World - As the LSi office closes for the Christmas break, we would like to wish all our readers a very special holiday and a happy and prosperous 2020. We'll be back with more daily news here at LSiOnline in the New Year, kicking off on 2nd January. Until then, have a great time - and thanks for reading . . .
The LSi team
UK - Audiologic has announced that it has been appointed as UK distributor for microphone manufacturer MXL’s UCC range of products.
Andy Lewis, Audiologic managing director, comments: “We’re pleased to be able to offer our customers the MXL UCC product range. Flexibility and scalability are key to successful unified communications and the MXL conference solutions are also Zoom Room certified. This excellent addition to our portfolio is sure to be a very popular choice in the UC sector.”
UK - In November, lighting designer Hayden Borgars included the VL10 BeamWash from Vari-Lite in his design for the UK tour by California ‘rapcore’ band, Fever 333. Using the VL10 BeamWash for the first time, Borgars found its effects versatility, speed and power to be “a perfect fit” for his design.
With the band’s famously unpredictable live performances, Borgars looked for versatile, fast fixtures that could offer endless effects variety, while responding quickly to sudden changes in the show’s flow. “Being able to adapt and move the fixtures was crucial to choosing the VL10s,” he says. “The zoom range was also great and, for this fast-paced show, very necessary - particularly how fast it can go from a 2.2° beam to a 48° wash.”
Borgars was especially keen to explore the possibilities provided by Vari-Lite’s VL*FX Animation wheel. “This was the perfect opportunity to use the VL10, with its limitless possibilities of what we could achieve,” he says. “Exploring the VL*FX Animation wheel, and how I could add this to beam looks, aerial gobo effects and wash looks, just brought so many possibilities and unique looks for me to work with.”
Borgars also found the VL10’s colour and intensity of output, which he described as “particularly impressive and punchy”, to be ideally suited to generating the looks he wanted to create for the band. He concludes: “The VL10 completely exceeded my expectations. It’s such a versatile fixture, there are so many uses that I can see it would serve a purpose for.”
Mexico - Light artist and designer Christopher Bauder and composer / music producer Kanding Ray brought their epic immersive kinetic light / sonic art piece SKALAR to Mexico City for a five-week installation, which also featured seven live shows in Fronton Mexico, on the Plaza de la Republica, right in the heart of this massive megalopolis.
Ninety Robe Pointe moving lights plus 65 x double-sided mirrors each with a perimeter ring of 180 addressable pixels and suspended on 195 x custom WHITEvoid motors were at the core of the work.
SKALAR premiered at Kraftwerk in Berlin last year. The former turbine hall of the derelict old power station provided a dramatic, charismatic, industrial cathedral-like backdrop for this powerful piece. It was a huge success, and Christopher’s ambition was always to tour it to other cool places around the world.
Fronton Mexico offered similar installation and spatial parameters for the lighting, mirrors / kinetic winch system and audio set-ups, but being a black box space, it was a completely new environment in which to present the immersive SKALAR experience.
These challenges appealed to Christopher, David Letellier (Kanding Ray) and production manager Martin Kuhn who has worked with Christopher on several projects and is based in Germany and Mexico.
Whilst essentially the same show, some of the soundscape and lighting cues were reimagined for Mexico. While nothing needed radical changing, Christopher and David took the opportunity to finesse their intricate collaboration with the experience
UK - Polar has promoted Will Turney to the position of national sales manager for its integrated solutions division. Turney will lead Polar’s seven-strong sales team, covering the company’s network of systems integrators across the UK.
Stuart Leader, integrated solutions director, comments: “We have complete confidence in Will’s ability to further enhance our business and continue to drive success. During his time with us, Will has demonstrated that he possesses the technical understanding and personal qualities to meet the requirements of what will be a demanding job. He has always led by example and is well-known and highly respected across the sector.”
Turney adds: “I’m excited about 2020 and beyond for integrated solutions and the changes ahead. The Polar team are an exceptional group that I’m proud to be a part of and I’m looking forward to managing their talents to maximum effect on behalf of all our customers and suppliers.”
