The show, presented by Davina McCall and Alex Brooker, took place in the Tyrolian Alps near Innsbruck
Austria - Channel 4's popular celebrity winter sports series The Jump wowed audiences during February with ski jumps lined with 400m of IntelliFLEX LED systems, controlled by Avolites Media's Ai Server Infinity EX Series.

The show, presented by Davina McCall and Alex Brooker, took place in the Tyrolian Alps near Innsbruck, Austria, and saw 10 celebrities, including Sinitta, Sir Steve Redgrave, and Joe McElderry, compete against each other in a range of winter sports, including three ski jumps of increasing size.

Lighting director Roger Williams worked alongside set designer Patrick Watson to specify the Ai Media Server as the control system for the impressive lighting concept.

The technology was executed by lighting programmer David Bishop, alongside LI technicians Ben Vaughan, Anders Akermo and Joe White.

"The Ai server coped admirably in the conditions, being seemingly unaffected by the cold temperatures and the need to be running 24/7 for two weeks," says David Bishop. "The system was put together and maintained on site by Ben Vaughan, and was problem free for the duration of the run."

The server was stationed within the commentary box with Olympic ski jumper Eddie 'The Eagle' and show narrator Barry Davies. This was around 350m from the seven active Light Initiative (LI) LED slave controllers, linked from Ai via 100m of networking cables and an additional 60m to the LI LED video processor. All 400m of IntelliFLEX across the three ski jumps were controlled from one Ai media server in -10°C conditions.

"Ai was chosen by Light Initiative as the best product for the job following an extended period of discussion and support from their representatives in the UK," continues Bishop. "This allowed them to ensure the best possible interface between the server and their LED product. As operator, I spec'd a 3x5 layer configuration. The three jumps were created as a fixture each, with five layers available for each. This setup allowed maximum flexibility within the lighting design: a base layer for generic/background media; a top layer for sparkle and excitement; leaving three layers for one-off effects as well as the format specific red to pulsing green during the ski jumping sequences"

(Jim Evans)

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