USA - Take1 Insurance has announced a new strategic underwriting partnership with OneBeacon Entertainment, a member of OneBeacon Insurance Group.
According to Take1 Insurance executive vice president, programme director and lead underwriter Scott Carroll, the new partnership enables Take1 to offer its customers a greater range of rental and staging insurance options for event service firms, event planners, producers, promoters, along with options for film and television production, short term or annual special events, those who tour and even the insurance needs for loan-out corporations.
“Take1 will do everything within our power to make sure that our customers never have to take their chances by offering the very best available coverages and our new partnership with OneBeacon enables us to do that with a specialty solutions carrier focused on entertainment customers,” Carroll said today.
Commenting on the partnership, OneBeacon Entertainment president Joe Fitzgerald said, “At OneBeacon, expertise and value-added service sets us apart. That’s why we’re excited to partner with Take1, a premier industry leader in the Entertainment market, and a company as committed to superior service and creative, comprehensive solutions as OneBeacon.”
Take1’s Scott Carroll noted that in the entertainment industry multi-million-dollar decisions are made each day and the insurance requirements are as varied as the productions and people seeking coverage. “OneBeacon Entertainment provides comprehensive commercial insurance solutions for touring e
West End Revival - Six and Everybody's Talking About Jamie will become the first musicals back in the West End in mid-November, eight months after the curtain came down. They will hit the stage three weeks after a string of non-musical shows reopen London's theatre district. The Play That Goes Wrong, Agatha Christie's The Mousetrap and Adam Kay's This Is Going To Hurt will all admit socially distant audiences in October.
Venue heads said "robust risk mitigation" would be in place. They include reduced capacities, contactless tickets, temperature tests and deep cleans, as well as hand sanitation, face coverings and track and trace.
The producers of Six, the hit show about Henry VIII's wives, will take a separate cast to The Lowry in Salford from late November. The musical had been due to be staged in the Greater Manchester venue's 450-capacity Quays theatre over Christmas, but will move into the complex's 1,700-seater Lyric in order to accommodate all ticket holders while ensuring social distancing.
Producers hope Everybody's Talking About Jamie will resume at the Apollo in November, but the group's biggest production - Harry Potter and the Cursed Child at the Palace - will not return until at least February.
Lifeline - Actor Liam Neeson has told the Northern Ireland Executive that £33m in support funding for theatres and venues is a "lifeline". In July, NI received £33m as part of a UK government package for theatres, arts and music venues and museums. However, the executive has
Furlough Extension - The chancellor is facing renewed calls to extend the furlough scheme specifically for the arts and leisure sectors, with the Digital, Culture, Media and Sport Committee warning that the entire industry’s future is at risk without it. Julian Knight, chair of the cross-party committee, has written to Rishi Sunak claiming that the government’s current approach - whereby the job retention scheme will be wound down next month - renders its support for culture "highly inflexible".
"Moreover, ending the scheme for all industries alike in October does not reflect the unique situation faced by the arts and leisure sectors. These high-value sectors have become hostages to fortune; they are among the hardest hit by the COVID crisis, with 51% of workers still reliant on furlough, compared with 13% across all industries. However, while restrictions on activity and audiences remain, employees of empty theatres and closed leisure centres face no immediate prospect of returning to work," Knight said.
He claims the government must take responsibility for supporting sectors such as the arts, on which it has imposed restrictions, until they are able to reopen. The letter argues that without an extension to the furlough scheme, "we can expect large-scale redundancies in the creative industries over late-2020 and into 2021".
Careers Boost - Liverpool John Moores University is opening a new faculty for media students at a forthcoming film and television studios in the city. Twickenham Studios is opening a base at the former Littlewoods h
USA - As the industry continues to be largely shut down, entertainment industry workers are dealing with increased levels of depression and anxiety and many are struggling to maintain their mental and emotional wellbeing. Joblessness, isolation, and worry about the future are all contributing to the negative impact on mental health. The reality is that many are not coping well and reports of suicide are on the rise.