Croatia - The historic Istrian People’s Theatre (INK) in Pula is now hosting international music ensembles as well as dramatic productions, thanks to a major audio upgrade. It has recently replaced all of its sound reinforcement and monitoring systems with L-Acoustics Syva and X Series technologies, as well as LA4X amplification.
This European venue has had an eventful life. Its origins lay with the much smaller Teatro Nuovo (New Theatre), built in 1854 when Pula was part of the Austrian Empire. That was replaced in 1879 by a much a grander version, which itself has stood the test of time through various governments.
In 2004, the theatre was officially renamed the Istrian People’s Theatre, City Theatre Pula, and is now generally branded as 'INK' (Istarsko Narodno Kazalište). Its main auditorium has a capacity of 699, spread across the main siting area, lodges for spectators on the first and second floor and on the balcony on the third floor.
Miodrag Flego is the sound manager at the venue, and largely responsible for specifying the new L-Acoustics PA. After many years of coping with a very tired audio system that, according to Flego, was poorly specified for a theatre of INK's calibre and quality, the decision was made to invest in new audio infrastructure. The theatre turned to the L-Acoustics distributor for Croatia, Dicroic. “We were looking for something with fantastic sound quality that would also blend in with the spectacular historic architecture,” he explains. “We decided that Syva had the best of both worlds.”
Syva is a
UK - Clarity, ease of use and the ability to match the colour of the microphone to different skin tones were all reasons why Toby Chevis, director of UK live events company Patch Productions, chose DPA’s 6066 Subminiature Headset Microphones to amplify those who were speaking at the prestigious Cheltenham Literary Festival.
During the 10-day event, the company used a total of 40 6066 headsets across eight venues, including Cheltenham’s Montpelier Gardens and Town Hall sites. Among the famous participants who wore DPA were Andrew Lloyd Webber, Louis Theroux, Rob Drydon and Graham Norton.
“The festival was keen to be as inclusive as possible this year, so being able to offer a microphone with varying colour options and a consistent audio quality was fantastic,” Chevis explains. “I’ve been a big fan of DPA Headset Microphones for eight years now and Patch Productions owns a number of 4000 Series Headsets, but for this event we bought additional microphones.”
Based in Cirencester, Patch Productions prides itself on consistently delivering high-quality technical productions covering festivals, corporate events and theatres. Although this was the first time the company had tackled the prestigious Cheltenham Literary Festival, it has previously worked on the town’s Science and Music Festivals and won this contract on the basis of the excellent services it provided at both of those events.
The Cheltenham Literary Festival was broadcast on Sky Arts, which took a mixed feed straight from Patch Productions’ desk. Audio quality was very
USA - Harman Professional Solutions has announced that Brad ‘fixintogetmixin’ Divens will present two masterclasses at the 2020 NAMM show in Anaheim.
In addition to currently working as FOH engineer for Enrique Iglesias, Divens has also worked for Linkin Park, Garbage, Cyndi Lauper, HIM, Bob Seger and the Silver Bullet Band, Mötley Crüe, Jane's Addiction and more.
Divens will speak at two exclusive Masterclass events, presented by JBL and Soundcraft. Both events will take place on Thursday, 16 January 16 in the AES Academy 2020 room on the fourth floor of the Anaheim Hilton and will be hosted by Soundcraft’s live sound product specialist, Tom Der.
During his Building the Mix masterclass, Divens will discuss and demonstrate his approach to putting together a live mix, including technical topics such as the basics of input gain, EQ, compression, plugins and routing, as well as creative concepts regarding the audience and the artist. During The Music masterclass, Divens will deconstruct live mixes from three different artists and discuss his approach to achieving a polished final mix.
USA - Ayrton Perseo-S compact multi-function luminaires, which have been developed for intensive outdoor use, made their US debut at the Public Works musical adaptation of Hercules in the Delacorte Theatre in Central Park. Tony Award-winning lighting designer, Tyler Micoleau, selected the new fixtures, with an IP65 enclosure rating, for the Labour Day weekend production, which traditionally wraps a summer of Shakespeare in the Park outdoor shows.
