World - Following on from the inaugural Virtual Showlight event, which took place on 25 May 2021, the Showlight Committee have announced that all papers and video shorts are now available to view online on the Showlight website.
Speakers Hamish Jenkinson, Mike Bauman, Ken Billington, Aaron Porter, Rob Halliday, Isabel Nielen, Floriaan Ganzevoort and Mike Evers, and David Bishop spoke on topics that included the illumination of a lighthouse on an island in the Bahamas, lighting a comic book movie, the remote lighting of a stage musical from half way around the globe, transforming a shipyard into an art gallery, and taking a spin on the Strictly Come Dancing dance floor.
Also viewable online is the panel discussion on the subject of diversity in the industry, chaired by Paule Constable, which gave voice to young people with inspiring insights into their journeys into lighting, their plans to raise awareness going forward and the importance of free communication between colleagues to aid mutual understanding.
The papers are augmented by a series of video shorts that tantalised the lighting tastebuds between papers on the day, with a few bonus presentations added for good measure. Contributors include Jules Fisher + Peggy Eisenhauer, Tony Simpson, Ryan Metcalfe and Elliot Smith, Marco Miglioli and Bill Klages.
All papers and video shorts are available to view free-of-charge, but Showlight would like to remind people that donations to industry charities Ba
USA - Entertainment industry insurance solutions provider Take1 Insurance has announced the immediate availability of a new educational white paper entitled Reopening Live Events Safely: An Industry View.
The publication of the new white paper follows last week’s announcement that Take1, in partnership with Intact Insurance Specialty Solutions and the Event Safety Alliance, will provide free Event Safety Access Training to professionals returning to work after more than a year of being side-lined because of the Covid pandemic.
According to Take1 Insurance vice president and programme director Scott Carroll, “The entertainment and live events industry have been through a nightmare scenario as the COVID-19 pandemic brought everything to a halt. Virtual events have helped fill gaps, but, ultimately, the desire of people to experience live events in person cannot be denied. Now with vaccines rolling out, the prospect of getting back to some semblance or normality is becoming a reality. Together with our partners, we are doing everything possible to help shake off the rust and get our industry back to work safely.”
Carroll said that everyone must recognise that the workforce of the entertainment and live events industry has changed radically in both quantity and quality over the last year and a half. According to IBISWorld there were more than 270,000 concert and event promotion employees in the US as of February 2019. A year later, that workforce had shrunk to around 148,000, a drop of 55%.
“Even as we start to recover, the workfo
Spain - Making its Barcelona debut, ISE Live & Online (1-2 June) safely welcomed the AV industry to the first in-person and hybrid event to take place at the Fira de Barcelona Gran Via venue since November 2019.
Integrated Systems Events Managing Director, Mike Blackman opened the show and said: “This event is important for the AV and live events industries, and for the city. It’s been a 17-year journey to get to Barcelona so it’s bittersweet not to make the big bang we’d hoped for our debut, but we know the value of live events for forging trust, deeper business relationships and driving business. I hope this sends a message of confidence to cities around the world that live events can be safe and successful. We’ll be back in Barcelona, with all our might, in February 2022.”
The first hybrid event from ISE, which combined live and digital content, achieved 1,431 in-person attendees on Day 1, and 990 on Day 2 in Barcelona. Over 8,000 registered for ISE Digital, which had 120 live sessions and generated 13,759 unique views, 107,718 minutes watched (1,778 hours) and 442 online chats.
Speaking at the event, Jordi Puigneró, vice-president of the government of Catalonia, says: “Today, we reopen Barcelona and Catalonia to the world. This event celebrates the reactivation of fairs and congresses, paving the road to economic and social recovery.”
Ada Colau, Mayor of Barcelona, who accompanied Mr Puignero, comments: “Today we send a reactivation message. The digital and audiovisual sector is strategic for the city, especially s
World - The first Virtual Showlight (VSL) event which was held on Tuesday 25 May 2021 proved to be “a real success story,” according to its organisers. With the full Showlight postponed due to the pandemic, VSL 2021 turned trial into triumph when it threw open its virtual doors to an online audience in excess of 430 delegates. Students, educational establishments, venues and of course lighting designers from all genres of the industry - theatre, film and TV, architectural and events, and more - attended from almost 50 countries, and many have since returned to re-watch the Papers through Hubilo’s On Demand service.
