UK - As the Strictly Come Dancing Live! 2020 tour draws to a close, crew and artist catering specialist Eat to the Beat has received positive media feedback from the celebrities, professional dancers, judges and crew.
With 33 dates in major venues throughout the UK and Ireland from 16 January to 9 February there was plenty of scope for Eat to the Beat’s culinary team to get creative and cook up a feast. Whilst menus always featured tasty healthy options, including plant-based meals, to fuel the dancers ahead of each performance, there’s no doubt that the amazing array of tempting desserts on offer were also a definite hit.
Mary Shelley-Smith, global operations director for Eat to the Beat comments: “The Strictly Come Dancing Live! tour is always a highlight in Eat to the Beat’s calendar, the whole team really enjoy working with the celebrities, professional dancers, judges and crew. We always receive a warm welcome and knowing that they’re all huge fans of our food is really pleasing. Seeing all the social media posts and the wonderful comments in Heat magazine over the last few weeks is fantastic feedback for the team on a job well done.”
Australia - Event production company Harry The Hirer Productions supplied 20 of its new Robe Esprite LED profile moving lights to the recent two-day APAC ‘confluence’ event for Indian multinational business consulting and IT specialist InfoSys.
The conference was staged at the Glasshouse, Olympic Park, Melbourne, and coincided with the finals of the 2020 Australian Open (AO) Tennis tournament. It highlighted InfoSys’s role as digital innovation partner to the AO, and its enterprise uniting leading minds in business, technology and education to deliver novel, collaborative responses to some of the “great questions” of our time.
The Glasshouse is an interesting contemporary space, and a place familiar to Harry The Hirer Productions event teams who supplied all production elements including furniture, signage and décor as well as all the straight technical disciplines – audio, lighting, video, staging and rigging.
The APAC Confluence main plenary session was in the venue’s largest space which has floor-to-ceiling windows along one side, which were tastefully blocked with a series of large shades.
Lighting was specified by the project management team at Harry The Hirer Productions including operation manager Ian Kirkwood.
The Esprites were chosen for all the reasons that Harry The Hirer Productions made the investment in the first place – their small size, high CRI, beautiful light quality, accurate shuttering and excellent colour mixing.
Fourteen of the 20 x Esprites were installed on two roof trusses running down th
UK - FOH engineer, Chris Martin and monitor engineer, Gerry Colclough used DiGiCo SD12 consoles for Primal Scream’s 2019 UK and Ireland tour, citing the desk’s reliability and ease of use.
Formed in 1982 in Scotland, rock band Primal Scream released their third compilation album, Maximum Rock 'n' Roll: The Singles in 2019, containing 17 tracks spanning the period from 1986 to 2016. In support of the release, the band announced a major winter tour of the UK and Ireland in 2019, which saw FOH engineer, Chris Martin and monitor engineer, Gerry Colclough use DiGiCo SD12 consoles – owned by Stage Audio Services based in the West Midlands.
Martin has been working with the band since 2008, starting out as FOH system tech for a PA hire company before progressing to the position of FOH engineer for the group in 2015.
“The band are amazing people to be around; the touring party is a very happy camp and a great place to be,” he enthuses. “We are all great friends. They have a very good idea about what they want – having been a band for such a long time. We work closely with them to achieve the results that they want, spending many days at a rehearsal studio to make it as good as we can.”
Martin used a DiGiCo SD12 on the tour with a shared single SD Rack on an optical loop running at 48kHz, used with a Waves server connected via MADI to a DiGiGrid MGB interface.
“The Waves server is mainly used for effects such as auto pan for guitars and keyboards, effects (a few reverbs, sub enhancer and distortion) and some primary sourc
Germany - In April 2019, singer / songwriter Lena Meyer-Landrut released her fifth, critically acclaimed studio album, Only Love, L. In June, the Only Love tour of 12 dates took the band through small to medium-sized halls in Germany, Austria and Switzerland.
