UK - The market value of the UK entertainment technology industry has grown by an estimated 5% in the past 12 months, according to PLASA research.
This puts the industry’s value at £1.36bn in 2018/19, up from £1.30bn in 2017/18. The sectors with the largest growth include architecture, broadcast and corporate events, which are valued at £250m, £220m and £160m respectively.
Only a third of the businesses surveyed expect the industry to grow in 2019/20 however, the main concern being how and when the UK will exit the European Union.
The full report, which follows on from PLASA’s comprehensive industry research released in 2018, details sector by sector performance, investment in marketing and R&D, and the future outlook for the industry.
“We are delighted to offer this important resource,” comments PLASA managing director, Peter Heath. “It provides vital insight for business planning, budgeting and benchmarking performance - I encourage all businesses to download the full report.”
He adds: “Whilst it’s great to see that the industry has performed so well over the last year, we are clearly looking towards a period of uncertainty as Brexit looms over the sector. PLASA will continue to support our members to the fullest extent that we can.”
The 2019 PLASA industry research report is available to download free of charge to PLASA members or £500+VAT for non-members. For more information, visit <
UK - Live event production educational facility Backstage Academy has signed a new partnership agreement with professional loudspeaker manufacturer KV2 Audio.
KV2 Audio, whose R&D and manufacturing base is in the Czech Republic, has worked informally with the academic institution, based at Production Park in Wakefield, for the past two years, providing equipment for student-led events on an ad hoc basis and presenting seminars.
“These seminars are always well received,” says Tom Weldon, who is in charge of UK sales. “We have an exclusively point source approach to loudspeaker design and are proud to be able to present this approach to the technicians of the future. We strongly believe this is the best way to reproduce the original source, and in a market that is dominated by alternative designs it’s important that students are exposed to all options. We try not to blind people with the technology side, but instead encourage them to really use their ears and from that starting point, it’s surprising how quickly they begin to understand our philosophy and approach.”
In their engagement with the Academy, KV2 has provided a ‘tool kit’ of products, enabling students to create a six-way monitor mix via the passive ESM26 and ESM12 alongside a portable plug and play FOH system with the active EX series, offering complete reconfigurability that can be set-up by individual students quickly and easily.
In sharing close geographical proximity to Wakefield - KV2’s UK headquarters are in Harrogate - the other benefit of partnering wit
UK - Music industry charity Music Support has partnered with 10 companies and organisations to train industry professionals in mental health first aid (MHFA).
The drive has been prompted by an in-house initiative led by the charity in 2018, when it invested in MHFA training for its own staff and volunteers.
Music Support will work with The Event Safety Shop (TESS), a live event production safety service; industry charities Help Musicians and The BRIT Trust - the charitable arm of BPI; PLASA; The Association of Independent Festivals (AIF); Production Park; Backstage Academy; PSA and its benevolent fund, Stage Hand; and Thrive: Mental Wellbeing - an NHS-endorsed app designed to help people combat stress.
Matt Thomas, Music Support’s co-founder and chair of trustees, comments: “MHFA training is becoming a priority for businesses across many industries and sectors, both nationally and internationally. We’ve received a lot of support and encouragement from partners about the prospect of Music Support delivering training, and MHFA England [the only provider of licensed mental health first aid instructor training in England] is currently campaigning for the Government to put mental and physical health on an even footing. This is gaining traction from politicians and is likely to become an area of statutory responsibility for employers in the future. Now is the time for our industry to get in ahead of the curve.”
He adds: “Ultimately, we’d like this initiative to be an industry-wide adoption of good practice which will significantly imp
UK - Wakefield’s cathedral staged the official ceremony for 74 Backstage Academy (BA) students who graduated recently.
Students had their various production degrees conferred by Dr. Sue Duncan, assistant Vice chancellor and registrar, University of Bolton (with whom Backstage Academy is partnered).
They were also honoured by their various course leaders as they prepared to leave academia and enter the production world. Johnny Goodwin (Live Events Production), Graham Thorne (Live Visual Design & Production) and Claire Porter (Stage & Production Management) in turn accoladed their respective students as they filed up to the stage.
