UK - Cross 5 is the latest in a new range of high-performance cable protection ‘crossover’ products launched by Penn Elcom this year. It can be used for any temporary installation or working environment where safe ground-based cable protection is required.
Cross 5 is manufactured from thermoplastic polyurethane (TPU), chosen for its recyclability, and has been developed to provide a five-channel cable protector with unrivalled strength, abrasion resistance and flexibility. It is also fire retardant to DIN EN 13501-1.
Serious weight capacity ensures that all types of vehicles - including a standard 44t artic - can safely drive over Cross 5.
The Penn Elcom Cross system is made from two elements - the base section and the ramp.
The base section acts as a connector piece from which numerous variations and combinations of crossover can be created. The ramp section features a 15° angle of inclination which is the optimum for vehicles driving over it.
Key features include being tear-proof, stable and resistant to most chemicals, fats and oils and other liquids that can be potential slip-hazards.
The first product in the new Cross series, Cross 3 was launched at the start of the year and has been very successful, so Penn expects a similar scenario with CROSS 5 and other subsequent Cross products.
“With health and safety being paramount at every event, there is a demand for high quality, well-priced technical solutions like Cross in all sectors,” concludes Penn Elcom’s commercial director Rob Platt.
EU Lighting Proposals - MP Will Quince has called on the government to “do all it can” to protect theatres from EU lighting proposals. He said the proposals would have a “serious negative impact” on the sector both artistically and financially.
MP for Colchester, Quince raised the issue in the House of Commons last week. He said: “Some may ask: Why shouldn’t theatres and other performance venues play their part in saving the environment? Well, the theatre and entertainment industry do want to play their part, they fully support the sustainability agenda and are taking steps day by day to improve their environmental standards, however introducing these regulations without having an exemption in place will have a serious negative impact across European entertainment industries. This would far outweigh the positive intention behind these proposals.”
Quince told MPs that the total cost of replacing lighting fixtures, if the regulations were introduced, would be an estimated £1.2 billion to the UK theatre industry. He added: “The introduction of these proposals would stifle innovation and as a result we would be left with little more than harsh, unflattering floodlights with which to light our productions. The technical problems with LED lighting would severely affect the artistic quality of the performances. The richness in lighting for a live event lies in the diversity of light sources, colours and intensity. Without it our world-famous productions would be left flat.”
School Building - Arts Educational Schools in London has
UK - Production Park, a cluster of live event-based companies in Wakefield, has announced that it will fund university places at its industry leading training centre, Backstage Academy, making an initial pledge of £20,000 per academic year.
The Backstage Academy Bursary Fund will provide a fully funded three-year place on one of the Academy's BA courses to an outstanding candidate for whom university would not otherwise have been an option. Funds will also be available for part-funded places and support for accommodation costs.
In addition, a percentage of the fund will be allocated to provide assisted places on Backstage Academy's outreach programmes, delivered in local communities to educate and inspire those currently disengaged with traditional education, or in need of rehabilitation into a workplace environment.
Production Park says the investment is just the beginning of its long-term social mobility strategy designed to support disadvantaged people with education and help them to pursue a career in the live events industry.
Alongside study, successful Bursary applicants will take part in a work placement and mentoring scheme, incorporating all Production Park's companies - Brilliant Stages, Litestructures, Perry Scenic, LS-Live and Cato Music. Students will gain essential skills in set design and build, scenic décor, sound, lighting and visuals, alongside an array of industry recognised accreditations.
Production Park co-founder Lee Brooks says: "We feel a collective responsibility to reach underprivileged people in society who
UK - Penn Elcom has launched its new PDU16 range of premium rack-mounting power distribution: the PDU16-UN, the PDU16-EU, the PDU16-PC and the PDU16-AV.
The 2U high horizontal mounting PDU16 series has been developed in response to growing customer demand in the 19-inch rack market.
Features include a backlit LCD monitoring display on the front of each unit, showing essential operational feedback and data including voltage, current, power in watts and energy level. PDU16-UN (universal) main in/outs on Circuit A are a panel mounting 32A 240V IP44-C-FORM input socket feeding through to a 16A IP44 C-FORM output socket via an illuminated circuit breaker.
The PDU16-EU main in/outs on Circuit A are a panel mounting 32A 240V IP44 C-FORM input socket feeding through to a 16A IP44 C-FORM output socket via an illuminated circuit breaker.
PDU16-PC has a panel mounting 32A 240V IP44 C-FORM input socket as the main in/out on Circuit A, feeding through to a 16A IP44 C-FORM output socket via illuminated circuit breaker.
