USA - ChamSys (stand 937) will debut its compact MagicQ MQ70 console in the US at the upcoming LDI tradeshow in Las Vegas. Launched at the PLASA Show 2019, the desk weighs in at a mere 7kg (15.4lb) and can fit into a carry-on sized luggage that meets the restrictions of even budget airlines.
The MagicQ MQ70 supports 24 universes of ArtNet/sACN natively, with an option to expand this to 48 universes directly from the console (with a paid upgrade). The console features a 10.1” multi touch display, along with illuminated fader and encoder tracks.
The MagicQ MQ70 also has built-in WiFi, making it easy to connect to the ChamSys MagicQ Remote focus application simply by scanning the QR code on screen without the need for external networking hardware. MIDI input and output as well as LTC timecode input are also inbuilt, allowing easy integration with show control and timecoded shows.
An in-built UPS protects the MagicQ MQ70 in the event of a power failure. Due to its low power consumption, the console requires no cooling fan, which means it operates silently - a critical feature for broadcast, theatrical and corporate show applications. Since the MagicQ MQ70 runs the same MagicQ software as other consoles from the range, it accepts shows programmed on any of them, within the universe limits.
Belgium - Although the Fantasia festival succeeds in attracting some of the hottest EDM and trance DJs year after year, it’s built a loyal fan base with much more than music alone. Drawing on the power of its wildly imaginative and elaborate stage scenery, Fantasia succeeds in cocooning festival-goers in a multi-sensory experience that intensifies the power of its electronic music.
Forming the central visual backdrop to this year’s stage was a representation of an exotic burlesque palace measuring 15m tall by 45m wide. Providing dramatic visuals to accentuate the mystique of the stage was a lighting design by Creative Rental Solutions (CRS) that included a collection of Chauvet Professional Rogue R2 Wash, RH1 Hybrid, COLORdash Par H12IP, STRIKE P38, and COLORado Panel Q40 fixtures.
“Given the ambition of Fantasia’s organisers to create ever more impressive stages, we went back to the drawing board to come up with something especially different this year,” says Thomas Vandekerkhove of Creative Rental Solutions. “Our solution was to develop a lighting rig that awarded a certain mystique to this year’s stage theme by creating powerful looks and vivid colours.”
To douse the palatial stage designed by CRS’s Lieven Tacq (complete with three large burlesque masks) with a variety of pulsating atmospherics, Vandekerkhove and his team incorporated a carefully curated combination of 18 Rogue R2 Wash, 18 RH1 Hybrid and 28 COLORdash Par H12IP fixtures into their design. The resultant blend of saturated colours and powerful wash effects gave a
USA - Master Sound Productions of Miami has taken delivery of a full complement of Elation Professional’s IP65-rated weatherproof lighting fixtures. In operation since 1996 in one of the country’s most competitive markets for entertainment technology providers, Master Sound Productions is known as one of the most versatile event rental and full production companies in South Florida.
“South Florida is very competitive; you’ve got to diversify in this market to stay ahead,” comments Lazaro Soto, owner of Master Sound Productions. “Our goal is not to be the biggest event production source in South Florida but to be the very best one. That’s why I’ve chosen to offer my clients a 100% outdoor-rated all Elation lighting rig.”
Over the past couple of years, Elation Professional’s Proteus line of IP65-rated lighting fixtures has established itself as the market’s leading line of weatherproof moving heads for outdoor events. Meanwhile, the company has been expanding its line of multi-environmental IP-rated products across the board.
Master Sound’s new lighting package consists of 12 Proteus Hybrid moving heads, 12 Proteus Rayzor 760 LED moving heads, 24 SixPar 100 IP and 24 SixPar 200 IP LED PAR lights, and 12 DTW Blinder 350 IP variable white LED blinders.
With the majority of his business in outdoor events, Soto says he has seen his lighting stock deteriorate quickly while the expense and hassle of using domes and bags has only increased. “You can do a dome or cover fixtures with a bag or tarp, but they still get wet and
Columbia - Pop-rock singer songwriter Andres Cepeda is one of Colombia’s most popular artists, loved for his multi-genre repertoire, humour and dynamic style. He recently played a month of sold-out shows at the 1,300-capacity Teatro Major Julio Mario Santo Domingo in the north of Bogota.
His long-term lighting designer Nestor Gaitan - universally known as Cariňosito (‘care bear’) - lit the show, and used the theatre’s 12 Robe MiniPointe moving lights which are part of the house lighting rig.
These were rigged on four vertical stands on tank trap bases, positioned two (stands) either side of a prominent central LED screen. The miniPointes were used extensively throughout the show.