National Suicide Prevention Week is an opportunity to learn what can you do to help colleagues or family and friends you are concerned about, as well as find resources that may help you today or in the future. Visit btshelp.org/bethe1to see the warning signs of suicide, because the more familiar you are with the signs the more likely you are to recognise them. Then learn about the 5 Steps you can take to help keep someone safe: Ask, Be There, Keep Them Safe, Help Them Connect, and Follow Up. Practical guidance and situational examples are provided for each of the five steps.
Most people want to help if they see someone at risk for suicide but they don’t know what to say or do, or are afraid they will make things worse or damage their relationship with the person, especially in the workplace. Evidence shows this is not the case and it is critical to reach out. Btshelp.org/bethe1to can give you the tools and resources you need to not be afraid to step up and potentially save a life.
Help spread the word across our industry – we can all help save
UK - Technological Innovations Group (TIG) has appointed Courtney Hercules to the UK team, as regional sales manager.
Reporting to TIG's regional director UK & Ireland, Phil Breitschadel, Courtney will focus primarily on the Crestron range of solutions and will support integrators by advising on the most suitable tailored solution for their clients' specific needs - in any commercial, corporate and collaborative setting.
Phil Breitschadel comments, "Courtney clearly understands TIG's vision, which is to provide a fully compatible suite of premium AV, UC and control solutions that integrate harmoniously with Crestron to create superior smart spaces. He is a talented and knowledgable salesman, having developed his technical expertise in the AV and technology industries. We look forward to having him join the team."
Courtney adds: "Working for TIG and representing Crestron has been a dream of mine for many years! I'm excited to meet all of my colleagues and customers, and contribute to TIG's success story. As we share this opportunity to grow together in these uncertain times, I look forward to bringing drive, expertise and assisting as best I can."
UK - Initially launched by PLASA in response to calls from its membership, the #WeMakeEvents campaign aims to raise awareness around the current plight of the live events sector and how it urgently needs financial support in order to survive the COVID-19 crisis. The initial response resulted in a collective Day of Action on 11 August, with creative expressions across the country, including over 700 buildings lit up in red and other activities that culminated with 4,000 socially distanced event professionals lining bridges and the bankside of the Thames, expressing their need for support with the red alert theme. (Read extensive coverage of the Red Alert day of action in LSi September – out now!)
In order to represent all those in the communities that #WeMakeEvents represents, PLASA is now announcing that the campaign has moved into total independence, steered by a collective of industry trade bodies, including PLASA, businesses and freelancers who are all working together to ensure it receives as much awareness as possible. The success of the initial activity has led to a global movement, with organisations from around the world coming together in a spirit of mutual support and solidarity.
This next stage in the campaign will be known as ‘Stand as One’ – taken from the newly released song and now campaign anthem, written and performed by Joe Bygraves, who has generously agreed to do
UK - On 11 August, as part of the PLASA-initiated UK-wide #WeMakeEvents day of action, the live events and production community in Manchester organised a silent and socially distanced flight case march across the city which culminated in a dramatic red flare exhibit.
Over 1,000 freelancers and supply companies attended the regional protest which collectively asked the Government to extend its furlough scheme and allow access to grants in order to help save an estimated 114,000 jobs.
The protest implemented the Tour Production Group (TPG) COVID-19 Working Guidance.
Acknowledging that tour-specific guidelines will become the norm in order for live production professionals to work and interact safely, the working guidance outlines how crews can better align through consistency and consultation to assist risk management relating to COVID-19 transmission.
Production manager Nick Gosling, who works with Nile Rodgers & Chic is part of TPG’s committee and helped manage the event from his home in New Jersey.
On the ground in Manchester was production manager Nick Robinson, together with Ben Dawson as crew chief and flight case manager, and Event Trucking Services’ Alex Webster as transport coordinator. The core team were joined on the day by Tom Sheals-Barrett as comms and co-production manager.
