South Africa - Vectorworks training, presented by Francois van der Merwe, will be hosted in March at DWR Distribution in Johannesburg.
Delegates can choose to attend the basic, intermediate or advanced training session while some individuals may prefer to be at all three.
The basic course, priced at R750, is held on 25 March and will cover fundamentals, layouts, palettes, basic tools, classes and layers.
The intermediate course, held from 26-27 March, will focus on preferences, basic Spolight, basic Renderworks and Intermediate Tools. The cost is R1 600.
The advanced training, held from 28-29 March, will cover working planes, advanced modelling and advanced Renderworks. The cost is R1 600.
Delegates are requested to supply their own desktop or laptop with Vectorworks installed and a valid ID.
UK - Midas Consoles has agreed a sponsorship deal to provide mixing desks to Backstage Academy.
The equipment, understood to be a pair of M32 consoles and DL32 stage boxes, will be used for training purposes at the Wakefield-based college, which introduced a live engineering pathway to its Live Events Production BA (Hons) degree course last September.
Miles Marsden, Backstage Academy’s industry partnerships director, comments: “Everyone knows that Midas produces state-of-the-art mixing desks in the analogue world, setting standards on major tours worldwide throughout the 1990s. They have extended this product format into the digital world, with the M32 console. We are delighted they have loaned us a pair of these desks and DL32 I/O boxes for our students to learn on.”
Joel Perry, artist relations for Midas, has known Marsden for 20 years. “We are pleased to be supporting Backstage Academy and look forward to utilising the space at the Academy and Production Park for training in the future,” says Perry. “Having access to these excellent facilities is a real bonus as we help to inspire the next generation of mix engineers. It’s a win-win situation.”
South Africa - It’s all about the training for the South African State Theatre in Pretoria.
Having invested in a DiGiCo SD12 at the end of last year, technicians from the theatre received a practical training course presented by DWR Distribution’s Kyle Robson in January. This was followed by dot2 training and a theatre lighting workshop.
The DiGiCo SD12 is currently being used in the 1,300-seat opera theatre, the largest venue at the State Theatre. The console has already been set to work for the 11th annual Mzansi Fela Community Arts Festival starring artists such as Thandiswa Mazwai, Dr Tumi, Ringo Madlingozi, Kwesta, Sjava, and Lebo Sekgobela.
“We initially decided on the SD12 as we wanted a mixer that could handle large productions without having to compromise on channels and Aux/Group busses,” explains Tshiamo Mokgadi, an audio technician at the State Theatre. “We hosted a production called Freedom the musical, using over 70 lines. It was a bit of a challenge at the beginning because of the old console we were using - channels had to be cut and so on. After getting the DiGiCo we managed to pull off the show without having to cut anything.”
One of the main features to catch Tshiamo’s eye was SD12’s two screens. “This allows for a much quicker access to mixer parameters and the ability to either dedicate the sides to different functions, have the right-hand screen to master functions or even have two operators at the console,” he explains. “Being able to have any channel strip on any fader layer and full channel
UK - Free registration is now open for PLASA Focus Leeds, PLASA has reported.
The sold-out event, taking place at Leeds' Royal Armouries Museum on 14-15 May, will feature 120 exhibitors and is ideal for professionals working across live events, concert touring, production, performing arts and installation.
Present will be lighting companies including Elation, Robe and Philips Entertainment Lighting; pro audio firms including d&b audiotechnik, Funktion-One and Shure; and rigging, staging and production specialists including Area Four Industries, Gerriets, Hawthorn and J&C Joel. The trade show will also welcome several new exhibitors, including loudspeaker manufacturer Wharfdale Pro Audio and US sound masking company, Cambridge Sound Management.
In addition, a free programme of seminars, panel discussions and workshops will feature insights from experts involved in some the most exciting projects over the past year as well as essential technical guidance.
Sophie Atkinson, head of events at PLASA, comments: “PLASA Focus Leeds continues to be one of the most anticipated events in the calendar. It’s the perfect place for people to get together, share knowledge and find out about the latest technology.
“Our team is currently building an exciting programme of seminars and workshops, celebrating some of the most exciting projects from across the industry - we look forward to announcing the line-up
UK - Audio-Technica, the UK distributor for Apart Audio, has announced a series of UK dates as part of its Apart Innovation Tour roadshow.
