Benelux - Chauvet has named lighting specialist Gerrit Schottert as its senior business development manager for the Netherlands. Operating out of the company’s office in Belgium, Schottert will be responsible for the Chauvet Professional line.
Schottert will report to Steven Batslé, sales manager Benelux for Chauvet, who said, “Gerrit is a tremendous addition to our team. He has a well-deserved reputation as a professional who knows products and is determined to get the job done right for his customers. We are looking forward to working with him.”
In fulfilling his responsibilities at Chauvet, Schottert will be drawing on over 25 years experience in the entertainment lighting industry. He comes to his new position from Livingprojects, VAP for Signify, Vari-Lite and Strand Lighting, where he served as sales manager of the entertainment distribution division.
“Gerrit has compiled an impressive track record, not just for his keen knowledge of lighting, but also as a result of his dedication to customer service,” comments Stéphane Gressier, Chauvet’s international sales director. “Rental houses, designers and others in the Netherlands market are very familiar with Gerrit’s commitment to making his customers happy. We are excited to have him on our team and are confident he will make valuable contributions to our continued growth.”
USA - Marking the popular event’s 15th anniversary, this year’s Riot Fest was successfully reinforced by Technotrix with Martin Audio MLA, WPL and WPC line arrays on four stages in Chicago’s Douglas Park.
With a variety of high-powered artists ranging from Slayer, Anthrax, The Flaming Lips, Violent Femmes and Bikini Kill to The Raconteurs, Patti Smith, Wu Tang Clan and the Village People, Riot Fest offered some particular challenges in terms of controlled coverage on site and noise mitigation off site.
As Technotrix Audio lead, Brent Bernhardt, points out, “As always, there’s a commitment to keeping off site noise to an absolute minimum. We’re still avoiding the same two hospitals behind and alongside Stages 1 and 2, along with neighbourhoods around the festival.”
Asked about using Martin Audio’s Wavefront Precision Longbow (WPL) system for the first time, Brent responds, “It was very impressive to have virtually the same amount of control we get from an MLA rig with only slightly less resolution. WPL was very good and the tonality wasn’t lacking either, while the onsite coverage was uniform and consistent as well.
“On site coverage for Stages 1 and 2 is always a challenge as they fire into the rear of 4 and 5,” Brent continues, “especially this year because of gusty wind conditions on the first day of the festival. We’ve never used delays with MLA because it throws further than any other PA, even under adverse weather conditions.
“WPL was able to provide exceptional sound quality and tonal characteristics
UK - A lot has happened in Maggie Rogers’ world since 2016, when a video of her demoing a then-newly-recorded song, Alaska for Pharrell Williams at NYU went viral. Following opening slots on major tours with both HAIM and Mumford & Sons last year, Rogers dropped her own major label debut, Heard It in a Past Life, this past January, which charted in the second highest slot of the Billboard 200. Consequently, the artist has spent much of 2019 on the road in support of the album.
The “look and feel” of Rogers’ tour this year has been a collaborative effort between the artist and lighting designer Ben Everett, who first started working with her when he lit Rogers’ first-ever show in London two years ago. Having toured with an impressive roster of bands over the past five years, Everett is now part of the UK-based MIRRAD team, which has been supplying a pair of Avolites Sapphire Touch lighting control consoles for Rogers’ 2019 worldwide trek.
While on tour with Rogers, Everett sits behind Avolites’ flagship Sapphire Touch, with a twin second console used by Bodie Tureson or Chas O'Bradovich, his techs, for the show’s opening acts (Empress of, Jacob Banks, Melanie Faye, or Now, Now), and as an immediately-available backup desk, should the need ever arise.
“I have used these consoles with many different types of artists and shows, and I can set them up in a way each time that works exactly as I need them to for that show,” he says of his Sapphire Touch. “Essentially, I just really enjoy working on this console.”
Poland - The Polish state folk group of song and dance, Mazowsze, is named after the country’s Mazowsze region.
In 2018 it became even better known after featuring in Paweł Pawlikowski’s movie Cold War - and just before that, it invested in some of Robe’s large Tarrantula LED wash beams, which met a tender specification that was initiated by technical manager and lighting designer, Lukas Rúzewilz.