As Goodwin put it, “It’s always a great occasion to meet the families. They shake your hand and thank you for the guidance once they can see there is a job at the end of it, and that [students] are not simply running away to the circus.” And many have already found full-time employment within the industry.
The Ceremony also saw Backstage Academy’s first Honorary Fellowship conferred on Ash Nehru, co-founder of Disguise (formerly d3 Technologies) one of Backstage Academy’s enduring industry partners. Nehru was awarded the inaugural fellowship in recognition of his inspirational work and dedication to innovating the field of visual design and technology integration.
“We are delighted that 75% graduated with a first or 2:1. Our partnership with BA provides unique opportunities and conversion rates are high,” stated Dr. Duncan in her address. “Backstage Academy has earned a reputation as a
UK - Audio visual production supplier SFL is running a series of courses, inviting anyone working in the audio industry to attend.
These include a Yamaha Networked Audio Systems workshop, DiGiCo SD consoles training, Midas PRO Series consoles training day, and an Introduction to Live Audio For Church.
Harvey Appleton, SFL project manager who is also one of the course teachers, comments: “We believe that education is vital and running these courses is a great way for SFL to share its knowledge with the industry and we find it extremely rewarding. This is why we have developed a range of courses that focus around the equipment we use most frequently and subjects, such as live audio for churches, where which we know can be challenging, particularly for those that don’t have years of experience.”
The Yamaha workshop is an opportunity to get hands-on with the latest Yamaha equipment, covering a broad set of important industry skills, from networking and Dante to console operation and integration with a variety of Dante products, whilst the DiGiCo SD and Midas training provide an introduction for sound engineers and system technicians wanting to get up to speed on the equipment.
The Introduction to Live Audio for Church course is suitable for beginners as well as for experienced engineers who want to brush up on their skills and plug knowledge gaps. It is also designed for volunteer church tech operators, ministers or church staff who may occasionally have to operate audio equipment, as well as musicians or worship leaders se
Belgium - With more than 45 AV Stumpfl media servers as part of their rental stock - all of which are updated to run the latest version of the Pixera system - AED Display has become the world's largest provider of AV Stumpfl media server systems.
In addition to offering the new Pixera servers as a rental product to their customers, AED Display has organised and successfully conducted multiple Pixera training sessions in Belgium since ordering additional servers at this year's ISE exhibition in Amsterdam.
AED Display managing director Thierry Heldenbergh explains the importance of providing training sessions in addition to the hardware itself: "Compared to other systems out there, Pixera is still the new kid on the block. This has many advantages and also brings some challenges. The advantage is that we can be among the first companies worldwide to offer a new media server system that presents users with a ground-breaking new usability approach. The challenge is the knowledge transfer process. By empowering our customers, we create a win-win situation."
AED Display's media server rental stock includes Pixera mini, Pixera one, Pixera two, and AV Stumpfl RAW servers for uncompressed playback.
Product manager Dave Vos comments, "It's not like there is no diversity in the media server market. So one could ask, why another new system? The reason why Pixera is appealing to many users has to do with the user interface. The same mechanisms apply to multiple workflow scenarios. It's also a great feeling for our customers to be able to join a growing com
USA - Global design and BIM software provider Vectorworks has announced open registration for its fifth Vectorworks Design Summit.
From 22-24 April 2020 in San Diego, California at the Omni La Costa Resort & Spa, design professionals, educators and students in the architecture, landscape and entertainment industries will have the opportunity to attend industry workshops, product training for all levels of expertise, keynotes, networking opportunities and a customer appreciation party.
“This is our first time hosting the Design Summit on the West Coast, and we look forward to the networking opportunities, training workshops and events we’ve planned for attendees in beautiful San Diego,” comments Vectorworks director of channel operations, Tara Grant. “With the resort’s numerous activities and this year’s speakers, we know everyone will have the perfect mix of business and pleasure. Most importantly, they’ll obtain inspirational takeaways and lessons from the Summit structured to enhance and develop their design careers.”
