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Italy - From 2-26 March, the Teatro dell’Opera di Roma hosts the Richard Strauss opera Salome with its famous Dance of the Seven Veils, based on the play by Oscar Wilde.
Stripped of lavish scenery, this pared-back production directed by Marc Albrecht with conductor Barrie Kosky invites the audience to focus exclusively on the characters, the dialogue and the music, with sound therefore playing a role of heightened importance.
At some moments of the production, the voice and movements of the performer on stage are required to generate a dynamic effect in the auditorium, with the echo of a higher voice propagating from the stalls to the gallery.
AV technology specialists AMG were approached early in the production development phase to configure and install a sound system that could deliver the complex sound design.
Stacks of five Nex

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UK - Birmingham’s latest high-adrenalin attraction – the new F1 Arcade in Chamberlain Square – has become the latest venue to benefit from a high-quality AV solution supplied and integrated by TVC Technology Solutions.
F1 Arcade is an F1 racing experience with no fewer than 53 bespoke full-motion racing simulators that can cater to every level of driving skill – and all in an environment that also offers a range of food and drink.
TVC delivered a comprehensive multi-zone audio system from KV2 to help create the pulsating energy of the race circuit. The experience is completed by an array of huge TV screens so that fans can watch the ‘real’ motor racing with live commentary, entertainment and the guarantee of an absolutely electric atmosphere.
Having installed the F1 Arcade in London, the world’s first official Formula 1 simulator racing experienc
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USA - The Warner Theatre, close to the White House in the American capital city, has since 2013 offered its visiting engineers, performers and artists the sonic advantages of an Outline Butterfly system tuned and maintained by house sound engineer Ishai Ratz.
Originally opened in 1924 and having hosted everyone and everything from Frank Sinatra to ZZ Top and from Vaudeville to cinema, since a full restoration in the early ‘90s it is an established showcase venue for the DC area.
Jason Farah of Outline’s US office describes the genesis of the new installation: “Following on the success of Butterfly and wanting to maintain the high performance-to-small footprint ratio, it made perfect sense to upgrade to Butterfly’s successor, Superfly. Superfly provides extended low-end response and improved rigging, while maintaining the same voicing that Butterfly excelled at.

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USA - If you’re looking for a place to hear live country music day or night while enjoying a meal on the Vegas Strip, Ole Red is your ticket. The recently opened restaurant, bar, and live music venue in the heart of Las Vegas features a Clair Global Integration (CGI) and an innovative lighting design by Bryant Woelk, owner/ senior lighting designer of FXLighting LLC, featuring lighting from Elation.
The Blake Shelton inspired Ole Red, operated by Opry Entertainment Group, offers patrons a full experience with live music, delectable dining, and a vibrant bar scene. The first Ole Red opened in Shelton's hometown of Tishomingo, Oklahoma, in 2017 with Las Vegas the entertainment chain’s sixth location.
Clair Global Integration procured audio, lighting and backbone control for the new venue and handled system design, installation and programming. Bradley Cronenwett, se

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China - The Ballad of the Canal is an opera exploring the stories of the Beijing-Hangzhou Grand Canal. Created over 2500 years ago, the canal is a feat of engineering on par with the Great Wall of China.
The opera entwines both classical Chinese and western styles of opera, integrating these different forms successfully alongside an unamplified orchestra required a thoughtful solution combining the venue’s existing SD5s and two additional DiGiCo Quantum 7s. First performed at National Centre for Performing Arts (NCPA) in 2012, The Ballad of the Canal was the first original folk opera presented.
The recent revival utilised head-worn radio mics to balance the operatic performances with an acoustic orchestra within the immersive sound system provided by L-Acoustics. Two mirrored Quantum 7s backstage and two mirrored SD5s at the front of house position we

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UK - Welsh ragga-metal band Skindred played their first arena headline show in March at the OVO Arena Wembley, with Claypaky Mythos2 and Sharpy Washes supporting the musicians’ intense, high-energy performance.
Will Furze, the band’s designer/ lighting director, discussed the show with Skindred band members last year while on tour. They wanted to incorporate existing elements of their stage set, which featured artwork from their latest album Smile, and lasers were a must-have as well.
Furze decided to use the existing tour backdrop and four vertical scrim frames for the Wembley show then designed a one-metre high riser to elevate the drum kit with six-meter ‘wings’ on either side to accommodate lighting fixtures. The set riser was also dressed with custom scrims that continued the look and feel of the Smile album’s artwork.
In selecting li

