Recovery Grants - Twenty-eight performing arts organisations have been awarded a share of £75m in the latest round of Culture Recovery Grants. Theatres including London’s Old Vic, Manchester’s Royal Exchange, Northampton Royal and Derngate and Shakespeare’s Globe have all been granted between £1m and £3m each in the first of two rounds for this strand. Six museums and one visual arts organisation were also awarded grants as part of the scheme.
Recipients include: Birmingham Hippodrome Theatre Trust - £3,000,000; English National Ballet - £3,000,000; Newcastle Theatre Royal Trust - £3,000,000; The Old Vic Theatre Trust - £3,000,000; Shakespeare’s Globe - £2,985,707; Sadler’s Wells - £2,975,000; Adlib Audio - £1,650,356; Fabric Life - £1,514,262; Lights Control Rigging Productions - £1,076,179 and The Octagon Theatre Trust - £620,232.
Virtual Awards - The Olivier Awards 2020, held virtually for the first time because of the pandemic, saw three shows lead the field, with three accolades each, while Matthew Bourne made history, having now won the most Oliviers ever by one person, and Sonia Friedman Productions picked up the best new play prize for the fourth year running.
The most awards won by a single show, shared equally by & Juliet, Dear Evan Hansen and Emilia. & Juliet won three out of the four musical performance categories – which went to Miriam-Teak Lee, Cassidy Janson and David Bedella – while Dear Evan Hansen’s Sam Tutty picked up the fourth.
Death of a Sa
Lockdown Priorities - When asked what the government should keep open in the event of a second national lockdown, just 2% of people said theatres should be the highest priority. A YouGov poll of more than 1,640 people asked each to rank what the government should keep open in order of priority. Top was schools and nurseries, with 57% putting this as the highest priority.
Only 2% said theatres, cinemas and art venues should be the top priority, just below pubs at 4%, while 12% said arts venues should be the government’s lowest priority. When it comes to pubs, 4% said reopening them should be the government’s top priority, compared with 24% who said they should this should be the lowest priority. Only 8% of the public said the government should prioritise universities above the other types of establishments. But almost two in five people (39%) ranked them as their second priority, making it the most popular choice after schools and nurseries.
In The Ring - Kneehigh Theatre, Zippos Circus and Hofesh Shechter Company are among more than 500 arts organisations to secure funding in the latest allocation of grants from the Culture Recovery Fund. The West End production of The Mousetrap, which recently backtracked on plans to begin performances this month, receives £228,973 to help restart performances to socially distanced audiences.
In total, 588 comedy clubs, circuses, festivals, regional theatres and local museums have been awarded a share of more than £76m. The money follows on from the £257m announced earlier, and supports organis
USA - Symetrix has launched its newly designed, mobile-friendly website complete with a new community forum.
Visitors to the website will find a visually enhanced, user-friendly format with improved navigation, functionality, and responsiveness on all screens and device types. The site features redesigned vertical focus pages, images and testimonials from real Symetrix projects, along with an online warranty claim form, and more robust support pages.
“It’s important to us that the Symetrix universe of users can easily find what they need from our website, whether it’s technical information, product documentation, or project inspiration, and be able to do it all from a phone or iPad if they’re not in front of a computer,” explains Symetrix owner and CEO, Mark Graham. “The new website provides that functionality, along with a cool new forum to give us a place to connect.”
The new Symetrix Symposium forum is a user-generated platform where visitors can ask questions, provide answers, and build community in the AV industry. Moderated by the Symetrix Technical Support Team, the forum is broken up into three main categories (audio processors & software, control solutions, and Intelligent Modules & Lua scripting) to provide vital information to AV users of all levels of expertise.
The forum interface is available in eight languages and provides 24/7 access to user-based technical information.
Mixed Reactions - Venues and organisations including The Cavern Club in Liverpool and the London Symphony Orchestra are to receive a share of £257m government arts funding. The Cavern, which hosted early gigs from The Beatles, has been given £525,000 to fund the recording of performances from local musicians. More than 1,300 organisations are set to benefit, including the Birmingham Royal Ballet and the Bristol Old Vic. Culture Secretary Oliver Dowden described the move as "a vital boost".
