Whether you are a seasoned campaigner in the entertainment sector or a student considering the live events industry as a career, the PLASA PDP is an unmissable opportunity to learn new skills, watch new product demonstrations, and meet some of the most respected practitioners in the business.
Kicking off is Adam Bennette, Technical Director of ETC Europe, who leads a discussion about how to des
LMG Touring, which supplied sound and video for the artist's 2012 New Year's Eve show at the same venue and subsequent 32-date fall tour, once again provided this year's technical production elements, including a sizable L-Acoustics K1 System.
Abandoning last year's end-stage setup for a new in-the-round design, Bassnectar's main PA for the 2013 event was comprised of eight hangs of
Inside the 2,464-seat Hamer Hall, two CAL 64 column array loudspeakers provide "exceptional
These dates constituted the forth leg of their Sounds That Can't be Made tour and follows an extensive touring schedule throughout 2012, with lighting equipment for the UK and European elements also supplied by Siyan.
Marillion has enjoyed a special relationship with High Wycombe based Siyan, where their account is managed by Steve Finch, who was th
"For me, the iLive-R72 is essential for theatres shows where FOH space is at a premium, as it is so compact but offers all the functionality and quality of much larger desks," explains Pattison.
Most of the tour venues were large thea
The Theater Ulm, founded 1641, is a multistage house offering opera, play and ballet. As a result of general renovations, the Theater in Ulm has received a new Riedel Artist Digital Matrix Intercom system.
At the heart of the installation is a Riedel Artist 32 mainfram
"We anticipate significant growth in the themed entertainment and family entertainment markets in Asia. Our products are uniquely engineered for the those markets so we sought to partner with the most aggressive and well respected distributors in each area," notes Alcorn McBride's sales manager La
Launched on 29 January, in the audio studios in the High Wycombe-based University's Gateway building, the arrangement includes the university's main recording studio being renamed The Sennheiser Sound Lab. The manufacturer will provide a range of equipment for use in the studio, including state-of-the-art digital microphones, giving students access to the very latest audi
Jan de Brucker and Louis Lukusa said, "L-Acoustics is the leading brand in our market and we are proud to be part of the Certified Provider network. The high level of quality offered by L-Acoustics fi
For the company's 17th consecutive Super Bowl, PWS once again partnered with ATK Audiotek and Versacom for the big game. Recognising that pre
Club Enzo is the latest addition to the popular strip and this new 9
"In launching DGCW, I can now leverage the wide array of experiences I have gained in the fundamental business domains of the international pro audio business for clients in every market. I inte
With a direct connection to the Danish Ministry of Culture, the RMC
"We saw the possibilities of STM immediately," says Sound Linear's Kalle Hogrefe. "Its modularity allows us to use different components of the system separately, making it suitable for large and small events alike. And we can use it for a whole range of different music, from classical events, through to singer/songwriters and rock and r
V1.1 will support full integration with Allen & Heath's newly-launched ME personal mixing system, allowing connection of the ME-1 personal mixer or ME-U connection hub to GLD's AR2412 monitor port. This enables the automatic transfer of channel naming information from GLD to the ME system for quick and
By 31 December 2012 all production industry wireless radio microphone and IEM system users were required by law to switch to the new UK wide channel 38 (606-614 MHz) frequencies in the UK.
Understanding the importance of the digital switchover, University of Cumbria's senior sound technician, Brian Brooks was keen to ensure th
The event was held at the Fellowship Church at Two Rivers in Nashville, TN. It was hosted by Jesse Adamson and Matt Gunn from Adamson Systems and Everett Lybolt and Dave Shadoan from Sound Image. Andrew Dowling, Rob Zombie Systems Engineer, did the system design,
This is designed to enable fast access through local sales support centres - primarily in Malaysia, Singapore and Thailand - of the full range of Penn Elcom products.
It reflects generally buoyant markets and strong trading in Asia over the last 12 months, as well as being an integral element of Penn's planned medium-term global expansion strategy.
Heading up the operation will be Jane Li, who has worked for some time as operations manage
Sound designer Ben Harrison reports, "Orbital Sound happens to own some d&b F1222s, these are the successor to the F1220 that was launched in 1988. Despite the age I did specify them deliberately. I have had occasion to use them a few times on bits and pieces and always liked them for their smoothness and total transparency. I've been waiting some time, looking for a show to put them on." The product of Harrison's ardour is the venerable F1222, a two-way active loudspeaker wi
Out Board director Dave Haydon explains, "No other single box offers a similar combination of faciliti
M4 Entertainment, producers of Brainiac Live! and Science Museum Live On Tour, are producing the 12-week tour which spans the length and breadth of the UK, exploring the best, the worst, the weirdest and the most unbreakable world records ever attempted ... in a brand new live extravaganza.
XL Events, working with M4 Entertainment, supplies projection and audio with XL Events director Rich Rowley ac
The new system went into The Pavilion, a Sprung structure that was converted into an intimate 1,200-seat performance venue during the casino's recent $150m expansion project.
Today, artists performing in the showroom benefit from left and right arrays each comprised of eight Kara enclosures flanked by LF arrays of three SB18 subs. Below each Kara array is an additional stack of three SB28 fo
