UK - Mike Wroe, former CFO of Just Eat plc, has been appointed as non-executive chairman of TV and events supplier JLLighting and JLLive.
Wroe has a wealth of experience as a senior executive, board member and non-executive director over the course of a 20-year career. As CFO at Just Eat plc, he led the transformation of a £20m start-up into a £4bn FTSE business operating in 15 countries worldwide. Amongst a variety of advisory roles to a number of leading European growth business, Wroe is also currently an active angel investor and is non-executive chairman of private equity backed proSapient Limited, the technology-led expert network and primary research platform.
Jack Linaker, group director, comments: “We are thrilled to have Mike on board. His strategic vision will help us steer the business as we grow and enter new territories. Mike’s highly successful track record across a breadth of functions means he has a holistic and creative approach to business which dovetails perfectly with our culture and aspirations. Mike’s experience in identifying consumer and audience trends means we can depend on him to bring his unique perspective and fresh approach to our industry so that we can offer our clients new ways of connecting with their audiences.”
Wroe adds: “In the last 12 months, digital acceptance has lept 10 years, dramatically changing the way people consume media and content. This change has radicalised the boundaries and expectations of what a ‘live experience’ delivers for audiences. A unique mix of skills and expertise acros
Norway - The Future Group, maker of virtual production tool Pixotope, the technology behind award-winning productions such as TWC Surge Flood and Riot’s Pop Stars, has received development grants from the Epic Games MegaGrants fund and Innovation Norway.
The grants will allow The Future Group to develop Pixotope Live Cloud that "will enable companies to connect to the power of live virtual production through a ‘pay as you go’ and always available cloud service".
Marcus B.Brodersen, CEO of The Future Group, explains: “We are making virtual production more accessible and giving streaming and broadcast production companies more flexibility in how they tell engaging stories.”
Built on the production-proven Pixotope virtual production technology, Pixotope Live Cloud adds a number of new features.
Brodersen summarises: “Unreal Engine is the perfect vehicle to drive innovation in media production, and Pixotope is all about making that power available to as many media producers and creators as possible. We couldn’t ask for better collaborators than Epic Games and Innovation Norway to give even more content creators access to these storytelling tools through Pixotope Live Cloud.''
South Africa - Pixel Nation has recently inaugurated a new virtual production studio in the heart of Johannesburg’s vibrant Rosebank district with content delivery based on StreamWorks infrastructure from Stage Audio Works. StreamWorks is a new initiative from SAW that provides full end-to-end streaming services comprising hardware and software, as well as support and expertise.
Pixel Nation was created by a team of AV professionals who have always operated in the live event space, particularly in the corporate market. As the COVID-19 pandemic has forced in-person events off the agenda for the time being, Pixel Nation was formed in order to be able to deliver events virtually, and not just as a pre-recorded show, but as fully interactive, live events with participants from all over the world.
“In creating Pixel Nation, we’re leveraging our expertise in AV event content creation, production and delivery and transferring it to a virtual environment,” explains Pixel Nation director, Mike Fynn. “We’re still creating amazing events, but participants are now located all over the world instead of under the same roof.”
Already long-standing clients of SAW in the live events market, when it became clear that the business model would need to change, Mike Fynn and fellow director Bradley Hilton, turned to SAW for help with the live streaming element, an area in which they had little experience. “We knew what we wanted to do - we just didn’t know how we were going to do it! Fortunately, Nathan [Ihlenfeldt] and the guys at SAW were already work
UK - A new cinema experience at Lighthouse, Poole’s centre for the arts, is set to bring cultural events by some of the country’s leading arts companies even closer to home for local audiences.
Presented in the familiar Theatre space at Lighthouse, Screen On Stage will show content in high definition on the largest roller screen on the market, with a newly installed hi-tech surround sound system and digital projector.
"We’re really excited about Screen On Stage - it represents offers a fantastic new experience for our audiences,” says Lighthouse chief executive Elspeth McBain. “We took the decision to dramatically expand our digital capabilities in lockdown and are enormously grateful to have received the funding that has enabled us to create this programme as one of a number of new developments.”
