USA - The historic Rialto Theatre in Loveland, Colorado recently received an Alcons LR7 micro line array system as part of an upgrade.
The Rialto opened in the 1920s to screen silent films and vaudeville but shut in 1976, briefly reopening as a retail complex before closing again. The venue was restored in the mid-90s as a multi-purpose arts facility combining cinema, live arts venue and a community centre.
The Rialto’s sound reinforcement system needed updating and technical coordinator Dave Brull was tasked with matching a small grant with sound that would match 21st century audience expectations.
“Rialto’s design was fairly standard for the era, with many hard and reflective surfaces like plaster and maple,” he says. “The building is protected so there were a number of constraints to deal with, like preserving original features, and we had to try and provide high quality sound reinforcement for a much broader range of events than it was ever designed for.”
“Being a municipal facility, budgets are always tight and I had a difficult time in matching the available funding with bringing the venue up to the standard we wanted,” says Dave. “I spent some time making contacts, getting site surveys done and demos arranged. I had several of the ‘marquee brand’ manufacturers in - the quote from one was three times our budget.”
When Dave visited the USITT show, the breakthrough was made. “I spoke to David Rahn of Alcons Audio USA and heard a demonstration of the LR7 system. It was obvious it had characteristics which we
USA - Continuing their 30th anniversary tour with a summer run of shows across the USA, The Australian Pink Floyd (with Trevor Gilligan at FOH) took Outline’s new Superfly system with them when they crossed the pond.
Paul Timmins, head of operations & sales at their long-standing audio supplier Capital Sound Hire, comments: "Outline’s Superfly cabinet is the gem of the family - it’s so compact and light (just 38kg per cabinet) that it’s a system you can offer to those tours that really do mix it up from clubs to arenas.
"The Australian Pink Floyd are a regular client of ours who do exactly that and when we needed to look at new system options for their European spring tour, knowing what was coming from Outline, we talked with Trevor who had previously used the Butterfly system some 10 years earlier and he was happy to go for it. It wasn’t long before the engineer, production manager and band were commenting on everything from its audio quality to packaging and weight advantages.
"This led to another win for all when it was established that the full flown arena system comprising main hangs of Superfly, side hangs of Mantas 28, complete with all the Powersoft X8 amplification would save a whole truck for the summer tour in North America. At short notice it was decided to airfreight the flown rig and amplification to California to combine with the existing supplier’s control and sub package for the tour that followed. It’s a new one for us to airfreight the speaker system and pick up control locally but that says a lot about the gem th
UK - HSL has added 100 units of Chauvet Professional’s Maverick MK3 Wash RGBW LED lights to its inventory at the LDI Show in October. By the start of the holiday season, the UK company already had the fixture out on three of its 2018-19 pantomimes, at the 2018 Liverpool Horse Show, and on the Arena Cross Tour.
“The immediate response has been very positive,” says Simon Stuart, managing director of HSL. “We’ve even had a certain renowned theatre LD comment that he didn’t want any other fixture except this in the future.”
He adds: “We spent a great deal of time chatting with some of our strategic partners in the USA, and with various LDs. Everyone was extremely positive about Chauvet and this fixture. We needed more large LED washes, and it became clear that the MK3 has all the bells and whistles. It’s extremely bright, is pixel mappable, has a great zoom, and its colour mixing is excellent.”
Albert Chauvet, CEO of Chauvet, says: “HSL has built a successful business and established a sterling reputation by following the same core beliefs that have always guided Chauvet. Having an industry leader like HSL show this level of confidence in the Maverick MK3 Wash means a great deal to me and our team members who have worked to develop this product. We’re looking forward to moving ahead with HSL in the future.”
Portugal - A traditional Portuguese Fado concert held in the cloisters of 17th Century São Bento da Vitoria Monastery provided Francisco Leal, head of sound at Oporto’s Teatro Nacional São Joao, the opportunity to get up close with Out Board’s TiMax SoundHub immersive dynamic delay-matrix – and further cemented his intent to incorporate TiMax immersive spatialisation into the Teatro Nacional’s in-house productions.
