Germany - At the recent Prolight & Sound show in Frankfurt, Fantek and Work Lifters announced they will be incorporating an enhanced version of the existing Dynsys overload limiting system in their future products.
Dynsys is a patented safety feature developed to protect operators by preventing top-loading (telescopic) and front-loading lifters lifting under overload conditions, in accordance with the stringent requirements of the EU-wide safety regulation DIN 56950, an important part of the DGUV V17/18 Health & Safety (Industrial Accident Prevention) regulations.
Until now, if lifters incorporating Dynsys are overloaded, user control of torque is blocked. With the improved Dynsys v1.2 system, Fanterk and Work lifters will additionally be prevented from raising anything above Level 0. At the same time, the operator will be given immediate visual feedback to inform them that their tower is excessively loaded, making it impossible for them to miss the potentially dangerous state of their lifter and keeping them safe.
“We all need safety standards, especially in the realm of industrial lifting technology,” comments CSO of Equipson Juan Jose Vila. “The problem is that left alone, companies sometimes have a tendency to create their own proprietary standards. But here are two rival companies agreeing to jointly adopt a new technology in the interests of everybody’s safety. Far from this putting them both at a commercial disadvantage, everyone benefits - not least lifter operators, who will be safer using products incorporating Dynsys v1.2
Germany - French lighting manufacturer Ayrton reported that the size of the crowds that surrounded its stand for the hourly lightshow throughout the four days of Prolight+Sound were “testament to the anticipation generated annually amongst visitors by Stephane Migné’s lighting design and the Ayrton products he used to create one of their most complete lightshows to date”.
The show incorporated over 300 fixtures and gave each product group a chance to shine. It showed off the qualities and characteristics of the full range of new wash and spot fixtures, some new product releases, plus a few old favourites. Swathes of MagicPanel-FX worked their geometric magic from the back wall, MiniPanel-FX performed in tight aerial clusters, and MagicBlade-FX showed off its capabilities moving between ethereal colour changes to dramatic club-style sweeps.
MiniBurst added drama with military precision followed by Merak gyrating to Indian style Bhangra music and Mistral bringing some atmospheric gobo work. Ghibli showed off its versatility and panache to some James Bond music before all were brought together in a finale which revealed all the drama, subtlety, fabulous gobo projection and superb colour renderings that these products are so capable of, moods-changing in a heartbeat before MiniBurst delivered a final dazzling ending with a lingering sparkly finish.
“We were delighted to hear rapturous applause after every performance,” says Ayrton CEO Chris Ferrante. “We are extremely pleased with the huge international attendance this year. There was near
Germany - New trussing and staging systems manufacturer Sixty82 only came into being on 1 March, and shortly after made its successful first public appearance at Prolight+Sound 2018. “The show was incredible for us and we have been bowled over by the phenomenal response we have received from the start,” says Sixty82’s sales & marketing director, Rainier Smeding.
Sixty82’s stand was built using some of its own products to replicate a pub. Complete with bar serving bespoke Sixty82 beer, meeting areas and a full complement of its products, it was a suitable setting for staff to welcome its many new clients. The arrangement reflected the friendly, approachable nature of the company whose team has a genuine enjoyment of their jobs and puts customer service at the forefront of their operations.
“Having good product is paramount of course, but we believe that giving our customers the best service possible is essential,” says Smeding. “We want them to be confident knowing we can be relied upon to deliver upon our promises, and will support them on their projects in every way possible, from advice in the initial stages through to the final supply.”
The stand was constantly packed with clients for the four days of the show: the company officially launched the new Sixty82 App and celebrated with an after-hours party with a live band. Sixty82 App allows users instant access to both unique and general data about the origin and safe use of the system through the use of unique Product Personalities obtained through each component’s RFID tag.
Germany - Avolites experienced its most exciting Prolight+Sound show yet, with a series of product launches including the world premières of new compact media server, the Q3 and launch of light and video integration feature set, Synergy.
Avolites kicked things off on the eve of the exhibition by hosting its annual distributor summit and awards. The company introduced its latest product developments to the 68 sales partners who attended from around the world, and afterwards presented a number of awards to its highest-performing partners.
"The response from the international team was excellent," says sales director Koy Neminathan. "They were genuinely excited about the Q3 media server and what Synergy offers to their customers. The Avolites Academy was also an area of key importance as we are now rolling out certified Avolites training via our global distribution network."
