Belgium - Rock band Triggerfinger played four highly energised, sold-out shows at the Roma concert hall in Antwerp, marking the European live performance debut of Robe’s new SuperSpikie moving light.
The band’s lighting designer is Erwin van Lokeren and the lighting and audio equipment was supplied by rental specialist Splendit. The SuperSpikies were part of their most recent investment in Robe technologies, and these were the first of the small luminaires to be delivered in Europe, supplied by Benelux distributor, Controllux.
Last year Erwin started working for Triggerfinger who have been a constant presence on the Benelux rock scene since 1998. They decided to play these five showcases at the Roma rather that one large gig in one of the cities arenas. Roma is a well-known arts and cultural hotspot in the vibrant Borgerhout area of Antwerp, originally built as a cinema in 1928.
The intimacy and warmth of the venue makes it a firm favourite for artists and audiences from all over Belgium.
When it came to choosing fixtures, Erwin wanted “lots of different and more idiosyncratic lightsources and compact fixtures”. When Splendit confirmed they would have their SuperSpikies delivered in time for the show, he incorporated 17 into his design.
Twelve were in the roof, rigged on the rear house bars, and five were positioned upstage on the floor - all having a massive impact for their small size.
The overhead SuperSpikies were used for back and general lighting and the floor units for silhouetting the band and shooting through the
USA - With seven locations across Chicagoland, The Chapel has given new direction to its worship services with dLive digital mixing systems from Allen & Heath.
Now outfitted with a dLive S7000 control surface at front of house and a C3500 for monitors, one of the church’s largest properties in Grayslake forges connections with the aid of Allen & Heath’s proprietary gigaACE networking cards. The system additionally relies upon Allen & Heath’s DX168 expanders, which are used for audio patching and video control of simulcasts between locations.
“Simulcasts regularly originate from one of our two biggest campuses each week,” says Caleb Loeppky, The Chapel’s production director. “While our streaming platform allows us to send multiple audio channels, it wasn’t until we made the DX168 expander part of the equation that we realised its full potential. Now, with just a single network line we're able to easily manage additional I/O. This fact alone is amazing, and well worth the price of admission.”
Beyond the gains in sonic quality, networking capacity, and expanded channel counts The Chapel now takes advantage of, dLive has proven itself to be popular with the volunteer audio staff as well.
“Operating a dLive system is so straightforward and intuitive,” Loeppky adds. “I can sit down with someone who has never mixed before and have them up-and-running in no time. Everyone can utilise layers, scenes, and soft keys to setup the desk however they want. No one is ever forced to do anything outside of their comfort zo
Saudi Arabia - AV equipment supplier Production Technology (Protec) has reported that, thanks to recent purchases, it now offers the same brands and services from its new warehouse in Riyadh that it does from its Dubai HQ.
The company has already been involved in a string of major events, including Formula E. Saudi Arabia, one of the first major international sporting events ever staged in the country.
For this project, Protec’s audio team chose a range of L-Acoustics to cover an extensive area across six grandstand viewing areas, two hospitality areas, the podium, a gaming area and the e-village stage. Video turned to Barco’s S3 and Luminex networking to livestream to 140 screens across the venue which required 19km of fibre to ensure 4K video with less than one frame of delay. Lighting used their new SGM P-10 and Claypaky lights for the E-Motion club and hospitality village.
Another major event in Saudi Arabia that Protec provided a complete package for was the new tourism destination, Al Qiddiya, planned to be the world’s largest entertainment destination. Based in the desert with no infrastructure in place, Protec was invited to supply the temporary structure including a 36m x 88m Supa Dome with full technical support inside the auditorium as well as scenic, staging and automation for the ceremony attended by royalty and VVIPs to celebrate the beginning of an estimated two-year build project.
