South Korea - Lux Machina Consulting, specialists in virtual production and official authorised service-based partners of Stage Precision, recently wrapped up work on the production of Riot Game’s League of Legends World Championship e-sports competition. Through the implementation of Stage Precision’s flagship SP software into their workflow, the team were able to manage a complex and multi-layered AR production with ease.
“Within our work at Lux Machina Consulting, we’ve used every tracking tool out there,” says Wyatt Bartel, VP of production at the company. “Most of the workflows available are proprietary, meaning you’re locked into a particular manufacturer's ecosystem. We came to know Stage Precision when we were searching for a platform to stabilise our camera tracking practices across film, television, and live events markets and upon learning about the

USA - BNW, a leading production rigging company based in New York City, founded and run by Tony Bonilla, successfully executed the challenging lift of the Sonic Sphere at The Shed utilising Eilon Engineering’s Ron StageMaster wireless load cells to ensure precision and safety.
Bonilla, with over two decades of rigging experience, recognised the need for higher calibre rigging in the industry following years of work on concert tours, Broadway musicals, the circus and car industrials. The realisation led to the establishment of BNW in 2012, a company that has since become synonymous with safe and effective rigging solutions in and around New York City. An ETCP-certified rigger since 2005, Bonilla also oversees rigging at Cipriani venues and has imparted his extensive knowledge to aspiring riggers over the years through seminars and teaching.
The Sonic Sphere, a 65ft d

France - At a height of 107m, the Dôme des Invalides is the tallest church building in Paris and a shrine of some of France's leading military figures, most notably the tomb of Napoleon.
Built during the reign of Louis XIV in the 17th century, the stunning architecture of this building with its six chapels is brought to life in the Aura Invalides night-time experience in which visitors are immersed in orchestral music as the walls become a canvas for dynamic video projections and lighting effects.
The experience was designed by Moment Factory at the request of cultural operator Cultival and produced through a partnership with Musée de l’Armée, France’s national military museum. An all-Nexo sound system finished in a custom RAL colour to match the stone walls of Les Invalides was designed and installed by French AV technology and events production specialists Nov

Ireland - A team from Dublin-based Spectrum Productions led by David Lawless and Jack Quirke supplied a large quantity of Robe moving lights rig for a sold-out electro-extravaganza gig by popular Irish mixmasters, Belters Only, at Dublin’s 3Arena.
David and the team have been working with the artists for the last year and designed the floor lighting package for their 2023 festival appearances. Their brief for the 3Arena show was to make it big, bold, and breathtaking visually, helping pump the energy and excitement everywhere in the room - from the stage to the back of the auditorium.
On the lighting plot were over 100 Robe moving lights - 52 Robe Tetra2’s, 12 TetraX’s and 32 MegaPointes - comprising most of the moving lights, joined by strobes, some other profile moving lights and 10 30W lasers.
The lighting design was based on a 10m diameter circular tru

Japan - Hoshioto Camp 23, which took place recently at Budou Romankan in the Japanese Prefecture of Okayama became the first outdoor music festival in Japan to introduce immersive sound.
Local sound rental company, Bright Co originally invested in Martin Audio’s award-winning WPC fully optimised system back in 2020. Therefore, when it was time to upgrade the event’s main speaker system, WPC was recommended as the best overall fit for its sound quality, controllability and sense of scale, after evaluation against other systems.
Kazuyuki Oshita, president of Bright Co said there were other reasons why he recommended it to the organisers, notably its ability to deliver consistency of sound right across the area, and to mitigate against noise pollution by being able to contain the energy uniquely within the sound field - one of the award-leading properties of Martin Au

Europe - Shania Twain’s Queen of Me tour played 78 shows across North America and Europe, with audio solutions from long-term rental partner, Eighth Day Sound.
FOH engineer Rob ‘Cubby’ Colby says his great experience mixing this tour has been down to the hard-working production crew: “Production manager, Denny Rich, production assistant, Libby Dostart, tour coordinator & tour manager, Joel Eriksson, stage manager Brandon Bogaert and music conductor, Marco Gamboa helped to make it a joy to be a part of.”
His time with Eighth Day Sound has also been smooth sailing: “It has been an absolute pleasure to work with Tom Arko and his team at Eighth Day Sound. I’ve enjoyed getting to know their different crews, project managers & office staff. Most recently on Shania’s tour, I requested a small footprint at FOH, and everything was addressed perfectly bot