Designer JoJo Tillmann developed a reduced set with a scalable lighting design for single-trailer transportation. Although there were four musicians, two backing vocalists and two dancers on stage, alongside the singer herself, the show was not conceived to be ‘over-staged’.
"I designed the set on a very stripped-down basis,” reports OPUS award winner JoJo Tillmann. "Apart from a small ramp leading up to a platform, there were no set building elements on the stage. As a result, versatility became all the more important."
For his lighting design, he mainly used fixtures from the GLP catalogue: impression X4 Bar, KNV ARC and Cube as well as FR1 made up the majority of the lighting—and always delivered surprises thanks to the creative deployment of the individual elements.
He arranged the X4 Bars, one of JoJo's “favourite light tools”, one above the other like the rungs of a ladder, and placed the construction directly behind the platform. "The individual Bars resembled a large light mirror," he explains, adding that “basically, the X4 Bar provides the real hit and is a really unique fixture". Hardly any lighting design can manage without the versatile LED Bars, he believes. Here they were framed by two vertical columns, each consisting of six GLP KNV Arc left and
UK – For Marillion’s orchestral UK tour dates in November, lighting designer Yenz Nyholm chose the the VL2600 Wash fixture from Vari-Lite.
The Marillion With Friends From The Orchestra tour saw the band joined by string quartet, In Praise Of Folly, plus Emma Halnan on flute and Sam Morris on French horn. Culminating in two nights at London’s Royal Albert Hall, the tour coincided with the British band’s 40th anniversary and the 30th anniversary of Steve Hogarth as its lead singer.
Nyholm’s challenge was to deliver the required level of spectacle for the celebratory shows. “My brief called firstly for ‘big’, and then for ‘bright’,” he said. To achieve this, he chose the new, LED-based VL2600 Wash luminaire, supplied by Siyan. “My main priority was output,” said Nyholm. “Plus, we needed to match the colors of the video content to the lighting, so we wanted a wash that could go from subtle to bright, saturated colors, without losing output.”
The VL2600 Wash met Nyholm’s needs on every front. “Their output and colour is amazing,” he said. “The colour really stands out, from the deepest blue to the brightest yellow. And it’s very even. The consistency is remarkable across my whole rig.”
Lebanon – A nightclub complex in the Lebanese ski resort of Zaarour has been equipped with BlacklineX loudspeakers from Martin Audio.
Founded in 2016, Frozen Cherry is a sunset bar in the highest point of the Zaarour mountains, offering a view of Lebanon above the clouds. The high-altitude party lounge immediately became a popular year-round destination, equally busy in both the summer and winter seasons. The unusual name of this scenic sunset bar comes from the cherry shape that you see when you look at the venue from the top of the Zaarour peaks.
Two years later, Dublin Room dance club was founded, also within the Zaarour club, specialising in house and techno. It hosts a mix of famous DJs and local heroes.
The brains behind this concept are Nasri and Maher Choueiry, owners of several F&B and design outlets, who come from a creative background in architecture and engineering. They are supported by Elie Zouein, who has wide experience in business development.
It was the venue’s first experience working with Technosound, Martin Audio’s Lebanese distributor, after the company’s Charbel Fahed had met with Nasri. “I proposed that they install a Martin Audio system,” he said. “Prior to that they had been renting in another brand.
“Since these are two of the most exciting venues in Lebanon, I had to choose a unique, powerful, and clear system. This is why I proposed the X15s after hearing them at ISE,” said Charbel.
Once they had heard BlacklineX it was quickly adopted in both Frozen Cherry and the Dublin Room, wh
UK - Cirque du Soleil returned to London’s Royal Albert Hall (RAH) on 12 January for an eight-week run at the prestigious venue, bringing Luzia to Europe for the first time. Britannia Row Productions once again supplied the sound, continuing a relationship that has spanned almost two decades.
Through the design, chorography and acrobatic elements that give Cirque du Soleil shows their character, Luzia takes audiences on a journey through imaginary Mexico. The name is derived from the Spanish words for light (luz) and rain (lluvia), two important themes in the show’s narrative.
