Europe - The Showtec Mistique is a CO2-based hazer which produces an extremely fine haze. It is the solution for many theatre and television productions because it is quiet, says the company.
The oil-based hazer-fluid is carried by and dispersed through the CO2 so there is no need for an additional pump which means no noise-pollution.
Features include: very even and thin haze ensures no visible cloudy effect on stage, customisable output direction for extra flexibility, silent operation with output and fan speed remote controllable by DMX and W-DMX.
UK - Austrian Audio and UK distributor Sound Technology report that Austrian Audio OC818 and OC18 microphones, including a limited edition OC818 Studio Set Launch Edition, are shipping now.
The new OC18 and OC818 large diaphragm condenser microphones, made in Vienna, both featuring the same handmade capsule at their heart. Royal Marines commemorate fallen comrades with EM Acoustics
The single-diaphragm OC18 and dual-diaphragm OC818 both feature a new handmade ceramic CKR12 capsule, resulting in no compromise in sound between the two models. In fact, any OC18 and OC818 can be used as a matched pair due to the extreme precision of our manufacturing and measuring processes.
Since the OC18 and OC818 are sonically identical your choice is based only on application. The OC18 features a classic cardioid pick-up pattern and includes a selectable high-pass filter plus a -10/-20db Pad. The OC818 features the same filter and Pad, plus a variety of pick-up patterns selectable from the body, and some incredible extra features up its sleeve.
The OC818 is also the first multi-patterned microphone to feature the world’s first wireless pattern and switching control via an optional transmitter/receiver (OCR8) that can be fitted to the rear of the microphone. This feature allows for a previously unheard of 255 discrete polar patterns between figure-of-eight, through all of the cardioid versions and into omnidirectional. The free control software, PolarPilot, will be available for iOS and Android. This all occurs in the analogue domain and there is no process
UK - The annual Marines on the Green memorial concert in the Kentish coastal town of Deal took on a special significance this year as it commemorated the 30th anniversary of the IRA bombing in Walmer barracks that killed 11 bandsmen. An unprecedented 12,000 people attended the event which was also an opportunity to upgrade the sound system from EM Acoustics’ compact Halo-C line array to the recently released medium format Halo-B system.
System tech Dave Shepherd, who has been involved with the Marines on the Green event for many years, felt that with the increased audience expected for the 30th anniversary concert, Halo-B would be the right choice. “We’ve used the Marines’ own Halo-C system in previous years, but with so many more people expected this year, it was the ideal scenario for the Royal Marines to experience HALO-B in action.”
Shepherd specified two ground stacks of four Halo-Bs on top of a single ST-215 sub per side for the main L/R system supplemented by two hangs of seven HALO-Bs and an MSE-218 sub on either side of the bandstand to cover the audience to the sides that stretched to over 120m away.
The system was driven from two DQRacks, EM Acoustics’ flagship touring rack comprising three high power DQ20D amplifiers plus a bespoke unit for signal/data/I/O and a mains power distribution/speaker output unit, which gave Shepherd detailed system control to ensure perfectly smooth coverage from the front row right to the very back of the audience.
“The location of the bandstand and the nature of the event means that our
France - Production designer Jean-Christophe Aubrée has taken over the lighting for two major stadium shows, featuring French band Indochine (aka Indo).
It was a comfortable position for Aubrée, to find himself in. Having previously worked with other well-known artists, and formerly operated in an assistant design capacity with Indo, he stepped up for the last two last shows of the long-running 13TOUR, which took to the road back in February 2018.
Nicola Sirkis, Indochine’s leader, decided to create a whole new show for these two last stadium dates as a big surprise and experience for the fans. And helping provide a fitting finale were well over 1,000 lighting fixtures, including 794 GLP impression X4. All were supplied via PRG France from their bases across Europe.
The vast majority of the X4s were consigned to the lighting roof with another 36 populating the cross-shaped stage and proscenium edge, creating volume and depth, and 36 of the smaller impression X4 S positioned around the band on stage.
Jean-Christophe Aubrée has regularly turned to GLP’s LED solutions on festival rigs across Europe. “Most recently, I have been using the X4 Bar 20 and the awesome JDC1 hybrid strobe to create very interesting looks,” he says.