South Africa - Bad Weather Productions handled the creative technical needs for the Rocking the Daisies Festival, held in Cape Town and Johannesburg late last year. Said to mark the beginning of South Africa’s festival season, Rocking the Daisies hosts big-name international artists from a diverse spectrum of genres across three days at Cloof Wine Estate, near Cape Town, followed by one day at SuperSport Park, Johannesburg.
With a decade-long involvement in Rocking the Daisies, Bad Weather Productions has played a part in the festival’s evolution. Notably, they pioneered the first hip-hop stage, TwosUP, in 2016, diversifying the festival's music offerings. Over the years, the collaboration has expanded, with Bad Weather Productions leading the production design and execution across every arena.
"It's been an incredible journey working with Rocking the Daisies over

UK - Cincinnati alt-rockers, The National, use Skan PA Hire for arena-scale audio solutions with a boutique approach, deploying a d&b KSL PA system, and Avid Venue S6L consoles with E6L 192 Engines at both ends.
“The first time we worked with Skan, I immediately thought, ‘This is the way an audio company should operate,’” says production manager and monitor engineer, Stu Tenold.
“Every package I've received from Skan is built for the artist I’m with. There's real attention to detail in what they do. Now being part of Clair Global, I can see what director Chris Fitch can offer; there's a lot more resources at his fingertips. But, for those who know, Skan is a boutique PA company, and they provide a very specific service.”
The band - vocalist Matt Berninger, brothers Aaron and Bryce Dessner (piano, guitar, keys), and brothers Scott Devendorf (bas

USA - The Struts’ recently concluded North American tour was supported by a dynamic lightshow by Carlos Katsurayama that moved seamlessly through dramatic mood shifts with help from a LIT Lighting supplied rig that featured the Maverick Force S Profile, Strike Array 4 and Rogue Outcast 1 BeamWash from Chauvet Professional.
Reflecting the UK band’s bold emotional swings, Katsurayama played light and darkness off one another to rev up the crowd. For example, his show started out in darkness, before moving to a lighted backdrop, and then busted out with intense blinding effects.
“Beginning the show in complete darkness is a classic way to build anticipation,” said Katsurayama. “Lighting up the backdrop was a big way to let the crowd know that the wait was almost over.”
Katsurayama worked his way in and out of shadows to great effect at every turn. “In

USA - Jam band Goose eased into the 2023 festive season with four special concerts staged over two days at the Hampton Coliseum in Virginia, all completely sold out.
Lighting designer / director Andrew Goedde chose Robe moving lights as the principal fixtures and worked closely on developing his design with lighting programmer / technical director Tony Caporale, using their 2023 touring rig as a starting point. From this they evolved some new concepts for the tenth annual Goosemas event.
They were then both delighted to hear that the band and their creative director Will Thresher moved away from traditional Christmas themes to embrace Goosemas in Space for this year’s show.
Goose has grown and substantially expanded its fanbase in the last couple of years, and for Goosemas 2023 wanted to make some big statements and give something spectacular back to everyone

USA - ATK Audiotek, a Clair Global Brand, demonstrated the versatility of the Cohesion catalogue at Microsoft Ignite 2023, the tech giant’s annual demonstration of new products and solutions, held in Seattle. The deployed Cohesion products emphasised their unmistakable clarity for thousands of eager developers and partners at the Keynote Stage and the IP (Interstitial Programming) Theatre Stage during the corporate event.
Andrew Waterman, Microsoft’s account manager for ATK Audiotek, explained that Microsoft’s top goals at any conference are “to be able to see what presenters are talking about, but more importantly, to hear them clearly”.
Waterman first heard Cohesion’s products during a demonstration two years prior, and they jumped to mind immediately for their clarity. The 45-year veteran front of house mixer was impressed enough to design for Ignite a

USA - ARRI is the official lighting provider for the 40th edition of the Sundance Film Festival which takes place this month.
ARRI, together with wholly owned subsidiary Illumination Dynamics, is providing the Sundance Film Festival with ARRI’s lighting solutions, including SkyPanel S30-C, SkyPanel S60-C, and ARRI Orbiter fixtures. These professional and innovative luminaries are shining the best light on personalities, stars, and emerging filmmakers at premiere event venues, stages, and lounges at Sundance Film Festival’s 40th edition.
“As we mark our 40th Sundance Film Festival, we are excited to collaborate with ARRI and use their innovative lighting technologies to help us create dynamic festival environments and shine a light on all the creators who are taking part in press lines before introducing their films to audiences at the Festival,” says Tammie Ros