Following Saudi’s successful expansion, focus is moving to the UK based Protec European Events. New premises have been acquired, more than do
USA - Reflect, an award-winning provider of retail digital signage programmes and long-time digital partner to Levi Strauss & Co, has teamed up with D3 and BrightSign to create a striking visual experience at the recently opened Levi’s flagship store in Times Square. At nearly 17,000sq.ft, it is the largest Levi’s flagship store in the world. The multi-level location employs AV treatments that create striking visual interest throughout the store.
Originally established in 1853, Levi Strauss & Co. is one of the world’s largest apparel companies with 500 stores worldwide, and products available in over 100 countries.
When tasked with creating a modern environment that was not only welcoming, but also told the story of the brand, Levi’s turned to Reflect. Reflect - which also oversaw the digital design and integration of the San Francisco Levi’s store - leaned heavily on the use of LED panels to create large-scale vignettes in prominent, high-traffic areas. In total, 10 million LED pixels blanket more than 1,000sq.ft of prime wall space located on both levels of the store. The full array of LEDs - supplied by D3 LED - are powered by just two BrightSign XT1144 media players. The inclusion of two additional BrightSign XT1144 media players ensures a high degree of redundancy.
“Times Square stores are among the highest-visibility retail establishments in the world. Delivering a brand-right digital experience was our goal,” says Brandie Perkins, senior account manager at Reflect. “We entrusted BrightSign media players to deliver a f
UK - Each year the Strictly Come Dancing Live show gets that bit more glitzy and that bit more glamourous.
Now in its 12th year, the live production of the TV show has gone from strength to strength, playing arenas around the country. Each year the show specification is revisited and refreshed with each set piece and prop given a re-evaluation. This year, one of the recipients of a revamp were the chandeliers.
Production manager Andy Gibbs reports: “We had maintained the chandeliers for 11 years, bringing them out of storage annually to add that extra dressing to the set look. Our tour director is Craig Revel Horwood and during the initial discussions about this year’s show, he was keen to include fountains and waterfalls. Clearly, with 1,200 panels of wooden dancefloor that gets loaded in and out and carefully laid at every venue, this was never going to happen. I suggested we go down the LED route and approached Specialz to come up with a proposal. The resulting design and fabrication produced four chandeliers which proved to provide effects far beyond the original expectation.”
Specialz MD Dave Smith comments: “We exchanged various ideas and settled on a concept using programmable node RGBW LEDs and based around three half circle mirror balls on a tier. They had to be the same size as the old chandeliers to maintain the truck pack, they had to be battery powered, WiFi controlled, needed to rotate and descend from a winch. Our SPI cards have a unique programmable animation capability which allowed us to essentially group the 12,0
USA - Production lighting designer Andi Watson recently undertook one of his most challenging projects thanks to a collaboration with LA-based mixed-media artist Doug Aitken.
Conceived by Doug Aitken Workshop, the mirrored art installation, Mirage Detroit, has transformed the 100-year-old Savings Bank in Detroit into a mesmerising adventure for visitors, due in part to the judicious use of customised GLP fixtures, which are used exclusively to light the space.
The LD says the collaboration came about largely by chance. “I had been working on another project in Detroit with the Library Street Collective team who were in the early stages of putting together Mirage Detroit with Doug. Several things fell into place and Anthony and JJ from LSC suggested to Doug that he and I should talk about the lighting component of the piece.”
The concept, in which the 70,000sq.ft Silvers Building was transformed into a kaleidoscopic world of reflective mirrors, fomented over several months and via numerous conference calls. “Doug sent me detailed drawings and renders of how the piece was going to look in the space and we discussed how the lighting would be used to bring both buildings to life.”
Both collaborators agreed that only white light would be used in the installation. Watson explains: “To me, light is the medium and the language with which the Silvers Building and Mirage communicate. I wanted that communication to be as pure as possible and not affected by a subjective colour choice.”
However, this presented a conundru
USA - Georgia Tech fields a mean team of Yellow Jackets baseball players that has posted numerous NCAA Division I conference championships. The team practices and plays all of its home games at Russ Chandler Stadium, a 4,000-plus seat stadium originally built in 1930 and massively renovated in 2002. Like everything on the Georgia Tech campus, Russ Chandler Stadium is nestled deep inside Atlanta’s Midtown area.
