d3 Technologies' media servers score in Super Bowl Halftime Show
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The size and scope of the Super Bowl Halftime Show might seem daunting for some media servers. But last year d
The size and scope of the Super Bowl Halftime Show might seem daunting for some media servers. But last year d
magpi solo was launched at ISE 2015 and is the latest addition to the AViary Video Tools product range. It is a solution for installation professionals requiring the realtime power and high definition resolution of its bigger sibling, magpi, on just a single output.
magpi solo not only provides realtime playback control, but uniquely delivers control for parameters such as speed, in and out points, and geometry along with colour and contrast correction in realtime. All changes can be stored within the timeline controller with the option to trigger playback and adjust parameters via external protocols such as SMPTE timecode, Artnet and much more.
Mercedes Stevao-Boase, marketing and PR at Green Hippo
The production design for this tour was created by Willie Williams. XL's Paul 'Macca' McCauley has managed the account for the last three years, although XL's association with Bryan Adams' live work goes back several more years.
Macca worked closely with Adams' own video director Marc Ledoux and Encore operator Sebastien De Bellefeuille in co-ordinating and setting up the tour, together with production manager Andy Proudfoot.
Macca commented, "It was great to be working with Bryan Adams and his team again - there were many familiar faces. Visuals are a vital element to the stage presentation and he's an
LED walls excel in brightness and colour depth, delivering stunning visuals wherever you need them. As a pioneer in LED visualization, Barco has years of experience in creating LED video walls that combine visual awe with utmost reliability. Barco applied its insights into both the market and the customer's needs to design this high-resolution X series and provide additional value with its products. With a number of innovative features - including front access, factory cal
The Learning Centre features a circular main hub area with the lab room, toddlers' room, ocean room, coastal room and green room, branching off of it. The Hub Scenic, part of an introductory experience and presentation for visiting students, is at the core of the hub area. This scenic element, along with architectural detailing, special lighting and other embellishments, create the immersive experience of an ocean laboratory.
"A narrative about finding a missing turtle sets the stage for the story of the ocean lab," says Electrosonic project manag
The company offers a comprehensive one-stop inventory of equipment solutions for film, television, and studio or location broadcast applications. This service covers products through to complete lighting and video systems, from supply through to installation.
The award-winning Chroma-Q Studio Force premium performance soft light range provides a soft, even light source in a choice of daylight, tungsten and variable white LED models which are comparable to traditional lighting technologies - and produce a massive output for their size.
The Mole-Richardson lighting rang
Liviau's designers have focused on simplicity in addition to powerful functionality. The 10.1" touch interface is purposely limited to the information you require during meetings and presentations for as uncluttered a look as possible and thus minimum distraction during your event. The guided menu takes you easily through your meeting/presentation offering everything you need at your fingertips. Furthermore, the touch interf
Working with production designer, Dominic Tolfts, and production manager, Jessica Enderby, XL Video's film & TV manager, Jeff Bailey specified one of XL's high brightness Barco HD20 projectors along with a Repro H projection screen to create the main question screen for the centre of the Two Tribes set.
The Barco unit provides sufficient output to ensure good visual clarity amongst the studio lighting, and Bailey once again selected a Repro H screen surface to avoid hotspots which can be picked up by broadcast cameras.
The question screen is central to Two Tribes, displaying questions asked by the presenter, Richard Osman, which discover what players have in common, and determine the teams for the game.
Jeff Bailey comments: "It's gr
Home to a range of themed rides and live entertainment, CBeebies Land is an immersive experience for children and young families. The five-acre site within Alton Towers Resort offers opportunities for kids to interact with some of their favourite characters and TV shows. In addition to rides, CBeebies Land includes play areas, live experiences and character appearances designed to inspire and educate.
Green Hippo's AViary Video Tools range was launched to much acclaim last year, and represents a new approach to realtime high-resolution video playback and control. Drawing upon the manufac
This year, over 30 Airstar lighting balloons of various shapes, sizes and colours were deployed: The Tourism Office square boasted a magnificent Star shaped balloon as well as four hanging Crystals of various sizes (130cm to 160cm), covered by a printed << planet >> cover, while the main road hosted six Crystal Diamond 130, three air inflated Stars 160 on a pole and 12x DMX controllable standalone Towair Evo Flame. A further four red Airstar Towairs (four metres high) lit up a live show.
During the ski holiday season, the Airstar Night Light
Ross and his team from the Projection Studio received technical support sponsorship from locally based live event and technical production company Hawthorn for the five day festival, and the four PT-DZ21k projectors were supplied by Panasonic.
It was the third time that Ross has created bespoke light works for these buildings.
This was also the third, largest and most successful year of the e-Luminate festival to date. The concept showcases the city 'in a different light' through a series of innovative installations and interactive events highlighting how light and lig
After receiving a diploma in Multi-track Recording from the Gateway School of Recording & Music Technology at Kingston Polytechnic, Martin started his career as a recording engineer at Harp Recordings Ltd before becoming a Sound Engineer for independent local radio station Swansea Sound.
He joined PA Installations Ltd in 1993 as a field engineer, working his way up to customer support manager and then Technical Sales Manager during an 11-year spell with the company.
In 2004 Martin took up the role of regional sales manager at
Ayrton's Japanese distributor, First Engineering Japan, supplied 120 IntelliPix-R panels to their client, Heart-S, who used the static panels to surround the stage and performers with beams of intense light.
