Portugal - Europalco, one of the largest providers of solutions for events and shows in Southern Europe, was the global provider of the United Nations World Ocean Conference held at the emblematic Altice Arena stadium in Lisbon.
The five-day event, organised by the governments of Kenya and Portugal, was attended by more than 7,000 participants and brought together 25 heads of state and government and a hundred ministers.
Europalco dedicated a team of 141 people (120 technicians, five project managers, eight purchasing managers, and eight logistics operators) to the event, providing a comprehensive solution. The Portuguese company was in charge of setting up the stages, providing all the furniture and all the technology necessary for the event. It also oversaw sound and lighting, screens, video, and live transmissions, as well as teleprompter tools, simultaneous translation, and real-time subtitling.
In addition, it assembled the truss structures, provided the motors, and created quiet rooms with soundproof curtains.
Europalco used technological solutions from Ross Video, such as Ultrix FR5 routing and signal processing platform; Ultrix Carbonite production platform; and Carbonite Ultra production switcher. Also, Ross Robotics Furio Heads cameras captured the event, delivering super dynamic moving shots.
The challenge Europalco faced was to ensure that microphones, simultaneous translation receivers, and all connections worked perfectly in the 198 delegations located in three different rooms, considering the high movement of people within
Finland – The annual Miss Finland pageant was broadcast live on TV from Helsinki’s Valkoinen Sali hall in September, with contestants ‘strutting their stuff’ backed by LED screens driven by Hippotizer Karst+ Media Servers.
The event, which crowns a winner who will go on to represent Finland in the Miss Universe competition, draws healthy viewing figures and sparks conversation on social media. It claims to promote not only outer beauty, but mental strength and charity work showcasing the women of today.
Helsinki-based Capital AV was commissioned by Miss Finland organiser, Finnartist Ltd, to create and operate the visuals for the event and design the staging inside the Valkoinen Sali venue, which was built in the 1920s. Capital AV’s Capital Creative arm designed and constructed a triangular catwalk from the hall’s existing stage, allowing the contestants to walk out into the audience and use the space effectively. Upstate and in shot for the TV cameras were two Absen T5 LED screens in a left-right formation with a central entry point space for the participants.
“We knew that the contest was going to be shown on live TV, so it was important to have the LED screens form a camera-ready, beautiful and soft backdrop for the contestants,” explains Visual Designer Max Lapinsuo-Sylwén from Capital AV. “The screens had to work both in wide shots and close-ups and we mostly ran pre-made, branded graphics but the pre-shot inserts were displayed on the screens simultaneously for the live audience.
“To achieve this in the most powerful
China - Spanning more than 100 acres and welcoming almost 10 thousand visitors each day (with nearly 20,000 visitors on holidays), Unique Henan: Land of Drama is recognised as ‘the world's largest fantasy city’. This self-guided, multi-media and immersive live performance experience tells the 5,000-year history of Chinese civilization around the Henan region.
A range of dramatic, full-immersion, panoramic storytelling encompasses 21 theatres and dozens of outdoor spaces, including 56 maze-like courtyards, multiple themed restaurants and food and beverage areas, and employs more than 800 performers. The attraction’s construction took four years to complete and cost nearly $930m.
The facility’s many lighting, video, and sound systems are controlled by a mix of pre-programmed, synchronised, time-code-based presentations, audio-triggered routines, as well as live production and mixing. At Unique Henan: Land of Drama, many elements of the global sound system and the many stand-alone systems are all built upon Dante audio networks managed and monitored with Dante Domain Manager.
“This is an amazing attraction. It's like a theme park, but it's all theatre and AV experience-based. There are expansive indoor and outdoor spaces, restaurants, panoramic vistas, and more," said Steven Cai, marketing manager, APAC, Audinate. “For sound design, each theatre has very different venue characteristics, different performance forms, and different construction conditions. Each theatre is different. The only way to manage such a set of venues and bring consist
South Africa - ArKaos, the real-time visual processing technology provider for live performance, architectural installations, LED applications and broadcast, has appointed DWR Distribution as a reseller in the South African market.