On sale from next week, the Screen On Stage programme includes showings of the 1967 Mel Brooks classic The Producers, Bob Fosse’s 1979 autobiography All That Jazz, Bette Davis All About Eve. Also scheduled for July is a screening of the fantasy Cirque du Soleil: Worlds Apart.
The Screen On Stage screenings are projected on a 7m x 5.25m Screen Int MajorC pro black case roller screen that can be unrolled by any amount to suit any picture ratio.
The sound processor is a Dolby 950 Digital sound processor and there are 16 JBL 8320 surround speakers - six on each side of the Theatre and four at the back - powered by three Crown XLS amplifiers. The centre, left, right and sub channels utilise the existing
USA - The Naval Academy Athletic Association in Annapolis, Maryland recently opened the Ron Terwilliger ’63 Centre for Student-Athletes, a 25,000sq.ft facility that highlights the Academy’s tradition and history of physical education and intercollegiate athletics.
The centre includes the new Akerson Theatre, a 180° immersive theatre that uses a suite of Christie products, including HS Series projectors, Spyder X20, Mystique and Pandoras Box, and is designed to help inform visitors, prospective midshipmen and their families about opportunities at the school.
The Naval Academy Athletic Association (NAAA) engaged Dimensional Innovations to design, integrate and provide content for the centre and the Akerson Theatre. The project began in 2017 and was originally conceived as a visitors’ centre, but says Drew Berst, executive director, Dimensional Innovations, “The Centre was really about what it meant to be a midshipman student-athlete - the academics, and the physicality of it. The NAAA wanted a space to celebrate the accomplishments of its intercollegiate athletics department, and do it in a way that was interactive and state-of-the-art.”
Brian Silvey, creative director - interactive technology, Dimensional Innovations, says: “The Academy considered what made them stand out amongst other schools, and one of those things was being timeless. And for us, one of the ways to do that is to integrate technology throughout the space.”
For the Akerson Theater, Dimensional Innovations began with a 3D model and worked with Christie to determin
- USA - Specialist mobile business fabricator Cruising Kitchens has created a custom food truck for the Raising Cane’s chicken finger restaurant chain, which was designed ‘not only to deliver delicious food but also to get the party started’. The fully functioning mobile kitchen also features a custom-designed pop-up DJ booth on the roof, which is surrounded on three sides by ADJ weatherproof LED video panels.
Already operating from over 500 restaurants in 29 states and territories, they are moving into more areas, thanks to a pair of custom food trucks. The trucks were delivered at the end of 2020, as a surprise for the company’s founder, Todd Graves, from his co-CEO, AJ Kumaran, to celebrate the brand’s 25th anniversary. They are now making their way across the US, as part of the Cane’s Across America campaign, visiting areas not yet served by a Raising Cane’s restaurant.
A true ‘rags to riches’ story, Graves came up with the idea for a restaurant chain focused on delivering quick, delicious chicken finger meals while in college. The concept received the worst grade in a Business Plan class and was rejected every time Todd presented it to a bank. Undeterred, he worked hard to save enough of his own money to open his first store in August 1996 from which the business rapidly expanded. Despite now operating from over 500 locations, a hallmark of Raising Cane’s is individuality. Every restaurant is unique, with 100s of distinctive details, which is something AJ and his team were keen to see replicated in their food trucks.
UK - Panasonic has announced a solution for realtime tracking projection mapping that ‘expands the creative possibilities for the entertainment and production industries to merge digital and physical realities with stunning results’.
Different visual effects can be achieved by projecting images in real-time, with accuracy, onto fast moving objects using the Real-Time Tracking Software Development Kit (ET-SWR10) for the Panasonic PT-RQ35K projector. The projector, in combination with an infrared emitter, camera, marker and a content server, creates a Real-Time Tracking Projection Mapping System that is designed for use by production companies and at live entertainment events, theme parks, museums and Esports.
