The Netherlands - Audinate announced that the new Dante AV Product Design Suite (Dante AV PDS) will be shipping in Q1 2020 to manufacturers who have ordered it to develop AV-over-IP products that employ Dante AV technology.
The Dante AV Product Design Suite is a complete turnkey recipe allowing OEMs to build a high-quality AV over IP endpoint for visually lossless results with low latency over a 1Gbps network. It provides complete interoperability for audio distribution and control with the more than 2,500 existing Dante products from more than 450 different manufacturers, delivering independent, fully synchronized audio and video streams. Based around the Dante AV module, the Dante AV PDS may be modified, branded and differentiated by OEMs via software, control, and integration with other members of their product lines.
The Dante AV PDS is designed to be a feature-complete AV-over-IP solution for the Professional AV market, implementing a codec, local HDMI and HDCP, ancillary data channels, and control. The on-board Dante AV Module provides Dante clock synchronization, control, discovery, transport, messaging, management, updates and more. A comprehensive set of hardware documents, design files, and a complete software SDK allows OEMs to create complete, fully interoperable Dante AV products quickly and reliably with end-to-end HDCP support.
The Dante AV PDS includes a complete implementation of the intoPIX JPEG2000 codec supporting UHD and Cinematic 4K resolution, up to 60fps, up to 4:4:4 chroma subsampling, up to 10bit color depth, up and down sc
The Netherlands - Funktion-One has launched two compact loudspeaker models – the F5 speaker and the SB8 bass unit.
The Funktion-One F5 offers a balanced and natural sound quality that’s not often found in loudspeakers of its size, says the company. The F5’s ultra compact dimensions and high output mean it is suited to a wide range of applications, including distributed public address systems, bars and restaurants, as well as domestic applications, such as home cinemas, desktop monitoring and home music systems.
The F5 features a Funktion-One bespoke wide-range, high-sensitivity 5” driver, an integrated high pass filter for low frequency protection, angled cabinet design for desktop use and a 3/8” microphone stand mount.
The Funktion-One SB8 is a compact, yet powerful and convincing bass unit. It is suitable for applications where a conventionally sized subwoofer is too large or obtrusive, such as in bars, restaurants, retail and galleries, as well as domestic applications.
The dynamic and musical SB8 features a high-sensitivity 8” bass driver and requires no EQ or controller, only crossover filters. A self-powered version will be available soon.
Funktion-One founder Tony Andrews said: “We’re very happy to introduce the F5 and SB8 at ISE 2020. Though they are small in size, they are capable of the high-performance standards that we demand from all of our loudspeaker innovations.”
The Netherlands - Renkus-Heinz highlighted the premium quality audio offered by beam steering technology – effectively positioning more integrators and end users for performance in their businesses. Through key offerings in the Renkus-Heinz line, steerable solutions are now feasible integration options in more locations and more types of facilities.
“We’re showcasing the enabling technologies that allow integrators to introduce cutting-edge audio performance into additional locations,” said Matt Czyzewski, president of Renkus-Heinz. “We’ve engineered our offerings to provide effective and efficient installation, as well as intuitive setup and configuration. We aim to make digitally steerable audio accessible to all types of integrations – no matter the size, shape, or location construction.”
With the DC12/2 and ICLive X series – and the supporting technologies and services provided by Renkus-Heinz – office spaces, small-to-medium sized performance spaces, retail and hospitality, athletic facilities, education spaces, houses of worship, and more can now harness the power of beam steering in their facilities.
Key to improving the access to steerable solutions is the DC12/2 ultra-compact, steerable self-powered column array. The DC12/2 brings clarity, intelligibility, and control synonymous with Renkus-Heinz’ legendary digitally steered line arrays to smaller, but equally challenging, spaces.
An impressive supporting technology built for the DC12/2 is the capability to setup the speaker via smartphone or tablet. This allow
The Netherlands - Ashly Audio is expanding its product line to bring integrators more flexible, scalable, and creative pro audio solutions. Two speaker lines were introduced to ISE 2020 with a focus on enabling more complete solutions that tie together Ashly’s expertise in amplifiers and DSP technologies.
Both the AW Series On-Wall Speakers, IS Series Dual-Impedance Column Speakers, and SP Subwoofer were featured at ISE.
