Russia - Scena has joined the Prolyte family as the latest authorised dealer in Russia.
Founded in 2016 by specialists with more than 10 years of experience in the culture, social, and entertainment industry, Scena is recognised for its involvement in the development of European projects, brands and theatre complexes.
“When searching for a partner, Prolyte asks a couple of important questions: can they be our friends? Can they be a part of our family? Do they share the same values of loyalty, honesty, competence, and quality? When the answer to all these questions is a yes, then we jump right into that relationship,” says Eddie Slotboom.
Nikita Safonov and Alexey Barkovski already have a high level of experience with Prolyte over many years. Slotboom adds: “We are convinced that there is an experienced team at Scena with a lot of knowledge. Henry did a great job with this deal. We at Prolyte look forward to this constructive partnership.”
“We at Scena tend to favour brands that provide the world high-quality, reliable, and safe products and work with them without intermediaries in between to offer the best conditions to our clients,” says Nikita Safonov.
UK - Audiologic has reappointed Diogo Scutti as application support engineer.
Scutti returns to Audiologic after spending three years as project engineer with SSE, a position that involved complete responsibility for system design alongside a focus on developing exceptional standards of interface management.
Over his 20-year career, Scutti has played a major role in both live production and systems integration in many world-famous events and locations, including the opening and closing ceremonies at the 2016 Olympic Games in Rio de Janeiro.
“It is with great pleasure and delight that we welcome Diogo back into the business,” comments Ben Spurgeon, senior application engineer at Audiologic. “Diogo’s experience in large-scale projects and expansive system design will help to push our technical offering even further and we are thrilled to have him back on board. Each member of the team has varying experience and Diogo is a perfect fit to keep expanding the team's vast knowledge base.”
“I am very excited to have the opportunity to re-join Audiologic,” says Diogo. “The leadership calibre and vision of the management team have created the environment in which my return makes sense. I look forward to adding to the team’s collective expertise and utilising my specialist knowledge in audio and video protocols and digital networking to help Audiologic continue to thrive.”
USA - XR Studios leveraged the latest technology from disguise to bring the future of broadcast to primetime American television when Katy Perry performed her new single Daisies on the season finale of American Idol. The project relied on the collaboration between the creative and technical teams led by XR Studios, with content by Silent Partners Studio using Notch VFX, direction by Silent House Productions and PRG North America as the production vendor.
“Started on the #AmericalIdol stage, ended up in a whole new world,” as Katy Perry wrote on her Instagram, the performance has since been watched by over 9m viewers around the globe with over 2m Youtube hits on top of the 7.3m strong viewers on the night.
“Having disguise for delivery of this content was crucial. There's simply no other solution out there that I would trust with this,” says JT Rooney of Silent Partner Studios, who was the screens producer and led all the creative content creation.
“At disguise, we are building the technology platform to enable creative and technical professionals to tell stories in new and innovative ways for the world’s leading brands and artists. This show was just the beginning of disguise and xR - we can’t wait to show you what’s next.” says Ed Plowman, chief technology officer at disguise.
Beginning in an American Idol-branded studio, the physical walls around Katy Perry suddenly dissolve away, bringing viewers with the Daisies singer into a fantastical world where she interacts with virtual elements such as
USA - Harman Professional Solutions has added 10 free Live Workshops to its Learning Sessions programme in conjunction with Harman Professional University.
Scheduled through mid-June, the workshops feature lighting or audio experts who have extensive industry knowledge and experience working with various acts including Earth, Wind & Fire, Janelle Monáe, Lea Michele, Mary Mack, Rae Sremmurd, Rebelution, Sublime with Rome, Tabula Rasa Opera, Tegan and Sara, The Avalanches, Tinashe and others.
The sessions now open for registration include: Transitioning Between Studio and Live Environments with Mike Sutherland (2 June), Soundcraft Vi1000 Basic Training with Gabriel Le Roux (3 June), Headroom of a Sound System with Jan van Zyl (4 June), Soundcraft Vi1000 Advanced Training with Gabriel Le Roux 5 June), Soundcraft Vi1000 Monitor Training with Gabriel Le Roux (8 June), Tour Design Process Basics for Beginners/Students with Lauren Sego (9 June), Paperwork from Production Management to Lighting Design with Jennifer Bass (10 June), Light the Music: A Lecture with a Beat with Luther Frank (11 June) and Getting Started in Live Sound with the Soundcraft Ui24R with Pete Alcock (12 June).