Their impressive rehearsal and performance facility on the outskirts of Warsaw has been open since 2009, and Lukas has worked there for a year, before which he was the technical manager of the Dramatic Theatre in Warsaw, another cultural landmark.
Mazowsze’s 600-capacity venue is funded by the government and, in addition to being home to the company, it stages several other dance, music, theatre, comedy and ballet shows, amounting to around 250 a year. All Mazowsze’s own touring shows are produced there before going on the road.
When Lukas joined the production and technical team a year ago, the venue’s existing moving light rig was 10 years old and in need of an upgrade, so he started the ball rolling on this process.
A tender for new moving lights was offered to selected companies, and the section to provide LED wash lights was won by Robe’s Polish distributor Prolight with the Tarrantulas, which met the spec nicely.
Prolight supplied 24 Tarrantulas as part of the new package, on which Lukas commented: “They have everything you want in a lamp and are extremely powerful and strong.”
He lights all the pro
On The Campaign Trail - Actors and theatre staff are being urged to make sure they have made arrangements to vote in next month’s election amid warnings that those working away from home on Christmas shows could be disenfranchised.
Matt Hood, Equity’s assistant general secretary, described the election date as “inconvenient for many”, adding: “For our members, many of whom will be working away from home on tour, in panto or filming, it runs the real risk of them losing their right to vote.”
Thomas Hescott, chief executive of Stage Directors UK, comments: “November and December is an extremely busy time of the year for our members, many of whom are working away from home on Christmas shows. The short notice means many of our members are already away working and so have little opportunity to organise postal ballots. We are concerned that our members will struggle to be able to vote in such an important election.”
Safety First - Theatre staff working at the Piccadilly Theatre on the night its ceiling collapsed have been praised for their “quick and professional actions”. Industry body the Society of London Theatre said front-of-house staff and emergency services handled the situation quickly and safely. “We were immensely impressed with the quick and professional actions of staff and emergency services at the Piccadilly Theatre. More than 1,000 theatregoers were safely and calmly evacuated from the theatre by well-trained staff, who have been commended by many people attending the performance,” it said in a statement.
Columbia - Pop-rock singer songwriter Andres Cepeda is one of Colombia’s most popular artists, loved for his multi-genre repertoire, humour and dynamic style. He recently played a month of sold-out shows at the 1,300-capacity Teatro Major Julio Mario Santo Domingo in the north of Bogota.
His long-term lighting designer Nestor Gaitan - universally known as Cariňosito (‘care bear’) - lit the show, and used the theatre’s 12 Robe MiniPointe moving lights which are part of the house lighting rig.
These were rigged on four vertical stands on tank trap bases, positioned two (stands) either side of a prominent central LED screen. The miniPointes were used extensively throughout the show.
Andres’ large band for this series of shows was enriched with the sounds of a full brass section. The musicians and backing vocalists were split between a raised deck above the LED screen and on the stage floor with Andres.
Nestor programmed and controlled the miniPointes plus all the other lights in the ‘top’ house rig, using the venue’s grandMA2 console.
He has worked for the artist for the last five years, touring frequently around Colombia and other Latam countries including Mexico, Panama, Ecuador and Peru.
“I like many things about Robe and their products,” he states, “the optics are great, the light weight is a big plus and the zoom is always good and it’s also a feature that’s been consistent over the years. It was a great decision to get the miniPointes here in this theatre, and as small ‘hybrids’ they are perfect f
Ukraine - Realtime visualisation specialist L8 has launched L8 CE, an affordable, entry-level version of its flagship pre-viz software.
L8 CE (Community Edition) uses the same code and libraries as the full version, but there are restrictions on the number of DMX inputs and the number of fixtures. Support is also limited to one year from activation.
"L8 CE may be a good solution for simultaneously using the software on a pre-programming workstation and for everyone else involved in the process of creating the show," says the company. "For those who want to know the full power of L8 visualisation technology, this is the first step to study it with."
L8 CE supports up to 64 fixtures and two DMX universes. Other features include animated 3D textures (cyclic animation of any texture), volume transparency (ie. (effects such as hard smoke, rain, snow, fire) and mirror reflection surfaces.
USA - Master Sound Productions of Miami has taken delivery of a full complement of Elation Professional’s IP65-rated weatherproof lighting fixtures. In operation since 1996 in one of the country’s most competitive markets for entertainment technology providers, Master Sound Productions is known as one of the most versatile event rental and full production companies in South Florida.
