South Africa - Audinate and its local partner, Stage Audio Works, are offering free certified Dante Level 3 training courses in South Africa at the end of October. The two-day courses will be lead by Audinate’s Kieran Walsh and will take place in the distributor’s Johannesburg and Cape Town offices on 29-30 October and 31 October – 1 November respectively.
Dante Level 3 training is an advanced level course aimed at those who have already been using the networking protocol and want to gain more insight and knowledge in setting up and managing larger Dante-enabled systems. Building on what has already been learnt in previous Dante training sessions, the Level 3 course delves deeper into various advanced networking concepts, mixed-use networks, networking best practices and troubleshooting techniques.
“Dante is the networking protocol of choice for audio professionals all over the world, whether they work in live, AV or broadcast, so a high-level understanding of how you can get the best out of it is vital for your career,” said Nathan Ihlenfeldt, technical director at Stage Audio Works. “We have worked closely with Audinate over the years to bring all three levels of Dante certification training to South Africa. As with all the educational events that we host, we have had excellent feedback from our Dante classes in the past and we are sure these courses will prove to be beneficial for our students.”
Stage Audio Works’ marketing manager, Shaun Xavier added: “Empowerment is one of our core values here at Stage Audio Works, and we are
Germany - The Laserworld Academy is holding an LSO-certified laser safety officer seminar in Munich in January 2020, with more dates set to be announced shortly.
The organisation holds events dedicated to laser safety and the training and education of Laser Safety Officers across Europe. This upcoming seminar, to be held in English at the Leonardo Hotel Munich City South, addresses regulations in Germany which require a laser safety officer (Laserschutzbeauftragter) to take responsibility of any laser system class 3R, 3B or 4 that is used. It is suitable for those utilising lasers in trade and for show/display applications, as well as for industrial purposes.
The contents of the LSO seminars meet the requirements of the German legal framework for laser use (OStrV and TROS) and base on the international regulatory IEC 60825-1. Upon successful completion, participants qualify as Laserschutzbeauftragter for work with laser systems in Germany.
“The more diverse the society gets, and the more companies work all across Europe and worldwide, the more demand came up for those specific Laser Safety Officer Seminars in English language for the German market,” explains Norbert Stangl, CMO of the Laserworld Group and head of the Laserworld Academy. “We can definitely see the demand for this kind of certification and have therefore scheduled the first dates for 2020.”
Further details and reservations are ava
The Netherlandsd - Amate Audio Benelux / Imagination AV is holding a two-day showcase in Rotterdam this month.
On 10 October, the company will run a comprehensive demo of its new X212AF line array at Onderzeebootloods, a 5,000 capacity venue on the former site of the EDM Submarine Wharf. Amate Audio Xperience will demo the new X2121AF line array and X218WF sub systems, with vice-president and chief technical officer Joan Amate giving an overview presentation of the systems.
On 12 October, attendees will be taken to the Dagvlinder Festival, where the same system provides the Main Stage sound, with a second system of eight-a-side NÍTID N208 line array elements and 12x N18W subs on the Jack’s House stage. More details on attending are available from the company's Facebook page.
The X2121AF line array has V-shape geometry, totally phase linear line array, with a 2x 12”, 4x 6” MF and dual 3” HF transducer configuration and proprietary acoustic design features - including the ABS mid-phase plugs, all-new HF waveguide and sonically transparent 1.5mm speaker grille - the X212AF incorporates discrete 3-way power channels with independent limiters (with differing time constants), and multi-channel DSP system management via Amate Audio’s Active+ integrated power and control platform.
The X218WF is a matched 5000 W X218WF sub system, loaded with 2 x 18” LF neodymium drivers with 4” double-layer voice coils in a compact bass reflex de
UK - PLASA has launched the National Lifting Event Training (NELT), a training programme for production technicians who use lifting equipment during event production.
Designed in conjunction with the Live Event Production Group with the aim of improving safe working practices of lifting operations, NELT is currently available at UK Rigging in Bolton and Production Services (PSI) in Northern Ireland, with more approved centres expected to offer the programme in 2020.