Britannia Row has supplied every Cirque du Soleil show at the RAH for the last 17-years. The company’s sales director Lez Dwight explained: “We were brought in mainly because the touring systems weren’t sufficient to cover the hall. Cirque came to us as we were local and have decades of experience deploying speakers into the RAH.
“In the early 2000s we deployed L-Acoustics Arcs and Subs, then moved onto Meyer systems that matched the touring tent PAs. Around four years ago we designed an L-Acoustics PA based around multiple hangs of Kara. This design is now our standard which Cirque have endorsed.”
This time, the audio specialists supplied an L-Acoustics sound system - featuring main hangs of Kara and SB18 subs, additional SB18 sub hangs, and Arcs and X8s for fills and surround – as well as processing and installation technicians.
System tech Sergiy Zhytnikov fed into the design process and led the install team. He explained: “A ke
USA - Every year, the award-winning veteran audio production crew behind the Grammy Awards telecast strives to further raise the bar on the audio quality of ‘Music’s Biggest Night’. This year, in a first for the show, the audio team implemented a Dante network powered by Focusrite RedNet D64R 64-channel MADI bridges, Focusrite RedNet D16R AES-to-Dante interfaces and RedNet MP8R eight-channel mic pres and A/D converters to deliver the vocal performance and production wireless microphones to the house sound and broadcast audio mixing consoles.
The show was broadcast live from the Staples Centrein downtown Los Angeles on the CBS network on 26 January 2. Performers included Best New Artist nominees Lizzo; Billie Eilish; and Lil Nas X, as well as Tyler, the Creator; H.E.R.; Gary Clark Jr. with the Roots; and Demi Lovato, among many others.
The new AoIP transport scheme was designed to eliminate the complex and cumbersome signal-splitting system that has long been employed to feed signals from the show’s multiple stages to the two front-of-house and two stage monitor consoles, as well as the two music mixing consoles and the broadcast audio production desk in three remote trucks. In addition to the efficiencies afforded by digitally transporting dozens of microphone signals over fiber and making them available everywhere simultaneously, the new system design delivered a noticeable improvement in audio quality.
“The performance mics sounded a lot clearer to me, because they weren’t going through a splitter,” says Eric Schilling, one of two
Estonia - "Now our students will be able to have a taste of their future lives as creators, and practice on big stages,” declared Professor Ivari Ilja, rector of Tallinn’s Estonian Academy of Music and Theatre on the opening of the school’s new concert and performance centre in late 2019.
Students will have their talents nurtured at the school’s new 12m Euro concert and performance centre. Among the benefits it offers aspiring actors and musicians is a state-of-the-art stage lighting system that features 50 Chauvet Professional Ovation F-265WW high output Fresnel fixtures supplied and installed by RGB Baltic OÜ.
At the heart of the 6,000sq.m concert and performance facility is the 482-seat concert hall, which serves as a platform from which the institute's promising rising musical stars to demonstrate their talents. Here, 34 Ovation fixtures provide front and back lighting for the stage. A further 16 of the warm white 230W LED fixtures were installed in the 130-seat black box rehearsal studio within the building to support the drama and jazz students.
"In the Estonian classical tradition, musical scores are often interspersed with incredibly delicate and beautiful sections of comparative silence," said Raivo Sinijärv of Progear OÜ, the Chauvet distributor in Estonia. “As a result, it is imperative that a set of fixtures needed to tick all visual requirements while operating in virtual silence, so it would not detract from the performances. There are not many fixtures out there able to deliver both of these features simultaneously."
USA - At the end of its regular season of Shakespeare in the Park, New York’s Public Theatre stages an open-air production at Central Park’s 1,800-seat open-air Delacorte Theatre. This past season, the story of Hercules was presented, a theatrical pageant brought to life by some 200 performers with a lighting design by Tony-award winning lighting designer Tyler Micoleau. The designer turned to Elation Professional’s multi-use Proteus Hybrid luminaire to provide visual impact in the outdoor environment.
