USA - Danley Sound Labs and Dynacord are teaming up to bring complementary product combinations to the global marketplace.
In what has been termed a strategic alignment, US-based Danley Sound and Germany’s Dynacord recently announced that they will be utilising each other’s strengths to offer sound system solutions. Danley loudspeakers will now be powered and optimised by Dynacord amplifiers, digital signal processing and sound system software. Danley loudspeaker settings will be available for all Dynacord amplifiers.
“This is a big step forward for us, and we’re very excited about this development,” comments Mike Hedden, Danley’s chief steward in charge. “Working with Dynacord will change people’s perspective when they think about Danley, as it allows us to go wider and deeper with our product offerings.”
Dynacord, part of the Bosch Group, is equally energised by the opportunity to work closely with Danley. “Danley has a particularly strong following in the United States, and they are also known around the world, so we’re excited to link together,” adds Dynacord marketing manager Robert Ferguson. “They are an engineering-driven company, as is Dynacord, and that approach is what makes us a great fit.”
The relationship positions Danley and Dynacord to grow their proprietary technologies together in both familiar and fresh markets. “This strategic alignment will open a lot of doors,” says Skip Welch, Danley’s director of sales and marketing. “Dynacord is a technology leader, and we see their sonic excellence a
USA - NAB has announced the cancellation of the upcoming NAB Show 2021, which was due to take place in Las Vegas from 9-13 October. The annual convention/exhibition, which in 2019 reported attendance of 91,000, is one of the largest events on the calendar for broadcasters and their technology providers. In recent weeks, the show had suffered exhibitor withdrawals - including Sony and Canon - due to the spread of the delta variant of COVID in the US, with the organisers opting to scrap the in-person event in favour of offering select virtual sessions through its Amplify portal.
“For more than a year, we have worked tirelessly to bring our industry together safely in Las Vegas at NAB Show," say the organisers in a statement. "Unfortunately, the pandemic and surge of the delta variant has presented unexpected and insurmountable challenges for our global community.
“As we have always kept the best interest and safety of the industry as our priority, it has become apparent in the face of these challenges that we can no longer effectively host NAB Show or our co-located events, the Radio Show and Sales and Management Television Exchange, in person. NAB Show is the premiere destination for the media and entertainment industry and we will not move forward with a show that delivers anything less than the excellence our community has come to expect and deserves from us.
The next in-person NAB Show has been scheduled for 23-27 April 2022.
UK - Martin Audio returned to its open days for the first time in two years, following the easing of Covid restrictions, which also included both a legacy product walkthrough and a party in nearby Marlow to honour the company’s 50th anniversary.
The sessions adhered closely to all Covid guidelines, including tests on entrance, and at the end, MD Dom Harter gave a heartfelt appreciation to the audience. “It’s the first time many have been back in a room of loudspeakers for 18 months,” he said. “We are extremely grateful for everyone’s time and attendance - our industry will never be tested like this again.”
Ninety minutes earlier he had opened proceedings with a background about company founder Dave Martin, emphasising that “his vision and many of his principles continue to be followed today”. Guests had already been able to enjoy a museum like walkthrough of legacy product including many of Dave’s earlier models like the stack and F2 system. However, today’s portfolio contains a depth of product to cater for all applications, especially with the arrival of the TORUS constant curvature system and the new DISPLAY 3 software, which took pride of place in the demonstrations.
Dom Harter explained the thinking behind Torus, and how it plugged a gap in the portfolio for a 15-30m throw speaker. “The system took three years to develop, requiring a lot of mathematical modelling along the way, and we wanted to push the acoustic boundaries and deliver the best constant curvature array. We looked at typical issues and how we could overcom
UK - Moving and LED lighting manufacturer Robe enjoyed the energy and enthusiasm of industry professionals reconnecting in person at the 2021 PLASA Show in London Olympia last week.
Robe took the opportunity to showcase a raft of recently-launched products, returning to the show as the headline sponsor as in previous years. This underlined the brand’s confidence in the UK market moving forward and ramping up generally, and in PLASA Show as a strategic point of convergence for key players. The Robe stand comprised a large meeting area out front and a substantial demo area ‘back-of-house’ proved a streamlined hub for meeting, networking, and in-depth product-related discussions and demonstrations.