Nicky Greet, PLASA’s director of membership, skills & technical, comments: “PLASA is pleased to offer this national training for production technicians that has been developed in collaboration with industry professionals on PLASA’s Live Event Production group. The aim of NELT is to standardise good practice and knowledge, making work environments safer and more efficient for all those involved.”
The course will take place across three days under the guidance of expert trainers in specialist facilities. Trainees will complete a series of practical activities and receive guidance on how to establish cohesive and safe working partnerships with NRC riggers. Upon successful completion, candidates will receive a certificate and a listing on the PLASA website.
To enrol, please visit www.plasa.org/nelt. Experience of working in the live events or broadcast industries is recommended but not essential.
NELT is the latest addition to PLASA’s
UK - KV2 Audio has announced a partnership with RADA (Royal Academy of Dramatic Art) to support the training of young students in theatre sound production. KV2 has provided a range of EX Series loudspeakers to equip RADA’s Jerwood Vanbrugh and Gielgud theatres, and will also offer masterclasses on sound design and the use of point source technology in a theatre environment.
Steve Mayo, RADA’s head of sound, comments: “These partnerships are the life-blood of hands-on training for our students. I am very eager for our sound students to have the opportunity, not only to work with high quality, modern equipment, but also to meet the people behind it. The support we’ve had from KV2 has been invaluable in paving the way for this partnership, from our initial conversations at ABTT in June through to them organising for all our students to have a proper demo of the full KV2 range at PLASA last month.”
Mayo recalls that his decision to approach KV2 was sparked initially by well-known theatre sound designer, Richard Brooker, when he came in to talk to the students about working on musicals and mentioned that KV2 had become an important part of his designs. He was further prompted by the fact that Autograph Sound (with whom RADA already has a close relationship) are an important KV2 user, a fact endorsed by Autograph sound designer, Avgoustas Psillas.
“We were lucky enough to get Avgoustos in to mentor to our sound design students when we were preparing for our musical production during the last summer term, and he was very complimentary about KV
UK - Industry electrical expert and LSi columnist James Eade has announced the October dates for his recently-launched accredited training programme, BS 7909 Temporary Power for the Events Industry.
The course has been fully updated to align it with current industry guidance and standards. It is the only course James Eade is associated with and not offered by any other provider.
BS 7909 is taking place across three days on 21-23 October at the Whatlington Village Hall, East Sussex TN33 0NE. There are still a couple of spaces left to book for this sesion, with further events scheduled by the end of the year - more details are available on www.eade.uk.com/training.
Pearce Hire is also hosting a series of standards update courses at its HQ in Peterborough. This course is an accredited one-day course that takes the candidate through the latest industry-relevant changes to BS 7671:2018 as well as the new IET generator guidance. Also covered are updates to event industry lightning guidance as well as the ABTT Technical Standards for Places of Entertainment. The next course is on 25 October with more in November.
Germany - Over 250 guests were in attendance throughout the nine-day Ambion Digital Jungle open-house event. Attendees enjoyed an hour-long sensory journey of innovative installations focused on tracking, immersive interactivity, sensor technology, realtime control and reactive, generative content using BlackTrax, disguise and Notch.
Ambion is a full-service provider that plans and produces technology for concerts, sports events, trade shows and congresses around the globe.
The company recently held open house days where they invited selected clients, partners, innovation agencies and event planners to attend. The Digital Jungle demonstrations focused on technology and its application in a live event scenario.
OBJ.Studio the Ambion design department has been trying some interesting light and media tech projects in Berlin. The last one was a smart installation with curved LEDs. It was a collaboration with another design studio and 22 digital artists from all over the world.
“Ambion has a BlackTrax Lab. Here employees from different departments come together and experimenting with the system. So, we build knowledge together and find creative new ways and solutions for clients and upcoming projects,” says Jo Rychlik, creative director & head of OBJ.Studio Berlin.
Ambion received their training directly from CAST Software at their headquarters in Kaufungen. They purchased their own system as well, going along with their brand of owning their own equipment to have ownership over their projects.
The plans for Amb
UK - The 2019 PLASA Show was “the busiest in years” thanks to a six per cent increase in attendance, PLASA has reported. The event’s global status was also strengthened, with delegates from over 63 countries flocking to the London-based tradeshow.
