UK - Funktion-One founder Tony Andrews has been recognised by Wrexham Glyndŵr University for his work in professional audio.
Andrews was presented with an Honorary Fellowship in a ceremony that also saw graduates being awarded their degrees in Art and Design, Media and Communications Technology, Humanities and Computing.
The university confers Honorary Fellowships upon people in recognition of their significant commitment to the university and the wider community and is the highest honour that the university can bestow.
In his acceptance speech, Andrews said: “I consider myself fortunate that I have been able to make a living pursuing what intrigues and stimulates me. This is a driving force that, much to my amazement, has persisted for over 50 years now.
“Amongst the qualities essential for progress and achievement are application and perseverance, which today’s graduating students have amply demonstrated by successfully completing their studies.
“Keep in mind that there is great soul expression in going after the things you are passionate about. Most of the interesting stuff in life happens at frontiers and boundaries, and the status quo is merely a temporary condition on the way to truth - thank you very much.”
Colin Heron, Faculty of Arts, Science and Technology associate dean for student engagement, said: “Our Honorary Fellowships are for people who have made a significant difference in a particular field, and Tony’s work in sound system design and development very much matches that description. Fellows are a
Europe - Bose Professional’s DesignMax family of loudspeakers has started shipping in Europe and will be available in the US later in November. DesignMax delivers the critical performance needed while providing the flexibility and style to blend into any commercial space, says the company.
Consisting of 10 loudspeakers and two subwoofers - including ceiling- and surface-mounted options available in either black or white - system designers can tailor DesignMax to fit applications of any size.
DesignMax loudspeakers are available in a wide range of sizes, from 2” low-profile models to 8” woofer models with a coaxially-mounted compression driver. Select models leverage the Bose Dispersion Alignment system to provide wide and consistent off-axis response - so everyone experiences premium sound throughout the space.
When DesignMax is paired with select Bose DSPs and smart amplifiers, even greater performance levels can be reached. Bose EQ voicings enable increased sound quality and clarity while SmartBass processing delivers enhanced sound at any listening level.
All models include Euroblock connectors, with ceiling-mounted models including plenum-rated backcans, tile-bridges, and front-access audio wiring making installation and troubleshooting easier.
USA - Marking the popular event’s 15th anniversary, this year’s Riot Fest was successfully reinforced by Technotrix with Martin Audio MLA, WPL and WPC line arrays on four stages in Chicago’s Douglas Park.
With a variety of high-powered artists ranging from Slayer, Anthrax, The Flaming Lips, Violent Femmes and Bikini Kill to The Raconteurs, Patti Smith, Wu Tang Clan and the Village People, Riot Fest offered some particular challenges in terms of controlled coverage on site and noise mitigation off site.
As Technotrix Audio lead, Brent Bernhardt, points out, “As always, there’s a commitment to keeping off site noise to an absolute minimum. We’re still avoiding the same two hospitals behind and alongside Stages 1 and 2, along with neighbourhoods around the festival.”
Asked about using Martin Audio’s Wavefront Precision Longbow (WPL) system for the first time, Brent responds, “It was very impressive to have virtually the same amount of control we get from an MLA rig with only slightly less resolution. WPL was very good and the tonality wasn’t lacking either, while the onsite coverage was uniform and consistent as well.
“On site coverage for Stages 1 and 2 is always a challenge as they fire into the rear of 4 and 5,” Brent continues, “especially this year because of gusty wind conditions on the first day of the festival. We’ve never used delays with MLA because it throws further than any other PA, even under adverse weather conditions.
“WPL was able to provide exceptional sound quality and tonal characteristics
UK - Live event production educational facility Backstage Academy has signed a new partnership agreement with professional loudspeaker manufacturer KV2 Audio.
KV2 Audio, whose R&D and manufacturing base is in the Czech Republic, has worked informally with the academic institution, based at Production Park in Wakefield, for the past two years, providing equipment for student-led events on an ad hoc basis and presenting seminars.
