USA - Eventide Audio’s Quarantide has named an impressive line-up of pioneering musicians for its daily discussions.
On Friday, 22 May, Backstage in the Green Screen Room will feature genre Jon Anderson, Laurie Anderson, Clara Ponty and Jean-Luc Ponty, hosted by violist and composer Martha Mooke, an Eventide artist in residence.
Joining the artists will be Eventide principals Tony Agnello and Richard Factor, along with Jean de Reydellet, Eventide brand ambassador in France and a musician/composer.
“Some of the most inspired and intriguing conversations happen backstage in the ‘green room’ just before musicians go on to perform,” shares Mooke. “I’m truly thrilled to spend some time in the Eventide ‘virtual green room’ with these musical icons.”
Created to keep audio aficionados connected, to stimulate their minds and provide inspiration during COVID-19 pandemic-forced isolation, the Quarantide series has taken advantage of the availability of luminaries from the audio industry and music to assemble casts of individuals to interact and share their insights.
Quarantide sessions will continue each weekday through (at least) the end of May. The discussions take place at 4pm EDT and can be found on Eventide’s YouTube channel or through the Eventide Audio Facebook page.
Europe - IBC 2020, scheduled for 11-14 September, has been cancelled due to the COVID-19 crisis. The annual broadcast technology show, held every September at RAI Amsterdam, will instead transition to a virtual event.
In a statement on the IBC homepage, Michael Crimp, CEO, IBC, said: “I hope you are safe and well, as we continue to adapt to the changing world in which we find ourselves. As previously outlined, the IBC team has been focused on assessing and developing appropriate plans for IBC2020 this September at the RAI Amsterdam.
"Within these plans it is crucial that IBC can deliver a safe and successful environment. However, as governments announce the route forward, it has become clear that a return to (a new) normal is unlikely to be achieved by September.
It has also become evident, through our dialogue with the IBC community, that an early decision is preferential for the industry so it can plan for the future.
Right now, despite the best work of the IBC team and our Dutch colleagues, there are still many unknowns. Therefore, we cannot guarantee that we will be able to deliver a safe and valuable event to the quality expected of IBC.
It is also evident that important aspects of a large-scale event such as IBC will be greatly altered by social distancing, travel restrictions, masks etc. so much so that the spirit of IBC will be compromised.
With that in mind and based on what we know at this point, it is with a heavy heart IBC has made the difficult decision to cancel the IBC2020 show. You may have seen IBC and the IABM
UK - White Light managing director Bryan Raven has written an open letter asking for support for the supply chain to the live events industry. The London-based supplier, in conjunction with a number of industry colleagues, has outlined a 10 point plan for help needed from the UK Government.
“The live events industry - which includes music, theatre, corporate events, festivals and live broadcasts - was amongst the first to be closed down by the COVID-19 pandemic and will be the last to return to normality,” writes Raven. “This is global issue and I would ask you to take the time to watch this video from the Live Events Coalition in the US which graphically represents the issue for the whole world.”
He continues: “Both the producers of live events but also the suppliers to live events need help. It is critical to consider the entire ecology of the live events supply chain when designing business support mechanisms.”
The key points listed by Raven in the letter are:
“1. Live events are pretty much impossible until the 2m Social Distancing rule is either unnecessary or relaxed - 2m distance needs to be advisory in conjunction with face covering and hygiene (in combination with testing) NOT compulsory. Until the 2m distancing requirement is reduced or, eventually, removed, many live events will not be financially viable.
2. Need to recognise the supply chain to industries/sectors that are still closed – and therefore offer support especially in those sectors that use theatres and live music venues which will be closed until th
USA - As part of Meyer Sound’s ongoing webinar education programme, today (15 May), company president & CEO John Meyer will present From Apocalypse Now to Bluehorn at 9:00 PST (16:00 GMT).
The one-hour presentation traces Meyer Sound’s innovative development path in the world of cinema, post-production and residential from the company’s early days collaborating with Francis Ford Coppola to today’s Bluehorn System.
