Italy - Powersoft has released new plug-ins supporting Mezzo Series and its non-DSP install dedicated amplifier platforms ranges for the Q-SYS and Crestron control ecosystems.
These free-to-download plug-ins allow for user friendly network-based control of amplifier functionality via third-party systems. They feature ‘a refined, modern-looking interface, extended functionality, and a high level of user customisability, compared to legacy plug-ins for the format’.
In addition, a new Q-SYS plug-in supporting DSP+D versions of Duecanali, Quattrocanali, Ottocanali, X and T series is slated for release this summer with brand new functionality.
“Powersoft enables wide-ranging control and configuration of our amplifiers through our own ArmoníaPlus software, but we are also committed to ensuring interoperability with other popular control ecosystems,” says Michael Perry, Powersoft application engineer, North America. “Our new Q-SYS and Crestron plug-ins improve functionality and usability for any users integrating our premium amplifier technology with these popular products.”
The latest plug-ins extend third-party network-based interoperability to Powersoft’s new ultra-compact Mezzo half-rack installation amplifiers. For Mezzo, the new plug-ins allow Q-SYS and Crestron controllers to access numerous key functions, including power and standby, LED blink / identify, amplifier nickname, backup strategy mode, source selection priority, gain and mute control, polarity control, and user delay.
The new plug-ins for Duecanali, Quattrocan
Malta - Powerhouse, a Malta-based integrator specialising in lighting, sound, projection and custom-built staging, began working with AV Stumpfl in 2009. For the past year, Powerhouse has been using Vario64 projector screens throughout its projects and recommending them to clients. Currently, Powerhouse has seven different Vario64 screens in total, including: an 8.3m x 3.7m model, a 12m x 4m model, and a 5.2m x 2.8m model.
“What is unique about the Vario series is its robust and durable frame and surface, without compromising on ease of set up or mobility,” says Justin Portelli, Powerhouse’s operations manager. “It’s a design that has considered not only the visual aspects of projection screens, but also the practical build aspect. It takes half the time and workforce to set up compared to what we used previously.”
When AV Stumpfl entered the rental and staging market over 40 years ago, its Vario series was the product that built the Austrian manufacturer’s renowned reputation. The distinguished series boasts a frame of modular multi-element aluminium alloy, specially hardened and extruded, making a product that virtually lasts forever.
The Vario64 and 32 versions, named after their aluminium profile dimensions, are the most popular models for robust projection screens. However, the Vario64 is designed to support variable aspect ratios when using different plug in modules, which came in useful for the multipurpose use of the screens at medical device manufacturer LivaNova’s conference event at the Hilton Grand Master Suite, Malta.
UK - The Salute the NHS campaign (www.salutethenhs.org) was launched by businessmen Ron Dennis and food and catering expert Nigel Harris, owner of Absolute Taste and former owner of Fresh Direct. It is a not-for-profit initiative that aims to deliver a million free meals to NHS frontline workers over three months.
Delivering the initiative has brought together an army of experts and partners from leading food, logistics, packaging and other specialists. These include Dennis’s DreamChasing charity, and three FTSE 100 companies - Tesco, Unilever and DS Smith. As well as Absolute Taste, Yodel, Team Rubicon, Hunter Design and Domestic & General, amongst others.
The operation is housed in a former WW2 RAF hanger at the Bicester Heritage site in Oxfordshire. However, it became apparent that the vast space felt daunting for the volunteers from the Bicester community, which consists of civilians, veterans and serving soldiers who have embraced the task of packaging the nutritious meals for the vital frontline NHS staff.
Reading-based AV production supplier SFL was approached by long-term client, Hunter Design, to help transform the site into a more conducive daily working environment for the 50-strong team of volunteers.
“When we were approached by Hunter Design about being part of the Salute the NHS initiative, the whole team could not have felt prouder about being involved in such worthy cause,” says SFL events manager, Mitch Jones. “Fifteen of our furloughed staff members immediately stepped forward and volunteered to transform the ve
USA - Katy Perry and XR Studios, a Los Angeles-based production company dedicated to producing XR content in live entertainment, engaged Production Resource Group (PRG) to support the virtual 3D interactive environment for Katy Perry’s Daisies performance during Sunday’s American Idol finale on ABC.