At the Stade Pierre-Mauroy in Lille, where the shows took place to sell-out audiences of 30,000, the lights were hung at a height of 30m, and therefore needed to deliver full power.
“I was looking for a reliable product that would achieve consistency over 758 units without any variation in terms of co
Belgium - Lucenti has introduced their latest additions to their portfolio, the Blackwave Collection. It consists of LED bars with a 20mm pitch and comes in two lengths, a 100cm LED bar with 50 pixels called the BW100 as well as a 50cm LED bar with 25 pixels, the BW50. Both are powered and controlled by the designated PixlDrive1.
These bars unleash “a whole universe of creative possibilities, any pixel can be fully controlled in any shape at any given time”. Their lightweight but robust engineering done in Belgium, is the result of light technicians, rental companies and light designers giving their extended feedback from real-life experiences, says the company.
The in-house developed Pixel bus data system by Lucenti, ensures ﬂuent RGBW colour mixing with smooth dimming and synchronization between each pixel and driver. Combined with interchangeable ﬁlters it allows for strong vibrant saturated colors all the way to pastel tints. With 50 powerful pixels per meter, these bars give “unparalleled output even during bright daylight without the need for smoke”.
Given that the BW100 and the BW50 are designed to be used in demanding environments like stages, festival decoration, club interiors and on the move with rental companies, Lucenti opted for a double chambered lightweight metal housing, providing enough strength to interlock multiple bars and resulting in an IP66 rating.
The Blackwave tubes come standard with a stealth black ﬁlter, with options including transparent clear flat, frosted flat, frosted tube and frosted square cov
World Record - Ed Sheeran’s Divide Tour has been named the highest-grossing tour of all time, breaking a record set by U2 that had stood for eight years. Coming off the back of the chart-topping album of the same name, the Divide tour began in March 2017, and will have encompassed 255 shows when it finishes with four homecoming gigs in Ipswich later this month. So far it has grossed $736m (£607m), breaking U2’s record of $735m, with 12 dates still left to play.
It has also been named the most attended tour of all time: when it finishes, more than 8.5m people across 43 countries will have seen Sheeran perform, breaking U2’s record of 7.3m.
Writing on Instagram, Sheeran said: “Thanks so much for each and every one of you who have come to a show. 12 shows left, will never forget it.” Sheeran’s manager Stuart Camp told Pollstar, who amassed the tour data: “What Ed has accomplished is truly incredible - to even be in the same ballpark as [U2] or spoken in the same sentence with a touring act like that is very humbling.”
U2’s record was set in 2011 by their 110-date 360° tour. Rather than focusing on stadiums as U2 did, Sheeran has included more intimate arenas - his average concert attendance is 34,541, around half U2’s 66,091 average. He also rejected VIP areas and sold tickets at a relatively low price, 14.2% lower on average than U2’s, but the sheer number of dates has ensured the record was broken nonetheless.
Immersive Future - West End producer Hartshorn-Hook has unveiled an ambitious plan to become “the futu
UK - A respected sound engineer will record and mix live performers to demonstrate the intricacies of mixing and capturing live sound as part of a new initiative at the upcoming PLASA Show (15-17 September, Olympia London).
Running from 3pm on Sunday 15 September, and Monday, 16 September, Stage to Studio - organised by PLASA alongside Sound On Sound and Headliner Magazine - will feature Simon Todkill, chief engineer at London’s Miloco Studios, who has worked with the likes of Kanye West, Matt Corby, Hiatus Kaiyote, Charli XCX, Movement and The Griswolds.
Todkill will offer advice on his techniques, microphone choices and placements, step-by-step mix decisions, as well as insight on how to maximise multi-track recordings.
After the sessions, the audio stem files will be made available to the audience and a competition will launch, inviting people to submit their own mixes for a chance to win a pro audio prize.
Performing live will be VC Pines and Effie and their bands. Meanwhile, from noon on both days, emerging artists picked by ex-Iron Maiden band member Tony Moore will perform acoustic sets - see the PLASA Show website for details and set times.