“These seminars are always well received,” says Tom Weldon, who is in charge of UK sales. “We have an exclusively point source approach to loudspeaker design and are proud to be able to present this approach to the technicians of the future. We strongly believe this is the best way to reproduce the original source, and in a market that is dominated by alternative designs it’s important that students are exposed to all options. We try not to blind people with the technology side, but instead encourage them to really use their ears and from that starting point, it’s surprising how quickly they begin to understand our philosophy and approach.”
In their engagement with the Academy, KV2 has provided a ‘tool kit’ of products, enabling students to create a six-way monitor mix via the passive ESM26 and ESM12 alongside a portable plug and play FOH system with the active EX series, offering complete reconfigurability that can be set-up by individual students quickly and easily.
In sharing close geographical proximity to Wakefield - KV2’s UK headquarters are in Harrogate - the other benefit of partnering wit
UAE - PSAV has announced the acquisition of eclipse, the AV and live event production and venue company operating in Dubai, Abu Dhabi and Riyadh. The terms of the transaction have not been disclosed.
Eclipse, founded in 2003 by Mark Brown, is now a wholly-owned subsidiary of PSAV and will continue to operate under the eclipse brand name. eclipse CEO Simon Ransom and his senior team will remain in place and continue to execute on their growth plans, now in partnership with PSAV. Ransom will assume leadership of PSAV UAE operations, and work with Nik Rudge, PSAV’s managing director, international, and his team.
“Eclipse is an exciting addition to the PSAV group of companies due to its extensive in-house venues and event production expertise, and strong alignment to our purpose and mission,” comments Rudge. “I am delighted about what this means for PSAV, and more importantly our customers, as we continue to focus on more ways to create amazing event experiences in locations throughout the GCC.”
“The entire eclipse family is eager to be joining forces with PSAV and establishing more impactful ways of serving our collective customer base,” said Ransom.
UK - The market value of the UK entertainment technology industry has grown by an estimated 5% in the past 12 months, according to PLASA research.
This puts the industry’s value at £1.36bn in 2018/19, up from £1.30bn in 2017/18. The sectors with the largest growth include architecture, broadcast and corporate events, which are valued at £250m, £220m and £160m respectively.
Only a third of the businesses surveyed expect the industry to grow in 2019/20 however, the main concern being how and when the UK will exit the European Union.
The full report, which follows on from PLASA’s comprehensive industry research released in 2018, details sector by sector performance, investment in marketing and R&D, and the future outlook for the industry.
“We are delighted to offer this important resource,” comments PLASA managing director, Peter Heath. “It provides vital insight for business planning, budgeting and benchmarking performance - I encourage all businesses to download the full report.”
He adds: “Whilst it’s great to see that the industry has performed so well over the last year, we are clearly looking towards a period of uncertainty as Brexit looms over the sector. PLASA will continue to support our members to the fullest extent that we can.”
The 2019 PLASA industry research report is available to download free of charge to PLASA members or £500+VAT for non-members. For more information, visit <
Italy - Shure Incorporated has strengthened its marketing and sales operations in Europe with the appointment of Emanuele Luongo, a new integrated systems market development manager for Italy.
Luongo will assume the position on 1 December. He will be based in Milan and will concentrate on the Italian integrated systems market, working closely with Shure distributor Prase Media Technologies.
Luongo’s background is in sound engineering, acoustics and wireless audio. He has held sales and product management positions at Shure’s Italian distribution partners as well as live sound engineering positions for notable artists.
“We are pleased to appoint Emanuele to this key position, supporting our market development activities in Italy,” comments Rob Smith, senior director, integrated systems sales Western Europe at Shure. “As Shure continues to expand globally, adding Emanuele will be essential in building customer relationships and providing solutions to meet the needs of this important market.”
"Our collaboration with Emanuele will maintain focus on the Shure brand and on the Integrated Systems market, where Shure has a strong presence and is continually growing," comments Ennio Prase, managing director of Prase. “We wish Emanuele all the best in his important position at Shure.”
