Although western musicals have previously toured China, this is the first time that one has been performed by a local cast, with a translated script.
Mamma Mia! in China is produced by United Asia Live Entertainment Co by arrangement with Judy Craymer, Richard East and Bjorn Ulvaeus for Littlestar in association with Universal. Technically the approach for the audio was the same as it has been for all other recent productions of the show, including the DiGiCo SD8 mixing console. But a few hurdles had to be cleared regarding the supply of equipment.
"Because of China's import laws, we realised that it would be quite difficult to get the equipment in and out of the country," says the production's associate sound designer Richard Brooker, who works closely with sound designer Bobby Aitken and has been involved in 21 different productions of Mamma Mia! around the world.
"This being the first production of its kind in China, we had no historical experience of which Chinese production companies had the skills to manage this production. We needed to be confident in the finished result, so the responsibility was placed on Seoul Sound. They have a lot of experience of this level of show as they have put on many international productions in Korea."
With 13 principles, an ensemble and a six piece band, this production is classified as a medium-sized musical, making the SD8 the ideal size for the production. But it wasn't always that way. DiGiCo consoles have been involved in the show since the first production transferred to the Prince of Wales theatre in London in 2004, where a DiGiCo D5T was originally specified. However, the huge success of the production has led to it being technically redesigned to fit on to a much smaller console.
"Two years ago, a decision was taken to make the show more accessible to smaller territories and producers," says Brooker. "To achieve this it was redesigned from all angles, including sound, so that it now fits on to an SD8 perfectly."
The production uses a total of 83 inputs and 54 outputs, with 117 snapshots/scenes during the performance and much use being made of the SD8's internal effects.
When taking a globally successful show to China for the first time, there was a certain sense of heading into the unknown. But a truly international sound team - which also included Dutch assistant sound designer Wibo Vermeulen, Belgian production sound engineer Raf Rutgeerts, Seoul Sound's production sound engineer Hwang Kyun-Cheol, Taiwanese sound operator Kevin Wang, Chinese technical production manager Wei Han Liao and production manager Simon Marlow - ensured that this production of Mamma Mia! is as high a standardthan any previous version.
(Jim Evans)