From now until 31 December, attendees can register with early bird pricing for just $499. Plus, with each paid registration, attendees can buy a second registration at half price. Attendees who book a hotel room by 30 November will receive a $25 SWAG store gift card.
This year sees the introduction of two exclusive training courses: Basecamp for Spotlight Users and Basecamp for Architect & Landmark Kick off the Design Summit with eight hours of in-depth training for a $200 discount off the normal price
USA - With just less than a month to go until LDI 2019, organisers have announced they expect record attendance and participation in this year’s events.
LDI runs from 18-24 November at the Las Vegas Convention Centre, starting with the LDInstitute and LDIntensives sessions and LiveXperience Symposium, culminating in the exhibit hall tradeshow from Friday 22 to Sunday 24 November.
“We’re thrilled that this year’s LDI Show looks set to be the most well-attended yet, bringing the global live production community from over 80 countries to Las Vegas to share ideas, exhibit and do business,” says LDI's managing director, David Johnson. “Our registration process shows us that people are coming from a wide range of international live and broadcast venues - festivals, corporate events, theatre, concerts, clubs, theme parks, architainment, and houses of worship. LDI has more to offer than ever, to more people than ever.”
LDI 2019 will expand its focus with emphasis on the next generation of design and technology, including AR/VR, drones, live for broadcast, and experiential design. The move will make LDI the place to discover what’s hot and what’s next and what it means for the industry.
This will be in addition to LDI’s ongoing commitment to the core live event categories of lighting, staging, video, and sound, and the awards ceremonies that take place during the week.
The LDI Debuting Products and Booth Awards Ceremony is back for 2019 and will be presented on the show floor at the end of the day on Saturday 23 November, i
South Africa - DWR Distribution is inviting interested parties and companies to attend an L-Acoustics demo on Tuesday, 29 October in Durban.
Taking place at the Glenridge Church in Stamford Hill, the free event will run between 12:00 and 15:00, with a focus on the L-Acoustics Kiva II and the A15 (Wide & Focus). Those wishing to attend should register at dwrdistribution.co.za/register/l-acousticsdurban.
South Africa - Audinate and its local partner, Stage Audio Works, are offering free certified Dante Level 3 training courses in South Africa at the end of October. The two-day courses will be lead by Audinate’s Kieran Walsh and will take place in the distributor’s Johannesburg and Cape Town offices on 29-30 October and 31 October – 1 November respectively.
Dante Level 3 training is an advanced level course aimed at those who have already been using the networking protocol and want to gain more insight and knowledge in setting up and managing larger Dante-enabled systems. Building on what has already been learnt in previous Dante training sessions, the Level 3 course delves deeper into various advanced networking concepts, mixed-use networks, networking best practices and troubleshooting techniques.
“Dante is the networking protocol of choice for audio professionals all over the world, whether they work in live, AV or broadcast, so a high-level understanding of how you can get the best out of it is vital for your career,” said Nathan Ihlenfeldt, technical director at Stage Audio Works. “We have worked closely with Audinate over the years to bring all three levels of Dante certification training to South Africa. As with all the educational events that we host, we have had excellent feedback from our Dante classes in the past and we are sure these courses will prove to be beneficial for our students.”
Stage Audio Works’ marketing manager, Shaun Xavier added: “Empowerment is one of our core values here at Stage Audio Works, and we are
Germany - The Laserworld Academy is holding an LSO-certified laser safety officer seminar in Munich in January 2020, with more dates set to be announced shortly.
The organisation holds events dedicated to laser safety and the training and education of Laser Safety Officers across Europe. This upcoming seminar, to be held in English at the Leonardo Hotel Munich City South, addresses regulations in Germany which require a laser safety officer (Laserschutzbeauftragter) to take responsibility of any laser system class 3R, 3B or 4 that is used. It is suitable for those utilising lasers in trade and for show/display applications, as well as for industrial purposes.
The contents of the LSO seminars meet the requirements of the German legal framework for laser use (OStrV and TROS) and base on the international regulatory IEC 60825-1. Upon successful completion, participants qualify as Laserschutzbeauftragter for work with laser systems in Germany.