Denmark - Pascal has announced two executive appointments to its management team, positioning the company for a new phase of strategic expansion.
Gorm Eichenberger has been appointed as CFO, following the retirement of Henrik Gunst Smith, the company’s director of finance since 2013. Also joining the company is Gustaf Høskuldsson, taking up the newly created position of COO. Both come to Pascal with extensive experience with audiology market leader Widex, where Eichenberger held the position of head of operation finance and Høskuldsson vice-president, global supply chain.
The appointments follow a year of sustained investment by the company, during which personnel, and R&D and operations facilities at its Copenhagen HQ have expanded by more than 30%.
“In continuing to manage the growth process and maintain an exceptional rate of expansion, we are seeking to become ever more outside-in customer centric,” says CEO Lars Rosenkvist Fenger. “Customer centricity has always been a core value for Pascal; offering our clients what they actually want, rather than what they have come to expect. This new phase of our growth strategy is centred on the expansion of our existing customer specific offerings and on developing new customer interfacing capabilities for the pro audio industry."
Ukraine - Loudspeaker manufacturer MAG Audio introduced its new line array technology, MAG Must. The company unveiled the product during an event at Kiev’s 70,000-seat NSC Olimpiyskiy Stadium on 6 September.
Standing for Multiple Uniform Sound Technology, MAG Must allows installers to use a single line array format, therefore eliminating the need for bothersome stock and complex logistics, says the company. The technology is based on the scalable 8” MAG Wasp line array, which allows creation of uniform sound coverage across a venue of any size.
“We intended to create the technology that can change approach to using small format line arrays,” explains Igor Sydorenko, systems engineer at MAG Audio. “Today, manufacturers offer lines of products depending on the target event size - starting from compact arrays and up to the large-format ones. But we consider this approach outdated. So we decided to design the technology that can serve the needs of any client, regardless of the event’s demands.”
The technicians built an impressive stage, 65m in length, which incorporated two LED screens on each side. Such a large venue called for a nuanced approach to the project design, so MAG Audio engineers conducted extensive researches, studies, and tests to get the best out of MAG Must.
The set-up consisted of two line arrays (24 MAG Wasp tops and 12 Wasp S-12 subs per each side of the stage) as PA; two line arrays made up of 16 MAG Wasp tops each as out-fills; 48 x H28 subs lined in the end-fire configuration; and eight MAG Wasp tops deployed
India - Martin Audio’s APAC representative Generation AV has appointed Sanak Pandit as applications engineer.
Based in Bangalore, Pandit has been working in audio since the age of 14, having completed his studies in the Bangalore School of Audio under the training of Vishnu Pandit, one of the most respected technical experts in the touring & rental market in India. In addition to working with his family companies of V&P Sound and SD Audio, the new recruit also served as a freelance sound engineer for a number of Indian artists.
Generation AV founder David McKinney, comments: “I am very excited to have Sanak in the team; he has the technical abilities to support all the brands in Generation AV and I believe will be a great asset to our business in Asia. With his strong background in the touring market he is able to hit the ground running.”
Martin Audio MD, Dom Harter, adds: “Following the appointment of Generation AV, it is reassuring to know that Martin Audio sales support in the APAC territories is in such safe hands with the appointment of Sanak. This is a developing region for us and it is vital that our customers know they have such an advanced level of on-the-ground backup.”
Germany - International Christian Fellowship Munich (ICF) has recently upgraded its audio system with an Allen & Heath dLive solution for its weekly services and events.
ICF Munich is a non-denominational free church, which in addition to its regular Sunday services, also hosts other live events with up to 800 participants.
Due to size of the services and events, a large number of microphones and extensive I/O is needed for the speakers and live performers. As such, one of the main requirements for ICF was an audio system that could meet the demands of a professional concert.
To serve its growing needs, ICF’s new audio system comprises a dLive S5000 paired with a DM48 MixRack and two DX168 expanders for additional I/O. A Dante card is utilised for multitrack recording, connection to wireless microphone receivers and the PA.