“South Florida is very competitive; you’ve got to diversify in this market to stay ahead,” comments Lazaro Soto, owner of Master Sound Productions. “Our goal is not to be the biggest event production source in South Florida but to be the very best one. That’s why I’ve chosen to offer my clients a 100% outdoor-rated all Elation lighting rig.”
Over the past couple of years, Elation Professional’s Proteus line of IP65-rated lighting fixtures has established itself as the market’s leading line of weatherproof moving heads for outdoor events. Meanwhile, the company has been expanding its line of multi-environmental IP-rated products across the board.
Master Sound’s new lighting package consists of 12 Proteus Hybrid moving heads, 12 Proteus Rayzor 760 LED moving heads, 24 SixPar 100 IP and 24 SixPar 200 IP LED PAR lights, and 12 DTW Blinder 350 IP variable white LED blinders.
With the majority of his business in outdoor events, Soto says he has seen his lighting stock deteriorate quickly while the expense and hassle of using domes and bags has only increased. “You can do a dome or cover fixtures with a bag or tarp, but they still get wet and
Ukraine - Loudspeaker manufacturer MAG Audio introduced its new line array technology, MAG Must. The company unveiled the product during an event at Kiev’s 70,000-seat NSC Olimpiyskiy Stadium on 6 September.
Standing for Multiple Uniform Sound Technology, MAG Must allows installers to use a single line array format, therefore eliminating the need for bothersome stock and complex logistics, says the company. The technology is based on the scalable 8” MAG Wasp line array, which allows creation of uniform sound coverage across a venue of any size.
“We intended to create the technology that can change approach to using small format line arrays,” explains Igor Sydorenko, systems engineer at MAG Audio. “Today, manufacturers offer lines of products depending on the target event size - starting from compact arrays and up to the large-format ones. But we consider this approach outdated. So we decided to design the technology that can serve the needs of any client, regardless of the event’s demands.”
The technicians built an impressive stage, 65m in length, which incorporated two LED screens on each side. Such a large venue called for a nuanced approach to the project design, so MAG Audio engineers conducted extensive researches, studies, and tests to get the best out of MAG Must.
The set-up consisted of two line arrays (24 MAG Wasp tops and 12 Wasp S-12 subs per each side of the stage) as PA; two line arrays made up of 16 MAG Wasp tops each as out-fills; 48 x H28 subs lined in the end-fire configuration; and eight MAG Wasp tops deployed
USA - LED processor manufacturer Brompton Technology is officially launching its High Dynamic Range (HDR) solution at LDI 2019. The company will also unveil a new technology that it believes will “make a real difference to the industry” in a dedicated showcase area in room N254 of the Las Vegas Convention Centre.
“We are delighted to be able to bring some very exciting new technologies to LDI and let our customers judge for themselves what a difference Brompton processing can make. In our new technology showcase, we will demonstrate our latest innovation, alongside Brompton HDR that we have previously previewed at ISE and Infocomm, in addition to a wealth of other new features that these technologies enable,” says Brompton’s managing director Richard Mead.
HDR video offers a new approach to delivering better image quality, without requiring finer and finer pixel pitches, and LED is well placed to benefit from its trio of image quality improvements. For every pixel, HDR offers a larger brightness range, a wider colour gamut, and a higher bit depth, thus delivering greater detail within the shadows and highlights and increased contrast. Brompton’s new technology adds to this with more headroom for exceptionally bright content and saturated colours that might otherwise be 'clipped'.
"Brompton’s implementation of HDR is very different from anything else already on the market and has required us to re-imagine the fundamentals of how LED video processing should work,” says Brompton’s CTO, Chris Deighton. “We’re looking forward to l
Belgium - Although the Fantasia festival succeeds in attracting some of the hottest EDM and trance DJs year after year, it’s built a loyal fan base with much more than music alone. Drawing on the power of its wildly imaginative and elaborate stage scenery, Fantasia succeeds in cocooning festival-goers in a multi-sensory experience that intensifies the power of its electronic music.
