USA - Christie and the University of Waterloo’s Vision and Image Processing Lab are celebrating a new milestone – the development and productisation of the patented algorithm that drives the resolution enhancement of the new Christie M 4K25 RGB pure laser projector. This is the latest success between the institution and Christie, which together recently wrapped up a third, two-year research project.
The collaboration between the Vision and Image Processing Lab at the University of Waterloo and Christie began in 2013.
“Years ago, we wrote out a set of problems we’d like help with,” says Mark Lamm, senior product developer, advanced research and collaboration, Christie. “The group at the University of Waterloo works on vision and camera research, and more recently, machine learning. It was a match – we had problems and they had interest.”
Waterloo and Christie have collaborated on papers, presentations, and patents over the three projects. Each project involved eight to 10 graduate students and included an internship which allows students to dedicate two days a week to Christie research.
“Christie has interesting problems. The people at Christie appreciate the research aspect – we’re providing ideas and insight,” says Paul Fieguth, professor in systems design engineering at the University of Waterloo. “We’re committed to working jointly and talking about where our research is going and next directions, as well as contributing ideas to Christie’s research goals.”
The research that led to the algorithm for the
India - The Centre for Materials for Electronics Technology (CMET) in Hyderabad enlisted KVIK Infotel to equip the facility with an end-to-end Harman Professional Solutions audio system.
An autonomous group under the Government of India’s Ministry of Electronics & Information Technology, CMET is a research institute dedicated to developing materials for electronics using local resources and supporting India’s technological industries.
Administrators at CMET wanted to utilise the facility’s auditorium for events including training sessions, conferences and seminars; however, the auditorium’s previous audio system lacked versatility for different types of events. To meet CMET’s goals, AV integration provider KVIK Infotel overhauled the auditorium with flexible and cost-effective JBL Professional, Crown Audio, Soundcraft, BSS and AKG audio solutions.
“The Centre For Material for Electronics Technology required an audio solution that could provide breathtaking sound output and clarity for a variety of events such as trainings, presentations and seminars,” said K. Venkata Krishna Rao, director, KVIK Infotel, Hyderabad. “We decided that the JBL PRX speakers would be the best solution, as they would deliver extensive coverage.”
The installation team designed the new audio system so that the auditorium could be used either at full capacity or as two separate seminar halls and still have pristine sound quality and coverage in either setting. The combined set of JBL PRX415M two-way monitors and PRX418S subwoofers create a system
UK - The recruitment network for creatives and freelancers Curtain Call has re-launched an improved membership platform to help link up freelancers with employers - and PLASA members benefit from reduced subscription fees.
The network, which is free to join by freelancers, has a search and match algorithm that makes it easy for employers to find skilled available freelance technicians and creatives for project-based or long-term positions.
Businesses looking to recruit need to subscribe to search the database, with PLASA members able to get 15% off for 12 months by signing up through the Pioneers programme. For every PLASA member company that signs up, Curtain Call will donate £15 to #WeMakeEvents, and for every month of membership, the network will plant a tree. Early adopters include the Ambassador Theatre Group, Donmar Warehouse, Sonia Friedman Productions and White Light.
Peter Heath, managing director of PLASA, comments: “Curtain Call is a fantastic platform which brings employers together with skilled workers while also creating accessible pathways for newcomers into our industry. We couldn’t be more pleased to bring this service to our members, particularly after the prolonged period of industry closure and loss of personnel to other sectors. This partnership will certainly help to connect up and regenerate our sector’s workforce.”
Matt Humphrey, founder of Curtain Call, adds: “We are thrilled to partner with PLASA and lau
USA - SmartLabs has announced that Rick Sailor has joined the company as VP for business development North America & Canada.
Gary Hamer, SmartLabs global SVP for sales and business development, says: “Service providers are facing some difficult challenges now about the best way to provide video; how to package channels and maintain costly equipment. At SmartLabs, we can help local providers address some of those challenges in a profitable way that gives them a competitive edge, thanks to our global experience. We’re delighted that Rick has joined us to lead our US and Canadian expansion at this pivotal time.”