Following this success, on the opening day of the show, sales manager Stephen Baird-Smith introduced Synergy at the company's packed press event. Key features of the Synergy platform include the ability for users to connect and configure their Ai media server from the Titan interface.
Synergy's Lightmap feature means that users can stream Ai video colour data through any fixture group, including both RGB and CMY fixtures, to instantly integrate them into a larger video canvas - meaning that everything from high-res LED screens to LED fixture groups can be controlled from one intuitive User Interface (UI).
"We were inundated with people asking us for more information abo
Germany - With the first live presentation of the new grandMA3 series the MA Lighting booths at Prolight + Sound 2018 were a popular draw.
Founded on the legacy of the previous grandMA consoles, the grandMA3 represents “a radical re-think of what’s possible from a lighting control platform”. The elegant new system-architecture incorporates new fixture, feature and effects-handling at its very heart.
The system features concepts from top industry visionaries, presented within a refined user interface, and is designed to make practical tasks more intuitive. The physical design detail of the grandMA3 range is focused on delivering “the best possible user experience, now and into the future”.
The interest of all visitors at the exhibition was very high, therefore all 13 grandMA3 hands on stations and the dedicated grandMA3 live demonstration auditorium were constantly packed with MA Lighting users from all over the world.
Additionally, the dot2 range was displayed on a dedicated dot2 booth. Four hands on stations as well as live demonstrations of tips and tricks attracted much interest.
Following the introduction of the new General Device Type Format (GDTF) in March 2018, a combined press conference with Vectorworks Inc and Robe lighting on the first day of the show was another important highlight for MA.
This new development for the entertainment design and production industry will change the way lighting designers, lighting fixture manufacturers, lighting console manufacturers and lighting visualizers will work together. T
UK - Orbital Sound returns to PLASA Focus Leeds this year on stand N-C28. Featured on the stand this year is the Nemesis range of audio tools for use in theatre, AV, live music and more.
Key featured product is the new ACS-1 Auto switch over unit that enables automatic switchover of the Nemesis range of Dante and MADI switches. A typical use for this unit is in computer playback systems enabling a dual redundant computer playback system to automatically switch to the Back-Up system should the Primary playback system fail.
Come and see the new option boards for the very popular Nemesis CCS-2 Computer Switch adding more versatility and options, whilst the TCR-1 Time Code Reader adds an impressive feature list to a simple but effective solution.
Full working demonstrations of these new products will be running on the stand daily.
Also on the stand will be products from Allen & Heath (dLive consoles and ME1 personal monitor systems), Clear-Com (Helixnet digital wired and Freespeak II wireless comms systems), DPA (New Core series microphones) and Nexo (Versatile ID Series, PS series & Geo M6 speakers)
Andy Simmons and the team from Orbital will be on hand to discuss all new developments.
UK - Eaton’s Zero 88 is looking forward to a busy PLASA Focus in Leeds next week, where the UK lighting control manufacturer will highlight its powerful FLX range of consoles, which will be running with the latest ZerOS 7.9.4 software on Stand N-B12, 1st and 2nd of May 2018 at The Royal Armouries in Leeds city centre.
The all new FLX S24 and FLX S48 consoles, the original FLX and the ZerOS Wing will be demonstrated at this event, which is also renowned for its conviviality, networking and being a meeting hub for industry professionals working and based in and around the north of the UK.
FLX S24 is a new console that runs up to 48 LED, moving lights and conventional fixtures and is easy to learn and straightforward to use, delivering flexibility and multiple features at an affordable price.
FLX S48, also new, has double the power of FLX S24, offering intuitive and hands-on control of up to 96 fixtures, and a touch monitor output for quick access to palettes / show overview. The quantity of available playbacks, groups and palettes are all also doubled.
Both FLX S24 and S48 are ultimately portable, powerful controllers with a small footprint and free apps available for wireless monitoring of the lighting rig, and support for a range of networking accessories.