A timecoded lightshow utilising the newest products was based on a mixtape of West End production numbers. There was a heavy emphasis on the previewed T11 Profile fixture and the recently launched T2 Profile and Fresnel luminaires, all optimised for the demands of theatre and performance applications including silent operation and outstanding colour mixing.
The T11 generated intrigue and excitement, being a preview product - its look and features resonating with people watching the lightshow. T11 will be a valuable addition to Robe’s growing theatrical LED ranges.
Other products attracting interest included the new CUETE moving light, an affordable entry-level moving light, perfect for clubs, bars, and event companies representing outstanding value for money and ROI.
The ProMotion - moving head effects and video projector - was another n
UK - With 4,500 miles clocked up on the rental van and 350 engineers, end users, customers and rental companies seen in 29 days across 27 locations, the 2021 DiGiCo and KLANG roadshow has completed its run.
The DiGiCo team toured the UK with a DiGiCo Quantum 338, Quantum 225, SD12 and a KLANG Immersive Personal Monitor package, as well as showcasing the KLANG:vokal immersive processor and the new KLANG:kontroller. Stopping at various rental companies, venues and customers along the way, the team provided two three-hour sessions a day offering a closer look at the new consoles and refreshers on the SD-Range with the company’s experts.
“When our world slowly started to come back, we began to get an increasing number of requests from engineers to pop into our HQ in Surrey for some refresher training, so we thought ‘why don’t we come to them instead?’, which is how the idea of a Roadshow around the UK came about,” says Tim Shaxson, technical sales manager at DiGiCo. “In addition to answering any questions engineers may have had on the SD-Range, it was also the perfect opportunity for us to show them the new Quantum consoles and to demonstrate and explain the benefits of the KLANG Immersive IEM system.”
Strictly adhering to Covid policies, each session was limited to a maximum of 12 people, who all had to register in advance via a dedicated section on the DiGiCo website. Each informal event consisted of 45-minute ‘show and tell’ training on Quantum 338/225 and KLANG followed by a two-hour refresher on the SD-Range.
Insurance Fears - Further guidance about the government’s recently announced insurance scheme for live events has been released, which experts have warned “confirms all the worst fears producers had”. The scheme, which will run until September next year, has been criticised for being too narrow in scope to apply to most theatre productions as well as prohibitively expensive.
The Department for Digital, Culture, Media and Sport has published an outline of the rules for the £750m scheme, prompting concerns that it will not help most theatre producers, who face ongoing risks of disruption, cancellation and closure. The guidance confirms that productions are protected only when they have been forced to cancel, abandon, relocate or postpone as a "direct result" of the introduction of new or amended COVID-19 laws.
This means that cancellations caused by self-isolation requirements among a show’s cast and crew or losses caused by any reintroduction of social distancing will not be covered. The guidance also confirms that the scheme covers both single and one-off events, as well as a run of events. However, for multiple performances, producers must specify which dates are being insured.
Redevelopment - The Barbican Centre is planning a £150m redevelopment project to make urgent changes to its London building to cater for contemporary artists and audiences. The City of London Corporation, which owns the Barbican estate, has published a design brief for its renewal plans, opening submissions for architects’ proposals to transform the 40-yea
UK - On Saturday 4 September, a cohort of industry professionals cycled from SFL in Reading to PLASA Show at Olympia London to raise money for Backup, the technical entertainment charity and mark the return of PLASA Show.
Fourteen cyclists made the journey, representing Autograph, Avolites, Backup, Collaborative creations, Creative Technologies, Event Decision, PLASA, SFL, SLX, TSL and White Light. One team cycled 40 miles direct to London, while the other traversed the challenging Surrey Hills - together they have so far raised over £1,300, with donations still coming in.
BikeFest follows several industry bike rides in recent years coinciding with PLASA Show, which have all raised funds while promoting mental health and support. In the wake of the COVID lockdowns, the 2021 cycle felt more pertinent than ever.
PLASA’s managing director Peter Heath, comments: “These fundraising events are always important, but this year meant so much more as a huge number of our colleagues have suffered both mentally and financially due to the pandemic. As a team, we were honoured to fundraise for Backup which does superb work for those in need. Here’s to the 2022 ride where we look forward to many more of you joining us!”