This was the last edition of the event that was held at Olympia’s National Hall, with the 2020 PLASA Show set to move to London Olympia’s Grand Hall to accommodate a greater number of stands and show features.
“PLASA Show has clearly been improving year on year with 2019 being the best one yet,” comments Johan Gunsing, international sales manager for Adam Hall Group. “We have started to see a wider geographic audience attend the show which brings with it new opportunities, new business and increased brand awareness.”
“Once again PLASA did not disappoint,” comments Gareth Collyer, Nexo’s UK sales manager. “We were very pleased with the overall number and quality of the visitors that visited our booth and we look forward to seeing the show grow again next year when it moves to the Grand Hall.”
Grant Bales-Smith, sales manager EMEA for Vari-Lite & Strand, adds: “The show has really re-built itself which is a great thing to see. We’ve met with international customers from France, Spain, Germany and Scandinavia, representing the whole industry from theatre to concert touring.”
Coda Audio’s director of global marketing, David 'Webby' Webster, comments on the company’s debut appearance: “Because we’re relatively new to the market, it’s been great for us t
Europe - The 2020 Hog Factor Europe competition is now open, High End Systems has announced.
The company is inviting applications from students, apprentices and other aspiring lighting professionals under the age of 25 from across Europe, Commonwealth of Independent States (CIS), Africa and the Middle East.
Individuals or teams of two people are asked to submit a performance lighting piece programmed on a Hog or on Hog 4 PC, which can be downloaded for free with a special demo version of Capture visualisation. The deadline for submissions is 15 January 2020.
The top three entries will be selected and the contestants asked to programme another performance lighting piece based on High End Systems’ 2020 Prolight+Sound stand design. These finalists will be invited to the event in Frankfurt, Germany (31 March – 3 April) to demonstrate their programming skills live in front of a panel of industry experts and an international trade show audience.
The finalists will receive free travel and accommodation to PL+S. while the overall winner(s) will be awarded a trip to the LDI tradeshow in Las Vegas.
“Since its introduction in 2014, Hog Factor has become an internationally renowned competition and has helped launch a number of careers,” comments High End Systems brand manager, Tania Lesage. “We can’t wait to meet the next Hog Factor hopefuls and the talent of tomorrow.”
A previous winner of the competition, Austria-based Nina Mesitz of team Status Cue, praises her experience and encourages others to enter: “You learn so much an
UK - July saw over 100 delegates assemble at the Jerwood Vanbrugh Theatre, (one of three theatres within the central London campus of RADA, The Royal Academy Of Dramatic Art), for a review of DiGiCo’s new Quantum Engine and designed-for-theatre T software.
Hosted by DiGiCo and Autograph Sound, the day opened with Autograph’s co-founder Andrew Bruce telling his story from the early 70’s to the present day. This section effectively charted the development of modern theatre sound, using anecdotes and images of legendary West End shows including Starlight Express, Cats, Miss Saigon and many others.
Ably assisted by Autograph sound designers Avgoustos Psillas and Gareth Tucker, plus Tom Williams and Dan Page from DiGiCo, Andrew then spent the remainder of the day walking delegates through the functionality of the T software.
One of the delegates was Jeremy George, head of sound at the Theatre Royal Stratford East, who commented: “I really enjoyed learning about the origins and deeper functions of software that I use daily, not to mention [it was] very useful in terms of tips and ideas to try next time I’m programming a show’ - which, as it happened, was a few hours after the Quantum Synergy day had finished. T Software makes my life easier on a daily-basis. It’s definitely the best way to programme and operate theatre sound.”
The doors have opened for day two of PLASA Show 2019 at London Olympia, with Platinum Sponsor Robe, Silver Sponsor d&b audiotechnik and Technical Sponsor Hawthorn. The show floor is already brimming with business as visitors explore the latest products and solutions from 220+ brands from across audio, AV, lighting, rigging and staging.
The show’s platinum sponsor Robe have unveiled an expansive theatrical stand based on the classic 80s movie, Back To The Future. Live performances run every 90 minutes, with a viewing area on the show’s gallery level for visitors to watch from above. The creative duo behind the stand, Nathan Wan and Andy Webb, comment:
“Robe’s stand this year features a fully time coded show called ‘Return to the Future’ which is centred around a time travelling DeLorean car. During the show we smash through over 550 cues in eight minutes. It’s all about showcasing the new Esprite which is future-proofing LED moving heads as you can take the source out and simply replace it. This has absolutely been the most ambitious production that we’ve done to date, and it’s great to see on social media that many visitors come to PLASA Show just to see what we’ve come up with. We’ve been working on ‘Return to the Future’ for three months and it has been an absolute delight to see it all come together.”
