UK - CPL supplied full technical production, including video design, equipment and crew, to show producers Pandora Events for a large Glambassador motivational event.
The event featured numerous presentations and awards as well as a gala dinner for Tropic Skincare in Hall 12 at the NEC, Birmingham UK.
CPL’s project manager Mike Radford, working with Lee Gruszeckyj and Karl Johnstone, composed a contemporary stage and screen design, which utilised over 200 panels of the company’s new ROE CB5 indoor / outdoor LED screen product - so new that it had only been delivered to the warehouse the previous day.
Three onstage LED screens were flanked by two IMAG screens out to the sides giving an impressive widescreen look. The central screen was made up of two pieces - an arch with a central cut-out panel - which was manually removed for artist entrances and exits for the evening portion of the event when the 2500 audience were entertained by an array of dancers and performers.
UK - It took a year of negotiations, but 2018 saw Stonehenge host its first-ever live DJ set. And lighting creative Motion Mapping, complete with a pair of Green Hippo Hippotizer Karst Media Servers supplied by A.C. Entertainment Technologies, was tasked with delivering a digital video projection show equal to the brooding majesty of one of the Seven Wonders of the Medieval World.
Up until this happening, ‘playing Stonehenge’ had proved impossible. Deep, booming bass, large crowds, and ancient stones are not always a good mix and English Heritage, Stonehenge’s current protector, had turned down numerous requests from music acts. But one Alon Shulman was perfectly placed to make the gig happen.
Shulman is a special advisor to English Heritage and a business partner with DJ Paul Oakenfold. His live DJ set pitch ticked all the boxes: the show - including Live from Stonehenge, the album of Oakenfold’s DJ set - would raise funds for English Heritage; the event would introduce the Wiltshire monument, parts of which date back 5,000 years, to a new generation; the crowd would number but 50 lucky souls; and, thanks to ‘silent disco technology’ - aka headphones - the noise impact on the celebrated shrine was zero. At last, one of the ultimate scenes was set.
In contrast, though, to the serene setting, Motion Mapping had only 30 minutes between Stonehenge closing to the public and the guests arriving to get ready to dazzle. Speed and reliability were of the essence and Green Hippo and Hippotizer delivered exactly that. Using a pair of Hippot
UK - Christie is technical sponsor for the Dead Puppet Society’s production of The Wider Earth by David Morton. The award-winning drama tells the story of a young Charles Darwin’s around-the-world journey aboard the HMS Beagle - is showing at a purpose-built theatre in London’s Natural History Museum.
Christie provided the Pandoras Box Players, Pandoras Box Manager and Widget Designer software to control animated projection content for the 11m screen, which provides a vibrant and detailed backdrop for the actors and puppets on a revolving stage.
The Wider Earth blends the traditional storytelling medium of puppetry with creative sound, lighting and video elements in an impressive spectacle at the 357-seat venue located in the museum’s Jerwood Gallery. The screen depicts many of the exotic locations that Darwin explored, further immersing the audience in the action told by seven characters and 30 wooden puppets.
The backdrop is a three-way projector blend mapped to a curved canvas screen stretching over 10m wide and 2.5m high. Each projector relays its native resolution of 1920 x 1200, creating a 5000 x 1200-pixel canvas. Pandoras Box manages the warp and blend, as well as controlling the internal shutters of the projectors via Art-Net.
“The projection provides a powerful representation of the places that Darwin travelled to on the voyage, and it allows us to deliver the landscapes in a visually compelling way,” says Nicholas Paine, executive producer, Dead Puppet Society. “Pandoras Box combines with other elements -
USA - At this year’s LDI show, CAST Group (stand 2255) will demo the latest from wysiwyg, BlackTrax and also present a new native software for broadcast. The company will also launch its global training programme.