The kit enables the 30,500lm, 3-chip DLP laser projector to accept and output 240Hz HD signals delivering enhanced images with a latency of just 5ms and the ability for virtual real-time tracking with the precise location calibration of moving objects. The addition of dedicated software from the kit onto the content server enables the images to be easily mapped to the moving object or performer using a single cable connection between the projector and content server (HDMI/Display Port).
“Using this groundbreaking, real-time technology the creative possibilities are endless,” comments Hartmut Kulessa, European marketing manager at Panasonic Business. “I have seen logos and images perfectly projected onto fast moving basketballs as they fly around the court and stunning visual effects tracking the every movement of artists as they lea
USA - The Victory Worship Centre, a multi-campus community church in Arizona, created a special Christmas service for its limited-capacity congregations in December. As a backdrop for the music and sermons, a stage-wide picture window setpiece framed wintery vistas, displayed in ultra-high definition on a 30ft x 10ft LED videowall. Faithfully delivering the visual content, day after day, was a Hippotizer Karst+ Media Server from Green Hippo.
A recent purchase by the Victory Worship Centre, the Karst+ Media Server was used for the very first time on this show. Production designer Alex Fuller, of Fuller Lights LLC, was familiar with Hippotizer from previous projects and was able to link the Karst+ unit to the grandMA3 lighting console at the heart of the Victory Center’s control booth.
Situated in a separate video control suite, the Karst+ was fibre-linked to the MA3, and to the LED videowall on the stage, with a ZooKeeper remote interface set up in the front-of-house booth for operator Eli Ekdahl. “That all worked really well,” says Fuller.
The set, designed by Fuller and including fake, snow-covered fir trees, was fabricated by Mod Scenes to frame the 3mm pixel pitch ROE Visual LED wall, rented from Concept Pixels Entertainment, Inc. Visual content was sourced from Visual Revival. “We chose a lot of outdoor scenes of nature - mountains, forests, snowscapes and that kind of thing - to complement all the fake Christmas trees on the set,” says Fuller. Later, as the services ran closer to Christmas, he introduced other more dynamic elements
Bahrain - Woodroffe Bassett Design (WBD) recently designed and delivered a new lighting and video installation on the façade of the Sakhir Tower at the Bahrain International Circuit (BIC) in time for the first Grand Prix of the Formula One season. The circular viewing tower is the centrepiece of the BIC and has become a key visual element of the television broadcast of the race, seen all over the world.
The design of the scheme enhances the night-time drama of the track illumination installed in 2014 and follows the original visual concepts that were developed in collaboration with architectural design practice Stufish in London five years ago.
The dynamic and colour-rich scheme is a deliberate counterpoint to the myriad of powerful white lights that illuminate the track during the night races. The design explores the geometry of the spectacular building and articulates its elegant circular form, but also gives the tower a dynamic that reflects the speed and power of the motorsport that literally surrounds it.
The content that plays on the tower was developed by Dandelion and Burdock in London and is a mixture of Bahraini cultural elements, abstract patterns, FIA and F1 related logos and schedule information. This plays out over the period of the race weekend, building to a climax for the race itself. Particular care has been given to avoid distracting the drivers when they are on the track to the point that no red, yellow or green content plays during the race to avoid being mistaken by the drivers as part of the FIA warning lights.
France - The Crestron sales team has added Kevin Marchelidon as its new sales engineer in France.
Reporting to Alain Solomon, Crestron’s regional sales director in South West Europe, Marchelidon will be the go-to technical expert for customers, and will support the regional sales team.
“We're excited to welcome Kevin, who will be a great asset to our team in France,” comments Solomon. “He has been providing technical input for AV projects for many years and has a proven, excellent track record of customer service, project management and quality assurance.”
Marchelidon adds: “I am really looking forward to meeting all my colleagues and customers, and I am ready to provide my best assistance for all your technical requirements.”
Australia - Cutting Edge has been a leading provider of sound and picture post production for the advertising, features and television industries, both in Australia and internationally, for almost three decades. The company recently announced Edge Lab, its newest venture in Virtual Production (VP) based in Brisbane, Queensland.
The facility is a research and development (R&D) hub for production industry professionals, developed in partnership with Big Picture, part of the NEP Worldwide Network, and motion caption integrator Logemas.