Head of audio technology, Marc Deisen, has been working at the ICF for five years and oversees the dLive system. “When we decided on a dLive a year ago, it was very important to us to have a straightforward, well-structured system,” explains Deisen. “Many of our technicians are volunteers and have very little trouble working with dLive, especially as we already had an iLive console in use. Above all, we quickly learned to appreciate the I/O patching matrix, which is very clear and easy to use for everyone.”
Aside from dLive’s easy and intuitive workflow, a large part of Deisen’s decision to use dLive came down to its processing features. “Now we have enough processing power for more than 50 channel
UK - The Institute of Physics for the UK and Ireland (IOP) has an impressive new London HQ, built from the ground-up with a modern architectural statement that has AV designed-in from the start.
The site is an old plumbing supplies shop in the developing creative industries area near Kings Cross, London. Leaving just the original brick façade, it has been transformed into something completely new. The polished concrete structure of this £13.5m project brings focus to the large screens and interactive experiences that will greet more than 200,000 IOP visitors every year. It is a space that radiates cutting-edge science, and one that required visual and audio technologies to be as much a part of its essence as the concrete itself.
Recursive AV, the AV consultant on the project, had the opportunity to liaise with and influence the architects more than two years before completion, allowing them to achieve the best visitor experience possible.
David Yates, the managing director at Recursive, went about choosing premium technologies to complement the institute’s ambitious aims, including specifying L-Acoustics Syva and Kiva as the audio solutions. "We really felt that the IOP deserved a high-end audio approach," he explains. "They have people coming from all over the world: academics, policymakers, broadcasters, and so on. We wanted to be sure that the sonic quality and the visual impact would be absolutely correct, and that the system could cope with a challenging space. We needed to deliver fantastic intelligibility and a consistent sonic signature
Latvia - The Latvian College of Culture (LCC) in Riga is part of the larger Latvian Academy of Culture and is described as "the best place to study creative industries" in the country.
The college has a continuous and built-in effort to keep up with the times, which is why school administrators called on SGS Sistemas, Clair Brothers distributor in the region. Normunds Eilands and Guntars Bluss of SGS were asked to recommend the best loudspeakers for LCC’s next upgrade of its audio production equipment. After evaluating the school’s needs SGS recommended the Clair Brothers kiT12-i loudspeakers, and kiT-Subs.
Along with the selected kiT12-i loudspeakers and kiT-Subs, the Clair Brothers PLM 12K44 power amplifier was also specified and installed. Other equipment chosen by the college includes a Lab.gruppen power amplifier; a Midas digital mixing console plus a Midas input/output stage box; Beyerdynamic wireless microphones; Clay Paky LED moving lights; Chauvet LED moving wash lights; and a Swefog haze generator, among other international brands.
The Latvian College of Culture gives special thanks to the team at SGS Sistemas. “Likewise,” adds Eilands. “We appreciate our relationship with LCC and are always pleased to play a part in the development of education, offering the best for the students - the opportunity to use world-class sound equipment from Clair Brothers as chosen by professionals.”
Norway - Touring theatre productions in rural areas of north Norway can be very challenging, especially with limited local facilities and equipment that has to cope with fast-changing extremes of temperature. But an Alcons Audio LR7 pro-ribbon system is proving equal to every challenge for the country’s northernmost regional theatre.
Established in 1971, Hålogaland Teater was the first regional theatre in Norway, serving counties of Troms and Finnmark. It occupies a modern building at Teaterplassen in Tromsø, built in 2005, which features two modern theatre stages, a cafè stage and a rehearsal stage.
It tours productions all year to 15 regular venues located throughout Troms and Finnmark, often in local dialects. The varied programme includes contemporary and classic drama, musicals, children's theatre and more. These shows need an audio system which can be easily transported and is very roadworthy, but delivers high quality audio for any kind of production in every venue where Hålogaland Teater tours.