PDU16-AV is designed for home audio visual installations and multimedia applications from live music venues to theme parks and museums. The main input is a 20A Neutrik powerCON, complete with a 2nd order EMI filter and a GDT / VDR protection circuit to deal with lightning strikes and local power surges.
All four models of PDU16 have illuminated circuit breakers for overload protection, M4 earth studs for rack ground continuity and adjustable rack mounting ear positions.
UK - Hofesh Shechter Company celebrated its 10th anniversary and kicked off the first day of Brighton Festival in May with a performance of Grande Finale, the latest original dance work from award-winning choreographer Hofesh Shechter.
Signature to any Shechter production is the ‘Hofesh Haze’, a distinctive thick haze with an even, creamy look that remains consistent throughout the performances. To achieve this effect, Adam Hooper, head of production at Hofesh Shechter, relies on MDG haze and fog generators which are hired locally at each venue, or brought along by the company if there is no local availability. “Because haze is such a large part of Hofesh’s productions, we only use MDG haze and fog generators and specify them on every rider, with no substitute,” he says.
In Grand Finale, the set in Tom Scutt’s design consists of seven rolling towers manipulated by the dancers, and the architecture of Tom Visser’s stark and stylish lighting design, with beams of monochromatic light that cut sharply through the haze and change with each repositioning of the towers.
“The lighting positions are very specific and structured,” explains Hooper. “Focusing can take up to eight hours because Hofesh insists on running through the show at every new venue, and his attention to detail means we frequently tweak the lighting levels by as little as 0.5% during technical rehearsals. This is why the ‘Hofesh Haze’ is a very important addition to the aesthetic. We need it to look the same at all times, with no little puffs or clou
UK - Technical entertainment charity Backup has joined AmazonSmile.
The initiative, which was launched in the UK last November, enables the e-commerce giant to donate 0.5% of the net purchase price (excluding VAT, returns and shipping fees) of eligible purchases to participating charitable organisations.
To support Backup through AmazonSmile, visit www.smile.amazon.co.uk and type Backup in the ‘Pick your own charitable organisation’ window when you shop.
USA - German fibre network specialist BroaMan has appointed Clear-Com as its new distributor in the USA.
BroaMan has rapidly found favour not only in the broadcast market, but also with production companies, sport facilities, professional AV integrators and many more applications with its bespoke solutions and range of off-the-shelf converters.
As the provider of intercom systems, Clear-Com will now expand its infrastructure expertise to include video signal distribution and routing networks.
The BroaMan portfolio includes the MUX-22 and Repeat8-NANO Series interfaces, palm-size 3G-SDI or AES10-MADI signal media converters, the larger capacity Repeat48 media converters and Route66 3G-SDI 40 x 40 non-blocking video matrix.
BroaMan MD, Tine Helmle, comments: “Clear-Com is an excellent partner to be working with - extremely professional, knowledgeable and with great staff in the US, and across the world. In fact, they have already sold a good number of BroaMan devices.”
“BroaMan is known for its masterful engineering of fibre-based media networks,” says Simon Browne, vice president of product management, Clear-Com. “With their very low and deterministic latency, ability to handle many high bandwidth video signals, and future-proofed for 4K video and beyond as well as future IP standards, Clear-Com is proud to partner with BroaMan in providing these video and audio solutions for studio and remote Broadcast production.”
Immersive Incentive - Performing arts organisations have been invited to bid for a £4m fund to create “game-changing” new experiences using immersive technologies. Public body Innovate UK is awarding a total of £16m in government funding as part of its Audiences of the Future programme.
This will be split between four projects, each in a different industry which has been identified as having “maximum opportunity” for innovation. The four chosen industries are performance, moving image, sport entertainment and visitor experience.
The programme aims to ensure the UK becomes a world leader in immersive technologies such as virtual reality, which is when an entire image or environment is created digitally, and augmented reality, where a computer-generated image is superimposed on to a user’s real view of the world.
At a press briefing for the programme at BAFTA in London, interim director for Audiences of the Future, Andrew Chitty, described immersive technologies as the “most significant and potentially disruptive technologies to impact the creative industries since the web in the mid-1990s”.
Tony Awards - British theatre triumphed at the Tony Awards on Sunday night, with Harry Potter and the Cursed Child picking up six awards, including best play and best direction, at the New York ceremony. The original production ran at the National Theatre in London last year.
