floppytapedynamicwhiteip68TMB debuts FloppyTape at Lightshow West
Monday, 23 September 2019

USA - TMB will introduce the first offerings in its new FloppyTape range during Lightshow West, taking place on 25-26 September at the Los Angeles Convention Centre.
Suitable for applications from bespoke retail lighting to the most punishing rock and roll tours, FloppyTape is offered in premium and standard versions. Both versions are also available sealed with a highly protective, ultra-clear, UV-resistant, fully submersible, flexible coating. In support of the range, a comprehensive selection of standard and custom profiles and diffusion accessories are offered.
Currently, FloppyTapes are available in Dynamic White, RGBW, RGB, and RGBA, with many more options coming soon. Also, as a very significant bonus - FloppyTapes are backed by TMB’s world famous service and support.
At the tradeshow, TMB will display a wide and varied selection of proprietary architectural products, many derived from the company’s decades of entertainment and production staging experience. From specification grade decorative and specialty lighting, to temporary power hook-ups, to networking and control, to high quality data cables, to the world’s brightest exterior lighting fixtures, there’s plenty to see at TMB’s stand 126.
(Jim Evans)

arri-orbiter-key-visual-without-logojpgARRI debuts ultra-bright LED luminaire
Monday, 23 September 2019

Germany - ARRI has introduced Orbiter, a new LED luminaire that is “poised to change the way the industry looks at digital lighting”. A bright, tunable, and directional LED fixture, Orbiter is billed as “the most technologically advanced luminaire ever produced for image capture and colour fidelity”. Orbiter’s six-colour light engine promises to deliver a wide colour gamut across all colour temperatures along with smooth dimming from 100 to 0%. With its changeable optics, Orbiter can transform into many different types of lampheads including projection (profile), open face, and soft light. Additional features, such as a fast processor, ample memory, expanded connectivity, a built-in array of sensors, and weatherproof housing, make Orbiter a formidable machine.
Orbiter’s state-of-the-art technology and versatile design makes it an optimal lamphead for today and for the future, with endless possibilities for updates, configurations, and enhancements, says the company.
(Jim Evans)

 
 
liao-3Hoglet 4 cuts the mustard in Liaocheng
Monday, 23 September 2019

China - A High End Systems Hoglet 4 is providing lighting control for a new outdoor multimedia installation in China.
Two times each night, a lake in the park in Liaocheng, Shandong Province comes alive with lighting, lasers, mist, flames and fountains. The free half-hour interaction enthralls up to 10,000 spectators with the colourful, watery spectacle.
LD Theo Cox - a High End Systems Hog 4 lighting console user - chose the smaller, more compact member of the Hog family for this project. “I elected to programme with a Hoglet 4, as this was the right piece of kit to leave in permanent situ after the shows were up and running,” he explains. “As well as the nightly timecode shows, there was a requirement to run a few simple cues manually, and a physical console was desired but it had to be streamlined. So with only two kinds of fixtures to program, and no need for lots of playback control, the Hoglet with a touchscreen was the way forward.”
AAV China administered the install of a 150m (492 ft) long fountain system, and brought in Cox to co-create the two shows with Tara Winona designing the lasers and Rupert Morse on fountains.
In a control room overlooking the lake, the Hoglet controls all the moving lights - which are mounted in projection cabins built on stilts in the lake - and 30 searchlights on the far side. The lights receive data distribution via Art-Net run on fibre under the lake.
A Wings Platinum system controls the overall show. It plays the audio and video elements, triggers the fountain control system and sends timecode

 
hamidsoufianpersonnelannouncementfinalHarman appoints EMEA VP and general manager
Monday, 23 September 2019