Other lighting highlights include, Claypaky demonstrating their new Xtylos fixtures in an immersive enclosure, Ambersphere presenting the SpotM
UK - James Eade, LSi columnist and leading consultant in electrical safety for the event production industry, has created a new course covering BS 7909 - the Code of Practice for temporary electrical systems for entertainment and related purposes.
BS 7909 Temporary Power for the Events Industry has been developed by Eade in consultation with industry experts to ensure the most up-to-date and relevant guidance for this rapidly changing discipline. Unique in the event production market, the course is only available from James Eade.
The course is up to date with the new 18th Edition of the Wiring Regulations (BS 7671:2018) and the new IET guidance on the use of generators and covers a broad range of areas including multiple sources of supply, RCDs, earthing and bonding, inspection and testing as well as the management of temporary electrical infrastructure.
Attendees will learn how and why the IET Wiring Regulations and BS 7909 apply to temporary events, why they are important, and the best route to compliance. The content includes examples of current practice, and where this differs from best practice, as well as the common dangers that exist in a typical event environment.
Initially, BS 7909 Temporary Power for the Events Industry will be accredited by Eade, but the process of gaining accreditation by a leading awarding body is underway and is expected to be completed soon.
In addition, James Eade is also offering other new and updated training courses on related subjects, including:
• Events Industry Electrical Standards Upda
The doors of PLASA Show 2019 open in just a few days from 15-17 September at Olympia London, where thousands of visitors will experience the leading edge of live entertainment technology. With 220+ brands, 55+ educational sessions and a plethora of immersive features, this year’s show is ready to serve industry professionals from all sectors.
PLASA’s Managing Director Peter Heath comments: “Last year’s edition of PLASA Show was heralded for its high footfall and vibrant atmosphere. We have worked hard to build upon this by offering more brands and new features for a show that is both enjoyable and productive.
Of course, we couldn’t do it without the exhibitors and their technology which has developed at a dizzying rate over the years – PLASA is proud to provide a platform for such innovation, and we can’t wait to share what’s in store.”
Brand new products
After much hype, the Heritage-D digital console from MIDAS will be at the show, providing hands-on encounters. Coda Audio will display their N-APS, an ultra-compact 2-way arrayable point source, and d&b audiotechnik will display their flexible A-Series. The all-new TrackerD4 Precision Stagetracking from TiMax will also be here.
Robe will launch their new luminaire, Esprite, which has been designed as an LED replacement for discharge fixtures. Other notable lighting fixtures appearing at the show include the Huracán-X from Ayrton, the Maverick MK3 from Chauvet and the Synergy 5 from DTS. Artistic Licence will present their latest lighting control
UK - Unusual Rigging's Tom Harper will lead a session hosted by SiPA at PLASA 2019 which aims to explore how 'circular' the live production industry really is.
The session which takes place on 15 September at 14.00 will look at how the industry needs to decouple 'show business' from the highly wasteful, energy intensive and inefficient consumption of finite resources.
Tom, a director at Unusual Rigging as well as the company's circular economy lead, recently completed his MBA in circular economy innovation and is passionate to drive forward system shifts to ensure an effective transition towards an economic model that is regenerative by design.
"This isn't just about what we at Unusual Rigging can do – although we are very much trying to lead by example. It's about working with the entire industry in order to radically reduce consumption levels. We are locked in a system in which everything favours the linear model of production and consumption where we 'take, make and waste'. But there are things that the live production industry can be doing to drive forward the transition to a Circular Economy – we'll use this session to identify those things and figure out how we can accelerate this transition."
Unusual's Emily Egleton will join the panel alongside Carol Scott from Tait, John Winters from the National Theatre and Dr Greg Lavery from Rype Office. Emily will be touching on the innovations preserving the 'technosphere'.