“One request we heard over and over as we reinvented our product line was the need for a more complete solution – a solution including speakers,” said Noel Larson, vice president of marketing and business development at Ashly Audio. “We didn’t take this on lightly. We worked with a focused purpose and intent to ensure our speakers accentuated our amplifier, mixer amp, and processor offerings. The result is something we are incredibly proud of.”
Designed to take full advantage of Protēa and AquaControl DSP, the AW series with a DOC crossover reduces the off-axis deviation in sound pressure levels to In addition, the AW speakers are IP rated– making them suitable options for patios, balconies, and many other under-eave applications. This combination of performance with indoor/outdoor versatility means restaurants, retail, hospitality, house of worship, education, sports clubs, public spaces and more will benefit from more impressive audio integrations, says the company.
Ashly Audio’s IS column speakers provide flexibility for integrators by operating at 8 or 32 Ohms, making them effective for simple applicatio
UK - As the Strictly Come Dancing Live! 2020 tour draws to a close, crew and artist catering specialist Eat to the Beat has received positive media feedback from the celebrities, professional dancers, judges and crew.
With 33 dates in major venues throughout the UK and Ireland from 16 January to 9 February there was plenty of scope for Eat to the Beat’s culinary team to get creative and cook up a feast. Whilst menus always featured tasty healthy options, including plant-based meals, to fuel the dancers ahead of each performance, there’s no doubt that the amazing array of tempting desserts on offer were also a definite hit.
Mary Shelley-Smith, global operations director for Eat to the Beat comments: “The Strictly Come Dancing Live! tour is always a highlight in Eat to the Beat’s calendar, the whole team really enjoy working with the celebrities, professional dancers, judges and crew. We always receive a warm welcome and knowing that they’re all huge fans of our food is really pleasing. Seeing all the social media posts and the wonderful comments in Heat magazine over the last few weeks is fantastic feedback for the team on a job well done.”
UK - FOH engineer, Chris Martin and monitor engineer, Gerry Colclough used DiGiCo SD12 consoles for Primal Scream’s 2019 UK and Ireland tour, citing the desk’s reliability and ease of use.
Formed in 1982 in Scotland, rock band Primal Scream released their third compilation album, Maximum Rock 'n' Roll: The Singles in 2019, containing 17 tracks spanning the period from 1986 to 2016. In support of the release, the band announced a major winter tour of the UK and Ireland in 2019, which saw FOH engineer, Chris Martin and monitor engineer, Gerry Colclough use DiGiCo SD12 consoles – owned by Stage Audio Services based in the West Midlands.
Martin has been working with the band since 2008, starting out as FOH system tech for a PA hire company before progressing to the position of FOH engineer for the group in 2015.
“The band are amazing people to be around; the touring party is a very happy camp and a great place to be,” he enthuses. “We are all great friends. They have a very good idea about what they want – having been a band for such a long time. We work closely with them to achieve the results that they want, spending many days at a rehearsal studio to make it as good as we can.”
Martin used a DiGiCo SD12 on the tour with a shared single SD Rack on an optical loop running at 48kHz, used with a Waves server connected via MADI to a DiGiGrid MGB interface.
“The Waves server is mainly used for effects such as auto pan for guitars and keyboards, effects (a few reverbs, sub enhancer and distortion) and some primary sourc
Lebanon – A nightclub complex in the Lebanese ski resort of Zaarour has been equipped with BlacklineX loudspeakers from Martin Audio.
Founded in 2016, Frozen Cherry is a sunset bar in the highest point of the Zaarour mountains, offering a view of Lebanon above the clouds. The high-altitude party lounge immediately became a popular year-round destination, equally busy in both the summer and winter seasons. The unusual name of this scenic sunset bar comes from the cherry shape that you see when you look at the venue from the top of the Zaarour peaks.
Two years later, Dublin Room dance club was founded, also within the Zaarour club, specialising in house and techno. It hosts a mix of famous DJs and local heroes.
The brains behind this concept are Nasri and Maher Choueiry, owners of several F&B and design outlets, who come from a creative background in architecture and engineering. They are supported by Elie Zouein, who has wide experience in business development.
It was the venue’s first experience working with Technosound, Martin Audio’s Lebanese distributor, after the company’s Charbel Fahed had met with Nasri. “I proposed that they install a Martin Audio system,” he said. “Prior to that they had been renting in another brand.