Robinson says: “We brought in Go For Show mobile production offices which were used by the production, media and creative management teams as on-site communication and planning hubs. dbnAudile and Tube supplied flight cases with STS Tour
Island Music - While most music festivals over the bank holiday weekend switched to online streams one had a sell-out crowd. Guernsey has been Covid-19 free since 27 May and ended social distancing in June. It meant the Vale Earth Fair was able to continue to provide 12 hours of live music as it has done for 44 years.
The event proved so popular that some people who hadn't purchased a ticket were turned away later as the site was at capacity. About 3,500 islanders enjoyed bands, choirs, acoustic sets, DJs and spoken word across six stages in the grounds of the 600-year-old Vale Castle. Due to pandemic border restrictions all the performers were from the Bailiwick of Guernsey. Profits from the event will benefit Burma Campaign UK, Free Tibet, and Safer Guernsey.
Recovery Fund - Scottish theatres and comedy venues will be able to access a share of a £15m emergency recovery fund, under long-awaited plans about how the country’s government will allocate funding granted by Westminster in last month’s cultural rescue package.
The Culture Organisations and Venues Recovery Fund was announced by first minister Nicola Sturgeon as part of a £59m package for culture and heritage that also includes a £5m grant programme for freelancers. Scottish culture secretary Fiona Hyslop said, "We want to reach as many people as possible and I do believe these funds will make a marked difference in ensuring our culture and heritage sectors not only survive the pandemic but thrive in future.”
Dramatic Downturn - The arts and entertainment industr
UK - Resource management software provider Xytech continues to innovate its MediaPulse resource management system, this time with the release of a new, fully featured graphical user interface for the Media Orchestrator.
Seamlessly incorporated to the workflow software, the new graphical UI merges asset management, operations and resource management, allowing game-changing media services companies to monitor the people, facilities or equipment needed to complete a given task.
“All too often, companies are adversely effected by a lack of efficiency in their workflows, and this can have a direct impact on profit margins,” said Greg Dolan, Xytech CCO. “The media software industry demands intelligent solutions with the ability to dynamically adapt to customers’ constantly evolving needs. With offices in Los Angeles, London, France, Germany, Belgium, Canada and China, Xytech is uniquely positioned to meet customers at their point of need with unmatched technical service. Also, with regular, yearly upgrades and quarterly updates to the MediaPulse platform, we are not leaning on decades-old software like our competitors.”
The new graphical UI takes the complication out of the workflow process by offering users an easily digestible and totally intuitive interface. Users can move an entire block of functionality instead of choosing from a menu item. A user can grab a visual block, plot out the appropriate steps and link it graphically through Visio.
The new UI also allows users to define, configure and monitor any media service workflow while
Risk Research - Scientists in Germany held three pop concerts in a single day to investigate the risks posed by mass indoor events during the pandemic. About 1,500 healthy volunteers aged between 18 and 50 - only a third of the expected number - took part. But the head of the study, which was carried out in Leipzig by Halle University, said he was "very satisfied" with how the event unfolded. Singer-songwriter Tim Bendzko agreed to perform at all three successive gigs.
The concert study, called Restart-19, was created "to investigate the conditions under which such events can be carried out despite the pandemic", researchers said. The first of Saturday's three concerts aimed to simulate an event before the pandemic, with no safety measures in place. The second involved greater hygiene and some social distancing, while the third involved half the numbers and each person standing 1.5m apart. All participants were tested for Covid-19 before taking part, and given face masks and tracking devices to measure their distancing. Researchers reportedly also used fluorescent disinfectants to track which surfaces audience members touched the most.
"The data collection is going very well, so we have good quality data, the mood is great and we are extremely satisfied with the discipline in wearing masks and using disinfectant," lead researcher Dr Stefan Moritz said.
Emergency Funding - Small music venues in England have welcomed the announcement of a further £1.1m emergency government funding. Last month, Culture Secretary Oliver Dowden rolled out his pla
USA - PSAV has announced that Ben Erwin has been named chief executive officer, effective immediately, and will maintain his current title as president. In his new role, Erwin will be responsible for driving the strategic direction of the company and overseeing the execution of its business plan.