Hercules is based on the Disney animated film and featured the entire score plus several new songs. The production was from The Public Theatre’s Public Works initiative, which invites communities across New York to create ambitious participatory theatre. More than 200 New Yorkers took part in the dynamic production.
The show marked the first time that Tyler Micoleau has used Ayrton fixtures. Micoleau has worked on three other productions at the Delacorte, including two previous Public Works shows. “Historically, we have used a mostly conventional rig but have now migrated to LEDs and movers like a lot of the industry,” he says. “But they are more fragile outdoors, so we were interested in what was available with an IP65 enclosure rating. We knew that moving from housings that make it very labour-intensive and impractical to swap out lights to a weather-resistant fixture was a big deal.”
According to Alex Brandt, lighting supervisor for The Public Theatre: “We swap about one moving light a day in the park that’s non-IP rated. A humid day can be as bad for them as a rainstorm.”<
Germany - The Black Forest’s steep Ravenna Gorge hosts an annual Christmas Market.
Lending a magical quality to this event, and contributing to its visual appeal, is the 40m high railway viaduct that runs directly over the site. With its massive arches towering above vendor booths selling Schwarzwälder Kirschtorte and other holiday treats, the viaduct has become a symbol of the Ravenna Gorge Christmas Market.
Accentuating the viaduct’s majestic architectural features and enhancing its transformative effect on the market this year was an outdoor lighting design by Bächle Event & Media that featured 30 Chauvet Professional COLORado 1 Quad IP65 rated fixtures.
Positioned at the base of the viaduct’s arches, the RGBW fixtures were used to bathe the towering structure in an array of evocative colours. The colours that washed the viaduct were changed throughout the four-weekend event to create a variety of atmospheres that reflected different moods.
With its high output (1510 lux at 5m) and tight beam angle, the COLORado 1 Quad had the throw distance to cover high up on the viaduct. At times, however, light from the fixtures was focused for shorter distances to create different effects.
Bächle Event & Media’s Michael Thoma, who has been lighting the Ravenna Gorge Christmas market for over six consecutive years, noted that the colour rendering capability of the COLORado 1 Quad was only one of the reasons it was selected for this project. “The colourful illumination of the bridge was a big factor,” he says. “The othe
France - After more than two years of renovations, the celebrated Théâtre du Châtelet in Paris has recently reopened its doors to the public. With the intention of restoring the venue to its original splendour, the project saw the inclusion of an array of products from ETC and High End Systems.
Christophe Leuba - one of the venue’s two lighting managers who assist lighting director Renaud Corler - recognised the potential of ETC Eos consoles after attending an ETC training session. “I loved the event and as soon as I got back to the Châtelet I arranged an ‘Introduction to Eos’ session for our entire team,” says Leuba.
Subsequently, two Eos Ti consoles were installed in the theatre’s control room - one of which is used in the audience during creation phase - and a more compact Ion Xe 20 was chosen for use elsewhere.
Even though decision-making for lighting control and power control was not connected at the outset, the Eos consoles chosen complemented the Sensor3 Power control system selected, with both product families originating from ETC. “It's really convenient to be able to control the dimmers from the consoles,” says Bernard Maby, the theatre’s other lighting manager. “In addition, it’s very nice to have the feedback directly on the desks.”
The electrical room features seven Sensor3 power control racks fitted with 582 modules, plus 24 modules in an additional rack for lighting. The team opted to work in sACN for communication between consoles, dimmers and fixtures.
Technical solution provider Dushow was ap
USA - When Sellersville Theatre 1894 north of Philadelphia sought to upgrade its aging lighting rig early in 2019, the venue contacted Artistic Concepts Group for a solution and ended up demoing a number of potential fixtures.
“Michael Wysolmerski at Artistic Concepts was very patient and brought in dozens of lights to demo,” recounts the theatre’s technical director and production manager, Daniel Faga. “We both knew the Artiste DaVinci was the winner as soon as we saw them in the space.”
