Business News

follow-me--molpassMolpass to distribute Follow-Me in Italy
Thursday, 1 December 2022

Italy - Follow-Me has announced the start of a new partnership with Italian distribution company Molpass for stocking, sales, marketing, training and support of the Follow-Me remote follow-spot and performer tracking system, across the Italian market.
Paolo Albani, commercial director of Molpass comments, "We have already been collaborating with great quality brands for some time and, adding Follow-Me among these, is a big step and a great opportunity to offer to our customers a single solution to their projects.”
The wide array of applications that Follow-Me is currently used on range from international tours with artists such as Genesis, Ed Sheeran & Rolling Stones to TV shows like The Masked Singer, Dancing with the Stars, theatrical productions, Expo 2020 Dubai, theme parks, cruise ships and many other applications.
General manager for Follow-Me, Marc van der Wel, states, “We are happy to entrust our distribution to a serious and growing company like Molpass, we expect great steps in the Italian market and I am sure that this team is able to fully satisfy our needs”.
Paolo and his technical team at Molpass have already installed a Follow-Me 3D system in the Molpass Showroom and invite customers to contact them directly for a demonstration.

dpathe-killersThe Killers rely on DPA’s live sound solutions
Thursday, 1 December 2022

USA - The Killers’ FOH engineer Kenny Kaiser and monitor engineer Marty Beath were immediately intrigued by DPA’s new 4055 Kick Drum Mic. Among the first to get their hands on the mic, the duo put it to the test at production rehearsals before heading out on the band’s The Killing the Mirage tour.
After receiving universally positive feedback, the decision was made: DPA’s 4055 Kick Drum Mic was joining The Killers’ touring gear line-up alongside the group’s existing DPA solutions, such as the 4099 Core Instrument Mics, 4011 Cardioid Condenser Mics and d:facto 4018 Vocal Microphone.
Before solidifying their kick drum mic of choice, Kaiser and Beath tested out three variations of a mic setup. “We had a plate mic, a ribbon mic and then the new DPA,” explains Beath, “and we were swapping between them, listening to what we could get out of each combination. Because the DPA is linear, you have to shape it, but that’s great because that’s what you want—to have control and not be dictated by the voicing of the mic. So, I think it’s fantastic for this drum, but it will also translate across multiple drum kits.”
Beath continues, “It can handle the SPL, no problem whatsoever, and we’ve pretty much maintained our normal placement. We’ll probably experiment as we go along and get more comfortable with it, but so far, it’s mind-blowing.” Kaiser also notes that the mic’s voicing is one of the key standouts for the pair. “The overall design of this [mic] answers that famous line of optimise or compromise,” Kaiser explain

kelvinPhoenix creative agency relies on Brompton
Wednesday, 30 November 2022

USA - Artists and technologists at Phoenix-based creative agency 3500 Kelvin help elevate film production and live and virtual event experiences with compelling, immersive content for LED display. The company operates Arizona’s largest virtual production LED volume, with more than 15,000sq.ft of capture space. Its talents have been tapped by diverse industries including film, music, corporate, concert touring, and experiential marketing. Behind the scenes, Brompton’s LED processor technology enables the team to showcase the highest quality visuals possible.
“Companies are realising that stage presentation backgrounds can be so much more than a simple logo. Instead, they can offer an immersive experience, and when it comes to LED panel processing, Brompton is the litmus test. Everyone tries to achieve what Brompton can do. It’s a rock-solid product that never crashes or has problems, and provides supreme quality,” noted Walter Schulz, partner and VFX supervisor / virtual stage supervisor at 3500 Kelvin.
Founded in early 2020 in partnership with live event company Murray Scott Production Services (MSPS), 3500 Kelvin began as a creative outlet to explore virtual production with LED panels and work in the emerging space. The companies remain linked and share equipment, with MSPS focused on live event touring, such as concerts and corporate events, and 3500 Kelvin on virtual production and content development.
“Because we’re heavily involved in live events, we often have to supplement our own tiles and equipment to accommodate events at s

salem-baptist1Chauvet helps transform Salem Baptist Church
Wednesday, 30 November 2022

