Machine Hallucinations: Sphere will be visible on Sphere for four months from 1 September
USA - Sphere Entertainment Co has announced that internationally renowned media artist Refik Anadol is the first artist to utilise the Exosphere, the fully programmable LED exterior of Sphere in Las Vegas, as an immersive canvas, debuting an AI Data Sculpture created exclusively for Sphere called Machine Hallucinations: Sphere.
Refik Anadol is a media artist, director, and ‘pioneer in the aesthetics of machine intelligence’. He uses large collections of public data and machine learning algorithms to create immersive art installations. Anadol is the founder of Refik Anadol Studio, a technology-driven creative design studio based in Los Angeles. Anadol’s work has been exhibited on six continents, including MoMA, New York; Art Basel, Miami; and the Centre Georges Pompidou, Paris.
Machine Hallucinations: Sphere, an immersive digital experience, celebrates Sphere’s architecture by featuring dynamic visualizations using vast amounts of data to create abstract imagery of space and nature. The two-chapter series creates a collective, meditative, and multisensory experience that takes audiences on a journey of light, movement, and colour with vivid pigments, shapes, and patterns. This immersive experience invites viewers to imagine alternative realities constructed by invisible data movements around them.
“I am extremely honoured to be the first artist to utilise the exterior of Sphere,” Anadol said. “It’s so exciting to be given such an architectural and engineering marvel as a canvas. This opportunity aligns perfectly with our studio’s long-term mission of embedding media arts into architecture to create living architectural pieces that are in constant interaction with their environments.”
“Refik Anadol’s artistic approach made him the ideal artist to partner with first to showcase his incredible work using the full-scale capabilities of the Exosphere, an incomparable canvas for artists who want to explore their artistic expression on a global stage and push the boundaries of what’s possible,” said Guy Barnett, senior vice president, brand strategy and creative development, Sphere Entertainment. “Through the captivating power of the Exosphere and our unwavering commitment to showcase both art and brands on Sphere’s exterior, we will forever change the way artwork and commerce co-exist."
Machine Hallucinations is an ongoing exploration of data aesthetics based on collective visual memories of space, nature, and urban environments. For this project, Anadol and his team used themed datasets as the building blocks for two distinct chapters:
Machine Hallucinations: Space is a visual speculation of humanity’s historical attempts to explore the depths of space based on Refik Anadol Studio’s collaborations with NASA’s Jet Propulsion Laboratory that utilises publicly available photographs taken by satellites and spacecraft, including millions of raw images that have been captured and recorded by the International Space Station and the Hubble telescopes.
Machine Hallucinations: Nature draws on more than 300m publicly available photographs of flora and fauna, resulting in pigments, shapes, and patterns that we associate with nature, but only exist in the mind of a machine as “hallucinations”. The second half of this chapter consists of Sphere: Winds of Las Vegas, which harnesses data sets of wind and gust speed, as well as precipitation and air pressure, collected from real time API wind sensors in Las Vegas.
The entire exterior surface of Sphere, referred to as the Exosphere, is covered with nearly 580,000sq.ft of fully programmable LED panelling, creating the largest LED screen in the world - and an impactful display for artists, brands and partners. The Exosphere consists of approximately 1.2m LED pucks, spaced eight inches apart. Each puck contains 48 individual LED diodes, with each diode capable of displaying 256m different colours – creating a vivid new landmark on the Las Vegas skyline.

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