White Light’s John McEvoy reported from the 80-mile route: “After negotiating a few busy roads getting out of Reading, the miles soon ticked off to get us to our first stop just outside Farnham. Suitably refreshed on coffee, and fig rolls provided by our support driver, PLASA’s Nicky Greet, we set off to tackle the toughest pa
UK - The PLASA Show returned to Olympia London from 5-7 September, receiving high acclaim and marking a return to normality following the 18-month closure of the live events sector.
As the first entertainment technology tradeshow in two years, the PLASA Show 2021 co-located with the ABTT Theatre Show and succeeded in reuniting the industry for three high-spirited and productive days in Olympia’s Grand Hall.
Even though the number of attendees was reduced this year, they remained top quality and similar to previous years: 2/10 were company owners or directors and half were specifiers or final decision-makers. Theatre and touring were most prominent with one third of those attending working in production or venues.
Anticipation was high as the doors opened, with a steady stream of visitors keen to check out the next generation of products and catch up with colleagues. Lee House, marketing manager for Ambersphere, comments: “When the doors opened on Sunday it was great to see so many people coming through them. This show certainly exceeded all expectations we had. Yes, the show floor was smaller this year, but the atmosphere was bigger than ever.”
Nick Boggon, marketing manager for Sound Technology, adds: “We probably weren’t alone going into the show not knowing what to expect, but those concerns didn’t last long. Understandably stands were smaller than previous years but it still felt like the PLASA Show. There was networking of course, but also a genuine desire to see new products and technology trends.”
The ABTT Theatre S
UK - For the first time in two years, The Association of Motion Picture Sound (AMPS) was able to honour its annual awards winners at a physical ceremony which was held on 12 September at The University of Greenwich.
The Queen’s Gambit scooped the Excellence in Sound for a Television Drama accolade and Ronnie’s: Ronnie Scott and his World- Famous Jazz Club received Excellence in Sound for a Factual Film. Excellence in a Production Audio Product went to Sound Devices CL 16 Control Surface and Excellence in a Post-Production Audio Product was awarded to Kraken: Dialogue Editor's Toolkit 1.2.
Two new AMPS fellowships were awarded to supervising sound editor Catherine Hodgson and to Rob Walker, the former chair of AMPS (2018-2021). Fellowships are bestowed in recognition of outstanding achievement in motion picture sound and individual endeavours to work for, and uphold the aims of AMPS.
The winning sound team from The Queen’s Gambit includes Eric Hoehn, Wylie Stateman, Gregg Swiatlowski, Thomas Wallis and Roland Winke. The winning sound talent line-up from Ronnie: Ronnie Scott and his World-Famous Jazz Club includes, Claire Ellis, George Foulgham, Andrew Hewitson, Alastair Sirkett.
AMPS Fellow, Catherine Hodgson was recommended for the AMPS fellowship by Hollywood film editor, sound designer and re-recording mixer, Walter Murch. Some of Catherine’s most notable work has garnered a Royal Television Society Award (The Long Firm in 2004), two BAFTA Awards (Our Mutual Friend, 1999 and Wal
UK - PLASA Show 2021 marked a major milestone for Autograph as the company announced its new structure and future direction.
Autograph Sound Recording was formed in 1972 and soon established itself as a world leader in sound for theatre. In 1982, Autograph Sales was incorporated to bring the hard-earned skills and knowledge from theatre into the sales and installations markets. In recent years, Autograph has been progressively extending its services to clients, both at home and overseas. By combining their depth of technical expertise with a growing team of like-minded people, the company has proved itself to be a full-service provider in many areas of professional audio.
Whilst theatre remains a core and much-loved discipline, the company’s activities now encompass sound design, equipment rental and sales, event solutions, technical support, consultancy, infrastructure design and installation, training, and product development. All these attributes are already in place across a broad range of completed projects within the many-headed hydra that symbolises the scope of our industry.
Autograph’s portfolio has also developed outside of audio and now includes advanced digital networking, data management and visual media. Recent projects in which the company has delivered fully integrated audio-visual solutions include several leading independent schools, RADA, The British Museum, and a soon to be completed major car launch.
The two companies of Autograph Sound and Autograph Sales are now under one banner and, literally, one roof, as they no
Australia - Striking a pose on the skyline of the city of Brisbane, the new Hotel X is located in the centre of the city’s Fortitude Valley, also known as the ‘Valley’.