USA - Salem Baptist Church in McDonough, GA, sits on a beautiful 104-acre wooded campus with winding paths and gently rolling bluffs that provide an idyllic setting for worship services and bible studies, as well as a variety of recreational activities by its community of worshippers. Completed in 1979, the church building itself is also warm and welcoming, and features a modern video-ready lighting system.
Salem recently opened the first satellite campus in its 152-year history. Located 12 miles from the main campus, the new Salem at Keys Ferry building, which was acquired from another church, seats approximately 300. Like the main campus, the new building was designed to support a welcoming worship environment. However, it did not have comparably modern lighting. To address this issue the church contracted StageCulture to design and install a new lighting system for the Keys Ferry.
“The church’s vision was to create a space in this building that would be more contemporary,” said Andrew Ayers, owner of StageCulture. “We welcomed the opportunity to upgrade the lighting system since this space offered excellent possibilities to create a modern lighting rig.”
Among the features creating exciting possibilities at the new building is its 50ft wide stage. With an eye toward this stage being used for future livestreams and video projects, Ayers ensured that it would have a smooth, even, and consistent field of light across its entire width.
“We were able to achieve 50ft candles across the front of the stage, to dial it in for future vid

balletPoint Source Audio captures ABT documentary
Wednesday, 30 November 2022

USA - Point Source Audio’s on-ear Embrace microphones provided the solution for production sound engineer Thomas Zaccheo to capture every detail for a documentary about the American Ballet Theatre’s (ABT) artistic director Kevin McKenzie who will retire from the role at the end of 2022 following three decades of leadership.
The mics came into their own during the rehearsals for the summer season at The Metropolitan Museum where their mounting capabilities ensured the artistic director could instruct dancers in his normal style without needing to worry about micing.
Zaccheo chose Embrace microphones for this project based on McKenzie’s style during rehearsals. “Mr. McKenzie is a hands-on choreographer who will dance with the performers as a way of expressing his thoughts and ideas, as I was advised before the shoot,” explains Zaccheo. “There were discussions about what we could do to prevent any booming, given that three cameras would be present and, of course, clothing noise would be unavoidable.” Equally important as the sonic quality, the mic needed to complement the user: “When I was packing up, Mr. McKenzie commented on how comfortable and inconspicuous the mount was, which he enjoyed because he didn’t want to be distracted from his directing.”
Zaccheo is well known for mixing across a variety of film genres, podcasts and post-production - delivering broadcast-ready sound with an emphasis on creating the director and writer’s vision, sonically. The Embrace mics are a recent addition to Zaccheo’s sound kit and proved to be

west-lake-music-festival-12KV2 headlines at West Lake Music Festival
Wednesday, 30 November 2022

China - The 13th edition of the popular West Lake Music Festival which has been held in the picturesque Prince Bay Park in Hangzhou every year since its inaugural event in 2008, was finally able to take place from 11-13 November. Having been postponed from its traditional dates in April due to pandemic concerns, music fans were more than ready to make the most of three days of China’s highest profile rock and pop acts.
With over 10,000 festival-goers every day, West Lake remains one of the most important music festivals in China, and the 2022 edition was no exception. Full-service production technology specialists D&S Stage Technology – the largest rental company in Zhejiang Province – was responsible for supplying all of the FOH equipment for the festival. Having road-tested KV2’s flagship VHD5 high-definition Constant Power point source system for the first time on last year’s event with great success, the company had no hesitation in specifying it for 2022.
D&S owner, Mr Wang, made a special trip down to KV2’s Chinese distributor, AVMedia’s headquarters in Guangzhou last year to experience the VHD5 system for himself in an outdoor setting and understand more about setup procedures. “They’d already attended a number of demonstrations and been impressed by what they heard, but they really wanted to see how it performed on a large event,” explains Jason Shi from AVMedia. “West Lake music festival provided the perfect opportunity. It was a resounding success – the comments from all the engineers who used the system were unan

robe-amare-ama311431513Amare centre project invests in Robe T Series
Wednesday, 30 November 2022

