 4K video stage, this is clearly unusual. Furthermore, this new facility is located on Nashville’s doorstep which is home to many famous studios, suggesting this is a bold move.
DSD recording is relatively unusual for a conventional studio, although commonplace in the classical recording world with the majority of concert halls and opera houses being so equipped. This is no ordinary studio but, regardless of musical genre, DSD means Merging Technologies and in this case Pyramix MassCore with two Horus networked audio converters.
The successful group behind this project is the Annie Moses Band, very much a family venture blending traditional American folk songs with a strong classical influence. Their live and predominantly acoustic performa

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USA - Ross Dettmering, owner of D24K Sound, welcomes the scepticism he gets from clients when he tells them he'll cover their event with high-impact, high-fidelity sound using only a tiny fraction of the boxes that they're used to seeing.
For example, D24K Sound recently covered a crowd of 5,000 Drexel University students who packed together to watch rapper Kehlani using only a stereo pair of Danley J3-94 Jericho Horns for full-range content, along with four Danley BC-415 and six Danley DBH-218 subwoofers. D24K is among a small, but growing number of event production companies that are standing apart from the competition by offering their clients Danley Sound Labs' “crystal-clear fidelity, honest bass, and improved sightlines”.
"I first heard about Danley from a sound engineer friend who told me that Danley was building single boxes that were powerful enough to cov

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Spain - Barcelona-based lighting designer Ezequiel Gomez has worked on Spanish singer David Bisbal’s latest Hijos del Mar tour which has already visited Spain and Latin America. The LD chose Robe for the majority of the moving lights, with Spiiders, Pointes and LEDWash 300s key fixtures on the rig.
Ezequiel, who has been working for the artist since 2009, insisted the stage and scenic design for this tour had been a collaborative effort between the artist himself, Brian Sellei from Menos que Cero, Universal Music, Barcelona-based LED specialists LEDSCONTROL and performing arts collective SomosLuz (We Are Light), of which Ezequiel is a member.
LEDSCONTROL presented the initial ideas from which the stage look evolved, coming up with an idea to have partially enclosed LED ‘cabinets’ for the band risers. Ezequiel and his team at SomosLuz adapted this and made

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USA - The Conga Room-LA Live isn’t photographed and videoed quite as often as the celebrities who frequent the nightlife, concert, and private event venue, but it comes very, very close.
Located directly across the street from the Staples Centre, the sleekly designed 1000-capacity multi-room site regularly hosts press conferences, after parties and other functions associated with major award shows like the Grammys, Emmys, X-Games, VMAs, and ESPYs, as well as film and album releases, all of which are press magnets. Lately, the photos and videos taken at the celebrity co-owned A-list venue are looking better than ever, thanks to the installation of 34 Chauvet Professional fixtures, supplied by RAT Sound and designed by Aaron Silvie.
“There has been a stunning improvement in our image quality on film and still photography as a result of these lights,” said Woody Nus

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UK - The Gatecrasher Classical club night landed at Sheffield City Hall in January, with dramatic lighting controlled by Avolites consoles.
Birmingham-based Stage Production provided the technical know-how for the laser and lighting spectacular, achieving that 'Gatecrasher feeling' by hitting the crowd with myriad effects. The team supplied all lighting, rigging, staging and technical production for the event and designed the light show.
Stage Production managing director Jordan Lake was production director/designer for the gig, working alongside Ben Butler as lighting director/designer. The duo used an Avolites Sapphire Touch and Tiger Touch II console with Fader Wing to control the ambitious production.
"Gatecrasher fans expect massive lighting shows and it was up to us to deliver," says Lake. "Gatecrasher has always understood that it takes more than a big-na