“Since these are two of the most exciting venues in Lebanon, I had to choose a unique, powerful, and clear system. This is why I proposed the X15s after hearing them at ISE,” said Charbel.
Once they had heard BlacklineX it was quickly adopted in both Frozen Cherry and the Dublin Room, wh
UK - Cirque du Soleil returned to London’s Royal Albert Hall (RAH) on 12 January for an eight-week run at the prestigious venue, bringing Luzia to Europe for the first time. Britannia Row Productions once again supplied the sound, continuing a relationship that has spanned almost two decades.
Through the design, chorography and acrobatic elements that give Cirque du Soleil shows their character, Luzia takes audiences on a journey through imaginary Mexico. The name is derived from the Spanish words for light (luz) and rain (lluvia), two important themes in the show’s narrative.
Britannia Row has supplied every Cirque du Soleil show at the RAH for the last 17-years. The company’s sales director Lez Dwight explained: “We were brought in mainly because the touring systems weren’t sufficient to cover the hall. Cirque came to us as we were local and have decades of experience deploying speakers into the RAH.
“In the early 2000s we deployed L-Acoustics Arcs and Subs, then moved onto Meyer systems that matched the touring tent PAs. Around four years ago we designed an L-Acoustics PA based around multiple hangs of Kara. This design is now our standard which Cirque have endorsed.”
This time, the audio specialists supplied an L-Acoustics sound system - featuring main hangs of Kara and SB18 subs, additional SB18 sub hangs, and Arcs and X8s for fills and surround – as well as processing and installation technicians.
System tech Sergiy Zhytnikov fed into the design process and led the install team. He explained: “A ke
USA - Every year, the award-winning veteran audio production crew behind the Grammy Awards telecast strives to further raise the bar on the audio quality of ‘Music’s Biggest Night’. This year, in a first for the show, the audio team implemented a Dante network powered by Focusrite RedNet D64R 64-channel MADI bridges, Focusrite RedNet D16R AES-to-Dante interfaces and RedNet MP8R eight-channel mic pres and A/D converters to deliver the vocal performance and production wireless microphones to the house sound and broadcast audio mixing consoles.
The show was broadcast live from the Staples Centrein downtown Los Angeles on the CBS network on 26 January 2. Performers included Best New Artist nominees Lizzo; Billie Eilish; and Lil Nas X, as well as Tyler, the Creator; H.E.R.; Gary Clark Jr. with the Roots; and Demi Lovato, among many others.
The new AoIP transport scheme was designed to eliminate the complex and cumbersome signal-splitting system that has long been employed to feed signals from the show’s multiple stages to the two front-of-house and two stage monitor consoles, as well as the two music mixing consoles and the broadcast audio production desk in three remote trucks. In addition to the efficiencies afforded by digitally transporting dozens of microphone signals over fiber and making them available everywhere simultaneously, the new system design delivered a noticeable improvement in audio quality.
“The performance mics sounded a lot clearer to me, because they weren’t going through a splitter,” says Eric Schilling, one of two
USA - For Callas in Concert, opera singer Maria Callas was brought back to the stage via hologram, 40 years after her passing. A live orchestra accompanied digital remastered recordings of Callas for the production, which presented FOH and recording engineer Howard ‘Howie’ Lindeman with a unique challenge.
Since the show was focused around the visual of Callas on stage, and the hologram system used to project her image, Lindeman needed to find a low-profile microphone that would not be obtrusive on-stage, while still providing the highest audio quality for the live orchestral instruments.
Lindeman turned to the 4099 Instrument Microphone from DPA Microphones because of its sound, lightweight design and compact size of the instrument mic clips. In all, Lindeman and his team deployed a total of 27 4099 Instrument Microphones (with mic clips) for the 14 violins, six violas, five cellos and two upright basses that were used for the concert.
“The major challenge on this project was the real estate that mic stands take up on a stage,” says Lindeman. “DPA’s 4099 not only alleviated that problem, but also allowed a close-mic recording. Instead of area miking with several large condenser mics, and fighting potential feedback, the 4099s allowed us to mic up all of the string players and really showcased the talent of each musician.”