Gainesville-based AV company dB Integrations recently gave Georgia Tech two Danley-based sound systems for Russ Chandler Stadium: one for game day that includes a beefy Danley SH96HO loudspeaker and an even beefier Danley BC415 subwoofer and one for practices that uses a more modest Danley OS80 weatherised loudspeaker.
“The Yellow Jackets had a dated sound reinforcement system mounted on a 25ft tower behind centre field,” explains Ronnie Stanford, director of sales and marketing at dB Integrations. “The audio quality was poor, and the system had zero low-frequency extension. The situation called for a complete redo, and we were careful to build game-day and practice systems that would help the team avoid noise complaints. In addition, we designed and installed a whole new front end in the press box, along with simple practice control from the home dugout.”
He continues: “The Georgia Tech facilities managers were already familiar with Danley Sound Labs because they heard a demo for the football field a few years ago. They didn’t want to mess with a distributed system - they wanted high fidelity, great intelligibility, and solid p
USA - When the annual Calle Ocho Street Festival took place recently in Miami’s Little Venice it was headlined by Colombian singer, songwriter and producer, Fonseca.
For the past six years, the Grammy nominated artist has been given full visual support by lighting and AV specialists 4 Sound Group. The locally-based company annually provides the full technical infrastructure for this one-day street carnival, frequently calling on its inventory of PR Lighting fixtures.
Around 8,000 people turned up this year to see the so-called ‘King of the Carnival’ perform, and 4 Sound Group’s lighting designer, Juan Miguel Sanchez, gave him a dynamic stage set that befitted the occasion. They deployed 16 PR Lighting Phantom 440, a versatile hybrid Beam, Wash and Spot combined, programming in all three modes to make full use of the Osram Sirius HRI 440W lamp and advanced optical path. This gave them: 0°~ 2.8° angle In Beam mode, 2.8°~ 60° (Spot), and 10°~ 60° (Wash).
These effects were complemented with 16 PR Lighting XLED 4022RZ, a bright LED colour wash featuring 22x 40W (4-in-1 RGBW) LEDs.
The Miami-based production company has been a PR Lighting partner for the past three years.
Company president Joaquin Gonzalez comments: “We particularly chose PR Lighting as our main brand for the quality of its equipment. The power and light output are incredible, and comparable with any other brand in the market. The local support of [PR Lighting US distributor] Mega Systems is very good, and for our part we will continue to increase our invent
Denmark - In early 2019, the Odense Theatre, in collaboration with The Funen Opera and Odense Symphony Orchestra, staged the country’s largest ever musical production. Featuring a 70-member orchestra and a star-studded cast, the investment by production company AV Center in a Yamaha Rivage PM10 digital mixing system was one of the key factors that made the show possible.
Performed during January and February at Odeon in Odense - a modern venue with a main hall that seats audiences of over 1700 - Leonora Christina is a musical extravaganza telling the 17th century story of one of Denmark’s greatest political intrigues. Directed by Peter Langdal, it includes “all the plot elements of love, power and treason essential for a great musical production”.
The performances featured high profile Danish actors Xenia Lach-Nielsen and Troels Lyby in the lead roles of Leonora Christina and her husband Corfitz Ulfeldt, as well as many other well-known Danish stars of stage and screen.
AV Center is one of the country’s leading production rental companies and a long-term user of Yamaha digital mixing consoles. It has a number of CL and QL mixers in its inventory, but a higher capacity system was needed for Leonora Christina. It was the perfect production for the company to invest in a Rivage PM10 system.
AV Center’s Jesper Findshøj was the sound designer and Front of House mix engineer for the show, which included more than 30 channels of digital wireless microphones, a comprehensive wired microphone package for the symphony orchestra and a
UK - Adlib supplied a Coda sound system, video equipment and crew to the recent UK leg of punk folk singer-songwriter Frank Turner’s on-going world tour. Adlib worked closely with production designer Ali Pike, FOH engineer Luke Buckbee and Johnny Stephenson on monitors.