UK - Over 300 Astera NYX Bulbs and 80 x Titan Tube wireless LED lighting fixtures dazzled festive guests visiting the Neverland Illuminova Christmas trail at Wellington Country Park near Reading. This was a special lighting and visual experience concept developed and delivered by the team at show production and technical specialist, Zeal.
The 1.5km trail followed the journey of the character Hope as they discovered their imagination travelling through various areas of visual interest with land, features and foliage speckled, coloured and bathed in light that could be absorbed, interpreted and sometimes interacted with live.
The NYX Bulbs were installed in two areas, the first of which was called Play. Here they were used in festoon style, strung overhead on scaffolding and catenary wires, and programmed as conventional lights and into a variety of colourful scenes, ch

Italy - The 13th edition of Italia's Got Talent was lit by Prolights products. Broadcastfor the first time in Europe on the Disney+ streaming platform, the series relied on AMG International s.r.l. for stage lighting.
The lighting setup, consisting of 113 Prolights fixtures, included SmartBat Plus, HaluPix, and VersaPar. This combination ensured an engaging visual effect, both for the studio audience and for viewers watching the show via streaming.
The production team expressed great satisfaction with the use of Prolights devices, particularly highlighting their versatility, speed, and ease of use as decisive factors for the success of the show's lighting. "For a dynamic and creative programme like Italia's Got Talent, these features of Prolights products played a fundamental role in ensuring flawless execution," the team stated.

UK - Based on Audrey Niffenegger's bestselling 2003 novel that captivated millions worldwide, a new musical adaptation of The Time Traveller's Wife love story recently premiered at London's Apollo Theatre, showcasing an original score by Joss Stone and Dave Stewart.
Sound designer Richard Brooker and associate sound designer Nick Lodge collaborated closely with the production crew - including Callum Donaldson, Isabel McIntosh, Andrew Williams and sound effects designer, Pete Malkin - to bring forth this show, which has been running since October.
The production also marks Brooker’s first proper use of the KLANG:technologies immersive in-ear monitor mixing system, supplied by Stage Sound Services, for the show’s band.
Brooker shares, “KLANG was an innovation we wanted to introduce into our shows.” After initial discussions with Phil Kamp from KLANG

UK - It’s been a busy holiday period at Boisdale Canary Wharf. A popular venue for drinking, dining and entertainment, an all-Nexo sound system covers the main live music area and the downstairs bar.
Drawing from Nexo Geo M6, P+, ID and ePS speaker ranges and with networked power and processing from a rack of 11 NXAMP4X2Mk2 powered controllers, the system was installed by Oxford-based Event Production Services.
“The Nexo system delivers high-quality sound with even audio distribution throughout the room” comments Boisdale had of sound Ido Tavori. “Despite the challenging acoustics of the space, the system ensures clear and consistent sound projection.”
Returning to Boisdale in March, the Cuban Brothers said after their last show at Boisdale, “The Nexo sound system tonight has been ‘fantastico’. To come here and perform is always a pleasure.”

The Netherlands - Full Frontal is a new dance piece by choreographer Juanjo Arqués billed as ‘a ballet about real people and actual feelings’ set to Weather One, a musical score by Michael Gordon. It was presented by the Dutch National Ballet and staged at the Dutch National Opera in Amsterdam. It explores the stresses and tensions of our fractured and often polarised society as it faces physical obstacles that swap - ironically - with psychological projections of challenging conditions.
Full Frontal was the final work in Four Temperaments, a performance featuring the work of four choreographers, and was lit by Yaron Abulafia who enlisted the help of 40 Robe Tetra2 moving LED battens and an automation system.
He blended the intense emotion and paradox of dance with the drama and structural discipline of installation art to produce a t

USA - Eric Nam is a “natural born performer” wrote one admiring critic when describing the US-born and South Korean-based star’s recently concluded House on a Hill North American tour.
Matching Nam’s passion and reflecting the nuances of each song on the 39-date tour was a far-reaching and evocative Julien Reux lighting design that was programmed by Matt Reynolds, and featured Chauvet Professional COLORado PXL Bar 16 and Color Strike M fixtures supplied by Kinetic Lighting.
Like the music of Nam himself, the lightshow was an inspired blend of boldness and subtlety. The mood on the stage was set by edge-to-edge colour washes, often monochromatic with white highlights. In some segments of the show, bright beams flared out from centre stage to the left and right, almost, as if opening a pathway for Nam. Throughout it all, regardless of how big the looks go