Produced by BASE Hologram, the tour launched in California before heading to Mexico and South America, and then returned to the United States ahead of its European leg. DPA was brought into the producti
The Netherlands - Shure has announced a firmware update (version 4.1) that provides additional functionality for multiple products in its Networked Systems portfolio. This update includes compatibility with Audinate’s Dante Domain Manager (DDM), compatibility enhancements with leading third-party software and hardware videoconferencing codecs, and AES67 networking compatibility for products utilizing the UltimoX chipset.
The expanded support for additional third-party video codecs includes Cisco, Zoom Rooms and Microsoft Teams, providing programming-free USB mute sync compatibility with the IntelliMix P300 and ANIUSB-MATRIX.
“This firmware update adds new features and capabilities that the market demands,” says Chad Wiggins, senior director networked systems at Shure.
With Dante Domain Manager compatibility included in firmware release 4.1, Shure products including the Microflex Advance MXA910 and MXA310 Array Microphones, the IntelliMix P300 Audio Conferencing Processor and the ANI Audio Network Interfaces are now able to take advantage of Audinate’s network management software made especially for Dante-enabled devices - making audio networking more secure and scalable across an entire campus or enterprise.
Argentina - The Teatro Astral in Buenos Aires relies on an Allen & Heath dLive digital mixing system for the launch of the Broadway musical, Kinky Boots, which saw its opening night in January.
The large-capacity venue accommodates up to 1,200 people and has become a home to various productions, events, conferences, congresses, seminars and exhibitions. With the theatre not having its own in-house system, the venue turns to audio rental company BR Sound S.R.L to help host its events. With the latest Kinky Boots production being scheduled for multiple times a week over the next two years and featuring a large crew of on-stage actors and musicians, the engineers needed a large format desk that significantly expanded the theatre’s capabilities in terms of channel counts, processing power, speed and flexibility.
Lead engineer, Santiago Rivero (BR Sound), explains: “We needed a flexible, compact and powerful mixer, with an affordable price. We immediately thought of A&H mixers, because we are former GLD users and have always loved the sound.”
Facilitated by Allen & Heath’s Argentinian distributor, ARS Technologies, the full setup features a dLive C3500 surface, which uses around 80 input channels and more than 100 scene changes during the show, paired with a CDM48 MixRack, which is fitted with a Dante card for multitrack recording and playback.
Personal monitoring for each musician is handled via seven ME-1 systems connected to the MixRack and deployed in the orchestra pit alongside a DX168 expander, which provide
Europe - The Audio Engineering Society has opened registration for the upcoming AES Vienna 148th International Professional Audio Convention, taking place at the Austria Center on 25-28 May. Early registration discounts are available through 29 February for the dedicated European pro audio event that celebrates ‘A World of Audio’.
AES Vienna attendees will experience “stellar, leading-edge recordings - including VR productions from the Abbey Road Spatial Audio Forum and examples of immersive music and game audio - presented with production insights from the engineers who brought the projects to life”. Legacy productions will be examined, such as the music of Bruce Springsteen.
Core audio topics and the technology of today and tomorrow will be explored, including audio for new distribution platforms like Magic Leap.
USA - Located just outside Los Angeles, Concordia University Irvine recently opened the Borland-Manske Centre, marking a significant expansion of its music programme.
The acoustic spaces in the $30m building were designed by Walters-Storyk Design Group and include an 1100sq.ft. studio suite connected to a 3000sq.ft. orchestral hall and a 2500sq.ft. choral hall for large scale recordings. Anchoring the studio is a new 32-channel Rupert Neve Designs 5088 console, fully-loaded with 32x Shelford 5052 Mic Preamp / Inductor EQ modules, 9x Shelford 5051 Inductor EQ / Compressor modules, and the company’s own SwiftMix automation.
“I have been fortunate to work on consoles designed by Mr. Rupert Neve for many years,” says Prof. Steve Young, Concordia’s director of commercial music. “One of our core values for the new facility is to provide students with an opportunity to learn, create and grow in an environment featuring tools and technology to which they might not normally have access.”
Concordia’s commercial music programme is a “diverse, immersive experience, designed to prepare the student for the demands that face today’s music professionals”. The curriculum, which emphasises both musicianship and artistry, includes study in areas such as performance, composition / songwriting, arranging and music production.
“While students learn best-practices in music-making, we want them to experience best-in-class audio quality,” Young continues. “The 5088 was an obvious choice for its vintage heritage, modern capabilities and superi
Czech Republic - Rock band Kabát recently completed a sold-out stadium tour to mark their 30th anniversary, accompanied with an upgraded PA system featuring DiGiCo’s Quantum 7 console.