Rick Sailor adds: “The opportunity to lead the roll-out of SmartLabs to the US and Canadian markets was too good to miss. The company has been in the business since it was in its infancy and has such a good track record in multiple countries, operating on multiple devices, deploying solutions in managed and unmanaged IP, Hybrid DVB+ IP and mobile networks.”
USA - Christie has announced the M 4K25 RGB pure laser projector, an all-in-one RGB pure laser projector that continues the original M Series, first introduced in 2007.
“The M Series packed a lot of features in a small package,” explains Larry Paul, executive director, technology and custom solutions at Christie. “Features like the intelligent lens system and embedded Twist for blending and warping were unique at the time, plus its small size and weight, helped it to become Christie’s best-selling line of projectors and lenses.”
RGB pure laser technology delivers twice the colour of the original M Series for vibrant, bright images that approach Rec. 2020 colour volume, a colour standard closest to what the human eye can see.
With TruLife+ electronics all the needed connections are built-in, eliminating the need for optional input cards. TruLife+ also features electronic colour convergence (ECC), which allows users to correct colour convergence imperfections and individually adjust red, green, and blue via remote, so there’s no need to climb a ladder to make adjustments.
The intelligent lens system (ILS1) makes swapping lenses easy for rental and staging, and offers motorized zoom, focus and offset via remote. Existing Christie owners can use their M, J and Crimson Series lenses, as well as the M Series rigging frame, with the M 4K25 RGB for added cost savings.
Christie’s proprietary precision pixel-shift technology, which reduces or eliminates typical artifacts found in other pixel-shifting technologies, provides UHD 4K res
USA - NAB has announced the cancellation of the upcoming NAB Show 2021, which was due to take place in Las Vegas from 9-13 October. The annual convention/exhibition, which in 2019 reported attendance of 91,000, is one of the largest events on the calendar for broadcasters and their technology providers. In recent weeks, the show had suffered exhibitor withdrawals - including Sony and Canon - due to the spread of the delta variant of COVID in the US, with the organisers opting to scrap the in-person event in favour of offering select virtual sessions through its Amplify portal.
“For more than a year, we have worked tirelessly to bring our industry together safely in Las Vegas at NAB Show," say the organisers in a statement. "Unfortunately, the pandemic and surge of the delta variant has presented unexpected and insurmountable challenges for our global community.
“As we have always kept the best interest and safety of the industry as our priority, it has become apparent in the face of these challenges that we can no longer effectively host NAB Show or our co-located events, the Radio Show and Sales and Management Television Exchange, in person. NAB Show is the premiere destination for the media and entertainment industry and we will not move forward with a show that delivers anything less than the excellence our community has come to expect and deserves from us.
The next in-person NAB Show has been scheduled for 23-27 April 2022.
UK - Calibre UK is now shipping the flagship Calibre LEDFusion Pro screen management solution.
Announced in April, the all-in-one screens are available in 130-inch or 163-inch sizes and are sold either as a stand-alone unit (A130C-15 and A163C-09) or a multi-system solution for advanced screen management (W236CF-15 and W260CF-15). LEDFusion Pro brings advanced operational features, energy saving and installation benefits.
“Calibre LEDFusion Pro was introduced earlier this year incorporating the feedback received from our integration partners for a more complete, sustainable and future-proof system that could be expanded without limits,” explained Steve Su, general manager at Calibre UK.
New product demo sites in Dallas, USA and Hannover, Germany will open in Q4, 2021.
Namibia - Located amid the African bush not far from Namibia’s capital Windhoek lies The Midgard Country Estate, one of O&L Leisure’s retreats. The estate, self-described as “a paradise where the earth rises again, fertile and green” appeals to a variety of potential customers, possessing 46 newly decorated bedrooms, a bar, two swimming pools and a host of other leisure facilities.