CAST will present release R41 of wysiwyg in the USA for the first time. On stand, the new BlackTrax V2.3.3 will be at the heart of a presentation designed by Dream Laser that will combine tracking with lighting, media interactivity, moving projection mapping, 3D positional audio and camera tracking for broadcast. Lighting for the demonstration - which will include the opportunity to get hands-on and will feature live performances and interactive games - will be powered by Luminex; media support will come from disguise and Notch; L-Acoustic will provide 3D positional audio; and projectors and PTZ cameras will be from Panasonic.
Meanwhile CAST’s new broadcast software, code-named Herald and powered by BlackTrax, will also be demo'd.
Andrew Gordon, director of business development at CAST Group, comments: “This is the first time that we’ve shown the software publicly. We’ve been testing it with focus groups in the broadcast and production market - and we’ve had an overwhelming response.
“Our goal with Phase 1 of the system is to aid in the automation of broadcast with the function of not only camera control, but also to become an aggregate control suite for all cameras on a production as well.”
“Herald’s node-based editor is a user’s dream. For the first time in broadcast software dedicated to cameras, the qu
South Africa - Absen users in South Africa were invited to attend a three-day training session with Ricky Qiu from Absen at local distributor DWR Distribution earlier this year.
The ACE Training (Absen Accredited Certified Engineering) was attended by 20 delegates from both the rental and install markets, with the aim of imparting practical user knowledge to operate and set up screens as well as fault-finding.
“The Absen panels have taken off beyond our wildest imagination,” says Schalk Botha, sales representative at DWR. “The panels are user-friendly, reliable, cost effective and easy to maintain.”
Ricky Qiu from Absen adds: “The training went very well and was much better than I had anticipated. The course made sense to the delegates, and I can see a positive future for Absen in South Africa.”
Qui will be in the country again in November to demonstrate the new Absen Polaris Lite range - dates will be confirmed in due course.
Croatia - AV solutions provider HUST has completed the design and installation of new audio and video systems for the largest conference hall of the Croatian Catholic University (Hrvatsko Katoličko Sveučilište) in Zagreb.
HUST was commissioned to provide the main conference hall with a triple projection system and high-quality audio throughout, with a focused sound system for the centre screen.
To deliver uniform sound levels and clarity throughout the hall, HUST designed a distributed system using Community D8 two-way high output ceiling loudspeakers, with D10SUB ceiling-mount subwoofers adding extended response and low frequency impact. An additional pair of Community V2-28 dual eight-inch full-range two-way loudspeakers is positioned above the stage to focus sound on the main 5.5m wide screen.
Two further 3.6m screens and three high output Epson 3LCD full HD projectors complete the video system. For people with hearing difficulties, HUST also installed a Univox induction loop system. The whole system is controlled by a Biamp TesiraFORTÉ, with a Windows PC-based custom interactive interface.
With basic controls, users have the ability to manage the content source, audio configuration, motorized lowering of screens and room light dimming with predefined scenes. The system is managed at several different levels of administration in accordance with the privileges assigned by user name and password. Designed as a modular system, HUST has future-proofed it to be easily expandable, both at the current location and in additional remote micro-
UK/USA - They may have their own distinctive flying saucer, but sometimes for Jeff Lynne’s ELO, taking the boat is the smarter option. “The thing was, we were down to the wire,” says production manager Richard ‘Wez’ Wearing. “We simply had no time from the band finishing prior commitments here in the UK to going onto ELO in the States. The only way to get any proper production rehearsals for the US tour was to set up everything in Neg Earth’s LH2 production facility here in the UK, then put it in a sea container and ship it straight to the US.”
Not an insignificant call? “There are pros and cons on the financial side - yes, it was a cost, but there was no time to do anything else. When we got there, we had just one set up day then straight into the first show.”
Fortunately, since the triumphant return of Jeff Lynne and ELO, which began in the UK almost six years ago, they have always used the widely experienced services of Chris Vaughan as tour director, his company CV Productions, of which Wearing is a key part, steering the production management role.
“That well-established relationship worked both ways,” says Wearing. “We in turn have built strong relationships with all the key production suppliers, Video Design, Skan, Brilliant Stages and Neg Earth in particular. If we’d had time we would have looked at other ways, but there are more important considerations than just gear; even with the gear you've got to find the ideal product. For example, we'd used Video Design before and knew their system worked and worked we
UK - Specialist illumination company LED Creative is working with lighting director Stuart Pring on the latest series of hit comedy show Roast Battle.