Says the company, “This leadership transition occurs as PSAV continues to take a leading role in helping its customers adjust to the current environment of the meeting and events industry. Erwin succeeds Mike Mcllwain, who has served as CEO since 2011.”
“I am honoured to assume the role of CEO during this pivotal time,” Erwin said. “We are focused on positioning PSAV for a return to growth and long-term success as we continue to provide creative solutions to our customers and venue partners.”
Erwin continued, “On behalf of the entire team, I want to thank Mike for all he has done for PSAV during his tenure and, personally, for his mentorship and guidance to help me prepare for this role. His impact will continue to be felt by our organization long after his formal departure from the business.”
“Ben has been an important partner in supporting PSAV’s growth over the last five years, and he has the right combination of leadership skills and financial and operational acumen to guide the company well into the future,” Mcllwain added. “Along with our full board, and Blackstone as our owners, I am confident in his ability to step seamlessly into the CEO role and build on our more than 80-year history of helping to bring unforgettable
UK - Singer-songwriter Joe Bygraves has produced the single, Stand As One in support of charities helping the live entertainment and events industry. Its official release on Spotify, iTunes and all streaming services is today, 21 August at 12.00pm.
The 24-year-old from Bedfordshire has written and performed the song, which aims to reach out to people struggling with issues surrounding mental health during and looking past the COVID-19 pandemic, especially focusing on the behind-the-scenes professionals who, in any other year, would be pulling together to create the infrastructure for world-class live performances.
Joe was challenged to write the song by the organisers of the #MakeItBlue campaign started by the UK the events and entertainment industry to support colleagues in need, and to promote public mental health awareness through arts, culture and entertainment projects.
#MakeItBlue co-founder Gary White said: “We asked Joe for a track that would resonate with our collective experience and send out a message of hope and support. Joe is donating 25 per cent of its proceeds to MAKEITBLUE CIC for charitable use in the events industry.”
For Stand As One, Joe is backed by a collective of pedigree musicians, including Tom McRae (background vocal arrangements), Richard Hammond (bass), Simon Johnson (guitars and backing vocals) and Mark Pusey (drums and percussion). Piano and background vocals are by Olli Cunningham, who also produced and mixed the song. It was mastered at Abbey Road Studios London by Simon Gibson.
USA - Inspired by efforts in the UK, mainland Europe and South Africa, the US live events industry is set to host its own #WeMakeEvents ‘Red Alert’ day of action on 1 September.
Using the hashtags #WeMakeEvents #RedAlertRESTART and #ExtendPUA to gain momentum, the move represents a major call to action on Tuesday, 1 September, imploring the US Congress to pass the RESTART Act (S.3814) as quickly as possible, offering economic relief to America’s live events industry, which has been shuttered since March, 2020, putting millions of people out of work. Additionally, the movement is to support ExtendPUA.org in their efforts towards continuation and extension of the Pandemic Unemployment Assistance to provide relief to those without work due to COVID-19.
#WeMakeEvents North American director, Brad Nelms comments: "The group has managed to gather incredible support for this important movement, signing on more than 30 regional directors to lead the initiative in markets nationally. This team have been so fired up and already have commitments from hundreds of incredible venues and iconic locations nationally who will show support."
On 1 September buildings, structures, and residences across the US will be lit in red from 9pm-12am (local time in each market) as the event rolls across North America. The goal to raise public awareness that the live events industry is on ‘Red Alert’ for its very survival, and to create congressional pressure to act now.
#BeAnArtsHero, a grassroots coalition of arts and cultural workers, reports: "The Arts &
UK - AnyBrand is introducing face coverings treated with HeiQ Viroblock technology, a “tested and proven COVID-19 barrier” that counteracts the airborne transmission of the virus.
HeiQ Viroblock NPJ03 Swiss technology has been tested to be effective against SARS-CoV-2 (COVID-19) in the laboratory and the ISO-tested 18184, which is added to the fabric during the final stage of the textile manufacturing process.
AnyBrand founder Colin Graham states: “The new every-day problems we face need high tech and sustainable solutions. Partnering with HeiQ allows us to do this with a unique and invaluable edge.