The performance made comprehensive use of Extended Reality (XR) for television. XR Studios in partnership with Silent Partners Studios of Los Angeles and Montreal, created an environment with comic-book style graphic elements that changed throughout the performance, including a house, chair and, of course, daisies that enveloped Katy and to which she interacted and reacted.
XR is an umbrella term for all immersive technologies that enable the layering of 3D on top of the real world. The technologies available today - augmented reality (AR), virtual reality (VR), and mixed reality (MR) - extend what we experience by either blending the virtual and real worlds or by creating a fully immersive experience. PRG has been developing its XR capabilities and the ability to meld the worlds of virtual and real using LED screens since early 2018 and first used the technology during the 2019 Super Bowl Halftime Show broadcast.
With this workflow, graphics presented in a performance are completely run in real time, and scenes instantly react to the movements of tracked cameras, people, and objects. Using this approach, digital graphics can be rendered and displayed on physical LED screens, which are seen on the broadcast feed only and/or composited
UK/USA - The organisers of the 2020 Knight of Illumination (KOI) Awards have announced the cancellation of both the UK and the USA events due to the impact of the COVID-19 pandemic on the entertainment industry.
The difficult decision has been reached following extensive discussions between the committees of both the UK and US versions of the KOI Awards: The Fifth Estate and KOI co-founders Durham and Jennie Marenghi, along with the ALD and STLD in the UK and Live Design/LDI in the USA.
All parties explored various possible options to secure the events, including virtual, live streamed/webcast ceremonies and postponed or scaled-back ceremonies. However, these ideas were ultimately deemed not to be viable for 2020.
KOI-UK and KOI-USA executive committee member Sarah Rushton-Read of The Fifth Estate comments: "This has been a challenging decision, given the unpredictable nature of this global crisis, which has hit the KOI community very hard. Many have lost their businesses, their employment, their sources of income. Skilled creatives are taking jobs in other sectors and others are retraining. Many have no idea when, or in what capacity, they might return. While we have every faith that the industry will bounce back, it will be a different landscape for some time to come."
She adds: "We believe the KOI Awards mission is to bring a meaningful value to the lighting and video design community by providing independent design awards, judged by respected critics and experts. Just as importantly, it provides a valuable opportunity for the whole lightin
The Netherlands - Rental company MHB developed a digital audience platform for MediaLane, based on a curved LED display consisting of ROE Visual Diamond LED panels, to enable a TV show continue under COVID-19 restrictions.
With the help of the facilities provided by, MHB, broadcast station BNNVARA was able to continue the popular television programme Even Tot Hier in a corona-proof adaptation.
MHB set out to develop a digital audience platform, enabling live interaction between the studio and an audience of 100 people.
Using lots of conference connections, the audience is able to participate and intervene live during the show, just like a normal live audience in the studio would be able to. The curved display, measuring 17mx3m, makes the interaction “up close and very natural”.
Supported from a custom-made truss construction, neatly following the curve of the 17m-long LED screen, a total of 204 modules of Diamond DM 2.6. were suspended, connected with hanging bars and the special connection locks. Using the Colorlight Z6 processor, mapping the panels proved to be easy. During the show, 100 simultaneous dial-up connections were shown, creating an immense interactive background.
“The ROE Visual Diamond screens provided a great digital canvas for this specific purpose,” says Marten Hylkema, owner of MHB, “The curving capabilities are remarkable, creating an enhanced immersive setting and vivid colour display makes the screen really stand out. We have used this screen for several types of applications now and are really sat
UK - Manchester-based Sterling Event Group has opened the doors to the newly-created Sterling Studio.
As the events and AV industries face increasing uncertainty as to when ‘business as usual’ will resume and live events can take place again, Sterling Event Group has announced the launch of the Sterling Studio Space. This comes at an instrumental time for the industry as Sterling works to reassure their clients that there are a multitude of alternatives to the traditional live event, says the company.
“At this current time whilst live events are on hold, we wanted to offer our clients a solution to continue communicating, engaging, educating and entertaining. The studio allows clients to present their virtual events at the same high standard and production values they would expect from a live event.” comments Richard Bowden, founder and MD.