In October 2020, InMusic announced the acquisition of ArKaos - a company founded in 1996 - and has continued to focus on engineering advancements, design and technology. With an emphasis on customer expectations, DWR Distribution’s appointment includes sales, service and support. After 20 years, the ArKaos development team consists of the same people.
“When ArKaos changed management, it opened the doors for communication, and we are very excited to reinstate DWR as the official distributor in South Africa, said Nils de Laeter, brand manager at ArKaos. “DWR is a strong and well-respected distributor, is familiar with our products, and we look forward to supporting them with training, tradeshows and projects.”
“With the new ownership and some new faces, we are excited to be able to promote a product that offers new functionality and features,” said Duncan Riley of DWR. “ArKaos is respected right around the world and fills a gap in our market, allowing us to offer quality, functionality and affordability.”
Robert Izzett from DWR agrees, “We are very excited to be back on board with ArKaos and look forward to many wonderful years together.”
USA - Regarded as his ‘first farewell tour’, Roger Waters has embarked on a marathon four-month tour of North America, Canada and Mexico, showcasing music from across his career, with an ambitious 360 immersive production based around a CarbonLight Series LED screen from Leyard.
Building on Waters’ legacy of technically renowned visual productions, the This is Not a Drill tour develops visual storytelling to create an immersive experience, staging the production for the first time in-the-round, with a lightweight 650sq.m cross-shaped Leyard screen, suspended from the roof as the centrepiece, provided by video equipment suppliers, Universal Pixels (UP).
"With the screen, audio and lighting all hung from the roof, this ‘heavy’ rig required a lot of advance planning. The Leyard LED screen was chosen because it is lightweight enough to reduce the overall rigging load, whilst still staying true to the overall design concept. The result is a truly immersive 360 canvas for Roger Waters' creative narrative," explains Jeremy Lloyd, co-director at London-based Wonder Works, a long-term partner, which was appointed to deliver production and technical design services for the tour.
The first task for the Wonder Works design team was to carry out a detailed weight study, as not only would the proposed LED screen be large but, as an in-the-round show, there is three times as much audio, lighting and video, compared to an end-on show. The team was faced with the challenge of designing a lightweight system, which would be logistically possible to
UK - disguise has announced the launch of r22, a new software release that will help users scale their disguise-powered projects like never before. Developed to save hours of time on manual processes such as media distribution or spatial calibration, r22 introduces new features that will help enhance content resolution, production set-ups and media file management.
New features include Intelligent Media Distribution - built to help users save time on manual media file distribution and maximize on server space by synchronizing and distributing only the media files within the video layers that are needed across each disguise server.
Single Large Canvas (SLC seamlessly combines multiple video fragments into a single view output when used alongside multiple projectors. This creates a single, gigantic canvas that can be used for everything from live event projections to immersive installations, without limitations to the overall resolution of the video.
Faster Spatial Calibration enables spatial calibration to be completed in less than half the time of previous releases, helping users save hours setting up their extended reality stages.
With r22, disguise is also growing its platform integration capabilities by adding support for a new major real-time engine. disguise’s proprietary RenderStream infrastructure, enabling bi-directional data transfer between disguise and third-party render engines, now supports the integration of TouchDesigner. This integration, made possible thanks to RenderStream’’s new support for Vulkan API, will allow us
South Africa - The LED Hire Company, a Johannesburg- based rental company that specialises in the hiring of LED screen solutions, content creation and creative design and renders, has invested in 100 sq.m of Absen PL2.9 lite LED panels. The panels, supplied by DWR Distribution, form part of a large shipment containing 2 080 units all of which recently arrived in South Africa.
“I’m looking forward to this,” said Walter Pretorius, general manager at The LED Hire Company. He started in the industry as a lighting technician but teases that AV chose him and has become the love of his life. “Our company offers different types of LED, but when it came to this purchase, I wanted to go with Absen as it provided the quality I was looking for.”
The LED Hire Company has positioned itself in the market to help other rental companies with the supply of extra panels when needed. “There are so many companies who have LED, but who sometimes fall short when working on larger shows,” said Walter. “It’s also great to know that there are 2 088 panels from the same batch in the country, which means that we could pull off a massive event if everyone got involved.”