The Apart Innovation Tour comes to England and Scotland in March, and Northern Ireland and Eire in June. The seminars are aimed at pro-audio resellers, consultants, designers and integrators and will showcase new Apart Audio products including the Mask and Kubo series speakers and Prezone preamp/mixers. Also covered in the sessions will be a look at using EASE (Enhanced Acoustic Simulator for Engineers) software in designing and creating fixed installation audio solutions for clients.
Each of the free-to-attend Apart Innovation Tour sessions run between 10am and 2pm and include drinks and refreshments. Places are limited so booking is essential - registration for the UK tour dates is available at audio-technica-ltd.eventbrite.co.uk.
Locations and dates for the Apart Innovation Tour are:
11 March – London
12 March – Birmingham
13 March – Leeds
14 March – Glasgow
12 June – Belfast
13 June – Dublin
UK - White Light has recently held a series of open days across the UK to showcase and demo its latest technology.
The company’s Audio KnoWLedge Day was held last month at WL’s Studio15. Working alongside some of the biggest audio manufacturers including Shure, Riedel, DPA Microphones, Yamaha, d&b audiotechnik, K-array and Astro Spatial Audio, WL hosted a day in which students could get hands-on with the latest audio technology, take part in Q&A forums as well as have one-on-one sessions with industry professionals.
The day was organised by WL’s head of audio Lee Dennison who comments: “With the KnoWLedge Day, we wanted to offer students something which would prove invaluable yet which they wouldn’t receive anywhere else. It’s not often they get the opportunity to speak to industry leaders about their products so this was their own ‘audio trade show’ where they were given time to ask those important questions and have quality hands on tuition they wouldn’t normally be afforded.
“The feedback we received was fantastic and it’s great to work with such highly regarded manufacturers and make their products so accessible”. WL also used the day to allow students to register for their crewing database for when they graduate.
WL also supported the New Technology Showcase, taking place at the Central School of Speech and Drama, and held in conjunction with the ALD. The showcase was aimed at lighting designers and technicians to explore and compare the latest lighting technologies on the market. Over 60 students attended
UK - Martin Audio has announced a new series of open days, taking place on 19-21 March at the company’s High Wycombe HQ.
Martin Audio will showcase the full line-up of Wavefront Precision line arrays, including the new WPL, while the subwoofers will be headed by the new cardioid SXC118 and SXH218.
In addition, there will be point source BlacklineX and XD Series with VIA amplifiers and DX4.0 controller, the self-powered point source CDD-LIVE and a selection of LE and XE stage monitors. 3D immersive Sound Adventures in partnership with Astro Spatial Audio, demonstrate wide stereo imaging.
Dom Harter, Martin Audio managing director, comments: “Coming off a high at ISE 2019 earlier this month, this will provide a further opportunity for rental companies, sound engineers, system integrators and installation specialists to increase their understanding of our systems, in a relaxed, unrestricted listening environment.
“We are in the midst of the most prolific development programme in the company’s history, and it is vitally important that we keep both our loyal and potential new customers abreast of the technological advances and unique selling points represented in our rapidly expanding portfolio.”
Tours of the factory and refreshments will also be provided. Registration is now open on Martin Audio's website.
The Netherlands - Customers from across the world were welcomed at the HQ of intercoms specialist Green-GO for a product training event and factory tour in January. Attendees were given practical training on Green-GO’s Ethernet-based digital intercom system for event production and broadcast applications.
Green-GO hosted 16 visitors from Europe, Australia and South Africa, who were treated to a tour of the company’s manufacturing facility. The full day’s training programme consisted of an introductory session and a practical session designed to cater to differing expertise levels. “Sometimes the attendee is a salesman who needs to understand the USPs of the technology,” says Green-GO’s Silvio Cibien. “Then there are technicians, who want to get deep into the technology and really understand how it works.”
In what proved to be a valuable networking environment, attendees worked in teams of three, learning the technology from the Green-GO team and, by sharing their practical experiences of Green-GO systems with their team-mates, from each other. With experts from the Green-GO team on hand, higher-level users also had the opportunity to discuss specific solutions and real-world applications in greater detail.
Cibien concludes: “For us it’s nice to see the interest and curiosity of our customers. Intercom was, for many years, not very interesting. So, nobody expects it to be so good, and so different.”