Micoleau had worked on two Shakespeare shows in Central Park earlier in the summer, but it was a very different plot he knew he needed for Hercules. “The musical Hercules, in a theatre as large as the Delacorte in Central Park, required (pun intended) very muscular lighting approaches,” he comments. “The Elation Proteus Hybrid provided just that muscle. In 2-degree beam mode, the Proteus fixtures gave me the powerful concentrated beams I needed to create beam architecture above the stage and the five 28ft Grecian columns of the set. We were bouncing light off of the clouds passing by; it was crazy. We joked that we needed to alert air-traffic control to warn passing helicopters and small planes.”
Alex Brandt, lighting supervisor at The Public, worked with Micoleau on what gear to use on the production. He states, “Because it’s The Public Works show and it’s such a short run, we don’t have a huge budget to add in new fixtures. Set designer Dane Laffrey had produced renderings that included finger-like air effect el
USA - For Callas in Concert, opera singer Maria Callas was brought back to the stage via hologram, 40 years after her passing. A live orchestra accompanied digital remastered recordings of Callas for the production, which presented FOH and recording engineer Howard ‘Howie’ Lindeman with a unique challenge.
Since the show was focused around the visual of Callas on stage, and the hologram system used to project her image, Lindeman needed to find a low-profile microphone that would not be obtrusive on-stage, while still providing the highest audio quality for the live orchestral instruments.
Lindeman turned to the 4099 Instrument Microphone from DPA Microphones because of its sound, lightweight design and compact size of the instrument mic clips. In all, Lindeman and his team deployed a total of 27 4099 Instrument Microphones (with mic clips) for the 14 violins, six violas, five cellos and two upright basses that were used for the concert.
“The major challenge on this project was the real estate that mic stands take up on a stage,” says Lindeman. “DPA’s 4099 not only alleviated that problem, but also allowed a close-mic recording. Instead of area miking with several large condenser mics, and fighting potential feedback, the 4099s allowed us to mic up all of the string players and really showcased the talent of each musician.”
Produced by BASE Hologram, the tour launched in California before heading to Mexico and South America, and then returned to the United States ahead of its European leg. DPA was brought into the producti
Columbia - Teatro Colsubsidio Roberto Arias Perez is a 1,000-seater venue opened in 1981 in central Bogota that has established itself at the centre of quality live entertainment, culture and performing arts. It’s renowned for high production values and imaginative shows offering a lively mix of concerts, musicals and classical performances.
The theatre has recently purchased its first Robe moving lights - 10 Pointes and 10 x Spiiders. Added to the house lighting rig, these have already started making a difference to how shows can be lit and presented.
The theatre is owned by a large commercial enterprise and independently run, and the new Robes were part of a general lighting upgrade that is ongoing to improve the technology and the levels of production on offer.
The upgrade also includes several LED fixtures, and before these new fixtures, they had six older moving lights, which were removed as soon as the Pointes and Spiiders arrived.
“We specifically wanted lights that would be ideal for lighting the concerts and musical theatre shows,” explained the venue’s head of lighting, Alfonso Ramos, who has been working there since 1982.
“So, we asked the opinions of various lighting designers who we know and work with on incoming shows about what they thought were the best options. Soon enough a pattern started emerging, and that was that many of them were recommending Robe.”
As well as overseeing his busy department, Alfonso also lights any productions that don’t have an LD, so he had a vested interest in having versati
USA - Magowan’s Infinite Mirror Maze has been a staple of San Francisco’s Pier 39 tourist area for over a decade. When the original lighting fixtures installed for the attraction’s opening began to fail, the venue’s resident ‘light artist’ chose ADJ units to replace them. This not only completely rejuvenated the look of the attraction, but also provided a wealth of creative potential for generating new looks and effects through colour mixing and DMX control.