VC Pines delivers a blend of alternative soul, poetry and punk. He has garnered the support of BBC Radio’s Steve Lamacq, Lauren Laverne, Chris Hawkins, Huw Stephens and Cerys Matthews, as well as Clash Magazine, Headliner Magazine, Atwood Magazine and Fred
Greece - Effective today (5 August), Sirius Sound & Lighting Systems is the exclusive distributor of RCF for Greece.
A newly-established company, Sirius Sound will seek to create “a solid and long-term business relationship with its customers and support a nationwide network.” The company is also focused on training and seminars in Italy through the RCF Audio Academy, where targeted seminars are conducted by specialists.
RCF sales manager Massimo Bruni, comments: “We selected Sirius Sound in view of the high technical qualification of their managers, which will help RCF consolidate its primary role in the Greek market.”
Sirius Sound & Lighting Systems sales manager Giannelos emphasises the importance of collaboration with a specialised team of experienced AV engineers in being able to provide high-quality technological solutions using RCF tools.
He says: “It is a great honour to co-operate with the best, aiming high to ensure that RCF broadens and strengthens the position it deserves in the Greek market through Sirius Sound & Lighting Systems.”
India - Powersoft has named Preeti Trading Corporation (PTC) its distributor for South West India.
The company supports various commercial projects in the region, with its core customer base consisting of small and medium-sized enterprises that sell and install audio equipment for use in commercial, governmental, corporate and public buildings.
“India is an extremely important market for Powersoft,” says Varun Mahesh Jagger, Powersoft’s Europe, India and Africa account manager, distribution. “We see great potential there for strong and consistent growth across all verticals. PTC has been appointed to reinforce that vision. It has a strong dealer network, and a consistent record of moving with the times. We see them as a partner who has taken and continues to take risks in order to come out on top.”
Kammal Dhingreja, chairman managing director at PTC, adds: “As a premier AV import / distribution house, we have known and been in touch with Powersoft for many years now. We already distribute Martin Audio’s world class speaker products, and Powersoft’s amplifier platforms are a perfect addition to this side of our audio offering.
“PTC makes sure that quality comes first and is very proud of the high regard that customers have for our brands and services. We owe this to our qualified engineers and technicians, who continuously up our ante to incorporate newer technologies and state-of-the-art products.”
One of PTC’s goals for the new partnership is to increase the presence of Powersoft products in the region, thus making
UK - Following the announcement of their partnership with DTS earlier this year, GDS has appointed Hallam Smith as a product manager for the Italian brand.
Hallam will be working exclusively on promoting DTS products to the UK market. With almost a decade of lighting experience behind him, he started out helping with concerts and shows at university, leveraging that into freelance work and eventually a role at Cambridge-based lighting company Pulsar, where he worked in product management and technical sales support, while also gaining valuable experience in lighting design and programming installations.
Smith says: “DTS are already well recognised in Europe and they have some fantastic products. What we want to do is get the word out and to really make DTS products a key part of the lighting industry in the UK. I’m excited to be meeting with lighting designers, architects and hire companies to show them all the incredible products that DTS have to offer.”
DTS new Alchemy 5 LED Fresnel light is up for the PLASA Innovation Award, and as their UK partners, GDS will be showing and demonstrating this product at PLASA 2019 this September.
GDS head of sales James Hall comments: “We have been blown away with the quality of DTS products and have already seen fantastic installations at this year’s Eurovision Song Contest and the Leeds Trinity Shopping Centre in the UK. The innovation at DTS aligns perfectly with our core philosophies to pioneer LED
UK - Green Hippo welcomed 18 of its most advanced Hippotizer practitioners to its latest UK ‘super user’ event in July.
A regular fixture in the Green Hippo diary, the event was hosted at the Leeds office of Hippotizer dealer A.C. Entertainment Technologies, giving the product team an opportunity to bring these leading Hippotizer experts up to date with the latest features, developments and initiatives. Additionally, it provides a forum for the exchange of highly-informed feedback and ideas from those working most closely with Green Hippo’s technology in a broad array of show environments.
“We run these events every six months or so,” says Tom Etra, senior technical sales manager at Green Hippo. “They are incredibly useful, both for us and our users. They’re an open forum for discussion and feedback with users who know our products inside and out.