Midgard’s audio-visual technology required an update, ensuring that guests are entertained, and conferences run seamlessly. Stage Audio Works’ Namibian office was responsible for AV design and integration, most recently providing a comprehensive turnkey Audac-based distributed audio system for the restaurant and bar area.
SAW Namibia has been involved with the Midgard Estate since 2020 when they were first called in to update the AV systems in Midgard’s conference venues. Joppie Maritz, MD of SAW Namibia elaborates on the initial round of instalments: “We focused on upgrading the estate’s four conference venues, providing audio visual equipment that ensures a seamless conferencing experience for guests. We implemented projectors, motorised screens, discreet ceiling speakers and offered the ability to adapt the environment with advanced audio processing combined with lighting and room control plus video conferencing capacity.”
The second phase dealt with installing the distributed audio system, and the third, which commences later this month, observes the integration of a smaller Audac system for the wellness centre.
The brief for the second
The Netherlands - Construction is underway and progress being made to build a new children’s transitional care unit in Amsterdam, showcasing how the AV community has come together to support the project with donations of product, time and services. In a joint venture between ISE, its co-owners CEDIA and AVIXA, and generous contributors from the industry, The Jeroen Pit House will be furnished with a state-of-the-art entertainment space for chronically ill children and their families to enjoy.
The Jeroen Pit House, which is being built within the grounds of the Emma Children’s Hospital, will make the difficult transition from hospital to home easier, safer and steadier for chronically ill children and their families.
Over 30 AV brands have committed to providing services and product for free to develop the media space, which will include a sensory room and home cinema. Woelf & AVEX have contributed design, product management and installation services. Other contributors include ACT, Antratek, Apart, Arcam, Attero Tech, Audac, Audinate, Audipack, AVEX, Barco, Belden, Biamp, Bose, Chief, Cisco, Crestron, GenericAV, Intronics, Kenwell, Kramer AV, Logitech, Middle Atlantic, Monitor Audio, Nedis, Pakedge (SnapOne), Philips, Procab, Projecta, SCP, Sennheiser, Sony, StarTech, TU, and tvONE.
“Thanks to the ongoing generosity from industry contributors, we have brought together the best in technology, design and installation expertise to create a hi-tech entertainment space within the transitional care unit. The project will provide, amongst other
UK - The PLASA Show returned to Olympia London from 5-7 September, receiving high acclaim and marking a return to normality following the 18-month closure of the live events sector.
As the first entertainment technology tradeshow in two years, the PLASA Show 2021 co-located with the ABTT Theatre Show and succeeded in reuniting the industry for three high-spirited and productive days in Olympia’s Grand Hall.
Even though the number of attendees was reduced this year, they remained top quality and similar to previous years: 2/10 were company owners or directors and half were specifiers or final decision-makers. Theatre and touring were most prominent with one third of those attending working in production or venues.
Anticipation was high as the doors opened, with a steady stream of visitors keen to check out the next generation of products and catch up with colleagues. Lee House, marketing manager for Ambersphere, comments: “When the doors opened on Sunday it was great to see so many people coming through them. This show certainly exceeded all expectations we had. Yes, the show floor was smaller this year, but the atmosphere was bigger than ever.”
Nick Boggon, marketing manager for Sound Technology, adds: “We probably weren’t alone going into the show not knowing what to expect, but those concerns didn’t last long. Understandably stands were smaller than previous years but it still felt like the PLASA Show. There was networking of course, but also a genuine desire to see new products and technology trends.”
The ABTT Theatre S
UK - The CPL crew led by Lee Gruszeckyj were back working on a festival site again, providing video design and production for Camper Calling 2021 which took place over four days at Ragley Hall, Warwickshire during the UK’s August Bank Holiday weekend.
The festival, organised by Jazz Events, was back with a lively musical megamix and additional fun and adventure.
CPL working via Urban Audio Productions supplied a video equipment package comprising screens, cameras, and control. The last event was in 2019, and each year the production values and scale of Camper Calling are increased alongside the great attention to detail that ensures it retains its friendly boutique style.