Sellersville Theatre 1894 is an intimate and historic live performance venue located adjacent to the even more historic Washington House Restaurant & The 325-seat auditorium with cabaret seating is exceptionally busy, hosting hundreds of national and international acts every year.
“Our diverse line-up of performances ranges from comedy to theatre to music of all genres,” states Faga, who has worked at the theatre for 12 years and also serves as show tech and lighting designer. “In any given week, we could have a blues guitarist Monday, a metal band Tuesday, a solo folk singer-songwriter Wednesday, a sketch comedy troupe Thursday, a movie screening Friday, a bluegrass quartet Saturday and a classic rock act Sunday. Therefore, versatility was key in our light system upgrade. With such a wide range of shows, we needed a lighting rig that could feel like a big arena rock show one night and an intimate acoustic show the next.”
Seeking to upgrade some older conventional lighting, PAR cans and Fresnels, Faga evaluated Elation’s Artiste DaVin
USA - To create immersive lighting displays that compliment the colours of the Zimmermann Spring 2020 clothing line, Enlumen recently deployed a Martin by Harman lighting solution at the New York Fashion Week Zimmermann Spring 2020 Fashion Show.
Founded by sisters Nicky and Simone Zimmermann in 1991, Zimmermann is an award-winning Australian fashion label with 27 stores located throughout Australia, the U.S. and the U.K. Zimmermann recently unveiled their spring 2020 collection during New York Fashion Week.
In order to illicit a more emotional response from the audience, Zimmermann worked with renowned lighting specialists Enlumen to create an immersive lighting solution that accentuated the signature pastel colours of their new collection. To meet these goals, Enlumen designed and installed a Martin by Harman lighting solution featuring VDO Sceptron 10 linear LED video fixtures.
“We were hired to create an atmosphere to match the design that the Zimmermann team created for their spring 2020 line,” explains Shawn Kaufman, lighting designer, Enlumen. “We had three arrays of Sceptron fixtures hanging over the audience, all working cohesively to create colour and effects. They wanted a very strong feeling of colour throughout the whole space. Throughout the show, the tubes cycled through solid colours, matching the main colour theories of the collection.”
Enlumen deployed 150 Martin VDO Sceptron 10 LED video fixtures in three arrays to create a vibrant, immersive lighting display for the event.
“The colours and the feel of the lig
France - Digital media specialists ArKaos have supplied two media servers, one 4K Studio server and one Stage server, to the new multi-million-pound Parisian headquarters of eSports organisation, Team Vitality.
Called V.Hive, the space is a 10,700sq.ft facility built on three floors, complete with a lively storefront that is open to the public and including a streaming booth, gaming rooms, a content production studio, a cinema, a WebTV studio plus numerous offices.
ArKaos’s Benjamin Bauwens project managed the installation of the servers that are running a series of digital banners, screens and LED lighting elements in the retail area of the V.Hive, which includes a shopping area and a coffee bar plus a training room for players. The company became involved in this project via Best Audio & Lighting, an installation specialist and sister company of leading technical production / rental company Dushow, both owned by Le Groupe Novelty.
“The requirement was for powerful, straightforward and logical control of content over these various different LED surfaces in this dynamic multi-purpose environment,” explains Benjamin, who worked closely with Sylvain Maillard from Team Vitality and Alain Lheriteau from Best Audio to design, install and commission a custom server system to work for all their video display and decorative LED needs.”
V.Hive was designed - by HKS Architects - as a full-scale event space, with the goal of hosting national eSports and other events, masterclasses, conferences, viewing parties, and showcases.
Poland - Opened in 1947, the Stanislaw Moniuszko Academy of Music (aMuz) in Gdańskhas a progressive approach to music education, recognising that training students in classical music doesn’t mean they will stay in the traditional classical field. An Alcons Audio pro-ribbon system is helping students to seamlessly blend old and new instrumentation in the Academy’s concert hall.