Forming the central visual backdrop to this year’s stage was a representation of an exotic burlesque palace measuring 15m tall by 45m wide. Providing dramatic visuals to accentuate the mystique of the stage was a lighting design by Creative Rental Solutions (CRS) that included a collection of Chauvet Professional Rogue R2 Wash, RH1 Hybrid, COLORdash Par H12IP, STRIKE P38, and COLORado Panel Q40 fixtures.
“Given the ambition of Fantasia’s organisers to create ever more impressive stages, we went back to the drawing board to come up with something especially different this year,” says Thomas Vandekerkhove of Creative Rental Solutions. “Our solution was to develop a lighting rig that awarded a certain mystique to this year’s stage theme by creating powerful looks and vivid colours.”
To douse the palatial stage designed by CRS’s Lieven Tacq (complete with three large burlesque masks) with a variety of pulsating atmospherics, Vandekerkhove and his team incorporated a carefully curated combination of 18 Rogue R2 Wash, 18 RH1 Hybrid and 28 COLORdash Par H12IP fixtures into their design. The resultant blend of saturated colours and powerful wash effects gave a
USA - ChamSys (stand 937) will debut its compact MagicQ MQ70 console in the US at the upcoming LDI tradeshow in Las Vegas. Launched at the PLASA Show 2019, the desk weighs in at a mere 7kg (15.4lb) and can fit into a carry-on sized luggage that meets the restrictions of even budget airlines.
The MagicQ MQ70 supports 24 universes of ArtNet/sACN natively, with an option to expand this to 48 universes directly from the console (with a paid upgrade). The console features a 10.1” multi touch display, along with illuminated fader and encoder tracks.
The MagicQ MQ70 also has built-in WiFi, making it easy to connect to the ChamSys MagicQ Remote focus application simply by scanning the QR code on screen without the need for external networking hardware. MIDI input and output as well as LTC timecode input are also inbuilt, allowing easy integration with show control and timecoded shows.
An in-built UPS protects the MagicQ MQ70 in the event of a power failure. Due to its low power consumption, the console requires no cooling fan, which means it operates silently - a critical feature for broadcast, theatrical and corporate show applications. Since the MagicQ MQ70 runs the same MagicQ software as other consoles from the range, it accepts shows programmed on any of them, within the universe limits.
Australia - Further evidence of the growing multi-dimensionality of art can be found at the 24th edition of the Communicating the Arts conference which, for the first time, sees participants from the performing arts join those from the visual arts. The theme of this edition is Cultural Leadership.
“An example of great leadership is when in the face of challenges, people can stick to the values of inclusion, rigour, honesty, respect and courage.” This is an example of what the participants will learn from attending as explained by Wesley Enoch, artistic director at Sydney Festival who will also hold the opening keynote.
Taking place at multiple cultural venues in Sydney from 12-14 November, some 250 Australian and international cultural leaders, senior arts professionals and innovators will gather for three days of immersive learning, masterclasses and exhibits - including Anthony Bastic, founder and CEO of Sydney-based creators, AGB Events, who will be talking about his company’s experience in curating and producing major celebrations.
“Our approach is to re-imagine ways to honour art, history, and culture,” explains Bastic, “inspiring audiences with deeply engaging story-telling. Our process begins with extensive research to bring a fresh perspective to our projects, finding our clients’ stories and reinterpreting those narratives visually. We work extensively with renowned artists to craft and deliver creative concepts that resonate deeply and that give their work new dimensions and scope, using digital animation and 3D projec
Denmark - Pascal has announced two executive appointments to its management team, positioning the company for a new phase of strategic expansion.
Gorm Eichenberger has been appointed as CFO, following the retirement of Henrik Gunst Smith, the company’s director of finance since 2013. Also joining the company is Gustaf Høskuldsson, taking up the newly created position of COO. Both come to Pascal with extensive experience with audiology market leader Widex, where Eichenberger held the position of head of operation finance and Høskuldsson vice-president, global supply chain.
The appointments follow a year of sustained investment by the company, during which personnel, and R&D and operations facilities at its Copenhagen HQ have expanded by more than 30%.
“In continuing to manage the growth process and maintain an exceptional rate of expansion, we are seeking to become ever more outside-in customer centric,” says CEO Lars Rosenkvist Fenger. “Customer centricity has always been a core value for Pascal; offering our clients what they actually want, rather than what they have come to expect. This new phase of our growth strategy is centred on the expansion of our existing customer specific offerings and on developing new customer interfacing capabilities for the pro audio industry."