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The Netherlands - One of Holland’s first installations of Nexo’s new Geo M10 mid-size line array has been completed in the Stadsgehoorzaal in Kampen, a classic 125-year old city theatre in the traditional Dutch style.
The plush red auditorium of the Stadsgehoorzaal, which seats 480, has just been equipped with a Nexo line array system in a L/C/R configuration, with Nexo’s super-compact ID Series loudspeakers for fills.
The design story starts with the theatre’s large central chandelier, which challenges most sound reinforcement system designs, obstructing sound from reaching the balcony. Bert Koenders, from Nexo distributor and installer Iemke Roos, worked closely with the theatre’s head of sound Larz Kemper and his installation team, coming up with a design which deployed small clusters of a pair of Nexo Geo M6 line array modules - these were ceiling-mounted

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USA - The XLNT CyberHoist IITM system by CyberMotion recently finished the US leg of Fall Out Boy’s Mania tour. Sixteen CyberHoist II Intelligent, variable-speed chain hoists and one MotionCue 3D console, plus two hoists spare and one console spare were rented to Fall Out Boy management for the 2017 autumn tour.
The hoists were used to float a B and C stage above the crowd with artists on top of them. The B-Stage consisted of a double layer, where the top was raised to reveal a secondary B-Stage with drum set and drummer on top. This bottom, or secondary B-Stage, would then grab onto the video skirt surrounding the B-Stage to lift the whole thing above the crowd.
The C-Stage was used as a three-sided iMag screen throughout the show and it landed during the show to create the C-Stage for the lead singer and bassist. This stage then raised over the crowd so the

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UK - AV provider Anna Valley provided the video technology used at the VO5 NME Awards 2018 at London’s O2 Academy Brixton on 14 February. Central to the event design created by Reality was a backdrop comprising multiple LED screens that changed configuration for each artist and award.
To support this year’s visual theme of The Glitch, which featured broken-up graphics and images, Anna Valley provided three on-stage video elements: the exploding banner - comprising three LED screens in staggered positions to display captions, logos and titles; the exploding main screen – made up of five LED screens that moved independently into different configurations to form the backdrop for the main acts; and the MiStrip Lattice Gateway - interlaced video poles used to create a gateway for artists and presenters to make their entrance.
Both the exploding banner and mai

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UK - Once an essential stop on any self-respecting band’s UK tour, the Preston Guild Hall & Charter Theatre complex was threatened with demolition as recently as 2014. However, thanks to new owners The Rigby Group, it is currently undergoing a major upgrade programme. This has included the installation of a distributed audio system based on Yamaha processors and control.
The project covers the 2034-capacity Grand Hall, 780-capacity Charter Theatre and a range of restaurants and other facilities. In the most recent phase, Autograph Sales & Installations was asked to supply an unobtrusive but powerful multi-zone audio system for Level, a facility providing a wide range of entertainment and activities, including a multi-screen sports bar and nightclub.
Autograph’s Ben Tredwell worked closely with the venue’s technical manager James Hubbard, who was clear fro

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UK - Gorillaz, the virtual band formed by Blur singer Damon Albarn and Jamie Hewlett, was founded 20 years ago.
Since then, the project has continued to evolve, as has the size of the production - it is now all about the real players (and guest stars) rather than just the animation, and Albarn and co. are often more than 20-strong when they hit the road. With such a big show comes great sonic responsibility, all of which is in the hands of Matt Butcher at FOH and Dave Guerin at monitors, both of whom rely on DiGiCo for everything.
“I started with Damon [Albarn] after Parklife came out, so we go back a long way,” Butcher says. “Right at the beginning of the year, for pre-production, we wanted to not compromise on any of the audio - and that’s the way to go: don’t mess around, do it right. Because I’ve known Damon for so long, I can get quite involved

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The Netherlands - International creative design practice Painting with Light was commissioned by Panasonic to produce a high-impact multimedia live show for their booth at this year’s ISE expo at Amsterdam RAI.
In 2017, Painting with Light’s creative director Luc Peumans developed a show that featured simultaneous tracking and projecting onto multiple objects, resulting in a dynamic live performance piece that combined a number of cutting-edge technologies, illustrating their capabilities, together with the flexibility of Panasonic’s latest projectors.
This year, Luc received a brief from Panasonic’s European product marketing manager for projectors and visual solutions, Thomas Vertommen, who wanted to take it one step further and create a more graphical show that was even more technically ambitious.
Panasonic is continuously following live entertainment