Emily commented: "It's looking at designing for disassembly, designing for durability and establishing robust reve
South Africa - DWR Distribution presented an exclusive demo of L-Acoustics’ L-ISA sound technology to over 100 representatives from rental companies and TV studios in Johannesburg.
The system, which was used in South Africa for the first time during the live edition of The Voice South Africa 2019, was demo’d at the Mosaïek Teatro in Fairlands, where the TV show took place.
The demo was presented by Tim McCall, regional sales manager and Tony Szabo, head of touring applications at L-Acoustics, along with Chris Pugh, technical support at DWR Distribution and Adriaan van der Walt, audio engineer at Multi-Media who specified L-ISA technology for The Voice.
“I think it’s awesome that L-Acoustics have invested so much into South Africa,” comments Duncan Riley of DWR. “We are one of their smaller markets, yet they treat us no differently to the larger players. Their passion is contagious, and it really does feel like a family. We received an overwhelming response at the demo from the entertainment industry and I would like to thank everyone for being there.”
“Over six million spectators have enjoyed over two thousand performances in L-ISA so far, and we have sent out people to gather information from the audience to see if they enjoyed the production and noticed a difference,” said Tony Szabo. “The feedback has been overwhelming, from people commenting that they felt closer to the performance, to artists saying that they receive a greater response from the audience.”
Chris de Lancey, director at Multi-Media
UK - The ALD has launched the ALD Awards for Excellence, a scheme aimed at students and recent graduates that replaces the annual Michael Northern Awards.
The ALD says the new format “better reflects” the association’s growing representation and introduces a restructured prize fund, with three categories instead of four.
Rory Beaton, head of the ALD’s Working Group for Awards, comments: “The awards have grown in stature and, like most things, need a firm foundation from which to grow further. With the consolidation of naming and prize structure, The ALD Awards for Excellence have a strong and flexible framework to shape them for the future.”
The awards are now open for submissions to current students studying in the UK, recent graduates (2017-present), or to corresponding affiliate members of the ALD. The deadline is set for midnight on 31 October and the winners will be announced during the ALD’s annual Lighting Lunch in December.
The categories are as follows:
The Michael Northen Award for Excellence in Lighting Design (sponsored by the Mousetrap Foundation) - £500 cash prize, a 512 ETCnomad package, a six-month mentoring scheme with a team of industry professionals to run alongside the initial stage of their career, a copy of Michael Northen’s book, Northen Lights.
The Fred Foster Award for Excellence in Production Electrics (sponsored by ETC) - £500 cash prize, a 512 ETCnomad package, a on
UK - PLASA has announced its line-up of seminar sessions in the run up to the PLASA Show 2019 (15-17 September, London Olympia).
In collaboration with top industry figures and brands, the programme will feature an array of creative achievements as well as advice on salient industry issues.
Pro audio journalist and consultant Phil Ward will lead a panel of industry figureheads - Chris Hill from Wigwam, Jim Griffiths from Vanguardia and Steve Jones from d&b audiotechnik - in ‘Equal rights for audio!’ They will assess how live performances, including the recent Spice Girls reunion tour, can neglect audio in the rush for spectacular video, lighting and set design.
Moving from concerts to theatre, Shure will present the future of audio for theatre productions, in association with Curtain Call. This panel will explore how the advancement of microphone technology, such as wireless and lavalier mics, continues to influence performance and push the industry forward.
Meanwhile, Women in Music will host a session on how to survive and thrive in the live music industry, sharing tips on how to create an impressive CV, keep busy during the slow season, gain recognition, and prevent burnout whilst on the road.
Continuing on this theme, Rose Bruford graduate Tom Harrison will speak on the lifestyle of technicians. Working on the road is notoriously hazardous for diet, sleep and exercise, but Harrison is equipped with the latest research and insights to help those interested in leading healthier and more sustainable lives.
James Simpson, L
UK - Martin Audio has announced the latest in its series of product open days, which have been running twice a year since 2017 at the company’s High Wycombe HQ.
The latest programme will run over five sessions spread across three days, on 17 September (at 10.00am and 2.00pm), 18 September (at 10.00am and 2.00pm) and 19 September (at 11am).