Italy - Shure Incorporated has strengthened its marketing and sales operations in Europe with the appointment of Emanuele Luongo, a new integrated systems market development manager for Italy.
Luongo will assume the position on 1 December. He will be based in Milan and will concentrate on the Italian integrated systems market, working closely with Shure distributor Prase Media Technologies.
Luongo’s background is in sound engineering, acoustics and wireless audio. He has held sales and product management positions at Shure’s Italian distribution partners as well as live sound engineering positions for notable artists.
“We are pleased to appoint Emanuele to this key position, supporting our market development activities in Italy,” comments Rob Smith, senior director, integrated systems sales Western Europe at Shure. “As Shure continues to expand globally, adding Emanuele will be essential in building customer relationships and providing solutions to meet the needs of this important market.”
"Our collaboration with Emanuele will maintain focus on the Shure brand and on the Integrated Systems market, where Shure has a strong presence and is continually growing," comments Ennio Prase, managing director of Prase. “We wish Emanuele all the best in his important position at Shure.”
UK - Music industry charity Music Support has partnered with 10 companies and organisations to train industry professionals in mental health first aid (MHFA).
The drive has been prompted by an in-house initiative led by the charity in 2018, when it invested in MHFA training for its own staff and volunteers.
Music Support will work with The Event Safety Shop (TESS), a live event production safety service; industry charities Help Musicians and The BRIT Trust - the charitable arm of BPI; PLASA; The Association of Independent Festivals (AIF); Production Park; Backstage Academy; PSA and its benevolent fund, Stage Hand; and Thrive: Mental Wellbeing - an NHS-endorsed app designed to help people combat stress.
Matt Thomas, Music Support’s co-founder and chair of trustees, comments: “MHFA training is becoming a priority for businesses across many industries and sectors, both nationally and internationally. We’ve received a lot of support and encouragement from partners about the prospect of Music Support delivering training, and MHFA England [the only provider of licensed mental health first aid instructor training in England] is currently campaigning for the Government to put mental and physical health on an even footing. This is gaining traction from politicians and is likely to become an area of statutory responsibility for employers in the future. Now is the time for our industry to get in ahead of the curve.”
He adds: “Ultimately, we’d like this initiative to be an industry-wide adoption of good practice which will significantly imp
USA - Lighting designer Justin Townsend specified 38 High End Systems SolaWash 2000 High CRI automated LED luminaires for Moulin Rouge! The Musical. Since its summer opening at New York City’s Al Hirschfield Theatre, the show has received critical acclaim not only for the glam costumes and glitzy scenery, but also for its rich lighting.
A review on Broadway World says it’s “sumptuously-designed in more shades of red than you previously knew existed on the colour spectrum”.
New York Stage Review notes “The real stars are the artists who don't appear onstage. Lighting designer Justin Townsend can evoke anything from a pulse-pounding nightclub to the shadowy alleys of Argentina to a hallucinogenic electric-green drunken dream.”
Townsend, a two-time Tony Award nominee, says: “The SolaWash 2000 unit has been instrumental for my work on Moulin Rouge! The Musical.” He chose the High CRI version of the automated luminaire for requisite features such as its accurate colour rendering and key light for face lighting.
“It is a silent, super bright light that can be Fresnel-soft and still sharpen razor-edge to its own shutters,” he says. “I was able to cut around the complex scenery in the show and really pop the costumes and faces with clarity.”
The silence refers to the fixture’s quiet cooling system. “The fixtures do great work for me front-of-house where fan noise is essential to eliminate in modern musicals,” he adds.
The designer also enjoys using the colour palette - using CMY colour mix
UK - Wakefield’s cathedral staged the official ceremony for 74 Backstage Academy (BA) students who graduated recently.
Students had their various production degrees conferred by Dr. Sue Duncan, assistant Vice chancellor and registrar, University of Bolton (with whom Backstage Academy is partnered).
They were also honoured by their various course leaders as they prepared to leave academia and enter the production world. Johnny Goodwin (Live Events Production), Graham Thorne (Live Visual Design & Production) and Claire Porter (Stage & Production Management) in turn accoladed their respective students as they filed up to the stage.