Taking on the full production designer role was an exciting prospect for Ali Pike who initially chatted with Frank about what he wanted video-wise, and had a very clear overall perspective of what she wanted to create. The focus was to bring something fresh and different to the visual mix.
Assisting Ali to get all the kit and the effects she wanted on the road was Adlib’s Matt Hopwood.
The white backdrop for the lighting and video projections was 18 ft high, and Panasonic RZ21K laser projectors were selected for their power and relatively compact size. These were fitted with short throw lenses and run as an overlaid pair, flown on their own dedicated mid stage truss.
Adlib supplied a fully redundant Catalyst V5 Pro Media server that came complete with 6 channel Active Silicon Camera Inputs. The servers were operated via Ali’s grandMA2 lighting console, where she also added effects and treatments to the content that she had compiled for the show.
Adlib provided six POV cameras, a combination of rackable Marshalls, 2 x CV350 10x zoom ‘block’ and 4 x CV225 ‘lipstick’ units. Three of the lipstick cameras used their standard lenses and one was modified with a fisheye lens.
James Coghlan was the audio systems tech, working with Adlib’s Alan Harrison to e
Belgium - Fisheye, Painting with Light, PRG Belgium and WIcreations - four of the technical partners involved in the 40-45 Spektakel Musical production - have been featured in a behind-the-scenes film.
40-45 Spektakel Musical is being staged at the Pop-Up Theatre in Puurs by Studio 100.
The short film, available for free on YouTube, was shot during the set up and first weeks of the production and features clips from the show as well as exclusive interviews with director Frank van Laecke, technical director Bart Caels from B-Art Production Design, creative lighting expert and video designer Luc Peumans, innovative entertainment engineering specialist Hans Willems, Fisheye director Stijn Slabbinck - in charge of several scenic masterpieces - and Tom van Hemelryck from PRG, who provided lighting and rigging equipment.
It gives viewers a technical and creative insight into the meticulous planning and challenges of producing this ambitious show set during World War II, the vision and foresight of Studio 100 and the strong teamwork, standards of excellence and innovative solutions that are making it happen.
A team from Painting with Light led by Luc Peumans crafted the lighting design and undertook the programming and operating. They also produced the bespoke video content and designed the video control system complete with its programming and ope
Italy - Dionysus Rising is a new opera by Roberto David Rusconi, and part of the vibrant OPER.A 20.21 programme from the Haydn Foundation of Bolzano and Trento. The production brings modern context to the myth of Dionysus, the ancient Greek God of wine, fertility, ritual madness, religious ecstasy, and theatre, and is set in a rehabilitation centre for patients suffering from mental health issues.
Roberto David Rusconi is the 2019 Artist in Residence for the Haydn Foundation and is well known for his wide-ranging portfolio of immersive musical experiences for opera, theatre, and dance, as well as extensive work in music for film and TV. The Dionysus Rising music uses a small orchestra together with live voices and playback. To convey this ambitious immersive soundscape and complex scoring clearly and intelligibly to the audience, Rusconi turned to L-Acoustics' L-ISA Immersive Hyperreal technology.
He was first introduced to the system by L-Acoustics director of scientific outreach, Etienne Corteel. "I wanted to work with Etienne since we met on another project back in 2014. I got together with him and Christian Heil (president and founder of L-Acoustics) and they explained their ambitions for L-ISA and what it could mean creatively. It was a real stroke of luck - the right time and the right place. My goals were identical to theirs, and the opera project had just been commissioned. I was looking for something, and I found the best."
Rusconi worked with the L-ISA Controller and Processor at his own studio for several months, exploring
USA - Taking place at the Tropicana Casino Resort, right in the heart of Las Vegas’ infamous Strip, the Mobile Beat trade show brings together DJs, MCs and entertainers from across the USA and around the world.