Andres’ large band for this series of shows was enriched with the sounds of a full brass section. The musicians and backing vocalists were split between a raised deck above the LED screen and on the stage floor with Andres.
Nestor programmed and controlled the miniPointes plus all the other lights in the ‘top’ house rig, using the venue’s grandMA2 console.
He has worked for the artist for the last five years, touring frequently around Colombia and other Latam countries including Mexico, Panama, Ecuador and Peru.
“I like many things about Robe and their products,” he states, “the optics are great, the light weight is a big plus and the zoom is always good and it’s also a feature that’s been consistent over the years. It was a great decision to get the miniPointes here in this theatre, and as small ‘hybrids’ they are perfect f
Europe - The multi-functional laser mainboard ShowNET is now available to laser system manufacturers. The ShowNET is a digital to analogue convertor (DAC) for laser software such as Showcontroller and comes with a full licence for Showeditor Laser Software for free. It is also an ArtNET node and can be triggered by DMX so professional lighting designers appreciate the additional professional DMX mode that provides advanced control options with lighting consoles, like safety zones over DMX, color balancing of the laser or RGB color wheel support.
Besides the trigger control options, ShowNET can be operated in various stand-alone operation modes as well as sound to light (microphone board available on request). The contents of the memory on the ShowNET board can be customised with standard ILDA files, which can be created with the included Showeditor software or any other software capable to export standard ILDA files.
With integrating the standard ShowNET set, it is still possible to operate the laser system via ILDA signal (switch board provided in the set). It is also possible to omit the ILDA connectors and just go via LAN connection. It is also possible to feed any ILDA signal to the integrated ShowNET board (receiver) via LAN connection by using an external ShowNET interface box as a sender via ILDA streaming.
The standard ShowNET integrator’s set contains the following components: ShowNET mainboard, ILDA switch board, mode selection and addressing board, RJ-45 LAN socket with connecting wire, pre-made wires for connecting all components incl
USA - In Dayton, Ohio, in the heart of the downtown Arts District, the Mead Theatre is the cornerstone of the Benjamin & Marian Schuster Performing Arts Centre. Opened in 2003, the 2,300-seat venue hosts a wide range of performances, including the Dayton Philharmonic, Dayton Opera, Dayton Ballet, touring Broadway blockbusters, rock concerts, comedians and more.
Helping to inspire the imagination and refresh the spirit of the three-balcony facility, Scenic Solutions of Ohio specified and installed FloppyFlex LED neon into the architectural details of the venue.
In addition to the installation in the concentric rings of the ceiling that culminate in a representation of the night sky when the Wright Brothers took their first flight, “We used 204m of FloppyFlex White 2100K deployed in the existing coves that accent all three balconies,” says Andrew Persson of Scenic Solutions. “We were able to utilise the existing wire infrastructure - with the addition of magnetic dimmable drivers installed remotely - which made circuiting simple and efficient. FloppyFlex was a good solution because of the level of control it allowed, its smooth and consistent output, plus it fit the profile of the incandescent rope light it replaced.
“FloppyFlex was able to conform to the curved shapes of the architecture in which it was mounted and produces a far superior light output compared to conventional rope lights. It has been performing extremely well and uniformly.”
Persson continues: “The Mead Theatre is an important venue and we wanted to get it righ
USA - Lighting designer Justin Townsend specified 38 High End Systems SolaWash 2000 High CRI automated LED luminaires for Moulin Rouge! The Musical. Since its summer opening at New York City’s Al Hirschfield Theatre, the show has received critical acclaim not only for the glam costumes and glitzy scenery, but also for its rich lighting.
A review on Broadway World says it’s “sumptuously-designed in more shades of red than you previously knew existed on the colour spectrum”.
New York Stage Review notes “The real stars are the artists who don't appear onstage. Lighting designer Justin Townsend can evoke anything from a pulse-pounding nightclub to the shadowy alleys of Argentina to a hallucinogenic electric-green drunken dream.”
Townsend, a two-time Tony Award nominee, says: “The SolaWash 2000 unit has been instrumental for my work on Moulin Rouge! The Musical.” He chose the High CRI version of the automated luminaire for requisite features such as its accurate colour rendering and key light for face lighting.
“It is a silent, super bright light that can be Fresnel-soft and still sharpen razor-edge to its own shutters,” he says. “I was able to cut around the complex scenery in the show and really pop the costumes and faces with clarity.”
The silence refers to the fixture’s quiet cooling system. “The fixtures do great work for me front-of-house where fan noise is essential to eliminate in modern musicals,” he adds.