As a company that has specialised in cutting edge AV technology for the past 20 years, and an impressive portfolio of events under their belt they felt it was only natural that they responded to the current climate in this way. Their response began before lockdown as they set out to combine their very best technology with their industry expertise to curate a dynamic offering of virtual event solutions.
“Our offering includes three levels of studio so should suit most requirements and budgets and there are many ways in which we can customise to meet a client’s requirement. This combined with our customisable web platforms allows us to provide a really strong, comprehensive virtual offering and
USA - Obsidian Control Systems continues to expand its line of professional solutions with the launch of the NX Sync, a plug’n’play USB SMPTE timecode device.
The NX Sync captures timecode in various SMPTE formats from its three-pin XLR connection and converts it to a MIDI Timecode (MTC) stream, where it can be read into Onyx or any other MIDI Timecode compatible software. Additionally, it also has the power to take MTC and send it back out as SMPTE. The NX Sync contains a powerful hardware architecture for instant processing and minimal frame delays.
The NX Sync does not require custom drivers, and in addition to working with Onyx, it can be used as an SMPTE to MTC/ MTC to SMPTE device for both Windows 10 and MAC OS software applications.
The device is available for immediate shipping from Obsidian Control Systems’ global distribution network.
Saudi Arabia - Commissioned by the Qiddiya Investment Company (Q.I.C.) and with phase one planned to open in 2023, the ambitious Qiddiya project is destined to be the upcoming capital for arts, entertainment and sports in Saudi Arabia. The 334sq.km site will be built from a focus on the tourism and recreation industries, as highlighted in the Saudi Vision 2030 expansion plan.
The destination includes plans for expansive water and theme parks as well as a community of 5,000 residents, all within a 40-minute journey of the Riyadh capital. The destination, currently an expansive, vast land with hundreds of miles of potential, will be surrounded by 200m cliffs. Phase one of the project will feature Six Flags Qiddiya as a family attraction, providing visitors with entertainment and attractions to explore which take into consideration the cultural and natural aspects of the area, including the mountains.
This megaproject was officially announced at the closing ceremony of the Dakar 2020 rally in Saudi Arabia, where 84 Barco UDX-W40s projectors were used to light up the Tuwaiq Mountains with the evolutionary story of the summit, up until the expansive Qiddiya metropolis.
The projection showed 150m tall logos of Qiddiya, Dakar, GSA and SAMF, which were visible for miles around, which progressed into an eye-catching three-minute video that told the story of the genesis of the Tuwaiq Mountains, from its volcanic beginnings, through the Ice Age and right up to the modern-day entertainment metropolis that Qiddiya will become. This was a feat accomplishe
Germany - The Düsseldorf Schauspielhaus theatre has extended its long relationship with Optocore, in order to keep pace with evolving technology. In the case of such a formidable, multi-space complex as this, an agile digital infrastructure, with multiple routing options and interconnectivity, is essential. To maintain this, the theatre has upgraded the original Optocore analogue network, installed in 2011, to an advanced and future-proof system.
The latest integration, undertaken by Amptown System Company (ASC), was overseen by the theatre’s tonmeister (and deputy head of sound) Torben Kärst, who designed the audio system, working alongside head of department Peer Seuken, and video specialist Tim Deckers.
This has seen the installation of Optocore M-series MADI boxes in both the 800-seat main theatre and 350-seat studio theatre, with an Optocore AutoRouter installed in the latter. “The installation was about achieving increased routing options, better sound quality, an increased channel count and greater flexibility,” stated Kärst.
All locations in the main building of this three-building complex (including Foyer, Rehearsal Stage and Recording Studio) are now connected by MADI.
“In terms of transmission it was mandatory to keep system latency as low as possible,” Torben Kärst continued. “This is where Optocore is absolutely the market leader. Reliability and small form factor of the devices, enabling large decentralised systems to be built, are further reasons why Optocore was the choice for us.”
From the original pro
UK - The Royal Opera House in Covent Garden is one of the world’s leading opera houses. The recent Open Up refurbishment created a series of new spaces within the building offering a more welcoming visitor experience.