Peace of mind was equated when opting for Absen. “Working with DWR Distribution was fantastic,” Walter explains. “We came to their offices a while ago for an informative AV Open day and everyone accepted us with open arms. Having backup and support for the new LED panels is why I wanted to go with DWR.”
Duncan Riley of DWR concludes, “It has been awesome dealing with The LED
South Africa - The live events industry in SA has invested in 2080 (520sq.m) Absen PL2.9 lite LED panels, each upgraded with a NovaStar A8s-N receiver card, shipped to the country by DWR Distribution. It started when Cape Town-based Marcel Bezuidenhout, owner of Audio Engineering, wanted to find like-minded technical suppliers who would invest in the same LED panels to enable sub-hiring when needed.
Marcel previously owned Absen D2V panel and while satisfied with the product, he was an island regarding larger batches whenever he needed additional stock for larger set-ups or multiple events. More recently, he was in discussion with someone who suggested buying panels in batch which could reduce the cost of the initial investment and provide a larger hire pool. “I was after the Absen PL2.9 based on our previous D2V panels that did well for us," Marcel explains.
"There is space in the market, especially in Cape Town, for larger panel quantities and this solution would further enable us to help our partners needing this screen pitch. For me it was important to choose equipment that would be backed up by service and support. I decided to contact Duncan Riley of DWR Distribution, thinking that surely a few other rental companies would be interested to jump on board.”
DWR’s support team includes Bruce Riley, Tyler Pugin, Dylan Jones and Derek Kruger who painstakingly handles repairs. Having a facility to repair screens at the DWR premises really brings peace of mind to investors.
With live and hybrid events gaining momentum after the two-year
South Africa - DWR Distribution has welcomed Darren Durbach, a well-known name in live events and AV, to the sales team.
“When I left school, I ended up studying electrical engineering,” Darren recalls. “But I had a passion for sound, and I was blessed that my brother was friends with Joe Copan’s middle son and that’s how I got in as a junior.” Darren completed his 18-month internship at Wild and Marr, a professional audio distributor, then for a very short stint worked at a computer-based company before being given a permanent position at Wild and Marr in February 1995. He stayed at the company for the next 27 years.
“I was mentored and guided by a subline human who regrettably is no longer with us,” Darren recalls of Joe who passed away in 2019.
“Darren has a commitment and passion for the industry which stands out,” says DWR’s Duncan Riley. “He is someone I respect and who puts in tremendous effort in all he does. I believe his passion will be contagious.”
“I am grateful to have the opportunity to join this dynamic team with its premier brand offering, to regurgitate my love and my passion for this industry and to connect again with all my loyal friends,” says Darren. “I am committed, hardworking and I’m very aligned with the whole mantra behind the people first concept. I think it’s all about relationships and making customers happy. I am looking forward to the opportunity.”
UK - London’s Four Seasons Hotel Park Lane was the setting for a pre-fight press conference by British boxer Anthony Joshua and his Ukrainian opponent, Oleksandr Usyk, with a stunning LED screen backdrop driven by a Hippotizer Nevis+ Media Server.
The heavyweight champions were giving interviews to the global sports press, prior to their match in Jeddah, Saudi Arabia, at the end of August. The questioning centred on the importance of winning; the real attraction of the press meet-up was purely visual, focusing on the plush surroundings, the famous photo-op face-off, and the video content that ramped up the spectacle.
Reading-based video production company Digital Insanity was commissioned to operate the visuals for the high-profile occasion by events company VME.
“We were hired for the playback job as we have a reputation for delivering shows as per the client’s brief,” says Digital Insanity’s Richard Bagshaw. “All of the content was supplied by the event promotor, to be played back on the upstage LED screen behind Anthony and Oleksandr as they addressed the press. It was a straightforward project, to be honest, helped by the fact that using our Hippotizer Nevis+ we could use VideoMapper and MultiController alongside audio playback on the VTs reliably and quickly.”
Space in the room on the first floor of the hotel was at a premium, such was the press interest in the fighters’ conference. This meant that Bagshaw and his team were offered only a tight space to set up visual control. “The Nevis+ gave us all the power, features a
USA - Lightware Visual Engineering has announced Clint Hoffman as vice president of business development for the Americas. Hoffman will establish and build customer relationships and support business development with global enterprise partners.