He adds: “They work in various different disciplines - touring, theatre, installations, attractions - and they have great real-world experience and insight into where we’re going with the products. It’s a really productive environment - an amazing cross-fertilisation of ideas.”
The day began with the Green Hippo and AC-ET teams presenting the latest features in Hippotizer software V4.5. From AC-ET’s video division, Chris Beardwell showed the new VideoMapper and BeatBridge features, while from Green Hippo, Suzy Stenning discussed the Object to Output workflow, within Hippotizer’s 3D Mapping environment and Zep Mouris demo’d Hippotizer’s latest auto alignment capabilities.
UK - Mark Ronson’s ‘Broken Heart’ visual and lighting design concept was initiated by his creative director Jed Skrzypczak and is a combination of two mirrored silver heart set pieces which wrap the DJ booth, coupled with integrated lighting that is co-designed by award winning LD Tim Routledge and Ben Cash from Flare Lighting.
Framing these scenic pieces are four ‘half heart’ lighting props, graceful curved metal stems each rigged with 21 equidistantly-spaced Astera AX3 Light Drop wireless LED fixtures - 84 in total.
The artist wanted something eye-catching and cool to go match the music – a largely fluid set, carefully crafted for each show, with some centrepiece anthems and other parts inspired by the magic and vibe of the moment.
He wanted the lighting and the look to be theatrical and dramatic as well as different from a ‘standard’ electronic setup. In addition to the Asteras, there is a row of BMFL moving lights at the back together with tilting LED battens upstage, also part of the extras package.
The two offstage AX3 heart stems are slightly further upstage, adding depth and three dimensionalities, while a large video screen plays a dynamic selection of visuals throughout, all helping to connect Ronson’s immersive mixology with his audience.
The idea was to use the Asteras to add this architectural context to the lighting design and he co-ordinated this aspect of the lighting design. The AX3s are attached to the stems via their magnetic back plates which are extremely strong and one of the beauties and ingenu
UK - AV solutions rental company Video Design has reported a busy summer, including work on high-profile tours and festivals.
“We started the summer run casually with a really successful tour for Rita Ora in May,” reports company head Alex Leinster. “Then mid June and production manager, Steve Voudouris asked us to support a quick sweep through the UK arenas plus a couple of shows on the continent for Lynyrd Skynyrd. Nice camera package, large rear screen full of lovely content - no dramas. And things soon hotted up.”
Leinster continues: “Stormzy commanded the stage at Glastonbury, supported by the outstanding vision of creative director, Chris ‘Bronkski’ Jablonski fused with LD Tim Routledge’s lighting. Production manager, Joel Stanley pulled it all together at extremely short notice, and yes, we sweated some bullets assembling the diverse elements of LED screen that defined Bronski’s iconic set. Even so, working for a visionary like him was well worth it.”
As Glastonbury revelled in the music another Video Design team, led by Richard Corns was busy in Hyde Park with Barclaycard Presents British Summer Time (BST). “The 950sq/m of WV8HD that we installed across the full panorama of the main stage and wings was fed by a very carefully chosen HD camera and Disguise gx2 package,” he said. “Artists the stature of Barbra Streisand, Celine Dion, or Florence + the Machine have very distinct styles; these are not the sort of shows for an ever-hungry camera. It might sound counterintuitive, but through that huge panorama of LED the
Canada - Time seemed to stand still at the Centre Vidéotron, Quebec City, on 25 May, as French-Canadian stars from the 1960s and 70s performed at La Tournée des Idoles. The artists were supported by a light show designed by Andre Langevin, with help from programmer Francis Guitard and systems tech Jerome Guitard.
Anchoring the rig, which was supplied by LSM were 36 Chauvet Professional Maverick MK3 Profile fixtures. The new high output (51,000 source lumens) profile fixture was selected by LSM after extensive research.
“This is the first of what will be many shows for us with the MK3,” says Gil Perron, the resident lighting designer for LSM. “We compared six other units to this fixture before choosing it for our inventory. As a rental company with a wide range of clients and projects, it was important for LSM to choose a lighting instrument that would be as effective at large scale arena shows as it is at corporate events.”