Built in 1858, the Royal Opera House is home to The Royal Ballet and the Royal Opera, as well the Linbury Theatre and various restaurants and a gift shop. The Open Up project was a £62m major refurbishment to create a welcoming visitor-friendly experience, improve crowd flow, welcome daytime activity of events for all ages relating to the art of dance and music and refurbish the Linbury Theatre into a world-class venue for intimate performances for ballet and opera.
Martin Adams, technical manager, Open Up Project, Royal Opera House, and Tom Thompson, technical manager, Linbury Theatre, were tasked with creating an audio network to meet the theatre's current and future needs. Adams and Thompson selected the Dante media networking technology in place of the previously analogue-reliant audio, as a major part of the renovation.
Prior to the refurbishment, the Linbury Theatre relied on an analogue infrastructure based on 1990's standards for audio distribution – there was no network infrastructure in place. Because of its analogue infrastructure, the theatre was restricted by the system’s limited expandability and long, expensive analog cable runs.
“We realised Dante would be the right technology for us when we saw how many manufacturers in the industry were using Dante for their own solutions," said Adams. "Hundreds of man
The Netherlands - ROE Visual Europe has recently completed a refurbishment of its showroom in Leek, showcasing its LED products in an intimate setting.
With its flexible set-up, the showroom is created with the intention of allowing clients and designers to use it for demos, try-outs or testing and to accommodate different set-ups and events. The facility will be open from 1 June.
A broad range of the company’s latest LED panels will be on show, with the highlight being the Ruby RB 2.3 screen shown as a full HD wall measuring 5.5 x 3m and with a resolution of 2376x1296.
The showreel displayed is based on the 4K content shown at the ISE exhibition.
Flanking the Ruby screens are panels of Black Quartz, Carbon, Diamond and Vanish. The showroom will also feature the Black Marble, showcased both as wall mounted screen and interactive LED floor. The selection of in- and outdoor screens will give the visitor a good impression of the different choices that are to be made when selecting a LED screen.
The masterminds behind the refurbishment are Victor Kortekaas and Tim Hamberg, both seasoned professionals.
“That’s the whole idea behind having the different panels on display here,” explains Victor Kortekaas, technical director for ROE Visual Europe. “Being able to see the differences and playing with content on different screens, different processing set-ups etc., contributes to making a well-founded decision. After all we want the customer to be satisfied with his purchase, now and in the future.”
“Another advantage of
Singapore - Singapore’s Bicentennial Experience was conceived to illustrate milestones in the island’s history. It employed a rich mix of immersive audio-visual solutions, from the large-scale to the intimate. Originally aiming for 300,000 visitors, by the time of its close at the end of 2019, its creative storytelling had attracted 760,000.
Behind that success was show design specialist Ctrl Fre@k, whose Wee Cheng Low used the power and versatility of Hippotizer to realise the multitude of solutions. A founding partner of Ctrl Fre@k along with Jeffrey Yue, Wee is one of Singapore’s leading experts in video and lighting control solutions, a long-time Hippotizer user and a member of Green Hippos’s Key User Support Programme (KUSP).
Wee’s career path had its beginnings in 2002, when he worked for a time as a theatre technician for a local theatre company. “I had very little knowledge of the industry,” he says, “but I thought it could be a fun career.”
Exploration led him to Green Hippo and its Hippotizer Media Servers. In 2008, he took advantage of a European tour to check in for HippoSchool in London. He has been an enthusuastic Hippotizer user ever since.
Discussing Hippotizer’s “standout advantages”, Wee says, “First, the ZooKeeper GUI is very well designed, with all attribute controls easily accessible. Hippotizer V4 gives the flexibility to customise our workspace, which definitely speeds up programming and operation. Second, V4 maintains the 2D workflow from V3: for many simpler productions, users don’t need to
Denmark - The annual music competition to find Denmark’s Eurovision entry reached its finale in March at Copenhagen’s 16,000-capacity Royal Arena. Known as the Dansk Melodi Grand Prix, hopefuls battled it out against a striking stage design made up of 450sq.m of LED screen, shaped into ever-expanding triangular shapes. These were fed visuals by a chorus of Green Hippo Hippotizer Karst+ Media Servers.