Filmed before a live audience on a custom installed set at the Electric Brixton Theatre, London, Roast Battle features some of the UK’s finest comic performers pitted against each other in a no holds barred verbal assault.
Helping create LD Stuart’s look for the show, LED Creative has supplied a selection of their Alpha Soft Wands, including a consignment of built-to-order 500mm units, all controlled using the company’s in-house designed BIT 8-Way Controllers.
Complementing the installation, which incorporates a range of equipment from Version2 Lights, the Soft Wands provide highly controllable, linear LED accents across the semi-industrial, ‘grunge’ set design, a fitting backdrop to the ruthless onstage battle.
Supplied as ‘plug and play’ rental units, LC Soft Wands offer a convenient way to build LED versatility into lighting designs. Used individually or in series, the fixtures are well suited to custom installs such as Roast Battle where limited access or restricted fixing points might be an issue. Available in a variety of lengths, the 30mm diameter wands are particularly effective when paired with LC BIT Controllers to allow maximum management over each individual unit.
LED Creative project manager Tim Rees says: “Stuart really does make clever, creative use of our Soft Wands. Roast Battle has a great look and our wands provide the perfect
USA - At LDI 2018, ArKaos will preview its powerful and flexible MediaMaster 5.4 and GrandVJ 2.6 video and media control platforms. Both now offer two significant new features: TrackDJ is designed for the seamless synchronization of video clips with a live DJ or to beat-match short video loops; while Full Fixture Control has also now been added to the ArKaos Video Mapper
ArKaos has had a busy and productive summer out and about at festivals and shows, talking to numerous lighting and video operators, DJ’s VJ’s, LDs etc., working in many different environments, and several have also visited ArKaos’s base in Brussels.
Their comments and feedback have helped shape the latest product developments and ensure that ArKaos keeps in touch and on-trend with what the fast-moving world of show visuals is demanding.
TrackDJ is a straightforward solution for better integration between DJs or LJs and their live visuals, while Full Fixture Control is a serious advancement for lighting designers and operators, allowing them to control LED screens / surfaces and treat them just as if they are lighting fixtures.
The first adopter of TrackDJ is ShowKontrol which allows GrandVJ or MediaMaster to communicate with the op level of Pioneer DJ players which are one of the universal industry standard brands.
ArKaos will also show Mixxx at LDI, the popular free open-source DJ software application, which has been updated to send this TrackDJ information.
Other companies in the DJ technology industry have already voiced their commitment to adopting Tra
Canada - Lighting designer Robert Sondergaard of Electric Aura Projects and Solotech recently deployed Martin by Harman VDO Sceptron10 LED lighting fixtures to create a dynamic and innovative stage design for Toronto’s Veld Music Festival.
Now in its seventh year, the annual EDM and hip-hop music festival was held in Toronto’s Downsview Park. The line-up featured Marshmello, Martin Garrix, DJ Snake, Benny Benassi, Lil Yachty and more. Each year the festival strives to create an ambitious and eye-catching stage design, and this year they wanted to incorporate the VELD logo as a dynamic centrepiece.
Festival organisers hired production and lighting designer Robert Sondergaard, who collaborated with video and sound provider Solotech to create an ambitious design using Martin VDO Sceptron10 LED Fixtures and custom-fabricated set pieces.
“The big thing they wanted to do was make their stylized ‘V’ logo the focal point of the stage,” said Sondergaard. “Working with Solotech, we designed a perfect representation of their ‘V’ logo using Sceptron fixtures. We also rigged a series of seven truss claws that come out and wrap around the front edge of the roof. We lined those with Sceptrons as well, so at night it looks like it's being held up by hands instead of a structure that everything is hanging from.