The hotel’s custom façade lighting system has been created to reflect the Valley’s progressive and dynamic atmosphere.
To deliver this large-scale, high-profile façade lighting system, integrated solutions provider bluebottle was appointed to the project. Given its sheer size, LED fixtures were the only choice to fulfil the requirements, with Color Kinetics the chosen brand. The iColor Flex LMX gen2 RGB luminaires were used; mounted in a custom aluminium channel that forms part of the building façade.
To fulfil the control elements of the lighting scheme, bluebottle partnered with Pharos Architectural Controls. A Pharos VLC 500, directly controls the hotel’s façade fixtures creating a showpiece, celebrating notable events, calendar dates, and more.
Commenting on their collaboration with Pharos, Claire Enoka, technical sales from bluebottle said: “The Pharos VLC 500 Controller handles the pixel mapping of over 40,000 nodes. Used in conjunction with the bluebottle remote management portal, it has allowed for an intuitive, easy-to-use system with full visibility of status, shows and schedules for the facility manager.
“To date some of the more notable shows we’ve been able to achieve have celebrated Easter, The State of Origin Rugby and Brisbane’s successful 2032 Olympic bid.”
Tony Symms, regional manager from Pharos added: “The façade of B
UK - The new studio at London’s Metropolis features a fully certified Dolby Atmos system, based entirely around Neumann monitors.
Developed in conjunction with immersive audio and live streaming specialist Sonosphere, versatility was the key for the Munro Acoustics-designed room. Its centrally located mix position and immersive monitoring environment ensures it can cater for all current surround formats. The room fully meets Dolby Atmos specifications, is capable of delivering 11.8.1 Atmos and includes a Dolby Atmos Mastering Suite server.
Whilst Metropolis has not traditionally been a Neumann house, the Sonosphere team has a long history with the brand and were keen to demonstrate its benefits. A key mission was to ensure clean and extended low frequency, with the required isolation to accurately judge tone-shaping a full octave below the effective range of many monitoring systems.
As a result, three Neumann KH 420 tri-amplified monitors are soffit-mounted to the front wall, with one KH 420 positioned horizontally beneath its video screen and twin Neumann KH 870 400 W subwoofers flanking the three-way monitors, with deep bass response up to 18 Hz. Surround monitoring is handled by 17 Neumann KH 120 compact bi-amplified studio monitors.
“We decided on three loudspeakers across the back wall, with all the loudspeakers around the room arrayed at 30° of separation to each other, so the setup was completely symmetrical for doing third-order [high-order Ambisonic] work,” explains Sonosphere mix engineer, Phil Wright, who was a key member of
USA - On the outskirts of Cincinnati, the city of Blue Ash came to life this summer with the sounds of Carmen, Tosca, and The Barber of Seville reimagined for Cincinnati Opera’s Summer at Summit series, held outdoors from 11 July to 1 August at Summit Park. It featured singing and music from internationally renowned guest artists, the Cincinnati Symphony Orchestra and the Cincinnati Opera Chorus. The outdoor setting, a choice driven by the Covid pandemic, allowed for an under-the-stars experience, yet with all the grandeur of grand opera theatre sound, thanks to the use of L-ISA immersive technology provided by L-Acoustics.
A system co-designed by Jonathan Burke, who directs the sound design programme in the School of Theatre, Film and Television at UCLA, incorporated L-Acoustics’ broad range of technologies. Sixty Kara II enclosures were configured as five arrays of a dozen enclosures each, all flown from towers and the stage canopy, as the Scene system. The arrays benefited from L-Acoustics Panflex horizontal steering, which assured coverage over the entire seating area extending 450ft from the stage.
In addition, 16 KS28 subs were arrayed in a centre arc on the ground, while nine Kiva II enclosures were deployed as front-fills along the leading edge of the stage, placed atop the subs. Finally, six Syva medium-throw colinear source speakers were mounted on light poles at the rear of the seating area and, using L-ISA Room Engine functionality, created the rear-surround array. All components were provided by Firehouse Produ
USA - The DALI Alliance (DiiA), the global industry organisation for DALI lighting control, has announced the call for entries for the DALI Lighting Awards 2021.
With a closing date of 31 October 2021, the DALI Lighting Awards 2021 will ‘highlight and recognise the best use of DALI control applications and solutions in lighting projects across the world’.