The Netherlands - The new Amare building is an arts, culture, and educational hub on the Spui in Den Haag, which opened last year at the heart of this lively capital city, after six years of construction. Built on the footprint of the old Lucent Danstheater, Amare is a centre for excellence and houses the Dance and Music Centre, The Hague Foundation, the Residentie Orkest, the Nederlands Dans Theater (NDT) and the Royal Conservatoire.
Offering a 1500-capacity concert hall (2500 standing) and a 1300-seater theatre plus two other performance halls and extensive rehearsal facilities, it was a big deal to get over 100 Robe moving lights specified for the project.
These are a mix of 86 x T1 Profiles and 30 x T2 Profiles plus 60 x ParFects all supplied by Robe’s Benelux distributor Controllux and installed in the two primary venues and their main black box space.
Arjen Bijtelaar is the venue’s stage manager specialising in lighting. He has worked for the venue since 2006 – including at the Lucent Danstheater before its demolition – and explained that the original tender was for profile LED luminaires offering full white and multicoloured colour control.
The venue already had a good experience with Robe as one of the first in the country to invest in the DL7 series in 2016. This was for their temporary residence at the Zuiderstrand Theater in Scheveningen Harbour, Den Haag, which operated during the lengthy construction period.
Here the company notched up another landmark as the first cultural institution in Benelux to have Robe’s T

james-tossell-entertec-andy-mahaffey-ac-entertecEnterTec trusts in Prolights via AC-ET
Wednesday, 30 November 2022

UK – EnterTec, a Buckinghamshire-based provider of audio and visual rental and turnkey production services, has made a major investment in lighting equipment from the Prolights brand, via UK distributor, A.C. Entertainment Technologies (AC-ET).
The range of new equipment EnterTec has added to its stock includes a range of Prolights’ moving heads such as Astra Wash 19Pix washlights, Jet Spot4z spots and Jet Beam2 beam fixtures. Static luminaires from the brand include Eclipse FS RGBLs (with a choice of lenses), plus a number of Eclipse Junior profiles and Fresnels. The investment also sees EnterTec add 24 of Prolights’ Lumipix 15IP, the tour-ready LED pixel batten, to its stock.
Through clients including production management agencies and high-end event producers in the UK and Europe, EnterTec supports events for global brands including several international airlines, vehicle manufacturers, pharmaceutical operations and global financial institutions. On top of this, and specially for many conventionally ‘corporate’ production outfits, it also keeps busy with festival work throughout the spring and summer season.
At the time the pandemic took hold in 2020, EnterTec was looking towards its next lighting investment. “Like all others, we chose to wait until we’d seen a marked return to regular in-person events,” says EnterTec director, James Tossell. “Top of our list was the need to work with a reliable, robust brand which could offer longevity and resilience to being used in both corporate and live environments.”
EnterTec first

boehse-onkelz-with-excaliburs1Proteus Excalibur makes impact for Böhse Onkelz
Wednesday, 30 November 2022

Germany - This past summer, Waldstadion in Frankfurt was the scene of two sold-out shows by one of Germany’s favourite rock bands over the years, Böhse Onkelz. Renowned lighting designer and long-time lighting collaborator with the band, Jerry Appelt, created a spectacular stage and lighting design for the stadium shows and ensured that the visual impact would be memorable using Elation Professional’s Proteus Excalibur beam moving head.
Formed in Frankfurt in 1980, the band’s stadium shows were meant to be 40th anniversary events in 2020 but were postponed until this year. Appelt, who worked with the band earlier in its career and lit the band’s ‘farewell’ concert in 2005 before 120,000 fans, has continued to light shows for them after the band reunited in 2014.
The two Waldstadion shows featured distinctive stage and lighting designs by Appelt who says he wanted to forego placing a standard open-air stage inside Waldstadion, something he has done in previous years at this venue. A beautiful stadium with a retractable roof, the designer sought a design solution that integrated the stadium aesthetic as part of the scenery and set. He explains, “The band comes from Frankfurt originally and are big supporters of the football club Eintracht Frankfurt, who play in the stadium. I had the idea to integrate the curve of the grandstand behind the stage, where the hardcore fans usually sit, into the stage design.”
The designer created a coverless mothergrid with accompanying triangle-shaped LED screens instead of the typical 16:9 configurat