Delegates were treated to a diverse range of subject matters from industry professionals at the top of their game. Topics included the illumination of a lighthouse on an island in the Bahamas, lighting comic book movie Birds of Prey, the remote lighting of stage musical Waitress from half way around the globe, transforming a shipyard into an art gallery, and taking a spin on the Strictly Come Dancing dance floor. Hamish Jenkinson, Mike Bauman, Ken Billington, Aaron Porter, Rob Halliday, Isabel Nielen, Floriaan Ganzevoort and Mike Evers, and David Bishop all delivered their papers with a wealth of knowledge, humour, imagery and video footage.
The panel discussion on diversity in the industry, chaired by Paule Constable, gave voice to young people who gave inspiring insights into their journeys into lighting, their plans to raise awareness going forward and the importance of free communication between colleagues t
Spain - Integrated Systems Events managing director Mike Blackman marked the opening of ISE Live & Online yesterday with a presentation at the Fira de Barcelona Gran Via in front of a gathering of representatives from government, local executive boards and agencies, ISE’s owners and the media.
ISE Live & Online is a hybrid event, livestreaming from the Fira and broadcasting to a global audience via the ISE Digital platform.
The opening of ISE’s first show in Barcelona represents a significant milestone in the development of Integrated Systems Europe, and a personal and professional triumph for Blackman, who launched the event 17 years ago with a staff of three.
Along with representatives of the Fira, ISE co-owner AVIXA and ISE exhibitors, Blackman made a symbolic trip by motorbike from ISE’s office in Munich to Barcelona, stopping en route in Geneva, the location of the first ISE show in 2004.
Speaking at a press conference just before the doors to ISE in Barcelona opened, Blackman said: “You do not need me to comment too deeply on our shared experiences of the past 15 months. The effects have been universal, and our heartfelt sympathy goes to all countries, businesses and individuals touched by it. No one has escaped. Yes, in more recent times the light at the end of the tunnel has begun to glimmer and then to shine. Which is why after conducting exhaustive research with our exhibitors, partners, and owners we decided that ISE Barcelona, Live and Online, should take place. And here we are.
"And there’s another reason w
UK - The team behind A Light Walk, a charity walk set to take place across 20-24 September, has announced details of the fundraising mission and the ways in which everyone can get involved.
A Light Walk will see Chauvet’s Sam Bowden and ALD Lumière working group chair Charlotte Burton walk from The Royal Shakespeare Company in Stratford Upon Avon to the National Theatre on London’s Southbank, a total distance of over 101 miles (160 km), which will be completed in just five days. Members of the ALD’s executive committee and other members of the Lumière Scheme working group will be joining the walk for individual days or remotely.
Departing from The Royal Shakespeare Company on day one, the walkers will complete a distance of 24 miles. Day two starts at Bloxham and ends 19 miles further at Bicester. With day three, the walkers will pace the 23 miles to Great Missenden and on days four and five, the distances are considerably shorter, with 18 miles on day four taking participants to Ruislip and finally towards the southbank of the Thames a mere 17 miles on, where day five and the full 101-mile walk, ends.
The money is being raised to support two causes, the ALD’s Lumière Scheme in 2022 and industry charity Backup.
Burton explains: “We are taking on this almighty test of endurance because we believe that the work achieved through the Lumière Scheme and by Backup is vital and worth the sore feet!”
The funding will assist the evolution of the Lumière scheme which for the past five years has seen continued succes
The Netherlands - IBC Show 2021 has been rescheduled to take place on 3-6 December at RAI Amsterdam, moving from its usual slot in September.
Health and safety were key factors behind the decision, with the IBC operations team focused on creating a safe environment.
IBC chief executive Michael Crimp explains: “Following a period of industry consultation, the IBC Partnership Board has agreed that December is the best date in terms of safety and industry readiness to engage. Our conclusion is based on the results of the recent IBC exhibitor and visitor surveys and macro evidence of Europe opening up for business. We really value the feedback and candid input of our community - we have always been ‘by the industry, for the industry’, and this ethos continues to guide our daily decision-making process.”