Recently, the theatre needed to replace its touring system, so chief sound engineer Jim-Oddvar Hansen put together a technical specification based on all the needs, wants and challenges that it had to satisfy. He thoroughly researched every possible solution and system manufacturer and, after putting some systems ‘head to head’, an Alcons Audio pro-ribbon solution was the winner.
Supplied by Alcons’ Norwegian distributor and Pro-Ribbon Partner Lydproduksjon Tromsø AS, Hansen chose an Alcons LR7 pro-ribbon micro line array system, co
Qatar - The IAAF World Athletics Championships took place in the Middle East for the first time since the inaugural event in 1983. The 10-day competition saw nearly 2000 athletes from 209 countries compete. The 17th edition of the event took place at the Khalifa International Stadium in Doha.
For 2019 a multitude of technical innovations were introduced to the event including light shows, new camera angles and increased engagement with athletes. Florian Weber, IAAF event presentation manager, was responsible for the athletics presentation concept and challenged Creative Technology (CT) to deliver.
In order to successfully deliver the track projection, it was essential that the stadium was dark which required the sports lighting to be switched off. Naturally, switching the stadium lights off during a televised stadium sports show is not something Broadcasters are comfortable with, so Florian Weber commissioned CT to deliver a VR model of the Khalifa Stadium featuring athletics apparatus, production overlay and the proposed LED screens and track projection.
CT supplied over 500sqm of its recently delivered curveable 4.8mm LED screens providing a high-resolution, high brightness, high quality solution to display all the sports presentation content including event information, live video feeds, athlete information, and live results.
CT also supplied eight mobile battery-powered LED Monoliths that could be positioned anywhere around the athletics arena displaying live data for athletes’ names and country flags.
Lighting enhanced the overal
USA - Peter Frampton recently concluded his Peter Frampton Finale - The Farewell Tour, where FOH engineer, Jim Yakabuski, used an SSL Live L550 to produce a signature analogue sound.
Yakabuski began mixing audio in 1981, and with almost 40 years of mixing and touring under his belt, was only introduced to SSL a few years ago – admitting he was at first reluctant to switch to the console manufacturer.
“I wanted to hear from my colleagues that stability on the road was not an issue – and I did,” he recalls. “So I knew I needed to get a board and give it a try. With an upcoming tour approaching, I decided to look further into using an SSL L550 for the FOH mixer. I made some calls, and then was treated to a few hours of one-on-one instruction from SSL's Fernando Guzman which peaked my interest. I was ready to dive in.”
Peter Frampton Finale - The Farewell Tour culminated in October 2019, and was Frampton’s chance to say farewell to fans that have been coming to his shows for over 50 years. After being thoroughly impressed with the L550, Yakabuski switched to the console for this tour, and hasn’t looked back since.
“The FOH mix on this tour could easily be done on a large format analogue console, but the previous FOH engineer and current monitor engineer decided to move it to digital for footprint reasons, and also ease of save/recall when using consoles brought in for private and one-off events,” Yakabuski explains – adding that he did not use automation scenes for each song or many of the other ‘digital' benefits the c
USA - Audio Precision has introduced the PDM 16 module for the APx500 Series audio analysers. The new module offers simultaneous acquisition and measurement of up to 16 channels of PDM signals, making it the highest channel-count solution available for MEMS microphone and MEMS mic array testing, says the company.
PDM 16 is an optional interface module for the APx555, APx52x Series or APx58x Series audio analysers. Comprised of the input module installed in the analyser, a remote interface pod and an extension cable, the module provides sample-accurate inter-channel phase information, critical data for the creation of MEMS mic arrays. Developers of systems using beam-forming microphone arrays and other DSP-based multi-channel audio acquisition applications depend on a true representation of phase alignment of the input channels to validate their algorithms and designs. PDM 16 utilises synchronous sampling based on a common clock, thereby assuring a clear picture of the phase relationship between channels.
“With today’s smart devices incorporating as few as three and as many as seven MEMS microphones, the ability to conduct simultaneous, multi-channel test is critical for developers in evaluating their designs,” states Mike Flaherty, Audio Precision chief executive officer. “Our PDM 16 module’s multi-channel capability, acoustic test-friendly design, and ability to deliver sample-accurate inter-channel phase information make it the ideal measurement choice for MEMS mic designers and mic array developers alike.”