Hoffman has more than 35 years of success in sales, marketing, operations, and product development in the professional AV industry. Hoffman has worked with leading manufacturers, including Sony, Panasonic, Mitsubishi, and Kramer Electronics. Most recently, Hoffman served as the president and country manager for Kramer North America.
Hoffman brings a background in promoting and championing the professional AV industry through his leadership at AVIXA International. Hoffman is currently an adjunct faculty member of AVIXA International
“I am delighted to welcome Clint to our team at Lightware Visual Engineering,” said Jason Tirado, president of Lightware Visual Engineering. “Clint is well-recognized throughout the AV industry for his leadership over the last three decades. He will be instrumental in supporting Lightware’s continued growth and business success globally.”
The Netherlands - Audinate has announced Dante AV-H, a new software solution designed to allow original equipment manufacturers (OEMs) the ability to incorporate Dante control into existing H.264-based IP video product designs. Part of the Dante AV product family, the company also announced 10 partners who will build products with Dante AV-H, including AVer, Avonic, Bolin, BZB Gear, HuddleCam, Lumens, Minnray, Telycam, Televic, and ValueHD.
H.26x remains one of the most widely used compression standards today and is available on products that use H.26x codecs available on most Systems on a Chip (SoC). The software-based Dante AV-H lets OEMs develop fully manageable video products that fit into the Dante ecosystem. Dante AV-H provides IT-level management to cost-effective IP video products such as PTZ cameras and encoders/decoders using Dante Domain Manager. Dante AV-H integrates industry standard Dante Audio into AV-over-IP products, giving users the ability to independently route audio to wherever it is needed.
“Dante AV-H brings the power of Dante Audio and Video control to products and customers that are in more cost-sensitive markets,” said Wim Roose, senior product manager, Audinate. “Dante AV-H brings interoperability to AV-over-IP products, providing easy-to-use discovery, connectivity and manageability while using the familiar, reliable H.264/265 codecs already supported in common hardware. Also, because Dante AV-H is software based, it is easier, less costly and faster to integrate than hardware-based solutions. We are excited to see the
Germany - Conferencing specialist GreenIT24 has created a unified communications solution for companies using MS Teams and Zoom rooms, with a tvONE CORIOview multi-window processor at its core.
The Osnabrück-based company, which specialises in video comms and IT for organizations looking to optimise internal communications, collaborated with German AV technologist and supplier Exertis Pro AV to create a system that would aid remote, multi-site video meetings between team members.
“Due to COVID, we have had an increasing demand for this type of solution, in terms of implementing hybrid classrooms and workspaces with different sorts of content sources and multiple cameras,” explains GreenIT24 Product Manager, Tobias Blaser. “Usually, the client requires two to four input sources with variable resolutions - 1080P or 4K - which need to be displayed in different, flexible layouts. We needed a powerful multi-window processor to form the core of the system, which would enable seamless and easy-to-control set up and operation and the tvONE CORIOview fit the bill.”
GreenIT24 and Exertis Pro AV’s system uses tvONE’s MWP-MTO (Made to Order) version of the CORIOview, which allows the user to select mix and input/output types to cater to specific signal needs. The setup, housed in GreenIT24’s ‘Videocase’ all-in-one unit, consists of the CORIOview along with a Lenovo ThinkSmart Hub (Microsoft Teams Rooms on Windows), four 1080P Lumens Box Camera, a Dual-Display Setup, a Bluetooth headset for wireless and flexible comms during the call, custom
The Netherlands - Xytech will be showcasing its Media Operations Platform at Stand 1.C21 during the upcoming IBC Show from 9-12 September at RAI Amsterdam.
Xytech creates intuitive solutions allowing media, broadcast and production teams to create and deliver content; orchestrate crews, resources and facilities; and schedule logistics - on time and on budget. Xytech delivers operations expertise to more than 400-plus global customers, including CBS, FOX and Sony which all run their business on the Xytech Media Operations Platform.