Fairport’s Cropredy Convention music festival has been awarded £200,000 under the scheme. Gareth Williams, Cropredy’s festival organiser, said: “We have all seen how hard this Covid pandemic has hit the festival industry; 2020 has basically been a write-off. This most welcome grant from the CRF secures the future of our festival for 2021 and will help us cover any additional costs of providing extra safety measures we will need to put in place next summer. We can now plan ahead for 2021 with fresh confidence.”
Meanwhile, Michael Kill, chief executive of the Night Time Industries Association, noted how "very limited numbers of dance music clubs and events" had received funding at this crucial point. "We have been aware all along that the fund would not be able to support everyone, and will leave many businesses who have missed out on this opportunity awaiting on a perilous cliff edge, which will result in further redundancies in the coming weeks," said Kill. "We need the government to step up and support our sector," he added.
The St Austell Arts Centre
UK - Technical entertainment charity Backup has set up a new fund to help industry workers who have received no or limited government support during the ongoing COVID-19 crisis.
The Hardship Fund will provide financial assistance to crew/production personnel, and people working in the technical supply chain across the UK entertainment sector, including those from live events, theatre and TV and film.
The fund has been allocated an initial £200,000, with further fundraising in progress. £100,000 was raised by Backup and its supporters, including #WeMakeEvents, whilst charity Light Relief matched this with a further £100,000.
Backup chairman John Simpson comments: “The technicians and their families in our industry, particularly freelancers, are experiencing incredible hardship at the moment and, with the lack of ongoing financial support from the government, there are many people who are in desperate need of help. As an industry, we are trying to help ourselves, and Backup is now in a position to be able to offer a small measure of assistance. We still need more donations to help many more of our colleagues in distress.”
The first application period is running from 8am on 19 October to 8pm on 30 October and Backup is targeting resources to people who have received no government grants (e.g. from the furlough scheme and self-employment income support scheme) and no grants from other charitable funds (e.g. Theatre Artists Fund, Arts Council, etc.). All successful applicants will receive funds two weeks after the closing date, says the cha
UK - Stagehand, the PSA live event production industry’s welfare and benevolent fund, has received £100,000 from PPL to boost the charity's new COVID-19 Crew Relief Fund.
Launched by Stagehand trustees in September, the fund was deemed a necessary move by the charity as a means to support crew, technicians and live events industry workers that have fallen through the cracks in state aid. Open from mid-October, the fund will help those struggling to meet the cost of basic living - a roof over their head or food on the table.
Mike Lowe, chair of trustees, comments: “We are extremely thankful to PPL for coming on board so generously at the beginning of our campaign. As a sector-specific charity, we’ve already seen devastating effects suffered by some of our workforce caused by the lack of work and financial support. The relief of having rent paid and mouths fed will no doubt ease the undoubted mental anguish caused by the pandemic.”
Peter Leathem, PPL chief executive officer, adds: “The live events sector has been one of the communities hardest hit by the pandemic and so we welcome the opportunity to be able to provide this support. This funding adds to the contributions we have made to hardship funds for musicians, freelancers and venues - all of which are part of the music ecosystem.
“We need to safeguard the jobs and livelihoods of crew so that they are there when our members get back out on the road post-COVID to do what they love most - performing. This is a much-needed initiative from Stagehand and we are pleased to be able t
Recovery Fund - Theatres expecting to receive news of whether they will receive Culture Recovery Fund grants have been told they must wait a week longer, due to the "volume and complexity of the applications". Arts organisations that have bid for grants of £1m million or less as part of the £500m fund were due to be notified about Arts Council England’s decision no later than 5pm on 5 October. However, 72 hours before the original deadline, organisations were contacted by ACE to say that the announcement would be delayed by a week and decisions would be confirmed on 12 October instead.
ACE is administering the part of the fund for arts organisations, with the British Film Institute and Historic England also responsible for distributing parts of the funding. The body said: "We understand this is an anxious time for many people and many organisations up and down the country. We apologise that there is a week’s delay in letting the first tranche of grants applicants know decisions, but we will still be able to get money to them this month.