Green-GO will exhibit its intercom technology at the Prolight+Sound exhibition in Frankfurt in April.
USA - Global design and BIM software solutions provider Vectorworks has announced its fourth annual Vectorworks Design Scholarship is now open for entries.
The scholarship enables undergraduate students and recent graduates to gain professional recognition by sharing their work and win up to $10,000.
“The Vectorworks Design Scholarship is an incredible opportunity for up-and-coming designers to promote their work and win funds to support their future endeavours,” comments Alice Lowy, marketing programmes director at Vectorworks. “We look forward to seeing what these up-and-coming designers think up next.”
To apply, eligible students must submit their best individual or group project and answer three questions. A panel of judges will evaluate submissions based on design integrity, originality, the effective use of computer technology and communication of design vision. Submissions are due by 29 August and the winners will be revealed 16 October.
First-round winners will each receive $3,000 and will be entered for the chance at the grand prize Richard Diehl Award, worth an additional $7,000. Scholarship award winnings may be used as winners see fit. Additionally, winners’ schools will receive free Vectorworks Designer software and complimentary training for faculty and students.
During the last scholarship campaign, Vectorworks received nearly 1,000 submissions from around the globe, including the United States, Germany, Switzerland, China, Belgium, the UK, the Netherlands and India.
Morgan Lindsay Price, a previous winner
USA - The Entertainment Technician Certification Programme (ETCP) reports that ETCP Paper and Pencil rigging examinations will be offered in conjunction with the Jay O. Glerum Rigging Masterclasses in San Diego on 3 April.
Any qualified rigger over 21 is invited to apply to sit the exams. Applicants should fill out the exam application form at http://etcp.esta.org/riggerapplicationmaterials and submit it to the ETCP office by Monday, 11 March.
The Jay O. Glerum Masterclasses now have three tracks of learning: advanced, intermediate and entry level. Held at San Diego State University’s Done Powell Theatre, the entry-level courses will take place from 30-31 March, and the intermediate level will be taught on 1-2 April. All courses carry full ETCP Renewal Credits. To register, please visit www.usitt.org/glerummasterclass. Registration ends 15 March.
UK - Live event production educational facility Backstage Academy has announced the continuing support of long-term partner d&b audiotechnik.
The news was announced by d&b director Stephen Hogg and Miles Marsden, Backstage Academy’s industry partnerships director, who instigated the original agreement.
Marsden comments: “d&b has a long-term commitment to training; the company took the opportunity of being an early adopter here and is now one of a number of companies reaping a return on investment.”
Headline partners enable the Backstage team to work with current technology and equipment, in return gaining access to the Academy’s facilities, both for their commercial needs and as a part of the institution’s educational syllabus. These facilities range from immersive opportunities in Production Park, studio space and hot-desking. “Everyone gets something out of it, with the reward of seeing students progressing through the ranks,” states Marsden.
Stephen Hogg adds: “d&b has developed a very strong educational programme. The resulting knowledge transfer skillset has attracted the attention of many educational establishments, including Backstage Academy, with whom we have been working for several years. We have already helped to establish live sound reinforcement as a vital part of their curriculum, enabling students to develop a keen awareness both of audio techniques in general and of our systems.
“Having use of the facilities is a huge benefit, but the other interesting aspect of Backstage Academy is its
UK - A.C. Entertainment Technologies (AC-ET) has announced it will be hosting a Seeing is Believing UK training and demonstration event on 6 March 2019, in partnership with video brands including NovaStar and Prolights.
Held at Production Park in Wakefield, technical experts from NovaStar and Prolights will provide hands-on product training focusing on the key features of NovaStar's LED display processing solutions, as well as advice on how to operate and specify them for different projects.
Attendees will get an insight into NovaStar's extensive product line-up that includes the Taurus multimedia player for smart display systems; the MCTRL660 PRO controller, which provides an ultra-low latency solution when paired with NovaStar's A8s and A10s receiving cards; and the InfoComm award-winning MCTRL4K controller, which utilises the latest HDR technology to show more details and bring pictures to life.
In addition, the day will give an overview of Prolights' flagship OmegaPIX modular LED displays, which feature NovaStar's A8s card.
Video content will be driven by Green Hippo's Hippotizer V4+ media server range, and product specialists for all featured video technologies will be on hand to answer any questions.