The biggest winner of the night was a musical about an Egyptian band visiting an Israeli desert town - The Band's Visit picked u
UK - MDG received the ABTT Award for Engineering Product of the Year 2018 for its RFP Round Floor Pocket at this week’s ABTT Show at London’s Alexandra Palace.
MDG’s RFP Round Floor Pocket is a DMX/RDM-operated pneumatic Round Floor Pocket of rugged construction which can be embedded in the stage floor or set wall to conceal a fog output. It is intended to operate under pneumatic pressure as part of an existing fog system, delivering low fog or fog to precise locations.
The ABTT judges awarding the honour, who were made up of an experienced jury of working practitioners and industry peers, stated: “Solving the problem of how to get your low fog into those hard to reach places, the MDG DMX-controlled Round Floor Pocket works as a reversed trap, lifting a lid to allow ducted low fog and haze onto the stage.
“Suitable for integration into large touring stages, or those shows with longer runs that can accommodate routes sub-stage for fog and haze ducting, the steel lid means that it is still suitable to stand on safely, and the DMX control easily integrates into haze and fog cues.”
RFP Round Floor Pocket is one of the latest in a range of accessories that complements the MDG range of fog, low fog and haze generators, and is designed to provide years of quality service.
The Award was accepted by MDG UK’s Matt Wiseman who said, “I’m delighted to accept the ABTT award on behalf of MDG. The RFP Round Floor Pocket has drawn much attention in a very short time due to it being a simple, effective and well-engineered product. The
South Africa - DWR Distribution’s SOS Charity Fund has helped finance the hand surgery of Vibe Audio & Backline owner Vincent Joubert, with further financial backing promised by DWR.
Joubert, who has worked at festivals and alongside South African artists Jo Black, Ray Dylan, Liezel Pieterse and Deon Groot, developed septic arthritis in a joint of a finger he injured a decade ago.
“Ten years ago, I hurt my finger and the joint was damaged,” Joubert explains. “Initially, the doctor was going to amputate, and I was actually relieved as I was in such immense pain. It was difficult to function.”
The surgery, which could not have taken place in a government hospital, was enabled by an SOS Charity Fund donation of R7,000 (£400).
Joubert adds: “People in the industry, including artists I work with, and DWR Distribution’s SOS Charity Fund have been wonderful and assisted me with the initial operation costs. They have all been amazing - thank you very much!” As a single dad, kind gestures have gone a long way.”
UK - Flightcase Warehouse has acquired Production Park-based heavy-duty case company Box Clever Cases, effective 4 June.
The deal reflects an “ambitious growth strategy”, which has seen the Tamworth flight case manufacturer invest in “product, people and process”. Flightcase Warehouse is also launching an enhanced protective case service for Production Park businesses, including an on-demand delivery service, and is transferring all manufacturing to Tamworth.
Sam Austin, managing director of Flightcase Warehouse, comments: “The Flightcase Warehouse acquisition of Box Clever Cases complements our overall offering whilst strengthening our hand in the production and live events marketplaces through maximising the unique and exciting opportunities Production Park affords us. We’re an ambitious company continually leading the way in both exclusive services and product development, and we see our new relationship with a Production Park resident as representing a great growth trajectory.”
Box Clever Cases will continue to trade under its existing name and team. It has refreshed its logo to reflect the new alliance.
Graham Kearsley, managing director of Box Clever Cases, adds: “Through this purchase, businesses on Production Park and the wider industry alike will continue to enjoy the personalised service that they currently receive from Box Clever Cases, but with the added bespoke, manufacturing and speed benefits of Flightcase Warehouse. We’re passionate about delivering a professional, friendly and down-to-earth service and our cu
UK - The PLASA 2018 Members’ Day and AGM took place on Thursday 31 May at the Royal College of Physicians in Regent’s Park, London to reflect upon a year of specialist projects, industry collaboration and growth.
Members and guests enjoyed a productive day with an insightful AGM, followed by a networking afternoon in the venue’s unique ‘physic’ garden. The lively guest speaker, Caroline Russell from The Ideas Centre Group, encouraged audience participation with her creative approach to problem-solving, then attendees were invited to stay for drinks into the evening.
PLASA Treasurer Mark Surtees presented the 2017 accounts and announced that PLASA is in a place of financial stability, highlighting an increase in profits due to commercial growth within Events and Media. Newly elected Chair, Adam Blaxill, added later that all profits funnel back into the Association, enabling PLASA to generate and implement more initiatives to directly benefit its members and the wider industry.