“On stage, we had a bunch of stacked cube structures featuring a mixture of Sceptrons, video screens and traditional lighting. Using lighting controls, we were able to have texture and movement effects move fluidly through the cube
UK - Green Hippo, in partnership with Kinesys, is running a two-day Automation Masterclass. Held in Kinesys’s London demo room – just 20 minutes’ drive from Heathrow airport and fully-equipped with chain motors, rotators, trolleys and truss – the course is designed for anyone looking to explore integrating moving elements with Hippotizer. No prior knowledge of Kinesys automation systems is required, though a good understanding of Hippotizer and basic SHAPE functions will help attendees get the most out of the sessions.
Course content includes: Classroom component to comprehensively cover all aspects of automation, including connecting to an automation system, to visualising and pre-programming your show; Hands-on sessions in Kinesys demo room where students will work with hardware, practicing object alignment, parenting and automation scripting; Use of Kinesys Vector and K2 motor control systems, throughout the two days, for 2D and 3D motion control, as well as a variety of chain motors and trolleys suspending projection screens, and truss and video panels. Complimentary lunch and refreshments are provided.
The dates are Tuesday 4 December and Wednesday 5 December 2018. Booking details are at www.green-hippo.com
USA - With the opening of the 2018 LDI Conference and Exhibition approaching, PixelFLEX will be partnering with four industry leaders exhibiting at the show. As entertainment professionals from around the world gather to celebrate the organization’s 30th Anniversary, the tradeshow experiences for Avolites, Kinesys, and Vectorworks will all feature a FLEXTour LED video system, while the FLEXCurtain HD will be on display with Froggys Fog.
“LDI draws an elite audience of live design professionals that demand top-of-the-line products,” said Dan Monaghan, vice president of marketing at Vectorworks. “With this need in mind, we’ve partnered with PixelFLEX to use their state-of-the-art LED screens to showcase our award-winning entertainment design software.”
Located in Booth 3139, Vectorworks is a global design and BIM software solutions provider serving professionals in the architecture, landscape and entertainment industries. With their 2D/3D cross-platform software, designers can build data-rich, visual models without sacrificing the design process, while collaborating efficiently throughout a project life-cycle.
“We are thrilled to be partnering up with PixelFLEX once again for LDI 2018,” said Scott Karan, director of marketing at Froggys Fog. “Because of the FLEXCurtain HD we have been able to create an unforgettable launch to our new machine line and 2019 marketing initiative. We absolutely love the FLEXCurtain HD, it is easy to ship, set up, operate and really kicked our trade show presence up to the next level.”
The 2018 L
Europe - Entertainment engineering specialist WIcreations was asked to work on two specialist elements – a moving / tracking video wall and a ‘star lift’ – for Jay-Z and Beyoncé’s On The Run II (OTR II) stadium tour, part of an epic and spectacular set design concept designed by Stufish.
In addition to all the hardware, software and bespoke engineering elements, on the administrative front, WIcreations delivered a full scenic motion risk assessment to the tour’s management, together with machinery technical files and full user manuals covering the entire system.
“As automation gets increasingly important in entertainment applications, so safety is The most important aspect to watch,” underlines WI’s owner and founder Hans Willems, who also project managed all the automation requirements.
WIcreations provided this documentation in accordance with EC Machinery Directives 2006/42/EC and DIN 56950-1:2012-05.
Although technically outside the scope of the machinery directive - as it was intended to move performers - to increase its trustworthiness, the Star Lift was also assessed by applying the same rigorous standards as used for the video wall tracking system.
The complete documentation set was provided by BLUMANO and included User Manuals, a Risk Assessment, DGUV-17 (BGV-C1) system approval for Germany, D.lgs. 81/08 Allegato V certification for Italy and a StageDB.com technical documentation bundle including all the Inspections Certificates and Declarations of Conformity for each piece of machinery.
Slovenia - Slovenian media server specialist Lightact has launched three new software licenses and a new version of its flagship software, Lightact 3.
Lightact 3 features an upgraded 2D projection mapping workflow and a deeper integration with Unreal Engine. The software licenses are One, Easy and Start with the pricing and features further strengthening Lightact's mission of supporting creative multi-media installations and events of all sizes.