Hippotizer aficionado 4K Projects, which is based in Copenhagen, was commissioned by Danish national broadcaster Danmarks Radio to project manage the video and lighting aspects of the show. The company’s Mikkel Samuelsen and Balder Thorrud have been involved with Dansk Melodi Grand Prix for a decade, and are well-versed in creating memorable visual feasts.
The 2020 heats were held without an audience, due to the Covid-19 pandemic. Despite this, TV viewers at home were treated to a full production, which went ahead to celebrate the 50th anniversary of the Dansk Melodi Grand Prix. All performances were backed by The Antonelli Orchestra, heightening the vibe and spectacle.
“We used four Hippotizer Karst+ Media Servers with a wall controller for the show – using two as main and two for full backup,” explains Thorrud, who served as Hippotizer operator for the show. “All outputs were connected to DVI matrix for easy switching between main and backup system.
“We love using Hippotizer, especially because the VideoMapper, easy content sync and simple way to connect to a grandMA for control, makes our lives much easier and the visuals more e
USA -The Production Equipment Rental Group (PERG) has released a draft of its return-to-work guidance for the safe resumption of camera and lighting rental services.
The PERG Safe Return to Work Guidelines provides recommendations for the prevention of the spread of COVID-19 and was created by a task group who took into account recommendations from the CDC, OSHA and public health officials and applied them to rental operations, equipment and facilities.
The draft will undergo a public review process from 19 May through 9 June, providing an opportunity for materially-affected parties to participate in the development of these industry guidelines, ensuring that they reflect an industry consensus.
Feedback is welcome from all stakeholders, and instructions for providing feedback are included with the download. Comments will be reviewed by the task group for resolution and revision. Download the draft of the guidelines, public review form, and public review instructions at //esta.org/pergreview.
PERG and the entire ESTA community are dedicated to the safe return to work. The PERG Safe Return Task Group is made up of representatives from Abel Cine, ARRI Inc., ARRI Rental, Camtec, Cinelease, Cinequipt, Keslow Camera, Illumination Dynamics, High Output, Insight Equipment, LiteGear, MBS, MP&E Cameras and Lighting, MPS Studios, PC&E, Panavision, Quixote Studios, Taylor & Taylor, William F. White International. Many equipment manufacturers also contribu
Spain/Italy - Prolights has announced the appointment of Seesound as its new distributor in Spain with immediate effect.
Nacho Alberdi, CEO of SeeSound, comments: “To me, working in this kind of industry means to carry on my family legacy, as in 1880 my grandfather started manufacturing pipes for church organs. That’s why we aim to continue doing what we do with passion and in the most professional way, taking care of the quality of the work done by our team. This should allow us to offer the best solutions to our customers and partners.
“When I first approached Prolights, I was fascinated by the ambition and dedication I could see throughout the headquarters, from the R&D department, production, logistics right to the sales and managements departments. Prolights boasts a broad portfolio and a one-of-a-kind product design, which will grant us to provide innovative solutions to our reference market.”
Alberdi continues: “Both companies share a common vision of the future, the same values in regards of quality, constant development and commitment to our customers. I couldn’t be more confident about this new partnership. We will face some challenges for sure, but the attitude already shown by Prolights will help us to overcome them, as the brand has grown so much in the past few years proving to be a leading player in the market.”
Paolo Albani, Prolights international sales manager, adds: “SeeSound’s professionalism is well known in the industry, and the company gained a broad access to every market segment through the Spain,
UK - Knight of Illumination Award winning live video director Ben Farrey (previously Miles) sadly passed away last week. Sharing the news, Coldplay – just one of many high-profile bands and artists Ben worked with throughout his career – paid tribute to a ‘beloved’ member of their crew in an emotional post shared across their social media platforms on Thursday 14th May.
The message, signed by all members of the band, reads: “We're sad to report that we lost one of our most beloved and talented crew members last night. Ben Farrey was our live visuals director. He was in charge of everything that you saw on the screens at our live shows. If you ever made it to a show, you’ll know that he was ridiculously good at his job. He was also one of the kindest and most generous-spirited people you could ever meet. We love you, Ben.”
The message was accompanied by a video of Ben saying what he loved most about his job. He said: “What I really like is coming to work, because my work day is the day thousands of people have been waiting for. The anticipation and the excitement – there’s some electricity in the air every work day.”