Managing Director Peter Heath described how the last 12 months has been ever-changing and that PLASA has been proactive in connecting and collaborating with its members. Blaxill bolstered this by encouraging members to get involved with the Association’s activities and work within specialist groups if they feel they have something to offer. Both Blaxill and Heath also noted that although Brexit is looming PLASA has continued to reach out to European members to help unify the industry and raise working standards.
There were several presentations f
Code of Conduct - Edinburgh’s City Council is cracking down on low and unpaid work at festivals, including the Edinburgh Festival Fringe, with a new code of conduct demanding that employers pay all staff the living wage.
The local authority has released the guidelines, called the Edinburgh Festivals Workers’ Welfare Commitment, as part of a report on how best to promote fair working conditions at the city’s festivals. This follows recent news that unions are to crack down on “exploitative” unpaid work placements at the Fringe and a survey in January in which a third of workers at the Edinburgh Festival Fringe said they had worked without pay.
The local authority has committed to paying the Scottish local government living wage of £8.51 per hour to its own employees, and expects other employers to “align to the same commitment where possible” and to pay no less than the UK government national living wage of £7.83, regardless of the worker’s age.
Papal Move - Classic Irish sitcom Father Ted, which last aired more than 20 years ago, is set to make a musical comeback. The show's co-writer Graham Linehan revealed on Twitter that a stage version of the comedy is "nearly written". The play, named Pope Ted - Father Ted Musical, has been created by Linehan and the show's other original co-writer, Arthur Matthews. It will reportedly see Ted move from his home to become Pope in Vatican City. Linehan has not confirmed when or where the musical will debut, but said he hopes it will be on the stage in 2019.
UK - J&C Joel has announced the appointment of Alan Jackson as UK sales manager.
Jackson has more than 35 years’ experience in the industry including working for Hawthorn for 14 years, most recently as their installations director. He will work closely with the UK sales team to develop inclusive relationships with customers, drive a focussed approach to the UK market and raise awareness about the broad range of products J&C Joel provide.
Jackson comments: “As a Yorkshireman, it’s great to go back to my roots and work with a fantastic Yorkshire based company. I’ve had a long connection with J&C Joel and I’m really looking forward to developing the UK sales team, meeting customers and raising the profile of the team and the company’s products and services.”
J&C Joel CEO James Wheelwright adds: “Alan is a great addition to our senior management team. He brings many years of experience, has extensive knowledge of our products and services and is a well-known industry face. He was the ideal choice to head up our sales operation in the domestic market.”
Europe - Didier Streel has been appointed vice-president of business development, for Solotech’s Rental Division, Europe, as the Montreal-based company continues to expand its international reach.
Didier has more than 30 years’ experience in the entertainment technology industry, which has earned him a solid reputation in the European market. He will be instrumental in implementing Solotech's expansion strategy in the European market, overseeing the setting up of service points to support Solotech's commercial activities in Europe, as well as ensure the development of new European client bases in the tour, corporate and special events market segments. He will be based in Brussels.
West End Live - Tina: The Tina Turner Musical, Strictly Ballroom and Chicago are among the new shows announced in the line-up for this year’s West End Live. The free event, which is organised by Westminster City Council and the Society of London Theatre, will take place in London’s Trafalgar Square on 16-17 June.
Other shows to take part this year include Eugenius!, Brief Encounter, Little Shop Of Horrors, Heathers the Musical, Knights Of the Rose, Six, Circolombia, Madagascar – A Musical Adventure, and Kiss Me, Kate.
Julian Bird, chief executive of SOLT and UK Theatre, said: “We are delighted to be continuing our partnership with the City of Westminster to bring the casts of London’s great shows to Trafalgar Square, giving theatre fans the chance to see exclusive performances for free. West End Live is a unique celebration of our world-leading theatre industry, and this year promises to be as diverse and entertaining as ever.”
Paved with Gold - A contactless payment scheme is to be introduced for buskers in London in what is being described as a world first. Performers will be handed readers that allow them to set a fixed amount of money to donate and accept contactless payments from passers-by. The Busk in London project, a Mayor of London initiative that has partnered with tech company iZettle, will allow street musicians across the capital to accept payments via cash, contactless cards, wearable technology and chip and pin.
Billboard Awards - Ed Sheeran was the big winner at the Billboard Awards in Las Vegas. The singer took home four awards - top artist, top radio songs artist, top song sales artist and top hot 100.
Other artists used the ceremony to pay tribute to Avicii, the Swedish DJ who died last month aged 28. Andrew Taggart from The Chainsmokers said the DJ's death was "a great loss for the music world and for us. He was an artist who inspired so many in so many ways and simply put he meant so much to us and so many in the EDM community."