For the second year running ADJ sponsored 2019’s event, providing lighting, video and effects production for the main stage which hosted educational seminars throughout the day and a welcome party featuring hip hop legend DMC of Run DMC.
The 23rd annual Mobile Beat DJ Conference welcomed hundreds of delegates for four non-stop days of educational presentations, equipment showcases and evening networking parties. The keynote seminars as well as the Monday evening party were hosted on an impressive stage in a huge ballroom at the Tropicana’s Convention Centre, featuring a lighting rig designed and programmed by ADJ product specialist Edgar Bernal.
Edgar used a selection of ADJ’s flagship products and new fixtures to create a flexible rig that could be used both to highlight the guest speakers during the day and help to get the party started at night. These were arranged across two trusses - one positioned behind the stage and the other hung above the audience - and also lined up along the back of the stage. This allowed Edgar to illuminate the speakers and performers on stage, create static ‘warmer’ looks that set the tone for the conference and then generate engaging mid-air beam and ‘eye candy’ effects for the evening party.
The headline performance from DMC didn’t disappoint, packing in hits including My Adidas
South Korea - Hansam System Co recently installed an array of Martin MAC Quantum Wash fixtures at Lotte Concert Hall to achieve 360° coverage and near-silent operation in the leading venue.
Lotte Concert Hall is a contemporary 2,036-seat auditorium, newly built by the Lotte Corporation and located in Seoul’s elegant Lotte World Mall. The hall was designed by renowned international firm Nagata Acoustics, and features terraced, wrap-around “vineyard style” seating for optimal acoustics in every seat.
The hall needed a modern lighting solution to ensure consistent coverage for all viewing angles, as well as minimal noise during delicate classical and opera performances. They hired Hansam System Co., who installed an array of Martin MAC Quantum Wash fixtures to meet the hall’s needs.
"We trusted the experts at Hansam System Co. to help us create an engaging environment at our concert hall and provide guests with a stunning visual experience to match the extraordinary acoustics of the space,” said Ms. Eunjung Choi, lighting director, Lotte Concert Hall. “And since the hall’s design can amplify even the smallest sounds, we appreciated the ultra-quiet operation of the Martin fixtures they chose.”
Hansam System Co. settled on an array of 24 MAC Quantum Wash fixtures hung from an acoustical “cloud” high above the stage.
“Lotte Concert Hall was specially designed to increase the sense of communion between the performers and the audience,” says Mr. Moowoong Cha, sales director, Hansam System Co. “The auditorium needed eff
China - Lighting and visual artist Christopher Bauder from Berlin-based WHITEvoid was asked to reimagine his ground-breaking Mirror Mirror kinetic lighting installation for the 2019 world premiere of the new BMW 7 series which took place in Shanghai.
He used 52 circular shaped Kinetic Lights mirror disks which worked in conjunction with 42 synchronised Robe Pointe moving lights plus one MegaPointe to stun the 500 VIP guests in the majestic former industrial environment of the West Bund Art Centre, Shanghai.
Christopher was commissioned by show producers China Kingway for whom he’d previously delivered the initial Mirror Mirror in 2018 as a stand-alone segment making up Apologue 2047/2, a work directed by Chinese film director and former cinematographer Zhang Yimou.
This time, the show was directed by Mr Bao, CEO of China Kingway assisted by LuLu He and also featured a special electronic soundscape by composer Kanding Ray, combined with a live performance by famous Chinese sheng player Wu Tong. The sheng is a traditional Chinese mouth-blown free reed vertical pipe wind instrument.
Christopher was delighted to look at ways he could adapt Mirror Mirror to meet this brief and work in this dynamically different context.
The show needed to highlight the styling and proportions of the cars and create a great ambience and anticipation for the reveal, so they developed a series of three-dimensional tableaus that would interplay with artefacts from automotive environments - like streets, landscapes, architecture and natur
Italy - As the site of the Rome Film Festival every October, the Auditorium Parco della Musica has played host to many of the brightest movie stars. Last year, Martin Scorsese, Nicole Kidman, Sigourney Weaver and Julia Roberts were among the celebrities participating in the festival’s events.