Europe - Harman Professional Solutions has announced that Hamid Soufian has been appointed vice-president and general manager of EMEA.
Soufian brings more than 18 years of experience in the Harman organisation to his new role.
“We are pleased to welcome Hamid Soufian to this key leadership role as we continue to improve and strengthen the Harman brand worldwide,” comments Mohit Parasher, president & EVP, Harman Professional Solutions. “We are excited to have someone with Hamid’s expertise to help us grow and bolster our relationships with our valued partners in the EMEA region.”
Prior to his new appointment, Soufian was the VP and GM responsible for multiple European automotive customer accounts forging new relationships and enhancing existing partnerships with the OEMs.
“I’m extremely honoured by this appointment and will be working diligently to establish and strengthen long-term partnerships with our distributors and customers across the EMEA region,” says Soufian.
(Jim Evans)

 
 
sibufest2Chauvet supports Romanian theatre festival
Monday, 23 September 2019

Romania - In the second century, the Romans established Cedonia, a small settlement on the banks of the Cibin river that marked the outer reaches of their empire. They eventually left, and their small village grew into Sibiu, a cultural hub of central Europe where art and commerce thrived side by side.
Today, almost 2,000 years later, the creative vitality of this former hamlet is on vivid display in the Sibiu International Theatre Festival. Earlier this summer, the 25th edition of this 10-day event drew over 3,300 artists from 70 nations who performed for over 62,000 visitors daily. Supporting their work with smooth key lighting and vivid colors was a festival rig supplied by Backstage Production Group that featured Ovation and COLORado fixtures from Chauvet Professional.
Desiring consistency in lighting temperature and light field, Andrei Popéa, general manager of Backstage Production Group, tapped eight Ovation E-260WW and eleven Ovation ED-200WW for the festival stages. For colour, he specified eight Ovation F-915FC Fresnel units, as well as four Ovation E-910FC IP ellipsoidals, and 24 COLORado Batten 72X linear fixtures.
The intensity of the warm whites and smooth dimming curves of the Ovation ellipsoidals along with their variable beam angles, allowed Popéa to maximize placement opportunities for each theatrical performance and avoid unwanted shadows. The Ovation E-910FC IP also projected crisp gobo patterns to add visual interest and movement to the outdoor stages.
These performance features, along with the rainbow of colours created

 
claypakyaoutfestthierrylaroche2Claypaky shines at Aout in France
Monday, 23 September 2019

France - Summer lingered for music lovers at Festival 39 Aout 2019, held at the Domaine de Chalain in France’s Jura region.
The multi-genre music festival was held in a beautiful setting alongside Chalain Lake where an array of Claypaky lighting fixtures illuminated Big Flo & Oli, Martin Solveig, Eagle-Eye Cherry and other performers.
Atomix provided lighting designer Guillaume Steck with 12 HY B-EYE K25s, 10 Sharpy Plus and six A.leda K20 Wash fixtures for the two-day outdoor event.
“With an open-air festival it’s always difficult to programme a show in the middle of the afternoon - it’s usually necessary to wait until nightfall to be able to offer real lighting,” says Steck. “But with these fixtures, allied with a good atmospheric generator, it’s now much easier.”
Steck positioned the K20 Washes at the front of the stage with the Sharpy Plus and K25s spread out on two decks. “With the HY B-EYE K25s the timeless kaleidoscope effect, known to everyone from the B-EYE K20, remains a key asset that no other projector has managed to match,” he states.
“The power of the K25, even in broad daylight, is simply amazing,” says Steck. “With Sharpy Plus we get the standard beam features of a Sharpy, which are not even necessary to mention any more, plus a full-blown ‘spot’ mode. The powerful beam of the Sharpy Plus delighted all the stage managers. The K25 and Sharpy Plus fixtures were a winning duo.”
Pierre Girard was the project manager for the festival with Quentin Vallet the lighting chief and Aurelien Rob