Because course content at aMuz is constantly evolving, as well as classical recitals (where very little, if any, amplification is needed) the concert hall is staging increasingly diverse performances, including opera, operetta, musicals, jazz and contemporary classical productions, where electronic instruments play solo or with orchestral instruments.
The 50-year old, 592sq.m venue has an audience capacity of 413 in raked stalls and a balcony, with a 160m2 stage. Its existing small sound reinforcement system was completely inadequate for the evolving performance programme, so Piotr Rodak - chief sound engineer at aMuz - was looking for a much better system.
Piotr has his experience with Alcons products by using QR24 systems of local rental company Offstage, owned by Przemyslaw Waszkiewicz and from Alcons’ Polish distributor Aplauz. Having the system update in mind, Piotr attended a demonstration of Alcons Audio pro-ribbon systems hosted by Aplauz, where he spoke to Alcons co-founder Tom Back, Aplauz president and managing director Grzegorz Fotek and Patryk Kozak - Offstage-related sound engineer and owner of contractor company Sound System.
Piotr comments: “It was im
UK - The Chailey Heritage Foundation DREAM Centre in Sussex uses modern AV technology to make a range of experiences accessible for children and young people for whom it is very difficult to travel. Her Royal Highness The Duchess of Cornwall opened the centre on 17 October.
Chailey Heritage Foundation provides schooling and residential care for children and young adults with complex physical disabilities, high health needs, sensory impairments, and associated learning difficulties. The new sports and activity centre allows young people in wheelchairs to play indoor sports, take part in drama and musical performances, develop their balance through rebound therapy, learn to drive a powered wheelchair, and broaden their horizons through a ground-breaking immersive experience zone.
“We are honoured to have played a role in creating this amazing facility for such a deserving and wonderful group of young people,” says David Marks, CEO of TEECOM, which provided technology strategy, design and engineering, and project management.
Replacing a 1950s-era assembly hall, the DREAM (dynamic, real, experiential, amazing, magical) Centre was made possible by a £3.1m fundraising initiative and significant contributions of time from the local building industry. Key contributors included Matt Barton, CEO of 7thSense Design and 2nd Chailey Scoutmaster; Blair Parkin, Magnus Kemp, and Barrie Paveley at TEECOM; Paolo Marenghi, account manager at Epson (UK) Ltd.; Deacon Richardson Architects; and North Star Engineers Ltd.
“The building has different modes,
UK - Focusrite, the global music and audio products company, has announced the acquisition of pro audio solutions manufacturer Martin Audio.
The total consideration to be paid is £39.2m for the business. This will be funded through a combination of existing cash resources and a new loan facility of £40m with HSBC and Natwest. The completion of the loan facility, and hence the completion of the acquisition, is dependent upon shareholder approval in a general meeting on 30 December 2019.
Martin Audio will continue to operate from their headquarter offices and factory in High Wycombe, under the leadership of managing director Dominic Harter.
Harter comments: “We are excited by the transaction and what Martin Audio can achieve together with Focusrite. Focusrite is a strong brand in the industry and given the geographic proximity of both our businesses we know the team at Focusrite very well. There is a great deal we can do together and we look forward to working closely to develop the opportunities across both of our businesses."
He adds: "In Focusrite we have an industry neighbour of the finest pedigree; a global leader in its own right. Their culture mirrors our own and, getting to know the team, I sense a strong similarity with the deep-rooted values of our own Martin Audio Family. Focusrite are the perfect partner to help Martin Audio continue the innovations that have driven its success. So it is with great pride and enthusiasm that we take this next step; a momentous occasion as the Martin Audio brand enters its 50th year. Working with
Germany - Trussing, staging and rigging solutions manufacturer and distributor HOF has expanded its premises by 5,000sq.m, adding over 650 storing positions and increasing the size of its production site.
HOF has also improved the exterior landscaping by installing a heavy-duty pavement that can withstand the weight of cranes for up to 120 tonnes. Trial installations for stages and constructions of up to 36 x 22m can also take place on the new surface. There is also an apartment on the new premises, which can be used by clients and installation staff during the trial installations.