Nearly 30 Live Workshops conducted in May are now available at Harman Professional University’s YouTube channel. Many more sessions are in production for release in the coming months.
USA - Just as it does at outdoor festivals, nature can work with or against the LD who lights a drive-in concert. Matt Collier got a taste of both on Saturday, 23 May when he lit a two-hour show by jam band Spafford at the Digital Drive-In outside Phoenix.
The brilliant orange sunset that filtered through the feathered clouds at the start of the show served up one of those breath-taking spectacles that happen on special evenings this time of year in the dessert. Along with this gentle touch, however, nature also showed its harsher side with some strong southwest winds.
Drawing on his extensive experience touring the festival circuit with Spafford and other bands, Collier adroitly handled whatever Mother Nature dished out, incorporating the colourful sky into his design for the drive-in show, while also coming up with a substitute for the fog he planned to use before the wind rendered that impossible.
Helping him accomplish this feat was a collection of Chauvet Professional Maverick MK2 Spot and Rogue R2 Wash fixtures supplied by Hardwired Productions. “Just doing a show outside in Arizona in the early summer is a beautiful experience,” says Collier. “The sunset was stunning that night, so I tried to integrate some more unique colours to match the vibe of the natural setting with some cool tones from the MK2s and R2 Washes.”
As for not being able to use the fog as planned, Collier relied on the performance features of the Maverick fixtures to texturize the 40’ by 10’ stage. “Unexpected things always pop up outdoors,” he said.
Australia - Assistive living specialist Contacta has appointed Exertis ProAV Australia, part of Stampede and Exertis ProAV, to serve as its value distribution partner to drive sales of its hearing loop and speech transfer systems in Australia and New Zealand.
In announcing the appointment, Exertis ProAV Australia president & CEO Kevin Kelly credits the hard work of Exertis ProAV Australia general manager Nick Cocks in forging the new distribution agreement. “Nick’s 17 years of industry experience played a major role in reaching this agreement with Contacta, a market leader in providing assistive living solutions, and this was a top priority of the company.”
Amplifying Kelly’s point, Nick Cocks notes: “As a new player in the market with a strong global presence we want to create long term supplier partnerships as a base for our business. We select the companies we work with very carefully. What attracted us to Contacta was both the quality and the range of their products, with their innovative approach to the market they serve. We always ensure we have the time and resources available to be successful with the brands we represent.”
Contacta head of business development Ran Meyrav comments, “We are excited to be working with Exertis Australia in this new partnership. This is a strategic market for our export sales, so it was vital to find the right local partner. We felt that Nick and the team shared our vision and commitment to high standards. We both aim to deliver the best solutions for the customer and, ultimately, the user. Exe
UK - New guidance from PASMA is helping managers keep scaffold tower users safe during the coronavirus outbreak, whether they're off on a training course or using towers in the workplace.
The industry body has offered its advice on the challenges being faced by those responsible for the health and safety of tower users as they plan a return to work. In a new guidance document released free to the industry, PASMA delves into issues such as how long the virus lasts on aluminium, how rescue plans will be affected and how workers can avoid passing instruction manuals around.
The body shares recommend ways to assemble a tower while keeping your distance from everyone else, suggesting that the most reliable method could be buying or hiring one-person towers, which are specially designed to be built and dismantled by one individual working alone.
As PASMA training starts to resume in some areas, they have also addressed the need for people to be protected from coronavirus during their course. They remind us of the importance of PASMA training and reassure managers of the protective measures they can expect to be in place during a course, from e-learning to increased hygiene and cleaning. They also explain how PASMA cardholders can get an extension if their qualification is due to expire before it's safe for them to visit a training centre.
Roger Verallo, PASMA chairman and managing director of Euro Towers
UK - GoboPlus.com continues to operate in these difficult times with reduced staff numbers, but remains determined to support to its customers with a continued service of both custom and stock gobos. In recent weeks the company has seen a huge increase in gobos celebrating the NHS. Goboplus.com responded by designing a range of NHS gobos for its website and has seen this move mushroom into an online campaign which is steadily growing week by week.
