The lighting in the venue, designed by Matthew Marshall and including around 50 moving lights and a collection of LED fixtures along with generic theatrical lights, was programmed and operated by Peter Rubie who opted to use a Vista T4 running the V2 Byron software for control. "After beta testing Vista Byron in its early stages I was impressed by its feature set and vast improvements on Vista 1," remarked Peter. "A lot of the things that were missing or not quite there yet in V1 have been added in Byron - Jands have really listened to the user feedback."
As both plotted cues for the structured show and on the fly operating was required for the Troc Party Nights after the show, Peter was keen to use Byron over V1 with its improvements in the theatre elements as well as the busking ability. As the show was also flashy with a lot of cues and effects, he was keen to use the improved effects engine. "I was a little nervous using the beta software, but did some extensive testing and trials before moving in to the venue which went successfully," said Peter.
"Once the plotting stage came around, we experienced a few bugs but these were met with great support from Jands who were able to solve the show-critical ones very swiftly. We were also running a secondary Vista with a backup of the show which I would always recommend when using any newly released software / consoles."
Peter comments that the Vista Byron retains all of the V1 features and that the intuitive patch system has been made even faster with an instant search function for fixture profiles. "The timeline, which is one of the main areas where Vista differs from other consoles, has received various improvements too," he added. "The speed at which I can look at multiple cues at once and clearly see tracked values and parameter info supersedes other consoles, where I find myself having to retrace my steps and think harder about what I am editing and how it will affect other cues in a tracking environment. All the cue timing properties are much improved in Byron so they now much more closely follow the same structure expected in theatre consoles, such as split up and down timing and follows."
Peter particularly favours the flexibility of having separate live timing for each different parameter and the speed in which this can now be changed on the fly.
"That is one of the many improved busking features," he said. "The major overhaul of the look and appearance of the GUI has resulted in a much more professional looking console and is very user-customisable including personalised user colour themes. The visual representation of everything down to a mimic of gobo and colour wheels with gobos that actually animate is fantastic. I particularly like the button that reverses the direction a gobo is rotating whilst retaining the speed.
(Lee Baldock)