Halsey added: "Everyone who worked with him would agree he was such a joy and it makes this tragedy all the more painful. And it's a reminder to all of us to be there and to support and love all of our friends and family members who may be struggling with mental health issues."
The annual awards show, which celebrates artists' achievements on the Billboard charts in the US, had a performance from Ariana Grande. She performed No Tears Left To Cry, her first single since the Manchester Arena terror attack, which took place almost a year ago. Other winners included Taylor Swift, who won top female artist, and Camila Cabello, who scooped the Billboard chart achievement award. Khalid won top new artist, Taylor Swift won top selling album for reputation and Kendrick Lamar was named top streaming artist.
Vinyl Record - Arctic Monkeys' new album is the fastest-selling on vinyl in 25 years, the Official Charts Company says. The band's Tranquility Base Hotel & Casino album sold 24,500 vinyl copies in its f
UK - Backup’s Kart-Fest 2018 returns on 5 July at Daytona Sandown Park in Surrey, with Chauvet helping drive the event forward and Wimbledon named as this year’s theme.
“We all know people in it who have suffered or are suffering right now in our crazy industry family,” says Matt Hallard, Chauvet’s UK sales manager. “Having an opportunity to support friends and colleagues by sponsoring one of backup’s amazing events is simply the least we can do. Here’s to many more opportunities to shout loud about the great work the trustees and team are doing at Backup and here’s to all that support them.”
“We are delighted to welcome Chauvet as our key partner for Kart-Fest 2018,” says Backup trustee Lee Dennison. "Chauvet joins an amazing list of companies who have already committed to backup and supporting the work we do. We also welcome Creative Technology on board as one of our fantastic production partners. They join Autograph Sound, Unusual Rigging, Impact Production Services and Media Lease as sponsors for Kart-Fest. Thank you to all of them for supporting Backup."
Wimbledon will be the theme for the 5 July event, at which 300 members of the live events industry are expected to come together with big hair, sweat bands and '70s tennis whites to the fore (Yes, we are serious!). There will be prizes for best outfit.
Away from the race track, live action from Wimbledon will be screened throughout the day. BBQ will also be provided, a well as live music and the chance to catch up with clients, manufactures, customers, supplie
UK - Powerbox has announced the launch of four new series of extra-wide input voltage range, 8W to 20W board-mounted DC/DC converters for railway and transportation industry.
With a 13:1 input voltage range of 12V to 160V, the MAD33 (8W), MAD32 (10W), MAE35 (15W) and MAF35 (20W) have been developed to provide systems designers with a single part number that is able to power a large range of transportation industry applications (e.g. railway, industrial automation and automotive, remote radio-control), reducing inventory, time to market and documentation.
The MAD-MAE-MAF series are designed to meet railway specifications EN50155, EN50121-3-2, EN61373 and EN45545, but as well ISO7637-2 for 24V vehicles, and EN12895 for industrial trucks and other industrial applications such as robotics. The 8W MAD33 is packaged in an industry standard DIP24 case, and the MAD32, MAE35 and MAF35 are housed in a 2x1 inch case. All four series have a typical efficiency rating of 86%, which considering the extra-wide up to 13:1 input range is an outstanding figure.
“Time to market is very important for systems designers as is simplicity of the sourcing / supply chains in order to reduce downtime in the case of trains maintenance or hardware upgrades. Both are driving forces behind extra-wide input range converters and we see similar demands from other industries such industrial automotive,” said Martin Fredmark, Powerbox’s VP portfolio management.
“Designing 13:1 input range DC/DC converters is very challenging in order to optimize all parameters while keep
USA - Theatre Projects is opening an office in Denver on 1 June, the company has announced. Principal Millie Dixon will lead the new office with support from other familiar faces including Aaron Wong and Ali Mignone.
The location was chosen for being relatively central to western and mid-western US and for being easy to reach from Los Angeles, Portland, Minneapolis, Dallas, Chicago and Atlanta by plane.
With the opening of the new office, Theatre Projects will have five offices worldwide - Denver, Connecticut (South Norwalk), London, Paris, and Shanghai, as well as a representative in Chile.
Stage Invasion - The anti-media campaigner who interrupted SuRie's performance in the Eurovision final managed to invade the stage after climbing into the venue's camera run while being pursued by security. Organisers the European Broadcasting Union said the man - believed to be a so-called "philosopher, activist and DJ" who goes by the name of Dr ACactivism - made his way to the stage via a bridge.