Given its association with the film industry, this Renzo Piano-designed complex just north of Rome’s ancient city, made an appropriate setting for a recent retrospective by one of Italy’s favourite actors, Gigi Proietti.
Cavalli di Battaglia takes a moving, contemplative look at Proietti’s over 60-year career on stage and in internationally acclaimed films like Sidney Lumet’s The Appointment and Robert Altman’s A Wedding. Supporting the retrospective at the Auditorium Parco della Musica was a lightshow created by prominent theatrical designer Umile Vainieri. Anchoring his warm and evocative lighting design is a collection of Chauvet Professional Maverick fixtures, supplied by Fumasoli Audio and Lights Rental.
Vainieri used 28 Maverick MK2 Wash and 14 Maverick MK2 Spot fixtures in his design for the show, which is based on a popular televised version of Cavalli di Battaglia that ran on Italy’s RAI network in early 2017. He positioned 18 of the wash units on the stage deck in double rows just in front of the orchestra to create a variety of dramatic effects.
During the more reflective moments of the show, these fixtures produced evocative points of light, while the orchestra and the backup performers were kept mo
Slovakia - Music & Lights has appointed Showmedia S.R.O as its distributor for Slovakia.
Košice-based Showmedia has extensive experience throughout Eastern Europe and already had Music & Lights brand Prolights in its portfolio.
Installations completed by Showmedia have included the lighting design of the RTVS broadcast station in Bratislava as part of Nuit Blanche - the biggest festival of art in Slovakia with over 200,000 people attending. Other notable installations or productions include the entire Encore Club and the Old Bridge structure.
Fabio Sorabella, M&L MD, comments: “We are so excited to have Showmedia join us as our Slovakian distribution partner, their track record and reputation speak volumes throughout the area and we are excited to see what the future holds.”
Branislav Bernár, Showmedia director, adds: “The Music & Lights portfolio of products is complex yet balanced, offering a rarely seen combination of design, an innovative approach, quality and reasonable prices. They offer solutions that can be used in any environment from smaller installations through to the biggest productions. The level of customer service and availability of products and spare parts is amazing, and it makes it easy for us to always quickly fulfil the needs of our customers. We are looking forward to working together and excited for the future.”
Spain - Malte Polli-Holstein, key account manager for maritime projects at Hamburg-based system integrator Amptown System Company (ASC), and his team have recently finished integrating media technology into the entertainment surfaces on the AIDAnova, the first cruise ship in AIDA Cruises’ Helios class.
The ship was put into service in Santa Cruz de Tenerife in December 2018. It has more than 2,600 cabins, and is the first cruise ship to be run entirely on liquefied natural gas (LNG) in keeping with the concept of green cruising.
“In the highly competitive cruise market, it’s important for a shipping company to set itself apart from its competitors. A great deal has been done with the entertainment offerings and the restaurants on the AIDAnova to wow the guests even more,” explains Polli-Holstein. “We and the shipping company literally started with a blank sheet of paper and began to develop tailored and innovative technical concepts. These were then fine-tuned in the engineering process together with the shipping company’s designers and planners and the Meyer Werft shipyard, and were realized together with renowned manufacturers using state-of-the-art technology. We were able to take the experience we gained with previous new buildings, for example in the areas of videos and projection or in the transmission of all multimedia signals in a fiber-optic network, and apply it to the AIDAnova spectacularly and in new forms.”
“The guests can therefore look forward to sensational shows performed on a 360° stage in the Theatrium,” Poll
USA - Musician, music producer, composer and DJ, Martin Vogt - known by his stage name of Haywyre - hit the road this February with his Discovery + Form tour to mark the release of his latest series of EPs, Panorama, in November 2018.