According to Perron, the Maverick MK3 Profile resolved a “very basic dilemma” for LSM. “In the past we had to ask ‘do we go for high output or high CRI?,” he says. “As it turned out the MK3 was the only luminaire that could bridge that gap, with a very powerful LED engine for rock and roll, and a drop in CRI filter that we believe will become a very frequently specified request from theatrical, corporate and TV LD’s. Aside from the CRI, there was the absolute necessity of having a framing system that the MK3 satisfies. The presence of framing on movers is fast becoming a must on many projects in our
USA - Professional AV systems integrator Sound Designs has completed the design of a new sound system for St. Mary of the Assumption Catholic Church in Hockessin, Delaware. With roots that can be traced back to the 1700s, the current church was built in the 1960s with transepts forming its T-shaped layout and wooden pews facing a centre sanctuary stage area. With a large congregation, the church holds two daily mass services and six weekend services.
A number of contractors were invited to bid for the project, with Sound Designs’ Community E Series solution being chosen as the preferred design. John Dezell from Sound Designs explains: “Some proposed hanging array loudspeakers, but this would have disrupted the visual aesthetics of the space and blocked views of the recently installed stained glass windows. With a high, beamed ceiling and reflective surfaces we needed a system that would provide excellent pattern control and aesthetically merge with the architecture.
“We consulted with Community’s technical applications team and decided that slim column line source loudspeakers provided the best solution. Demonstrations were arranged on-site and at the Grand Opera House in Wilmington. The sound quality and coverage of the E Series loudspeakers were outstanding and we were subsequently awarded the contract.”
The loudspeaker system is primarily used for live vocal reinforcement with periodic programme audio and, occasionally, instrument microphones are deployed. The main system consists of two column arrays, each comprising two ENT-FR high pe
Argentina - PR Lighting fixtures were out in force when a group of associates and event planners known as the Burkina took over the Zarate Yacht Club on the outskirts of Buenos Aires to celebrate the country’s annual Friendship Day.
The ensuing ‘Fiesta Burkina’ saw 3,000 people revel under the lighting to the music of well-known DJs such as Mariano Trocca and Federico Prieto - part of an advanced production that was masterminded by local sound and light technology specialists, Caio Sonido.
The venue, located on the coast of the Parana River is familiar to Caio Sonido, as it is here that they produce their annual end of-year party (on 31 December) when more than 6,000 people join in the festivities. The company has been providing all infrastructure, including LED screens, staging and structural effects, to the Yacht Club for events stretching back more than 25 years.
Lighting technicians from Caio Sonido designed the lighting rig which was programmed and operated by Vieites Valentin and Cordoba Axel.
The effects included 20 PR Lighting JNR 350 BWS and16 x XR 300 Beam. The company has a huge inventory of more than 150 PR Lighting fixtures, built up over a 12-year period and in addition to the above, includes such products as Pilot 575, XR 1000, JNR Flat PAR and XLED 590 Zoom.
At the Zarate Yacht Club the JNR 350 BWS and XR 300 Beam were easy to rig as the roof has a solid infrastructure suitable for hanging all sound and lighting. The JNR 350 BWS were suspended from four rigging points, forming an H with the truss sections, onto whic
Italy - Summer 2019 sees the latest edition of the Jova Beach Party. Inspired and headlined by Italian singer, songwriter and rapper Lorenzo Cherubini (Jovanotti), the infamous travelling ‘festival village’ is mid-way through its summer-long tour armed with over 100 Prolights fixtures.
The travelling Jova Beach Party festival is spending July and August making its way from the south, stopping at 15 beach locations until it reaches the summit of Plan de Corones, hosting festivals as they go. Jova Beach Party will welcome over 63 international acts, DJs and artists from around the world. From riviera to riviera, the main stage is set to entertain visitors from evening to night. With such a vast space available, the festival village includes children’s’ play areas, sees people sunbathing, swimming in the sea, and has frequently featured as a travelling wedding venue.
In addition to Jova Beach Party’s desire to bring people together, they also teamed up with The World Wildlife Foundation (WWF) in a bid to raise awareness of the environmental impact of litter on beaches. Armed with the philosophy of, ‘leaving the beach cleaner that it was found’ the Jova Beach Party continues its tour of the Italian coastline. Along with Jovanotti, the event welcomes the likes of Benni Benassi, Paradise Club, Afrotronix, Bombino, Ackeejuice Rockers and many more acts from all corners of the globe.