“The more diverse the society gets, and the more companies work all across Europe and worldwide, the more demand came up for those specific Laser Safety Officer Seminars in English language for the German market,” explains Norbert Stangl, CMO of the Laserworld Group and head of the Laserworld Academy. “We can definitely see the demand for this kind of certification and have therefore scheduled the first dates for 2020.”
Further details and reservations are ava
The Netherlandsd - Amate Audio Benelux / Imagination AV is holding a two-day showcase in Rotterdam this month.
On 10 October, the company will run a comprehensive demo of its new X212AF line array at Onderzeebootloods, a 5,000 capacity venue on the former site of the EDM Submarine Wharf. Amate Audio Xperience will demo the new X2121AF line array and X218WF sub systems, with vice-president and chief technical officer Joan Amate giving an overview presentation of the systems.
On 12 October, attendees will be taken to the Dagvlinder Festival, where the same system provides the Main Stage sound, with a second system of eight-a-side NÍTID N208 line array elements and 12x N18W subs on the Jack’s House stage. More details on attending are available from the company's Facebook page.
The X2121AF line array has V-shape geometry, totally phase linear line array, with a 2x 12”, 4x 6” MF and dual 3” HF transducer configuration and proprietary acoustic design features - including the ABS mid-phase plugs, all-new HF waveguide and sonically transparent 1.5mm speaker grille - the X212AF incorporates discrete 3-way power channels with independent limiters (with differing time constants), and multi-channel DSP system management via Amate Audio’s Active+ integrated power and control platform.
The X218WF is a matched 5000 W X218WF sub system, loaded with 2 x 18” LF neodymium drivers with 4” double-layer voice coils in a compact bass reflex de
UK - PLASA has launched the National Lifting Event Training (NELT), a training programme for production technicians who use lifting equipment during event production.
Designed in conjunction with the Live Event Production Group with the aim of improving safe working practices of lifting operations, NELT is currently available at UK Rigging in Bolton and Production Services (PSI) in Northern Ireland, with more approved centres expected to offer the programme in 2020.
Nicky Greet, PLASA’s director of membership, skills & technical, comments: “PLASA is pleased to offer this national training for production technicians that has been developed in collaboration with industry professionals on PLASA’s Live Event Production group. The aim of NELT is to standardise good practice and knowledge, making work environments safer and more efficient for all those involved.”
The course will take place across three days under the guidance of expert trainers in specialist facilities. Trainees will complete a series of practical activities and receive guidance on how to establish cohesive and safe working partnerships with NRC riggers. Upon successful completion, candidates will receive a certificate and a listing on the PLASA website.
To enrol, please visit www.plasa.org/nelt. Experience of working in the live events or broadcast industries is recommended but not essential.
NELT is the latest addition to PLASA’s
UK - KV2 Audio has announced a partnership with RADA (Royal Academy of Dramatic Art) to support the training of young students in theatre sound production. KV2 has provided a range of EX Series loudspeakers to equip RADA’s Jerwood Vanbrugh and Gielgud theatres, and will also offer masterclasses on sound design and the use of point source technology in a theatre environment.
Steve Mayo, RADA’s head of sound, comments: “These partnerships are the life-blood of hands-on training for our students. I am very eager for our sound students to have the opportunity, not only to work with high quality, modern equipment, but also to meet the people behind it. The support we’ve had from KV2 has been invaluable in paving the way for this partnership, from our initial conversations at ABTT in June through to them organising for all our students to have a proper demo of the full KV2 range at PLASA last month.”
Mayo recalls that his decision to approach KV2 was sparked initially by well-known theatre sound designer, Richard Brooker, when he came in to talk to the students about working on musicals and mentioned that KV2 had become an important part of his designs. He was further prompted by the fact that Autograph Sound (with whom RADA already has a close relationship) are an important KV2 user, a fact endorsed by Autograph sound designer, Avgoustas Psillas.