"Given the volume and complexity of the applications that came through to this brand-new fund, we’ve had to do additional due diligence to make sure money from the public purse is spent responsibly. We are working hard to get this much-needed funding out as quickly as possible, to those who need it most.”
Palace Party - A concert celebrating West End musicals held in aid of theatrical charities has been announced to reopen the Palace Theatre. The Show Must Go On! Live at the Palace Theatre wi
USA - The BTS Boutique is offering a range of festive decorations. Add some unique holiday decorations to your home this year and support your colleagues who are seriously ill or injured as well as Behind the Scenes’ new Mental Health and Suicide Prevention initiative. These ornaments have been generously made and donated to Behind the Scenes by Mike and Sue Wood, so every penny goes directly to helping your colleagues in need.
Have cut-outs of your favourite tools hanging on your tree this Christmas by choosing from a crescent wrench, shackle, paintbrush or scissors as well as holiday designs. Available in 3” round acrylic disks in red (in keeping with the #WeMakeEvents theme) or clear.
There’s a BTS ghostlight etched on clear acrylic. Ghostlight Tree, a garlanded Christmas tree features a ghostlight star that’s available in three styles: etched on clear acrylic, as an LED night light in multi colour or solid blue, and as a portable mini LED with remote control that will brighten any room or window with the holiday spirit.
For those celebrating Hanukkah there is a portable mini LED with an etched menorah topped with a ghostlight shamas candle and a Star of David night light in multi-colour or solid blue.
For more information about Behind the Scenes, to donate, or to apply for a grant, visit www.behindthescenescharity.org.
UK - As part of the Let Music Live initiative, 400 freelance professional musicians from all parts of the industry will perform in Parliament Square and Centenary Square, Birmingham today, shining a light on the need for targeted support for freelance musicians and all those who work in the arts and entertainment sector.
They are also joined in solidarity by the Musicians’ Union, The Incorporated Society of Musicians, The Musicians’ Answering Service, Emily Eavis, Jools Holland, Sophie Ellis-Bextor, Dan Smith of Bastille and more.
Conducted by renowned director David Hill in Parliament Square, the freelance musicians will perform a short section of Mars from Holst’s The Planets before standing in silence for two minutes. The 20% of the piece that they will perform represents the maximum 20% support that freelancers receive from the government through the SEISS grant. The two-minute silence represents the 33% of musicians currently not covered by the SEISS grant (MU). The event will be Covid-safe, adhering strictly to social distancing regulations, facilitated by support from #WeMakeEvents.
Covid restrictions have disproportionately impacted the music and events industries, resulting in an almost total loss of opportunity to work. Investment is essential so that freelance musicians can continue to support the intricate network of businesses that rely on arts and events for their footfall.
Jools Holland commented, “I fully support these wonderful musicians in their actions. They are part of an industry devastated by this c
UK - Prominent live events industry campaigns and trade bodies have formed a taskforce to better communicate the demands of the UK events industry to the government.
Three campaigns have aligned to form the new body: the PLASA-initiated We Make Events along with Let the Music Play and We Create Experiences. They are joined by three trade organisations - the Business Visits and Events Partnerships (BVEP) which represents the conference, exhibition and outdoor events sector and is hoped to liaise directly with government; the UK Live Music Group which represents the UK’s live music industry, and PLASA.
Simon Hughes, chair of the BVEP comments: “Many different industry sectors will be looking to government for additional help and assistance in the next few weeks, alongside the more public/corporate targeting with the narrative of confidence and expertise. So it will be critical to ensure that messaging with the various target audiences are aligned across the extended ecosystem that comprises the whole of the event industry in the UK and the extensive supply chain that supports many thousands of livelihoods and enriches the lives of millions of people from all parts of society.”
Greg Parmley, chair of UK Live Music Group, adds: “With a long dark winter ahead for many in the arts, culture and events spaces, it’s imperative that we work closely together. Bringing the campaigns under one collective cross group addresses the need to communicate both short and medium-term tactics as well as the longer term plans required to support the industry.”