“We don’t have the cure all solution, but we do have a ‘silver bullet’ that could make the all-important difference to minimise the social distancing requirement that has decimated the live events sector.
“We believe our brandable face coverings present live events with a better chance of accelerating the reopening of its doors with higher capacity audiences, when used alongside other COVID-19 safety measures.”
Carlo Centonze, CEO of HeiQ Group, said: “We are pleased to partner with AnyBrand in the UK to develop life-saving products and applications for our technology.”
The first face coverings have arrived in the UK this week and AnyBrand is geared up to deliver large quantities of a variety of specifically branded, reusable face coverings within weeks.
Financial Guidance - Guidance has been published on how arts organisations can apply for the government’s £270m repayable finance scheme. The repayable finance was announced as part of the government’s £1.57bn Culture Recovery Fund, which also includes £622m of grants.
Theatres can either apply for grants of up to £3m or for loans for larger amounts. With the repayable finance package, which is geared towards larger organisations, the government aims to "stabilise cultural organisations until they can return to sustainable operations". Applications will be "assessed against rigorous cultural and economic criteria" including efficiencies made to date and ongoing viability for the future.
Organisations will also be asked to demonstrate national or international significance and outline opportunities to engage local communities through education and outreach. Arts Council England will review applications, with input from other bodies including the British Film Institute, Historic England and the National Lottery Heritage Fund. Decisions will be taken by the independent Culture Recovery Board.
Applications will open on 21 August, with a deadline of 9 September. Arts Council England aims to notify applicants of the outcome of their application in the week beginning October 19, and says that funding is anticipated to reach organisations by this December.
Employment Crisis - Job opportunities in the arts have disappeared faster than any other sector of the UK economy as a result of the pandemic, new data has revealed, with vacancies dr
USA - LSi is sad to report that Howell Binkley, one of the most distinguished theatre/dance lighting designers of his generation, died on Friday 14th August in Jacksonville, North Carolina, of lung cancer. He was 64. "He was just a special spirit," his widow, Joyce Storey, told the Winston-Salem Journal. "He was adored by so many and will be missed by all."
According to the Journal, Binkley, a native of Winston-Salem, North Carolina, attended Atkins High School, where he was first drawn to theatre. He worked at the Little Theatre of Winston-Salem and graduated from Reynolds High School in 1974. After attending East Carolina University, he moved to New York in 1978, and began working with the Acting Company and Paul Taylor Dance Company.
Early on, he established himself in the dance world, working with the Joffrey Ballet, Alvin Ailey American Dance Theater, MoMix, Peter Pucci Plus. Hubbard Street Dance, and American Ballet Theatre. Most famously, he was the cofounder and resident lighting designer for Parsons Dance, creating 85 original pieces for that company.
Binkley worked extensively in regional theatres, including the Goodman Theatre, La Jolla Playhouse, Alley Theatre, Guthrie Theater, McCarter Theatre, Hartford Stage, Signature Theatre, The Old Globe, and Shakespeare Theatre Company. He also designed six entries in the Kennedy Center’s Sondheim Celebration.
He made a notable Broadway debut in 1993 with Kiss of the Spider Woman; other productions included: How to Succeed in Busi
UK - With government guidance now emerging for the events industry, Showforce has partnered with industry safety specialist The Event Safety Shop (tess) to develop COVID-19 protocols and risk assessments specifically for the global crewing business.
The new working practices have been written in-conjunction with Showforce’s NEBOSH qualified health, safety and training manager, Laurence Jones and the highly experienced team at tess. They are designed to minimise the risk of infection and ensure the safety of Showforce’s crew, clients and fellow contractors in the working environment, wherever practicably possible.
The protocols and risk assessments consider travel to and from site, additional sanitisation procedures, dedicated welfare areas for crew, social distancing, temperature checks for all crew before commencing work and the development of work bubbles or buddies. All Showforce crew will undergo rigorous in-house training in the practises before arriving onsite and in line with Showforce’s existing exemplary safety record. The policies ensure that its’ crew are well trained and ready to work, along with an additional layer of support and assurance for clients.