“We have received orders from across the UK from many customers who have been expressing their support on Thursday nights as they #clapforcarers in celebration of the commitment and strength being made by all front-line staff,” says GoboPlus.com’s Paul de Ville. “We have been sharing these pictures on social media in the hope that the message will spread far and wide to show how proud we are of all the hard-work going on across the UK, and the incredible risk that all front-line staff are taking at these times. We are overwhelmed by the number of photos and comments we have received and would like to thank all our customers for sharing these images with us, and for their ongoing support in these hard times.”
The NHS gobos have been spotted in a wide variety of locations across the country from churches and leisure centres to hotels and private houses. PA Entertainments lit up no less than five football clubs in South Yorkshire, including that of premiere league Sheffield United, while Maestra Group illuminated The Dorchester hotel in London where they also congratulated Captain Tom on his 10
USA - The COVID-19 pandemic has increased the demand for UV-C lighting products offering reliable disinfection, even from coronaviruses. ACT Lighting has announced that it is distributing UV-C lighting devices from Luxibel as well as the GSUV product range from Golden Sea.
“ACT Lighting has begun to distribute UV-C disinfecting devices from our suppliers, which are ideal for use in production environments of all types,” says Aaron Hubbard, regional sales manager at ACT Lighting. “We are delivering a myriad of products from both manufacturers geared toward the permanent installation markets as well as portable solutions ranging from smaller, consumer level applications to theatres and arenas.”
Luxibel, the professional AV lighting brand of AED group, which has its headquarters in Belgium and offices in The Netherlands, Germany, France and the UK, currently offers four UV-C products that can be wall, ceiling or tripod mounted. B HYBRID is a direct and indirect disinfection unit and B AIR is an indirect disinfection unit; both take care of 24-hour air disinfection in the presence of people and animals and eliminate bacteria, viruses, and fungal and mould spores in the air.
B DIRECT is a single direct UVC radiator with reflector and B DIRECT II is a double direct UVC radiator with reflector. They disinfect air and surfaces, up to 22 and 38sq.m respectively, prevent secondary infections and eliminate bacteria, viruses, and fungal and mold spores in the air. Luxibel products are shipping now.
Goldensea UV products are manufactured by Golde
Blackout Tuesday - The music industry is calling for a ‘Blackout Tuesday’ in response to George Floyd's death. Major record labels have shared a message on social media promising "a day to disconnect from work and reconnect with our community". Employees have been given Tuesday off as "a day of action", intended to "provoke accountability and change". Interscope vowed not to release new music this week, while Apple Music's Ebro Darden cancelled his radio shows.
"We stand together with the black community against all forms of racism, bigotry, and violence," said Columbia Records, which is home to Beyoncé, Pharrell Williams, Lil Nas X, Bob Dylan, Bruce Springsteen and Adele. "Now, more than ever, we must use our voices to speak up and challenge the injustices all around us."
"In the words of Dr King, 'There comes a time when silence is betrayal.' When you have a responsibility to raise your voice for change. That time has come," added Universal Music Group on social media.
Universal's chairman, Sir Lucian Grainge, also issued a memo to staff laying out plans for a task force, headed by chief counsel Jeff Harleston, to "accelerate our efforts in areas such as inclusion and social justice".
The British record industry's trade body, the BPI, also confirmed it would participate in the ‘Blackout Tuesday’. "Like many of our members, we will suspend normal business tomorrow," it said in a statement. "Our staff will share in this moment to reflect on the recent tragic events, stand in solidarity with all those who suffer discrimination and enco
World - The AES Virtual Vienna Convention takes place online this week (2-5 June) and the final schedule of events has been announced, including the convention’s slate of over 100 on-demand presentations being made available throughout the show.
“From full scientific research paper presentations and poster sessions, to experimentation in practical applications of breaking audio technologies outlined in Engineering Briefs and more, this year’s AES Spring Convention technical programme offers unprecedented access in an affordable format available to anyone with an internet connection,” say the organisers.
This year’s Papers programme features over 45 presentations, available on demand, covering a variety of disciplines including Audio Signal Processing, Perception and Evaluation of Audio, Spatial Audio, Loudspeakers and Microphones, Recording and Production, Audio Education, Network Audio, Room Acoustics and more.