The Jova Beach Party commissioned over 140 IP rated Prolights ArenaCOB4FC from rental company Agorà.
When discussing the design elements of the Jova Beach
UK - Four events sector businesses have been merged into a new full-service company called Star Live.
Live events equipment supplier Star Events, event management agency Mobile Promotions, brand partnership agency BluePeg and staffing business Beautiful Minds - all owned by entrepreneur David Walley - will adopt the new name and brand identity with immediate effect, while founders of the four companies will form part of Star Live’s senior management team.
The merger was preceded by the recent acquisition of Star Events in July. All four businesses have been acquired by Walley within the last 18 months.
“This is a logical and exciting step for us,” comments Walley, Star Live CEO. “We have brought together four market-leading companies with a clear vision - to be the full-service live event and brand experience partner for all our clients. Our new brand identity reflects our heritage combined with a contemporary mindset, fully-focused on creating world-class experiences for our clients and their audiences.”
Star Live will offer a range of services, including stages and grandstands, trailers and roadshows, brand ambassadors and crewing alongside design and creative, sponsorship management and partnerships, event production and brand activation. The combined business will also benefit from teams based in multiple locations across the UK and internationally in Shanghai.
Key members of the newly-formed team include former CEO of Arena G
The Netherlands - Philips Stadion, home to PSV in Eindhoven, is the first venue in the world to install ArenaMatch DeltaQ loudspeaker line arrays and ArenaMatch Utility loudspeakers from Bose Professional.
Audio, video and lighting sales and rental firm Bazelmans AV completed the installation of the Bose loudspeakers at the 35,000-capacity stadium in time for kick off of the team’s first game of the second half of the season early this year.
"The design of the sound system was made especially for Philips Stadion,” says Wiljan Bazelmans, commercial director for Bazelmans AV, which is headquartered in Veldhoven. The combination of the latest Bose Professional loudspeakers, power amplifiers and signal processors enables Philips Stadion to play high-quality music via loudspeaker arrays while at the same time delivering clearly audible voice announcements to every seat in the venue.
The new Bose Professional ArenaMatch line of loudspeakers is designed to deliver improved sound quality, consistency, vocal clarity and flexibility to outdoor venues such as sports stadiums, arenas, outdoor entertainment centres and elsewhere. Bose Professional announced the launch of ArenaMatch to coincide with the unveiling of the installation at Philips Stadion. The one-off collaboration with Bose Professional was made possible by an alliance between Heijmans, ABC Finance, Bazelmans AV and PSV.
Philips Stadion commercial director Frans Janssen remarks, "The design of the sound system was made especially for the Philips Stadion. The sound boxes and equipment are o
Germany - Robe’s new IP65-rated iPointe moving lights were prominent among lighting fixtures on the main stage at this year’s Elements Festival, a two-day showcase of house music in the amusement park at Dormettingen, 80km southwest of Stuttgart, Germany.
The festival is staged in a picturesque environment landscape and built on a former mining area, complete with its own artificial lake and beach. The event features three vibrant stages of music and is known for its high production values.
Lighting for the main stage - located in a natural dip in the topography - was designed by Raphael Herrmann whose company Prolite Event also co-ordinated the supply of the lighting kit which included eight Robe Pointes and 16 LEDBeam 150s as well as the 22 iPointes, plus some other lights.
Raphael has lit the main stage since Elements Festival started five years ago and has been involved in designing and supplying lights and running his own associated business since 2000.
Being dance / DJ orientated, the Elements stage set-up was different to a standard rock event. The set was also designed by Raphael and featured a 35m-wide pyramid structure, which was supporting striking columns of LED, with a large scenic / LED event logo sign in the centre upstage and above the DJ riser. The highest point of this back wall was 14.5m.
An overhead canopy provided immediate weather protection above the DJ, but the main structure was completely exposed to the elements.
Other challenges included lighting for daylight, as only the final acts of the two-day
USA - Australian band Ocean Alley completed a 32-city tour of the US and Canada earlier this summer. For the mainly small venue dates, Max Baldwin, the band’s lighting designer utilised Professional Rogue R1X Spot fixtures supplied by Squeek Lights.