World - In a collective show of solidarity, live events professionals from all corners of the world held peaceful demonstrations to once again raise awareness of the dire effects of the COVID-19 pandemic on the sector and its workforce.
The #WeMakeEvents #StandAsOne Global Day of Action held yesterday, 30 September, was the single largest coordinated global event to take place since the campaign launched in the summer.
Just as with the regional events that preceded it, the demo saw thousands of cultural buildings being lit up in red, whilst the #WeMakeEvents and #LightItInRed hashtags trended on social media.
Campaigners have continued to push for state support for an industry that’s been unable to resume sustainably due to COVID-19 restrictions on gatherings. After more than six months of uncertainty, the future of a once-thriving sector and its workforce has been further threatened as a second spike in cases has seen restrictive measures being re-introduced by governments.
A raft of celebrities and artists endorsed the campaign, including Coldplay, Radiohead, Elbow, Mumford & Sons, Melanie C, Noel Gallagher and His High Flying Birds, James Bay, Frank Turner, Keane, The Libertines, Faithless, Massive Attack, The Happy Mondays, Biffy Clyro, Madness, Fatboy Slim, Skunk Anansie, and many more.
Glastonbury Festival’s Emily Eavis also shared a message of support: "Right now, tens of thousands of people who carry the UK's hugely successful live music and events industry are out of work, through absolutely no fault of their own. The m
World - The #WeMakeEvents campaign has been ramping up activity in order to highlight how the global live events industry urgently needs to get back to work. Over 30 million people in 25 countries would usually work in the events industry, but with social distancing measures in place, there is no possibility of a financially viable return for the foreseeable future.
Over the past weeks, events have happened around the world - including in the US, Canada, Sweden, France, Germany, Spain and the UK - to raise awareness of those impacted in the event supply chain, from manufacturers, production companies, catering, transport, security and others, to the huge freelance community that works within the industry.
The majority of the industry has had no income since the beginning of the crisis in March, and with a global second wave of COVID-19 imminent, a date to return to work has become impossible to predict, leaving many companies and individuals devastated, both financially and personally.
The industry is now joining together as a worldwide force on 30 September for a Global Day of Action. This marks the start of a new phase of the #WeMakeEvents campaign which will continue to alert governments to the disastrous situation the sector faces.
“The situation in Spain is terrible and we’re working very hard to highlight that to our government,” says Juan Jose Villa, from Spanish trade association, AFIAL. “Our event on 17th September got coverage on most of Spain’s regional television and radio stations, and we believe that we have shown ho
Restart Act - Bandit Lites’ Michael T. Strickland has called for action to save the live events industry. Strickland writes: “We are an $877bn industry with over 10m people, and we are 100% shut down. We are not the stars, but we are the 10m people behind the scenes. Many of the companies we worked for are gone. More go under every day. Something must be done now.
“The live event industry has been pushing to pass the Restart Act for months. Most national media have not carried our story and we are unsure why. We pray they carry this story. The Restart Act as part of the next relief bill is the only thing that will save all of the live events industry. No other Act will save us all. If the Restart Act is not passed by 1 October, over 70% of our industry will face extinction. That means when you want a concert, movie, play, trade show, conference, special event, wedding, birthday party and all of the other events that make our lives great, most of us will simply not be there to deliver a service for you. Our companies will be bankrupt and our people in other industries.
“The live event industry is begging the Congress, the media, and you the people to realize we are here and in need. We love what we do, and we love all of you that make our lives possible. Please help us. Time is short, we only have this week. Please pass Restart. It is time the live event industry has some Live Aid Too.”
Freelance Grants - A £7m fund has been set up to provide grants to creative freelancers in Wales who have been affected by COVID-19. They will be
South Africa - Known for working together as technical director and supplier on popular art and music festivals across South Africa like Innibos, Klein Karoo Nasionale Kunstefees (KKNK) and Aarkloop, Pieter Jan-Kapp (Kappie) from PJK Management and Christiaan Ballot of technical supplier Blond Productions took the road less travelled over the COVID-19 lockdown and established their own online platform, Platform ZA which went live last Friday.