The event is aimed at existing distributors, dealers, integrators, rental partners and sound engineers as well as potential new customers wishing to gain in-depth understanding of Martin Audio’s platforms and at the same time take advantage of plenty of listening time in relaxed surroundings.
Many new products will be showcased for the very first time and tours of the factory and refreshments will also be provided. The demonstrations will include: the full line up of Wavefront Precision line arrays including the new WPS; subwoofers including the new cardioid SXC118; 3D immersive sound and wide stereo imaging with Sound Adventures; ADORN and CDD installation ranges; portable point source ranges including the new BlacklineX Powered Series.
Martin Audio MD Dom Harter comments: “The decision to refocus our marketing and prioritise a series of Open Days as an alternative to exhibition participation has proven an unqualified success. Each series of sessions has built on its predecessor with the result that now there is barely a spare seat in our dedicated theatre.
“Aside from providing existing members of the Martin Audio family with an opportunity to get up and close and personal with the products
USA - The American Crane & Safety and Reliable Design Services were approved this month to become ETCP Recognised Training Programmes. The courses that participate in the programme present an opportunity for ETCP technicians to get a bulk of their education credits in one place, as these training opportunities count one point per hour of attendance.
“I am excited to say that ETCP now has almost 20 Recognised Rigging Training Programmes that provide relevant courses for those who need renewal credits. Perhaps the most important thing ETCP has brought about in our industry is a sincere interest in training. Adding these two training opportunities only furthers that mission,” says Tim Hansen, ETCP council chair.
American Crane & Safety’s Entertainment Rigging Courses is designed to provide participants with the ground-rigging basic knowledge of inspecting rigging gear, load control, as well as rigging procedures and techniques used in the entertainment industry through a problem-solving workshop. Scott Weldon, company owner, joined the ranks as ETCP recognised trainer this month as well. The Entertainment Rigging course is available online anytime. The courses are also taught onsite for those who would like to attend in person.
Reliable Design’s Advanced Structures Workshop is co-hosted in Dallas on 24 September 2019 with Clark Reder Engineering. Attendees will learn about a wide range of structures used for outdoor events, including, how to deal with forces on systems and a rare opportunity for hands-on time to experiment with loads a
UK - Green Hippo welcomed 18 of its most advanced Hippotizer practitioners to its latest UK ‘super user’ event in July.
A regular fixture in the Green Hippo diary, the event was hosted at the Leeds office of Hippotizer dealer A.C. Entertainment Technologies, giving the product team an opportunity to bring these leading Hippotizer experts up to date with the latest features, developments and initiatives. Additionally, it provides a forum for the exchange of highly-informed feedback and ideas from those working most closely with Green Hippo’s technology in a broad array of show environments.
“We run these events every six months or so,” says Tom Etra, senior technical sales manager at Green Hippo. “They are incredibly useful, both for us and our users. They’re an open forum for discussion and feedback with users who know our products inside and out.
He adds: “They work in various different disciplines - touring, theatre, installations, attractions - and they have great real-world experience and insight into where we’re going with the products. It’s a really productive environment - an amazing cross-fertilisation of ideas.”
The day began with the Green Hippo and AC-ET teams presenting the latest features in Hippotizer software V4.5. From AC-ET’s video division, Chris Beardwell showed the new VideoMapper and BeatBridge features, while from Green Hippo, Suzy Stenning discussed the Object to Output workflow, within Hippotizer’s 3D Mapping environment and Zep Mouris demo’d Hippotizer’s latest auto alignment capabilities.
UK - The end of May saw Brompton Technology complete two one-day training courses at the new Manchester HQ of visual technology specialist FIX8Group.
The course was led by Brompton technical support specialist Sarah James and attended by both local Brompton partners and locally-based freelancers, who were taken through the fundamentals of operating the company’s state-of-the-art T1, S4, M2 and SX40 LED processors and XD data distribution unit.
With screens and rigging provided by Manchester-based Brompton rental partner A to V, Sarah took the attendees through the processors’ easy-to-use interface, as well as giving them hands on experience with handy features such as ChromaTune colour correction, On Screen Colour Adjustment (OSCA), Dark Magic for colour smoothing in low brightness conditions, On screen display (OSD) and Genlock.