Inbuilt tools include the award-winning RigSync, helpful step by step Guidance, and Auto Palettes to assist with the prep work. Colours can be quickly and accurately selected and applied via the multi-touch Colour & Image Picker or the encoder wheels or by selecting colours c
UK - A new lightweight lighting stand will take centre stage on the Doughty stand at this year's PLASA Focus Leeds. The prototype product, which has been designed with the events and conference market in mind comprises a flat, round plate and slim tube, slotted at each end to allow cables to run unseen inside it. Described as ‘extremely robust’, the stand has a sleeker appearance than the standard Tank Trap and comes with a stacking slot which allows for the stands to be stacked together as well as a carry handle.
Dan Phillips, project sales co-ordinator at Doughty comments: "We really encourage everyone to come and take a look at this piece of kit on stand N-C25 while it's still in its development stage. We take feedback extremely seriously and use it to fine tune the product so that it ticks all the right boxes. We think our customers will really like the Lightweight Lighting Stand - with all the principles of our popular Tank Trap but packaged into a neater, more aesthetically pleasing model."
He adds: "A 28mm receiver in incorporated in the top of the stand which will take an industry standard 28mm spigot. And, when used in conjunction with a spigot adapter, the stand can also be used to hold small speakers."
The Three Position Tank Trap will also feature on this year's stand. Following its debut in 2017, it went on to win the ABTT Engineering Product of the Year. This clever piece of kit enables rigging to be built close to a wall, in the corner of a room or near to an obstruction. It has a detachable receiver suitable for 48mm barrel, whic
UK - The Editorial Board of the fast-approaching International Theatre Engineering and Architecture Conference (ITEAC) have announced actor Mark Rylance as their latest keynote speaker.
The Board say in a statement: “The Editorial Board for ITEAC 2018 are very pleased to have been able to accommodate Mark within his professional commitments. It was felt to be of the highest priority to ensure that the voice of an actor of such experience and considered opinion should be heard at an event that seeks to be seminal for both the leading and the emerging talents working in the design and specification of places of entertainment.”
Named in Time Magazine’s 2016 100 Most Influential People list, Mark’s work includes a 10-year tenure as the first artistic director of Shakespeare’s Globe Theatre (1996-2006), which included the construction of the Theatre and International Shakespeare Globe Centre. He founded the organisation’s Architectural Review Group, which is at present reviewing the architectural decisions of 1996-97 in the light of 20 years’ experience of playing at the Globe.
Rylance’s returning to the Globe Theatre in July to play Iago in Shakespeare’s Othello.
Germany - Claypaky presented a new concept in theme booths as it introduced its stage lighting products at Prolight+Sound in Frankfurt.
The Claypaky booth concept was based on three theme showrooms. Demos were performed in each one by alternating lighting techniques with evocative visual effects, creating an absorbing multimedia mix enjoyed by the almost 3,000 visitors who came to the showrooms over the four days.
"We saw enormous interest," comments CEO Pio Nahum and marketing manager Davide Barbetta. "The theme itinerary through the three showrooms worked in a continuous cycle, yet there were visitors waiting to enter at every time of day, and their numbers even increased on the last days. We think word got round of a highly detailed demo, put together by our technical team consisting of Claypaky's lighting designers, Marco Zucchinali and Giulia Sabeva, and visual design experts."
Making its international debut at the show was the Zac-Eye, a stand-alone followspot that uses artificial intelligence: the movements of Claypaky lights are controlled automatically by a device that connects to them via Ethernet. Its 3D optical sensor detects all the objects on stage, and a sophisticated algorithm distinguishes human shapes from the rest of the surroundings. In this way, it is possible to follow up to 4 actors on stage independently and automatically with any Claypaky light.
The Axcor 300 family of ultra-compact LED moving heads was presented for the first time at PL+S.
There was also great interest in the début of the HEPIKOS, an innovative
UK - All aspects of electroacoustics will be explored at Reproduced Sound 2018, which takes place 27-29 November at the Bristol Hotel, Princes Street, Bristol.
Offers of papers on any electroacoustics topic will be considered for the programme. Authors are encouraged to include practical elements in their presentations and could be allocated extra time if required.
Potential topics include: Live Sound, Acoustics in Rooms, Audio System Design, Loudspeakers and Microphones, Intelligibility, Measurement & Evaluation, Cinema Sound. Case Studies are also welcome.
Organisers urge those interested to send a 150-word abstract for papers plus a short biography of up to 150 words to email@example.com by Friday, 11 May.