USA - Latin pop luminaries Enrique Iglesias, Ricky Martin, and Pitbull have teamed up for The Trilogy Tour, a North American arena trek taking the three artists out for shows in 37 cities between October 2023 and March 2024.
Following a successful first leg of sold-out concerts that ran into mid-December, the second half of the Live Nation-produced, Sound Image/Clair Global-reinforced run picks back up in late-January with four performances in California before sweeping east across the continent. The tour is enjoying a tremendous amount of success thanks to the talent and charisma of its headliners, but three unseen performers - a trio of KLANG:konductor immersive IEM mixing systems - are also doing their part to help the three bilingual superstars and their backing bands deliver a four-hour fiesta at each stop.
Eddie ‘El Brujo’ Caipo has worked with Enrique Igles

UK - Visitor attraction Titanic Belfast has used Panasonic projectors to convey the emotional impact of the human tragedy within the Titanic story, through the creation of a new, absorbing immersive space that places visitors at the heart of the liner’s ill-fated maiden voyage. More than 12 years on from the opening of the building, the attraction has refreshed the Titanic Experience for returning visitors and continues to draw crowds from around the world.
Working with integrator, DJ Willrich, Titanic Belfast now uses more than 30 Panasonic PT-MZ16K, PT-MZ780 and PT-VMZ71 LCD projectors to deliver the Titanic Experience, a stimulating re-creation of what it might have been like to be a passenger travelling on the liner. The self-guided tour is the most authentic way to discover the sights, sounds, and stories of the ship, as well as the people and city that made RMS Titan

South Africa - Sennheiser SA, in collaboration with Sennheiser electronic, recently concluded a series of successful workshops across South Africa and Namibia as part of the Meet the TeamConnect Family Roadshow. The workshops, which took place in Johannesburg, Cape Town and Windhoek, were aimed at showcasing Sennheiser's latest innovations for higher education, corporate meeting spaces and auditoriums, including its latest TeamConnect conferencing solutions.
Designed with integrators and business owners in mind, the workshops featured Sennheiser's newly introduced TeamConnect Bar S and TeamConnect Bar M video bars, the first product of its kind in the Sennheiser portfolio, as well as the popular TeamConnect Ceiling 2 (TCC 2) and TeamConnect Ceiling Medium (TCC M) ceiling microphones.
“We are excited to share these new products with our clientele,” expresses Ashley

Slovenia - Crt Birsa from Slovenian design studio Blackout recently utilised Robe moving lights to realise the raw lighting aesthetic wanted by Slovenian vocal orchestra Perpetuum Jazzile for a video shoot in Ljubljana.
The artists have won international acclaim for their acapella versions of famous songs and for their lively and invigorating live performances.
This video shoot was directed by Rok Maver and took place in the new VPK Mediapark Media Centre nightclub in Ljubljana which has just opened. The Robe elements were 16 x Fortes, 28 x MegaPointes and 22 Spiiders, all supplied by Ljubljana based rental company Intralite – who invested in Fortes at the start of the summer which were delivered by Robe’s Slovenian distributor, MK Light Sound.
These were all rigged quite closely together on three overhead house trusses and the deck which boosted the intensit

Mexico - Sound, light and AV automation specialists, Oncue has designed and installed more than a hundred Nexo systems in bars, restaurants, hotels, superyachts and even homes around the country.
With offices in Cabo San Lucas and Mexico City, the company is headquartered in Cancún and has established a reputation among local hospitality venue operators for providing systems that meet and exceed what is typically a demanding set of requirements.
“It’s a party atmosphere in Cancún and (nearby) Tulum, so sound systems are required to handle much more than simply background music” says Oncue director general Héctor Ortega Valles. “The Nexo systems we install are typically operating at over 100dB for up to 15 hours a day.”
Oncue’s latest installation is at the BRASS Modern Grill House, part of the Fish Fritanga Group, where a Nexo ID and ePS Series sys

UK - After a 10-year hiatus, indie rock band, Hard-Fi, made a triumphant return this October with a 13-day nationwide stour, including dates at the Junction in Cambridge, O2 Academy in Liverpool, Rock City in Nottingham, and the Troxy in London. Front of house engineer, Sam Parker, and monitor engineer, Bertie Hunter, deployed a DiGiCo Quantum 225 and SD12 digital mixing console respectively, supplied by CS Audio.
Reflecting on his induction into the band, Parker recalls being recruited by Hard-Fi’s management before their debut album release in 2005. “I remember receiving a demo CD of songs, and then I was formally introduced to the band,” he says. “During those early days, the touring setup was limited to a two-person crew - myself handling FOH duties alongside a tour manager/driver. Within the first year, the band upgraded to a tour bus and an expanded crew, which

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