Prolight Concepts releases update for LED Master 64 controller
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Users can download the V1.5 software from the product page of Prolight Concepts' website and load onto the controller using a standard USB stick (2GB max.).
Users can download the V1.5 software from the product page of Prolight Concepts' website and load onto the controller using a standard USB stick (2GB max.).
Said Christie Lites CEO Huntly Christie, "I have always considered Chicago the sister city to my home town of Toronto. We both enjoy great history, architecture, water, food, sport and wonderful people. Christie Lites is pleased to complete this sibling connection with the opening of our new warehouse in Woodridge. We can now provide local service and support in the home of the largest convention centre in North America."
"The calendar has been active primarily with corporate events," said Christie Lites operations manager Eric Eaton, citing the city's large
Electrosonic SA decided to take this concept to the next level: Why not invite entrants to design their own show, to their own music, and then perform the show to a live audience?
"A year ago the Electrosonic SA Lighting Team pitched this idea to the organisers of Mediatech Africa in the hope of hosting the competition at the 2015 trade show. Claire Badenhorst (general manager) and Simon Robinson (exhibition director) liked the idea and we were all confident it would prove a drawc
High End Systems Halcyon Silent builds on ETC’s legacy of fanless automated fixtures by incorporating features from the highly sought-after Halcyon family. Halcyon Silent perfectly balances silent operation with brilliant output of 18,400 lumens and high-impact features.
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Last year, when Twain was in her residency at Caesar's Palace, Las Vegas where Kapoor was her show director, Butts conceived a "big, edgy, modern rock 'n roll look" for her farewell tour. "I wanted a big lighting rig, big pyro, lots of automation - the biggest possible system that we could easily move around the country," he says. "And that led me to Clay Paky."
According to Butts, "The only way to implement a rig of this size was to use super efficient small, high-power lights with a ton of features. There was
When the stage heats up, you need equipment that can keep up without compromise. The Gravity Touring Series has been specifically designed to meet the highest demands – for rental companies, professional musicians, concert organizers, and large event venues. Premium materials, exceptional durability, and impressive longevity make these products stand out. Whether on tour, in constant use, or under the toughest conditions: the Touring Series delivers maximum reliability and performance – every day, on every stage.
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Playing across Ireland, Germany, Italy and the UK, The Killers' frontman was out in support of his The Desired Effect solo album campaign.
Douglas has been working with Flowers and the Las Vegas-based rockers for over 10 years, building design ideas from scratch for each of their highly successful tours. For Flowers' run of solo dates, Douglas' design was centred upon defined beams of light to create an architectural feel, employing six Mythos as the workhorses of the floor package.
"My idea for this tour was to move away from using wash fixtures and to use dark space to accentuate beams," explains Douglas. "We found
"We have been using Allen & Heath's iLive systems on The Cardigans since the revival tour in 2012, and more recently, I used the GLD system on the Nina Persson's Animal Heart solo tour, so it felt natural to move to the GLD Chrome for this summer tour. Nina's vocals in particular sound so wonderful through GLD, I was confident about making the switch," says Parashoot's Oscar Söderlund.
Parashoot selected a Chrome GLD-112 for FOH, with a Chrome GLD-80 on monitors. The band's monitor set up is mixture of wedges, and wireless and hardwired in-ears. An AR2412 remote IO rack is installed as a stage box, with two 2 AR84 racks in another rack containing a multi-track player/recorder and the band's and
Compact design and IP65 protection for indoor and outdoor applications: the new AZOR® SP2 IP is the ideal solution for open-air events and outdoor theatres that require a powerful, weatherproof lighting system. An optimal partner for lighting designers and event service providers looking for a versatile LED show light in a compact housing.
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Daktronics worked hand-in-hand with all parties involved from the initial concept through the final installation to provide a first-of-its-kind experience now available on cruise ships and known as RoboScreens.
"We were looking to develop the next big feature for the Quantum Class and after initiating concepts with ABB and Robotic Arts, it became apparent that selecting the best display solution would be a critical element," said Christopher Vlassopulos, superintendent of SLVR and architectural lighting fo
TV viewers and radio listeners in France and beyond joined the assembled tourists and local residents to listen to the music and watch the firework display that followed.
Sound for the concert was mixed on two mc²36 desks at FOH - one handling the orchestra and the other for the choirs. Two Lawo Dallis I/O systems, used as stageboxes, were connected via Ravenna/AES67 Audio-over-IP technology to a newly developed Nova router. An additional Yama
"We worked hard," says Walter Moran head of the lighting project, "but it's important that everybody is happy with the achieved result. A special thanks goes to Fabiano
The Frater is a modern multi-complex venue built on a 113,000sq.m site in San Cristobal, a few miles away from the city centre of Guatemala. The 50,000sq.m building includes a main auditorium with 13,000 seats.
The Frater belongs to a Christian congregation, Fraternidad Cristiana de Guatemala, established in the late '70s by Pastor Jorge H. Lopez. The congregation is founded on the values of the family and through the years has gathered thousands of people - becoming a model for Central and Latin America.
The main auditorium is used for religious servic
The original score by Max Richter was realised for the stage by sound designer Chris Ekers who successfully brought together a truly complex sound production incorporating music from a live orchestra, electronic music and sound effects, in an environment typically neither set up for nor suited to amplification.