Leal explains: “Having followed the developments of the TiMax system for some time and wishing for the system when I met some challenging shows requiring different sound perspectives simultaneously, I finally found the opportunity this year to apply the system in a real context, in a Fado concert where movement throughout the performance is tradition.”
The concert played in the covered, wooden-floored courtyard of the Monastery to a three section, fan-shaped audience position, during an International Music Week event that also doubled as album launch for the band.
The multi-channel speaker system for the event, designed by Francisco Leal in discussion with Out Board’s Dave Haydon, who visited the venue to help fast-track the TiMax set up and programming, featured a rented TiMax SoundHub-S16 processor feeding all speakers separately via analogue outputs, and receiving mic and effects signals via analogue inputs fed from a Midas H2000 console.
The main PA comprised four Meyer UPA1’s as front and rear left and right pairs, with six Roland SRS120 speakers in pairs as left and right side surrounds for each seating secti
Germany - Prior to 1944, Frankfurt had one of the most beautiful and largest medieval half-timbered old towns in Germany. Recently restored, the architectural treasure was opened in September with a cultural programme that included a unique night drone show supported by lighting effects from Elation Proteus Hybrid moving head fixtures.
The highlight of the three-day celebration was a spectacular production in which drones drew constellations of light in the Frankfurt sky accompanied by a visually stunning light show over the river Main.
bright! GmbH was responsible for the concept and technical implementation of the production, as well as the programming of the drone show. Michael Giegerich, one of the managing directors of bright! GmbH and project manager for the constellations, developed the show concept along with lighting director Daniel Gündner. Both worked under the artistic direction of Atelier Markgraph.
It quickly became clear to those involved that the project required weather-proof lighting fixtures. "We were looking for an IP floodlight that combines the best possible beam characteristics with the simplest, most robust design," explains Thomas Giegerich, managing director of bright! "Having worked with A&O Technology and Jerry Appelt on the 2017/18 New Year's Eve show in Dubai, where hundreds of Elation Proteus Hybrids were used, we were very familiar with these moving lights and knew we could use them.”
The Proteus light show was designed to support the drone show over the Main as an additional visual effect yet not steal
The Netherlands - One of the bonuses of working with innovative and influential artists like dance music producer DJ Hardwell is that you get to work on some interesting shows.
Symphony: The Global Revolution of Dance was one of those moments for lighting and visuals designer Andre Beekmans of The Art of Light and operator Jaap Kamps.
The event was a live performance and collaboration between the globally popular and world leading electro DJ and multiple Grammy winning Metropole Orkest at the Ziggo Dome in Amsterdam, celebrating 30 years of dance music. It was staged to coincide with the renowned Amsterdam Dance Event (ADE) conference.
Andre and his Eindhoven based creative visual practice The Art of Light - who have designed and co-ordinated Hardwell’s lighting for some years - were approached by organisers Fourmation Events and MOJO and asked to create a memorable and appropriate ligating environment, for which he specified over 200 Robe moving lights - Pointes, Spiiders, BMFL WashBeams and BMFL Blades.
The show presented many challenges to Andre and his team which included Art of Light colleague Jaap Kamps, who is Hardwell’s regular lighting director on the road.
A key starting point were the main set elements, designed by Freek Cornelissen of 250K, including a large pyramid shape upstage comprising four equilateral triangles each filled with LED screen. Flown just in front of this was a skeletal trapezoidal lighting sculpture made up from multiple triangles outlined with pixel-mapped LED battens which were under the contro
Mexico - October saw Papa Roach and Good Charlotte making a triumphant return to Mexico as headliners of a rock spectacular, powered by Loto Audio and Funktion-One, in the nation’s capital.