The designer also enjoys using the colour palette - using CMY colour mix
USA - Carrie Underwood recently wrapped up her Cry Pretty Tour 360 with a lighting package provided by long-time vendor, Bandit Lites. Underwood has been thrilling audiences around the globe all year with her all-female tour featuring a an ‘in-the-round’ lighting design by Nick Whitehouse of Fireplay production studio.
“This tour is by far the most ambitious design yet for Ms. Underwood and it has certainly paid off in terms of visual artistry,” said Bandit Lites vice president, Mike Golden. “Carrie has a veteran staff in tour Manager Geoff Donkin, production manager Graham Holmes, show producer BarrymLather and lighting director Nate Cromwell, and with Nick Whitehouse and the visionary team at Fireplay, this year’s production is unmatched and flawless.”
Drawing inspiration from the Cry Pretty album artwork, Fireplay designed a stage using the eye logo and infusing an impressive pod design that held the majority of the light fixtures.
“When lighting in the round, each side of the stage needs to have key lights, effect lights and audience lights as each person’s perspective of the lighting show will be different,” explained Whitehouse, “so each pod contains just that: an amount of each. The rest of the design came out of the necessity of lighting around the screens.”
Bandit Lites supplied nearly 400 fixtures for the design, including GLP JDC1 Strobes, Martin Professional MAC Viper AirFX, Claypaky Sharpys, Claypaky Mythos 2, VL 3000 Spots, Scenius Unicos and Robe Spikies. Two grand MA 2 full consoles provide Li
Qatar - The IAAF World Athletics Championships took place in the Middle East for the first time since the inaugural event in 1983. The 10-day competition saw nearly 2000 athletes from 209 countries compete. The 17th edition of the event took place at the Khalifa International Stadium in Doha.
For 2019 a multitude of technical innovations were introduced to the event including light shows, new camera angles and increased engagement with athletes. Florian Weber, IAAF event presentation manager, was responsible for the athletics presentation concept and challenged Creative Technology (CT) to deliver.
In order to successfully deliver the track projection, it was essential that the stadium was dark which required the sports lighting to be switched off. Naturally, switching the stadium lights off during a televised stadium sports show is not something Broadcasters are comfortable with, so Florian Weber commissioned CT to deliver a VR model of the Khalifa Stadium featuring athletics apparatus, production overlay and the proposed LED screens and track projection.
CT supplied over 500sqm of its recently delivered curveable 4.8mm LED screens providing a high-resolution, high brightness, high quality solution to display all the sports presentation content including event information, live video feeds, athlete information, and live results.
CT also supplied eight mobile battery-powered LED Monoliths that could be positioned anywhere around the athletics arena displaying live data for athletes’ names and country flags.
Lighting enhanced the overal
USA - ADJ is now shipping the latest addition to its range of LED-powered par-style wash fixtures, the MOD STQ. This professional lighting tool offers a combination of punchy output, compact size and versatile design, which makes it suitable for a wide variety of applications.
The MOD STQ harnesses the power of seven 8-Watt RGBW LEDs, for a total output of 56W. Each quad colour LED features independently-dimmable red, green, blue and white elements that can be mixed together to deliver a wide palette of different colours. With an average LED lifespan of 50,000 hours, lamp replacements are a thing of the past, while the fixture’s total maximum power draw of 57W makes it economical to run. A punchy fixture, the MOD STQ delivers up to 2952 LUX measured at 3M (9.8 ft.) with a total output in excess of 2500 Lumens.
“As an established leader in the manufacture and supply of LED-powered pars, we are excited to debut the latest new addition to our range,” enthuses ADJ USA’s national sales manager, Alfred Gonzales. “The MOD STQ is an extremely compact and incredibly punchy fixture that offers a great deal of flexibility. From its multi-purpose dual yoke to its choice of frost filters, every aspect of the fixture has been developed to allow it to offer maximum flexibility. It is therefore ideal for use by rental, production, décor and entertainment companies, as well as for permanent installation in churches, clubs, bars, lounges and fun centres.”
The MOD STQ is available now from ADJ USA - this product won’t be available from ADJ Europe.
USA - The new Rogue R2X Wash fixture from Chauvet Professional which debuts at this year’s LDI show is an updated version of the popular Rogue R2 Wash and was developed in response to a very recent advance in LED lamp technology.
“We recognised the potential of the new generation of LEDs that Osram is developing, so we made a commitment to updating our fixtures to incorporate this technological advance,” said Albert Chauvet, CEO of Chauvet.