Ekers commented, "It was evident from the way Max had scored each segment that amplification would be necessary. To allow full creative control, a TiMax SoundHub delay-matrix was always going to be a part of my specification, and as t
At this year's awards, which honoured music artists including Iron Maiden, Il Divo, Duran Duran, Rita Ora and Mark Ronson, representatives from XL Video's music touring team attended, and were joined by their new colleagues from PRG for the first time.
Working closely with the Nordoff Robbins event team, and their producers, Premier PR, XL Video project manager, Mark Rooney, created a video solution including multi-screen projection, four-channel camera system, LCD house relay screens, and screen management system for the glamorous 40th Anniversary event at London's Grosvenor House Hotel.
The central, 9m wide, dual-
The atmosphere on opening day was electric, and as the excited children charged into the city, they were greeted by music and special effects delivered through a Bose audio system.
As an official industry partner of Kidzania London, Bose supplied all of the audio within the city, from the streets on the main concourse to many of the 60 individual establishments, including a Hospital, Police Station, Fire Station, Airline, Stadium and Theatre.
Built over the course of one year, the 75,000sq.ft child-size city is the equivalent in size to Leicester Square, with the ceiling height of Heathrow Terminal Five. It is able to welcome up to 1,700 visitors at
Lighting is so much a part of the Brothers Gow experience that their website refers to their LD Matt Collier as the sixth member of the band. Collier, who traverses the country with the well-travelled band (it's been averaging over 80 shows a year), shares the group's passion for taking the audience's experience to the next level. This commitment led him to expand his lighting rig for the curre
Appearing after a special event at Hotel Football the previous night, the band captivated the audience with an assortment of crowd-pleasers from their extensive catalogue, as well as new material from their latest album, Modern Nature.
Andy Liddle programmed and operated the lighting using an Avolites Tiger Touch II console, which controlled an array of lighting fixtures including Martin MAC Vipers, Quantum Washes, Atomic 3000s and Clay Paky Sharpys supplied and rigged by Adlib Lighting with a floor package from Lite Alternative consisting of Solaris Flares, i-Pix Satellite IIs and SGM X5s.
Chris Ewington of i-Pix programmed and operated the video content for the show, using 24 of the Db1 video and ligh
The eye-catching lighting scheme was created by Jonathan Bandli from design practice Bad Weather in Cape Town, and included over 100 Robe moving lights.
The show, sponsored by a combination of Mobile Telecommunications Company (MTC) and the Namibian Broadcasting Corporation (NBC) who broadcast it live, was the second NAMAs for Jonathan, having been asked on-board last year by dB Audio Namibia to set the scene with a production design incorporating the visual mediums of lighting, video and set.
He received a brief from the producers outlining the theme and directi
Mertz, lighting operator for the South African tour, is from Delta Stage Lighting in Nashville. The Delta motto says it all: "Not the one in the limelight, just the ones who cast it." It was the seventh show he had worked on for Michael W Smith and the first time in his career to make use of Robe Pointes.
The tour was organised by 104 Concerts who appointed Phoenix 5 Productions to assess the artist's rider and i
"As the conference was hosted over three countries, our equipment had to meet with international standards," commented Henning de Villiers, production manager at C&S. "We worked with the Hillsong team to achieve and surpass all expectations and were delighted that the event was a major success."
Jonathan Bandli, creative director at Bad Weather elaborates. "This process is very complex
Søren, who has worked in the industry for the last 18 years, both for Martin Professional and Robe Lighting s. r. o., will take responsibility for sales across the entire region.
"I am looking forward very much to being a part of GLP's extremely professional team," stated Søren. "GLP has a very good reputation in the pro market due to its high quality products and service, so I am really excited by the opportunity of helping them to gain an even bigger presence in the region."
GLP managing director, Udo Künzler, added, "We are very pleased to welcome Søren to GLP. At a time when our product range is expanding so quickly, this gives us a far greater, and much needed level of suppor
AV Stumpfl was first to market with compact folding projection screens such as Monoblox, introduced in 2001 with thousands of screens deployed every year to customers in more than 60 countries worldwide. These screens come in various sizes and are easily transportable in especially designed compact flight cases.
Recent product introductions from AV Stumpfl include Fullwhite for discreet architectural installation, Varioclip Duplex utilizing front and back projection screen surface and the Mobile 360° Curve Screen for immersive installations.
Franklin Moore of AV Stumpfl USA, Corp. Says, "AV Stumpfl
The compact LX-60 is specially designed for installation applications in more challenging acoustic environments. The 200W two-way system is equipped with four 4" high performance low-mid drivers (arranged in a column) and a 1" compression driver with Fohhn Waveguide. This combination forms the basis of Fohhn's Hybrid Line Array Technology (a feature of all Linea LX systems.
Speaker adjustment is done via an integrated crossover with Intelligent Protection Circuit (IPC) to guard against overload. Components are enclosed in an elegan
Acoustic consultancy White Mark Ltd was called in to handle the design of both rooms on the basis of Factory's previous good experience with the company. This is the fourth time the consultancy has undertaken work for Factory.
"White Mark was instrumental in designing our existing studios, which have proved to be a great success," says Ben Firth, Factory's head of technical support and sound engineer. "We have always been very happy with the service White Mark provides, and their knowledge of designing world class studios is invaluable."
Established in 1997, the Soho-based Factory Family Group offer