“We were lucky enough to get Avgoustos in to mentor to our sound design students when we were preparing for our musical production during the last summer term, and he was very complimentary about KV
UK - Industry electrical expert and LSi columnist James Eade has announced the October dates for his recently-launched accredited training programme, BS 7909 Temporary Power for the Events Industry.
The course has been fully updated to align it with current industry guidance and standards. It is the only course James Eade is associated with and not offered by any other provider.
BS 7909 is taking place across three days on 21-23 October at the Whatlington Village Hall, East Sussex TN33 0NE. There are still a couple of spaces left to book for this sesion, with further events scheduled by the end of the year - more details are available on www.eade.uk.com/training.
Pearce Hire is also hosting a series of standards update courses at its HQ in Peterborough. This course is an accredited one-day course that takes the candidate through the latest industry-relevant changes to BS 7671:2018 as well as the new IET generator guidance. Also covered are updates to event industry lightning guidance as well as the ABTT Technical Standards for Places of Entertainment. The next course is on 25 October with more in November.
Germany - Over 250 guests were in attendance throughout the nine-day Ambion Digital Jungle open-house event. Attendees enjoyed an hour-long sensory journey of innovative installations focused on tracking, immersive interactivity, sensor technology, realtime control and reactive, generative content using BlackTrax, disguise and Notch.
Ambion is a full-service provider that plans and produces technology for concerts, sports events, trade shows and congresses around the globe.
The company recently held open house days where they invited selected clients, partners, innovation agencies and event planners to attend. The Digital Jungle demonstrations focused on technology and its application in a live event scenario.
OBJ.Studio the Ambion design department has been trying some interesting light and media tech projects in Berlin. The last one was a smart installation with curved LEDs. It was a collaboration with another design studio and 22 digital artists from all over the world.
“Ambion has a BlackTrax Lab. Here employees from different departments come together and experimenting with the system. So, we build knowledge together and find creative new ways and solutions for clients and upcoming projects,” says Jo Rychlik, creative director & head of OBJ.Studio Berlin.
Ambion received their training directly from CAST Software at their headquarters in Kaufungen. They purchased their own system as well, going along with their brand of owning their own equipment to have ownership over their projects.
The plans for Amb
UK - The 2019 PLASA Show was “the busiest in years” thanks to a six per cent increase in attendance, PLASA has reported. The event’s global status was also strengthened, with delegates from over 63 countries flocking to the London-based tradeshow.
This was the last edition of the event that was held at Olympia’s National Hall, with the 2020 PLASA Show set to move to London Olympia’s Grand Hall to accommodate a greater number of stands and show features.
“PLASA Show has clearly been improving year on year with 2019 being the best one yet,” comments Johan Gunsing, international sales manager for Adam Hall Group. “We have started to see a wider geographic audience attend the show which brings with it new opportunities, new business and increased brand awareness.”
“Once again PLASA did not disappoint,” comments Gareth Collyer, Nexo’s UK sales manager. “We were very pleased with the overall number and quality of the visitors that visited our booth and we look forward to seeing the show grow again next year when it moves to the Grand Hall.”
Grant Bales-Smith, sales manager EMEA for Vari-Lite & Strand, adds: “The show has really re-built itself which is a great thing to see. We’ve met with international customers from France, Spain, Germany and Scandinavia, representing the whole industry from theatre to concert touring.”
Coda Audio’s director of global marketing, David 'Webby' Webster, comments on the company’s debut appearance: “Because we’re relatively new to the market, it’s been great for us t
Europe - The 2020 Hog Factor Europe competition is now open, High End Systems has announced.
The company is inviting applications from students, apprentices and other aspiring lighting professionals under the age of 25 from across Europe, Commonwealth of Independent States (CIS), Africa and the Middle East.
Individuals or teams of two people are asked to submit a performance lighting piece programmed on a Hog or on Hog 4 PC, which can be downloaded for free with a special demo version of Capture visualisation. The deadline for submissions is 15 January 2020.
The top three entries will be selected and the contestants asked to programme another performance lighting piece based on High End Systems’ 2020 Prolight+Sound stand design. These finalists will be invited to the event in Frankfurt, Germany (31 March – 3 April) to demonstrate their programming skills live in front of a panel of industry experts and an international trade show audience.