This is a free event and complimentary lunch & refreshments will be provided throughout the day. Registration is via www.ac-et.com/events
Spain - French loudspeaker manufacturer APG has appointed Andalusian audio specialist Zero Dbs to support and promote its brand and products in Spain.
Zero Dbs has organised demo days on 13-14 February in collaboration with the APG team, taking place at the Priego de Cordoba Victoria Theatre, which was equipped with a Uniline Compact system at the end of 2018.
Juan Antonio Cuevas, technical director and owner of Zero Dbs, comments: “I have favoured the APG brand for a long time thanks to its sound and manufacturing quality, as well as its versatility. Their products offer features that I have not found with any other brands in the industry.”
He adds: “The Spanish market might not know the APG brand well yet, but I’m convinced regional companies and customers will soon be aware of its qualities. Whenever we have provided APG in the past, customers have been amazed. They are usually so satisfied with their equipment that they come back for more.”
The APG Uniline Compact system deployed at the Priego de Cordoba Victoria Theatre comprises four UC206N medium/long throw speakers, a UC206W and two SB115-M2 subwoofers per side, as well as a DMS48 digital processor and a pair of Powersoft Quattrocanali amplifiers to drive the system.
Cuevas adds: “The APG gear was easy to install and is versatile enough for any type of show, which was a requirement for the end client. The intelligibility, sound pressure and coverage of the Uniline Compact is second to none, and its Dante-compatibility means the option for integration with a digital
USA - Rocky Paulson will become the third recipient of the ESTA Lifetime Technical Achievement Award.
The award, which recognises individuals with ‘significant and sustained’ technical contributions to the entertainment industry over at least 25 years, will be presented at the conclusion of the New World Rigging Symposium at the Hyatt Regency Louisville at 5:15pm on 20 March.
After being discharged from the Navy and while in college, Paulson worked for the stagehands' union, rigging at the Cow Palace arena in San Francisco and other locations. In 1973, Rocky took a job with the NBC network as a production rigger for Peter Pan and toured the world with them for several years.
After returning to the Bay Area, he founded Stage Rigging in 1977. The company went on to become one of the preeminent rigging companies in the world, providing services to such shows and events as the Super Bowl, the RNC Convention, Pink Floyd, and The Who, among many others. Paulson has also been described as an ‘an extraordinarily generous teacher’ for his commitment to training and standardisation.
Paulson was one of the co-chairs of the original ETCP Rigging Certification Subject Matter Experts. In addition, he was a founding member of ESTA’s Technical Standards Programme and authored its first ANSI Standard, E1.1, on the construction and use of wire rope ladders in the industry.
In 2000, Paulson sold Stage Rigging to Freeman Decorating staying on to help run the company until he retired from full-time work as a rigger. He continued to teach an
UK - As part of PLASA’s Professional Development Training, chartered engineering consultant and LSi journalist James Eade will host a one-day seminar and workshop on Electrical Safety Management on 26 March at ETC Ltd in London.
The workshop will focus on the 18th edition IET Wiring Regulations which came into force on 1 January 2019, critical for those who manufacture and hire equipment, own a venue or are end-users.
James Eade comments: “I’m delighted to host this workshop with PLASA to help attendees understand their overarching requirements for managing electrical safety in the workplace. Many are becoming familiar with the temporary power standard BS 7909, but that is one of several standards that fit into a bigger picture surrounding legal requirements of electrical safety management, from workbenches in a factory to temporary systems erected on site. In the workshop we’ll also cover the salient changes to the IET Wiring Regulations and their practical application.”
This event is part of a collection of seminars and workshops from PLASA, which cover subjects such as sales, branding, health and safety and technical updates.
To book your place please visit: http://plasa.me/electrical
To find out more about the changes on the IET, visit:
Poland - The first Rigging Conference to take place in Poland will be held at the Giliwice Arena from 19-20 February. Attendees can look forward to learning about ICOPER (International Code of Practice for Entertainment Rigging) and the National Rigging Certificate, the leading industry certification from PLASA.
Additionally, PLASA’s managing director Peter Heath will present a keynote talk on the importance of European collaboration. Heath comments: “It’s good to see initiatives such as this encouraging industry standards and safety. I am looking forward to speaking at the conference to play a part in promoting professionalism across the entertainment rigging sector in Poland.”
For more information please go to: http://www.riggingconference.pl/
South Africa - DWR Distribution is holding a Waves training course in Johannesburg on 18 February and in Cape Town on 21 February.
