Germany - For Sennheiser, Musikmesse is all about the European launch of the evolution wireless D1 microphone series. The digital systems are totally self-configuring and have both intelligent frequency management and automatic sensitivity adjustment.

"We are really looking forward to our new location at Musikmesse," declares Ingo Angres, marketing manager of live performance and MI at Sennheiser. "The move to Hall 5 brings Sennheiser closer to the users, the music and the stage, and this is also reflected in the new stand design."

A visit to the evolution garage, a stint with the product specialists to talk shop, or a chat at the Sennheiser bar - all this is possible at the Sennheiser stand. A large "information pool" at the centre of the stand pro

Germany - Baldwin Boxall will be on stand E39 in Hall 8 (with Laauser & Vohl) at this year's Prolight+Sound show.

Visitors to the stand will be able to preview VIGIL3 (Baldwin Boxall's next generation voice alarm system), see demonstrations of the new remote monitoring interface for VIGIL2 voice alarm systems and the forthcoming touchscreen microphone.

The forthcoming VIGIL3 will have many new features and advantages compared to other systems on the market today. The new VIGIL3 will include an Ethernet backbone with IP interfacing for simplicity and will be built for complete reliability and longevity - qualities that customers have come to expect from this UK manufacturer. VIGIL3 will be modular in format with various options available with regard to configuration and programming methods for the engineer and end user. The system will have the ability to include abundant input

UK - Panalux, a leading provider of lighting rental equipment for film, television and media production, recently announced that the company's Broadcast & Event division, Engineering and Product Development departments will be consolidated in a customised facility in Perivale. Allowing for greater operational flexibility, the 48,000sq.ft warehouse and offices located in the Perivale Park can accommodate a greater number of projects and allow future business expansion.

"Panalux Broadcast & Event have experienced consistent growth over the past years; as a result, we've outgrown our current location," explains Ed Pagett, Panalux Broadcast & Event managing director. "We're looking forward to settling into our new building, which will provide our different teams with the space they need to continue to expand on our services."

In the move, Panalux Engineering an

UK - After a competitive tender process The Broadsword Production Group is delighted to announce that it has been awarded a three-year contract to The Science Museum as a production supplier. With a diverse range of interactive galleries, located in the heart of South Kensington, the award-winning Science Museum offers a wow-factor backdrop for corporate events.

Matt Green, Broadsword's Sales Director, led the tender process and is excited about the opportunities at The Science Museum. He explains: "It is a bespoke venue, visually stunning, with a unique mix of the modern and traditional. Here at Broadsword, we offer the perfect mix of flexibility and innovation; the ability to design and adapt production solutions so that they work within unique environments. The Science Museum is definitely a space where we will be able to find new and interesting ways to stand out from t

South Africa - Rental company MGG supplied over 200 Robe moving lights for a recent indaba at Sandton Convention Centre in Johannesburg for a high profile financial industry client.

LD Kevin Rieck made the bold move of using front and back rigged Robe LEDWash 600s for all his key lighting, following a great success with this methodology during a press conference by US President Barak Obama in Soweto last year, which he also lit. He also seized the occasion to use four of Robe's new BMFL Spots for the first time.

The stage and set design for the main plenary session of the major two day conference was originated by MGGs Denzil Smith - who also project managed and co-ordinated all things technical. The overall room aesthetic was based around an 80m widescreen projection that brought a dramatic filmic ambience to the setting, staged 'side-on' across the room.

Kevin Rieck has li

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