"He climbed into the camera run and reached the main stage via the bridge, pursued by security," said a spokesman. "He was removed off stage after seven seconds and was questioned by police. We take security very seriously and an investigation into what happened is already underway." The man previously stormed the stage during the final of The Voice in 2017 and the National Television Awards in January this year.
Autism Friendly - The Prince Edward Theatre has become the first West End venue to receive an award from the National Autistic Society, honouring its efforts to welcome autistic audience members. Currently home to Aladdin, the theatre has won an Autism Friendly award from the society, recognising what the theatre does to make the experience more comfortable for people with autism, including training staff and adapting performances.
For Aladdin, dedicated autism-friendly performances include adapting the foyer to include quiet areas, adjustments to the performance itself – including reducing “jarring sounds” – and a specific website that helps people with autism prepare for their visit. Pri
Devastating Impact - Theatres around the UK face a total bill of £1bn - more than five times the cost initially feared - if new European Union regulations come into effect. This is the warning from the Society of London Theatre and UK Theatre and is much higher than the amount initially estimated.
The theatre membership bodies issued a joint statement warning of the devastating impact that proposed restrictions on lighting would have on the industry to their members, which include all West End Theatres and regional theatres around the UK.
Due to concerns over energy efficiency, the EU is considering banning the sale of most lighting fixtures that are currently in use in theatres from 2020.
UK Theatre and SOLT, along with industry leaders including West End theatre owner Nica Burns, are campaigning for an exemption for theatre lighting to be included in the new regulations.
The statement from UK Theatre and SOLT says: “The proposed new EU Ecodesign regulations, expected to come into force from September 1, 2020, will severely affect the equipment available for stage lighting.
“In doing so, the changes will dramatically affect the way lighting for performances is created, and will impact heavily on performing arts organisations and other venues, from major commercial West End theatre to venues throughout the UK, to school and village halls, some of which may be forced to close.”
Manufacturers have told UK Theatre and SOLT that there are currently no specialist lighting fixtures suitable for production lighting that will meet t
UK - MDG and PRG XL Video have praised lighting designer Howell Binkley and the cast and crew of the London production of Hamilton: An American Musical on winning seven Olivier Awards, including that of Best Lighting Design, at the awards ceremony in April at London’s Royal Albert Hall.
PRG XL Video supplied three of its ATMe haze machines to this much-anticipated London production when it opened in December 2017.
Hamilton, which had already taken Broadway by storm with 11 Tony Awards, made its UK debut at the newly refurbished Victoria Palace Theatre in London’s West End, and received a standing ovation on the very first preview.
Howell Binkley says: “We use the ATMe units constantly throughout the show. There is no real scenery for this show, so the lighting has to create the different spaces required. We just wanted a very fine haze in the air - we don’t like to see clouds of ‘smoke’ appearing from the wings - and with the ATMes we were able to achieve this very well.
“We use two of the ATMe generators in upstage and downstage positions on the stage right fly floor, and keep the third as a back-up,” continues Binkley. “They are the only haze machines in the whole show and were brought in by our production electrician who changed the spec without telling us! It was a wise move, however, as they give us much greater control.”
PRG XL Video account director Peter Marshall adds: “It’s well known that theatre lighting designers prefer to specify MDG units because they are silent and have a large operat
USA - Point Source Audio (PSA) has announced the recipients of its $10K Anniversary Giveaway in celebration of its 10-year anniversary and “give back” initiative to benefit the performing arts. Each of the Grand, Great, and Good prize winners will select from Point Source’s full catalogue of miniature microphones and headsets totalling their prize value of $5,000, $3,000 and $2,000 respectively.
The contest was open to public and non-profit schools, non-profit performance art and music-driven organizations, community theatre and performing arts groups and clubs, and church performance groups. “The award winners exemplified to us how it is possible to use the performing arts to entertain while also magnanimously create goodwill throughout their community,” said James Lamb, president of Point Source Audio. “It is heartwarming to see so much good being done day in and day out by these unsung heroes.”
The $5,000 award is presented to the NewArts Foundation for its work towards youth development. NewArts was founded by Michael Baroody, MD, a resident of Newtown, following the tragedy at the Sandy Hook Elementary School. The foundation’s mission is to empower children in an increasingly challenging world by providing programming to guide children through personalized character development.
The $3,000 award is presented to the University of South Dakota Department of Theatre for its outreach to the Native American community. The University of South Dakota Department of Theatre drives forward arts engagement, diversity and inclusiveness in t