Pier 39 is a popular shopping and entertainment centre built on a pier close to the famous Fisherman’s Wharf district in San Francisco. Located on the second floor of the complex, Magowan’s Infinite Mirror Maze opened in 2009. It is an immersive attraction featuring a labyrinth of small mirrored rooms.
Despite its popularity, the owners of the maze are committed to investing in new technology and effects to ensure the facility never loses its appeal. For this reason they brought in Eric Ziemann, who is a freelance light artist, initially to update the lobby of the attraction. This started Eric’s journey with ADJ, which eventually led to the installation of 80 ADJ Dotz Par COB LED fixtures to replace all of the LED lighting units that had been originally installed when the maze first opened.
On a visit to Astro AVL on the San Fernando Road in Glendale, CA, Eric came across ADJ’s H20 IR. This dynamic effect uses a 12W LED light-source, projected through two textured glass wheels and an independent dichroic colour wheel, to create a multi-coloured simulated flowing water effect.
France - The style and panache that has made The Village Outlet so popular throughout the Isère department was on full display at a recent celebratory event at the outdoor retail centre in Villefontaine, 40 minutes outside Lyon. Adding colour and glamour to the occasion was a lively L&DB lighting design that featured Chauvet Professional Maverick MK2 Wash fixtures and Geyser P7 atmospherics.
“Our goal was to blanket the area in colour to support the spirit of the event,” says Romain Plantier, CEO of L&DB. “The Maverick MK2 Wash excelled in this regard. We also relied on its zoom feature to tighten the beam and create dramatic effects against the fog from the two Geyser P7 units we had on site. The powerful jet and the colorization of the smoke that we got from the Geysers provided a striking effect.”
L&DB used six Maverick MK2 Wash fixtures at The Village Outlet. Four of these units were placed on an elevated counter and used for general stage washing, while two were positioned on the ground and relied on to create aerial washes. The output from the Maverick’s 12 40W Osram RGBW LEDs provided a level of intensity that played off very well against the fog from the Geyser units.
The versatility of the Maverick MK2 Wash also enhanced the impact of The Village Outlet lighting display. “Having a multitude of macros on the MK2 Washes for effects allows you to do both wash and effect with this machine,” adds Plantier. “Because the beam can be very tight with a nice power, the MK2 Wash can be placed right next to a beam moving h
USA - When the ninth Annual NFL Honours was held the day before Super Bowl LIV, lighting designer Jon Kusner selected a complement of Ayrton Diablo LED profile luminaires from PRG to supplement the house lights.
The awards presentation by the National Football League honoured players from the 2019 season. It was hosted by Steve Harvey and pre-recorded for same-day broadcast on FOX. The venue for the show was the Ziff Ballet Opera House at the Adrienne Arsht Centre in Miami.
The Diablo fixtures were the first Ayrton luminaires to be used by Kusner, a member of the Los Angeles lighting design co-op, 22 Degrees. Kusner mounted 14 Diablo on the balcony rail to backlight the audience and act as a stage wash when crowds filled the set and follow-spot traffic was compromised.
“The balcony rail typically holds conventional fixtures,” he notes. “The lights we chose had to have a smaller footprint; they couldn’t be over-scale and become an eyesore in the rest of the space.”
Diablo proved to be a perfect fit. “They were the only smaller-scaled instrument with framing shutters to control layering for consistent coverage and to control spill,” Kusner explains. “The Diablos also have an even field and consistent colour temperature.”
The lighting designer was “pleasantly surprised by the intensity of the Diablos based on their scale. Often, smaller lights lose performance but that’s not the case with Diablo. They fit a niche as small, bright, shuttered lights - the perfect tool when you need that combination of features.”
Slovenia - Croatian singer-songwriter and actress Severina played four major arena concerts in the Balkans this fall - at Split and Zagreb in Croatia, Belgrade in Serbia and culminating at the Dvorana Stožice in Ljubljana, Slovenia - which were lit by Slovenian LD Crt Birsa who added over 150 Robe moving lights to the lighting design for the three concerts in Croatia and Slovenia.