Kabát is a nationally renowned classic rock band, which has been popular since the 1980s. Its 10th anniversary stadium tour was the most prosperous in Czech music history, and the band represented the Czech Republic at the country's first entry in the Eurovision Song Contest. The latest anniversary tour visited stadiums and venues across the country over a three-week period.
The band is managed by Prague-based production company, the Pink Panther Agency, which also takes care of a number of other Czech artists. Its touring division recently expanded its hire stock with the addition of the Quantum 7. Purchased through DiGiCo’s distributor, Pro Music, the company was experiencing demand for a top-flight mixing console to cater for pro tours passing through Central Europe, and the quantity of stadium venues in the region.
“In previous years, I employed a DiGiCo SD5 console, which was a great console and I was very happy with it, but Pink Panther’s new investment presented us with an amazing opportunity to work with the Quantum 7 for Kabát’s anniversary tour,” explains FOH engineer, Marian Starý. “DiGiCo is my preferred mixer brand ever since the launch of D1 14 years ago, and I currently own several smaller format SD11 and SD9 consoles for rehearsals and on the fly gigs.”
Technically, Kabát has a traditional rock set up of around 40 outputs,
India - To deliver clear, intelligible vocals and a surround sound experience, Cine Tech Engineering Works equipped Century City Cinema Punjab with a JBL Professional cinema audio system.
Located in the heart of Mandi Dabwali, Century City Cinema is a 381-seat multiplex with two luxurious screening rooms. Cine Tech Engineering Works was hired to upgrade the aging audiovisual system with a cutting-edge Harman Professional Solutions cinema audio system featuring JBL loudspeakers and Crown amplifiers.
“We recently installed cinema sound solutions in Century City Cinema, Punjab, with the help of the Harman Professional Solutions team,” said Asad Rashid, owner, Cine Tech Engineering Works. “As per the client's requirements, we designed a cutting-edge audio system that includes JBL 4732-T loudspeakers and JBL 4642A high-power subwoofers along with JBL 9300 cinema surround speakers. The system is powered by Crown DSi Series amplifiers and a JBL CPi2000 cinema processor.”
To create immersive audio experiences, Century City Cinema supplemented the system with JBL 9300 cinema surround loudspeakers. With a versatile wall-mounting system, JBL 9300 loudspeakers can be positioned at three different angles for optimal coverage.
To provide staff at Century City Cinema with a simple means of adjusting audio levels and sound quality for both screening rooms, Century City Cinema equipped the theatre with a JBL CPi2000 cinema processor. With DSP processing, audio enhancement presets and an intuitive software interface, the CPi2000 provides seamless contro
South Africa - Nexo is working with the new generation in South Africa’s technical production community, providing free skills training and access to the latest Nexo sound reinforcement equipment in the country’s major cities.
With extensive support from the full-service production company Sound Stylists, a long-time Nexo user and dealer, Nexo has collaborated with South Africa’s Academy of Sound Engineering in Cape Town. Together, they hosted a free ETC training course encompassing workshops, hands-on and listening experiences, and an overview of Nexo’s line array evolution, from Geo S and D ranges to the contemporary Geo M and STM Series.
Presented by Nexo’s leading training engineer Nicholas Poitrenaud, the three-day seminar was attended by students and teachers from ASE, freelance engineers, house of worship technicians, and audio techs from Sound Stylists.
At the other end of the country, in Johannesburg, a new Nexo P+ Series sound system has been made available to the South African Roadies Association (SARA), to help raise the production skills of young and aspiring audio professionals.
The SARA rig comprises the new P12 point source cabinets, with LS18 subs, and the latest NXAMP4x4Mk2 amplifiers.
“This sound system equipment will greatly enhance SARA’s training programmes and inventory. It will help us to sustain skills development and SARA’s on-the-job training program in the event, technical and production sector for years to come. It will also have an indelible impact on the lives, careers, ambitions and dreams
The Netherlands - A select portfolio of Shure networked systems products - Shure’s Microflex Advance MXA910 Ceiling Array, MXA310 Table Array Microphone, and the IntelliMix P300 Audio Conferencing Processor - are now certified for Microsoft Teams.