Final written papers for the proceedings must be submitted by Friday, 28 September.
Italy - As the cornerstone of the Audio Engineering Society’s (AES) mission to promote the science and practice of audio, each AES convention features a wide array of presentations on research topics presented by leading engineers, scientists and students in the field of audio engineering, and the AES Milan convention, coming up 23-26 May at the NH Hotel Milano Congress Centre in Milan, Italy, is no exception.
Brought together by AES Milan papers co-chairs Ville Pulkki and Sascha Spors, the Convention’s Technical Programme will feature research papers, engineering briefs and poster sessions by over 100 authors.
Day one of AES Milan kicks off with a series of presentations on loudspeakers, followed by a poster presentation session on transducers. Audio quality, a hot-topic at this year’s convention, will then be delved into in two full sessions of paper presentations, followed by Loudspeakers – Part 2. The day’s papers sessions will close out with a poster session on the topic of applications.
Thursday’s sessions begin with a look at spatial audio and will run throughout the day on topics including Audio Education; Audio Coding, Analysis and Synthesis; Perception; and Measurements. Poster Sessions will also be held on the topics of Perception, Measurement and Modeling.
On day three, presentations will take a further look at the topics of Spatial Audio and Perception, as well as a session on Audio Processing and Effects. Poster Sessions will include the topics of analysis, synthesis, audio processing, audio ed
Germany - Robe has reported “a busy and successful” Prolight+Sound 2018. The Czech manufacturer’s live show concept taken to new levels with Cirque Robe, a six-minute performance spectacle and circus style presentation with a cast of 11 designed to highlight the company’s latest lighting technologies.
Another highlight was Robe’s new MegaPointe multi-purpose moving light winning a 2018 PIPA (Prolight + Sound International Press Award) for Best Light, a decision reached by a jury of international trade journalists who meet annually in Frankfurt.
The MegaPointe was one of the primary fixtures featured in the stand show, where Robe continued to raise the bar in presenting live exhibition entertainment, with an ever-rising element of expectation accompanying each one.
CEO Josef Valchar comments: “Our goal was to showcase the products in an entertaining, fun and highly visual environment, and in Cirque Robe we have realised a very ambitious show that has created a real buzz! This has helped attract people to the stand constantly throughout the four days of the expo, and we are delighted with the results and feedback.”
The show was staged every hour on the hour and pulled record crowds to the Robe stand in Hall 3.0 of Frankfurt’s Music Messe, where they could also engage with Robe’s multi-lingual team and receive individual product demos in two dark studio areas, as well as enjoy the traditional Czech hospitality and some prime networking opportunities.
The Cirque Robe concept was originated by Robe’s
The Knight of Illumination Awards (KOI) committee has announced that the inaugural Knight of Illumination Awards USA (KOI-USA) will launch this year, culminating with a ceremony in Las Vegas on 20 October, timed to coincide with the LDI show.
The competition, known for celebrating the work of lighting and video designers, will be co-produced by Informa, producers of America's leading event for lighting designers, the LDI show, and The Fifth Estate, specialist content creators and long-time managers of the KOI Awards in the UK.
"We are thrilled to bring such high-quality awards ceremony to LDI," says David Johnson, managing director of LDI. "The KOI Awards are well-known throughout the industry as a reputable, high-class affair, and its special focus of honouring design work aligns perfectly with the goals of the Live Design franchise to raise awareness about this very special art. We are very excited to partner with The Fifth Estate to bring this to Las Vegas. It's also going to be a lot of fun."
The USA competition will see 15 awards split equally across the three sectors of Theatre, Concert Touring & Events, and Live Broadcast. Five awards in each of these three categories are open to productions staged/broadcast in the US during the year of nomination (October 2017 - September 2018).
Lighting designer Durham Marenghi, co-founder and committee member of KOI, says, "KOI is all about celebrating and elevating the art of entertainment lighting and video design, and KOI-USA will help us do just that for an even wider section of our industry. Jenni
Germany - Powersoft will leverage the international platform of this year’s Prolight + Sound show to ensure the widest possible audience their first look at the new M-Force. Announced as M-force 301P01, the innovative transducer has been updated with a series of additional features to simplify the workload of OEM partners and will be unveiled on the Powersoft stand (Hall 3.1 C17).