Promoted by Zepeda Bros, the team responsible for a string of successful rock events, including Knot Fest Mexico - the show delivered over four hours of live rock music at the open-air gardens of the Arena Ciudad de Mexico.
To ensure the audience received the full power and impact of the performances, Loto Audo supplied a complete Funktion-One Vero sound system.
The system garnered praise from all the acts’ FOH engineers - providing proof positive of Vero’s abilities across all genres of music. For the opening act, Lack of Remorse, FOH duties fell to Hugo Garzon - one of the most sought-after sound engineers for metal rock bands in Mexico.
Garzon comments: “I was impressed when they gave me the audio and we started the soundcheck. It was crazy to hear the power and clarity with which it was counted at that moment, I left very satisfied to work with such powerful audio.” A sentiment echoed by both Papa Roach’s FOH engineer Bobbo and Good Charlotte’s mix-man Chris McMillan.
The system comprised hangs of three V60, two V315 and two V90 per side, plus an asymmetric configuration of eight V221 bass enclosures and four V132 sub-bass enclosures. Two F1201 speakers were used as front-fill. The stage front monitor setup featured eight PSM12 wedges, with another two combining with a BR221 bass reflex speaker for drum-fill and three Resolution 5
UK - A.C. Entertainment Technologies (AC-ET) has supplied a new stage lighting rig for the indigo at The O2, a live entertainment sister-venue to The O2 Arena which regularly hosts exclusive after-show performances by superstar artists, including Ed Sheeran, Coldplay and Prince.
The 2,800 capacity venue has established itself as one of the Capital's most popular settings for big events on a smaller scale, hosting live music gigs; after-show parties; sports and club nights; stand-up shows including Jimmy Carr; and TV events such as the British Comedy Awards and the Metal Hammer Golden Gods Awards.
With such an impressive roster of artists using its production facilities, when the stage lighting rig was in need of an upgrade after 12 years of service, indigo at The O2's technical manager, Rob Burrows needed a system which was nothing less than cutting-edge to satisfy clients' discerning requirements.
He commented: "In the years since the original lighting rig was installed, LED-based fixtures have well and truly caught up in terms of their overall performance. Combined with the increasing cost of maintaining the old fixtures, it was the right time to make the jump to a new full LED rig."
After using AC-ET for several years, Rob approached the company again to provide the complete supply of all components for the new stage lighting rig. Bob Allen in AC-ET's UK Lighting sales team handled the project, which included assisting with the specification of over 40 products and supplying over 550 separate pieces of equipment.
Rob continued: "Beyo
USA - With two hospital locations, 12 primary care clinics, six rehabilitation centres and nine specialty care sites, Children's Minnesota is one of the largest paediatric health systems in the United States. Star Studio is the hospital's in-house television studio with production spaces located on both the Minneapolis and St. Paul campuses. Star Studio programming is shown on Children’s own 24-hour television channel. In addition to pre-recorded programmes, Star Studio also produces 12 live and interactive shows a week.
To increase production efficiencies and to provide better audio quality for the studio's interactive game show programmes and recorded content, Ben Diger, Star Studio broadcast engineer at Children’s Minnesota, began using Dante-enabled equipment and the Dante Via software for the multi-channel routing of computer-based audio.
"With live and pre-recorded content, audio is 80 percent of the experience, and if we have bad audio, no one's going to watch," said Diger. "Producing a show with high-quality, professional audio is a must for us. Dante allows us to do this."
The Dante audio network platform allowed Diger and his team to pull in separate game show audio and music channels, as well as microphone and headphone channels, from a single computer, creating a virtual studio. The team also uses Dante to tie together its intercom system over the network, instead of traditional XLR cabling.
With Dante Domain Manager, Star Studio’s audio is efficiently integrated into a single, manageable and secure audio over IP network tha
Sweden - The country’s most northerly professional ice hockey team, Luleå HF, is enjoying new excitement at its home games, following the implementation of an impressive €4m audio-visual experience at the Coop Norrbotten Arena. A key part of this state-of-the-art package, installed by the Bright Group Sweden AB, is a high SPL Nexo Geo line array system.