Platform ZA, a digital pay-per-view channel, has opened doors and created work for over 200 people, ranging from actors, musicians, cameramen and technical crew. Kappie and Christiaan did not only create Platform ZA, but even the content thereof such as Stroom, a music programme featuring some of South Africa’s finest artists, cooking and lifestyle programmes, a fishing show and spectacularly, produced and filmed sitcoms and comedy shows.
Very soon, like-minded players within the live events industry, facing the same dilemma, jumped at the opportunity to be part of the project. Together they have produced over 2,000 minutes of quality content, and it's very likely that Platform ZA will reach a new audience and continue running even once the world returns to normal. Filming took place at Blond’s warehouse in Midrand as well as shooting at various locations.
“We are absolutely delighted that the content is proudly South African, even though we have received assistance from an Australian financial investor,” comments Christiaan. “It is such a privileged to present our showcase to the world, feat
USA - If you have seen recent Olympics Ceremonies, Super Bowl Half Time shows, The Academy or Brit Awards broadcasts, concerts by artists from Beyonce to the Rolling Stones, or limitless other technically driven live performances and events around the world, you will have witnessed TMB’s ProPlex Ethernet cables in action.
In an industry where stakes are high, failure cannot be tolerated, and technical performance must be flawless, ProPlex is the default standard for portable network cabling. In entertainment staging and live production, where cables are handled every day and are routinely subject to abuses of all kinds, ProPlex Ethernet cables have earned a reputation for durability.
Now, engineers and technicians in a variety of other fields are recognizing the unique capabilities and many benefits of ProPlex Ethernet cables. They provide the assurance of unsurpassed data transmission integrity, even after years of heavy use, indoors and outdoors, says TMB.
“Anywhere high quality, reliable portable network cabling is required; from portable testing and exploration to research, from communications systems to automation control, aerospace, municipal and military applications, proven ProPlex Ethernet cables deliver your critical data without worry. When your reputation and livelihood are on the line, trust the best,” notes Colin Waters, TMB co-founder, CEO, cable pioneer and inventor.
Unlike solid and bonded conductor Ethernet cables, ProPlex’s Kevlar reinforced, stranded conductor design provides flexibility with a very low risk of m
Ireland - With restaurants, hotels, businesses and public amenities beginning to reopen across the EU, temperature testing has become a mandatory requirement to protect against COVID-19. In an effort to support the protection of our customers and reopen safely, Mountain Productions’ global e-commerce platform MTN Shop EMEA has introduced a new temperature screening technology.
The Xenon Fever Defence is a standalone facial temperature screening solution that can screen users in less than one second, helping to avoid congestion at busy entrances. This system can capture early signs of fever and provides an accurate reading to +/- 0.3°C. Upon reading of the temperature, this stop-go system alerts an individual of their result via a red or green light. Should a user have an elevated temperature, an audible message and warning alarm will sound.
With its sleek and unobtrusive build, along with its ability to operate without the use of internet connection, this device can be installed in almost any public setting, says the company.
To date, the Xenon Fever Defence has been installed at companies and organisations across a number of different industries in the Irish, European and US markets in industries including construction, hospitality, office, retail and education. To learn more, visit Shopmtn.eu.
Urgent Call - A third of musicians are thinking about leaving the industry altogether, as the sector’s union makes an urgent call on government to protect its talent. One in three professional musicians are set to quit and find work elsewhere as a result of the pandemic, a newly published survey from the Musicians’ Union has revealed.
With the majority of live venues still closed and both the furlough scheme and Self-Employment Income Support Scheme entering their final months, the MU is warning the pandemic could spell the end for many professional musicians’ careers. Its research found the majority (88%) believe the government has not done enough to support musicians during the COVID-19 crisis.
Of those musicians covered by furlough and SEISS, 87% will face financial hardship when support stops next month. A third did not qualify for government assistance at all. Nearly half (47%) have been forced to seek work outside of the industry to weather the difficulties, with 34% admitting they are considering leaving music completely.
The MU is calling for a seat-matching scheme - where government subsidises the cost of a second ticket whenever one is bought - as well as tailored support for the music industry.