Mitja Prelovšek, CEO of Lightact, comments: "We feel elated that after more than two years in development Lightact 3 enters maturity. It's got tons of features and some unique capabilities that we believe our users will love. We are also excited about One, Easy and Start software licenses which bring Lightact closer to an even wider range of users."
Lightact is an integrated suite combining standard media server functionalities such as projection mapping, multi-screen video output and DMX lighting control with realtime rendering capabilities and reliability features aimed at permanent installatons. The suite includes Lightact Cloud installation monitoring solution and Lightact WebUIs client user interfaces. Lightact also includes a real-time 3D rendering engine and Unreal Engine integration. Lightact v3.1.0 is available on Lightact's webshop.
USA - Media solutions and control specialist ArKaos will be at the LDI expo in Las Vegas next week on the stand of US distributor Elation Professional (# 931) showing their latest range of products, including MediaMaster, ArKaos video servers, GrandVJ and LEDMaster.
In a dedicated demonstration room at the Las Vegas convention Centre, the ArKaos team will be presenting two free training workshops on Friday, 19 October, and Saturday, 20 October.
The Friday session is taking place from 1pm-4pm local time. Topics covered will include ArKaos’s flexible range of media servers; an overview of the MediaMaster software; the highlights and uses of the KlingNet protocol and Kling-force interface and an overview of the new ArKaos An-Ki remote control and digital content management solution.
On Saturday, the workshop are running 9am-1pm and will focus on the MediaMaster workflow in various ArKaos ecosystems and will cover playback set up; video content management, video and LED mapping, DMX merging, Kling-net mapping and plus An-Ki which has been developed specifically for architectural / architainment applications.
A preview version of the next MediaMaster release – to include full fixture control over DMX via the Video Mapper - will also be presented.
Those wishing to attend need to register on arkaospro.com as numbers are limited.
Europe - Green Hippo has announced the appointment of Juha Kiuru as international sales manager. Kiuru, who has been working in the lighting and video sector since 2000, will represent Green Hippo throughout northern European territories, including his native Finland.
As well as extensive industry experience, Kiuru also brings proficiency with various languages, including fluent written and spoken English.
On his appointment, he comments: “I am really pleased to join Green Hippo. I have always been thoroughly impressed with its range of award-winning media servers, and I look forward to helping the company continue its success all over northern Europe.”
James Roth, head of sales and marketing at Green Hippo, adds: “It is a pleasure to welcome Juha to the team. This is an exciting time to join Green Hippo and we fully expect Juha’s experience and skills to help us drive further growth.”
UK - European stage automation specialist VisionLite invested in a new Kinesys Apex hoist system - comprising 21 x Apex motors - plus Kinesys K2 control to help facilitate its busy summer work schedule.
The new Apex products went straight out on the Resistance summer season in Ibiza where they helped create a spectacular production design for the popular club experience.
Resistance embraced its underground roots in curating a serious line-up of superlative techno, led by artists like Carl Cox and Sasha & John Digweed in the 10,000 capacity Privilege venue, running for nine incendiary events over the summer.
The Resistance creative team has developed a distinctive dynamic industrial aesthetic for their live shows which is often based on moving video and lighting pods transforming the architecture and shape of the space as the night unfolds.
Thirteen moving pods defined this year’s Ibiza look, 10 filled with LED screen elements and three with moving lights.
Those with LED were flown utilising 40 x Apex hoists, while 12 x Kinesys Elevation 1+ motors flew the three lighting pods, allowing them all to move, tilt and pitch in any direction via the K2 control.
Kinesys LibraCELL load monitoring was added to the Elevation hoist system to keep a ‘live’ check on the loads (the Apex system comes with inbuilt loadcells as standard). The safety system was controlled by two Kinesys Mentor 4 units which are SIL3 compliant, so all the e-stop buttons went through Mentor.
VisionLite undertook the entire automation technical product
Indonesia - Held concurrently in Jakarta and Palembang for the first time in their history, the 18th Asian Games ended in September with a closing ceremony in the Indonesia state capital of Jakarta where their opening ceremony had been staged 15 days earlier.