Papers being presented during AES Virtual Vienna will be available to attendees for a period after the show and will then join the archive of over 17,000 searchable documents in the AES E-Library. In addition, over 70 on-demand Engineering Briefs and Posters present more concise studies of a given topic, offering quick analysis of concepts, studies and application experimentation from researchers, students and engineers from around the world.
The complete AES Virtual Vienna Technical Programme of events, presenters and more is now available online. Registration is via test
Europe - Ayrton has announced the appointment of LiteNordic as its new exclusive distributor for Sweden, Norway and Denmark. The new arrangement takes place with immediate effect in Sweden and Denmark, and from 1 July in Norway.
Formed in January 2018, LiteNordic is a ‘young’ lighting distribution company with many years of industry experience due to its team of skilled and knowledgeable individuals. LiteNordic identifies as a Scandinavian operation with offices and sales teams in Sweden, Norway and Denmark, and a comprehensive network of partners in all three countries.
“We work closely with influencers such as lighting designers for live and corporate events and installation projects,” says Espen Bechmann, LiteNordic’s sales manager for Norway. “And as Norway, Sweden and Denmark are small countries, we work alongside partners in many fields in each country to ensure the end user gets the right solution for each project.”
Two years after its formation, LiteNordic had been looking to expand its product portfolio and found Ayrton matched all its criteria for LED moving lights.
“Ayrton has been on our radar for a while,” says LiteNordic CEO, Magnus Lönden. “They are innovative company with an original and extremely versatile product line, and we like the team - it was a perfect match for us.”
Ayrton’s Jonas Stenvinkel agrees: “A company is made up of the people who work and manage it and, with that in mind, LiteNordic really stands out on the Nordic market with their professional, pure-distribution approach. The
Belgium - The 150-year-old Koningklijke Stadschouwburg (Royal City Theatre) is the largest and most prestigious of five venues managed by Cultuur Centrum Brugge (CC Brugge) in the historic Belgian city.
In late 2019 the organisation invested heavily in new Yamaha digital mixing systems for all venues, with eight CL and QL series digital mixing consoles, associated I/O racks and Ethernet switches installed on new Dante networks.
Opened in 1869, the 700-seat Koninklijke Stadschouwburg was originally designed as an elite temple of culture. Nowadays, together with the Magdalenazaal, De Biekorf, Daverlo and De Dijk theatres, it welcomes a diverse audience to a variety of modern theatre, live music, dance, seminars, movies, presentations and much more.
Philip Van Loo of PVL Sound & Light BV is a long-time supplier, consultant and project manager for CC Brugge. He introduced the organisation to Yamaha digital mixers many years ago with two 01V96i consoles. They was so successful that CC Brugge later invested in three Yamaha M7CL-48 digital mixers, which used the existing analogue infrastructure already installed in the venues.
All five of the Yamaha consoles have proved reliable but, after extensive use for many years, CC Brugge wanted to modernise the audio systems and make the venues future-proof.
Philip Van Loo was again asked to advise on the project, recommending the installation of a Dante audio inftrastructure in each venue because it was reliable, easy to install / manage and flexible. An important factor was the amount of equipment
USA - Lighting designers Sooner Routhier, Cory FitzGerald and Travis Shirley are set to share their insight into concert and live event lighting on the 3 June Elation Hour.
Routhier counts artists like KISS, Muse, Halsey, Mötley Crüe, and Depeche Mode as clients, while FitzGerald has lit some of music’s biggest acts like Beyoncé, Bruno Mars, Justin Bieber and Jennifer Lopez. Shirley has designed for names like Christina Aguilera, Smashing Pumpkins, Enrique Iglesias, Keith Urban, Jennifer Lopez and Linkin Park.
The session is hosted by Elation national sales manager John Dunn and global product manager Matthias Hinrichs on Wednesday, 3 June 10:00 a.m. Pacific Standard Time.
See how to register here.
South Africa - On the evening of 19 May, Mark Gaylard of technical production company MGG and his crew of 20 replicated a version of the South African flag using 214 lighting fixtures, predominantly Robe, at the company’s premises in Johannesburg.
During the Covid-19 lockdown, MGG has thought on its feet and adapted to the new environment, becoming an ‘essential service’ provider by offering a virtual studio for broadcasting and streaming. Other activities have included assembling information noticeboards, developing a hands-free door opener, and producing essential PPE kit like masks.