M-force is now available as the M-force 01 long throw linear motor for infra sub applications and the M-force 02 short throw linear motor for high acceleration applications. With longer linear displacement, M-Force 01 is the perfect tool for direct radiation and bandpass applications, enabling manufacturers to keep cabinet sizes to a minimum whilst allowing for flawless infra-bass reproduction. M-Force 02 is designed to grant reliability under extreme loads, such as bandpass applications and loaded horn configurations.
Originally launched in 2013 in Frankfurt, Powersoft’s new M-Force is once again set to redefine the concept of infra bass, says the company. Based on a patented, moving magnet, linear motor structure, M-Force is purposely engineered to squeeze all available power granted by switching mode amplifiers to deliver unbelievable performance in terms of power handling, electromagnetic conversion, reliability and maximum SPL. Generating linear movement with parallel moving magnets, M-Force transcends the possibilities available from the limited power and loads of traditional moving coils.
Claudio Lastrucci, Powersoft’s R&D director, comments: “I’ve alw
Germany - The Chauvet Professional Maverick, STRIKE and COLORado series of fixtures have earned widespread praise as well as a large following in recent years, thanks to their high output, brightness and reliable performance. Now the company is “taking these popular series to the next level” by introducing products at Prolight + Sound that “open even more creative possibilities for lighting designers”.
Visitors to the Chauvet stand will get a first- hand look at the new Maverick Storm 1 Wash, an IP65-rated LED moving fixture; the STRIKE P38, an IP65-rated compact warm white LED blinder/strobe; and the COLORado Solo Batten, an IP65 RGBAW LED batten that produces a seamless and unique edge-to-edge homogenized appearance without visible round “eyes” or pixels.
“The new fixtures allow us to offer more versatility in three very important series of products that designers have come to depend on,” said Albert Chauvet, CEO of Chauvet. “With its IP65 rating, the Maverick Storm 1 Wash is ideal for lighting festivals, amphitheatres, and other outdoor venues. The compact housing of the new STRIKE P38 gives it even more versatility than its predecessor the STRIKE 1, while the COLORado Solo Batten creates more options in eye-candy batten wash lighting.”
Germany - Outline is set to announce the launch of its latest concept at Prolight+Sound 2018. Following an evolutionary path from the influential Butterfly design, the new Superfly compact line-source enclosure “sets new standards in performance for a loudspeaker of these dimensions”.
Weighing under 38kg (83.8 lb) per module yet with prodigious acoustic potential and class-leading dispersion control, Superfly integrates within the existing Outline portfolio and can be readily paired with any of their subwoofer designs.
Powered by the company’s own DSP-equipped X8 amplifiers, Superfly-based systems are flexible, powerful, predictable, quick and easy to deploy and convenient to transport, contributing vital operational efficiencies to any live sound scenario, says the company.
Visitors to the show will be able to hear Superfly for themselves in the PL+S Live Sound Arena located in the outdoor area F1 at Hall 1. Real-world demos are scheduled for 11:20, 13:20 and 15:20 every day.
Outline will also be devoting considerable booth space to its new Newton processor. An FPGA-based processing platform designed as the management and control core for audio networks in touring, broadcast and fixed installation applications, it also provides management of sophisticated audio systems by combining multi-format channel routing with simultaneous standards conversion and digital signal synchronisation.
UK - PLASA Focus Leeds is bringing the world’s latest entertainment technology to the North of England on 1-2 May at the Royal Armouries Museum, Leeds.
Visitors can expect new releases from top brands, an array of immersive workshops, and leading-edge seminars covering lighting, live sound, rigging, AV and staging.
The show is the perfect place to see brand new products for the first time in the UK, including the highly anticipated grandMA3 lighting console. Visitors will also see Martin Audio’s Wavefront Precision Series, Vari-Lite’s VL2600 range, Sennheiser’s Wireless G4 System and Robe’s MegaPointe.
The seminar programme serves many different tribes, from immersive audio and theatre refurbishment, to festival lighting and set design software. There is something for everyone at the industry leading show.
The reinvention of the Chester Storyhouse will be revealed by lighting advisor Rob Halliday and others who worked tirelessly on the project. The biggest of its kind outside of London, the venue houses an 800-seat auditorium, a 200-seat studio theatre, a 100-seat cinema, and much more. This seminar will explore the technology involved in such a huge and versatile space.