USA - El Camino: A Breaking Bad Movie premiered globally on Netflix recently. Production sound mixer Phillip Palmer relied exclusively on Lectrosonics Digital Hybrid Wireless to record almost all of the dialogue and many incidental and ambient sounds that would normally be added in post-production.
His lab included three Venue 2 wideband modular receiver systems, eight SMV transmitters for body mics, four HMA plug-on transmitters for boom and plant mics, a couple of older UHs which were used for the ‘voice of God,’ on set, and a couple of LT transmitters for sound department communication.
“Wideband tuning is important given the increasingly crowded spectrum we have to work with these days,” says Palmer, “so the Lectrosonics Venue 2 was an obvious choice. It’s a rackmount chassis that can hold up to six receiver modules, so you can mix and match tuning ranges based on what transmitters and frequency blocks you’re using.
“People who are used to filming in New York or Los Angeles tell me, ‘It must be great to be out there in the wild west where you have free airwaves,’” he explains. “In fact, there is so much RF in and near Albuquerque. There’s a lot of military, industry, and push-to-transmit sources like walkie-talkies. What might be wide open in the morning can have interference in the afternoon. The frequency agility that Lectrosonics provides has saved my bacon on many occasions!”
Like the original series, El Camino featured a number of locations in extreme environments. Asked how his equipment fare
Finland - The New Children’s Hospital (HUS) in Helsinki uses art and play combined with the latest digital technology to provide the highest quality medical care in a safe, reassuring environment for the children and their families.
Part of the hospital’s innovative approach included the development of a building-wide soundscape to create a soothing sonic environment for patients and staff. The soundscape is fully networked, thanks in part to the use of 39 Genelec 8430A IP loudspeakers. The soundscape design was recently awarded the Grand Prix in the soundscapes and ambient sound category of the 2019 International Sound Awards (ISA) in Hamburg.
The idea was to create a soundscape based on the visual theme of each of the hospital’s eight floors. Inspiration was drawn mostly from the natural world as well as the much-loved Finnish Moomin stories. Antti Ikonen, head of Sound in New Media at Aalto university, and 10 of his MA students were responsible for the mammoth task of developing the content.
“First, the sound is generative, not looping, to avoid stress and ear fatigue,” explains Ikonen. “All the audio material is hosted in a single computer which generates and renders the soundscapes before feeding them out to each floor and location via the hospital’s IP network.
“The design and planning started before the building even existed,” he continues. “We discussed with the architects, doctors, electrical engineers, IT people, and Genelec how to implement this holistic technological system. The idea was not to fill th
UK - The Collab in Walthamstow is, as the name suggests, a collaboration between food and drink providers Signature Brew brewery and We Serve Humans. The new east London venue aims to provide quality craft beers and freshly cooked food in an atmosphere geared to music lovers. Pro audio specialists, Amber Sound supplied an EM Acoustics system to provide audio for a range of live music events as well as traditional playback.
Co-founder Sam McGregor, who has a music industry background, explains that Signature Brew was born in 2011 as a result of being fed up with drinking terrible beer at gigs. “We decided that the way around it was to create our own beer in collaboration with a band, and things basically went from there.
“Music is such an important part of what makes Signature Brew special that we couldn’t possibly open a new venue with the aim of hosting live music sessions - either bands or DJs - and not have a great quality audio system,” says McGregor. “We talk so much about high quality music in combination with high quality beer, we had to be able to deliver that here. We went to Amber Sound for help and they recommended EM Acoustics.”
Marco Marini and Kelly Morris from Amber Sound along with EM Acoustics’ Dave Kelland went to visit the venue in order to assess the requirements. They recommended a pair of i-C12s with vertical yokes flown from a section of horizontal truss for the stage area. “We deliberately decided on the truss as it gives the look and feel of a small stage and a music venue vibe to the restaurant,” adds McG
UK - Audio visual production supplier SFL is running a series of courses, inviting anyone working in the audio industry to attend.