The finalists will receive free travel and accommodation to PL+S. while the overall winner(s) will be awarded a trip to the LDI tradeshow in Las Vegas.
“Since its introduction in 2014, Hog Factor has become an internationally renowned competition and has helped launch a number of careers,” comments High End Systems brand manager, Tania Lesage. “We can’t wait to meet the next Hog Factor hopefuls and the talent of tomorrow.”
A previous winner of the competition, Austria-based Nina Mesitz of team Status Cue, praises her experience and encourages others to enter: “You learn so much an
UK - July saw over 100 delegates assemble at the Jerwood Vanbrugh Theatre, (one of three theatres within the central London campus of RADA, The Royal Academy Of Dramatic Art), for a review of DiGiCo’s new Quantum Engine and designed-for-theatre T software.
Hosted by DiGiCo and Autograph Sound, the day opened with Autograph’s co-founder Andrew Bruce telling his story from the early 70’s to the present day. This section effectively charted the development of modern theatre sound, using anecdotes and images of legendary West End shows including Starlight Express, Cats, Miss Saigon and many others.
Ably assisted by Autograph sound designers Avgoustos Psillas and Gareth Tucker, plus Tom Williams and Dan Page from DiGiCo, Andrew then spent the remainder of the day walking delegates through the functionality of the T software.
One of the delegates was Jeremy George, head of sound at the Theatre Royal Stratford East, who commented: “I really enjoyed learning about the origins and deeper functions of software that I use daily, not to mention [it was] very useful in terms of tips and ideas to try next time I’m programming a show’ - which, as it happened, was a few hours after the Quantum Synergy day had finished. T Software makes my life easier on a daily-basis. It’s definitely the best way to programme and operate theatre sound.”
The doors have opened for day two of PLASA Show 2019 at London Olympia, with Platinum Sponsor Robe, Silver Sponsor d&b audiotechnik and Technical Sponsor Hawthorn. The show floor is already brimming with business as visitors explore the latest products and solutions from 220+ brands from across audio, AV, lighting, rigging and staging.
The show’s platinum sponsor Robe have unveiled an expansive theatrical stand based on the classic 80s movie, Back To The Future. Live performances run every 90 minutes, with a viewing area on the show’s gallery level for visitors to watch from above. The creative duo behind the stand, Nathan Wan and Andy Webb, comment:
“Robe’s stand this year features a fully time coded show called ‘Return to the Future’ which is centred around a time travelling DeLorean car. During the show we smash through over 550 cues in eight minutes. It’s all about showcasing the new Esprite which is future-proofing LED moving heads as you can take the source out and simply replace it. This has absolutely been the most ambitious production that we’ve done to date, and it’s great to see on social media that many visitors come to PLASA Show just to see what we’ve come up with. We’ve been working on ‘Return to the Future’ for three months and it has been an absolute delight to see it all come together.”
Other lighting highlights include, Claypaky demonstrating their new Xtylos fixtures in an immersive enclosure, Ambersphere presenting the SpotM
UK - James Eade, LSi columnist and leading consultant in electrical safety for the event production industry, has created a new course covering BS 7909 - the Code of Practice for temporary electrical systems for entertainment and related purposes.
BS 7909 Temporary Power for the Events Industry has been developed by Eade in consultation with industry experts to ensure the most up-to-date and relevant guidance for this rapidly changing discipline. Unique in the event production market, the course is only available from James Eade.
The course is up to date with the new 18th Edition of the Wiring Regulations (BS 7671:2018) and the new IET guidance on the use of generators and covers a broad range of areas including multiple sources of supply, RCDs, earthing and bonding, inspection and testing as well as the management of temporary electrical infrastructure.
Attendees will learn how and why the IET Wiring Regulations and BS 7909 apply to temporary events, why they are important, and the best route to compliance. The content includes examples of current practice, and where this differs from best practice, as well as the common dangers that exist in a typical event environment.