The 6,300-capacity sports and event arena is home to the Luleå Hockey Association, which was keen to improve the live experience for its supporters and visitors, especially in the light of a new TV deal to broadcast all the games in Sweden’s premier ice hockey league.
Following its recent success at the Hartwall Arena in Finland, the Bright Group was ideally placed to design a dramatic new AV installation, including a powerful Nexo line array sound system, new arena lighting, projectors for ice projection, BlackTrax for position projection, LED-screens around the stand and a new LED-oval high above the ice. The high-end systems deliver a dazzling pre-show multimedia performance before every game in the arena. The show is constantly updated with new content, created by Bright Finland, putting the technology at the heart of the sporting entertainment.
“It has been a huge success,” says Bright Group Sweden’s director of installation John Wettersten. “The sound was one of the most appreciated parts of the project.
“When specifying our design, we had to consider the line of sight from the upper seats, as well as the weight of the loudspeaker cabinets necessary for the task, and, ne
Australia - Completed in 1862, Queensland’s stately Old Government House provided a dramatic backdrop for Mercedes Benz Fashion Week.
Tying the stunning 19th and 21st century visuals together into a balanced panorama was a colourful lighting design by Tim Allder of Chameleon Systems that featured 110 Chauvet Professional COLORdash Par H12IP fixtures, supplied by Showtools International.
To light the runways that ran on three sides of the iconic building, Allder had his COLORdash fixtures positioned on top of ground support vertical towers. Each tower had a 4-meter pipe on top that held five of the RGBAW+UV LED wash lights.
“We relied on the COLORdash fixtures to set the mood on the walk-in, as well as to light the building’s columns,” said Allder. “The building provided an excellent backdrop for the catwalk with lots of depth for us to play with, and the colours from the COLORdash really helped us accentuate these architectural features.”
The colour rendering capabilities of the COLORdash fixtures were also essential to highlighting the models and their outfits. “We used the fixtures to create hot, cold and medium skin tones that enhanced what the models were wearing during each segment,” said Allder. “For the brighter designs we had warmer colours and then pale blue-lavenders for the cooler apparel.
“Our biggest challenge in a project like this is to keep the levels and colour tones even along the entire catwalk, even with the limited number of locations we had to work from,” said Allder. “Happily, we were abl
UK - Sheaf St is the public area of Duke Studios, a hub of creative work spaces in Leeds and comprises a cafe, bar, event space and outdoor terrace. These spaces create a 400-capacity warehouse venue that can accommodate everything from live music and comedy to conferencing and dance music events.
When the Leeds Tech Hub Fund awarded Duke Studios a grant, it’s director James Abbott-Donnelly, took the decision to allocate significant funds toward dramatically upgrading the sound, light and projection facilities in Sheaf St to support a truly flexible and adaptable approach to staging every kind of event possible. Having done his research and spoken to a number of market leading brands, he concluded that Pioneer Pro Audio best understood the needs of the project and also that its range of speakers perfectly fitted the brief.
The Audio Group was engaged to install systems into Sheaf St’s three distinct areas, with the proviso that they could function independently or be used in tandem across the spaces to suit any given event. Following installs in the main Events Space and the Cafe-bar, the work was completed earlier this year when the outdoor ‘Yarden’ was equipped with its powerful yet discreet system. With all of its spaces fully covered by Pioneer Pro Audio’s XY and XPRS Series speakers, Sheaf St found itself fielding a sharply increased demand for its facilities.
The flexibility of the XY and XPRS systems ensure crystal clear speech reproduction and easily deliver the headroom for comedy and talks.