IBC has surveyed visitors and exhibitors, and two thirds of respondents said assurance of robust onsite health and safety protocols would encourage them to attend, with vaccination passport entry by far the most popular measure.
Some 86% of the respondents said they were very likely, and 13% - likely, to have been vaccinated by December. Two thirds of respondents already feel they are ready to travel, and a vast majority expect any corporate travel restriction policies to be updated by the end of the summer.
Further, macro trends point to accelerated vaccine roll out and opening of borders across IBC’s core markets over the next six months, says IBC. EU commission data shows that Europe is now on track to achieve its 70% vaccinatio
UK - Liverpool Public Health officials and scientists have found the city’s pilot events did not cause any detectable spread of COVID-19 across the region.
The city hosted four successful events as part of the national Events Research Programme (ERP), with a total of 13,258 people attending The Good Business Festival, two nightclub events hosted by Circus and the Sefton Park Pilot music festival.
All attendees were required to take a lateral flow test ahead of the event - a negative test would allow them access. Five people with the COVID-19 virus were identified through this process and were not allowed to attend.
Ticketholders were encouraged to take a PCR test on the day of the event, and a second one five days later.
This process identified four people as possibly having the virus at an event; and a further seven were identified with the virus four to seven days after they attended an event. Of those who tested positive, two attended the music festival, nine attended the nightclub and none attended the business festival. The study claims that many of the cases were friends who meet outside of events and may not have been infected at an event itself.
Everyone who tested positive was successfully followed up by the contact tracing team. Scientists found the testing, data and contact tracing systems worked well, with key information being available to public health teams before the events, which allowed contacts of potential cases to be traced quickly.
The research team also found that between 25 per cent and 43 per cent of peop
South Africa - The South Africa Events Council has published its review of the past year. “The SA Events Council is fighting to retain the headway we have made towards re-opening the events industry before the losses we are suffering reach a point of no return,” says the council.
“For 14 months, the associations that make up the SA Events Council have collaborated on various measures to re-open the industry. We have developed a stringent set of ‘Re-opening Guidelines’, sent scores of lobbying letters and hosted in-person, proof-of-concept events to show what is possible. We have also conducted awareness campaigns, hosted webinars, organised radio and television Interviews, provided information sessions and engaged with the various relevant government entities in person.”
As one of the first responders to the crisis, SACIA's Event Safety Council developed and disseminated the back-to-work guidelines, which set the parameters for a safe re-opening of the events industry. This development was the catalyst for the industry to start providing solutions for the re-opening of events.
A host of advocacy letters to Hon. Minister Kubayi-Ngubani, the Department of Tourism, Hon. Minister Mthethwa, the Department of Sports Arts and Culture and the Hon. Minister Nkosazana Dlamini Zuma, followed. These made a case for business events versus social events, called for re-opening and relaxations of the capacity limitation restrictions, requested assistance from financial institutions and the extension of TERS, sought clarification of regulations at each
USA - Costa Mesa-based manufacturer, QSC, will present Mental Health Amplified, a special virtual fundraising event to celebrate the healing power of music. This live, 90-minute musical event, to be held on 27 May from 4pm to 5:30 pm (PST,) will celebrate the magical power of music to transform peoples’ lives and enhance our mental, physical and emotional well-being.
All proceeds support The Priority Centre of Orange County California, whose mission is to deliver life-changing programmes to assist people in crisis by giving them the tools and support necessary to end the generational cycle of trauma- including prevention of child abuse and neglect, through early intervention and mental health services and advocacy.
Headlining the event are three of today’s top up-and-coming artists – singer/songwriter Lee Coulter, R&B artist Cedrice and Latin soul artist Andy Vargas & Soleras – each of whom have been lifted-up and transformed by music in their own lives.
The event will be hosted by Wesley Geer, founder of Rock to Recovery, which helps people heal and transform their lives through the powerful experience of writing, playing, and performing music as a group.
Sponsorship opportunities remain available through 20 May at all levels, some of which include dinner or appetisers as well as drinks delivered to sponsors’ recipients of choice in the local Los Angeles, Orange County and San Diego areas.
The Netherlands – The Eurovision Song Contest 2021 is back on track following a one-year hiatus due to the Covid Pandemic. Heading up a new technical and production team is Netherlands based Erwin Rintjema, who takes on the position as ESC’s head of production.