 
 
evitaGLP X4 Bar 20s light Evita in Regent’s Park
Monday, 23 September 2019

UK An accepted technical challenge of London’s outdoor theatre season are the major productions at Regent’s Park Open Air Theatre, which run right through the summer.
Working within the existing stage infrastructure, theatre lighting specialist Jon Clark helped interpret director Jamie Lloyd’s stripped back production of Evita, juxtaposing GLP’s new LED moving lights with traditional par cans.
GLP’s impression X4 Bar 20 battens have been put to many creative uses since their launch and Clark managed to extend the envelope further, assigning different roles to the 24 fixtures supplied from White Light’s inventory. He also road tested GLP’s new Fusion Stick 10 while giant impression X4 XL RGBW heads took the place of follow spots in what was generally a very monochromatic design, punctuated by cold ice blues to mimic the Argentinian flag.
Tim Rice and Andrew Lloyd Webber's musical tells the story of Eva Peron, from a life of poverty to spiritual leader of the nation, but here Jamie Lloyd had applied a contemporary twist.
Jon Clark and set designer Soutra Gilmour have collaborated regularly with the director over the past decade, and since Clark also lit Into The Woods at the Open Air Theatre in 2010 as well as the opera The Turn of The Screw last year, he was used to the challenges of working in this location.
“We have a very established relationship which is hugely valuable, given that the stage rehearsal period is short for a production of this scale. Most of the lighting is programmed overnight wit

 
lfps-luminaryLFPS lights Luminary art installation
Monday, 23 September 2019

UK - Event production specialists Light Fantastic Production Services supported the creative team behind Luminary, the recent art installation at Crossness Pumping Station devised by artists Anna Heinrich & Leon Palmer.
Commissioned by Peabody, London’s oldest and largest housing association, and working in partnership with Crossness Engine Trust and KD Productions, the event celebrated the 200th anniversary of the birth of Sir Joseph Bazalgette, the Victorian engineer responsible for implementing the London sewer system.
Created as a multi-media art installation, Heinrich & Palmer’s concept for Luminary was a spectacular combination of projection, audio and lighting effects. Designed around a visually stunning, ethereal experience, the project provided visitors an immersive exploration of the iconic heritage structure. Working to the specification of the artists and the KD Production team, LFPS provided all video, lighting, audio and rigging equipment to the highly original, beautifully presented production.
The show’s centrepiece featured an incredible suite of images that travelled through the architecture and physical make-up of the Grade 1 listed building. Created using 3D laser scanning technology by 3Deling London the exquisitely detailed sequence featured exploded diagrams and artistic interpretations of the structure’s DNA. The video content was screened across a large theatrical voile using a pair of Panasonic RZ21K laser projectors, with triggers sent from a media server to lighting and audio departments allo

 
 
towson-university-kaplan-hall-2Altman Lighting benefits Towson concert hall
Monday, 23 September 2019

USA - Towson University in Maryland has created an inclusive learning environment situated near the area’s prominent educational, community and cultural resources. From theatre to dance and music, the university’s performing arts programmes produce over 200 student and professional performances each year.
Needing performance venues which can keep up with the busy production schedule, they called up Pennsylvania-based Illuminated Integration to renovate the 500-seat Howard J. Kaplan Concert Hall with a new lighting system including Chalice 70W recessed downlights from Altman Lighting.
“We were initially brought onto the project as the antiquated lighting system in the concert hall had failed from a controls perspective, and they had decided to convert the entire space to LED as well,” begins Mike Birardi, lead design creative, Illuminated Integration. “The targets in doing this were to reduce energy and maintenance costs while improving the overall illumination of the space without losing the architectural design aesthetics. We really tried to give them a solution that could do all those things for better performance with lower maintenance and more energy-efficient usage.”
Working with Towson University for the first time, Birardi and the team at Illuminated Integration began researching the most beneficial lighting technologies.
“Form-factor was a big challenge because we had to find a lighting technology that could fit the existing openings in the ceiling for the downlights,” continues Birardi. “We also wanted a technology

 
prolightsRPM Lights adds Prolights LED technology
Monday, 23 September 2019

Canada - RPM Lights is a long-time supporter of AC Lighting. Backed by a partnership between the executives of both companies, RPM Lights owners Jimmy Pappas and Glen Murphy, developed and built their vision for LED lighting in the Canadian marketplace eight years ago. With multiple decades of lighting and rigging industry experience between them, Pappas and Murphy built a reputation for their ability to adapt and utilise technology to achieve outstanding results in the markets and industries their company serves.
RPM Lights is a Toronto based rental and sales supplier offering an array of LED lighting products to tradeshows, film, TV and live entertainment industries. Working with well-known trade shows such as the Canadian Auto Show, as well as on popular TV shows and films including Designated Survivor and Big Brother, RPM Lights recently adopted the new Prolights Eclipse-FS, a full colour RGB+Lime LED Ellipsoidal that was introduced into the market in mid-2018.
(Jim Evans)