Having worked with Coldplay for over 10 years, Ben won the prestigious Knight of Illumination Award for Video Electronic Content in 2016 for his work on their A Head Full of Dreams tour. His considerable talents were also put to work for acts including The Spice Girls, The Script, George Ezra, Elbow and more.
Avolites - where Ben spent time working in the service department at the beginning of his ca
UAE - Digital signal processing specialist Xilica has appointed Venuetech as its new distributor for the GCC. Based in Dubai with an experience centre in Riyadh and staff in Kuwait and Egypt, Venuetech will work closely with Xilica to raise brand awareness with AV consultants, systems integrators and IT engineers that specify, install and manage AV systems. Venuetech’s represented brands include Atlona, Barco, Sennheiser and Televic.
“We continue to see rapidly evolving business opportunities in MENA across most AV verticals, and almost every project requires a professional DSP,” said Ismat Assafiri, audio specialist, Venuetech. “Xilica separates itself from other DSP manufacturers with truly modular, plug-and-play designs that can support projects of any size, and they deliver the future-thinking technology that will become integral as our industry moves towards greater AV/IT convergence. These combined strengths, along with an open software architecture, better position Venuetech as a full-service provider for the larger corporate, government and public-facing AV projects we see in the MENA region.”
Assafiri sees strong upcoming opportunity to use Xilica DSPs with the Sennheiser TeamConnect Ceiling 2 beamforming microphone, which will help end businesses produce high-quality sound for online meetings.
“Xilica’s pricing structure is enterprise-ready, and highly competitive compared to many incumbent DSP brands,” said Assafiri. “That opens us to a large number of new business opportunities for professional conferencing solutions in
USA - Medialon has launched a new micro embedded solution for museum audio-visual (AV) control applications – Showmaster Mini.
Showmaster Mini is suited to simple AV control applications and installation types. Its ruggedised and fanless small form factor makes it easy to mount where AV racks aren’t suitable, says the company. The ultra-compact design solution is available, as standard, with a reduced-feature version of Medialon Manager show control software which makes it a low-cost solution.
Created for less demanding installations, Showmaster Mini can control up to 20 devices in its standard configuration, and is expandable in batches of ten devices, up to a maximum of 50 devices.
Each Showmaster Mini unit measures 158 mm × 114 mm × 53.5 mm and weighs 1.2 kg.
“For some installations, the requirement is for a control solution that simply needs to schedule and automate the AV system’s daily power-up and shutdown sequences, or have a tablet interface for managing media on a video wall. Showmaster Mini has been designed for such applications,” explains Eric Cantrell, VP business operations, Medialon. “It’s also compatible with other Medialon products so can work as a sub-system controller under the scope of a larger Medialon system.”
USA - Extending the spirit of the CARES Act enacted last month by Congress, Stampede has announced the pro AV industry-specific Stampede XtraCare Programme to “provide employees with much-needed extra protection and resellers with business relief and facilitation tools, as well as Personal Protective Equipment (PPE) kits to enable them to complete projects in a safe and secure way”.
Complete information about the programme can be found at www.stampedeglobal.com/xtracare.
“Commercial AV is an essential infrastructure industry, as defined by the federal government, but the industry is being challenged on every front to remain viable in the face of the COVID-19 pandemic,” said Stampede president and CEO Kevin Kelly. “Supported by the strength of our corporate resources, Stampede is making available to employees, resellers and manufacturer partners a comprehensive lifeline that includes SafeXSound Care Packages, a PROAVXchange online marketplace that can turn product into cash and FleXFinancing.
“Taken as a whole, we believe that XtraCare is the most comprehensive health assurance, business relief and facilitation program ever developed for the ProAV industry - and it can’t come at a more critical time,” Kelly said.
According to Kelly, free SafeXSound Care Packages are now being shipped directly to every Stampede employee. Designed to provide employees with the peace of mind they deserve when returning to work, each package contains three-ply surgical masks, hand sanitizer, powder-free gloves and the gift of audio, which will inc
UK - 7thSense Design has appointed Geoffrey Platt to the position of product manager.