Courts Conversion - Two theatres in The Lowry arts centre in Salford are being converted into makeshift courtrooms to help clear the current backlog of cases. It's one of the latest venues to be taken over as a so-called Nightingale Court by the Ministry of Justice. The arts venue will host trials in three temporary courtrooms du
USA - Take1 Insurance has announced a new strategic underwriting partnership with OneBeacon Entertainment, a member of OneBeacon Insurance Group.
According to Take1 Insurance executive vice president, programme director and lead underwriter Scott Carroll, the new partnership enables Take1 to offer its customers a greater range of rental and staging insurance options for event service firms, event planners, producers, promoters, along with options for film and television production, short term or annual special events, those who tour and even the insurance needs for loan-out corporations.
“Take1 will do everything within our power to make sure that our customers never have to take their chances by offering the very best available coverages and our new partnership with OneBeacon enables us to do that with a specialty solutions carrier focused on entertainment customers,” Carroll said today.
Commenting on the partnership, OneBeacon Entertainment president Joe Fitzgerald said, “At OneBeacon, expertise and value-added service sets us apart. That’s why we’re excited to partner with Take1, a premier industry leader in the Entertainment market, and a company as committed to superior service and creative, comprehensive solutions as OneBeacon.”
Take1’s Scott Carroll noted that in the entertainment industry multi-million-dollar decisions are made each day and the insurance requirements are as varied as the productions and people seeking coverage. “OneBeacon Entertainment provides comprehensive commercial insurance solutions for touring e
West End Revival - Six and Everybody's Talking About Jamie will become the first musicals back in the West End in mid-November, eight months after the curtain came down. They will hit the stage three weeks after a string of non-musical shows reopen London's theatre district. The Play That Goes Wrong, Agatha Christie's The Mousetrap and Adam Kay's This Is Going To Hurt will all admit socially distant audiences in October.
Venue heads said "robust risk mitigation" would be in place. They include reduced capacities, contactless tickets, temperature tests and deep cleans, as well as hand sanitation, face coverings and track and trace.
The producers of Six, the hit show about Henry VIII's wives, will take a separate cast to The Lowry in Salford from late November. The musical had been due to be staged in the Greater Manchester venue's 450-capacity Quays theatre over Christmas, but will move into the complex's 1,700-seater Lyric in order to accommodate all ticket holders while ensuring social distancing.
Producers hope Everybody's Talking About Jamie will resume at the Apollo in November, but the group's biggest production - Harry Potter and the Cursed Child at the Palace - will not return until at least February.
Lifeline - Actor Liam Neeson has told the Northern Ireland Executive that £33m in support funding for theatres and venues is a "lifeline". In July, NI received £33m as part of a UK government package for theatres, arts and music venues and museums. However, the executive has
Furlough Extension - The chancellor is facing renewed calls to extend the furlough scheme specifically for the arts and leisure sectors, with the Digital, Culture, Media and Sport Committee warning that the entire industry’s future is at risk without it. Julian Knight, chair of the cross-party committee, has written to Rishi Sunak claiming that the government’s current approach - whereby the job retention scheme will be wound down next month - renders its support for culture "highly inflexible".
"Moreover, ending the scheme for all industries alike in October does not reflect the unique situation faced by the arts and leisure sectors. These high-value sectors have become hostages to fortune; they are among the hardest hit by the COVID crisis, with 51% of workers still reliant on furlough, compared with 13% across all industries. However, while restrictions on activity and audiences remain, employees of empty theatres and closed leisure centres face no immediate prospect of returning to work," Knight said.
He claims the government must take responsibility for supporting sectors such as the arts, on which it has imposed restrictions, until they are able to reopen. The letter argues that without an extension to the furlough scheme, "we can expect large-scale redundancies in the creative industries over late-2020 and into 2021".
Careers Boost - Liverpool John Moores University is opening a new faculty for media students at a forthcoming film and television studios in the city. Twickenham Studios is opening a base at the former Littlewoods h
USA - As the industry continues to be largely shut down, entertainment industry workers are dealing with increased levels of depression and anxiety and many are struggling to maintain their mental and emotional wellbeing. Joblessness, isolation, and worry about the future are all contributing to the negative impact on mental health. The reality is that many are not coping well and reports of suicide are on the rise.