Paul Adamson, managing directo
Australia - This November, the Adelaide Symphony Orchestra, in partnership with CineConcerts and Warner Bros. Consumer Products, performed Harry Potter and the Prisoner of Azkaban in Concert at the Adelaide Entertainment Centre, South Australia. It was the first ever use of L-Acoustics L-ISA Hyperreal Sound in the southern hemisphere and took audiences even deeper into the magical world while the symphony orchestra performed the entire score live to picture.
L-ISA was deployed by leading Australian technical production company Novatech, which has been using L-Acoustic systems for events of all sizes and scope around Australia, from music festivals to live concerts and corporate events, for over a decade. A keen innovator and early adopter of creative event technology, the company has always endeavoured to improve the experience for guests and artists alike and has invested heavily into new technology over the years.
When L-ISA was released, Novatech looked for opportunities to use the ground-breaking technology in Australia. The search quickly focused onto one of its long-time partners, the Adelaide Symphony Orchestra, which has gained a reputation for outstanding contribution to the world of music and, with the nature of the entertainment perfectly matching the application of L-ISA, was a natural fit.
“With L-Acoustics being the backbone of our audio inventory, we were excited by the introduction of L-ISA and were keen to bring it to Australia for a live performance,” remarks Novatech’s production manager, James Sacca. “It seemed f
UK - With Oscar-winning film credits such as Gravity and Slumdog Millionaire in its portfolio, Pinewood-based Sound 24 is one of the leading post production sound facilities specialising in film and TV.
While Glenn Freemantle picked up a 2014 Oscar for best sound editing on Gravity, his Sound 24 partner Niv Adiri shared the award for best achievement in sound mixing on the same movie, while both have many BAFTA award credits to their name.
Both are discerning when it comes to sound production, and in upgrading their studio at Pinewood to an immersive Dolby Atmos mix room they have chosen Harman’s JBL 7 Series reference monitors for all monitoring; front, surround and overhead. The system incorporates JBL’s new Intonato 24 monitor controller for Atmos. All were supplied by reseller Jigsaw 24.
As Adiri explained, “We have used the room for many years with a different sound system and while it translated well, it was always lacking clarity in the dialogue and spot effects - you didn't quite know what you were going to get.”
Aware that many stages and theatres are equipped with JBL Cinema systems, they were recommended to speak to UK and Ireland distributors Sound Technology Ltd by Jigsaw 24. “And they have been brilliant,” says Adiri, “really helpful and really knowledgeable about what system the room was going to need.”
Ben Todd, application engineering manager at Sound Technology Ltd, provided a system design and demonstrated the recently introduced JBL 7 Series. Having tried the JBL solution out, the
USA - The Classical Academy (TCA) in Colorado Springs recently debuted its new performing arts auditorium with a production of The Little Mermaid enhanced by an all LED Elation Professional lighting system designed and installed by Second Opinion Audio.
Second Opinion Audio designed all of the audio, lighting, video and motor control systems for the new performing arts space. “This is a total state-of-the-art system and we needed to have the lighting system reflect that,” said Second Opinion Audio founder Bob Langlois. “LED was the direction we wanted to go for maximum flexibility for the client. There is no other auditorium of this size that can claim this technology.”
The Elation lighting rig is made up of both dedicated white light luminaires (24 WW Profile warm-white ellipsoidal spots, 12 DTW Par 300 variable white LED Par lights) and full colour LED lights (22 Colour 5 Profile LED ellipsoidal spots, 10 SixBar 1000 LED battens). A pair of Antari F4 Fazers is used for atmospheric effects and mid-air canopy projection. The full theatrical lighting system is spread across three electrics and was designed by Second Audio’s Terry Taylor, who decided specifically on the Elation fixtures to fit the school’s needs.
Designed and built from the ground up, the new performing arts space was completed in time for the school’s fall presentation of The Little Mermaid.
“TCA is thrilled to have a new auditorium with state-of-the-art lighting and sound,” comments Kaye VonKessel, TCA’s theatre director. “We just finished
Germany - Dynacord’s award-winning IPX amplifiers for fixed installations have made their world debut in one of Europe’s most significant stadium projects – the rejuvenation of the historic Berlin Olympiastadion.