As Goodwin put it, “It’s always a great occasion to meet the families. They shake your hand and thank you for the guidance once they can see there is a job at the end of it, and that [students] are not simply running away to the circus.” And many have already found full-time employment within the industry.
The Ceremony also saw Backstage Academy’s first Honorary Fellowship conferred on Ash Nehru, co-founder of Disguise (formerly d3 Technologies) one of Backstage Academy’s enduring industry partners. Nehru was awarded the inaugural fellowship in recognition of his inspirational work and dedication to innovating the field of visual design and technology integration.
“We are delighted that 75% graduated with a first or 2:1. Our partnership with BA provides unique opportunities and conversion rates are high,” stated Dr. Duncan in her address. “Backstage Academy has earned a reputation as a
UK - Pixel Artworks has designed and delivered The Garden of Light, a multi-sensory installation for McArthurGlen Designer Outlet, Ashford.
The Garden of Light uses the latest LED pixel lighting and immersive audio technology to create a 360° virtual garden environment and is part of the expansion of McArthurGlen Designer Outlet. In tribute to Kent’s status as the ‘Garden of England’, The Garden of Light provides shoppers with a multi-dimensional walkthrough experience designed to stimulate the senses and reflect on visitors’ connection with nature.
The experience will also feature “Europe’s largest living wall installation”, made up of more than 120,000 leafy green plants, and although the experience is free, visitors are encouraged to donate money towards building a sensory garden for the William Harvey Hospital.
Light is the key factor of the installation, and the immersive and interactive experience offers shoppers a journey into a lush secret garden through projection and LED, with elements of the four seasons accompanying their journey.
Riaz Farooq, creative director at Pixel Artworks comments, “Producing The Garden of Light has truly been a creative journey through a multitude of artistic and technological disciplines. Collectively we have explored the boundaries of motion design and real-time graphics, effectively creating a living game-like environment, full of discovery and play.”
The Pixel Artworks team used TouchDesigner (TD), a visual development tool, to combine projected
UK - The Institute of Physics for the UK and Ireland (IOP) has an impressive new London HQ, built from the ground-up with a modern architectural statement that has AV designed-in from the start.
The site is an old plumbing supplies shop in the developing creative industries area near Kings Cross, London. Leaving just the original brick façade, it has been transformed into something completely new. The polished concrete structure of this £13.5m project brings focus to the large screens and interactive experiences that will greet more than 200,000 IOP visitors every year. It is a space that radiates cutting-edge science, and one that required visual and audio technologies to be as much a part of its essence as the concrete itself.
Recursive AV, the AV consultant on the project, had the opportunity to liaise with and influence the architects more than two years before completion, allowing them to achieve the best visitor experience possible.
David Yates, the managing director at Recursive, went about choosing premium technologies to complement the institute’s ambitious aims, including specifying L-Acoustics Syva and Kiva as the audio solutions. "We really felt that the IOP deserved a high-end audio approach," he explains. "They have people coming from all over the world: academics, policymakers, broadcasters, and so on. We wanted to be sure that the sonic quality and the visual impact would be absolutely correct, and that the system could cope with a challenging space. We needed to deliver fantastic intelligibility and a consistent sonic signature
Norway - Touring theatre productions in rural areas of north Norway can be very challenging, especially with limited local facilities and equipment that has to cope with fast-changing extremes of temperature. But an Alcons Audio LR7 pro-ribbon system is proving equal to every challenge for the country’s northernmost regional theatre.
Established in 1971, Hålogaland Teater was the first regional theatre in Norway, serving counties of Troms and Finnmark. It occupies a modern building at Teaterplassen in Tromsø, built in 2005, which features two modern theatre stages, a cafè stage and a rehearsal stage.
It tours productions all year to 15 regular venues located throughout Troms and Finnmark, often in local dialects. The varied programme includes contemporary and classic drama, musicals, children's theatre and more. These shows need an audio system which can be easily transported and is very roadworthy, but delivers high quality audio for any kind of production in every venue where Hålogaland Teater tours.
Recently, the theatre needed to replace its touring system, so chief sound engineer Jim-Oddvar Hansen put together a technical specification based on all the needs, wants and challenges that it had to satisfy. He thoroughly researched every possible solution and system manufacturer and, after putting some systems ‘head to head’, an Alcons Audio pro-ribbon solution was the winner.