The DALI Lighting Awards 2021 will accept entries for all projects linked with DALI technology in the following categories: Commercial/Professional, Entertainment & Architectural, Healthcare & Education, Industrial, Infrastructure, Outdoor/Smart City, Residential, and Retail & Hospitality.
“We were very pleased to see the breadth and depth of DALI projects that were submitted for last year’s DALI Lighting Awards, and this year we look forward to seeing further exciting examples of DALI in action,” said Paul Drosihn, DALI Alliance general manager.
There is no entry fee for the Awards, and entrants can nominate multiple projects on an individual basis or as part of a team. Entries can be submitted from any section of the supply chain (including lighting designers, electrical consultants, architects, installers and commissioning engineers among others).
The international judging panel includes lighting designers, editors from lighting trade magazines, and representatives from lighting organisations in the USA, Europe and China.
To submit a project, entrants are invited to complete an online entry form on the DALI Alliance website (test
Australia - The Melbourne Recital Hall on the corner of Southbank Boulevard, with its steel and glass lattice façade resembling a honeycomb, and playfully designed white frame defying rigid conventions, attracts much interest.
Inside, the multi-award-winning venue, the aesthetics are just as impressive, only now with a more serious bent. The walls of its shoe box shaped main theatre, for example, are covered with routed timber. The 3D textured panelling isn’t only stunning visually, as it also optimizes acoustics.
In 2021, the 12-year-old music venue’s lighting system was upgraded, when it had Showtools International install a collection of Chauvet Professional Rogue and Maverick fixtures.
This move was the culmination of a quest by the Melbourne Recital Centre’s lighting team, led by head of operations Jasja van Andel, to find products that would enhance the facility’s lighting rig so they could create the big looks required for modern shows. After an extensive search for fixtures, and an onsite demonstration by Showtools International, they elected to have 12 Rogue R1 Beam fixtures and eight Maverick MK1 Hybrid units installed.
“First thing we noticed was the size and weight of the fixture, Harrison Cope, senior lighting technician at the Melbourne Recital Centre, said of the Rogue R1 Beam Wash. “The pan and tilt movement is super quick, and despite their small size, they are very punchy. The 3.7⁰ to 67.7⁰ zoom range gives them great versatility. We’ve used them as beam fixtures on a hip hop act, footlights for a dance per
Germany - LED manufacturer, Absen, is due to embark on a tour of events around Europe to present its MicroLED and Jade Dragon (JD) series LED panels to attendees of three major industry events in the region.
The tour begins in France on 9 September at Tech in Lyon, before heading to Lord’s Cricket Ground in London, UK, for Peerless-AV - A New AV Experience on 16-17 September. The final stop of the tour will be ‘MEDIALOG’, which is set to take place on 6-7 October in Mainz, Germany.
Absen’s MicroLED will be front and centre at all three of these events, with specialists on hand to demonstrate how its fusion of 5G and 8K UHD intelligent micro-displays stand it in good stead to become the next great display technology.
MicroLED was developed using proprietary HCCI technology and packaged with inverted COB technology to achieve an ultra-black surface coating effect and high ambient light contrast through an enhancement of the light efficiency and heat dissipation of the display.
The JD series – which was released at Absen’s Spring Online Product Launch in March – is a light, thin, transparent LED display with high penetration rate, which suitable for shop windows and the glass curtain wall environment.
A third product line – the pliable TSC Series Flexible Display – will also be on show during the tour, but, unfortunately for Absen’s continental colleagues, only at the Peerless-AV event in London.
Emma Liu, MD of Europe for Absen said, “It’s great to be back on the road, sharing these fantastic products with ou
Europe - The debate over what LED system produces the best white is a difficult one to resolve. Is crisp brightness and power most important? Or the ability to create a variety of shades and deeper colours? In the end, it all depends on your needs.
Alistair Smyth and Frederik Afif on the 9 September Elation Coffee Break will scrutinize the Fuze Spot and Fuze Profile with framing, versatile LED moving heads with RGBMA colour mixing systems that can mix any shade of white a designer desires, or just as easily mix deep saturates or soft-field pastels.