An industry respected production manager, Rintjema was selected by ESC host broadcaster for his experience, knowledge, and proven ability to smoothly deliver international, large scale, televised events. He is supported by a carefully curated team comprising Dutch technical production talent, as he explains: “Key members of the technical management team include Gijs Vos as Broadcast Manager and Stefan Hoohenkerk as Show Manager.
“In addition, several of our key heads of departments came from official technical supplier to Eurovision, Netherlands based, Sightline Productions. They include Marcel Vellekoop as CAD manager; Christiaan van Oudenallen as technical producer for Other Halls (Delegation Bubble, Press Centre), Jaap Bouma as operations manager and Jeroen Veenman as technical producer, Main Hall + Contest.”
The technically ambitious, 65th international Eurovision Song Contest will be broadcast globally from Rotterdam’s Ahoy arena.
“Eurovision is a unique event, both logistically and technically,” states Rintjema. “I am proud to be taking on this iconic role on the show, which is a complex and multifaceted marathon that combines the challenges of both live and multi-camera television production. Thankfully, my team brings unrivalled experience to every aspect of th
UK - PLASA ran a second online programme from 10-13 May, covering the most vital topics and trends for those who work across live events and entertainment sectors.
Following the successful debut PLASA Online in October 2020, PLASA Online 2021 attracted thousands of industry professionals who signed up to watch the four-day programme which featured expert panels, technical sessions, and presentations on creative projects and products.
The ABTT partnered with PLASA Online to host popular presentations each day. These included a panel of Health & Safety and production experts who discussed the challenges of returning to work; a talk with CREATEBritain co-founder Richard Woods who introduced the new features of the online platform for creative professionals; the 2020 updates to the Technical Standards for Places of Entertainment and Volume 1 of The Theatre Green Book, a collaborative publication for making theatre sustainably.
Electrical expert James Eade topped the bill yet again, this time looking at the myths and misunderstandings of electrical safety. He answered several questions and detailed the importance of electrical qualifications, PAT testing requirements, earthing and phase separation.
LSi magazine delivered two well-attended sessions diving into pioneering stage technology: James Simpson, author of the popular LSi column Future Tech, shared some of his favourite recent stories, including light fidelity, spatial displays, the Internet of Things and haptic soundwaves; plus Rob Halliday and Ryan Metcalfe
World - The programme of events for Virtual Showlight has been announced.
The online event, taking place on 25 May, gives delegates the opportunity to hear industry-leading lighting designers talk about their work, ask them questions and network with others from across the industry, for a flavour of the full Showlight experience.
The programme is as follows (all timings are BST):
15.00 - Introduction & welcome from Showlight chairman John Allen
15.10 - Paper 1 - The Disco Lighthouse - Hamish Jenkinson
15.45 - Break
16.00 - Paper 2 - Lighting a Comic Book Movie - Birds of Prey Case Study - Mike Bauman
16.45 - Sponsors Breakout Rooms
17.35 - Paper 3 - Lighting Around The World Without Leaving Home: The Story of Waitress in Japan - Ken Billington, Rob Halliday, Aaron Porter
18.15 - Networking, Sponsors Breakout Rooms & Meal Break
19.15 - Panel Discussion with Q&A - A Panel on Diversity - to celebrate, to listen and to learn
20.15 - Break
20.30 - Paper 4 - From Shipyard to Street Art Museum - Floriaan Ganzevoort, Isabel Nielen and Mike Evers
21.15 - Break
21.30 - Paper 5 - BBC Strictly Come Dancing - David Bishop
22.15 - Breakouts and Networking
23.15 - Conference finishes
For further information on each Showlight session, visit: www.showlight.org/vsl-programme
Tickets can be obtained via the Virtual Showlight website here: test
UK - Production designer Tim Dunn has joined the UK’s nvisible Agency, a group of independent live production professionals offering a dynamic range of project management and creative production services for events worldwide.
The nvisible Agency’s other core team members include some true entertainment industry mavericks! Founder and MD Mark Bustard and chairman promoter Harvey Goldsmith are joined by show and event producer Jim Baggott, technical director Tim Spears and project director Luke Carr.