Professionals involved in set design and production won’t want to miss out on an introduction to Vectorworks. This leading industry software for entertainment design offers an incredible amount of functions including 3D rendering, VR and rigging analysis. Attend this seminar to see how Vectorworks can make your job easier.
The Rigger’s Forum retu
China - Star Events’ technology and inspiration was on the menu at a lunch for major promoters, production suppliers and principal venues in Shanghai recently.
Hosted by Shanghai Mercedes-Benz Arena, China’s second busiest music venue, the event focused on the launch of the China PROM (Production Rigging Operations Manual) and the arena’s new house reduction solution, designed and installed by Star Events China, which was demonstrated to the lunch guests.
Conceived by Star Events China, with input from engineers, local and international experts, rigging publications and the arena architect, PROM is the first rigging safety manual of its type in China.
Built in 2010 for Shanghai World Expo, the Mercedes-Benz Arena has an extensive gallery level serving its sports commitments, which include NBA and NFL games. A roller blind mechanism, designed to screen the section off and provide for a more intimate event experience downstairs, put 100 tons in the roof and fell far short of the requirements.
Star Events’ semi-automated house reduction system was officially handed over after the demonstration. It can deploy nearly 5,000sq.m of Acre Jean AFR drapes in minutes without any Work at Height in the 34m high venue.
Jo Xie, operations director for Star Events China, comments: “The system is operated by the house technical crew. It’s reliable, demountable and weighs less than 10 tons rather than 100 tons, so leaves much more rigging capacity in the roof.”
USA - Allen & Heath digital mixers were once again in abundance at this year’s South by Southwest Music and Media Conference (SXSW) in Austin, Texas.
Mixers from the whole range were used in venues across the city, from corner bars and impromptu stages, right up to the British Embassy Music showcase which saw performances from rising stars like Che Lingo, Pale Waves and Idles, as well as established UK artists including Gaz Coombes and Frank Turner.
Hosted at Latitude 30, the British Music Embassy showcase sees a new act and engineer every 40-minutes, so having a system that combines ‘walk-up-and-mix’ usability with extensive built-in processing is essential to the smooth running of the event.
To accomplish this, British production company, CATO Music, installed a dLive C3500 system and two S3000 systems to cover FOH, monitors and house continuity. Another important aspect of the system was to provide a multi-track recording feed via Dante for the BBC, which broadcast extensive highlights of British Music Embassy shows.
Ant Forbes, general manager at CATO Music, says: “dLive is perfect for SXSW. It’s fast, flexible and incredibly easy for engineers to walk up to and get to grips with, even if they’ve never used one before. Combine that with the great onboard FX and processing and the overall audio quality and it’s hard to imagine what could’ve done the job better.”
Leon Phillips, Allen & Heath’s head of live sound & touring, adds: “Across the board, engineers at SXSW loved dLive. Thanks to a fast work
Germany - Absen Europe will showcase and demonstrate its NXTGEN technologies featuring the recently unveiled Polaris and Altair ranges for the rental market.
The 105sqm stand is set to make an impact with Absen’s NXTGEN innovations taking pride of place - including its new COBALT (Chip-on-Board Advanced Light Technology) platform featuring Absen Chip-on-Board (COB) encapsulation technology and NanoShield technologies alongside its HBB (High Brightness Black) with Common Cathode LED driver technology solutions.
First to market with its NXTGEN COBALT technology with NanoShield, which has been specifically developed to meet the demands of NPP LED in live event rental applications, Absen has developed the Polaris Series with COBALT.
Another industry first, Absen’s NXTGEN HBB (High Brightness Black) technology, is a way to drive black SMD LED at ultra-high brightness with ultra-high contrast.
Engineered to deliver a balance of speed, ease of use, robustness and precision, the Polaris Series features a number of mechanical advances including Auto-Lock, Auto-Eject and Fast-Switch curve locking systems.
Absen’s NXTGEN Altair ultra-lightweight series is comprised of the AT3, AT3 Pro, AT5, AT5 Pro and AT7 models, offering pixel pitch variations suitable for indoor or outdoor use.