The new premises has a fully functional photo studio for product photo shootings and video productions.
The new showroom now spans over two levels along with three meeting rooms. On show there are HOF trusses, XOOP Lighting and Excellent Line, brands owned by HOF. CJS Coupler and BroadWeigh, which are both brands distributed by HOF, are also featured in the new showroom.
Sweden - ELC Lighting has announced that Stockholm Stadsteater (City Theatre will benefit from a new ELC Lighting network distribution system based around the dmXLAN Node8GBx range of DMX-to-network converters.
The system, including 63 dmXLAN node3 units purchased from ELC Lighting distributor mLite AB via local dealer Intersonic, is being installed across multiple performance spaces as part of the Stadsteater’s technical renovation.
Situated at the heart of the city in the bustling Kulturhuset cultural hub, the Stadsteater is one of Sweden’s most popular theatres, producing up to 40 productions each year on its various stages. Its new ELC dmXLAN system, which operates over Art-Net, sACN and Shownet as standard protocols and offers remote programming and monitoring via ELC’s dmXLAN software, is set to provide a new level of flexibility throughout the site.
The Stadsteater’s main house, where new lighting trusses are soon to be installed, will house seven dmXLAN Node8GBx units, each offering eight fully programmable DMX ports and a dual Gigabit port switch with user interface.
“We wanted to rethink how the lighting consoles send out their sACN,” says Stadsteater technical manager, Tommy Leandersson. “Even if we only have eight full DMX universes from the lighting consoles, we could spread all the outputs on multiple universes so we can use dedicated, fixed universes on every lighting truss. With a standard 8-port node and DMX-splits you are limited within those eight universes - we are not. We can use any universe, wherever we wa
Australia - The Sydney Dance Company recently celebrated its 50th anniversary with a double bill featuring two starkly different performances illuminated by lighting designer Ben Cisterne with Martin Professional MAC Encore Wash WRM fixtures.
Established in 1969, the Sydney Dance Company has a broad community beyond the practice and performance of its lead dancers who believe in the universality of dance, and with the largest public dance class programme in Australia, they help over 70,000 people a year connect with the grace, strength and creativity.
To commemorate its 50th anniversary, the company performed a short run of special back-to-back performances from 1-9 November at the Roslyn Packer Theatre in Walsh Bay. The first piece performed, 6 Breaths, was choreographed by the company’s artistic director Rafael Bonachela to an original score for piano and six cellos by Italian composer Ezio Bosso. Twelve dancers clad in ripped black clothing danced on a dark, smoke-filled stage, with abstract animations projected onto a scrim downstage between movements.
The second piece on the programme, Gideon Obarzanek’s Us 50, contrasted the first performance with a bright, open setting and an energetic electronic score by UK musician Clark. The piece featured an impressive 50 performers, including current and former company dancers as well as members of the community. Lighting designer Ben Cisterne illuminated the show with Martin Professional MAC Encore Wash WRM fixtures as recommended by Ian Gerrard from Intense Lighting, relying on their
Belgium - Painting with Light (PWL) has created a 2km walk-through lighting and visual experience in the centre of Bruges to add atmosphere, luminosity and magic for the festive Wintergloed (Winter Glow) season.
Commissioned by Bruges Plus, the organisation responsible for the town’s cultural events, PWL’s winning pitch was led by Peter van den Bosch (business unit manager for leisure & entertainment’) and lighting expert Iiris Rousku who designed the various lighting artworks with their team.
It comprises a series of elegant, eye-catching, ephemeral and different lighting and projection-mapped installations, located in six different areas.
Each installation was inspired by an aspect of the warmth and hospitality of the people of Bruges and its many visitors over the different generations.
Different approaches were taken for each work - some can be observed, some can be touched and interacted with and others are fully immersive.
Some add a playful touch, others utilise synesthetic philosophies and ideas related to colour changing and mood empathy, while others riff with nearby textures, materials and natural elements like water reflections.