Brompton Technology processing is used for the main LED screen as well as ambient reflection and lighting walls.
Cutting Edge is able to facilitate all its clients’ needs across commercial, television and feature film productions. Now, the company can also tap into the latest technical innovations in VP with its Unreal Engine powered virtual production stage with a high resolution 12m by 4m LED wall and moveable LED side panels.
The set up comprises a Uniview Tekken 3mm main LED screen with two Tekken 3m by 2.5m ambient reflection walls and a further two ROE Visual CB5 5mm ambient lighting walls. The entire system runs on four Brompton Tessera SX40 4K LED processors and four Tessera XD 10G data distribution units.
“Because our LED stage has been built with high quality components and is powered by Brompton processing, we are able to achieve realistic virtual environments that help with experimental shooting and environment creation,” says Cutting Edge CEO Michael Burton.
Josh Moffat, special p
South Africa - As a direct response to the new pressures faced by businesses in the wake of the COVID-19 pandemic, Johannesburg-based AV technology solutions provider, Stage Audio Works, has announced StreamWorks, an end-to-end live streaming service.
“COVID-19 has changed the way we work forever,” says SAW’s group CTO, Nathan Ihlenfeldt. “Participation in virtual events and remote meetings via the internet has become the norm for most of us, and even when the world finally starts to open up again, will remain an important part of our everyday lives. However, public streaming platforms and the internet in general has come under increasing pressure, with embarrassing consequences to the host organizations.
“With vast experience in delivering video reliably to internet users, especially in Africa, we decided to take things a step further and launched StreamWorks with the aim of providing a modern, end-to-end system that adds a layer of reliability and security to live streams and ensures viewers can access content whenever and wherever they need to.”
StreamWorks’ core offering is its web streaming service hosted on an infrastructure with multiple CDN providers delivering content to end users, and multiple origin servers located in geo- and network-divers hosting environments. With POPs on all of the major IXPs globally, the StreamWorks CDN provides fast loading times and high video quality regardless of viewer location. The StreamWorks player can be embedded in any website, offering full viewer engagement and geo analytics for each event
UK - Leisuretec, distributor of professional and commercial audio, lighting and video equipment, has unveiled a new corporate brand identity that consists of a new logo, website and style.
The new logo is at the core of the transformation, the company opting for one with a modern look and feel to replace the old emblem. The logo device represents the ‘L’ from Leisuretec, with the levels and waves within it reflecting the company’s passion for audio, lighting and video technology. Meanwhile, the four bars stand for the company’s core values of experience, choice, value and service.
“We are very excited to launch our new logo and corporate brand identity, which consists of a refreshed style, website and refined summary of our company vision, mission and value proposition,” comments Charlie Henden, marketing manager at Leisuretec. “Our previous logo was our company’s face for many years and whilst we are very proud of its heritage in our market place, it definitely feels like the right time to bring our identity up to date with the times; the products we sell and our passion for our industry.”
Mike Henden, MD and founder of Leisuretec, adds: “As we embark on our 32nd year, I am immensely proud that we have emerged even fitter from each challenge Leisuretec has faced in the past, and growing out of the coronavirus crisis is no exception. Our new branding and website mark the next chapter in our evolution, to further develop our value proposition to both our existing and next generation of customers.”
UK - Virtual production solution Vero is now fully operational in the UK, offering LED surround screen backdrop, realtime graphics and powerful in-sync camera tracking.
The project brings together content, technology and operations talent from multiple companies, who have joined forces to enable creatives and filmmakers far more on-set visual control.
Vero features Desay 2.6mm pixel density LED screen technology from Production AV and visual content by MadeWithVero. Utilising Production AV’s touring and events experience, the solution can be deployed across the UK as needed by the production.
The team says the set-up has ‘revolutionised’ traditional VFX workflows, which rely on combining physical footage captured in front of a green screen with digitally generated backgrounds in post-production. In addition, costly set builds, location shooting and visual FX can be re-thought and re-imagined.