Crt, whose work is well known internationally was to light these four special shows for the superstar. Talks originally started back in April 2019 when Severina invited him, set designer Greta Godnic and show director Nejc Levstik to submit ideas. They asked Den Barca of ThenVision to join the creative team and work on the video design and visuals.
“It was a complicated design and setup,” commented Crt, who was delighted when his initial lighting scheme proposal was accepted. “We had a good brief from the artist about what she wanted to achieve when onstage, which assisted all of us to create a clear and distinctive performance environment.”
The lighting rental vendor for the four shows was the IVAS Group from Zagreb, Croatia, a company that has invested steadily in Robe in recent years via Croatian distributor, Sali Trade.
The Robe count for these shows was 34 MegaPointes, 18 BMFL Spots, 18 Pointes, 24 Spiiders, 44 LEDWash 600s and 24 CycFX 8s.
Twenty-two of the MegaPointes were positioned on the main rig - ‘the Diamond’ - with 12 rigged on a ‘chandelier’ flown on variable speed chain hoists that was an integral part of the diamond and moved u
Argentina - The Teatro Astral in Buenos Aires relies on an Allen & Heath dLive digital mixing system for the launch of the Broadway musical, Kinky Boots, which saw its opening night in January.
The large-capacity venue accommodates up to 1,200 people and has become a home to various productions, events, conferences, congresses, seminars and exhibitions. With the theatre not having its own in-house system, the venue turns to audio rental company BR Sound S.R.L to help host its events. With the latest Kinky Boots production being scheduled for multiple times a week over the next two years and featuring a large crew of on-stage actors and musicians, the engineers needed a large format desk that significantly expanded the theatre’s capabilities in terms of channel counts, processing power, speed and flexibility.
Lead engineer, Santiago Rivero (BR Sound), explains: “We needed a flexible, compact and powerful mixer, with an affordable price. We immediately thought of A&H mixers, because we are former GLD users and have always loved the sound.”
Facilitated by Allen & Heath’s Argentinian distributor, ARS Technologies, the full setup features a dLive C3500 surface, which uses around 80 input channels and more than 100 scene changes during the show, paired with a CDM48 MixRack, which is fitted with a Dante card for multitrack recording and playback.
Personal monitoring for each musician is handled via seven ME-1 systems connected to the MixRack and deployed in the orchestra pit alongside a DX168 expander, which provide
USA - Located just outside Los Angeles, Concordia University Irvine recently opened the Borland-Manske Centre, marking a significant expansion of its music programme.
The acoustic spaces in the $30m building were designed by Walters-Storyk Design Group and include an 1100sq.ft. studio suite connected to a 3000sq.ft. orchestral hall and a 2500sq.ft. choral hall for large scale recordings. Anchoring the studio is a new 32-channel Rupert Neve Designs 5088 console, fully-loaded with 32x Shelford 5052 Mic Preamp / Inductor EQ modules, 9x Shelford 5051 Inductor EQ / Compressor modules, and the company’s own SwiftMix automation.
“I have been fortunate to work on consoles designed by Mr. Rupert Neve for many years,” says Prof. Steve Young, Concordia’s director of commercial music. “One of our core values for the new facility is to provide students with an opportunity to learn, create and grow in an environment featuring tools and technology to which they might not normally have access.”
Concordia’s commercial music programme is a “diverse, immersive experience, designed to prepare the student for the demands that face today’s music professionals”. The curriculum, which emphasises both musicianship and artistry, includes study in areas such as performance, composition / songwriting, arranging and music production.
“While students learn best-practices in music-making, we want them to experience best-in-class audio quality,” Young continues. “The 5088 was an obvious choice for its vintage heritage, modern capabilities and superi
UK - White Light has supplied the lighting equipment for Leopoldstadt, which opened at the Wyndham’s Theatre in London’s West End this week.