Operations director, Chris Martelly comments: “As we emerge from lockdown and take tentative steps back to work, the safety of our crews, clients and fellow industry suppliers is paramount. Whilst this has always been the case, the ‘new normal’ requires considerations and policies dedicated to COVID-19 safe working practises. Partnering with a company of tess’ calibre an
Pantos Postponed - Four of London’s biggest pantomimes have become the latest major productions to postpone their 2020 performances amid ongoing uncertainty from government about reopening.
The Hackney Empire’s annual show will not take place this year, neither will pantomimes at the Lyric Hammersmith Theatre, Theatre Royal Stratford East and the Queen’s Theatre Hornchurch, which will not be staging a pantomime for the first time in nearly 70 years. Last year, the four pantomimes attracted audiences of more than 145,000 and typically employ over 280 freelancers.
A joint statement from the four venues said: "The production process for such a large-scale show as panto would have begun at the start of August. Without an announced date from the government on when theatre performances can resume without social distancing, making a panto economically viable, these theatres have now had to take the hard decision to postpone to 2021."
High Notes - A new production of Jason Robert Brown’s The Last Five Years is to be staged at the open-air Minack Theatre in Cornwall. It will be directed by Omar F Okai and runs from 15-19 September. Okai said: “We need to start looking to the future of theatre and I am so happy to be directing and working with a brilliant team on creating a fresh new look at The Last Five Years and bringing it to the Minack Theatre. Live theatre will be back and this is the start.”
Minack director Zoë Curnow said: “We were really keen to have a musical in our amended 2020 programme and really look for
Germany - Berlin-based full service live event and technical production specialist TSE AG has been utilising the unexpected downtime of the pandemic in a number of constructive ways including professional development and launching a new exercise for all their trainee staff and apprentices called The Next.
This is designed to encourage their budding new talent in the fields of event management, production and organisation, lighting, visual, production and audio design to shine through.
The trainees themselves initiated the idea of setting up and creating a lighting, sound, and visual show environment for use as a series of dynamic live streams and recordings.
TSE’s available technologies had to be used inventively, and the set up was built in their warehouse in Berlin’s lively Neukölln area, for which the trainees used some of the large stock of Robe moving lights, including 14 Pointes, two MegaPointes and eight Spiiders.
The installation was in place for 10 days and utilised by a succession of local artists, bands and DJs who either livestreamed shows or recorded videos for later broadcast or use as promotional collateral.
All the current social distancing requirements and hygiene regulations were strictly implemented ensuring that it was a completely COVID-19 compliant space.
The whole project was imagined, planned, and realised by 13 TSE trainees and apprentices working alongside 20 technicians and coordinated by Marcel Kuch, supervising project manager for TSE AG and Henning Grunwald, trainee project manager for TS
UK - Lights Camera Action (LCA) has re-located to new premises in High Wycombe and will be trading as normal from this location with its newly-built offices and demo area.
Stock levels on all the products will be maintained at their current levels so the fast turnarounds you have been used to from LCA will absolutely continue, says the company.
“If getting out to our new location is a little harder for you don't worry we have access to a greater number of delivery vans or we can happily ‘meet you halfway’ as needed.”
The new address is: Centauri House, Hillbottom Road, High Wycombe, Buckinghamshire, HP12 4HQ UK (+44 (0)8833 7600).
Rebuilding Trust - Industry leaders are developing a quality mark to be displayed in theatres and on other promotional materials, aimed at rebuilding trust among theatregoers. It is one of a number of measures being planned to regain the confidence of theatregoers when venues are able to reopen. Staggered start times for shows are also being considered, as well as plans to work with Transport for London on helping audiences get to theatres.
The plans are being drawn up by the Society of London Theatre and UK Theatre, which have revealed they will be creating a quality assurance mark – which it is hoped will be an official icon – to “encourage consumers that theatregoing is safe” and to show that theatre is “ready for business”.