 
 
shakespeareAllen & Heath gives voice to Shakespeare
Friday, 20 September 2019

USA - A 48-channel Allen & Heath SQ-6 digital mixer landed a role in the Shakespeare Centre of Los Angeles (SCLA) production of Henry IV, one of the Bard of Avon’s most popular historical plays.
Built from the ground up outdoors on the West Los Angeles Veteran Affairs campus under the artistic direction of SCLA founder Ben Donenberg, Henry IV was staged with a cast that included Tom Hanks as Falstaff, Hamish Linklater as Prince Henry, and Joe Morton in the title role. Sound design fell under the guidance of Diablo Sound, an LA-based firm that has brought audio to many of SCLA’s most acclaimed productions.
Diablo Sound president and principal designer Drew Dalzell looked long and hard for a compact console with a feature set and price point that could facilitate the audio blueprint he envisioned for the play. His moment of discovery occurred when the SQ-6 landed in his lap.
“The SQ-6 is indeed small, feature rich, and sounds great,” he notes. “That’s the trifecta for me, especially in theatre. I’ve always loved the Allen & Heath sound, and this one lives up to its heritage.”
Front of house engineer Anna Grossman used eight of the SQ-6’s DCAs to create a template of scenes that managed the play’s Broadway-style, line-by-line mixing format. “It’s not an easy mix method to learn or execute,” Dalzell explains. “But by keeping it down to just eight DCAs in front of you, you actually stand a fighting chance.”
Grossman’s scenes were programmed in what Dalzell calls a “modified round-rob

 
shureAutograph named Shure partner of the year
Friday, 20 September 2019

UK - At the PLASA Show, Shure UK announced Autograph as the recipient of its 2019 Pro Audio Partner of the Year award.
The award was presented at the show by Stuart Moots, associate director, UK Pro Audio Group, as part of their annual programme to acknowledge the exceptional work carried out by Shure partners each year.
This year’s award was presented to Autograph Sound Recording for their exceptional dedication and commitment to wireless best practice that delivers results at the highest level.
“Autograph were an early adopter of Axient Digital and have been a great ambassador for digital wireless technology,” says Stuart Moots, UK Pro Audio director. “They’ve shown unwavering commitment to delivering first-class results at a time when the RF landscape remains challenging - particularly in highly congested spaces like London’s West-End. Autograph deliver everything we expect from a Shure partner, and more; it’s easy to see why so many theatre productions call on them to deliver. They are a great team to work with and we look forward to building on this year’s success.”
Will McGonagle, hire manager, Autograph comments: “We are delighted to be named Shure’s Rental Partner of the Year for 2019. Axient Digital, and in particular, the ADX1M transmitters have very quickly become a crucial part of our inventory. Along with the PSM1000 IEMs and countless microphones you will find now Shure in every theatre you find Autograph.”
(Jim Evans)

 
 
zero-88-plasa-2019-david-catterall-demonstrates-rigswitch-pla151027115Zero 88 enjoys busy PLASA 2019
Friday, 20 September 2019