Vero enables directors to see the visual backdrop in real-time during filming on set, with the powerful graphics engine tracking technology meaning the action is always realistic and moves with the subject.
“We’re thrilled to help bring Vero to reality,” says 3D animation and motion graphics expert Robert Tyler, from MadeWithVero. “We’ve pulled out all the stops to combine the latest camera tracking, gaming engines, and LED screen technology with high definition, lifelike graphic creation to shape Vero.
“COVID has, of course, changed the way we consider the world and our approach to projects when it comes to travel, crew and
UK - To complement the technology on display at Samsung KX, Snelling Business Systems and Cosmic Electronics recently outfitted the venue with a complete Harman networked AV, lighting and control system.
Situated in the recently developed Coal Drops Yard shopping district in King’s Cross, London, Samsung KX is a destination for the public to ‘experience Samsung’s range of innovative connected technologies working seamlessly together’.
The 20,000sq.ft space features a 32ft Screenmax LED display wall, connected “smart kitchen,” immersive augmented reality experiences and an ever-changing list of temporary installations. To further enhance the futuristic experience, Samsung KX required a facility-wide immersive AV, lighting and control system with enough flexibility to serve any current or future needs. Audio-visual integrator Snelling Business Systems and lighting integrator Cosmic Electronics outfitted the space with JBL, Crown, BSS, Martin and AMX solutions.
“In terms of design, we didn't approach Samsung KX like any other traditional shop,” said Tanya Weller, director, Samsung Showcase. “It was very much about creating an incredible space to bring the latest innovations to life and showcase our products working seamlessly together, but also a flexible environment that we could invite the community into for various events and experiences. The beauty of it is that it's incredibly adaptable. If we've got an event in one zone, we can ensure the sound is great in that area, or we can have total takeover of the space.”
UK - disguise has announced a major software release in early April. Cluster rendering will allow users to scale out their real-time content rendering without compromise, as their productions increase in size or complexity. disguise invited a select group of global partners to pressure test and implement the technology into their workflows in preparation for public release.
disguise’s cluster rendering will unlock the limitations of a virtual production studio or immersive installation by scaling out real-time content up to an unlimited capacity, says the company. This is achieved by spanning real-time content over more than one disguise server as each machine will render a fragment of the final content frame to increase the render power. Developed to support Unreal Engine’s nDisplay capabilities, the technology also removes the need to manually configure the nDisplay cluster by allowing it to be automatically set up through the disguise interface.
Early access to cluster rendering has allowed global partners participating to test and implement cluster rendering into their workflows to achieve real-time content rendering of the highest quality, detail and frame rate at scale. By testing the feature in real-world scenarios the beta partners enabled disguise to gather and integrate feedback into the feature development roadmap.
“Innovation lies at the core of everything we do at disguise and we always work together with our partners to ensure that all new developments help improve their work. Our beta testing programs offer our partners the oppo
USA - For nearly 120 years, the distinguished Brooklyn Law School has been training and empowering lawyers in a wide range of disciplines.
In response to the COVID pandemic this year, the Brooklyn Law School wanted to make sure that specific classes could start up and continue as safely and efficiently as possible. The school contains some seminar-based classrooms where the instructors and law students typically engage with a lot of interactivity as they debate a range of different concepts and theories in the class.
To achieve a safe level of social distancing, the school decided to shift to a hybrid attendance model with only half the students in the classrooms at any one time. In order to facilitate this model, the faculty needed the seminar- based classrooms to be equipped with an AV solution that would allow remote students to hear and interact as efficiently as possible and keep all students fully engaged.
Brooklyn Law School brought in Shadowbox Design Management, from Hicksville, New York, to manage the project.
Joseph Ondrek, vice president, Shadowbox Design Management, explained that the classroom had an existing AV system based on lavalier microphones, but mics were often misplaced, or they would forget to turn them on. There were too many things to go wrong, and instruction time was wasted with troubleshooting. In addition to the distance learning capabilities, the school wanted a solution that would allow the professor to walk in, start the Zoom meeting, and then get right to the instruction.