Supplied by Alcons’ Norwegian distributor and Pro-Ribbon Partner Lydproduksjon Tromsø AS, Hansen chose an Alcons LR7 pro-ribbon micro line array system, co
Europe - The multi-functional laser mainboard ShowNET is now available to laser system manufacturers. The ShowNET is a digital to analogue convertor (DAC) for laser software such as Showcontroller and comes with a full licence for Showeditor Laser Software for free. It is also an ArtNET node and can be triggered by DMX so professional lighting designers appreciate the additional professional DMX mode that provides advanced control options with lighting consoles, like safety zones over DMX, color balancing of the laser or RGB color wheel support.
Besides the trigger control options, ShowNET can be operated in various stand-alone operation modes as well as sound to light (microphone board available on request). The contents of the memory on the ShowNET board can be customised with standard ILDA files, which can be created with the included Showeditor software or any other software capable to export standard ILDA files.
With integrating the standard ShowNET set, it is still possible to operate the laser system via ILDA signal (switch board provided in the set). It is also possible to omit the ILDA connectors and just go via LAN connection. It is also possible to feed any ILDA signal to the integrated ShowNET board (receiver) via LAN connection by using an external ShowNET interface box as a sender via ILDA streaming.
The standard ShowNET integrator’s set contains the following components: ShowNET mainboard, ILDA switch board, mode selection and addressing board, RJ-45 LAN socket with connecting wire, pre-made wires for connecting all components incl
USA - Carrie Underwood recently wrapped up her Cry Pretty Tour 360 with a lighting package provided by long-time vendor, Bandit Lites. Underwood has been thrilling audiences around the globe all year with her all-female tour featuring a an ‘in-the-round’ lighting design by Nick Whitehouse of Fireplay production studio.
“This tour is by far the most ambitious design yet for Ms. Underwood and it has certainly paid off in terms of visual artistry,” said Bandit Lites vice president, Mike Golden. “Carrie has a veteran staff in tour Manager Geoff Donkin, production manager Graham Holmes, show producer BarrymLather and lighting director Nate Cromwell, and with Nick Whitehouse and the visionary team at Fireplay, this year’s production is unmatched and flawless.”
Drawing inspiration from the Cry Pretty album artwork, Fireplay designed a stage using the eye logo and infusing an impressive pod design that held the majority of the light fixtures.
“When lighting in the round, each side of the stage needs to have key lights, effect lights and audience lights as each person’s perspective of the lighting show will be different,” explained Whitehouse, “so each pod contains just that: an amount of each. The rest of the design came out of the necessity of lighting around the screens.”
Bandit Lites supplied nearly 400 fixtures for the design, including GLP JDC1 Strobes, Martin Professional MAC Viper AirFX, Claypaky Sharpys, Claypaky Mythos 2, VL 3000 Spots, Scenius Unicos and Robe Spikies. Two grand MA 2 full consoles provide Li
USA - In Dayton, Ohio, in the heart of the downtown Arts District, the Mead Theatre is the cornerstone of the Benjamin & Marian Schuster Performing Arts Centre. Opened in 2003, the 2,300-seat venue hosts a wide range of performances, including the Dayton Philharmonic, Dayton Opera, Dayton Ballet, touring Broadway blockbusters, rock concerts, comedians and more.
Helping to inspire the imagination and refresh the spirit of the three-balcony facility, Scenic Solutions of Ohio specified and installed FloppyFlex LED neon into the architectural details of the venue.
In addition to the installation in the concentric rings of the ceiling that culminate in a representation of the night sky when the Wright Brothers took their first flight, “We used 204m of FloppyFlex White 2100K deployed in the existing coves that accent all three balconies,” says Andrew Persson of Scenic Solutions. “We were able to utilise the existing wire infrastructure - with the addition of magnetic dimmable drivers installed remotely - which made circuiting simple and efficient. FloppyFlex was a good solution because of the level of control it allowed, its smooth and consistent output, plus it fit the profile of the incandescent rope light it replaced.
“FloppyFlex was able to conform to the curved shapes of the architecture in which it was mounted and produces a far superior light output compared to conventional rope lights. It has been performing extremely well and uniformly.”
Persson continues: “The Mead Theatre is an important venue and we wanted to get it righ