UK - Lighting control manufacturer Zero 88 enjoyed a busy and lively PLASA 2019 where for the first time in the UK, the company presented its new RigSwitch remote controlled switching system together with a host of other neat, practical and innovative power, data and control solutions.
Running concurrently with the first two days of the show, Zero 88 also ran two days of free hands-on introductory and training sessions for the FLX lighting console family at the Hilton Hotel, a two minute walk from Olympia, which were popular and well received.
Product manager Jon Hole commented that the quality of the visitors to the show was “consistently good” and that the footfall was busy throughout, especially on the Monday and Tuesday mornings.
The specially designed one-hour training sessions were based on a very successful informal format that the Zero 88 team has developed, with four a day including an extended two-hour session over lunchtime - with refreshments and a light lunch. The 6pmsession featured an extra highly informative Q+A plus a drink for all those attending.
The main new product reveal was RigSwitch, a fully customisable range of switching cabinets from 12 to 96 relays per cabinet, with four pre-designed options to cover the most regularly requested combinations.
All relays feature staggered power-on, DMX control and remote switching, using anything from a simple contact to a network of engraved keypads and touchscreens. Each channel has an MCB as standard, with additional options of RCBO, ELCB and AFP (Arc Fault Protection)

 
bromptonBrompton Technology takes on AHA Awards
Friday, 20 September 2019

Australia - Regarded as the ultimate production showcase by long-term technical partner, Novatech Creative Event Technology, the Australian Hotels Association (AHA) South Australia’s annual AHA Awards for Excellence raised the bar once again this year.
With over 30 awards to present, comperes and performing artists, around 200 time-lined cues, all driven by bespoke video content, the technical design required a solid framework. This was provided by Novatech’s suite of Brompton processing and distribution products, which integrated and simplified the whole LED screen system.
“We have been the technical provider for the AHA Awards for eight years now,”says Bryan Goh, video project manager at Novatech. “It’s one of the signature events in our calendar and we love doing it. It’s a very ambitious event, with fresh concepts every year. They entrust us with creative control over the stage design and technical aspects of the event, which gives us the opportunity to go wild with technology, show off the new toys, and give the hotels industry a great experience.”
For the 2019 ceremony, Novatech went with all-LED screen for visuals. Two 6 x 6.3 metre ROE Visual CB3 3mm LED screens were set left and right of stage, with three curved 4.8 x 4.8 metre ROE Visual CB5 screens were hung on motors to fly in and out, revealing the performing band behind them. Two ‘ticker’ type 9.6 x 1.2 metre long CB5 screens graced each side of the stage, whilst at the rear of the stage, a string curtain digital drape formed a backdrop.
A pair of Brompton S

 
 
oscar-events-house-3-kris-humphreys-photographyWhite Light shines at Central Hall Westminster
Friday, 20 September 2019

UK - As Central London’s largest conferencing and events centre, Central Hall Westminster recently played host to the Oscar Events House Live in London concert with Assi El Hallani and Mahmood El Turki. As the in-house technical production partner at Central Hall, White Light provided the lighting and audio solutions for this sell-out event.
The concert, held in celebration of Eid El Adha, saw both singers perform with their accompanying musicians to an audience of over 2000 people in the Great Hall. White Light were on hand to enhance the event with atmospheric lighting, utilising a combination of LED moving units and haze effects, and to provide full audio coverage and support.
Remon Hanna, director of marketing at Oscar Events House comments: “Central Hall Westminster was the ideal choice for our first London concert and the magnificent Great Hall looked and sounded perfect. It was a great experience working with the White Light team, whose production expertise made the whole event planning process a pleasure. We look forward to returning for future concerts and working them again.”
Paul Southern, managing director of Central Hall Westminster, adds: “Music concerts are an integral part of our business and it was an honour to host the first in this high-profile series. As always, our in-house production partner White Light, knew exactly how to enhance the audio capabilities of the venue and turn our historic Great Hall into a beautiful concert setting.”
(Jim Evans)

 
underthestars-creditandrewbakerW1 Productions supplies PA for Newham festival
Friday, 20 September 2019