National Suicide Prevention Week is an opportunity to learn what can you do to help colleagues or family and friends you are concerned about, as well as find resources that may help you today or in the future. Visit btshelp.org/bethe1to see the warning signs of suicide, because the more familiar you are with the signs the more likely you are to recognise them. Then learn about the 5 Steps you can take to help keep someone safe: Ask, Be There, Keep Them Safe, Help Them Connect, and Follow Up. Practical guidance and situational examples are provided for each of the five steps.
Most people want to help if they see someone at risk for suicide but they don’t know what to say or do, or are afraid they will make things worse or damage their relationship with the person, especially in the workplace. Evidence shows this is not the case and it is critical to reach out. Btshelp.org/bethe1to can give you the tools and resources you need to not be afraid to step up and potentially save a life.
Help spread the word across our industry – we can all help save
UK - Technological Innovations Group (TIG) has appointed Courtney Hercules to the UK team, as regional sales manager.
Reporting to TIG's regional director UK & Ireland, Phil Breitschadel, Courtney will focus primarily on the Crestron range of solutions and will support integrators by advising on the most suitable tailored solution for their clients' specific needs - in any commercial, corporate and collaborative setting.
Phil Breitschadel comments, "Courtney clearly understands TIG's vision, which is to provide a fully compatible suite of premium AV, UC and control solutions that integrate harmoniously with Crestron to create superior smart spaces. He is a talented and knowledgable salesman, having developed his technical expertise in the AV and technology industries. We look forward to having him join the team."
Courtney adds: "Working for TIG and representing Crestron has been a dream of mine for many years! I'm excited to meet all of my colleagues and customers, and contribute to TIG's success story. As we share this opportunity to grow together in these uncertain times, I look forward to bringing drive, expertise and assisting as best I can."
UK - Initially launched by PLASA in response to calls from its membership, the #WeMakeEvents campaign aims to raise awareness around the current plight of the live events sector and how it urgently needs financial support in order to survive the COVID-19 crisis. The initial response resulted in a collective Day of Action on 11 August, with creative expressions across the country, including over 700 buildings lit up in red and other activities that culminated with 4,000 socially distanced event professionals lining bridges and the bankside of the Thames, expressing their need for support with the red alert theme. (Read extensive coverage of the Red Alert day of action in LSi September – out now!)
In order to represent all those in the communities that #WeMakeEvents represents, PLASA is now announcing that the campaign has moved into total independence, steered by a collective of industry trade bodies, including PLASA, businesses and freelancers who are all working together to ensure it receives as much awareness as possible. The success of the initial activity has led to a global movement, with organisations from around the world coming together in a spirit of mutual support and solidarity.
This next stage in the campaign will be known as ‘Stand as One’ – taken from the newly released song and now campaign anthem, written and performed by Joe Bygraves, who has generously agreed to do
UK - On 11 August, as part of the PLASA-initiated UK-wide #WeMakeEvents day of action, the live events and production community in Manchester organised a silent and socially distanced flight case march across the city which culminated in a dramatic red flare exhibit.
Over 1,000 freelancers and supply companies attended the regional protest which collectively asked the Government to extend its furlough scheme and allow access to grants in order to help save an estimated 114,000 jobs.
The protest implemented the Tour Production Group (TPG) COVID-19 Working Guidance.
Acknowledging that tour-specific guidelines will become the norm in order for live production professionals to work and interact safely, the working guidance outlines how crews can better align through consistency and consultation to assist risk management relating to COVID-19 transmission.
Production manager Nick Gosling, who works with Nile Rodgers & Chic is part of TPG’s committee and helped manage the event from his home in New Jersey.
On the ground in Manchester was production manager Nick Robinson, together with Ben Dawson as crew chief and flight case manager, and Event Trucking Services’ Alex Webster as transport coordinator. The core team were joined on the day by Tom Sheals-Barrett as comms and co-production manager.
Robinson says: “We brought in Go For Show mobile production offices which were used by the production, media and creative management teams as on-site communication and planning hubs. dbnAudile and Tube supplied flight cases with STS Tour