“Education has always been a pillar of the holistic Meyer Sound core brand philosophy of sharing knowledge. Recent events have put the spotlight on the importance of offering our public training not just with in-person seminars but via online platforms,” comments John McMahon, Meyer Sound senior vice president of sales and marketing. “Our global team was quick to respond to the need by curating an informative and engaging programme.”
To join From Apocalypse Now to Bluehorn, click this Zoom link at the scheduled time.
The training content offers a natural progression of subject matter, providing attendees both practical knowledge for honing skills as well as case studies for reference. The instructors review specialty tools that cover a diverse set of solutions across all industry verticals. The education team also welcomes attendees to choose from an à la carte menu to create every other Friday ‘On Demand’ programming via a weekly poll through the Meyer Sound Users Community Facebook group.
UK - Technical entertainment charity Backup will be holding a virtual pub quiz on Friday 15 May to raise money for the charity.
Backup provides financial support to industry technical professionals working in live events, theatre, TV and film who have fallen ill, been injured or are suffering from mental health problems. The charity provides a range of services including financial support, advice and re-training, and the organisation is working harder than ever to support those in need during the COVID-19 crisis.
Tom Wilkes of Collaborative Creations will be hosting the quiz at 8pm on Friday 15 May, which will be taking place via Zoom, and all industry members, friends and family are welcome to take part and compete for some fantastic prizes.
Backup Trustee Lee Dennison said: “Unfortunately due to the coronavirus outbreak our annual fundraising extravaganza Kartfest can’t take place in July, so this quiz and other similar events in the coming months will make a huge difference to the charity.
“Those who know me will testify to the fact that I take all forms of fun extremely seriously, and I’m sure Tom will treat this quiz with the same level of respect and maturity that we have all come to expect.”
Tom added: “We understand this is a hard time for everyone, so entry fees and donations are encouraged but at your discretion, there’s no pressure to donate if you’re not in a position to. Having said that, if we raise enough money I will have to shave my head.”
White Light Systems Manager Jamie Wells will be runnin
UK - Martin Audio’s first virtual tradeshow takes place on Wednesday 20 May, with registration slots throughout the day filling up fast.
Much like Martin Audio’s Open Days, the virtual tradeshow will offer an overview of the portfolio suitable for end users, distributors, rental companies and integrators. The event will be webinar-based across three time slots on Wednesday 20 May to ensure that people in different time zones can come together for the show. Each session will last for 90 minutes with the first starting at 7.30am BST, followed by a second at 10.00am BST and a final session beginning at 5.00pm BST.
“We’ve been delighted with the response so far,” says Dom Harter, managing director at Martin Audio. “With over 500 registrants to date this is fast becoming an excellent opportunity for us to guide people through our portfolio and to help attendees find the right product for different applications and budgets.”
As with all tradeshows, the timing of the event is aimed at ensuring that people who can attend will be able to find real solutions for potential projects.
“We see May as a time when more countries will start to be rebuilding their economy and when projects within pro audio will once again be discussed and so its opportune to provide this showcase,” reasons Harter. “Equally, we have already announced many new products this year and May is a time when much of the production on these will commence. We’re looking forward to talking to as many people as possible, albeit virtually, and discussing how Martin Aud
USA - For 11 years, country music lovers in the Valley of the Sun, Phoenix, have gathered for the KNIX BBQ and Beer Festival, enjoying on stage performances, along with things like a petting zoo, games and popular food pits. With this year’s live event postponed, HDE Agency, its organiser, has moved the festival online with a series of five livestreamed Saturday shows.
They don’t have a petting zoo (viewers will have to rely on their own dogs and cats for that), and they’re not cooking up any finger licking good treats, but the livestreams are offering generous servings of country music. Supporting these performances are a John Garberson-designed lightshow that features Chauvet Professional Maverick and Rogue fixtures supplied by Creative BackStage. (Pro Production provided the audio.)