"We are very excited to be attending the 2022 IBC Show," said Greg Dolan, Xytech's COO. "Over the past few months, Xytech has undergone strategic changes that continue to position it as the leader in media operations, including announcing its new leadership team and a new CEO, Keith Buckley. We are excited to be able to show IBC attendees first-hand our industry-leading Media Operations Platform."
Europe - Ed Sheeran kicked off his Mathematics (+–=÷x) tour, his largest to date, on 23 April in Croke Park Stadium, Dublin. Since then, the singer-songwriter has been playing stadiums across the UK and Ireland, with further dates planned across Central Europe, Scandinavia, Asia, Australia, Latin America and North America as part of his mammoth 2022 / 2023 world tour.
Continuing its long-term relationship with the artist, Colonel Tom Touring (CTT) is once again supporting the production, supplying over 1100sq.m of a variety of ROE Visual LED panels, all powered by Brompton Technology LED processing.
The spectacular 360-degree stage design incorporates a giant circular ‘halo’ video screen, comprising 462m2 ROE Vanish V8T high transparency outdoor LED panels, fixed over a 90m2 revolving LED stage built from ROE BM5 panels.
The stage is surrounded by six 30-metre-high masts, with 398m2 of ROE CB5 making up six plectrum-shaped, double sided IMAG screens dangling from the masts, and further 220m2 of ROE CB5 half panels completing the LED hoops around the outside of the masts. The giant LED set-up is powered by five active and one backup 4K Tessera SX40 LED processors, as well as 20 Tessera XD 10G data distribution units.
The tour’s video director Phil Mead has been working with Ed Sheeran for 11 years and still remembers the first time CTT used ROE Visual technology with Brompton LED processing.
“The first time we rolled out Brompton’s Tessera LED processors and ROE panels was on Ed’s last tour, the Divide Tour’ 2017 – 2019
UK - Free registration for this year’s PLASA Show will end at midnight tomorrow (31 August). Taking place in Olympia London’s Grand Hall on 4-6 September, the leading entertainment technology trade show promises to deliver some of the latest technology, brand showcases and product demos. Alongside ample networking opportunities, visitors will also be able to take advantage of the show’s free-to-attend seminar programme of over 60 sessions, taking place across four show floor theatres. Meanwhile, the winners of the 2022 PLASA Awards for Innovation and the Gottelier Award will be announced at the show on Monday 5 September.
Don’t miss out – register for your free ticket by midnight tomorrow: https://registration.gesevent.com/survey/1ibtbcj5j6f10?actioncode=WB14
UK - Brompton Technology will be joining leading specialist display and trade-only rental company, PSCo, at the PLASA Show at Olympia London (stand G21). Brompton’s LED processing will be showcased as part of PSCo’s new virtual production offering for the live events industry, alongside other solutions from Absen, Aluvision, Barco, disguise, and Epson.
This year’s PLASA Show for entertainment technology will bring technological advancements from the worlds of audio, AV, lighting, rigging and staging, attracting some 3,000 rental companies and event professionals and 200+ international brands. Representing the company’s largest presence at the show to date, PSCo will occupy 56sqm of floor space, reinforcing its commitment to supporting the live event and entertainment market.
The star attraction of the stand will be a live xR stage to demonstrate the possibilities of extended reality for virtual production. The stage will feature a disguise media server, Absen LED and Brompton’s Tessera LED processors. The show will present an opportunity for PSCo’s new and existing rental partners to learn more about this exciting growth area and the opportunities it provides for their business.
“We’re looking forward to meeting trade rental partners from across the live events industry at PLASA. We will announce some exciting new vendor partnerships and present them with our expanded range of display solutions, including award-winning LED from Absen and Aluvision, Brompton LED processing, Epson laser projection, Barco image processing and disguise m
UK - Central London venue Somerset House is inviting suppliers to apply to become an accredited supplier. The venue hosts hundreds of events each year for a range of clients and is keen to ‘ensure its suppliers and their services are equally inclusive and sustainable in practice’.
Rebecca Moore, senior event manager, said, “Somerset House is committed to building a diverse and inclusive community reflecting the diversity of our society. Our newly accredited suppliers will reflect this and actively engage with it. There’s a lot of new, forward-thinking talent in our industry, and we welcome businesses both big and small that identify with our beliefs and working practices.”