The Week in Light & Sound
Tuesday, 29 November 2022

On Broadway - The world's longest-running play, The Mousetrap, which marked its 70th anniversary last week, is to open on Broadway for the first time next year. Agatha Christie's whodunit premiered on 25 November 1952 in Nottingham's Theatre Royal. She initially thought it might run for only eight months. But it has since become a West End fixture, being performed almost 29,000 times and seen by 10m people. The show has been staged in the US before, but never on Broadway.
The Broadway transfer comes after the profile of the play received a boost when it featured in the recent murder mystery film See How They Run. The movie is set in 1953 against the backdrop of the show's 100th performance, with a starry cast including Saoirse Ronan, Ruth Wilson, Adrien Brody, David Oyelowo and Sam Rockwell.
West End Pay - Producers are paying West End performers and stage managers at or just above union minimums – with Equity members taking home on average “little above” £700 a week gross, the union has claimed. This is the finding of a pay audit that has been carried out by the union’s West End deputies over the summer, which received more than 400 responses. The audit comes as the union prepares to submit claims for both subsided and commercial agreements in the West End, alongside claims for revisions to agreements with the Society of London Theatre and UK Theatre, for directors, designers and choreographers.
According to the union, the results of its pay audit in the West End can "evidence something crucial about rates of pay in th

klangDef Leppard hears it all with DMI-KLANG
Tuesday, 29 November 2022

USA - The combined forces of two of hard rock’s most totemic bands, Def Leppard and Mötley Crüe, turned this year’s The Stadium Tour into the biggest outing of either band's career and the biggest rock tour of the year thus far. With special guests Poison and Joan Jett & The Blackhearts along for the journey, the trek sold 1.3m tickets, according to Billboard.
It's also significant to point out that the North American tour marked the first time that Def Leppard enjoyed the benefits of KLANG’s immersive in-ear monitor mixing solution, provided via a DMI-KLANG card-equipped DiGiCo Quantum5 monitor console supplied by touring sound company Clair Global. The use of the KLANG system created a more manageable SPL environment onstage that reportedly made the group’s performances more enjoyable than ever while simultaneously helping to protect their hearing.
How Def Leppard and KLANG got together is an interesting story. The KLANG platform first came to the attention of Ted Bible, longtime monitor mixer for the Rock & Roll Hall of Fame members and two-time American Music Awards winners, when one of the band members downloaded the KLANG:app and wanted to try it out. This was just before the pandemic closed down touring for over two years, which gave Bible more time to become familiar with it, including taking an online class on the product and technology with KLANG:technologies’ Phil Kamp.
Its first deployment for Def Leppard would be on the 36-date The Stadium Tour, which kicked off on 16 June at Atlanta’s Truist Park. The band,

frameless1antoniopaganoHive media players drive Frameless experience
Tuesday, 29 November 2022

UK - A deployment of Hive Player_3 4K and 8K media players have been selected for London’s Frameless permanent digital immersive arts experience.
Situated in the new Marble Arch Place Complex venue, Frameless blends digitalised art, creative vision and entertainment technology to present a cultural attraction.
The project has been brought to fruition by figureheads from the worlds of tech, art, architecture and experiential events to showcase works of art via immersive video projection.
Creative Technology (CT) delivered the video solution sitewide including projection, digital signage, LED and media servers. Hive media players use less power consumption than many market equivalents. This sustainable product choice powers the artistic displays that not only cover the walls, but the ceilings and the floors across a 30,000 sq. ft space.
Digital interpretations of 40 masterpieces from 28 artists including Klimt, Monet, Rembrandt and van Gogh lead visitors through the carefully curated spaces; Beyond Reality, Colour in Motion, The World Around Us and the Art of Abstraction.
Working closely alongside CT UK’s systems integration department, Dave Green, Mark Calvert and the team at Hive Media Players advised on technical solutions, and as video playback vendor, helped to steer the design of the video system for the audiences’ bright and colourful journey.
Deploying a total of 19 Player_3 systems, the right result hinged on highly accurate synchronisation. Hive technical director, Dave Green, elaborates: “Synchronisation is the k

vljools-hollandheroVari-Lite creates big band looks for Jools Holland
Tuesday, 29 November 2022