Taking place on a temporary stage in a converted studio in the Creative Backstage warehouse, the livestreams do not attempt to replicate the look of a festival. Instead, they aim for a laid back “at home feel”. Although large enough to allow safe social distancing, the stage is relatively small - and the show’s video engineer TJ Watson, along with the two camera operators, Jamie Rivera and Wes Webb, keep their angles tight and neat.
“We treat livestream shows as their own medium, not scaled down versions of a festival stage,” comments lighting designer Garberson, who also directed the video shoot. “We want to create a sense of engagement with the viewer, regardless of the size screen they’re watching this on.”
Despite any limitations in sta
UK - Global Infusion Group’s catering divisions GIG and Eat to the Beat are usually in action at venues, TV studios and event sites all over the world feeding the stars. With theatres, arenas and convention centres closed and concerts, sporting events, festivals, conferences, live performances and filming on hold due to the coronavrus pandemic, the award winning company has quickly adapted its operations to deliver catering to the NHS and other keyworkers on the frontline during this extraordinary time.
Working together, GIG and Eat to the Beat have been catering for 15 NHS and key workers sites across Buckinghamshire. This includes two hospitals, outreach sites and the IT department, delivering between five and 200 meals per day, Monday to Friday, with a top up on Fridays to ensure people have access to food across the weekend. In addition, GIG and Eat to the Beat supported the contractors responsible for building the Dragon Heart temporary hospital built at the Principality Stadium in Cardiff.
Having seen the work that NHS staff and keyworkers are doing first-hand, the company was keen to recognise their efforts. Last week, residents in Chesham, where the company has its headquarters, were asked to nominate 250 NHS staff, carers and keyworkers in the town to receive a large slice of Rainbow cake on Thursday 7 May. This was delivered, all at a social distance, following the Clap for our Carers. This was then extended to 100 veterans and deserving elders who received a cream tea on Friday 8 May as part of the company’s VE Day 75 celebrations.
Europe - Panasonic has withdrawn from IBC 2020 in Amsterdam, the Netherlands, in September later this year. Instead, the organisation is focusing on supporting its partners and customers through its online initiatives, with the launch of its own Technology Experience Zone to help share expertise and information for the industry.
“It has been a very difficult decision. As much as we look forward each year to welcoming visitors at this important industry event, we must prioritise the well-being of our staff, partners and attendees,” states André Meterian, director of the Professional Video Systems Business Unit for EMEA.
“In the meantime, we will focus on creating additional activities and work with partners and industry leaders to continuously develop new content for our Technology Experience Zone, including live streaming, webinars, video podcasts and training. We will further expand our offering and aim to provide online virtual experiences to ensure our customers can stay in touch with the latest news from Panasonic Broadcast & ProAV.”
As things stand, IBC 2020 is scheduled to go ahead. Following the cancellation of NAB in April and with governments across the world either entertaining or employing the partial easing of lockdown restrictions, the eyes of the broadcast industry are now focused on IBC.
The official line from IBC itself is that it continues to develop ‘appropriate plans’ for IBC 2020 and is ‘committed to delivering a successful event at the RAI Amsterdam’ in the safest way possible.
IBC CEO Michael
South Africa - Carolyn Steyn, South African philanthropist, actress, founder of 67 Blankets for Nelson Mandela Day and Classic FM1027 radio host personality, has donated R100,000 (around £4,400) to the Feed Our Crew initiative established to help theatre and entertainment crew and freelancers who most need assistance.
As an accomplished actress, Carolyn was concerned about the welfare of the theatre crew, especially after the lock-down in South Africa was extended. The entertainment business has been one of the hardest hit industries in the country. When Carolyn saw a Facebook post by one of her friends, Debra Batzofin, theatre practitioner in the industry for the past 46 years, it ultimately enabled her to pay it forward.
“Carolyn immediately assisted me, and we were able to feed 50 people,” explains Debra Batzofin. “But when she wanted to donate additional funds, I suggested we approached Duncan Riley of DWR Distribution and the SOS Charity fund to help come up with the best solution.”