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USA - RMB Audio recently installed a Wavefront Precision Compact array in the Edenton Street United Methodist Church complex in Raleigh, North Carolina, adding to Martin Audio systems that already exist including MLA Mini, CDD and Ceiling Series speakers.
Working closely with Edenton’s technical consultant Dave Clemmer, Matt Johnson, Wayne Sowder, Rick Null and Tobias Cannady of RMB installed WPC enclosures and SX212 subs powered by iKON amplifiers in Kerr Hall, a new 500-seat worship area on the second floor of the block long structure in downtown Raleigh.
As described by RMB president Cooper Cannady, “The system was designed for a site called The Gathering that measures 80ft. deep by 80ft. wide and holds a variety of events for the millennial audience, which required a very aggressive sound system for the electric ‘praise’ bands.
“The church opted fo

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USA - Bass-guitarist Victor Wooten’s Victor Wooten Trio performed recently at the Caribou Room, a new live music venue just outside Boulder, CO. Pushing his bass to its creative limits, as he moved from finger tapped melodies to thunderous slapping sections, Wooten took his audience on a musical journey that wove its way through blues, jazz, fusion, rock and other genres. Keeping pace with him note for note was a Tim Farquhar lighting design that featured Chauvet Professional Rogue and Chauvet DJ Intimidator fixtures.
“Victor Wooten is a great artist, so obviously my goal was to keep the centre of attention on him while still conveying emotions on stage with the lighting,” said Farquhar, who in addition to being a touring LD, is the house LD at the Caribou Room. “The Rogues and Intimidators were ideal in this regard, giving me the looks I wanted, without distractions

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USA - Robert Nelson, production manager and monitor engineer for Blondie, updated his decades-old Clair Brothers wedges with the purchase of a dozen Clair Brothers 1AM+ 12-inch point source monitors.
Nelson, who’s got 40 years’ experience in live sound, explains his reasoning: “I do my best to stay on top of what they need and to try and make everything happen, within reason and the laws of physics. Compared to a lot of monitor engineers, I keep things simple. If I do any processing at all, it’s modest - there’s only so much that processing can achieve. The real weak link in most monitoring situations is the monitor wedges themselves, and all the crazy processing in the world can’t fix a lousy wedge.”
Nelson owns more than 20 Clair Brothers 12AM wedges that have served, and continue to serve, him and his clients well for 20 years. “For Blondie, I want

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South Africa - A new Anolis LED lighting installation is helping to highlight the lush and beautiful foliage in Cascades Gardens, part of the five-star luxury Cascades Hotel property in Sun City, South Africa.
Cascades is right at the heart of the Sun City casino and entertainment complex, and Johannesburg-based creative agency Cinevation was commissioned by Sun International to reimagine some of the resort’s public areas, including the gardens, with a brief to make them more accessible and enjoyable to the public.
Cinevision proposed a phased creative lighting scheme starting with the 150m long pathway from the hotel to their ground floor restaurant Bocado. Up until this time, during the evening house, it had been bathed in almost total darkness. In turn, Cinevation asked lighting experts DWR to assist with the specification of fixtures and undertake the installati

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South Korea - Gangneung Ice Arena was built for the Pyeongchang 2018 Winter Olympics as the venue for the figure skating and short track speed skating competitions. With a seating capacity is 12,000, the arena houses two 60m x 30m ice rinks for competition and training.
South Korean distributor Soundus was tasked with providing an appropriate audio solution and the company designed a system of Python-KP52 line arrays, chosen for maximum clarity and definition and ability to provide continuous, even coverage.
Equipped with Pure Array Technology (PAT), the Python has no crossover points in the voice range and no reflex ports. Only the closely-spaced, full-range 3" identical sound sources are responsible for the Python's true line array characteristics. It shows a perfect phase response both in the near and in the far fields making this compact column speaker the perfect