UK - The Jools Holland’s Rhythm and Blues Orchestra embarked on their Autumn 2022 UK tour in October, backed by a ‘big band’ lighting design by Paul Fairfield. His vision for the show swings from upbeat rock ‘n’ roll large looks to smooth solo instrument key lighting using VL2600 Profile luminaires from Vari-Lite.
The VL2600 Profile fixtures were supplied by Peterborough-based Pearce Hire, which was the first company in the world to invest in them back in 2018. Pearce Hire has supplied the lighting rig to Jools Holland’s Rhythm and Blues Orchestra tours for more than a decade and worked with Fairfield to specify the VL2600s. “We knew the VL2600s were just perfect for the needs of the Jools Holland tour,” says Fairfield. “The consistency of the smooth light output from the LED engine across the rig versus a discharge fixture was a game changer.”
For the tour, Fairfield has rigged 20 VL2600 Profiles in the standard rig, with a further six going out for the flagship show at London’s Royal Albert Hall. Eight are being used as key light on the front truss, which Fairfield says is “working great as I use iris, framing shutters and the brilliant zoom range to achieve great key light without spilling out to monitors and mic stands and so on.” A further six VL2600 Profiles are hung on the mid truss and another six are on the back truss.
“There are around 27 numbers during the show and by end of it I’ve pretty much used every trick the VL2600s have to offer,” Fairfield continues. “The gobo range is really good, especially whe

speaking-spiritSpeaking Spirit Ministries installs Wavefront
Tuesday, 29 November 2022

USA - Speaking Spirit Ministries of Richmond, VA is a non-denominational Christian ministry, which in the space of nine years has expanded to three campuses, offering over 100,000 sq. ft of worship space.
Known as Glen Allen Campus, the Ministry’s latest facility opened recently, and again RTW Media were brought in by pastors, Fred and Inger Wyatt to provide a complete AVL technology infrastructure. Incorporating projection and control, the PA this time was based around a central hang of Martin Audio’s Wavefront Precision line array.
“We were fortunate to be able to start with a clean slate,” stated RTW operations manager, Zack Guida. “We knew what they had in their other facilities, so we wanted to match that end user experience, but with a little latitude to design the speaker we wanted. Our engineering team had the flexibility to design the ideal integrated system for the room.”
And he knew instinctively what that speaker would be, having previously experienced a WPS demo, courtesy of Martin Audio’s Northeast regional sales manager, Martha Callaghan. “The demo consisted of a nine box hang with cardioid subs and it just sounded great. I was so impressed with how warm the boxes sounded. Everyone can produce a loud line array, but it was the warmth of the vocals here that really impressed.
“The requirement here was to handle everything from the midweek bible studies and vocal presentation to high impact worship, with church bands.”
The client went with the recommendation of RTW who designed the system as a single mono

lfc22-4-ayrton-cobra-perseo-profile-and-khamsin-s-earn-a-round-of-applause-from-les-fous-chantants--leueon-van-empel-smlAyrton luminaires in tune with Les Fous Chantants
Tuesday, 29 November 2022