For 24 years, Tim was based in South Africa and worked extensively throughout the African continent, Asia, and the rest of the southern hemisphere on some of the highest-profile and most interesting productions, including dealing face-to-face with governments, politicians, and world leaders.
These include the 2010 FIFA World Cup Closing Ceremony, multiple SEA Games and Nelson Mandela’s Funeral. Returning to the UK in 2018, Tim has been involved in numerous creative and ambitious projects with plenty more on the horizon.
Harvey Goldsmith comments: “Tim is a very valuable part of the team. He is a perfect fit, bringing some unique skills together with exactly the right personality and can-do mentality to consolidate and reinforce our future visions, long-term goals and dedication to excellence in the creative planning and global delivery of international shows and events.”
UK - Event catering and brand logistics specialist Global Infusion Group has launched the Tony Awards, an internal awards ceremony held in honour of the company's late founder and CEO Tony Laurenson, who passed away this January.
Established to bring the team together, the Tony Awards will be a celebration and allow everyone to have some fun after an incredibly difficult period for the business. The ceremony will be held on 21 May and t he winners of the tongue-in-cheek categories will be decided upon by Global Infusion Group employees who have all been invited to take part in a public vote.
Alongside the ceremony will be a formal presentation to Stagehand, the PSA’s Welfare & Benevolent Fund, for the ‘Donations not Carnations’ JustGiving page that was set up for those who wanted send tributes to Laurenson. Nearly £21,000 has already been raised.
Global Infusion Group’s management team reached out to partners, suppliers, clients and friends from across the industry to secure sponsorship for the awards. A host of recognisable industry names include Coldplay, who the company has supported on tour for almost 20 years, with the band sponsor
Europe - LED manufacturer Absen is set to hold three online round table panels on immersive LED experiences. The sessions will cover immersive LED in virtual studios, retail spaces, and corporate spaces, with each round table session hosting a variety of expert brands in each sector.
Hosting all the roundtables will be Jessica Golding, Absen’s European brand manager. The first roundtable, upcoming on 19 May, will discuss the impact and rise of virtual studios on the AV industry over the last year. With a panel of the industry’s virtual studio experts, including Christian Czimny, Absen’s industry product director, the panel will discuss what virtual means in the industry, where virtual studios can be used, and what the benefits are of using LED over traditional ‘green screens’. The event will provide a multitude of perspectives, from end user to integrator, on the reality of virtual studios and the way they are perceived and used in a post-pandemic landscape.
The second roundtable on the 26 May will discuss the nature of virtual environments and why retailers should consider LED experiences in store. The panel, made up of brands such as Trison and Gensler, as well as Absen’s retail industry director, Ben Phelps, will discuss LED not only from a global retail market viewpoint, but will also analyse leading regions in LED adoption, such as China. The experts will give advice to retailers on how to create immersive spaces, and how to effectively use LED to their advantage to create experiences that customers will not forget.
The final sessio
UK - Following on from the latest Scottish Government announcement and in light of UK guidelines summarising clear plans for the return of the events industry south of the border, event industry leaders across Scotland have warned of a critical juncture in the recovery of the Scottish sector, as there still remains no indication of when gatherings of scale will be permitted and when social distancing parameters will be removed.
Whilst restrictions on retail and leisure are lifted in Scotland, the events sector remains largely locked down and unable to plan ahead under current policy and plans.
Geoff Crow, director of 21CC Group and member of the Event Industry Advisory Group comments, “We need consistency and clarity. The event sector in Scotland is at a standstill, which is difficult to watch when we see other sectors opening up and the rest of the UK and parts of the world gearing up for an imminent return. It doesn’t seem logical that gatherings and events can go ahead in England from July, but in Scotland we have no dates to be able to do the same.”
The frustrations follow on from the Scottish Government's decision not to work with the UK Governments plan or levels framework, but instead create their own, more cautious policy structure. Over the last few months successful pilot events and festivals have taken place around the world, including 5,000 people gatherings with no social distancing or masks. These pilot events have demonstrated that with sensible mitigation measures and testing, the risk of transmission can be less than the na
UK - Eyes in the UK and across the World focused on Liverpool’s Bramley Moore Dock successful test events, at Circus, hailing the return of live music from lockdown, with two nights of dance music (30 April/1 May), with over 6,000 people in the audience and Symphotech managing the health & safety.