The accredited list is being reviewed for the first time in over three years. Somerset House is expecting significant interest given the opportunity to work with high profile brands, businesses, and institutions on large scale public events, such as 1:54 Contemporary African Art Fair and London Design Biennale, to creative industries, corporate clients, charities and social enterprises.
Events range from 50 - 1,500 guests and include - but are not limited to - conferences, meetings, receptions, product launches, fashion shows, brand activations, dinners, press events and exhibitions.
Somerset House - the ‘home of cultural innovators’ - is run as a charitable trust, with revenue raised from event hire to fund its artistic programme and outreach work, and to contribute towards the maintenance of the Grade I listed building. It receives no regular funding from t
UK - Digital Insanity teamed up with house powerhouse Defected and disco-house connoisseurs Glitterbox in August to deliver visuals for London’s We are FSTVL, choosing up a Hippotizer Nevis+ Media Server to pump out extra VJ prowess.
Reading-based video production company Digital Insanity – which has created visuals for dance festivals including Snowbombing, Lovebox and Global Gathering – was at the helm of the Glitterbox/Defected stage over two days of fast-paced performances. Eight huge 512x1280 portrait, 3mm LED screens were rigged in a four stage-left, four stage-right formation, displaying branded punk style disco graphics, slogans, geometric beauty and live feed footage. A further two screens were positioned as a DJ riser and behind the booth, at the upstage position. The full canvas size was 7680 x 1440 pixels, and all of the screens were supplied by UK Events Group.
The Glitterbox stage kicked off the weekend with a bang with a heavyweight line up which included Dave Lee ZR, The Shapeshifters, Jellybean Benitez, and Todd Terry. “We were called up for VJ services to build a show from a supplied set of branded clips, slogans, logos and the Glitterbox brand’s five-colour palette,” says Digital Insanity’s Richard Bagshaw.
“The brief was very specific and the brand guidelines were very clear - we were provided with around 70 clips, a logo and five colour references, and we also made seven or eight clips to add to the batch. We spent a couple of days back at the office programming around 350 presets, to make the supplied standard 1
UK - Leading specialist display and trade-only rental company, PSCo, will return to PLASA Show at Olympia London on 4-6 September (stand G21) to present its virtual production offering for the live events industry, supported by new ecosystem partners disguise and Brompton Technology as well as new solutions from Absen, Barco, Aluvision and Epson.
PLASA Show is the leading tradeshow for live entertainment technology attracting some 3,000 rental companies and event professionals and 200+ international brands. PSCo will occupy 56 sq.m of floor space, representing the company’s largest presence at the show to reinforce its commitment to supporting the live event and entertainment market.
The star attraction will be a live xR stage to demonstrate the possibilities of extended reality for virtual production; powered by a disguise media server, Absen LED and Brompton LED processing. The show will present an opportunity for new and existing rental partners to learn about this new and exciting growth area and the opportunities it provides for their business.
PSCo will also be presenting the latest image processing solutions from Barco including the E2 Gen2 and S3 4K Tri-Combo presentation systems. PSCo has recently enhanced its partnership with Barco and significantly expanded its fleet introducing a range of Barco EventMaster products for trade rental, which will complement PSCo’s extensive range of LED and projection display solutions.
Visitors will pass through a unique LED tunnel integrating Aluvision’s Hi-LED R1476 product, part of the awa
UK - Scandinavian flat-pack super chain IKEA’s flagship store in Wembley, North London, is immersing potential buyers into an interactive, projection mapped environment this summer, thanks to an inspired project by Motion Mapping using Hippotizer Karst+ Media Servers.
The popular furniture and houseware brand’s team approached Ipswich-based Motion Mapping, which specialises in video mapping, to realise the project. The initial brief focused on a furniture section of the IKEA store, constructed from an L-shaped wall with large desk, hung cabinets and a series of 12 differing-sized empty photo frames, each one video mapped to synchronise with the back wall projections across all of the cabinets, hung in a portrait and landscape formation to create a wide display canvas. The team wanted to turn this into the immersive environment, using projections and interactive elements.