“I wanted to shine our lights in solidarity for South Africa, and I wanted to reach out to Robe and the other various #TogetherWeAreStronger and #LightTheSky projects,” Mark explained. “Also, I wanted to highlight the plight of the thousands of freelancers in our industry, many of whom are reliant on food vouchers provided by the #FeedOurCrew initiative.”
Kevin Rieck, head of drafting at MGG was asked to draw the South African flag which would be outlined in the extensive car park area. “We had previously split our staff into teams to minimise risk and properly social distance, and so had to rely on all departments this time to do the setup.”
General manager Denzil Smith and operations manager Rianda Van Burick measured out the flag shape using tape, and the lighting fixtures were then deployed within the design.
The Robe elements included 24 x LEDWash 1200s, 32 x LEDWash 600s, 16 x Spiiders, 22 x Tetra2s, 14 x BMFL Blades, 10 x Pointes
UK - TSL Lighting has developed a Covid-secure remote control lighting system.
The Basingstoke-based company devised the solution in response to a project brief from digital web streaming pioneers Beings Broadcast, on behalf of creative agency Collider.
“The COVID-19 lockdown has required companies across the event production industry to look at new ways to deliver client communications,” says TSL’s Loz Wilcox. “When the message is important, it’s imperative that this is delivered in a slick, professional manner and sometimes this can be tough to do outside of the normal production environment.
“TSL was contacted by lighting designer Paul Cook, who required a lightweight and easily transportable lighting solution. There were multiple needs: no bulky flight cases which might not be suitable for a home broadcast, simple setup that could be achieved by someone from a non-technical background, and the ability to control it all remotely to ensure lighting levels for camera balance could be monitored during the presentation.”
After exploring various options, TSL created a package using their Litepanels Astra 6X Bi-Color LED Panels and a pre-configured laptop as the interface to the remote lighting controller. Once the client receives the lighting and control package, they connect the colour-coded system by following the supplied instruction manual and simply connect the laptop to the local network or WiFi.
Once connected, the laptop automatically logs on to TSL’s central server, and onwards to the remote console, enabling the l
USA - The new Cross Church DFW satellite campus that sits on 27 acres on the busy Blue Mound Road is reflective of the dramatic expansion that has taken place in North Fort Worth recently. Parent church, North Richland Hills Baptist, opened the spacious satellite in September 2019, after two years of planning, to reach the increasing number of worshippers settling in the area.
Reflecting the forward-looking orientation of the new campus is an AVL system designed and installed by Paragon 360. Outfitted with the latest audio and video equipment, the new system is used to broadcast services and events to lobbies and classrooms throughout the expansive Cross Church facility, as well as to the North Richland Hills Baptist home base, strengthening the connection between the two campuses.
Helping to ensure the quality of those videos is a stage lighting rig that features Chauvet Professional Ovation and COLORdash fixtures.
Paragon 360 installed 19 Ovation E-910FC RGBA-Lime colour mixing ellipsoidals, all with 36ﹾ lenses, in front of the stage, relying on their flat, even field of light and 2800 to 6500 K color temperature to provide supportive lighting for broadcasts as well as for worshippers who experience services live at Cross Church.
“Ovation ellipsoidal have been our go to fixture for front light for several years now,” said Matt Dean, lighting lead at Paragon 360. “We use them on almost all of our installs, whether there is going to be video or not.”
The Paragon 360 team positioned the Ovation E-910FC units 40ft from the stage
USA - The 62nd Grammy Awards became the first major broadcast event to utilise a large complement of Claypaky Xtylos fixtures when lighting designers Bob Dickinson and Noah Mitz of Full Flood Inc. deployed 60 Xtylos for Blake Shelton and Gwen Stefani’s duet, Nobody But You.
In addition, 118 Claypaky Mythos 2 fixtures were part of the main set rig and the dish stage at the Staples Center in Los Angeles. PRG was the lighting vendor.
The show’s creative producer Raj Kapoor asked the lighting designers for a lighting installation that would separate Shelton and Stefani from the band and enfold them as they performed the romantic ballad.
“Raj was looking for lighting as architecture to surround the duo,” says Mitz. “We first thought of Mythos 2, but when we realised Xtylos would be available we made the switch.”