Long known as one of the best-sounding stadiums in Germany, the historic location was outfitted in 2004 with an Electro-Voice system in time for the 2006 World Cup final. After 12 years of faithful service, that system has been upgraded to benefit from the power, energy-saving and networking flexibility of the Dynacord IPX range of amplifiers.
In addition, the stadium’s existing 171 Electro-Voice XLC loudspeakers have been upgraded to the DVX version for more powerful sound and increased intelligibility.
With an overall ambition of reducing the total cost of system ownership, the new solution had to feature IP connectivity, Dante audio and green credentials as well as deliver the best possible sound with headroom to spare. “If you can’t clearly understand what is coming from the loudspeakers, not only is it a safety risk, it’s not particularly satisfying for fans in the venue,” argues, Christoph Meyer, director of events & communications at Olympiastadion.
Fulfilling these requirements are 64 Dynacord IPX10:4 Class-D, multi-channel amplifiers with up to 10,000 watts per amp, providing ample headroom while handling all DSP processing. Two Electro-Voice N8000 NetMax controllers handle audio distribution and interface with the emergency evacuation system.
“Dynacord IPX series DSP amplifiers were the ideal cho
UK - Tim Fawkes has worked for Prodigy since 2012 and been their lighting designer for the last year. He’s currently fully embroiled in creating a lighting riot for the current No Tourists, tour promoting the Prodigy’s seventh album.
HSL is again the lighting supplier, and the band are playing arenas and living up to their reputation for being among the most exciting live acts around.
Tim went for a massive, wide and “epic” look for the stage. “I wanted to get away from the postage stamp look of some shows in arenas, where only a tiny part of the actual venue is involved,” he explained. In addition to feeling the energy and atmospherics of the lighting, the band wanted to embrace the whole audience and pull them kicking and screaming into the Prodigy live trip and lighting plays an absolutely instrumental part in this process.
Tim was also involved in drawing up and developing the set design which is based on an idea from the band inspired by the album artwork involving the iconic Routemaster London bus.
In the middle of the stage are two AEC Routemaster front-engined double-decker buses which are 6m high, 2.5 wide and 3m deep.
Built by Brilliant Stages Tim worked alongside Prodigy production manager Tyrone Brunton and Brilliant account handler Bullet to perfect the scenic elements.
As this is a Prodigy show, these are no ordinary London buses – Tim calculated how many lights he could squeeze into the space and filled them with Martin MAC Quantum Washes, Atomic LED strobes and ColorBlock II LED battens to illum
USA - The Department of Theatre and Dance at the University of Alaska, Anchorage (UAA) has taken delivery of Ayrton Ghibli fixtures, supplied by ACT Lighting, Inc., Ayrton’s exclusive distributor in North America.
Professor Daniel J. Anteau, the Chair of the Department of Theatre and Dance whose specialty is lighting design, had been looking to introduce cutting-edge LED moving head fixtures to use in UAA’s Main Stage and Harper Studio Theatre. He saw Ghibli online, enquired about the new light’s capabilities and sought out Ghibli users.
“I wanted to know if it was as amazing as it appeared online,” says Anteau. “It seemed to be exactly what I was looking for. Users told me how Ghibli compared to other fixtures I knew. That gave me a lot of confidence moving forward.”
Anteau intends to share the Ghibli fixtures between UAA’s two stages. Although students have just returned for the new school year the Ghibli units have already been used by Alaska’s newest professional theatre company, CAZART, on a production of Lungs by Duncan Macmillan, with lighting design by UAA student James Kendall.
“The department’s new season will run from October 2018 to May 2019, and I anticipate the Ghiblis will be utilized on every production we do,” says Anteau. ‘I expect heavy usage for Playhouse Creatures which opens October 26.”