The big change up on the video front from 2019 was rigging the side stage IMAG screens in portrait format, a move suggested early in the design process by CPL to frame artist close-ups and full-length shots beautifully and elegantly. With this decision made at the outset, all the bespoke content could be tailored to fit.
The two IMAG screens each measured 4.4m wide by 6m tall and were complemented by five columns of screen onstage which were varying widths - tapering down as they went offstage, all with a 4.8m drop.
All the screen was from CPL’s stock of Roe CB5, and 115 panels in total were on the project. This was driven by Brompton SS40 processors and XD boxes for distribution, running via a fibre system with loop redundancy.
Three operated Sony HXC 100 HD cameras were positioned, two either side of the FOH platform - for cross shooting - and one hand-
Taiwan - The dramatic combination of lighting, audiovisual, choreography and staging in fashion shows requires highly creative and specific design.
For the debut of his Salon des Visionaires - Luxxury Godbage, a 1990s fashion themed fall-winter collection and Sherry Bomb Opening Party held at Ximen Literature and Arts Centre on 8 May 2021, Justin Chou, designer and founder of Taiwan fashion label JUST IN XX selected Calibre LEDFusion A130-15 all-in-one Direct View screen management solutions.
The 1990s was an era of freedom, boldness and adventure with bright colours and style – people dared to experiment. JUST IN XX’s philosophy when it came to technology echoed this, and he collaborated with Calibre UK for LEDFusion A130-15 LED displays to be positioned on each side of the main stage for the show.
Justin Chou held two different shows at Taipei Fashion Week Fall Winter Season on March and May 2021. Themed around fashion sustainability, Taipei Fashion Week was organised by the Taiwan Ministry of Culture and Ministry of Education and was supported by fashion brands including Loreal Professional as well as Vogue, GQ, Elle, Marie Claire, Bazar and Cosmopolitan.
“In the fast-paced world of fashion, there’s no room for compromise,” said Justin Chou. “We rely on lighting and video to play a powerful role in the creative design and to help tell the story of each of the garments. For this project the main stage needed to look amazing, from so many different angles to meet the demands of photographers, television broadcast, socia
Germany - LED manufacturer, Absen, is due to embark on a tour of events around Europe to present its MicroLED and Jade Dragon (JD) series LED panels to attendees of three major industry events in the region.
The tour begins in France on 9 September at Tech in Lyon, before heading to Lord’s Cricket Ground in London, UK, for Peerless-AV - A New AV Experience on 16-17 September. The final stop of the tour will be ‘MEDIALOG’, which is set to take place on 6-7 October in Mainz, Germany.
Absen’s MicroLED will be front and centre at all three of these events, with specialists on hand to demonstrate how its fusion of 5G and 8K UHD intelligent micro-displays stand it in good stead to become the next great display technology.
MicroLED was developed using proprietary HCCI technology and packaged with inverted COB technology to achieve an ultra-black surface coating effect and high ambient light contrast through an enhancement of the light efficiency and heat dissipation of the display.
The JD series – which was released at Absen’s Spring Online Product Launch in March – is a light, thin, transparent LED display with high penetration rate, which suitable for shop windows and the glass curtain wall environment.
A third product line – the pliable TSC Series Flexible Display – will also be on show during the tour, but, unfortunately for Absen’s continental colleagues, only at the Peerless-AV event in London.
Emma Liu, MD of Europe for Absen said, “It’s great to be back on the road, sharing these fantastic products with ou
UK - Creative Technology’s UK operation has appointed Lee Dennison as head of client relationships. With over 25 years of experience in the live events industry, Lee brings extensive technical knowledge as well as a deep understanding of how to build and maintain strategic relationships and partnerships.
Dennison has previous experience at Autograph Sound Recording and DeltaLive. More recently, he was part of the senior management team at White Light, performing the role of head of business development.