Presented by Eran Ben Zur, a live product specialist at Waves Audio and an experienced FOH engineer, the sessions will feature discussions on Waves Live, Sound Grid Network, V9 vs V10, Multi Rack, Plugins, eMotion LV1, Tips and Tricks and Q&A.
The course will be hosted at the DWR premises in Johannesburg and Cape Town. For more information, visit the DWR website.
UK - Question Session will return with a full programme across two Glasgow city centre venues on 8 February. The Lighthouse on Mitchell Lane will host this year’s daytime conference, followed by a live music event at The Old Hairdressers on Renfield Lane.
Now in its fourth year, this free conference offers a comprehensive, tailored programme of workshops, seminars and panels featuring prominent professionals from all areas of the music industry.
Focused on innovation, education and exploring current issues, Question Session 2019 is organised by music business students of New College Lanarkshire to enable delegates to connect, share knowledge and create new opportunities with established industry practitioners; initiating discussion, and exposing new talent.
Topics for Question Session 2019 panels and seminars will include the following: Releasing your music; Nurturing new talent; Working as a recording engineer; Promoting your event; Mental health in music.
The first series of intimate workshops will include hands-on experience in: Introduction to modular synthesis with Rub-a-Dub; Promoting your music successfully; Resolving legal issues pertaining to the music industry.
The following participants will be in attendance, plus many more prominent names: Ableton; Sub Pop Records; DF Concerts – Chris Beltran; Help Musicians UK; Pledge Music; Scottish Music Industry Association; Creative Scotland.
“Question Session is a superb networking event and platform for anyone interested in a career in the music industry,” s
USA - Wireless touring professional Ike Zimbel will provide introduction and training for both Professional Wireless IAS software and the Radio Active Designs UV-1G wireless intercom system during AES@NAMM. The one-hour training sessions will be held at the Anaheim Hilton Hotel’s NAMM U Education Centre, adjacent to a brand-new pro-audio exhibit space. The RAD and IAS sessions will take place on Thursday 24 January and Saturday 26 January at the Anaheim Hilton.
Professional Wireless’ Intermodulation Analysis System (IAS) software is the industry standard frequency coordination software that has been used on every major sporting and broadcast event since its inception. Radio Active Designs UV-1G wireless intercom system operates primarily in the VHF band clearing valuable UHF bandwidth for other systems.
Zimbel will demonstrate the system from base station to belt pack. Topics covered will include Analog RF transmission scheme, best practices for set-up and deployment, using the GUI to program bases and belts, "Scene" memory in belt packs and why the UV-1G makes the most sense for your intercom inventory.
“Available UHF bandwidth is being reduced to just (at most) 150MHz making spectral efficiency of paramount importance,” adds Zimbel. “With the very small footprint of the UV-1G UHF transmit frequencies and the fact that the belt packs operate in the relatively open VHF band (also with a very small RF footprint), the UV-1G is the best choice for large intercom intensive events, small "dry hire" rentals and everything in between.”
Europe - High End Systems has announced that entries are now open for Hog Factor 2019, taking place at Prolight + Sound on 3 April in Frankfurt.
Open to all aspiring lighting practitioners, university students and apprentices, the competition is back on a bigger scale than ever before, welcoming entrants from across Europe, Africa and the Middle East regions.
Hog Factor was first held in the US (2015) and has grown its reputation in the industry for being the chief lighting programming competition across the globe. In the first phase of the competition, entrants are invited to program a light show on a Hog console to a specified song via a visualisation file. The deadline for submissions is 26 February 2019. Following this, judges will select three shortlisted teams who will receive free travel and accommodation for Prolight + Sound 2019 (2-5 April).
The teams will compete against one another with a performance of their lighting show on the High End Systems booth at the exhibition. This will be in front of a live audience of industry experts and a panel of judges who will then announce the winners.
Nina Mesitz, a member of last year’s winning team Status Cue, commented positively about her experience of the competition: “The hands-on approach and interaction with industry professionals is invaluable. There is much to learn and vital key contacts to make for the future. It is an opportunity not to be missed for anyone with a passion for a lighting career.”