Riley advised the monies would make an enormous difference to the Feed our Crew campaign. “Everyone is fighting a financial battle right now, but there are those who are unable to feed their families, and this is where Feed our Crew comes in,” comments Riley. “I was humbled by this act of generosity and believe that if there were more people like Carolyn and Debbie, the world’s problems would be so much less. Thank you so much for this contribution.”
UK - For the first time in its 150-year history, the Royal Albert Hall will play host to a special concert behind closed doors. For the event, which will mark the VE Day 75th anniversary on Bank Holiday, Friday 8 May, international Mezzo Soprano Katherine Jenkins OBE will perform on the Royal Albert Hall stage to an empty auditorium. The half-hour concert will be streamed to audiences around the world via YouTube at 6pm BST and is the first performance of the #RoyalAlbertHome series to come from the Hall itself. It follows on from the singer’s successful at home lockdown concerts which have amassed over 2 million streams to-date.
This unique concert is made possible by funding from the Mayor of London, Sadiq Khan, as part of #LondonTogether, and will be introduced with a video message from the Mayor. #LondonTogether invites Londoners to highlight great examples of positive community action and gives much deserved appreciation for the work of our health and care staff, emergency services, key workers and volunteers.
The event is in support of the Royal Albert Hall’s fundraising appeal and SSAFA, the Armed Forces charity’s Emergency Response Fund.
Katherine Jenkins comments: “In London on VE Day 1945, over a million people celebrated Victory in Europe and the end of nearly six years of war. Crowds gathered en masse in Trafalgar Square and up the Mall to Buckingham Palace and whilst we may not be able to celebrate this year as we once did, it’s only right that we don’t allow the 75th anniversary of this historic day to be overshadowed. Havi
USA - Atlona will launch AtlonaComm 20, a month-long virtual tradeshow experience beginning 1 June on Atlona’s website. The online event will offer a schedule of product offerings, training and education experiences, and personalised meeting opportunities for customers, partners and other visitors.
AtlonaComm 20 represents Atlona’s proactive response to COVID-19-related event disruption, including the cancellation of InfoComm 2020, as well as general business travel and in-person sales visits. Atlona hatched its plans for an online event back in early March as the magnitude of the rapidly-evolving health crisis unfurled.
“We wanted to provide guests with a tradeshow experience that closely resembles the experience of being there,” says Ilya Khayn, CEO of Atlona. “We took a proactive approach in creating a virtual, interactive event to share our latest innovations, deliver webinars, and meet one-on-one with customers, partners and peers. This is about thinking outside the booth, and finding alternative lanes to drive meaningful engagement.”
The AtlonaComm 20 schedule will offer flexibility across time zones so that industry professionals are well-served worldwide. This includes providing regional Atlona resources from APAC, EMEA and the Americas across specific time periods each day, and scheduling webinars in alignment with regional interest and availability.
Atlona will announce specific plans around AtlonaComm 20 product introductions, trainings, and meetings closer to the event, with instructions for booking webinar seats and sc
UK - PLASA is calling for UK-based entertainment industry professionals from all sectors to write to their local MP highlighting the challenges the industry has faced due to the COVID-19 pandemic.
The action forms part of the #EventsForTheFuture initiative, launched by the ABTT, PSA, PLASA, SOLT and UK Theatre, which aims to increase the visibility of the events and entertainment industries and campaign for further support.
To make it simple to contact their local representative, the organisations have created four letter templates suitable for businesses, employees, freelancers, and one-person limited companies. The templates are freely available to download on each association’s websites – head over to www.plasa.org/coronavirus-mp-letter-templates to download the PLASA templates.
PLASA says the #EventsForTheFuture campaign has received “a fantastic response” since launching last week, with the Association reporting 1,900 letter downloads. PLASA has thanked those who have already sent their letter. “Your response will help make the industry’s voice heard at government level,” says the Association.