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UK - Prolights Smart BatPlus, provided by Luminosity Lighting Services, illuminated the Blue Room and Music Room of Buckingham Palace for an exclusive TV broadcast shooting.
Luminosity Lighting Services strategically positioned the Smart BatPlus lights to ‘enhance the architectural grandeur of Buckingham Palace’. The lighting configuration focused on discreetly accentuating the pillars within both rooms, accentuating the intricate details and timeless elegance of the historic building.
“The innovative use of Prolights lights not only emphasised the beauty of Buckingham Palace but also played a pivotal role in creating a captivating visual experience for viewers,” says the team. “By ingeniously leveraging the reflection of mirrors and strategically placing lights behind the camera, the production team achieved the illusion of a significantly deeper field of vi

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USA - John Garberson created the lighting rig for the Powerhouse hip-hop celebration at the Desert Diamond Arena outside Phoenix.
Garberson and his team at Creative BackStage positioned a potent lighting rig on the 60ft wide by 40ft deep stage, using fixtures supplied by LIT Lighting. At the same time, however, they made sure to arrange things so there was a generous amount of open space at the stage’s centre. This gave headliners Kevin Gates, Tech N9ne, Young Nudy, and other performers a chance to standout, and connect to the sellout crowd of 20,000 without distractions.
While the hip-hop stars performed their art against the ‘blank canvas’ they were surrounded and supported by dynamic lighting displays above them and to their sides. Principal lighting designer James Simpson and the visiting LDs used a rig anchored by 48 Chauvet Professional fixtures to create a

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World - The 1975’s appetite for touring is considerable and their schedule is gruelling, so their touring equipment needs to be able to keep up. Eighteen rounds of air and road freight can take its toll and reliable consoles that can withstand dust, heat, cold and humidity are vital as the team and their equipment cross multiple time zones. The tour relies on a DiGiCo Quantum 7 at front of house, and a Quantum 5 at the monitor position.
Monitor engineer Francois Pare states, “I don’t think I’ve used any other desk since 2016. Nowadays the shows are so involved, there aren’t many desks that can handle the number of channels we need. On The 1975, we have an eight-piece band, and the show is quite theatrical, there’s a lot going on effects wise on stage, so it all adds up.”
At front of house, Lee McMahon’s comments, “Building this show has been an amazi

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USA Country singer Scotty McCreery’s Cab in a Solo Tour is making its way through the US with a versatile setlist that transitions between upbeat anthems and touching ballads, backed by three upstage LED screens driven by tvONE's Green Hippo brand of Hippotizer media servers.
Landing at Boston’s new MGM Musical Hall at Fenway at the beginning of March, the North Carolina native’s production was ramped up as fans flocked to see McCreery. Striking graphics, animations and imagery from McCreery’s music videos were displayed on the three portrait LED walls, which were made up of ROE’s ultra-fine 8.33mm pixel pitch CB8 LED panels. The content was delivered by two Green Hippo Hippotizer Karst+ MK2 media servers sourced from 4Wall Entertainment and controlled using a grandMA3 console.
Production designer Drew Hornback of DH Production Designs created the concept fo

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Europe - Czech moving and LED lighting manufacturer Robe celebrated its 30th anniversary at the 2024 Prolight + Sound expo in Frankfurt and looked forward to another 30 years of lighting innovation.
The entertainment technology brand presented the finale of the Power of Imagination show, that entertained packed audiences five times a day and also staged a Rock ‘n’ Robe stand party on the evening of the second day, featuring Queen tribute band Queenie. Additionally, an array of new lighting products was launched and on the eve of the expo, Robe announced the acquisition of LSC Control Systems.
LSC joined the other Robe businesses – sister architectural brand Anolis, console manufacturer Avolites and control solutions provider Artistic Licence
The two public ‘dark demonstration’ rooms on the booth were constantly busy throughout the four days wi

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Canada - Montreal studio Le Lab Mastering has built an all-Focal DolbyAtmos room, adding Atmos mastering to its offerings on top of fully analogue stereo, vinyl mastering, and lacquer cutting. The 7.1.4 Atmos studio features an all-Focal powered monitor configuration with Trio11, Trio6, Solo6, and Sub6.
The room’s layout features dual Sub6 subwoofers stacked under the left and right Trio11 monitors – four subwoofers total. This subwoofer configuration gives Le Lab’s Atmos room the ability to offer mastering for movie soundtracks and other formats that would need extended low-end response; It also offers a symmetrical low-frequency coverage in a smaller footprint.
Trio6 monitors fill out the centre and rear channels, while Solo6 are on the sides. Le Lab has already mastered a lot of legacy recordings remixed for Atmos, including Celine Dion, Sia, Whitney Houston