These include a Yamaha Networked Audio Systems workshop, DiGiCo SD consoles training, Midas PRO Series consoles training day, and an Introduction to Live Audio For Church.
Harvey Appleton, SFL project manager who is also one of the course teachers, comments: “We believe that education is vital and running these courses is a great way for SFL to share its knowledge with the industry and we find it extremely rewarding. This is why we have developed a range of courses that focus around the equipment we use most frequently and subjects, such as live audio for churches, where which we know can be challenging, particularly for those that don’t have years of experience.”
The Yamaha workshop is an opportunity to get hands-on with the latest Yamaha equipment, covering a broad set of important industry skills, from networking and Dante to console operation and integration with a variety of Dante products, whilst the DiGiCo SD and Midas training provide an introduction for sound engineers and system technicians wanting to get up to speed on the equipment.
The Introduction to Live Audio for Church course is suitable for beginners as well as for experienced engineers who want to brush up on their skills and plug knowledge gaps. It is also designed for volunteer church tech operators, ministers or church staff who may occasionally have to operate audio equipment, as well as musicians or worship leaders se
Denmark - Allen & Heath has named Light Partner as its exclusive distributor for Denmark.
The new distribution partnership is active with immediate effect.
Allen & Heath’s EMEA sales manager, Fred Cresson, comments: “Allen & Heath has a strong, loyal following in Denmark, particularly in live sound and installation. We are therefore delighted to be working with Light Partner to continue providing first-class support to our Danish customers, and to explore the opportunities to keep developing the brand.”
Stig Meyer Jensen, Light Partner’s CEO, adds: “With the new Avantis adding to an already unbeatable line-up of consoles, Allen & Heath is the mixer brand everybody is talking about right now. We’re proud to be appointed to distribute A&H in Denmark and we’ve invested in a highly experienced team to deliver the outstanding backup that our customers deserve.”
Italy - Giovanni Barbieri has taken on the role of general manager of Italian pro audio manufacturer dBTechnologies, part of the RCF Group.
Barbieri joined dBTechnologies' sales force as export sales manager in 2009. In 2011, he became business development manager and since 2012 has served as sales and marketing director.
The new appointment was announced by the CEO of dBTechnologies and RCF Group, Arturo Vicari, who commented: "The group is expanding, we have several interesting projects to carry out and it is natural to consolidate the organisation of a company that in recent years has shown not only to create quality products, but also to be able to propose and distribute them to an increasing number of users. Over the years, Giovanni Barbieri has demonstrated many qualities, first of all the ability to transmit to the market who we are and what we can do. This makes him the most suitable person to represent dBTechnologies, taking on the role of general manager.”
Barbieri added: "I was welcomed into this family in 2009. At the time, dBTechnologies was a smaller company, both in terms of turnover and workforce. Over the years I have had the opportunity to meet and grow together with people who represent excellence, both from a professional and personal point of view. And this is true for every single department of the company.”
The Netherlands - Odin Audio Systems has introduced two two-way active side-fill speakers- SF-12A and SF-15A.
The loudspeakers have been introduced to make the Odin Line array set-ups more flexible, giving sound engineers the ability to expand the set-up to the live stage.
The SF-12A and SF-15A speakers have been engineered according to the already existing Odin-blueprint. They are equipped with Celestion speakers, DSP modules, roadproof enclosures and produce “full range, crystal clear sounds”.
The side-fills are designed for X-stage setups to provide a well-balanced and developed sound field across the entire stage. They give the sound engineer the opportunity to deliver a sound image across stage which allows all performers to hear a good mix of the whole band.
Both models have 800W continuous amp power and 3200W peak. For a setup which requires a bit more low the SF-15A is the solution. Besides the two side-fills, Odin also offers matching premium line flightcases.
The Odin SF-12A and SF-15A are available now through distributor Highlite International.