Having kicked off at The Crocodile in Seattle on 22 February, the tour runs for 17 dates culminating on 22 March at the U Street Music Hall in Washington DC. The venues throughout the tour vary in size from the 350-capacity Catalyst Atrium in Santa Cruz to the 800-seat EchoPlex in Los Angeles.
To maintain the visual integrity of the production between venues, lighting designer, Taylor (Brotay) Copp chose Ayrton MagicBlade-R fixtures, supplied by Hivemind Lux LLC, as his highly versatile key lights. “We mount the MagicBlade-Rs on to black poles on either side of the stage,” says Eric Bindman, Haywyre’s tour manager. “We can up- or down-scale this arrangement to suit each venue, and because it requires no overhead truss, we can fit into the smallest room.
“The complete scaleability of the design means we can keep true to the identity of the show design without having to rework the set from venue to venue. This is really important, firstly because Haywyre relies heavily on our visual cues, and secondly because it ensures we can deliver the same standard of show to every venue regardless of size. The MagicBlades are totally instrumental in keeping the promoters and the artist happy.”
Bindman first encountered MagicBlade fixtures on stage at a festival in Canada. “I found them incredibly in
USA - Special Event Services (SES) has sent a large complement of Claypaky Scenius Unico, Claypaky Mythos 2 and Claypaky Sharpy fixtures on tour with American country group Zac Brown Band. ACT Lighting Inc. is the exclusive North American distributor of Claypaky.
Zac Brown Band has commenced the second leg of its Down the Rabbit Hole Live tour, the group’s fifth headlining concert tour, in support of its fifth studio album, Welcome Home. Down the Rabbit Hole Live launched last summer; the new 15-date leg kicked off I March in Tulsa, Oklahoma and wraps in Peoria on 27 April. Zac Brown Band won’t be idle for long – their Owl Tour begins in Indianapolis at the end of May and will play 36 dates in North America through October.
SES is the lighting vendor for the band; its sister company Special Event Transportation (SET) serves as the trucking company.
“We’ve worked with Zac Brown Band for the last 10 years, including the first leg of Down the Rabbit Hole,” says Jeff Cranfill, co-founder and vice-president of SES. “The design team has redesigned the rig for 2019.”
Bruce Rodgers is the production designer for Zac Brown Band, Chris Cockrill the lighting designer and Diego Pernia the creative director. Rodgers’s new set for the tour features “Moving LED walls and trusses that create a variety of scenic changes throughout the show,” Cranfill explains.
SES has added 53 Claypaky Scenius Unico fixtures to the new rig. “Chris [Cockrill] asked me for some options; he wanted to move away from
Poland - Portman Lights, the Polish manufacturer of decorative stage lighting fixtures, has received new investment from The French Team (Xavier Drouet, Jérôme Bréhard and Alain-René Lantelme) the original founders of the successful brands of Axente, Ayrton, Sixty82, and others, in a move that will allow the company to expand its R&D potential, service its clients more efficiently and develop new products more swiftly in response to market demand.
Established in Gdansk in September 2016 by lighting designer, Łukasz Sztejna and business development manager, Dominik Zimakowski, Portman Lights enjoyed immediate success. Now, just 30 months later with three highly specialised, patented products in its portfolio and another due for launch at Prolight+Sound, Frankfurt 2019, Portman Lights has a distribution network of 25 distributors covering 35 countries. It boasts a portfolio of concerts, festivals and television shows that includes Cher, Ed Sheeran, Miley Cyrus, Mumford and Sons, Sting; Glastonbury, Roskilde, Open'er; X Factor UK, America’s Got Talent, Voice of Spain, Germany, Netherlands, Eurovision 2018 finals. and more.
“We want to be a world-leader in decorative stage lighting and are still growing and developing new products,” says Zimakowski. “R&D is the most important area of our company and, to continue producing more mature products with great design and superb features, we decided to search for investors who could help us to move Portman onto a higher level in the industry.