The Fuze Spot and Fuze Profile’s carefully tuned RGBMA LEDs and high CRI (92) ensure accurate color mixing and color rendering while delivering a powerful white output of over 10,000 lumens. Shades can be fine-tuned to match the environment in a variety of ways - virtual colour wheel, virtual color temperature, magenta/green adjustment or CMY emulation. Complete FX packages, including dual gobo wheels, make them ideal high-performance luminaires for use on any stage or studio.
The Elation Coffee Break on the Fuze Spot and Fuze Profile luminaires will air live on Thursday, 9 September at 11:00 a.m. CEST at facebook.com/ELATION.Pro.Europe/live. No registration is required.
The Elation Coffee Break is an online presentation series from Elation’s European office in Kerkrade, the Netherlands that takes an up-close look at some of the company’s most popular product series.
Europe - DTS Lighting has announced a new exclusive partnership with German distributor BT.innotec for its entire product line.
BT.innotec was founded in 2021 by Michael Timmer and Raphael Berndzen, who both have worked in the event industry for years, while developing a high level of know-how in sales of professional event technology. Product manager Malte Kaß also joined the BT.innotec team in August.
Founders Timmer and Berndzen say they’re happy to tie the partnership with DTS, as “it has grown over the years and has become one of the industry leaders in professional lighting design, and their portfolio includes both, high-quality lights for the event sector and sophisticated lighting solutions for architectural projects.”
DTS was founded in 1980 in Misano Adriatico, Italy and produces entertainment and architainment professional lighting equipment. While all of DTS’s production process happens in Italy, the company counts distributors in over 80 countries across the globe and is planning on expanding even more in the years to come.
Carmen Savarese, international sales manager at DTS Lighting says she has worked closely with the members of BT.Innotec in their former companies. “I am sure that their professionalism and vision are incredibly similar to ours, which is what our company mostly looks for, when evaluating new distributors. I expect a long-term and successful partnership,” he says.
Emilio Cornelli, European Area Sales Manager at DTS adds, “We’re very happy that BT.innotec chose DTS for its high-quality fixt
Light Night Leeds - Digital lightning bolts and a light sculpture of a giant endangered marine mammal are among the spectacles set to light up Leeds as part of the city's annual Light Night festival. The two-day event starting on 14 October will see some of the city's well-known buildings and landmarks lit up with light projections - and this year's theme is nature and climate change.
More than 40 installations and artworks will be on show including a large-scale replica of the Earth by artist Luke Jerram and an illumination of lightning bolts on the front of Leeds Civic Hall by artist Seb Lee-Delisle, the city council said.
Last year a considerably slimmed-down festival saw lasers mounted on seven city centre buildings because of coronavirus and social distancing rules. Organisers say this year's event "will mark a return to a more familiar format" but the programme has been adjusted to allow for additional safety measures as it expects to attract thousands of visitors.
Carbon Footprint - Scientists at the University of Manchester have produced a ‘roadmap’ to help the music industry reduce its carbon emissions to stop climate change. The roadmap for live music was based on tour data supplied by the band Massive Attack. Since 2019, scientists at the Tyndall Centre for Climate Change Research have been poring over every detail of Massive Attack's last tour. They then used lessons learned to create a roadmap for the whole industry.
Their recommendations for "super low carbon practices" deal with how musicians, promoters, tour m
UK - The team behind ‘A Light Walk’, which will take place from 20-24 September, has announced details of the fundraising mission and the ways in which everyone can get involved.
A Light Walk will see Chauvet’s Sam Bowden and ALPD Lumière working group chair Charlotte Burton walk from The Royal Shakespeare Company in Stratford Upon Avon to the National Theatre on London’s South Bank, a total distance of 162km (101 miles) which will be completed in just five days. Members of the ALPD’s executive committee and other members of the Lumière Scheme working group will be joining the walk for individual days or remotely.
Departing from The Royal Shakespeare Company on day one, the walkers will complete a distance of 38.35km. Day two starts at Bloxham and ends 30.33km further at Bicester. With day three, the walkers will pace the 37.26km to Great Missenden and on days four and five, the distances are considerably shorter, with 28.80km on day four taking participants to Ruislip and finally towards the South Bank of the Thames a mere 27.85km on, where the full 162km / 101-mile walk ends.
The money is being raised to support two causes: the ALPD’s Lumière Scheme in 2022, and the industry charity Backup.
Charlotte Burton explains: “We are taking on this almighty test of endurance because we believe that the work achieved through the Lumière Scheme and by Backup is vital and worth the sore feet.”