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UK - Slideatron - the 20-metre LED Christmas tree slide - entertained thousands of visitors from November 2017 until January 2018 in Wembley Park, London. Designed and produced by event and place-making agency Produce UK, the attraction allowed visitors to reach another level of festivities by accelerating through the tube in 18 seconds.
Guiding the public to the huge structure was a set of eight Airstar Crystal lighting balloons. The 160cm wide LED spheres were deployed around the structure in order to light up the area and enhance the spirit of Christmas.
Lana Guascone, project director for Slideatron and producer at Produce UK explained: “Our ambition was to create something impactful, creative and futuristic – but also fun. Every element of the project, including the lighting, needed to fit the evolving nature of Wembley Park as a place of innovation and excite

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Australia - Professional Audio & Television (PAT) announced that they have delivered, configured and commissioned a Lawo Nova73 and a Lawo crystal console including compact engine for the Joan Sutherland Theatre in the Sydney Opera House via lead integrator The Downer Group.
The Lawo Nova73 Core has been configured as an mc² Mix Engine. Used as the Central Audio Router for the Joan Sutherland Theatre, the Nova73 is combining MADI, RAVENNA and Dante signals, along with traditional analogue and AES by way of a Lawo DALLIS I/O Frame. Lawo’s powerful mxGUI is used as the primary control interface for the router, allowing users to load snapshots for different room configurations, while also offering user manual adjustments of signal flows and parameters.
The system is completed with a VistoolMK2-equipped Lawo crystal console, to provide a simplified tactile, or custo

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USA - Visitors who entered the Roland exhibit at NAMM during a performance by one of the company’s many star endorsers experienced a sense of attending a concert. When they returned a short time later, they felt an equally immersive, but quite different, sensation of walking through a high-tech showroom. Contributing to the creation of this flexible exhibit space was a versatile lighting design by Justin Preston that featured a collection of over 90 Chauvet Professional fixtures, including 32 Maverick MK2 Wash units.
Having this number of high-output moving fixtures in the lighting design for a trade show exhibit represented outside-the-box thinking, but for Preston it made perfect sense, given his objective of creating a multi-dimensional environment. “Our concept in lighting the Roland space was to merge a club and a trade show look,” he said. “While we wanted to

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Czech Republic - 2018 signalled the end of the record-breaking 19-date ice arena tour across Slovakia and Czech Republic by Kabat. The multi-platinum selling Czech rock band stunned audiences with an in-the-round show design, complete with 360° stage, wrap-around video screens and a high-impact light show powered by the cutting-edge technology of Italian lighting manufacturer Claypaky.
Lighting and show designer Radek Havliček of production company Pink Panther Agency s.r.o, was responsible for the tour's lighting and production design. Marking nearly two decades of creative partnership between Pink Panther and Kabat, Havliček's latest design stunned audiences with its immersive flair and sophisticated use of space.
"The tour's stage spreads across most of a regulation-size ice hockey rink," explains Havliček. "It was the biggest stage that had ever been used on

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USA - Philips Lighting stage lighting fixtures were chosen to meet the strict lighting demands on the set of 2017's popular feature film, Pitch Perfect 3.
With eight performances filmed across four locations, in both day and night shoots, the design team, including production lighting designer Trevor Burk and lighting directors Zach Matusow and Mat Stovall chose to use the Philips VL4000 Spot, VL3500 Wash and VL550 Wash, due to their quality of light output, colour range and versatility.
Burk says: "The VL4000 Spot performed well as a key light in the aquarium scene and in the finale. It was really important to have high-level colour control and the super even field of the VL4000 Spot. In addition, we used the VL3500 Wash as a big, straightforward cannon of light in the aquarium scene, while for the festival performances at the airforce base, it was obvious we
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