France - Every year since 1998, the mass choir of Les Fous Chantants (The Singing Fools), has honoured French-speaking songwriters and composers - living or deceased - with a major choral concert devoted to their works. The musical programme generally includes 25 songs, including those of the guest artist, that are sung with the choir.
This year's event, honouring Pascal Obispo, took place in the Temperas Arena in Alès, at the end of July. One thousand choristers were seated on bleachers around a 27m wide x 13m deep main stage, extending the performance area a further 35m x 20m x 8m high.
Victor Lagiewski and Guillaume Fournier, founders of lighting design company Chromatik, have managed the lighting for this event since 2017 and specified 44 Ayrton Cobra, 16 Ayrton Perseo Profiles and 12 Ayrton Khamsin S luminaires for their main rig, all of which were supplied S Group of Alès.
Fournier explained why Ayrton fixtures were chosen for this show, and how they were used: “Ayrton is one of our favourite lighting manufacturers, and because we have such complete confidence in the fixtures, we try to work with Ayrton products as much as possible. We met the founder many years ago, and have had the opportunity to try out the different models many times, even participating in the launch of the DreamPanel Shift and Dreampanel Twin a few years ago.”
The Cobra laser-sourced units were rigged on stepped trusses at the back of the arena, ranging from 16m to 18m high, from where Fournier and Lagiewski used them most frequently as a beam fixture. “The

natalieimbrugliaBrit Row celebrates the nineties with Natalie Imbruglia
Tuesday, 29 November 2022

UK - This Autumn, Natalie Imbruglia embarked on a celebratory tour de force of her 1997 debut album Left of the Middle, the album that made her an indie-pop star.
After a 12-year hiatus from recording music and with a brand-new album in tow, fans were both expectant and suitably excited for her highly anticipated comeback tour.
With a music career spanning a quarter of a century, it would be easy to rely on past hits to carry the show's opener. Instead, fans were treated to a triumphant return with What it Feels Like, a track from Imbruglia’s latest, album, Firebird.
“Natalie gave me my first touring job back in 2015,” notes production manager Rob Jones. “Today, we have a small but exceptionally talented crew who work incredibly hard.”
Although Jones had never worked with Brit Row before, they came highly recommended from his audio team. “It was clear from our conversations just how accommodating and supportive Brit Row are,” he adds.
”It’s true - we could be in the middle of nowhere, and they’d still find a way to get the gear we need.”
With Brit Row’s services firmly in place and with a variation of genres to contend with in order to bring the live sound to life, there was only one console that fit the bill for FOH Engineer Stefano Serpagli: a DiGiCo SD12.
“The FOH mix is very dynamic, as we do get the full spectrum of her work,” he explains. “There are acoustic sections, and a few older tracks. It’s certainly fun to mix. The combination of DiGiCo’s onboard multi ba

gametheoryapproved1Martin Professional shines on sports talk series
Tuesday, 29 November 2022

USA - To simultaneously ensure professional key lighting while blending seamlessly with the set design, HBO’s Game Theory With Bomani Jones recently utilised Martin VDO Sceptron and MAC Encore Performance lighting fixtures deployed by lighting designer Mike Baldassari.
Produced by HBO, Game Theory with Bomani Jones features the Emmy-winning journalist sharing his satirical takes on the intersection of sports and culture through topical monologues, sketches and deep dives. Season One of is available to stream on HBO Max.
To ensure a sleek and fresh lighting design for the new series, television producer Kathy Welsh hired Mike Baldassari, who utilised Martin lighting fixtures such as the VDO Sceptron and MAC Encore Performance for their versatility, reliability and user-friendliness. MAC Encore Performance fixtures provided all the key light and additional gobo textures, while Sceptron played a key onscreen role in the production.
“The scenic designer wanted an industrial warehouse vibe, including columns with fluorescent lights,” said Baldassari. “You can’t just put fluorescent tubes on television - controlling them without flickering is next to impossible. I knew about the Martin Sceptron and thought it would be the perfect fixture for the design, especially with the wide variety of optical accessories available.
“The Martin VDO Sceptron fixtures with the tube diffuser play the role of fluorescent lights on camera, and the way the fabrication team seamlessly integrated them into the column design, you can’t tell th

astera-polinations-birmingham-3-photo-courtesy-polinations-1Astera lights Birmingham’s PoliNation project
Tuesday, 29 November 2022