Written by Tom Stoppard, Leopoldstadt tells the story of three generations of the same Jewish family living in early 20th century Vienna. It is directed by Patrick Marber and features a lighting design by the Olivier Award-winning Neil Austin.
“Leopoldstadt is a truly exceptional play which encapsulates the experience of the Austrian Jews through one family’s journey,” says Austin. “Beginning in the period of cultural and scientific explosion in Vienna at the turn of the century, it spans a near 60-year period ending in 1955. To achieve the passing of time it’s an abstract set of gauzes and items of furniture, which represent the one room through the years.”
As such, Austin’s brief on the piece was to dress the set in a way which would guide the audience through the different time periods. He explains: “It was a question of looking at how the lighting could suggest the various changes in time-period as Austria’s political landscape transforms through the piece. At the start, it highlights the opulence of the early 20th century, then moves into the post First World War period of the 1920s, before heading into the late 30s when Vienna was under Nazi control, before finally ending in 1955 when the room has become a de-nazified office. I needed to allow the lighting to capture the emotional temperature of the story.”
The emotion captured in the piece was also another hug
Czech Republic - Rock band Kabát recently completed a sold-out stadium tour to mark their 30th anniversary, accompanied with an upgraded PA system featuring DiGiCo’s Quantum 7 console.
Kabát is a nationally renowned classic rock band, which has been popular since the 1980s. Its 10th anniversary stadium tour was the most prosperous in Czech music history, and the band represented the Czech Republic at the country's first entry in the Eurovision Song Contest. The latest anniversary tour visited stadiums and venues across the country over a three-week period.
The band is managed by Prague-based production company, the Pink Panther Agency, which also takes care of a number of other Czech artists. Its touring division recently expanded its hire stock with the addition of the Quantum 7. Purchased through DiGiCo’s distributor, Pro Music, the company was experiencing demand for a top-flight mixing console to cater for pro tours passing through Central Europe, and the quantity of stadium venues in the region.
“In previous years, I employed a DiGiCo SD5 console, which was a great console and I was very happy with it, but Pink Panther’s new investment presented us with an amazing opportunity to work with the Quantum 7 for Kabát’s anniversary tour,” explains FOH engineer, Marian Starý. “DiGiCo is my preferred mixer brand ever since the launch of D1 14 years ago, and I currently own several smaller format SD11 and SD9 consoles for rehearsals and on the fly gigs.”
Technically, Kabát has a traditional rock set up of around 40 outputs,
USA - Bandit Lites once again provided the lighting for the Winter Jam Tour Spectacular, Christian music’s largest annual tour. According to Pollstar, attendance often outpaces any other tour’s attendance during the year’s first quarter. The evening of live concerts by top Christian artists includes a roster of Passion, Crowder, Austin French, Andy Mineo, Hillsong Young & Free, Building 429, Red, Louis Giglio, Newsong and more.
After a few years with an in-the-round design, the tour returned to an end stage arena design, allowing the space for a large upstage LED wall. Due to an 8 mil blow through LED panel, production designer Jerry Holcomb was able to place Elation Paladins behind the wall.
“With the tour having several more worship-oriented bands, we knew we needed a lot of upstage light looks punching through the bands,” Holcomb explained.
To accomplish this, Martin MAC III Profiles are placed on the upstage end while the trusses are loaded with Elation COLORado Solo Battens, and low side truss on the both sides continue the low upstage lighting looks.
“We are using a large amount of the Solo Battens, and Bandit worked out a way that they can stay on the truss during transport which saves a lot of set up time,” Holcomb said.
Bandit Lites supplied more than 130 fixtures for Winter Jam, including Robe BMFL Spots, Chauvet Maverick MK3 Spots, Chauvet COLORado Solo Battens, Elation CuePix WW2 Blinders, Elation Paladins and Martin MAC III Profiles.