Dennison comments: “The world has changed so much in the last 18 months, and we have seen technology rapidly evolve to support new ways of communicating and engaging with audiences. It’s an exciting time to join CT and I am looking forward to helping our clients explore technologies and solutions we offer, to help achieve their objectives”
“We’re really excited to have Lee on board.” notes Nick Askew, head of corporate. “Lee is well known and respected in the industry and alongside Lee, myself and the team are looking forward to developing new relationships and strengthening existing ones over the coming months, focusing on delivering high quality projects for all our clients.”
China - The Peacekeeper Elite League is the highest level of eSports competition for the videogame Peacekeeper Elite - the localised title of PUBG Mobile in the Chinese market. And while esports is a burgeoning market in the live production world, the production costs across these performances have traditionally been high due to the need for dedicated, on-site staff and expansive cable runs connecting many different video and audio feeds.
To mitigate this challenge, VSPN - a co-organiser of the Peacekeeper Elite League - recently experimented with a new way to host its events by relying on Audinate’s Dante for broadcast audio over a vast geographic distance.
On 3 May, the first weekly final of the Peacekeeper Elite League 2021 S2 season was held in Chongqing Banan Huaxi Sports Centre. Twenty professional teams from across the country gathered in the mountain city of Chongquing to compete.
While the idea of remote production had previously been considered too challenging due to latency issues associated with audio, the production team’s discovery of Dante changed their approach.
Using Dante, the event’s commentators and production staff were able to largely work remotely in Xi’an – some 750km away from where the competition was taking place in Chonqing – with minimal audio latency. This setup enabled impressive cost savings by reducing the number of individuals on-site, minimizing traditional AV cable runs, and simplifying the workflow under an easy-to-manage Dante network.
In Chongqing, the event’s workflow uses an SSL Syst
Australia - Marshall Day Acoustics (MDA) has announced that its Theatre & AV Design division, Marshall Day Entertech will be succeeded by new independent company Entertech Australia. The company will be led by former MDA staff members and theatre specialists Micah Johnson and Kate Kelly.
“We are thrilled for Micah and Kate and what this change will bring. On behalf of the board and leadership team, we thank Micah and Kate for all their efforts as members of the MDA team and look forward to seeing their new business develop in the future,” said Marshall Day Acoustics’ co-CEO Amanda Robinson.
MDA says it made the decision to split the company in order to increase operational efficiencies and return focus to the core area of the business, acoustics.
“Kate and I are excited to begin a new chapter as an independent business, after fifteen years as part of Marshall Day,” said Entertech Australia’s director Micah Johnson.
UK - PLASA Show 2021 will reopen its doors this weekend to reunite industry professionals at Olympia London after a two-year hiatus due to the pandemic - and time is running out for visitors to secure their free entry passes.
Taking place from 5-7 September, the show will welcome back leading brands from pro audio, AV, lighting and stage technologies, who will take up residence in Olympia’s Grand Hall alongside the ABTT Theatre Show which is relocating for one year only.
“In light of the monumental shifts felt by the live events and entertainment sector over the past 18 months, PLASA Show 2021 will be people-centred, with inclusive networking spaces, support resources and learning opportunities,” say the organisers.
Free registration ends at midnight tonight, 31 August – those wishing to claim a free entry pass should head over to www.plasashow.com.
Exhibitor highlights include the show’s headline sponsor Robe, who will showcase their latest luminaires including the Forte, T2 Profile, iSeries, LED Beam and Esprite in regular show-stopping presentations. Also exhibiting will be Chauvet Professional, ETC, GLP, Avolites, Artistic Licence and SGM.
For pro audio enthusiasts, in attendance will be L-Acoustics, Shure, Sennheiser and Yamaha among many others. The stage is also set for bespoke staging from Race Furniture and Drapemakers; heavy-duty gear from Area Four Industries and NSP Cases; web-based services from trackingThis and Current RMS, and the
UK - Industry charity Backup has long recognised the technical entertainment industry as an exciting, but challenging place to work and is committed to helping those who face the pressure and stress involved by providing further help and support.
Now, the charity has launched a free helpline that is available 24 hours a day, seven days a week, to provide a centralised access point for both urgent and non-urgent well-being support.