UK - The city of Birmingham hosted the first PoliNations event, an epic installation work that took over Victoria Square with 40ft-high sculpted archi-cultural trees and thousands of varieties of plants crafted into a setting that hosted a diversity of live events, experiences, and performances. The forest celebrated the colour, existential beauty, delicacy, and adaptability of horticultural life, telling stories of different species and their global journeys, movement and transformations, a fantastic metaphor for the energy and symbiosis that cultural diversity brings to any society.
Lighting designer Matt Daw was already onboard with the project when Hampshire-based lighting rental company Liteup won a competitive tender issued by creative production company Trigger Collective – under the artistic direction of Angie Bual and Carl Robertshaw – to illuminate the project.
Daw specified 160 x Astera wireless LED fixtures to assist in this massive task, including 117 x PixelBricks, 8 x AX9 PowerPARs and 35 x AX10 SpotMAXs.
PoliNations was commissioned via the UNBOXED: Creativity in the UK initiative to produce as part of the Birmingham 2022 Festival, staged as the city celebrated hosting a very successful Commonwealth Games event. It was presented to the public over 17 days with the support of Birmingham City Council.
Astera was chosen for several reasons, explained Liteup’s project manager Marc Callaghan, adding that all the lighting had to be as sustainable and environmentally friendly as possible.
They also needed robust reliabl

robe-adlib-mrs-browns-boys-2022031-p-ld-mike-summerfield-photo-steve-srokaAdlib invests in Forte and RoboSpot systems
Tuesday, 29 November 2022

UK - Rental and technical production company Adlib has invested in Robe Forte moving lights and RoboSpot remote follow spot systems to service their busy ongoing work schedule.
Some of the new kit went directly out on the recent Mrs Brown’s Boys D’Live Show - The Battle for Moore Street tour, with lighting designed by Mike Summerfield, who made use of two Fortes on the front truss controlled via two RoboSpot BaseStations positioned side stage by the racks.
“This is one of the best remote follow spot systems out there,” commented Adlib account manager Jordan Willis. “So far, our team has praised this system's additional flexibility. The set-up and operation are easy, so it makes sense that everyone is happy to see it on a rider or a specification.”
Mike Summerfield comments, “The Fortes remove the need for touring bulky follow spots that need carrying up to the ‘gods’, which saves so much time and hassle,” adding that several venues don’t have good ‘traditional’ follow spotting positions anyway, and if production has to rely on house spots, they are constantly an unknown quantity.
“Having this consistency and continuity for each show in exactly the right places is fantastic – the spot ops can also get into a good rhythm, and this shows up on stage.”
The Forte follow spots were used to pick up the actors as they sang, highlighting and ensuring they stood out as the rest of the set morphed into different colours and the lighting shifted from stage washes to show light scenes with varying colours and

atlas-ied-intersonicIntersonic to distribute AtlasIED in Scandinavia
Tuesday, 29 November 2022

Sweden - US-based AtlasIED has appointed Intersonic AB to distribute AtlasIED products in Scandinavia. The Intersonic AB team will sell and distribute AtlasIED audio products and coordinate between AtlasIED’s U.S. headquarters and integrators, distributors and users in Denmark, Finland, Norway and Sweden.
Headquartered in Bromma near Stockholm, Intersonic AB is a distributor of professional audio, light and image solutions for live productions, corporate, hospitality, and retail. Founded in 1997, Intersonic represents top AV brands and has strong relationships with regional integrators and customers. Intersonic offers AV technology solutions for a range of customer needs, including large-scale and small event productions, to in-business displays and audio.
“Intersonic has an excellent track record with deep experience and relationships in the Scandinavian AV market,” said Michael Peveler, vice president of sales at AtlasIED. “With our growing customer base in the region, Intersonic is ideally suited to help meet our goals and serve our Scandinavian integration partners and customers.”
“We are extremely pleased to add AtlasIED to our portfolio of audio products and represent the company’s products to customers in Scandinavia,” said Anders Schärer, sales manager for audio at Intersonic. “AtlasIED products are known for their quality and reliability, and the Intersonic team is proud to help extend its reputation for excellence in customer service to support customers in the region.”