He notes that Xtylos had been on the LDs’ radar since last summer. “We were impressed by their colour rendering, colour intensity and the tightness of the beams. We were looking for an opportunity to use them.”
Lighting director Madigan Stehly designed a series of custom carts for the Xtylos, the first moving head light with a laser light source. The Xtylos formed a pencil-beam cage of architectural positions between the duet’s verse and choruses starting with a lacy lattice look and transitioning to a straight aligned grid.
“The carts aligned the fixtures in a perfect grid, covered the joins and made everything accurate and repeatable. Xtylos was a perfect match for that performance; they delivered
Europe - Having enjoyed a business relationship for years, Artistic Licence and Controllux have announced a formal distribution agreement for The Netherlands, Belgium and Luxembourg.
Founded in 1968, Controllux is a leading name in the distribution of professional lighting equipment. With many experienced staff, the company provides comprehensive supply and support for respected brands in the theatrical, broadcast & film, entertainment and architectural markets.
Artistic Licence CEO Wayne Howell comments: "Our broad range of lighting control and infrastructure products will nicely reinforce the Controllux emphasis on solutions. Both companies have been trading for many decades and bring customers the reassurance of experience, quality and reliability. Artistic Licence designs and manufactures all its own products in the UK - something that we are very proud of - and I think many people will be surprised at just how competitive our pricing is across our latest DMX512/RDM, Art-Net/sACN and DALI ranges."
Lex Oudshoorn of Controllux adds: "Our broad network encompasses many different fields of specialism, and we are always looking for brands that will add extra value for our customers. We are delighted to be the official distributor of the Artistic Licence range in The Netherlands, Belgium and Luxembourg.
“Artistic Licence is a well-known A-league UK manufacturer and will amplify our product portfolio with a complete range of DALI, sACN and, of course, DMX512 hardware devices. “More and more, we are seeing a shift from box-moving to turnke
Malta - Powerhouse, a Malta-based integrator specialising in lighting, sound, projection and custom-built staging, began working with AV Stumpfl in 2009. For the past year, Powerhouse has been using Vario64 projector screens throughout its projects and recommending them to clients. Currently, Powerhouse has seven different Vario64 screens in total, including: an 8.3m x 3.7m model, a 12m x 4m model, and a 5.2m x 2.8m model.
“What is unique about the Vario series is its robust and durable frame and surface, without compromising on ease of set up or mobility,” says Justin Portelli, Powerhouse’s operations manager. “It’s a design that has considered not only the visual aspects of projection screens, but also the practical build aspect. It takes half the time and workforce to set up compared to what we used previously.”
When AV Stumpfl entered the rental and staging market over 40 years ago, its Vario series was the product that built the Austrian manufacturer’s renowned reputation. The distinguished series boasts a frame of modular multi-element aluminium alloy, specially hardened and extruded, making a product that virtually lasts forever.
The Vario64 and 32 versions, named after their aluminium profile dimensions, are the most popular models for robust projection screens. However, the Vario64 is designed to support variable aspect ratios when using different plug in modules, which came in useful for the multipurpose use of the screens at medical device manufacturer LivaNova’s conference event at the Hilton Grand Master Suite, Malta.
The Netherlands - 013 is one of the largest and most frequented pop music venues in the southern Netherlands, hosting a slew of international touring acts and popular festivals every year. Now, it features venue-wide live audio systems from Adamson Systems Engineering.
Located in the city of Tilburg in the southern province of North Brabant, 013 Poppodium is comprised of the 3,000-capacity Main Stage and 700-capacity NEXT Stage.
Following a substantial overhaul in 2015, both spaces boasted custom audio reinforcement solutions from Adamson Systems Engineering, sourced via the company’s exclusive Dutch distributor, Audio Acoustics. More recently, however, 013 augmented its Main Hall system with new components from Adamson’s flagship E-Series and sub-compact S-Series for a more consistent and impactful performance to benefit patrons and visiting productions alike.
“We feel Adamson has one of the best-sounding systems, if not the best-sounding system out there right now,” begins Erik-Jan Dodd, lead sound engineer at 013, about the decision to re-invest in Adamson. “A lot of major artists have the E-Series on their riders these days, and for the last three years, every band that has visited 013 has used our system, even if they were carrying their own. Engineers trust Adamson, and if they’ve been here before, they know we’ve got a great-sounding PA system perfectly tuned to our room.”