Microsoft Teams provides a complete online meeting solution that includes online meetings, live broadcasts, Microsoft Team Rooms, cloud video interoperability and audio conferencing. Whether it’s a corporate conference room, special event venue or higher education campus, sourcing a dependable audio solution that provides clear audio while also integrating with leading collaboration technologies is important for successful communication.
Designed for such demanding environments, Shure microphones and digital signal processing products enable “easy-to-deploy, cost-effective, premium audio suitable for a variety of rooms and applications”.
“The Microsoft Teams certification is a clear indicator of our intention to provide best-in-class experience, compatibility and reliability in the unified communications market,” said Chris Merrick, director of global systems marketing at Shure.
UK - In addition to deployment in the West End, DiGiCo is used widely in touring theatre. “As one of the earliest adopters of DiGiCo consoles for use in theatre, we’ve been happy to contribute to their development and continue to be so,” comments Autograph’s Duncan Bell.
“From as far back his first meeting with them in 2002, Andrew [Bruce, Autograph’s founder] has been particularly closely involved in the development of the ‘T’ theatre-specific application software. His contribution, and that of numerous other theatre sound designers, means that DiGiCo is the established Gold Standard in theatre globally, and in fact most of the sound designs we see are based on the capabilities and workflow of T-equipped DiGiCo consoles.”
“A factor that works particularly well for us as owners of an extensive DiGiCo inventory is the return on investment from their products,” Bell continues. “Largely this is because of its policy of continuously updating software and developing new engines for existing hardware platforms. The new Quantum engine is a perfect example - in 2004 the very first DiGiCo console we supplied into the West End was a D5T for Les Miserables, which was subsequently upgraded to an SD7T during the last audio refit in 2011.
“The show’s London home since 2004, the Queens Theatre, has just undergone a major refurbishment and reopened with the new production as the newly-named Sondheim Theatre. The refit included a new sound system, at the heart of which is a new Quantum7T - the same interface, similar hardware but
China - Qinhuangdao Jiayun Electric Appliance Co recently deployed a complete JBL Professional audio system for the theatrical production Tang Dynasty Legend Songzhou • Wengcheng, put on by the Songpan County Party Committee and County Government.
Located in the Ngawa Tibetan and Qiang Autonomous Prefecture of Sichuan Province, modern-day Songpan County includes the site of the ancient city of Songzhou. According to legend, in the year 632, Tibetan emperor Songtsen Gampo attacked Songzhou after being denied a marriage alliance with the ruling Tang Dynasty of China. Although the Chinese managed to repel the invaders at Songzhou, the Tibetan emperor was eventually allowed to marry princess Wengcheng, in an event often referred to as the “national marriage” of the Han and Tibetan people.
To commemorate the 70th anniversary of the People’s Republic of China, the Songpan County Party Committee and County Government staged a large-scale theatrical performance of these events called Tang Dynasty Legend Songzhou • Wengcheng. To give the production a sense of immersion, Harman distributor Qinhuangdao Jiayun Electric Appliance Co chose to deploy JBL VLA Series loudspeakers and Crown amplifiers.
Qinhuangdao Jiayun Electric Appliance selected JBL VLA-C2100 two-way line array loudspeakers for the show, which deliver full-range sound via dual 10-inch Differential Drive woofers and a trio of 1.5-inch D2415 high-frequency drivers.
To amplify the system with as much power and clarity as possible, Qinhuangdao Jiayun Electric Appliance
Germany - Lawo launched its 50th anniversary celebrations in January with a Michelin-star studded party for its 300-plus employees in the company’s hometown in Rastatt, close to the Rhine River and the Black Forest region of Germany.
The milestone anniversary follows the company’s most successful business year to date, achieving a record revenue result that represented growth of 40 per cent. This performance was generated by an extraordinary uptake of Lawo’s IP media solutions based around core products of video, audio, workflow and monitoring technologies.
Founded by Peter Lawo in 1970, Lawo started out as an engineering office providing bespoke technical solutions before focusing on broadcast and media production technology. The creative drive of its founder and his son Philipp, who took over as CEO in 1999, ensured continual innovation helped evolve and grow the company into a truly global player.
The company’s early vision of IP becoming a single, unified infrastructure for all types of signal transport in broadcast and media production triggered a clear corporate strategy that has resulted in the IP native focus of the company today. This included the development and definition of Ravenna as an open media-over-IP standard over 10 years ago. Lawo’s belief in open industry standards and its active contribution of experience and knowledge to industry organizations have also helped pave the way for AES67, Ember+ and ST2110.