“This will be used in promotional materials and in venue signage alongside other health and safety messaging and campaign communications to reassure audience members and encourage consumers that theatregoing is safe,” the bodies said in a briefing to inform members of ongoing plans in light of the pandemic.
SOLT and UK Theatre added that they planned to create a safety video for theatres to use, once they are able to reopen, to demonstrate how they are following guidelines, alongside what the bodies described as “ticketing principles” to allow greater flexibility for audiences.
Job Losses - Theatre job losses have increased from 3,000 to 5,000 in a month, according to figures from entertainment union BECTU. Figures published by the union on 3 July revealed that employers had notified the union
USA - Theatre Projects has announced the addition of Gena Buhler in the new position of head of new business development, North America. Joining from the Wheeler Opera House (Aspen, CO) where she served as the executive and artistic director, Buhler brings over 20 years’ experience in event production, venue management, operational logistics, festival and program development, and relationship-building of critical partnerships.
She will lead the business development team in North America and will act as a key member of the strategic planning team, offering timely and expert advice on project needs, feasibility, early project visioning, and other business planning
“Gena’s a great addition to our team,” says Daniel Ordower, general manager. “She understands the industry, our goals, and our markets - the arts, corporate, hospitality, retail, sports, and entertainment. She’ll be offering valuable and strategic insights to our clients on the management and operations of their venues, which will enable us to create more sustainable, impactful, and efficient spaces for their communities.”
“I’m delighted to be able to engage with the amazingly talented, smart, and creative group of people who come to work every day excited and full of energy,” says Buhler. “I’m looking forward to helping Theatre Projects realize our full potential, while being able to collaborate and offer support to my colleagues and friends across North America. Even amid the greater impacts of 2020 to our industry, I’m
UK - Harry Parslow, managing director of TourLife, which provides support services for the touring and live entertainment industry, has been shortlisted for the Young Entrepreneur of the Year category at the 2020 Great British Entrepreneur Awards for the South West region.
The Great British Entrepreneur Awards - which will be held on 23 September via a virtual ceremony for the first time - has shortlisted 550 entrepreneurs and 433 businesses across eight regions in 15 categories, including Creative Industries, Disruptor, Scale-Up and Young.
Launched in 2012, the Great British Entrepreneur Awards have celebrated and championed the entrepreneurs behind some of Britain’s upcoming and influential businesses.
Music industry disruptor TourLife, which is celebrating its fifth year in business this month, were founded in 2015 by the then teenage Harry Parslow. The company was created to bring about a new business model to support artists, producers and entertainers, by offering a single point of contact for them.
TourLife has built its business on providing on a range of key support services which include creative services such as videography, photography, merchandising and live streaming services, to on the ground support including tour management services, and luxury transport. Over the last five years, TourLife has worked with DJs, artists, bands and brands including The Game, Xzibit, Annie Mac, Charlie Sloth, Danny Howard, Defected Records and Ministry of Sound.
Parslow comments: “Being amongst some of Britain’s best industry leaders f
UK - Electro Kabuki has started a process to enhance its website. The site at https://electrokabuki.com now offers an online ordering and payment facility covering the entire range of Electro Kabuki systems, components, accessories and spares for UK delivery.
With the new e-commerce and shopping cart functionality, web visitors can now select from over 20 different products lines including Starter Packs, Flight Cases, individual Electro Kabuki dropper modules and an array of accessories.
In this first phase of the website’s upgrade, online ordering and delivery is limited to destinations in the UK, with ex-VAT prices listed in pounds sterling. The second phase will see this functionality rolled out to other geographic territories and currencies.
“The shopping function is live and working,” comments Electro Kabuki product specialist Tim Lloyd. “For now, our online operations only scope the UK while we fully appraise our shopping cart technology. People trust Electro Kabuki with proven engineering expertise at its heart and this must apply equally to our online transactional procedures. Once we are satisfied, we plan to extend the scope of online ordering and payment.”
Overseas Electro Kabuki users can still use the website to select items and automatically assemble and submit a list of materials to obtain a quotation that will include shipping costs in local currency.