“They didn’t want the instru
UK - The financial support Video Design has received from the Cultural Recovery Fund, administered by Arts Council England (ACE), has proved to be very beneficial.
Company CEO Alex Leinster explained, “We bid for funding to support the business as we experienced the sudden and near total cessation of all work. The services we provide are a fundamental part of the live music business, a significant multinational and culturally important industry. The ACE funding has enabled us to improve our resilience and preparedness for the end of lockdown by developing and extending our skills and expertise. We have used the time to ensure we are fit and ready for the future.”
Video Design’s grant application was based on their extensive catalogue of past projects including many which involved new and innovative approaches that broke new ground and advanced the industry.
Their submission included two recent examples, the video sphere for Take That and the inventive application of video media for Stormzy’s sensational show at Glastonbury, both in 2019. The live shows in the Take That tour were seen by more than half a million people whilst, in addition to those who saw the Stormzy show live, it has had over 1.5m views online. Neither show would have happened in the way it did without Video Design’s input to realising the outstanding ideas of Stufish and Mark Owen of Take That and Bronski for Stormzy.
“We are able to take other people’s ideas, and through our own set of skills and our ability to work cooperatively with others, we can turn them i
USA - Miami-based creative multifunctional studio, darmah, specialises in production design enhanced by the latest cutting-edge tools, and known for its attention to detail and quality control. Last year, it announced the turnkey dXR stage with the latest Extended Reality (XR) Technology.
From set design, creative direction and video content, to developing and delivering the final product, darmah is a one-stop shop that uses the latest technology to bring emotion to the audience and create unforgettable moments. A big part of that is Brompton Technology LED processing, which has been key to the company’s success story over the last six years.
“Brompton makes reliable, easy-to-navigate LED processing that allows us to make all our video and xR work look amazing,” says Rodrigo Proal, founder of darmah. “As a Brompton partner, we continue to have a great experience with their people and products.”
Recent successful projects include Daddy Yankee’s YouTube concert (most views of a concert on YouTube for the first week of December), the Billboard Latin Music Awards and Premios Juventud 2020 Awards, amongst many other live and recorded performances.
“It’s especially important to use reliable equipment on these important awards shows that are putting on COVID-sensitive events. We love how Brompton makes the integration of video and xR smoother and provides us more control. It also leads to creating visual backgrounds beyond any imagination that keep our clients returning to us for additional projects,” adds Bianca Moncada, partner
Germany - publitec has added the Christie Griffyn 4K32-RGB high-performance projector from Christie to its rental fleet.
The Griffyn 4K32-RGB is Christie’s first projector to offer new digital convergence to give users the ability to select red, green, or blue individually and adjust each colour by remote control, for easy picture-perfect image alignment that saves time and money. In addition, the Griffyn 4K32-RGB has an integrated metal frame, which makes it possible to mount the projector in the rental area without separate rigging accessories.
Jens Richter, publitec managing director, comments: “The Christie Griffyn was a convincing winner in a direct shoot-out with comparable projectors from other manufacturers. In particular, in terms of brightness, colour space, sound level and price, we could see clear advantages for our customers. It will replace the popular Boxer in our rental fleet in a line-up which has achieved almost cult status over the past six years and has successfully delivered for our customers and our own technicians at countless major events.”
Jan Walter, regional sales manager DACH, Christie adds: “We’ve had a longstanding and successful relationship with publitec that has now entered a new phase with the addition of the Christie Griffyn to their rental fleet. I’m looking forward to building on this relationship as the world begins to open up, and as we enter a new and exciting phase for live events and AV across the DACH region.”
UK - Specialist recruitment agency SER Limited has committed to donate 10% of its event industry placement fees to Backup, the technical entertainment charity.
Established in 2004, the Blackburn-based company works with clients of all sizes throughout the UK and internationally, covering sectors including audio visual and lighting, plus building controls, machine tools, construction, mechanical and electrical, fire and security, telecommunications and more. SER says it is dedicated to understanding all parties’ situations when recruiting, taking time to understand why vacancies have arisen, why the candidate is open to the opportunity and the motivators, ambitions and goals of both the client and the candidate.