“Our entire idea was to get looks in 400 or 500 capacity rooms with limited stage in North America that were similar to what we got at giant festivals and amphitheatres in Australia,” says Baldwin. “Obviously, we couldn’t duplicate the Australian looks exactly, but we could reflect the spirit of those shows with a smaller rig. The Rogues were essential to our plans. Working them with the various house rigs we encountered gave us a lot of options.”
Although he varied the arrangement of fixtures from night to night, depending on the configuration of each venue’s stage, Baldwin typically positioned a Rogue R1X Spot fixture on either side of the drum riser. He also placed units on the stage left and stage right deck.
From these positions, the 170W LED spots were used to create a variety of vibrant production looks. Drawing on the fixture’s three-fact prism, Baldwin created intense aerial effects that filled small and mid-sized venues with vivid light. He also evoked surreal moods for some of the band’s more ethereal songs by backlighting its members with a range of richly saturated colours.
The versatility of the Rogue R1X Spot gave Baldwin the flexibility to conjure up an endless array of looks that reflected the wide range of material in Ocean Alley’s 14-song, 70-minute set, whi
UK - White Light has supplied the lighting equipment for the recent West End transfer of Captain Corelli’s Mandolin following its critically-acclaimed UK tour.
Based on Louis de Bernières’ best-selling novel, Captain Corelli’s Mandolin is the story of romance in the face of the Second World War set on the idyllic Greek island of Cephallonia. The production marks the novel’s first major theatrical adaptation and marks the 25th anniversary since its original publication. For both the UK tour and West End run, the lighting design was by Malcolm Rippeth.
Malcolm comments: “As a creative team, one of our main aims was to find the look and feel of Cephalonia and the other spaces featured across the story; the key one being the Italian soldiers fighting their way through the country. In that sense, it was creating a space of peace and beauty in pre-invasion Cephalonia, contrasting with a space imbued with the anticipation of violence. There were also the ‘psychological spaces’ that certain characters experienced during the clashes of warfare.”
With Captain Corelli’s Mandolin being such an epic story, the creative team had to ensure they did this justice in only two and a half hours of stage time. Malcolm explains: “There are lots of jump-cuts and montages of years passing throughout the play, which are devices we're used to in the cinema. That said, we were keen to make this show as theatrical as possible and embrace the medium.
“As a result, we stripped the aesthetic back which immediately allowed this. Gi
Europe - Area Four Industries has released a four-minute video dedicated to the Ultimate Hinge from Milos.
The product, an aluminium and steel truss that allows for up and down and side-to-side movements of truss spans, features a high-strength lifting eye for connection with electric hoists or lifting points.
In the video, Area Four Industries technical director Norbert Tripp explains the design of the Ultimate Hinge, its feature set, loading capacity factors and the self-balancing act it achieves when attached to truss spans.
It can be viewed on www.a4i.tv/2019/07/30/milos-ultimate-hinge.
UK - Church installation specialists Sound4Churches in recent months has conducted on-site demos (in conjunction with Neville Raine from JHS, HK Audio's UK distributor) which have resulted in a number of installs being commissioned, all using HK Audio Elements line array systems.
Elements has proved a solution for sound reinforcement in a variety of acoustically difficult buildings where clarity of speech is of paramount importance, but the ability to deliver high quality full range music is also necessary, for both playback and the amplification of live instruments.
Designed for situations where a balanced and uniform sound from front row to back row is desired, it's not too loud at the front, not too quiet at the back and intelligibility remains intact over greater distance than with conventional point source loudspeakers.
The compact size and elegant looks help HK Audio Elements to blend unobtrusively in most environments, with the Elements range being flexible enough to enable the optimum system for each application to be easily and cost effectively configured, either passive or active and in free-standing or fixed install formats.
David Neath of Sound4Churches said, "HK Audio Elements stand alone systems are suitable for churches which are usually locked, but the installed Elements version is also available for those churches where security is an issue. The systems are most effective at reducing reverberation in churches, which can be very challenging using conventional point source speakers.
“Speech is very clear even when ther