Neil Trenell, creative director and founder of FIX8, comments: “It’s been a pleasure to host the Brompton training at our premises this week. Their philosophy of quality and high production values aligns closely with our own. We have been regular users of their system so its been great have an opportunity to learn more about it and to welcome other partners who share our interest in the system.”
“With more and more of our processors in the market there is an increasing demand for technicians and freelancers with the knowledge to get the best out of our processors so making sure people have access to high quality training is key,” adds Brompton’s business development manager, Rob Fowler. “We are de
South Africa - As live production stages get bigger, heavier and more complicated with equipment suspended above the audience, safety is imperative. Ilan Bahar from Eilon Ron StageMaster recently visited South Africa, and in conjunction with local distributor DWR Distribution, presented load cell demonstrations to a variety of rental companies in Johannesburg, Cape Town and Durban.
Eilon, a family business, was established over 40 years ago and their safety monitoring systems are used in diverse applications including entertainment stages, aerospace with sales to NASA, wind turbines and shipment weighing to mention a few.
“The Eilon Ron StageMaster concept is very simple,” said Ilan Bahar. “When you hang equipment above people, you have to know the load of every point because there are limitations, such as the limitations of a roof. You have to make sure that you don’t cross those limitations and that is what the load cell does. It measures the load at every point, sends the data to the receiver and then you have it on a display where you can continually monitor the status.
“Before people used the load monitor, they would make calculations, but even if you are in a position where everything is stable, once you hit the controller, everything changes. The Ron StageMaster system helps to verify the plan and is also a second defence layer: First is the load calculation plan, and second is a realtime verification that the calculated loads are similar to the measured load. Both layers are necessary in order to provide an effective overload prot
Norway - Prostage, the Oslo-based distributors of Prolights, invited lighting designer Fredrik Jönsson to lead a two-day workshop hosted in Oslo’s Riksteatret. The designer discussed various design techniques, stories and lessons learned throughout his career in the entertainment industry.
Fredrik Jönsson designed the lighting for the international Eurovision final in Malmö in 2013 and in Stockholm in 2016 and was awarded an LLB Award for best Lighting Design for his work on the 2013 Eurovision final. In 2019, he designed the lighting for Melodifestivalen (the national Swedish Eurovision finals), bringing his grand total of live performances for Melodifestivalen to 103.
Jönsson drew from his vast experience of designing global concert tours, international events and broadcast and concocted the two-day interactive seminar program covering topics such as basic lighting principles, WYSIWYG, CAD Visualisations and methodologies in practice.
During the CTO and CRI discussions, the LD tested the RA series fixtures independently and commented on how impressed he was with the high standard of light quality, the 6000+K and the impressive measured open white values of over 92 produced by the RA2000 and the RA3000.
For the duration of the workshop a full Prolights rig was on display for visitors to get ‘up close and personal’ with the fixtures and ask the Prostage team any fixture related questions. The workshop was well attended and encouraged participation, discussion and debate.
Prostage sales manager Carl August Tidmann comme
USA - Experts in hearing wellness at Sensaphonics recently held a Gold Circle Seminar in Chicago to promote hearing protection practices in the music industry.
Five audiologists from across the US learned the basics of live sound production along with insights on how to help musicians and sound engineers achieve both robust stage monitoring while retaining their long-term hearing health. Sensaphonics president, Dr. Michael Santucci and sound engineering consultant Joe Tessone of Mystery Street Recording Company, led the two-day seminar.
“One of the biggest issues with IEMs is that they aren’t covered in audiology school,” says Santucci. “The Gold Circle Seminar fills that gap by teaching how IEMs work, how they are used professionally, and how they can be used more safely. Where others offer vague suggestions on how to use in-ears safely, Sensaphonics remains uniquely committed to musicians’ hearing health.”
The two-day seminar goes beyond taking ear impressions for custom IEMs, providing a unique mix of practical and technical product information. Participants learn through a series of classroom sessions covering topics like IEM and hearing protection technology for musicians; concert sound system design, backstage etiquette, and marketing to musicians, production personnel, and fans. Attendees are also trained in taking proper ear impressions to Sensaphonics specifications. The seminar concludes with a hands-on live music rehearsal at Mystery Street Recording Company in Chicago, working directly with a live band experiencing in-ear mon