Prior to the most recent upgrades, the Main Stage system included left-right arrays of nine Adamson E15 three-way, true line source enclosures per sid
Italy - Powersoft has released new plug-ins supporting Mezzo Series and its non-DSP install dedicated amplifier platforms ranges for the Q-SYS and Crestron control ecosystems.
These free-to-download plug-ins allow for user friendly network-based control of amplifier functionality via third-party systems. They feature ‘a refined, modern-looking interface, extended functionality, and a high level of user customisability, compared to legacy plug-ins for the format’.
In addition, a new Q-SYS plug-in supporting DSP+D versions of Duecanali, Quattrocanali, Ottocanali, X and T series is slated for release this summer with brand new functionality.
“Powersoft enables wide-ranging control and configuration of our amplifiers through our own ArmoníaPlus software, but we are also committed to ensuring interoperability with other popular control ecosystems,” says Michael Perry, Powersoft application engineer, North America. “Our new Q-SYS and Crestron plug-ins improve functionality and usability for any users integrating our premium amplifier technology with these popular products.”
The latest plug-ins extend third-party network-based interoperability to Powersoft’s new ultra-compact Mezzo half-rack installation amplifiers. For Mezzo, the new plug-ins allow Q-SYS and Crestron controllers to access numerous key functions, including power and standby, LED blink / identify, amplifier nickname, backup strategy mode, source selection priority, gain and mute control, polarity control, and user delay.
The new plug-ins for Duecanali, Quattrocan
The Netherlands - punQtum B.V., specialist providers of digital communication tools for the live event and professional audio industry, has announced a series of webinars in order to communicate more effectively with potential customers as face-to-face contact continues to remain restricted for the immediate future.
Starting with an introductory session on 3 June at 11:00 CEST, followed by a session on 8 June at 11:00 CEST that explains the punQtum Expert concept and how to become one, the full schedule plus registration details can be found on the punQtum website.
The first webinar, punQtum Digital Intercom, is designed as a company overview as well as a demo of punQtum’s first product, the Q110 Beltpack. The Q110 is the first element of a larger networked intercom system that offers up to 32 party lines via standard IP networks and infrastructures. Providing ultimate scalability, the Q110 suits systems of any size, ranging from small events requiring just two beltpacks to as many are required for large, complex systems.
The next session, Passion that Pays explores the concept of the punQtum Expert – what it is, the benefits of this business approach, and how you can become an Expert to generate some extra income for yourself by simply sharing your knowledge and passion with others. Both webinars are scheduled to repeat the following week.
Webinar host, punQtum CEO Arie van den Broek comments, “We are still a young company, so it’s all the more important for us to build relationships and tell our story by whatever means
Ghana - Accra recently staged its own ‘behind closed doors’ Ghana Covid-19 Heroes Concert in order to raise funds for both UNHCR, to help protect refugees from the pandemic, and the National COVID-19 Trust Fund. It was also a way to thank all frontline workers who have risked their lives in saving others.
Charterhouse Ghana, a one-stop production house, staged the event, in partnership with Ghana Music Awards Foundation, at The Grand Arena, located on the premises of the Accra International Conference Centre. It was transmitted to audiences through television (TV3) and through social media streaming.
WABlighting, run by Ernest Awuah, was brought in to handle the production design and drew heavily on fixtures from PR Lighting. “PR is rated number one brand in Ghana over all others due to its explicit features,” he explains. Both Wablighting and Charterhouse Ghana hold inventory, giving the possibility of a considerable resource of moving lights from the Chinese company.
For this production, the XR 350 BWS (combining Beam, Wash, Spot in a single unit), XR 330 Beam, equipped with a Sirius HRI 330W lamp and three prisms, and XLED 1037 (containing 37 x 4-in-1 10W RGBW LEDs) were used in the production. These were suspended on a single goal post truss, placed both on overhead and upstage.
The challenge facing Awuah was lighting an empty auditorium but capturing the same dynamic as if the arena were filled with people. “The most paramount requirement was to obtain excellent visibility,” he said. “This meant working with design ideas thr