UK - Twenty years after its inception, Newham Council’s annual free festival Under The Stars continues to pull in crowds of up to 10,000 at East Ham’s Central Park.
Graham Baker of turnkey technology providers, Centre Stage, has been servicing the event for all but one of those festivals. In order to keep the production fresh for a roster of headline acts including Naughty Boy, Norman Jay, Cocojam, Musical Youth and the traditional Sunday showcase of the Royal Philharmonic Orchestra, Baker this year turned to his friends at W1 Productions, knowing they had recently acquired JBL’s new VTX A8 / VTX B18 line array from UK and Ireland distributors Sound Technology Ltd. Both parties agreed that this would make the perfect debut for a rig that could be flown 12-aside, with six B18 subwoofers a side in a cardioid sub array. A further four A8 provided infills along the front while the entire system was powered and processed by W1 Productions’ newly-purchased Crown VRacks.
Ensuring that the system was fully optimised were W1 Productions project manager, Lawrence Chichon, FOH sound engineer, Jack Hale, and systems engineer Tom Matthews, with the support of Sound Technology’s Stuart Strachan. Centre Stage, whose sister company, Alistage, was also involved in providing front of stage barriers and risers, found the tie-up with W1 Productions and the new JBL rig to be mutually beneficial.
“We have dry-hired systems from W1 for many years, and it was nice to give this new PA a test drive,” states Baker. JBL’s next generation dual 8" compac

 
 
digicoQuantum Synergy with DiGiCo and Autograph
Friday, 20 September 2019

UK - July saw over 100 delegates assemble at the Jerwood Vanbrugh Theatre, (one of three theatres within the central London campus of RADA, The Royal Academy Of Dramatic Art), for a review of DiGiCo’s new Quantum Engine and designed-for-theatre T software.
Hosted by DiGiCo and Autograph Sound, the day opened with Autograph’s co-founder Andrew Bruce telling his story from the early 70’s to the present day. This section effectively charted the development of modern theatre sound, using anecdotes and images of legendary West End shows including Starlight Express, Cats, Miss Saigon and many others.
Ably assisted by Autograph sound designers Avgoustos Psillas and Gareth Tucker, plus Tom Williams and Dan Page from DiGiCo, Andrew then spent the remainder of the day walking delegates through the functionality of the T software.
One of the delegates was Jeremy George, head of sound at the Theatre Royal Stratford East, who commented: “I really enjoyed learning about the origins and deeper functions of software that I use daily, not to mention [it was] very useful in terms of tips and ideas to try next time I’m programming a show’ - which, as it happened, was a few hours after the Quantum Synergy day had finished. T Software makes my life easier on a daily-basis. It’s definitely the best way to programme and operate theatre sound.”
(Jim Evans)

 
kitchenADJ video panels in the kitchen at parties
Friday, 20 September 2019

USA - Powerhouse Kitchen, created for San Jose University, is probably the world’s largest mobile kitchen. Designed for both mass catering and show cooking, the monstrous food truck features an integral stage and an AV system built around a huge pop-up LED screen constructed from ADJ’s AV4IP panels.
Established for over eight years, Texas-based Cruising Kitchens started out creating bespoke food trucks of all sizes for both well-established brands and start-ups. The company has branched out to undertake a variety of more unusual projects including mobile offices, media centres, bars and even a nightclub.
The university’s catering department, Spartan Eats, wanted a new food truck and entertainment centre that could not only be used to enhance the San Jose Spartans tailgate experience during the football season at their CEFCU Stadium but also for community engagement events both on and off campus.
Taking on the challenge, Cruising Kitchens fabricated an enormous custom-built creation featuring a 40’ long modified and reinforced shipping container welded to a 70' extendable flatbed trailer. Wrapped completely in custom graphics, the impressive truck features a large internal commercial kitchen, suitable for the preparation of a wide variety of cuisine, as well as an in-built stage which can be used for cooking competitions and demonstrations.
The 12ft stage folds out from the side of the truck, as does a 10ft awning, while two islands - fitted with castors - can be wheeled out onto the stage to provide a demonstration workspace. Two mov