This, the first edition of Wintergloed includes the lighting of pathways, waterways, streets, buildings and monuments, trees and foliage, bridges and numerous other spaces and objects along the route, plus a special custom construction - The Cathedral - built in the Station Square, which is lit and projection-mapped.
One goal of the overall scheme was enabling visitors t
UK - A.C. Special Projects (AC-SP) has provided a LED system to illuminate Weymouth’s 1.2km seaside promenade in a dynamic lighting scheme inspired by the local community.
The Weymouth Promenade Artistic Lighting Scheme is part of a portfolio of connected projects which aim to improve physical, digital and emotional connections to the coast in Dorset, funded by the Coastal Communities Fund and coordinated by Dorset Coast Forum.
Owing to its exposure to the outdoor elements and sea air, the scheme’s lighting system needed to conform to marine grade levels of durability in every area of its specification.
LED specialists, AC-SP worked with Dorset Council and scheme lighting designer, Tonkin Liu to supply all equipment and assist with the system’s installation methodology and programming.
AC-SP project manager, Chris Little worked with the company’s installation team to specify a fully weather-proof custom solution which would deliver maximum reliability and longevity.
Working with a HERS-certified electrical contractor, AC-SP installed 112 1.5m Traxon Media Tube HO IP66 RGB LED fixtures, which were selected for their flexibility and suitability to coastal environments.
The fixtures were retrofitted to the bay’s existing street lights infrastructure, which are dispersed at intervals along the length of the promenade between the Pier Bandstand and the Pavilion. Each column has four Traxon Media Tube HO RGB fixtures, which utilise Traxon’s Quick Connect Cable to allow easy installation.
AC-SP re-configured each tube
UK - Ilfracombe-based S+H Technical Support supplied LED screen and video flooring to Stoneapple Productions for a large event in the Great Hall at Wembley Stadium, London, for The Budweiser Brewing Group (BBG).
BBG commissioned Stoneapple Productions to design, produce and co-ordinate all the technical elements required for the two-day event, attended by BBG customers and showcasing a number of their brands, including Stella Artois, Budweiser, Becks and Corona.
The S+H 3.9mm LED screen was used in the main conference and presentation area, designed as a 270-degree auditorium comprising a main stage and catwalk going into the audience and surrounded by 6 banks of seats for 800 guests.
The main upstage screen was configured as a 10m-wide by 3m high surface, with the central section curving gracefully at the bottom and flowing into the 10m long catwalk, completing an elegant, stylish and innovative design utilising the 20mm pitch LED floor.
Two additional LED surfaces were positioned opposite the main screen, enabling 360% surround viewing, each screen measuring 4.5m wide by 2.5 deep.
The screens collectively supported a series of live presentations and showed brand-related video content throughout the two-day event.
On the evening of the first day, the space was transformed into a party area, with a band and DJ onstage. The versatile design plus all the LED surfaces then helped ramp up the fun factor and party vibes creating a great ambience for all to enjoy.
Keynote, Google slides and PowerPoint presentations along with vide
Europe - After 40 years on the market, the General Purpose (GP) truss series from JTE is still one of the world’s most popular multi-purpose systems. Quality performance for medium-sized projects is delivered via its safe and stable plated connection system and classic bracing pattern.
This type of truss is also the industry standard for film productions, which use it to build huge “lanterns” or “reflective panels” for indoor/outdoor applications.
The General Purpose truss series consists of two sizes, the 30.5 x 30.5 cm (12” x 12”) GP30 and 52 x 52cm (20.5” x 20.5”) GP52, which are able to handle a wide variety of support structure needs and loading capacities.
The GP30 is a mid-sized, heavy-duty 30.5 x 30.5cm (12" x 12") general purpose truss designed for conferences, exhibitions, and small venues.
A bigger brother to the GP30, the GP52 measures 52 x 52 cm (20.5’’ x 20.5’’) and is suitable for most lighting applications, flying PAs and other general purpose uses. It’s an ideal choice for rental and staging companies.