In addition to the letter templates, the Department of Digital, Culture, Media and Sport (DCMS) is currently welcoming feedback from the creative and cultural sectors. PLASA has already submitted written evidence arguing for additional industry-specific support and urges you to do the same.
The DCMS enquiry, which is open
Latvia - With a warehouse full of touring gear grounded by Covid 19, Latvian rental company, 3S SIA quickly transformed its Riga headquarters into a fully equipped livestream performance space, including Allen & Heath dLive and Avantis systems.
Created in partnership with local broadcaster, TVNET, the resulting 3S Lockdown Sessions have reached tens of thousands of isolating music fans each week since they debuted in March, with livestreamed performances by popular artists including Latvian Blues Band, Aminata, Samanta Tina, Lauris Valters, Ozols, Indygo and Riga Reggae.
When devising a mixing system for the sessions, the 3S team did not have to look any further than its own extensive Allen & Heath inventory, which includes four dLive systems. A dLive S7000 Surface was paired up with a DM64 MixRack to mix the broadcast, with a gigaACE split enabling connection to the Avantis console handling monitors. The Avantis was teamed with a KLANG 3D spatialization engine, with OSC MIDI commands allowing most parameters to be controlled from the desk.
“Allen & Heath was the natural choice for these sessions,” affirms 3S SIA owner and senior FOH engineer, Einars Cintins. “Reliability is really important for me, and with A&H I know everything is going to work perfectly. One of the things I appreciate about dLive is that the Cat 5 between stage and FOH only carries control data, so even if something happens to my cables, I can pull out my laptop or iPad and the show will go on.”
A DX32 expander loaded with PRIME Input premium
South Africa - Feed Our Crew, the South African fundraising initiative for freelance live event technicians, has received hundreds of applications as well as generous support from companies and individuals in the two weeks since it was launched.
Feed Our Crew, working in collaboration with People4Purpose, offers financial support to out-of-work crew through donations and was launched in response to slow state emergency funding payments.
Donations are converted into 1000.00 ZAR vouchers (around £50), which are distributed to qualifying recipients via their mobile phones. This is calculated to provide enough funding to support a family’s fundamental needs for a month.
The vouchers are redeemable at the major retailers ShopRite / Checkers and can be used to buy groceries, medication plus other essential utilities.
DWR Distribution has been one of the key sponsors of the campaign, together with equipment rental production companies including MGG and Blackmotion and many individuals.
Feed Our Crew volunteers work every day to collate and process all the applications and manage the database, while the voucher distribution is coordinated by the People4Purpose team. The first 160 vouchers have just been dispatched.
Feed Our Crew is an NGO initiative co-founded by Johannesburg-based Tamsyn Strydom (project manager from production and rental company MGG), Kagiso ‘KG’ Moima Wa Masimini, who owns Blackmotion Production, and Marcia Alves from We Are Boundless.
Feed Our Crew’s Daria Higgins, who runs events
UK/France - Showlight 2021, scheduled to take place May 2021 in Fontainebleau, France, has been postponed until further notice due to the on-going COVID-19 pandemic. First held in 1981 at London’s Barbican Centre and usually taking place every four years, the enduringly popular lighting event is renowned for its industry-leading programme of papers presented by the great and good of the lighting industry, along with its often unique setting and many networking opportunities.
A statement from Showlight reads: “This has been an extremely difficult decision, which has been made in view of both the immediate effects and anticipated recovery period that will be needed by companies and individuals across the industry in the coming months.
“The state of the lighting industry, the probable extension of restrictions on gatherings and the effect that this is having on theatres, cinemas, events and concerts worldwide where audiences are involved, are immediate and catastrophic, and the resulting effect to employment and income within all aspects of performance and the technical support of entertainment at all levels, are equally devastating.
“While we sincerely hope that by May 2021 the situation will have improved, we cannot tell to what extent events and social interaction will have returned to ‘normal’. While last month we were confident enough to continue preparing for the original dates, the ongoing feedback from the industry makes it evident that the after-effects will take longer to subside. The industry will need time to recover, and comp
The Audio Engineering Society has begun to announce programme details for the upcoming Virtual Vienna Convention, including three keynote lectures and the Heyser Presentation.