The funding will assist the evolution of the Lumière scheme which, for the past five years, has seen continued success. The scheme cre
World - Ayrton is a new sponsor for Women in Lighting, the international support and networking project for women in both architectural and entertainment lighting. Ayrton’s primary aim is to raise awareness of, and expand, this global network across the entertainment lighting industry.
Launched in 2019 on International Women’s Day by Light Collective, Women in Lighting (WIL) is a digital forum where women can inspire, support and encourage the next generation of female lighting designers. It provides a platform on which women designers can share their passions and achievements and celebrate their work. Its worldwide programme of events and activities is augmented by a series of online interviews where women share their career paths and goals with other members. (https://womeninlighting.com/site/your-interviews)
In two short years the project has grown rapidly and is now represented in over 70 countries by its network of ‘ambassadors’, women who act as a point of contact for those seeking to discover more about WIL, join the supportive community and benefit from the many online activities which are tailored to the different needs within each country.
Until now WIL has focused largely on women working in architectural lighting, but the new collaboration with Ayrton brings a new engagement with the entertainment lighting industry, and an opportunity to raise awareness and expand the network into a different market.
“Our intention is to build bridges between different lightin
UK - The winners of the 2021 PLASA Awards for Innovation were announced last night at PLASA Show as it made its return to Olympia London. The Awards, run association with LSi Magazine, are respected industry-wide for celebrating pioneering technology, through new materials or methods that increase safety, efficiency or performance.
Twenty-nine products were entered this year, with six awards being presented in addition to two special commendations. This year’s judging team comprised of nine independent technical specialists from a wide array of backgrounds. Their comments, along with the winning products, are listed below:
The judges said “this is not just another battery uplighter, but a well-engineered and thought-out lighting system augmented with a wide set of accessories.” They felt it would allow designers a greater degree of creativity in lighting applications.
Chauvet Professional: Maverick Silens 2
The engineering within this near-silent moving light impressed the broad nature of the judging panel. They simply said this product is the sound designer’s favourite light!
Copper Candle: Bonestream, Copper Stream and Cue29
The judges have chosen to award a suite of products from this boundary-pushing software developer. They felt the group of products shared the same innovative approach to merging gaming technologies into a framework engineered for the live events industry. The judges believe these products are at the forefront of the move towards virtual production in even
UK - The ALPD exhibiting at this year’s PLASA Show with its new name and identity. The ALPD is located in the ABTT Show Hub on stand ABTT17.
The stand is hosted by ALPD team representatives all on hand to talk to current members and those wishing to join.
ALPD Members can also make use of the Aaptle Lounge, also located in the ABTT Hub. Aaptle was formed over lockdown and brings together many of the different associations and groups, including the ALPD, that work in our industry. The lounge, kindly offered by ABTT, has been created as a hub for people to gather and meet. It’s the perfect place to talk about the deeper issues that are on your mind and the subjects close to your heart, and if there are any areas you feel deserve a greater focus from the ALPD, let us know.
UK - The Lighting Programme, an opportunity for graduate lighting designers and technicians, has announced the participants of its 2021/22 edition.
The programme is run by SLX, a lighting and production company based in Bristol. It aims to foster young, upcoming talent within the industry - especially important in the post-Covid era, where many are struggling to recruit.
This year, five students were selected instead of the initial offer of four places, due to the exceptionally high standard of applications.
The five students all graduate next year, and will gain experience working a number of jobs at venues around the UK, the first of which is a fit-up inside the London Palladium. They will also be introduced by SLX to key industry figures at events such as PLASA/ABTT London, as well as having access to equipment for use on their course projects.
The five students selected this year are Alexander Hannah - Mountview Academy of Theatre Arts, Jessica Brigham - Liverpool Institute of Performing Arts, Oliver McNally - The Royal Conservatoire of Scotland, Guy Knox-Holmes - Guildhall School of Music and Drama and Ciaran Lillis - Guildford School of Acting.
SLX CEO Alastair Currie commented: “The Lighting Programme is an excellent initiative for us to engage with students from a diverse range of backgrounds and colleges. I am delighted that we are in a position to offer this support to aspiring young people as they start their journey in our wonderful and creative industry. I very much look forward to meeting the students over the coming mont