 
 
lidoLido Cinema upgrades with JBL 7 series
Friday, 20 September 2019

New Zealand - To create a more immersive movie-going experience for audiences, Avid Automation and JPRO recently upgraded the Lido cinema with a JBL by Harman surround sound system with 7 Series reference monitors.
Established in the 1920s, the Lido Cinema is one of New Zealand’s oldest and most prestigious cinemas. Originally opened as a single-screen art house cinema, the Lido expanded with a second 44-seat capacity theatre known as The Lounge in 2005.
The Lido recently decided to upgrade the aging 5.1 sound system in The Lounge to a state-of-the-art 7.1 surround sound system. Unable to place speakers behind the screen due to the rear-projection system in the Lounge, the Lido recruited the help of AV integrators Avid Automation and JBL distributor JPRO to install a custom solution. After surveying the location, Avid Automation and JPRO designed a Harman surround sound system comprised of JBL 7 Series reference monitors.
“It’s always been a bit of a troublesome venue for speaker placement due to the rear-projection screen,” says Richard Dalton, managing director, The Lido. “We’ve had about three sound systems in there since it opened and none of them have been particularly good. The idea of working with the AV Integrator and JBL to create a custom solution was rather exciting. The amazing work in the Lounge has exceeded my expectations with a premium audio result - I love it.”
Avid Automation and JPRO equipped The Lounge with JBL 708i reference monitors in the left, centre and right channels in a bi-amplified configuration. T

 
jacobcollier3photocreditjordanmunnsÉPIX lights Jacob Collier’s world tour
Friday, 20 September 2019

Australia - Sydney Opera House on September 7 for Multi-instrumentalist Jacob Collier gave presented “a two-hour exploration of music’s outermost boundaries” at Sydney Opera House.
Stopping at the venue on his Djesse World Tour, musician from North London wove an intricately layered tapestry of sounds into his performance, captivating his audience with lightning fast piano lines one moment, and haunting bass playing the next, before veering off into a mesmerizing Harmoniser solo, all while making everything flow together with a simple, natural elegance.
Reflecting the essence of Collier’s music in all of its complex, yet accessible, possibilities, was a deftly balanced Luke Edwards lighting design that featured Chauvet Professional ÉPIX Strip Tour fixtures.
Edwards used 32 of the 1m long RGB strips in his 12 universe show. Each of the ÉPIX Strip Tour units was topped with an old school Edison bulb, an arrangement that symbolised the way his client’s multifarious music bridges the gap between the digital and analogue worlds.
The ÉPIX units were positioned in free-flowing fashion throughout the rig. Working from his 16 pages of cues, Edwards pixel mapped the strips using a pixel mapper and effect generator to create a galaxy of fluid patterns that changed and moved in harmony with Collier’s music.
“We go from sweeping lines to random twinkles on the ÉPIX fixtures, which all looks incredible in real life and on camera,” says Edwards. “Our show pretty much encompasses every colour, even pastels, and the strips ha

 
 
cosmosCosmos Within Us heads for Raindance
Friday, 20 September 2019

UK - Following a successful premiere at Venice Film Festival’s VR Biennale, Satore Tech’s Cosmos Within Us prepares to bring its 360 audio VR experience to London. The next stop is Raindance, the UK's largest independent film festival, which is dedicated to fostering and promoting independent film around the world.
Cosmos Within Us is a joint production from Satore Tech, a_BAHN and Satore Studio. “From the beginning we knew that the piece was going to be performed live, which meant we had to put an audio system together that would allow for that to happen,” says Tupac Martir, Satore Studio founder and co-founder of Satore Tech.
The VR film viewers are made up of two parts, one headset wearer and four behind the scenes participants. “We knew that we wanted the person in the experience - wearing the headset - to realise different sounds based on their position and receive the voice of the actor directly into their ears, while the rest of the sounds come from an environmental layer.”
This is a first for VR experiences. Not only has Satore experimented with different methods of how to provide audio within a 360-experiential environment, the multi-disciplinary studio has turned this notion into a tourable production.
Gareth Llewellyn and Jon Olive of Magic Beans, an immersive-audio start-up, were brought in as consultants for the pioneering 3D sound project. Each audio element within the film is given its own set of rules and principles. Tupac explains: “This is a different model and a new way of exploring what is possible within t

 
richard-brown-of-7thsense-with-nainesh-vora-of-image-engineering7thSense extends distributor network
Thursday, 19 September 2019