The helpline offers a number of options, from a dedicated Backup counsellor, to direct transfer to other industry charities, including the Music Support Helpline, Theatre Helpline and the Samaritans. Upon selecting one of the above options, you will be transferred directly to the support you require.
The Backup Counsellor option is a free, independent and confidential phone service with a certified counsellor who has a broad experience of the industry and will provide initial support or signposting on mental health and well-being to people working in the live technical entertainment industry. If further sessions are needed, The Backup certified counsellor is available to offer support and to assist with Backup grants.
“Whilst we already have information about a number of resources that can be accessed on the wellbeing section of our website, we understand that it’s never easy asking for help, so we wanted to make it as simple as possible for people to get the direct help they need,” says Backup chairman, John Simpson. “Our hope is that the addition our dedicated helpline will encourage more people to take adv
UK - The Royal College of Music (RCM) in South Kensington is home to various studio facilities, available for private hire in the heart of London. Services and facilities offered include music recording, video production, web streaming, audio-visual research and development.
The original studio was founded in 1967 and was the first electronic studio at any UK academic institution. Today, the studio complex is housed directly underneath the RCM Concert Hall. The Belle Shenkman Studio, a spacious live room, contains its own Steinway Model D grand piano, three control rooms linked to performance spaces around the campus, and three rooms dedicated to composition, production and editing. In addition to the core work within the College, RCM Studios offers a commercial service to clients including major broadcasters, record companies and leading international soloists.
Sam Glenister-Batey, head of events and venue hire at the Royal College of Music, says: “Our studio complex is truly a one-off location for musical endeavours, broadcasters and event organisers. RCM Studios are always in high demand from commercial clients, and we expect to see a significant increase in demand from corporate clients as hybrid events come to the fore.
“As a charity and place of education, all private hire of our studios helps to support the development of the next generation of talented musicians, as well as maintaining and developing the facilities. It is our ambition at RCM that no student should be denied an RCM education due to lack of funds, so part of the money rais
UK - 4Wall has won the tender to provide LED to the new extended reality studio at research and innovation centre XPLOR at Production Park in South Kirkby, West Yorkshire.
Scheduled to open in autumn 2021, 4Wall has provided all of the LED, processing and support systems for the new XR studio which features a 40.5 SQM LED wall alongside 18 SQM of LED floor.
The large-scale XR stage will be part of XPLOR’s Centre for Virtual Production and made up of 162 panels of Roe Ruby 2.3mm LED for the back wall and 72 panels of high-resolution Roe BM4 Black Marble 4.7mm LED for the floor, enabling the centre to deliver high-quality extended reality production, events and training to businesses and students across the region.
4Wall has been working in the field of virtual events for a number of years, specialising in recent years in the XR workflow, delivering high-profile virtual events for corporate clients at its XR studio SmartStudioXR at Royal Lancaster London in Central London, as well as from its US-based XR studio Suite 47 at Rock Lititz, PA.
Darren Poultney, director of global client strategy at 4Wall, said: “It’s fantastic to be involved in such an inspiring new project that will enable businesses in the region, as well as students, to achieve innovation with virtual. We are happy to be able to support XPLOR not only with the latest XR equipment, but also with the skills and technical know-how our team can offer having delivered multiple XR events across the corporate and events sector. We look forward to seeing the studio come to life an
Australia - Expressions of Interest are now open for Vivid Sydney 2022 under a unified, creative vision - The Soul of Sydney. The vision will inform all submissions across the Light, Music and Ideas programs as well as a new Cross Art Form category.
All sectors of the creative industries are invited to investigate what truly is the soul of the Harbour City - its people, places and essence. Creators from around the world are encouraged to share unexpected stories that will engage, inspire and excite audiences, drawing inspiration from Sydney’s hidden spaces, architecture, global icons, people, food, music and ideas.
Destination NSW chief executive officer Steve Cox said: “Vivid Sydney provides a global platform for artists, musicians, creatives and thought leaders, to continually push the envelope when it comes to creativity. I look forward to seeing the innovative thinking from artists around the world and evolving next year’s program to bring new, exciting and engaging experiences to Sydney for everyone to enjoy.”