“Each year I look forward to seeing the direction the Winter
South Africa - The Nelson Mandela Theatre at the Joburg Theatre Complex in Braamfontein remains one of the most prestigious and celebrated stages in South Africa. Home to the Joburg Ballet Company, the much-celebrated annual pantomime and one of the best-equipped opera stages in the country, the theatre complex is a flame of hope that continues to keep the performing arts alive and well in the city.
In keeping with international trends, the Joburg Theatre has recently invested in an Absen LED video wall, which will be installed on the Nelson Mandela Theatre ‘s opera stage.
Technical manager at the Joburg Theatre, Enos Ramoroko explains that, historically, the Joburg Theatre has relied on set pieces and scenery. “In the 1980s and 90s, we used a lot of large-scale painted scenery and set pieces to bring productions to life – which was possible thanks to the ample size of our stage and scene dock. However, it took a lot of time and manpower to set up for productions, and it cost a lot of money.”
As digital technology has developed over the past decade, Joburg Theatre has incorporated projection and media server technology to supplement scenery. “We have been fortunate to secure some very high-performance projectors through Gearhouse’s Set, Drapes, Screens (SDS), which have made a huge difference in terms of modernising our staging and cutting down on both the cost and time needed to design sets for productions,” says Enos.
While projection continues to serve the theatre well, Enos explains that there has been a serious increase in
USA - On 12 December, college football’s most talented student-athletes were recognised at the 2019 Home Depot College Football Awards presented live on ESPN from the College Football Hall of Fame in Atlanta, Georgia.
Justin Garrone and production design firm Innovative Show Design (ISD) have been involved in the show since 2012 and again produced the visuals for the 2019 edition, employing a setup that featured Elation Professional products.
This was Innovative Show Design’s eighth year doing the College Football Awards and fifth year since it moved to the College Football Hall of Fame in Atlanta. ISD served as a one-stop-shop for ESPN for the production, handling every aspect of the show from the first truck’s arrival to the last truck’s departure. Not only did they create and manage all lighting, scenic and graphics, ISD handled complete fabrication and installation of the set and was also responsible for all logistics involved with the production inclusive of project management.
“As the years have progressed, one of the things I always enjoy is that this event is a type of one-off but because we do it every year we have the ability to go back and improve on it for the following year,” stated Justin Garrone of Innovative Show Design. Lighting supply for the event was by CYM Lighting Services of Thousand Palms, CA, a full service lighting production company that ISD has worked with for years.
The Awards show took place in a long yet narrow windowed room in the Hall of Fame, a turfed area scaled to nearly the size of half a foo
India - To deliver clear, intelligible vocals and a surround sound experience, Cine Tech Engineering Works equipped Century City Cinema Punjab with a JBL Professional cinema audio system.
Located in the heart of Mandi Dabwali, Century City Cinema is a 381-seat multiplex with two luxurious screening rooms. Cine Tech Engineering Works was hired to upgrade the aging audiovisual system with a cutting-edge Harman Professional Solutions cinema audio system featuring JBL loudspeakers and Crown amplifiers.
“We recently installed cinema sound solutions in Century City Cinema, Punjab, with the help of the Harman Professional Solutions team,” said Asad Rashid, owner, Cine Tech Engineering Works. “As per the client's requirements, we designed a cutting-edge audio system that includes JBL 4732-T loudspeakers and JBL 4642A high-power subwoofers along with JBL 9300 cinema surround speakers. The system is powered by Crown DSi Series amplifiers and a JBL CPi2000 cinema processor.”
To create immersive audio experiences, Century City Cinema supplemented the system with JBL 9300 cinema surround loudspeakers. With a versatile wall-mounting system, JBL 9300 loudspeakers can be positioned at three different angles for optimal coverage.
To provide staff at Century City Cinema with a simple means of adjusting audio levels and sound quality for both screening rooms, Century City Cinema equipped the theatre with a JBL CPi2000 cinema processor. With DSP processing, audio enhancement presets and an intuitive software interface, the CPi2000 provides seamless contro