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USA - The inaugural Montreux Jazz Festival Miami made waves this March, marking the festival’s first venture onto US shores in decades. The event presented diverse musical performances against a backdrop of waterfront vistas, with sound from the Montreux Jazz Festival Miami’s official sound partner, Meyer Sound.
The intimate 1,500-person festival held March 1–3 at The Hangar at Regatta Harbour, showcased a lineup led by headliners Jon Batiste, Daniela Mercury, and Daryl Hall, topped off each night with the Montreux Jam Sessions.
The Hangar - built in 1918 as the first continental naval air station in the United States - is a cavernous 20,000sq.ft space, with thin corrugated metal walls and vast expanses of windows, that presents significant acoustic challenges.
For 38 years, Meyer Sound has been the strategic partner and official sound provider of the Montr

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USA - “I don't know that there's another desk that we could really do it all with,” says Chad Olech, front-of-house mix engineer for Fall Out Boy, talking about managing the band’s complex comms infrastructure that sees three separate talkback lines coming into his DiGiCo Quantum5 console, as well as mixing a great show for fans.
“I don't think there's another manufacturer that makes something that would do what we need it to do in this situation. I'm sure we could work our way around it, but it wouldn't be as seamless and as easy.”
Rob Smuder is one of those comms sources, as he mixes the band’s monitors from a DiGiCo Quantum7 console, along with the stage manager and backline crew lines. “The main reason that I use the Q7 out here, honestly, is the matrixes,” says Smuder, who has worked with the band since 2018. “We have a ton of talkback mics tha

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UK - In early March, sound designer Simon Honywill used TiMax SoundHub with TiMax TrackerD4 performer stagetracking to spatially enhance an already incredible – and quite unique – immersive performance by the Paraorchestra musical ensemble. The Nature of Why, composed by Will Gregory and choreographed by Caroline Bowditch under the artistic direction of award-winning conductor, Charles Hazelwood, was performed within a 14m circular space on the Lyric Stage at Theatre Royal Plymouth, with 100-120 audience members mingling amongst the players and dancers for each performance.
Though it wasn’t the first performance of The Nature of Why– an interpretation of the famous interview with physicist Richard Feynman which asks in empirical terms why certain physical properties occur, such as magnetic attraction and slippery ice - it was the first time the immersiv

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UK - Jones AV, provider of advanced integrated theatre and medical training facilities in Europe has launched a new technology to turbocharge the environmental sustainability of integrated operating rooms.
As part of the development of the new ‘Integrated Operating Theatre of Things’ (ITOT), Jones AV looked to revolutionise operating room AV set-ups to overcome audio limitations, harness smart power management, reduce the number of devices via a fully digital signal chain, and scale down travel with full remote control aiming to meet Net Zero 2045 targets within the NHS.
The company installed the first ITOT system at the Cambridge Surgical Training Centre in September 2023, unveiling its solution after 18 months of intensive research and development incorporating a demo operating theatre. The system is optimised to deliver superior technological performance while

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Hungary - After working with leading Hungarian artiste, Magdolna ‘Magdi’ Rúzsa for more than a decade, Martin Audio’s Hungarian partner, BG Event, is accustomed to rising to different challenges.
When it comes to the creative element, they strive to scale new heights with every collaboration. Two recent shows at the 12,500-cap László Papp Budapest Sports Arena proved no exception.
Rúzsa requested a 50m-long catwalk thrust, linking to a 6m x 6m ‘B’ stage. While her standard five-piece rock band would occupy main stage, there was a very different set up awaiting on the small ‘in-the-round’ secondary stage, where a 10-piece orchestra would perform. To achieve the end-result required some clever positioning and time alignment of nearly 200 Martin Audio speakers deployed by the service provider.
BG Event project manager Gábor ‘Mazsi’ Bácskay

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Europe - Throughout February 2024, German rap artist Luciano worked his way across Germany, Switzerland and Austria on his Seductive tour. One of the first German-speaking rappers in the UK drill style, Luciano was Germany’s most streamed artist on Spotify in 2022. For this year’s tour, 80 Ayrton Cobra fixtures were supplied by TDA Clair GmbH.
Cobra is Ayrton’s first IP65 laser-sourced fixture. Designed for rendering a D65 white point that allows perfect colour reproduction, Cobra has an output of 386,000 lux at 20m, a 38x zoom ratio and zoom range of 0.6° to 23°. It also sports a highly innovative colour section, graphics capability and continuous pan and tilt.
The Cobra fixtures were specified by Stop Making Sense’s Timo Martens who created the lighting design for the tour with support and cooperation from Bertil Mark (also from Stop Making Sense), and Raph