baldwin-bBaldwin Boxall receives UKCA certification
Monday, 28 November 2022

UK - UKCA is a new product marking that will soon be required for manufactured products placed on the market in Great Britain. The UKCA marking is intended to eventually replace CE marking and requires that certification of construction products, such as voice alarm control and indicating equipment, is performed by a ‘UK based approved body’.
Baldwin Boxall confirms that all VIGIL2 and VIGIL3 voice alarm products and systems are certified to UKCA and the certificate is available to view on the company’s website (
Further guidance and information regarding the new UKCA mark can be found on the Government website (

ultra-events-ebrahiem-fisher-burland-bennett-and-chesaray-adams-with-their-new-robin-ledbeam-350sRobe LEDBeams in the house for Ultra Events
Monday, 28 November 2022

South Africa - Cape Town-based Ultra Events has purchased 12 Robe Robin LEDBeam 350s from DWR Distribution which went straight to work this past weekend.
Costa Champanis, owner of Ultra Events, was one of the core people during the pandemic who would meet up to come up with plans and ideas to save the live events industry and was instrumental in the formation of #LightSAred. He has a heart for people, and a dedication towards his clients.
“Oh, what I relief!” said Costa. “After a dark period of business during COVID-19, with the events industry being shut down and our ability to work restricted, it’s a great feeling to be on site and doing what we love most with great people and nice toys to work with.”
Johnny Scholtz, DWR’s representative in Cape Town says: “I was able to spend a bit of time with Costa and his team while taking delivery of their new LEDBeam 350s. They already have work for the units this weekend and Costa says they will be properly put to the test this busy season. The team is very excited about the new kit.”

outernet-x-lounges-179The Lower Third partners with
Monday, 28 November 2022

UK - New pay per view streaming platform is joining forces with London music venue and bar The Lower Third, part of The Outernet, to help support the grassroots music community, providing an online space for artists to stream their performances from the venue to the widest possible audience through the platform. recently launched ‘to democratise the online creator industry, focusing on supporting emerging and grassroots music talent by ensuring that any artist or creator who uses the platform is paid 80% of stream or content revenue within 24 hours’. This ambition reflects the ethos of The Outernet, which uses innovative technology to help the creative community connect with their audiences.
Focusing on The Lower Third’s grassroots performances, which since opening in September are averaging around six shows a week, partnership means performances in the space will be available for people to stream into their homes through the pay per view service. Fans can therefore support their favourite new acts safe in the knowledge that 80% of the revenue from the streamed performances from the venue will go to the talent themselves.
Speaking about the partnership, advisor Kiran Sharma - who has managed the careers of musicians including Prince – comments, “Breaking into the music industry is notoriously tough, but helps artists by ensuring they get fair and swift payments which is so vital for people at the beginning of their career. By partnering with The Lower Third, is

adbk-limitless-opening-03625Brooklyn’s Limitless AI harnesses Hippotizer
Monday, 28 November 2022

USA - An army of Hippotizer Media Servers has landed in Brooklyn to feed vast amounts of visual data to 63 HD projectors inside ArtsDistrict Brooklyn’s Limitless AI immersive experience, filling the 10,000sq.ft main gallery space with a 360-degree video.
Created by Istanbul-based artists Ferdi and Eylul Alici of Ouchhh Studio, Limitless AI transports audiences into a world of culture, science and nature. Artificial intelligence reimagines terabytes of data, taking in billions of brushstrokes by historical masters such as Leonardo da Vinci, physics teachings by greats including Stephen Hawking, and brainwave responses by musicians as they perform, among many other extraordinary things. The five-part, 60-minute experience is presented as five separate chapters and features a finale with live music and an opportunity to influence the video via interaction.
At the core of the real-time video data manipulation are seven Hippotizer Boreal+ MK2 Media Servers, controlled by a grandMA3 console. “We have presets in Hippo for each show chapter and the TD computers are generating live data that is being fed over NDI to the Hippo servers,” explains Sofia Claudino, video lead for Limitless AI.
“Everything is driven by our Boreal MK2+ servers and they communicate to the grandMA3 via a Multi-Controller and DMX component. Triggering then happens via the console, with the help of a very precise universal clock system that syncs both video and audio systems. It is a very complex system, and we are impressed with the ability to run a timecode-based-show that re


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