With over 20 years of experience as a media server technology and emerging digital media specialist, Platt has worked with a number of real-time video companies, and on many high-profile shows and events, including concerts, theatre, film, location-based entertainment and television.
Platt will work with global systems engineering and sales teams from the 7thSense Orlando office, defining key product features and future roadmaps of the expanding 7thSense product range.
“We’re excited to have Geoffrey join our team,” comments Eric Lehman, global sales and marketing manager, 7thSense Design. “His extensive experience of media server technology, interactive digital installations, product design for large-scale live events and video technology workflows will be a huge asset to the future development and feature releases of our Delta Media Server and Juggler pixel processing solutions.”
Europe - BroaMan has announced that it will now offer its Multipurpose Fibre Extender for video, audio and intercom (MUX22) with 12G-SDI interfaces - to support greater resolution, frame rates and colour fidelity.
The 12G addition to the existing 3G support means that BroaMan will not only continue to support 4K SDI transport formats but also routing and transport of high bandwidth data streams, such as 10G IP traffic for SMPTE 2110. Uniquely, the company offers not only single-mode but also multi-mode options for 12G fibre transport.
BroaMan technical sales manager Maciek Janiszewski comments: "12G migration is our step into the future. Our customers have been asking about 12G and IP technologies, and the new hardware upgrade will allow us to meet all modern requirements; it means we can offer pure 12G-SDI, pure IP or a mixed 12G-SDI and IP transport solution.”
He adds: “At the very beginning we decided to use CWDM multiplexing technology, which is not restricted to bandwidth, to run multiple signals over a single fibre. The migration to four times higher bandwidth is a logical step for us and means we can keep the same form factor of our well-known products.”
USA - For 11 years, country music lovers in the Valley of the Sun, Phoenix, have gathered for the KNIX BBQ and Beer Festival, enjoying on stage performances, along with things like a petting zoo, games and popular food pits. With this year’s live event postponed, HDE Agency, its organiser, has moved the festival online with a series of five livestreamed Saturday shows.
They don’t have a petting zoo (viewers will have to rely on their own dogs and cats for that), and they’re not cooking up any finger licking good treats, but the livestreams are offering generous servings of country music. Supporting these performances are a John Garberson-designed lightshow that features Chauvet Professional Maverick and Rogue fixtures supplied by Creative BackStage. (Pro Production provided the audio.)
Taking place on a temporary stage in a converted studio in the Creative Backstage warehouse, the livestreams do not attempt to replicate the look of a festival. Instead, they aim for a laid back “at home feel”. Although large enough to allow safe social distancing, the stage is relatively small - and the show’s video engineer TJ Watson, along with the two camera operators, Jamie Rivera and Wes Webb, keep their angles tight and neat.
“We treat livestream shows as their own medium, not scaled down versions of a festival stage,” comments lighting designer Garberson, who also directed the video shoot. “We want to create a sense of engagement with the viewer, regardless of the size screen they’re watching this on.”
Despite any limitations in sta
Europe - ALC NetworX, developer of the the Ravenna technology, has announced Weigl Control as the latest Ravenna partner.
Based near Linz, Austria, Weigl s known around the world as Weigl Control, a specialist in high performance hardware and software solutions for show control. Weigl Control provides interactive and multi-media electronic controllers for theme parks, museums, sauna & spas, retail and more.
Created with a focus on embedded playback for animatronics and motion control, Weigl has expanded their hardware and cross-platform software offerings over the past decade to include large scale lighting, media and logic capabilities to support the production of some of the world’s best themed entertainment examples.
“I’m happy to be a Ravenna partner,” says Manfred Weigl. “The ProCommander X Series, which we developed in celebration of our company’s 10th company anniversary, will use Ravenna for network-based audio distribution. The ProCommander X Series expands the functionality of the ProCommander Series with polyphony, advanced networking, extended network lighting playback and digital motor control via industry standard CANOpen and EtherCAT protocols.
“We chose Ravenna for its state-of-the-art, standards-based technology, its unsurpassed flexibility and the ability to provide our customers with a wide range of AES67-compatible network devices.”
Andreas Hildebrand at ALC NetworX, states: “I am really proud that Weigl Control has chosen Ravenna as their network-based audio distribution technology. Weigl Contr