“We needed a truly experienced partner with th
Germany - Staged at Munich’s Werk 7 theatre, Die Fabelhafte Welt der Amélie (The Fabulous World of Amélie) is a complete re-realisation of the musical version of the popular movie, Amélie, incorporating the original score and book by Daniel Messé, along with music from the composer of the film, Jann Tiersen.
Paul Gatehouse was asked to create the sound design by Simone Linhof, the creative producer at Stage Entertainment, Germany, and as part of the complex audio design he deployed a pair of Optocore’s DD4MR-FX to give him the large quantity of MADI channels required.
Speaking of the production, Gatehouse said, “I’ve worked with Simone and Stage Entertainment many times over the years and I was thrilled to be asked to design this production.
“The real attraction was the brief created by the producers and Christoph Drewitz, our director. They wanted the production to feel deeply organic and hand-made, and the music had to have a rich acoustic texture, with the cast performing a lot of the sound effects vocally or with props in real time. I also really liked the songs Daniel has written, and after hearing Will Stuart’s orchestration demos, I was in.”
Stage Entertainment hold a large inventory of sound equipment and the designer elected to use their KV2 SL412 loudspeakers as the main system, along with smaller KV2 speakers (EX26, EX6, ESD25, ES6, ES5) as fills and delays.
“I’m a long time DiGiCo user and rely on the ’T’ theatre software as the backbone of my workflow, so we reached a good place where
Belarus - Since the mid-2000s J:Mors has been one of the most enduring Belarusian rock bands, with a long list of hits, tours and awards behind them.
More recently, J:Mors played a concert called Kryly (‘Wings’ in Belarusian) after the single of the same name in the in the Prime Hall concert hall in Minsk. The programme included both new songs and the most popular songs from their archive
The lighting design was handled by the band's long-time collaborator, Alexander Bobel, director of the GrandLight Studio. Vladimir Pugach had asked for something unusual and GrandLight Studio developed the entire concept, starting with the ideas, equipment and implementation, ending with a final flash of blinder. Assisting him were numerous products from the PR Lighting portfolio.
The designer's partnership with PR Lighting equipment began several years ago, with equipment provided by a rental company. “At that time the XL 1200 was available, and since then I have implemented many projects at Prime Hall using PR Lighting equipment,” he says. “PR Lighting devices perfectly suit the riders of most artists, and there has never been any problem with coordination. Every time I have operated their lights, they have proven themselves in all respects.”
The concert hall also invested in its own PR Lighting technology, and so in this instance he used the in-house equipment. “It made no sense to change the types of devices, since the PR Lighting equipment - namely the XS 1200 Spot, XR300 Beam and XLED 3109 Zoom - cope perfectly with their tasks. The
USA - When leading folk music venue The Ark in Ann Arbor, Michigan, recently upgraded their audio system, they also decided replace some older incandescent fixtures with an Elation Professional LED lighting package of Fuze PAR Z60 IP luminaires and SixBar 1000 IP battens.
Designer and programmer of the new lighting system is Kent Cubbage, who specified the lighting console and Elation fixtures in co-operation with lighting vendor and installer Fantasee Lighting of Belleville, Michigan. “When you’re dealing with The Ark, you’re dealing with a piece of history,” says Cubbage of the intimate 400-seat venue steeped in decades of American music narrative. “My goal was to create a rig that visually emulated the classic PAR rig it was replacing.”
To mimic that vintage PAR look, Cubbage used 30 Fuze PAR Z60 IP single source PAR luminaires, which have a lens face that appears as one colour instead of individual LED diodes for a non-pixel look reminiscent of traditional LED wash fixtures.
“With the COB single source, they emulated the PARs they were replacing,” he states. “I knew if I put up a bunch of LEDs, the extremely loyal audience at The Ark would be offended by the ‘skittles’ look.” Cubbage also needed a fixture with a wide angle to deal with the room’s low trim and because the designer had used Fuze PARs for a previous outdoor install, he knew they were IP rated and therefore fanless and quiet. “The Fuze checked all my boxes: LED, quiet, old-school source look and wide angle.”
Because space on the floor is at a pr