UK - Specialist music venue company VMS Live appointed technical production specialist Adlib to provide a new audio and lighting design and installation in the popular 1900 capacity Eventim Olympia in Liverpool, UK, one of the high profile live music sites that VMS operates.
This project was led by VMS’s MD Steve Forster and Adlib’s Andy Dockerty who in turn enlisted the knowledge and practical expertise of two of Adlib’s most experienced engineers - Ian Nelson (audio) and Stuart Gray (lighting), choosing a Coda PA and a Chauvet moving light rig.
The general goal was to provide tour-grade in-house production options for visiting artists both in terms of practicality and creative scope, so they can avoid the expense and hassle of bringing in their full productions.
The auditorium was originally constructed in 1905 – designed by legendary theatrical architect Frank Mitcham as a purpose-built indoor circus and variety theatre – with many original features still in place. It comprises a stalls area in front of the stage and two balcony levels. The middle balcony has a bar to the rear and a thin viewing envelope to the stage.
The major audio requirement was to provides a sonic experience to satisfy top level touring artists, offering a viable and attractive alternative to bringing in their own systems. The system design also had to be flexible enough to cater for the many in-the-round scenarios – including sporting and dance events – hosted by the venue.
Having mapped and modelled the space utilising these new flying points, th
China - Shenzhen’s Happy Valley Amusement Park, having celebrated its 20th anniversary in October, is still going strong, receiving over 30m tourists from China and overseas in that time. The Park wanted to make some special changes for its anniversary, to keep the experience fresh, and decided that a sound reinforcement upgrade was the way forward. Ultimately they chose a Martin Audio WPC line array.
Happy Valley is China’s first domestic amusement park chain, with seven locations across China and an eighth opening in 2019. Happy Valley, having previously worked with Budee and Martin Audio on its Chongqing park, once again decided on the same partnership, this time for its flagship venue.
The park looked to upgrade its Water World sound stage, where a flexible system that could be used for a variety of shows was required. The multi-resolution options that exist in Martin Audio’s Wavefront Precision offered the ability to easily adjust, based on a show’s size. The digital optimisation provided by Martin Audio’s Display software guaranteed the Pacific Budee technical team could guarantee the sound quality across the audience coverage area.
Budee’s south China technical manager, Jin Lei comments: “The old system received a lot of complaints about sound leakage into other areas of the park, but Display allowed us to focus the sound entirely on the audience.”
Happy Valley chose to go with a system comprising 16 WPC speaker elements and eight SX218 subwoofers, which could be integrated in different formations. The system is driven
USA - Sitting on a sprawling campus in the Bothell community outside of Seattle, Cedar Park Church was founded in 1970 and has, for the last nearly 50 years, been growing each year.
When the time came to upgrade the church’s sound system in its 970-seat main auditorium, the decision to install a new system from Clair Brothers.
Steve Palermo, owner, LIFT AV, consultant and project manager of the new system, explains: “No architectural changes had to be made, however, we did spec the system for the church’s planned future renovations. This Clair Brothers kiTCurve12 system was designed to accommodate future renovations without requiring any further system enhancements or funding.”
Cedar Park Church’s old system was antiquated and due for a modern approach. The first step of the physical installation was the removal of all eighteen of the old speakers, ten amplifiers and a long-passed-its-prime system processor.
Palermo adds, “The idea was to significantly reduce the amplifier footprint and amperage requirements while making a huge improvement in fidelity, output and headroom. And with the new four per side kiTCurve12 system, a significant improvement was made to the stage site lines thanks to the incredibly elegant form factor of the system.”
Palermo and his LIFT AV team worked closely with Andy Soemo, sound and recording pastor at Cedar Park Church, to determine the best speaker system choice.
Now that the install is complete, and he’s had some time to experience it first hand, Andy reports: "I’m really happy abou
USA - When fast-growing Action Church in Florida decided to transform an older building into the ministry’s new broadcast location, they chose to dynamically light the space using an Elation Professional intelligent lighting system designed by AVL integration company Crown Design Group (CDG).