In addition to the Polaris and Altair showcase zones on stand, there will also be a hands-on area for customers to explore - featuring Absen’s D2V Plus and M2.9 Pro indoor rental display and T5 outdoor rental display products, as well as units from the Po
Germany - Artistic Licence is set to unveil a number of new products catering for the Art-Net/sACN, DMX512 and DALI lighting control markets. Artistic Licence CEO, Wayne Howell, will be present throughout the show to answer questions, aided by German distribution partner, Soundlight.
On show will be the next generation of Artistic Licence ethernet-to-DMX gateways. Based on a more powerful chip technology, the range provides full support for the award-winning Art-Net 4 protocol, giving access to impressive new functionality not offered in earlier releases.
The dataLynx II is a 1U 19″ rack mount Ethernet to DMX512 gateway. It converts 12 universes of Art-Net (supports all versions up to Art-Net 4) or sACN ethernet into DMX512/RDM. The product features 12 DMX512/RDM outputs, using front mounted Neutrik connectors: a choice of XLR 3-pin, 5-pin or 8-pin (Ethercon) connectors is offered. The product is available with standard or extreme levels of electrical protection. Also in preview is dataLynx II SFP, which supports gigabit copper and fibre connections.
Also on show, artLynx quad and artLynx duo are DIN rail mounted products that convert Art-Net (all releases) or sACN to 4 (quad) or 2 (duo) DMX/RDM universes.
To be launched at the show, are matisse f6 dmx and matisse d4 dmx. These products are programmable, multi-function DMX controllers presented in a wall-mount format. All the electronics are mounted on the rear of the panel, so there is no need for external control boxes.
In a major new development, Artistic Licence will launch dal
Germany - Doughty's Lightweight Lighting Stand will make its Prolight & Sound debut this year. Visitors to Hall 3.0 stand E11 can see the new stand, which is currently in prototype format and takes the principles of a Tank Trap but packages them into a neater, more aesthetically pleasing model.
Dan Phillips, project sales co-ordinator at Doughty, comments: "The new Lightweight Lighting Stand comprises a flat, round plate and slim tube, slotted at each end to allow cables to run unseen inside it. A 28mm receiver is incorporated in the top of the stand which will take an industry standard 28mm spigot. When used in conjunction with a spigot adapter, the stand can also be used to hold small speakers. This robust piece of kit has a sleeker appearance than the standard Tank Trap and comes with a stacking slot which allows for the stands to be stacked together as well as a carry handle. We're delighted to be bringing this prototype to Frankfurt to get feedback from everyone who attends."
The Three Position Tank Trap will also feature on this year's stand. Following its debut in 2017, it went on to win the ABTT Engineering Product of the Year. This piece of kit enables rigging to be built close to a wall, in the corner of a room or near to an obstruction. It has a detachable receiver suitable for 48mm barrel, which may be fitted to any of the three mounting points, which are located in the centre as per a standard tank trap, at the edge and in the corner.
In addition the Tank Trap Trolley will receive its Frankfurt debut. Designed by Doughty as a result
Germany - BroadWeigh is set to unveil “exciting new pieces of kit” at this year's Prolight and Sound in Frankfurt including the TwistLink, updated Wind Speed Sensor and a new advanced handheld.
With five of the company's product partners from across Europe taking stands at the show, Jonathan Purdue says Prolight + Sound is a good place to debut new products before a truly international audience.
"We've been attending the show for some years now and we are always impressed by the turnout and the number of leads that come our way as a result of the networking opportunities it affords us. This year we'll have a presence on the stands of AC-ET (Hall 3.0, Stand F65), Hof Alutec (Hall 3.0, Stand A44), Scanrig (Hall 3.0, StandF33) and SONOSS and Louis Reyners (Hall 3.0, Stand D18) who are exhibiting together, and I will be making appointments with customers and potential new clients as well as demonstrating our new products over the duration of the show."
The TwistLink, which will be available to customers in Quarter 2, is a piece of kit that allows a 4.75 tonne BroadWeigh shackle to be connected to a 3.25 tonne or 4.75 tonne shackle without having to mess around with the pin, nut and Rclip. It has holes at 90 degrees to minimise potential torsion loading in the load pin and to maintain accurate measurement and also conforms to the European Machinery Directive. Jonathan commented: "The TwistLink will be sold as a complete system with a shackle, will be easy to install and is the perfect piece of kit for temporary installations.”
The new Advan