The 18th Asian Games Jakarta-Palembang 2018 - widely called the "Olympic Games of Asia" - includes disciplines practiced only in Asia. In addition to the well-known Olympic sports, dragon boating and the Chinese martial art of Wushu were among those contested.
The tournament was broadcast throughout Asia and beyond, watched by 112m spectators, with the Indonesia Asian Games Organising Committee (INASGOC) appointed International Games Broadcast Services (IGBS) as host broadcaster.
A joint-venture between IMG (London) and HBS (Switzerland), IGBS was responsible for the Games’ live broadcast production and distribution. The event’s International Broadcast Center (IBC) in Jakarta hosted a number of international broadcasters, including NHK and TBS (Japan), KBS, MBC and SBS (Korea), CCTV (China), TV5 (Philippines) Astro (Malaysia), SCTV (Indonesia) and BEIN and AlKass (Qatar).
During the live production, Lawo equipment was used for signal processing and distribution, as well as for central control. Central routing in the Lawo setup was handled by a V matrix unit, Lawo's software-defined IP core routing and processing platform. Two V_remote4 units provided the PTP synchronization, and a VSM (Virtual Studio Manager) system provided the overarching control. For the live broadcasts, the 27 m
UK - The Inception Group has opened two new venues in London recently, providing an eye-catching showcase for Nexo’s super-compact ID Series loudspeakers.
The Inception Group has set a high audio standard for its Mr Foggs bars, of which there are now five in the collection. The AV design company Diamond AV has been entrusted with creating signature sound systems, configuring Nexo sound reinforcement elements to achieve different characteristics for the venues.
The two newest venues are Mr Fogg’s House of Botanicals, and Mr Fogg’s Society of Exploration, both located in central London, radically different to each other in terms of interior design and target usage.
The House of Botanicals is filled entirely with tropical plants, reflecting Mr Fogg’s collection of flora and fauna from around the world. A discreet, barely-seen audio system was required, so Diamond AV’s technical director Guy Ayres specified Nexo’s small ID24 loudspeakers, which have been tailored specifically for the installation environment.
Ten ID24s were required to provide coverage for the space, full-range speakers using twin four-inch drivers in a V formation in combination with an HF compression driver. The ID24 has a unique user-adjustable horn, easily rotatable without tools by a switch on the rear panel, giving 60º or 120º high frequency coverage. This allows high frequency horizontal dispersion to be ‘tuned’ for the given application. A single Nexo IS S110e bass bin is also in place at the House of Botanicals, extending the low frequency.
USA - Spitfire Creative Technologies has completed the acquisition of Green Hippo.
Spitfire also owns tvONE and Magenta Research, manufacturers of premium video processing and signal distribution products.
Green Hippo will continue to go to market with sales, branding, and distribution independently as further growth synergies materialize over the next few quarters, says a statement.
Emma Marlow, CEO of Green Hippo, comments: “For 18 years Green Hippo and Hippotizer have been part of live events around the world. We have grown well and want to continue growing. Becoming a member of the Spitfire family allows Green Hippo to focus on growing further and faster. We look forward to their strong organisational support so we can do more to help our customers and users around the world deliver the best live video experiences.”
Denise Nemchev, president and CEO of tvONE, adds: "Green Hippo and tvONE each have core competencies in technology and customer focus that, when combined, provide superior solutions for both fixed installation and live events customers. Most important is the comprehensive value we bring our customers across the combined platform.”
Germany - Late last year, with the announcement of the Route66 Redundancy Manager, German network fibre giant BroaMan introduced the capability of full automatic redundancy switchover between devices, by harnessing the power of Optocore. This would enable switching between Route66 Video Router and Mux22 nodes - using smart mechanism to detect when one of the fiber links between the nodes is broken.