Kate Booth, SER’s AV and events recruitment consultant, comments: “I was aware of Backup pre-coronavirus and had attended a previous fundraising event held by the charity; the work they do is amazing. It has been really difficult to watch the events industry, and the freelancers that support it, fight for financial survival over the last 12 months. We’re (hopefully) anticipating an increase in demand for event recruitment once the restrictions are lifted and companies start to rebuild, and I wanted to pay back to the industry that I love.”
She continues: “So, with agreement from SER’s MD, Gary Bentley, and having spoken to Backup we have agreed that from now on we will donate 10% of every event placement fee (once the candidate has passed probation) to Backup in order to support the amazing work they do. It’s our way of giving
France - IP video specialist Vitec has announced that Eric Deniau has joined the company as chief technology officer.
“IP video streaming continues to grow across all markets as more and more enterprises harness the power of their networks to deliver and manage video traffic,” said Philippe Wetzel, CEO of Vitec.
“The pace of innovation that is taking place in IPTV is accelerating as organizations across industries elevate their dependence on video streaming.
“Eric will be joining Vitec as CTO to lead technology innovation and R&D efforts worldwide. He has a deep knowledge of software and a sophisticated understanding of hardware products that will enhance the experience and capabilities of Vitec’s talented R&D leadership team. He is tasked with developing the next generation of codecs, ASIC technologies, and software solutions that will power Vitec products for years to come.”
Eric was most recently with Enensys as CTO and has over 30 years of experience in the media industry, including experience managing large software projects for major broadcasters, and has played a major role with the standards communities that have brought interoperable MPEG, DVB and 3GPP technologies to market.
Middle East - Creative Technology Middle East has welcomed two new additions to its operations. Dailos Rodriguez has joined as venue operations manager for the company’s newly-formed venue services department. He has over 24 years of experience in the hospitality and AV industry and has worked across multiple venues. He has secured various high-profile contracts during his time and implemented in-house AV services for some of the Middle East's biggest hotel chains.
Of his appointment, Rodriguez says: "It is a great honour joining the CT team, and I look forward to getting started on the variety of fantastic projects we already have lined up."
Also joining the team is Mark Johnson, who has been appointed business development manager for venue services. With over 19 years of experience in the AV hospitality industry, he brings a wealth of knowledge and experience to his role, says the company. Johnson has secured several large-scale contracts across various venues and has been a key factor in the growth and development of many different AV venue services throughout the region. He states: "It's very endearing to be a part of Creative Technology's new Venue Services department from conception! I look forward to accomplishing many new first with CT."
Andrew Reardon, MD for Creative Technology Middle East, comments: "It is an exciting time for the Middle East as we continue to grow and expand our team of professionals and our offering. It is a pleasure to have both Mark and Dailos on board, and I wish them all the best going forward."
USA - Based in Scottsdale, AZ, Impact Church is a fast-growing, multi-ethnic church known for high-energy worship and relevant, accessible teaching. The church recently moved into a new home, which was purpose-designed to host worship services with a focus on high quality audio, video and lighting.
The anchor point of this new AVL system is the ADJ LED video screen which fills the rear of the stage, while the lighting setup consists exclusively of fixtures from ADJ and sister company Elation Professional.
What began as a bible study for the Arizona Cardinals hosted by player Andre Wadsworth in the late 1990s was opened to the public and soon became one of the fastest growing churches in the nation. Headed up by Senior Pastor Travis Hearn, Impact Church has a reputation for diversity, authenticity and throwing a huge celebration each weekend. These gatherings have become so popular that the church outgrew its previous building, which led to an ambitious project to retrofit a former grocery store into a large custom-designed worship space.
The company responsible for designing, supplying and installing the audio, video and lighting system for the new facility was Illuminate Production Services, headed by Rick Franke.
At the heart of the church’s new video system is a large LED wall comprised of no less than 144 ADJ VS3 panels. This video display surface extends the full width of the stage and provides a constant backdrop to whatever is happening in front of it. This not only allows for the display or song words, pre-produced video content and