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Morocco - When Theatro Marrakech opened its doors in 2003, it was the very first nightclub in Morocco, and today, the 2,000-capacity is thriving. Before becoming a nightlife hotspot, Theatro was Africa’s first music hall, inaugurated over 60 years ago, and from this past, the club has kept both its décor – a mix of dramatic theatrical and dynamic Moroccan themes - and an immoderate taste for show.
Theatro Marrakech recently upgraded to a premium L-Acoustics K2 sound system to attract leading international artists who know and appreciate the brand. Inspired by a visit to Omnia Las Vegas and its L-Acoustics professional sound system, Theatro management worked with Paris-based nightclub consultant Timothée Renard of the Fox Agency and L-Acoustics certified provider integrator Potar Hurlant for the upgrade. "Our main objective was to integrate a rider-ready sound system t

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UK - Sterling Events Group recently added to its professional audio offering through a substantial investment in EM Acoustics loudspeakers. Since adding to its portfolio, Sterling has deployed EM Acoustics systems on multiple high-profile projects.
The investment, comprised of 24 R8 Reference Series loudspeakers, complemented by 12 S215 subwoofers, has granted Sterling Events Group access to a powerful audio arsenal, enabling them to offer high-quality sound solutions to an expanding client base.
"EM’s R8s have proven to be a game-changer for us. We recognised the need for a an accessible, yet still high-quality option to meet diverse demands of some of our client base,” commented Tom Wright, assistant head of audio at Sterling Events Group. “The Reference Series fits the bill, offering remarkable musicality and great value when compared to other brands. Couple

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Singapore - Wild Rice @ Funan is part of a modern performing arts complex sitting at the heart of Singapore’s lively civic and cultural district. Built in 2019, the main Ngee Ann Kongsi Theatre space offers an intimate 358-capacity space with Singapore’s only thrust stage, which was inspired by the Royal Shakespeare Company’s Swan Theatre in Stratford-upon-Avon in the UK.
In 2022, the theatre took delivery of a new Robe moving light package – 10 x T1 Profiles and 16 x ParFect 150s – which joined the original lighting rig that was specified by theatre design consultants Charcoalblue when the venue opened. More recently, the theatre invested in Robe again, purchasing Tetra2 moving LED battens and LEDBeam 350 wash beams to boost the general lighting rig.
The fixtures were delivered via Robe’s Asia Pacific office, and these lighting investments were overseen

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USA - The 2024 edition of Premio Lo Nuestro dazzled on many levels, not the least of which were what critics called the “historic collaborations” that were performed throughout the three-hour programme.
The Univision TV special featured reggaeton performer Don Omar doing a rendition of Danza Kuduro with pop-punk rocker Machine Gun Kelly. Then there was Mexican music sensation Carin León joining forces with country music star Kane Brown in the world premiere of their song The One (Pero No Como Yo). Camilo and Evaluna also broke new ground at Miami’s Kaseya Centre by performing their song PLIS for the first time on television.
The spirit of collaboration also drove the creative juices behind the vibrant production that supported the iconic awards show according to lighting designer Tom Kenny, who described the process this way: “Production

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Italy - In 2015, in an extraordinary display of unity, 1,000 musicians and hundreds of volunteers including producers, videographers, sound engineers and more, converged in Cesena, Italy to perform Foo Fighters' Learn to Fly live in order to realise a video.
This video was a viral musical plea to Dave Grohl, asking him to play in their city, and marked the inception of Rockin'1000, now cited as the world's largest rock band. Since its viral debut, Rockin'1000 has evolved into a global phenomenon, orchestrating annual events across Europe and Brazil.
Rockin'1000 selected L-Acoustics for its global reach and the versatility of K Series, both crucial for their travelling shows. The debut use of this system occurred at the Stade de France in 2019, installed by the France-based L-Acoustics certified provider Dushow.
Luca Stefani, sound engineer at Rockin’10

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Argentina - Tale of Us, the Italian DJ duo based in Berlin, made their fourth stop on the Latin American leg of their Afterlife world tour when they recently played Buenos Aires.
Claypaky lighting took centre stage at the Mandarine Park & Tent at Punto Carrasco on 8-9 March for the two shows.
The duo is known for curating shows that transport audiences to another dimension with artistic activations, visually impactful installations and unique soundscapes, created by themselves and a variety of extraordinary supporting artists. They launched Afterlife in 2016, a show billed as an odyssey through the realm of consciousness, an immersive experience that transcends the limits of reality.
Lighting designer Pascal Bach was involved in the design of Afterlife. For the Buenos Aires show, BALS (Buenos Aires Live Show) provided a large complement of Claypaky fixtures
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  4. Stars shine with Shure at Academy Awards
  5. ARRI aims to ‘elevate live entertainment’
  6. Elation lights Voltaire in Las Vegas
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