Action Church opened the new chapter, its fourth, in Winter Park, Florida, this past fall. As a dedicated broadcast location, the main sermon takes place at the new facility and is then fed live to Action Church’s other locations, one smaller location and two mobile sites that are set up and torn down each weekend that CDG has also outfitted with Elation gear.
“Every Action Church location has live music and a pastor host but this is their first large, non-mobile location,” says CDG co-founder Ben Graham, whose passion is to see churches inspire and grow their congregations through the use of AVL technology. “They required a versatile system that could cover both house and stage lighting and because all locations take a live feed from the Winter Park site, they needed lighting that could easily transition for use in the sermon broadcast.”
Needing a versatile colour-changing house lighting solution for the 1000-seat main room, CDG found it in Elation’s LED downlighting Colour Pendant. “They wanted control of the house lighting to project any colour and to match with the background they have on screens so we use the Colour Pendants to shade the room and bring colour from the stage out into the audience,” says Graham.
For colour wash on s
UK - Accompanied by an Allen & Heath dLive mixing system, English rockers Nothing But Thieves finally return to the UK, bringing their mammoth year-long world tour to an end.
SSE Audio - one of the largest rental stockists of Allen & Heath products in the UK - supplied the full audio set-up, which includes a dLive S7000 and DM64 MixRack fitted with Dante for multitrack recording and virtual soundcheck on FOH and a dLive S5000 with a DM64 MixRack on monitors.
Gary Curtis, FOH engineer and long-time user of Allen & Heath products, comments: “I first came across dLive at SXSW several years ago and I instantly found it very user-friendly, great sounding and very quick to assign layers, but the flexibility of the system is what really drew me in. Now I’ll use dLive at every opportunity I have - for this tour, I even convinced our monitor engineer (David) to move away from the ‘Dark Side’ and join the dLive team.”
“I was really apprehensive of using dLive at first but as soon as I had spent a few hours familiarising myself with the console, I just fell in love,” explains monitor engineer David Ruffle. “It was so fast, easy and perfect for what I needed to do with the in-ears - in terms of stage times - and it really does do everything I could want or need.”
Both engineers also use a range of the dLive’s built-in effects and DEEP processing suite, including the 16T, the Mighty compressor, the PeakLimiter76 and Dyn8. Ruffle comments, “In terms of processing and onboard effects, we use all of it! I’m using at least o
Norway - Norwegian LD Kimarius Abrahamsen chose Ayrton MagicBlade-R and MagicBlade-FX lighting fixtures as the main structural elements of his design for Cezinando’s tour and summer festival appearances this year, helping earn the Norwegian singer, rapper and songwriter his third NRK P3 Gull (Gold) Award as Live Artist of the Year.
Bary AS was responsible for the production design of Cezinando’s show and the supply of the majority of the technical equipment, including the Ayrton MagicBlade fixtures.
Frode Eggum Have of Bary AS says: “We want to congratulate Cezinando on his fantastic win and would like to think it might have something to do with his killer concert at Øyafestivalen earlier this summer which had everyone talking!”
Bary worked closely with Abrahamsen on Cezinando’s show for Øyafestivalen, one of Norway’s biggest. But Abrahamsen’s story with Ayrton MagicBlades began even earlier: “Before Cezinando's summer tour, I really wanted to try out Ayrton's MagicBlades as they seemed like interesting fixtures that could change the whole look of the stage design easily and quickly,” says Abrahamsen. “I really wanted to challenge myself to play with ‘walls of light’ and pixel-mapping in a show. I ended up using twelve Ayrton MagicBlade-R fixtures in Extended Mode on the tour, and immediately fell in love with them!
“For the Øyafestivalen show, I worked closely with Sebastian Ekeberg, Bary’s production designer, to find some fixtures that would complement with our current ground package, and fit into the stage d