India - 7thSense Design and Medialon have appointed Image Engineering as a distributor for 7thSense’s range of products including Delta Media Server and Juggler, the pixel processor, as well as the suite of Medialon show control solutions.
Founded in Mumbai in 1989, Image Engineering provides a wide range of AV services and solutions for applications including cinemas, post-production and recording studio installations, theme parks, attractions and museums.
“We are excited to add 7thSense and Medialon to our portfolio of professional technology brands for India,” comments Nainesh Vora, founder and owner of Image Engineering. “Our network of global partners and manufacturers work with us to offer exceptional, premium technology solutions for attraction, digital cinema, theme park and immersive installations - we are very much looking forward to bringing 7thSense media server solutions and Medialon show control solutions to the region.”
Richard Brown, technical director, 7thSense Design, adds: “At 7thSense we’re always looking for new ways to expand on how we reach international projects with the innovative products and exceptional service for which we are known. Image Engineering shares the same the values as us and delivers great projects – we welcome them to the team.”
Eric Cantrell, VP business operations, Medialon, comments, “Medialon show control solutions are already in operation at a number of installation sites across India. Alongside our sister company, 7thSense, we are thrilled to have a dedicated sales and servic

 
 
samsungSamsung stages ‘vertical gig’ in King’s Cross
Thursday, 19 September 2019

UK - The official opening of Samsung KX, Samsung Electronics Co’s new ‘digital playground’ in London’s King’s Cross, featured ‘the world's first vertical gig’.
The multi-tiered performance space in Coal Drops Yard was erected as part of the launch of Samsung’s new multi-sensory experience and saw performances from R&B artist Mabel.
The concept was devised by Iris Experience’s creative director Henry Scotland, and realised with support from video rental house Universal Pixels.
The structure itself was fabricated by Star Live using three shipping containers to create a 9:16 format. The finished stage was an impressive 9.1m tall, showing three stories of tech and performance space to the 2,000-capacity crowd. UP provided the vertical 4.5m wide by 7.5m high portrait Leyard CLM6 LED screen with a custom rigging solution and a disguise GX2 media server playback package.
UP’s Roly Oliver comments: “The genius thing about this gig is its simplicity. It’s bold yet not particularly complex, and it seems almost strange that it’s never been done before. Video is a blank canvas and as we work in a consumer-led market, the ticket-buying public has made it clear that they want to view the world in portrait. I think we’ll be seeing this a lot more in the future.”
Henry Scotland adds: “We hadn’t worked with UP before, so were keen to give them a shot at slotting into a fairly ambitious bespoke design. The team worked super hard alongside Star Live to devise a plan which maximised the screen real estate in each aper

 
adamson-rahmanstage-sept19-hrAdamson reinforces A.R. Rahman return
Thursday, 19 September 2019

India - In August, Grammy and Oscar winner A.R. Rahman staged a concert in his home city of Chennai, relying on Mumbai’s Sound to supply and support the live audio system for the show, which this year was built around Adamson Systems Engineering’s E-Series.
“A.R. Rahman has been a client of Sound.com for the past eight years,” begins Sound.com founder and managing director Warren D’souza. “When we completely replaced all of our tour sound products with Adamson systems earlier this year, we knew we could offer the best possible solution to our high-end clients like Mr. Rahman. This was our first major outing with our new inventory and I think it proved beyond doubt that we made a wise investment.”
The system deployed at the YMCA College of Physical Education grounds for the show included main left and right arrays of 15 E15 three-way, true line source enclosures over three E12 three-way, full-range enclosures per side in front of nine flown E119 subwoofers in FBF cardioid configurations. An additional 15 E119s were ground-stacked on each side of the stage for more low-frequency support while eight S10 two-way, full-range cabinets handled front-fill duties.
The single delay ring included left, centre, and right arrays, with nine standard S10s on the left hang, 12 on the right, and a complement of 16 narrow-dispersion S10ns for the centre. D’souza notes the unorthodox configuration was due to the uneven and asymmetrical layout of the audience area, and adds that in previous years, they required an additional delay ring to properly cover

 
 
 
 
 
 
 
 
 
 
 

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