IntelliPix-R is a modular beam projection panel of 25 independently controllable 4.5° LED emitters arranged in a 5 x 5 array which project graphics and media far into the air. Panels can be connected together to form a semi-transparent wall, screen or ceiling or
Working with production manager, Bennie Brongers; lighting, video & rigging co-ordinator, Mike Oates; show designer, Jeremy Lechterman, and Jackson Gallagher from Fragment Nine, XL were tasked with supplying an LED screen solution for Jeremy's creative design.
XL Video utilised 270 tiles of their popular Pixled F-12 LED, along with 154 of XL's own custom touring frames to create horizontal strips of LED across the width of the O2 stage. The empty frame rows revealed lights including Showtec Sunstrips and other lights were attached to the spacers between the LED.
XL's Project Managers, Phil Mercer and Jay Mobbs-Beal, w
Showcased to a European audience for the first time at ISE 2015, the award-winning Twin Pole Modular Series is designed to fit around twin columns, the components combine to fulfil multiple install requirements, from a single ceiling mounted display to an unlimited floor-to-ceiling video wall array in retail, transportation applications, control rooms screen arrays and leisure settings.
A major stand highlight was the announcement that Peerless-AV's Xtreme Outdoor Displays (42", 47" and 55") now have CE marking approval. The company has already seen phenomenal
Source is making the exclusive world-wide launch and first public display of RØDE's new RØDE Link Digital Wireless System, NTG4 and NTG4+ shotgun microphones and the NTR ribbon microphone.
The RØDE Link Wireless system utilises 2.4GHz technology to provide a high-resolution 24-bit/44.1kHz digital audio signal at a range of up to 100 metres. The system consists of a number of receiver and transmitter options, and will be available in a number of kits targeting film, news gathering, presentation and stage use. The first kit to be available will be the Filmmaker Kit, which consists of a beltpack transmitter, an on-camera or beltpack receiver and RØDE's broadcast quality Lavalier microphone.
The NTG4 and N
RTW is a German professional audio manufacturer renowned for developing innovative instruments and technologies for visual audio monitoring in broadcast, production, post-production and quality control. A leader in loudness technology, RTW pioneered the development of audio monitoring and metering with the TouchMonitor range by incorporating a top-notch loudness system.
RTW continues to innovate in the field of loudness monitoring with the introduction of the Loudness Tools Masterclass plug-in. RTW CEO Andreas Tweitmann commented, "The DPP's adoption of EBU R128 loudness standards has made the UK a very important market for innovative audio loudness tools. HHB is the UK's leading authority on loudness technology and we are confident in their expertise to deliver the best
With the goal of bringing its marketing power to the street while elevating the quality and breadth of the organization's digital assets, Playhouse Square is engaging audiences with a series of Barco advertising kiosks to promote its robust line-up of entertainment. The United States' largest performing arts centre outside of New York City, Playhouse Square has recently undergone an architectural transformation, with sponsors breathing new life into its historic theatre district to attract both old and new generations to the live performance hub.
Chief creatologist Danny Barnycz was engaged to con
"The new premises are just six miles from our current Egham location, so convenient for staff and no disruption in the service to our customers," said Marquee AV MD, Mark Brown. "The building provides well over double space and is located on a modern business park. Energy efficiency has been a high priority in the new lighting and heating systems we have installed throughout the building.
"The new building has also allowed us many opportunities," continued Brown. "These include the construction of offices with custom-built work stations, a well-equipped system build area, se
Working with One Direction and their creative director, Lee Lodge, XL Video provided 144 Barco MiStrip LED batons which were housed in a custom structure created by design studio, Artisan, as a backdrop for the band's performance of their recent single Steal My Girl. The MiStrips complemented a sea of lasers behind the band, and content for the batons was controlled by two of XL's d3 media servers.
When Take That performed as a three-piece on The X Factor's Sunday night results show, their production director, Chris Vaughan, contacted XL Video to provide projection mapping for a multi-surface stage set which incorporated more than 40 blocks of varying sizes.
For this mapped projection,
Delivering quality audio solutions continues to be a key focus for AV Concepts as the company evolves its strategy to effectively deliver cutting-edge creative and technical staging services. The need to deliver more audio channels at higher quality influenced the company to evaluate various media networking solutions available today. Seeking a solution to simplify infrastructure with flexibility to scale for eve
For Xerocon's second year in the UK, production agency Lipfriend Rodd International Ltd once again engaged Creative Technology (CT). In addition to providing the equipment and crew for the main conference, CT also supplied the three breakout rooms and the gala dinner.
In the main room a super wide screen measuring 42.5m by 3.5m was created using seven flown Panasonic DZ21K projectors. The internal warping and soft edge blending capabilities of these projectors produced one giant seamless image.
As well as displaying presentation graphics, the screen relayed live footage of the speakers captured via
Sami joined Genelec in 2007 as domestic sales manager (Finland) and later moved to international sales manager, home audio. His new role will see him use his many years' experience in the company to develop existing customer relationships within the AV market and explore new opportunities. Sami will also be responsible for co-ordinating sales and marketing activities for the AV Install business segment.
"I'm taking up this role at an exciting time," says Sami. "The AV Install business is booming as is demonstrated by the hu
The show design was originated by a creative team comprising tour director James Monkman, lighting designer Jason Hyne and video producer and co-ordinator Tom Wexler. XL Video's project manager was Paul "Macca" McCauley and their crew chief on the road was Stuart Heaney. Production manager for the tour was Tony Gittins.
There were three distinctive video surface elements which brought a real sense of depth and dimension to the stage - gauzes, which were projected onto a medium resolution LED screen surface and low res LED battens.
A classic widescreen look was the dominant aesthetic for the singer / musician - known for his raw,