Lawo pioneered the remote production concept when open-standard IP had barely learned to walk and when ST2110
UK - Audiologic has appointed Andy Barnby as business manager. This is a pivotal role built on a strong foundation to support their growing network of customers, which will ensure the highest level of customer service and support is offered.
Andy will be responsible for driving forward Audiologic’s strategy and success in providing technical excellence, conducting demonstrations and taking a true ‘hands-on approach’ to guide projects successfully through to completion, on time and on budget, to the highest standard.
With 30 years’ experience, Andy joins Audiologic from Prolight Concepts, where he was area manager for 14 years representing brands such as eLumen8, Global Truss, PCE, Kuzar, Zenith and Clever Acoustics. This included lighting, staging, truss and rigging, as well as audio. Andy first started his career in audio working at Bose Professional, following this with a range of sales and account management roles with other well-respected brands including Citronic, Cerwin Vega, Numark Alesis and Akai on the audio side.
"The outstanding breadth and depth of Andy's experience is an ideal fit for Audiologic's ambitious vision and company culture," said Dave Smith, senior business manager at Audiologic. "He will bring his broad insight into our team and play an instrumental role in driving forward our strategy into new markets with significant potential for growth."
The Netherlands - Coda Audio has introduced a new ultra-compact three-way line array. N-RAY places the benefits of Coda’s flagship AiRAY technology into a shallow, lightweight cabinet perfect for theatres, performing-arts centres and corporate events. N-RAY is part of Coda’s latest N-Series, a range of lightweight, compact systems with the efficiency and power to rival much larger and heavier loudspeaker systems.
N-RAY incorporates the latest in driver and system design technology, delivering twice the power handling and SPL, as well as significantly more low-frequency output, when compared to other systems. It delivers high-fidelity sound with a large dynamic range and extended low- frequency with unlimited flexibility, thanks to its variable horizontal dispersion.
Key to N-RAY’s efficiency is the incorporation of a unique six-inch double diaphragm planar wave driver (DDP), dual 6.5” neodymium ultra-low distortion low-frequency cone drivers, N-RAY insta-fit magnetic coupler sums and unique Dynamic Airflow Cooling (DAC) technology, ensuring exceptionally high sound pressure and low power compression.
Offering a phase linearity similar to AiRAY, a 60Hz-22 kHz (-6dB) frequency range and high power handling of 1,000W, N-RAY outputs a power, weight and frequency response that belies its small size.
N-RAY has a variable horizontal coverage of 90°, 120° or asymmetric105°, a linear phase response for superior fidelity, variable vertical curving 0°, 1°, 2°, 3° to 12° in 1°steps and features an integrated three-point rigging system fo
The Netherlands – L-Acoustics has launched its first install-specific amplified controller at ISE. Primarily designed to power L-Acoustics compact loudspeakers, the bridgeable 4 x 4 channel LA2Xi offers anywhere from one to four outputs, allowing it to also drive medium and large format loudspeakers, in full or reduced SPL, for various types of applications. LA2Xi is the ideal choice to power background music in leisure installations, distributed fill systems in performing arts centres, studio monitors, private auditoriums and more.
LA2Xi adapts to the needs of various applications, allowing the choice of a four-, three-, two- or one-output channel configuration. In 4 x 4 single-ended mode, it can drive up to 16 X4i or 5XT compact coaxial loudspeakers. In residential applications where maximum SPL is not required, LA2Xi powers a stereo pair of elegant Syva and Syva Low colinear source loudspeakers. Bridge LA2Xi to 4 x 2 mode and it handily powers A10i and A15i medium-throw line sources or KS21i subwoofers with a robust 1260 W per channel. In 4 x 3 configurations, it can drive a pair of X8 reference monitors with a SB15m subwoofer. Bridging all channels in 4 x 1 mode powers one KS28 reference subwoofer with an impressive 2550 W.
Packaged in a 1U chassis for optimized rack space, LA2Xi was tailor-made for integration applications. Underneath the streamlined front panel lies the same DSP engine as the flagship touring LA12X amplified controller, including features for loudspeaker management, protection and monitoring as well as a comprehensive set of tools