ETC vice president of marketing David Lincecum added, “Hog Factor is excit
UK - The West London demo room of Kinesys was home to a Green Hippo Automation Masterclass with an international flavour. Welcoming attendees from Finland and the Netherlands, as well as the United Kingdom, Green Hippo partnered with Kinesys to deliver Masterclass III - Automation.
The two-day course, which took place earlier this month, enabled delegates to take a deep dive into integrating moving elements with Hippotizer and SHAPE 3D projection mapping. Occupying the Kinesys base, conveniently located 20 minutes from Heathrow, students benefited from a venue fully-equipped with chain motors, rotators, trolleys and truss - this was a true hands-on experience where participants experienced using actual hardware to practice key skills including object alignment, parenting and automation scripting.
Both days saw students spending the mornings absorbing theory in the training room, moving in the afternoons to the demo room for hands-on, practical sessions. Day one included a section on automation history and terminology as well as basic usage of Kinesys Vector and K2 systems - no prior knowledge of Kinesys systems was required for this course, though a good understanding of Hippotizer and basic SHAPE functions was recommended - closing with rotation and translation ‘in real life’. The second day’s topics included 3D basics and texture mappers, moving on to (Epson) projector alignment, setting up multi-axis automation with parenting, and automation visualisation.
At the end of the masterclass, delegates left with their automation skillset signific
Nigeria - DWR Distribution recently joined with Livespot Productions to present a free two-day lighting workshop in Ikeja, GRA in Lagos.
The DWR team included Jannie de Jager and Michael Taylor-Broderick who presented the training, along with Duncan Riley, Kyle Robson and JP de Vernon, who were eager to be part of the adventure.
Topics covered included the objectives of stage lighting, controllable properties of light, light and colour theory, setting up and designing a lighting system, reading lighting plots and fault-finding.
“I loved the attitude of the attendees,” says Michael Taylor-Broderick. “They came thirsty for knowledge and were deeply invested in the training. I was humbled by their sense of gratitude towards us for the sharing of our knowledge. There is huge potential in the entertainment industry in Nigeria and I believe the industry, as a whole, have yet to realise what these capabilities are… I believe they are boundless.”
The experience was echoed by Jannie de Jager. “There is an incredible desire for information by the people of Nigeria,” he said. “I have never had a workshop with so much involvement and feedback from the trainees. The questions asked were good and extremely relevant to their situation and at times I had to think a little before answering! This enthusiastic involvement helped to steer the course in a direction that was pertinent to meet their needs.”
USA - The Entertainment Technician Certification Program (ETCP) has announced changes to its examination rules.
From 15 December, candidates who purchase the ETCP practice examinations will have 90 days to complete the web-based exams, increasing from the previous one of 30 days.
There is no application process with the practice exams and any interested candidates will be able to take the exams remotely.
Candidates may grade the answers as they go or keep the practice exam available to study for the full 90 days. Those who have already purchased one of the practice exams are locked into the current window of 30 days.
“The practice exams were one of the greatest tools I used for preparing for the rigging exam. They helped me understand test layout and what I needed to spend more time on. I would suggest everyone takes one, if not all, the relevant practice exams, prior to testing on the actual exam,” says Gabriel Gula, ETCP rigger - Arena.
France - PlugFest, the technical event for entertainment lighting interoperability organised by PLASA, is coming to Europe on 26-28 February 2019.
The event is taking place in Lille, France, at Ibis Lille Centre Gares, and presents an opportunity for delegates to test and demonstrate device and system interoperability, with the aim of improving reliability, resolving compatibility issues and improving connectivity between entertainment lighting and related technologies.
New for 2019 will be a presentation on the ESTA Entertainment Industry control protocol standards which have been in public review since the last PlugFest, with the revised drafts of the RDMnet standard being of particular interest to many previous participants. Attendees will also learn about the latest ESTA/ANSI standards, set to be released in early 2019.
Focusing on a wide array of protocols including DMX512, RDM, DALI, sACN, Art-Net, RDMnet and LLRP, the event’s expert hosts - Hamish Dumbreck (JESE Ltd), Wayne Howell (Artistic Licence) and Peter Willis (Howard Eaton Lighting) - will be on hand during the event and will also host a series of workshops and break-out sessions.
Lille is connected to London by Eurostar and to all major European cities via mainline rail. PLASA is arranging a van for UK delegates to easily transport their equipment to the event - contact the Association for more information. A limited number of discounted hotel rooms have been reserved for the event, so earl