Now the same technology has been enabled in a very popular point-to-point system - between a pair of Mux22 devices. Mux22, which combines 3G SDI I/O and video sync, with Optocore and SANE digital audio networks, now also features full automatic redundancy. Thus, should one of the links fail, the system would automatically switch to the redundant path, enabling all video, audio and data channels to remain working. The switchover time is near instantaneous - implemented in just one sample length. Now this facility is available for any Mux22 device.
BroaMan technical sales manager, Maciek Janiszewski, says: “Optocore has been offering redundancy as a standard for years while in broadcast and video world redundancy has never been an important feature. All this changed when muti-format single-cable solutions like Mux22 appeared on the market. We realised we could use Optocore’s experience and smart fault detection algorithms for adoption into BroaMan’s best-selling series. Thanks to the Optocore technology we can make the redundant switchover both automatic and seamless.”
Germany - Green Hippo has named technology supplier Cast as its distribution partner in Germany.
Effective 1 October, Hagen-based Cast will manage the exclusive distribution of the Green Hippo’s product line throughout the country.
Heinz Siller, CEO of Cast, comments: “Green Hippo is going to be a perfect round up to our mission to offer professional products to the creative cloud in our markets.”
James Roth, head of sales and marketing at Green Hippo, adds: "The rate of growth that the company is experiencing as a whole, but particularly in Germany, necessitates our appointing the very best commercial partner in the territory, Cast. Hippotizer is being specified on so many new shows and events and we look forward to working with Cast to maximise the opportunities that are being placed before us."
UK - DJ Eric Prydz’s HOLO show returned from the future this summer, wowing EDM disciples with holographic technology and magical 3D FX. It was the latest development in a long line of Prydz performances which take media server processing and power to the limits of possibility - and seemingly, beyond.
Avolites’ Ai servers were at the core of the video system. “We’ve been using Ai for 10 years for Eric Prydz’s shows - it’s the only system which combines unparalleled throughput and quality with live triggering capabilities,” says Dave Green, Ai programmer and technical director for RES. “There are other systems out there which are great at one or the other of these capabilities, but not all three.
“The Eric Prydz show is live, every time. There are never any pre-sequenced elements, so live control is critical. Also, the super high resolutions and frame rates we use demand ever more challenging throughput capabilities without compromising on quality and the only way to achieve this is with the AiM Superstream codec.”
As Prydz performs, 3D storm clouds levitate above him, electrocuted by sparks of lightning. Gravity-defying 3D shapes form in the air, rotating as they appear to reach out into the crowd.
Premiering at Glasgow’s Braehead Arena, HOLO travelled on to Belsonic Ormeau Park in Belfast and finished at Creamfields.
“We’ve used Ai since we first started creating Eric’s shows 10 yrs ago - and it just keeps getting better,” says Mark Calvert from RES. “When our team stood front of house at Creamfields 201
Australia - Staged annually for the last 14 years, Queensland’s Creative Generation (CGEN) event was the biggest yet, with almost 2,000 schoolchildren being given the opportunity to perform in a professional environment on an enormous arena stage measuring 20mx 18m, with a 38m x 6m rear projection screen behind it.
Content delivery and projection mapping specialists IKONIX - who are based on Australia’s Gold Coast - were asked to help deliver the desired wow factor for the fifth successive year.
At the heart of the solution they created were two Avolites RX8 Ai media servers to deliver images to the rear screen, and two additional units controlling projection onto the stage. Equally central to their vision of the production were Notch real time content generation and BlackTrax real time tracking system, the latter provided by Atlanta-based Visional Productions, and supported by Visional co-founder Kyle Means. IKONIX also supplied Barco 4K resolution, 32,000 lumen projectors.
The use of Notch and BlackTrax was particularly important to Zachary Burton, co-founder with Richard Saunders of IKONIX and the operator at CGEN 2018, because it allowed their creativity free reign by enabling the use of on-the-fly and reactive content to complement the AutoBlend and AutoMap blending and warping functionality available with the Avolites Ai software.
“The specifications for this year’s event were even more challenging and demanding than they had been previously,” recalls Zachary. “Not only did we find ourselves generating over 900 Gigabytes of