Robe Now and Someday for Nick & Simon
Friday, 14 July 2023
robe-nick-and-simon-1589-photo-by-nico-alsemgeestNick & Simon’s Ahoy farewell (photo: Nico Alsemgeest)
The Netherlands - Successful singer-songwriter duo Nick & Simon (Nick Schilder & Simon Keizer) played six sold-out nights at Rotterdam’s Ahoy Arena, the culmination of their Nu of Ooit (Now or Someday) tour which also was the last time they will appear in this format, as after 17 years of performing together, both artists now intend to pursue solo careers.
Lighting was designed by Martijn Steman of Triple Showtechniek working closely with artistic / show director Ad de Haan from Live Legends with the help of approximately 220 x Robe moving lights on the live show rig, plus another 60 x Robe Spiiders appearing as virtual light sources within the digital scenery that defined the stage design and show aesthetic.
Jim de Brouwer from Live Legends created the set design in conjunction with Sander van der Ham of Bluepaper and creative Desiree van Giezen, which comprised 435sq.m of LED screen. The concept was to have a ‘museum’ building that houses all Nick & Simon's hits - of which there are many - each in their own special place. With moving walls and stairs, the stage architecture could be shifted and varied, offering a unique scenic look for each song in the set.
Ad explained that since 2009, when Live Legends first became involved in designing Nick & Simon’s stage environments, they have often included large LED surfaces enabling spectacular IMAG close ups of the artists onscreen.
For this one, they wanted to be able to change the scenery dramatically for each song, and digital scenery was a more cost-effective and flexible way of achieving this than doing it physically.
Live Legends’ content creation team - VFX artists Jim de Brouwer and Rolf Kuipers and content producer Margriet van Weperen - were asked to realistically light the footage they were making with plenty of motion using the virtual light sources.
For the show, it was essential that the pace and atmosphere of the real and digital worlds and content were synchronised, so Ad and Martijn’s long and enjoyable experience of collaborating on Nick & Simon shows proved a great asset in merging these digital decor and lighting elements seamlessly into one visual entity.
Once the set list was established, Desiree and Martijn drew up a colour list for 29 songs which had a total run time of one hour and 45 minutes.
As the stage layout of the ‘museum’ changed, so did the lighting and video designs. By working with different angles of light, the different digital compositions were sometimes very theatrical for ballads and slow songs, but animated and up-tempo for the more rousing music.
Video was played back via a Resolume server with two live operators - Desiree took care of live PiP inserts plus all the specials related to the LED banners along the catwalks and above the band, and lit the digital décor with three or four lighting looks for each song.
Of the 66 x Robe MegaPointes on the shows, most were above the stage and along two runways that came off the stage either side and ran down the length of the auditorium. These were used as the show’s main effects lighting.
The 40 x LEDBeam 150s were positioned along the sides of the LED screens so Martijn could call them up for side lights, while 36 x LEDBeam 350s were flown all around the room and used to backlight the audience and extend and echo the mood of the decor across the hall for a more immersive experience.
Twenty-two real Robe Spiider LED wash beams were used as a backlight for the band. Martijn needed a powerful, punchy and even luminaire to compensate for the brightness of the LED screen. For front light he chose 20 x BMFL Blades.
The four follow BMFL Spots were rigged along the runways and the front truss and were chosen for their output and because Martijn specifically wanted to utilise the flexibility of the RoboSpot system for several reasons.
All the Robe lights together with another 200 or so fixtures were programmed and run by Martijn on a Hog 4 console, run completely live with no timecode input. Prior to that, he pre-vizzed in Depence 3 using previews of the video content for reference.
Lighting equipment was supplied via Martijn’s company, Triple Showtechniek B.V which has supplied Nick & Simon’s management company, Volendam Music B.V., for some time.

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