“The IKEA team found us through our website, and we immediately responded to their needs as this project is right up our street,” says Stuart Harris, creative director at Motion Mapping. “After hearing what they wanted to achieve, we knew that by using the features of Hippotizer and our experience with the platform, we could actually elevate the project to another level.”
Harris and his team collaborated with the IKEA creatives to develop the project into a richer experience, harnessing the power of Hippotizer. Now installed, a raft of colourful content slides seamlessly across the cabinets, walls and TVs. The closed cabinet doors are video mapped to show virtual stocked
Saudi Arabia - The King Abdullah University of Science and Technology, referred to colloquially as KAUST, is a science and technology. It takes its name from the former King of Saudi Arabia, Abdullah bin Abdulaziz, who decreed its foundation, intending it to “serve the people of the Kingdom and benefit all the peoples of the world
The Museum of Science & Technology in Islam (MOSTI) was created later, on campus. MOSTI seeks to highlight the plethora of contributions made by Muslim scholars to science and technology during the first Golden Age of Islam (650-1650) and demonstrate how these contributions shaped the world as we know it, laying the groundwork for modern civilisation. Interactive technology leads people through the exhibits, forming an immersive exploration of the various artefacts and relics.
formula D_, an experienced design company that specialises in impactful visitor experiences, secured the tenure for the technological curation of the site, and brought in Stage Audio Works (SAW), who helped specify, supply, and integrate the equipment. RenderHeads Limited created all the custom-made software used in the exhibits.
“We’re grateful that formula D_ brought us in on such a prestigious project,” explains Nathan Ihlenfeldt, SAW’s CTO. “We’ve built up a strong working relationship with them over the course of a few projects as we deliver very complementary services. For MOSTI, they took the lead with the interactive and immersive vision, and we helped to materialise it from a technical perspective.”
The last time th
Germany - As one of Europe’s leading wholesalers of visual presentation technology, Lang is renowned for its passion for innovation and willingness to invest in long-term partnerships that ensure an ample supply of state-of-the-art technology of the highest calibre. The company has invested in Brompton Technology Tessera LED video processors which complement Lang’s stock of Venus and Jupiter LED panels for high-quality and high resolution applications.
“Our goal with Venus and Jupiter has always been to set a benchmark in the LED market,” explains Manuel Müller, director rental at Lang. “With this in mind, two of the things next to resolution that were most important to us were usability and brightness, with Brompton’s leading Tessera LED processors serving a perfect match for those key requirements.”
Thanks to Brompton’s Dynamic Calibration technology, the Lang team, together with Absen, were able to increase the brightness of Venus to a level much higher than on conventional LED screens. “And we are able to further surpass the brightness for those applications that require exceptionally realistic-looking visual content and extra-wide colour gamut by utilising Brompton HDR,” adds Müller.
“For almost 45 years, Lang has been at the forefront of offering its know-how on visual presentation technology, earning a reputation of being the leading service provider for professional video applications in the European market,” says Peter Mathia, CEO at Lang. “Whether it’s for the big stage or small-scale events, we can offer the
UK - First announced in 2019 and opening its doors fully later this year, Sky Studios Elstree is a joint project between Sky and NBCUniversal. The 27.5-acre, complex located just north of London houses 13 sound stages, with media operations provider Xytech Systems offering total operational and financial control by streamlining the new film and TV studio’s internal processes across quoting, resource scheduling, cost management and reporting.
“Not long after Sky Studios Elstree was given the go-ahead in 2019, we started searching for a media operations solution that would meet the strict demands of our cutting-edge studios catering for high-end TV shows and films,” said Tom Avison, director of operations at Sky Studios Elstree. “Sky already had an excellent, long-standing relationship with Xytech Systems through its Transmission solutions installed at the Sky facilities in Italy, Germany and the UK. We also knew Xytech was already servicing other major studios across the UK, so we naturally approached them to see what they could offer us.”
Avison notes how from the early discussions and right through to the implementation and go-live phase, they found both the solution and the expertise offered by the Xytech team to be “highly flexible and responsive to the requirements of our operation and our ambition to use the system from quote to invoice and at every point in between.”
Xytech’s Media Operations Platform now manages the studio’s scheduling requirements, including studios, ancillary room and equipment bookings.