Symphotech worked from the conception of the test events, supporting the organisers, Circus Music and The Events Company UK, to create a Covid safe event. With the emphasis on the research and test event aspect of the shows, protocols had to meet the criteria required by the scientists and multiple stakeholders.
Symphotech director Eddy Grant was their project leader, producing a detailed, constantly evolving risk analysis for the staff and the audience. He explains: “When the roadmap out of lockdown was announced by the government, in February, I spoke with Sam Newson (The Events Company UK), Richard McGinnis (Circus Music) and Culture Liverpool, aware that DCMS were favouring Liverpool as a location. All were enthusiastic to ‘Make Events Happen’ and the ensuing months have been spent considering the additional challenges to working a normal gig.
“The almost daily shifting sands of the science meant we weren’t certain which elements the scientists were going to look at, with the additional protocols each brought into the frame adding to our planning.”
Speaking on site, Sam Newson states: “Eddy has worked very closely with me in the weeks leading in to these shows. The science has been changing daily to trigger us figuring out wh
UK - A recent study conducted among 25,000 concertgoers has shown fans are overwhelmingly in favour of providing COVID certificates to be admitted to a live event.
75% of those surveyed have said they would be happy with the idea of COVID certification, and over 50% have said they are ready to attend music events right now, with a further 25% stating they would attend once the right mitigations are in place.
This is welcome news for the live events sector, which is currently in talks with the UK government over the type of access control measures that should be put in place to allow events to resume in the summer.
The #ReviveLive survey was released by LIVE (Live music Industry, Venues and Entertainment), a federation of live music industry associations representing 3,150 businesses, over 4,000 artists and 2,000 backstage workers. Members include Association of Festival Organisers, the Music Venue Trust, National Arenas Association, Concert Promoters Association, and more.
In further encouraging news, 85% of those surveyed have said they are planning on attending either the same or higher numbers of live music events compared to the period before the pandemic, with 55% having already bought tickets to events taking place in the coming months.
The survey also revealed strong appetite for the market of virtual music events, which flourished in the past year, with one in four stating they would still want to engage with online events even after the resumption of live concerts.
Chris Carey, chief economist of LIVE who led the res
UK - Only Helix, known for its work with artists like Years & Years, Bat For Lashes, Amy Macdonald and Bombay Bicycle Club, has launched a new travel service that’s designed to meet the specific needs of touring professionals. OH Visas is rooted in an understanding of how the entertainment industry works, and has been developed to take the travel stress out of touring.
Only Helix’s Steven Down and Tom Nicol are the masterminds behind the service, which will be headed up by travel industry specialist, Ben Young.
“OH Visas was borne from our combined experiences, frustrations and successes with travel over the years,” explains Down. “Brexit and Covid-19 has obviously also shifted things quite dramatically and we wanted to find an easier process for ourselves and our clients.”
Nicol elaborates: “We realised this solution was something that others would probably benefit from too, so we’ve decided to make it a bigger part of our agency offering. We’ve got some great expertise in Ben, and we’re excited about getting it out there.”
As the shifting political landscape has made touring more complex than ever before, travel schedules that previously required no or minimal visas, may now need multiple visas and additional paperwork to ensure a smooth passage from one country to the next.
The new service handles the entire visa process from start to finish - covering applications, appointments and embassy visits. Learning from previous experiences (and challenges) of tour and production travel, OH Visas has streamlined the
Europe - Showlight has revealed the speakers for its one-day online Virtual Showlight on 25 May.
In a snapshot of the full Showlight event, a series of papers will be presented by international keynote speakers, interspersed by a series of video shorts from the likes of Peggy Eisenhauer and Bill Klages. There will also be a discussion panel based on the subject of diversity in the lighting industry, chaired by award-winning lighting designer, Paule Constable.
The speakers for Virtual Showlight 2021 are:
David Bishop - BBC Strictly Come Dancing - BBC Strictly Come Dancing’s award-winning lighting designer, David Bishop, will outline the challenges of re-designing an icon of UK television after 15 years, the latest season of which required the incorporation of live augmented reality into the show.