As a result of circumstances dictating the move of the convention to an online format, the Audio Engineering Society is bringing the AES Europe Convention directly to virtual attendees around the globe, with keynotes from AES Fellow Jamie Angus (University of Salford), Marisa Hoeschele (Acoustics Research Institute, Austrian Academy of Sciences) and Franz Zotter (Institute for Electronic Music and Acoustics, University of Arts and Music, Graz), as well as this year’s Heyser Presentation by AES Fellow Francis Rumsey (technical consultant, author).
Additional details on the AES Virtual Vienna Convention Technical Programme, including topics and events, paper presentations, workshops, tutorials, posters, engineering briefs, virtual tech tours and other technical programme content, along with live- and forum-based dialogue with presenters, will be announced soon.
The AES Virtual Vienna Convention will take place online 2-5 June. Registration and preliminary information are available at AESEurope.com.
USA - Demonstrating creativity and resilience in the face of the COVID-19 pandemic, Stampede is turning its Cleveland, Ohio Big Book of AV tour stop into a live virtual event on 14 May that will feature pre-arranged one-to-one manufacturer-reseller focused virtual sessions on Stampede’s new COVID-19 business engagement platform.
“Nothing is going to get in the way of Stampede helping its resellers to succeed in this challenging business environment,” Stampede president & CEO Kevin Kelly says. “Resellers all across North America rely upon Stampede to provide them with the latest new products, business development programs and training that will enable them to take their businesses to a higher level of success. In the current environment, we are pivoting to virtual events to meet our resellers’ needs.”
Cleveland will be the first of several virtual Big Book of AV events. Calgary will follow. According to Kelly, participating manufacturers include Atlona, Vidyo, Sharp, Samsung, NEC, Newline, Mustang, LG, Planar, and Jabra, with more manufacturers expected to join.
Utilizing Vidyo’s video conference platform, the five-hour virtual event will feature one-on-one meetings with manufacturers from every product category that will provide resellers with information on the latest audio, video, display, projection, lighting and staging, digital signage, conferencing, digital content creation, networking, and signal distribution solutions.
Participating resellers will receive a free $250 Stampede credit for just for attend
UK - Le Mark Group has switched its production focus from its well-known Road Case and Cable Label labels to a new range of tapes and heavy-duty floor stickers aimed at helping shops and places of work adjust to new social distancing requirements brought about by the COVID-19 pandemic.
USA - Following the success of ADJ’s first run of Stay Connected educational live video broadcasts, the company has announced that more have been planned. Covering a wide variety of lighting-related topics, and including panel sessions with industry leaders, the next wave of broadcasts will take place twice each week throughout May and into June.
Each new instalment of Stay Connected will have a particular focus and provide an opportunity for lighting and event professionals to upskill from the safety and comfort of their own homes or offices. Some will take a deep dive into a specific piece of software or technology, while others will cover a more general topic. All the sessions are designed “to teach, equip and inspire”.
Broadcast via Facebook Live, the videos will also feature interactive elements allowing viewers to ask questions directly to the product specialists and special guests on camera.
“Here at ADJ we have been overwhelmed by the response to our Stay Connected series of Facebook Live videos,” comments ADJ USA’s national sales manager, Alfred Gonzales. “Each video has attracted a healthy and engaged live audience, who have interacted with our presenters in real-time by making comments and asking questions. Then, after their initial broadcast, we’ve published the videos on our YouTube channel where each one is being viewed hundreds, if not thousands of times.
“We’ve also received lots of messages from viewers who have found them useful, while others have requested additional topics they’d l
USA/Europe - A group of industry manufacturers, including Audio Ltd., Ambient, dB Audio, DPA Microphones, Lectrosonics, K-Tek, Sonosax, Sound Devices, Bubblebee Industries, Schoeps, Ursa Straps, and Viviana Straps are offering a new-product based virtual event.