Festival director Gill Minervini added: “Now more than ever, it’s important to create opportunities for connection and to celebrate our great city. Vivid Sydney is authentically Sydney, but it’s genuinely global. Inspired by The Soul of Sydney creative direction, we challenge artists to share their stories about Sydney and how it aligns with other great cities around the world, driving change through creativity, identifying what brings us together and celebrating the beauty of our diversity.”
UK - Recognising that the beleaguered live events industry needed an interactive live streaming platform when the first COVID-19 lockdown hit back in April 2020, a trio of production professionals collectively known as Be Square, pooled their resources to come up with precisely that.
They knew that if their idea was to have both relevance and sustainability, the event needed to offer a shared, online social experience for a group of up to five people - just as if they would all be attending in person. They should be able to appear as PIPs - tiny thumbnails in the foreground of the show - chat, mute, or generally discuss the performance via message posts on the scroll bar, all within the comfort of their respective homes.
In 15 months, the company has already supported a number of events, from shows at the Battersea Arts Centre, to After The Flood in the Spiegeltent, and more recently Babii LIVE at The Ramsgate Brewery.
According to John Castrillon, who with Tom Barnsbury and Jon Wood make up Be Square Media, audiences and performers needed to be able to interact, so that the performers could see the virtual streamed crowd, as well as vice versa. “In that way it can be turned into a genuine party vibe,” he says. “You wouldn’t normally attend a gig alone so why do it for a live stream?”
In the case of Babii the set-up was simple - a low-production performance at Ramsgate Brewery out of the back of a Transit van (to promote her new album, Mirror), with support acts. This was the first time Ramsgate Music Hall had put on a show at
UK - The programme for PLASA Show 2021 has been unveiled, bringing a rich line-up of seminars and training sessions to the trade event that takes place on 5-7 September at Olympia London.
Sponsored by Vectorworks, the programme is set to deliver in-depth content on the future of live production, immersive product experiences and plenty of practical training, bringing skills and knowledge to the forefront of the show experience.
All sessions are free for pre-registered attendees (you can get your free entry pass by 31 August - find out more here), with details of the schedule available on the show website. More content will be added over the coming weeks, say the organisers.
Vectorworks are delivering two technical sessions based on their software products, firstly looking at Concert Design and Pre-Visualisation with Vectorworks Spotlight and MVR Export, which follows a complete concert design workflow, from creating detailed drawings and rigging plots to exporting a fully functioning pre-visualisation model. Their second session, Schematic and Rack Layout Design in Vectorworks ConnectCAD, details the complete schematic workflow from creation of signal flow diagrams to designing rack layouts with ConnectCAD.
In addition to the Theatre Show Hub, the ABTT will be running a session on their Technical Standards for Places of Entertainment, whi
UK - The Doctor Who canon has recently become the basis for one of London’s most talked-about new immersive experiences, Doctor Who: Time Fracture (see LSi July 2021 for a full production report).
Chief creative officer for the project (and producer at Immersive Everywhere), Brian Hook, has been on board since the first meetings with the BBC nearly two years ago, and continues with the production to this day.
“My team generated the brief for the show, which was to create a Doctor Who experience unlike any other,” he said. “Eventually, that took the form of immersive theatre that placed the audience in the beating heart of the story.”
As well as finding the right creative teams to deliver the concept and sticking to the budgetary confines of the show (global pandemic-permitting), Hook also had to guide the development of the narrative concepts from an idea, through a lengthy BBC approvals process, and finally to the finished product.
“This project started in the heady days when it was still possible to go for a beer and sit late into the night talking over the projects, without the mandatory masks, scotch eggs, and seats. I'd already identified Tom Maller and Dan Dingsdale as being two of the creators I would like to lead the teams, having worked with both of them for many years.
“We presented our concepts to the BBC on the set of Jodie [Whittaker, D