Initially, BS 7909 Temporary Power for the Events Industry will be accredited by Eade, but the process of gaining accreditation by a leading awarding body is underway and is expected to be completed soon.
In addition, James Eade is also offering other new and updated training courses on related subjects, including:
• Events Industry Electrical Standards Upda
The doors of PLASA Show 2019 open in just a few days from 15-17 September at Olympia London, where thousands of visitors will experience the leading edge of live entertainment technology. With 220+ brands, 55+ educational sessions and a plethora of immersive features, this year’s show is ready to serve industry professionals from all sectors.
PLASA’s Managing Director Peter Heath comments: “Last year’s edition of PLASA Show was heralded for its high footfall and vibrant atmosphere. We have worked hard to build upon this by offering more brands and new features for a show that is both enjoyable and productive.
Of course, we couldn’t do it without the exhibitors and their technology which has developed at a dizzying rate over the years – PLASA is proud to provide a platform for such innovation, and we can’t wait to share what’s in store.”
Brand new products
After much hype, the Heritage-D digital console from MIDAS will be at the show, providing hands-on encounters. Coda Audio will display their N-APS, an ultra-compact 2-way arrayable point source, and d&b audiotechnik will display their flexible A-Series. The all-new TrackerD4 Precision Stagetracking from TiMax will also be here.
Robe will launch their new luminaire, Esprite, which has been designed as an LED replacement for discharge fixtures. Other notable lighting fixtures appearing at the show include the Huracán-X from Ayrton, the Maverick MK3 from Chauvet and the Synergy 5 from DTS. Artistic Licence will present their latest lighting control
UK - Unusual Rigging's Tom Harper will lead a session hosted by SiPA at PLASA 2019 which aims to explore how 'circular' the live production industry really is.
The session which takes place on 15 September at 14.00 will look at how the industry needs to decouple 'show business' from the highly wasteful, energy intensive and inefficient consumption of finite resources.
Tom, a director at Unusual Rigging as well as the company's circular economy lead, recently completed his MBA in circular economy innovation and is passionate to drive forward system shifts to ensure an effective transition towards an economic model that is regenerative by design.
"This isn't just about what we at Unusual Rigging can do – although we are very much trying to lead by example. It's about working with the entire industry in order to radically reduce consumption levels. We are locked in a system in which everything favours the linear model of production and consumption where we 'take, make and waste'. But there are things that the live production industry can be doing to drive forward the transition to a Circular Economy – we'll use this session to identify those things and figure out how we can accelerate this transition."
Unusual's Emily Egleton will join the panel alongside Carol Scott from Tait, John Winters from the National Theatre and Dr Greg Lavery from Rype Office. Emily will be touching on the innovations preserving the 'technosphere'.
Emily commented: "It's looking at designing for disassembly, designing for durability and establishing robust reve
South Africa - DWR Distribution presented an exclusive demo of L-Acoustics’ L-ISA sound technology to over 100 representatives from rental companies and TV studios in Johannesburg.
The system, which was used in South Africa for the first time during the live edition of The Voice South Africa 2019, was demo’d at the Mosaïek Teatro in Fairlands, where the TV show took place.
The demo was presented by Tim McCall, regional sales manager and Tony Szabo, head of touring applications at L-Acoustics, along with Chris Pugh, technical support at DWR Distribution and Adriaan van der Walt, audio engineer at Multi-Media who specified L-ISA technology for The Voice.
“I think it’s awesome that L-Acoustics have invested so much into South Africa,” comments Duncan Riley of DWR. “We are one of their smaller markets, yet they treat us no differently to the larger players. Their passion is contagious, and it really does feel like a family. We received an overwhelming response at the demo from the entertainment industry and I would like to thank everyone for being there.”
“Over six million spectators have enjoyed over two thousand performances in L-ISA so far, and we have sent out people to gather information from the audience to see if they enjoyed the production and noticed a difference,” said Tony Szabo. “The feedback has been overwhelming, from people commenting that they felt closer to the performance, to artists saying that they receive a greater response from the audience.”
Chris de Lancey, director at Multi-Media