Virtual Sound Summit 2020 is a two-day virtual event featuring a number of new product and technology announcements that would have taken place at the 2020 NAB Show.
Say the organisers, “Presentations will be of interest to location sound and production professionals, chief engineers, news technicians, ENG crews, camera operators, network executives and other audio professionals in the field. This marks the first virtual Sound Summit, a series of educational presentations aimed at joining audio professionals together to collaborate and discuss audio production tools and techniques.”
The summit is scheduled for 30 April – 1 May (8am-12pm PT). Registration and additional information is available at: thesoundsummit.org.
The event will also be recorded and shared afterwards on the Sound Summit YouTube Channel.
UK - A group of associations have launched the #EventsForTheFuture initiative in a bid to amplify the calls for better government support for the hard-hit events sector during the COVID-19 crisis.
#EventsForTheFuture is a collaboration between the Association for British Theatre Technicians (ABTT), the Professional Lighting and Sound Association (PLASA), Production Services Association (PSA), the Society Of London Theatres (SOLT), and UK Theatre. The bodies, which together represent over 3,000 businesses and individuals, have issued a joint call to events and entertainment industry professionals asking them to write to their MPs to highlight the government support needed in order to safeguard the future of the sector.
“The overall aim is to ensure events and entertainment are protected in the long term," says a statement. "Providing consistent messaging to government and everyone getting involved highlights how large our sectors are collectively, along with the value they bring to the UK economy. One organisation can’t tackle this alone, which is why the initiative is asking the industry to come together to work on this.”
Bryan Raven, MD of WhiteLight Ltd. who coordinated the meetings, comments: “Through collective action, we believe we can get the voice of the industry heard. It has been great to see these associations working together on a common cause.”
The associations are initially asking anyone working in the industry to write to their local MP to campaign for further support from the government using sample letters available on
Europe - As much of the world follows safe-at-home and social distancing guidelines and mandates, the Audio Engineering Society is bringing the AES Europe Convention directly to attendees.
Originally scheduled to take place in Vienna, Austria, the AES Virtual Vienna Convention in now set for 2-5 June 2020, with an online format.
The event is billed as “a front-row-seat to the AES event experience, utilising live streaming, on-demand audio/video/multimedia presentations, interactive Q&A and forum dialogues to realise the personal connection and emotional feedback that is at the heart of AES live events”.
The AES Virtual Vienna Convention will explore “a gamut of audio engineering science, application and technology with presentations from some of the leading minds in the industry”.
Further details on the AES Virtual Vienna Convention, which will include a multi-faceted schedule of presentations of papers, workshops, tutorials, posters, engineering briefs, virtual tech tours and other technical programme content, along with live- and forum-based dialogue with presenters, will be announced in the coming weeks. Registration is currently open at AESEurope.com.
UK - Martin Audio plans to host ‘a dedicated virtual tradeshow’, putting the spotlight on the new additions to its portfolio.
Like the company’s Open Days, the virtual event will offer an overview of the portfolio suitable for end users, distributors, rental companies and integrators. The event will be webinar-based across a number of time slots on Wednesday 20 May to ensure that people in different time zones can come together for the show.
“These are unprecedented times for the pro audio industry, and we want to play our role in helping industry professionals to stay active, connected and informed,” says Dom Harter, managing director at Martin Audio. “The webinars will last for about 90 minutes, and I will be joined by colleagues to talk people through our portfolio and to help attendees find the right product for different applications and budgets.”
The timing of the event is aimed at ensuring that people who can attend will be able to find real solutions for potential projects. “We see May as a time when more countries will start to be rebuilding their economy and when projects within pro audio will once again be discussed and so its opportune to provide this showcase,” reasons Harter.
“Equally, we have already announced many new products this year and May is a time when much of the production on these will commence. We’re looking forward to talking to as many people as possible, albeit virtually, and discussing how the next generation of Martin Audio’s ground-breaking products can meet challenges for people all ove