Ken Billington, Rob Halliday, Aaron Porter - Lighting Around The World Without Leaving Home: The Story of Waitress in Japan - When Japan closed its borders just after Christmas, the production team for the musical Waitress were no longer able to travel to put the long-scheduled Tokyo production on stage. But the show must go on - so they figured out how to do the show remotely. For lighting, that meant LD Ken Billington and his associate Aaron Porter in New York, programmer Rob Halliday in London, and the crew in Japan.
Isabel Nielsen, Floriaan Ganzevoort, Mike Evers - From Shipyard to Street Art Museum - Floriaan Ganzevoort, Isabel Nielen and Mike Evers, are
UK - PLASA, the lead association for the entertainment technology industry, is hosting a second PLASA Online from 10-13 May, following on from a successful debut in October 2020. The programme will address the most pertinent issues facing the industry, present pioneering technology, and deliver several sessions on technical theatre in partnership with the ABTT.
The free-to-view programme will span four days, bringing you creative presentations, business panels, industry advice and technical training, each led by experts in their field. Furthermore, each day you will have the opportunity to watch live product presentations hosted by leading manufacturers. Running alongside the programme is a virtual Exhibitor Showcase featuring an extensive A-Z of brands from audio, AV, lighting, rigging and staging.
The ABTT will deliver the very latest amendments to their Technical Standards for Places of Entertainment which covers energy conservation, electrical installations and emergency lighting. They will also present an overview of Volume 1 of The Theatre Green Book, a project that brought together theatre-makers and sustainability experts to create a common standard for making theatre sustainably.
Electrical expert James Eade will return for another unmissable session, this time delving into the most enduring electrical misunderstandings, from qualifications and PAT testing, to earthing and phase separation. This session will also feature a Q&A, allowing to you get expert advice on your electrical safety concer
World - PRG has set up a worldwide network of 20 studio environments suited for scalable production of pre-recorded and live content in a COVID-compliant setting.
The studios are housed in the immediate vicinity of major facilities, to enable PRG to react to project-specific technical requirements from clients by utilising its portfolio of lighting, audio, video, scenic and digital solutions. Each studio has its own character, catering to the markets it serves, whilst an expert team is in place to supervise and staff each location. There are two types of environment – the PRG Virtual Production Studios, designed for productions that require more demanding technology such as extended reality (xR), and PRG Digital Studios for pre-recorded or live broadcasts.
The Virtual Production Studios – located in Hamburg, Los Angeles, and Paris – are equipped with xR technology, mixed reality and proprietary Enhanced Environments and Ncam® technology, making it possible to host green screen, standard capture or extended reality (xR) shoots. “From entirely imagined worlds to realistic scenery and backdrops, any environment can be brought into the studio with options for realtime visualisation of virtual elements,” says the company. “As a result, talent can interact with their setting in real time, while producers realize major savings in post-production and travel costs.”
The PRG Digital Studios can be found in more locations, including Chicago, Las Vegas, Nashville, New York Metro, Orlando as well as in The EGG in Brussels, London's Saatchi Gallery, M
World - Registration for Virtual Showlight is now open. Tickets for the unique online event can be secured via Hubilo, here. Tickets are free of charge but delegates are encouraged to make voluntary donations when registering, as all proceeds will go to support industry charities Backup and Behind the Scenes.
The event will be hosted on behalf of Showlight by MaxLive Events and takes place on 25 May between 15.00 BST and 23.00 BST.
“We have an exciting programme of speakers lined up for your entertainment and education,” say the organisers. “These will be interspersed by a number of ‘Video Shorts’ - short stand-alone papers, some of which will be forerunners to the full Showlight event that we hope will resume next year. A discussion panel of international speakers will focus on the issue of diversity in the lighting industry. In between sessions, there will be a number of breakout rooms, hosted by our sponsors, which delegates can enter to view and discuss sponsors’ products and services, and a networking lounge for general mixing and mingling.”
The organisers continue: “We would like to thank our generous sponsors whose donations have enabled Showlight to cover the cost of this virtual event, allowing the maximum of delegate donations to go direct to the charities. Robert Juliat is our headline sponsor, and is joined by Ayrton, ACT Lighting, Inc., Altman, ARRI, Claypaky, Copper Candle, ETC, Robe and Vectorworks. Virtual Showlight is also supported by