Drawing on this new technology, the Rogue R2X Wash is almost twice as bright as the Rogue R2 Wash when producing a single colour, and 20-perecent brighter at full output. This brightness boost has been achieved without changing the fixture’s DMX profile and with no changes to its popular form factor.
The Rogue R2X Wash is powered by 19 of the new Osram 25W RGBW LEDs. This engine produces a brightness of 8,650 lux measured at 5m. Thanks to a calibrated white mode that has been added to the new fixture, its output is balanced to roughly 7,000k when it is brought up to full intensity.
Another new enhancement to the fixture is the addition of RDM. The Rogue R2X Wash also makes it possible for users to set their own calibration via the fixture’s menu, so they can match its output to other lights in their rig. Additionally, five zones of pixel control allow users to create stunning pixel mapping effects.
“Our industry is technology driven,” said Chauvet. “As a company, we can never stand still. This is the driving force behind the Rogue R2X Wash.”
USA - Colombian reggaeton artist J Balvin recently wrapped his North American Arcoiris (Rainbow) fall tour, playing 25 cities from San Juan, Puerto Rico to LA.
The colourful visual production by The Squared Division who collaborated with The Friends With You Art Collective who designed his Coachella performance, featured a large complement of Claypaky Mythos 2 and Scenius Unico lighting fixtures from lighting and video vendor VER PRG.
Nathan Paul Taylor, Production Designer with The Squared Division, devised the show’s concept; Andre Petrus of Clear All Visuals was the associate lighting designer and programmer. “It was a very bright show – Nathan used every colour in the book and every song was taken to 100 percent,” says Petrus.
The rainbow theme was apparent in graphical elements and colour, and a cloud-shaped LED screen topped a stairway at centre stage. Cartoon-style characters appeared in animations displayed on the cloud and as dancers in costume. There were inflatable set pieces and characters, too: 18ft inflatable Little J sat on the steps for the duration of the show.
Lighting played a major role as well, notes Petrus. “The entire show was time coded; every song was accented with lighting – there were thousands of cues. There are a lot of intricacies with reggaeton music, and every bit was accented with light. We really pushed technology on this show to make things go as hard and fast as they could.”
Nathan Taylor mounted 68 Mythos 2 fixtures directly above the main stage with 16 more on the floor. He positioned e
UK - UK - A.C. Entertainment Technologies (AC-ET) has announced a partnership with Leeds City College, which commenced with the distributor supplying a full range of production technologies for the institution’s new £60m Quarry Hill Campus.
Leeds City College is one of the country’s largest further education providers, with over 20,000 students attending its courses. The new campus, which includes the college’s School of Creative Arts, puts students right at the heart of Leeds’ cultural quarter - surrounded by institutions such as Leeds Playhouse, Leeds College of Music and Northern Ballet, and the BBC.
To create learning environments where students can achieve their full potential, there is a significant programme of investment in the college’s campuses. This includes offering industry-standard facilities which allow students to fully develop the skills and experience needed to work in their chosen sector.
With the School of Creative Arts’ Media & Performance Production department offering backstage arts courses in technical theatre, TV and film production, it was therefore vital to equip the purpose-built facilities with technologies from some of the most innovative and popular brands.
Having a history supporting the college in various ways for a number of years, AC-ET’s Leeds-based Northern sales office was approached to tender for the supply of technical facilities equipment for Quarry Hill’s 200-seat theatre, dance studios, TV newsroom gallery, film studio, and media suites.
AC-ET’s external sales executive
Switzerland - Prolights has announced the appointment of Plusmusic AG as its distributor for Switzerland with immediate effect.
Plusmusic takes over in the Swiss market which historically has been served directly from the Prolights Italian HQ, inheriting a network of users, who will benefit from the distributor’s local sales and demo stock, and qualified technical support team.
Paolo Albani, international sales manager for Prolights says, “Plusmusic is a natural match to carry on the Prolights brand in the Swiss market. They share the same passion of our team when it comes to lighting technologies, and having full access to the market in its various segments and as well providing a high class customer service, we are very sure they will be a great asset for our swiss partners.”
Gianluca Trevisan, sales manager of Plusmusic, adds, “We are excited to join the Prolights family, which today represents one of the best stories of success in the professional lighting industry. The product range effectively represents what our customers have been asking us for a long time. The impressive logistic backup and at the neighbouring Italian headquarters, including the large showroom areas, will help us to support our customers.”
USA - Visitors arriving at GLP’s stand at LDI will be greeted by four diverse offerings as GLP extends its 25th year celebrations accompanied by associated brands Fusion by GLP, Cosmic Truss and Scenex Lighting.
Also present will be the Highlander high output discharge washlight; impression S350 Wash, which brings a new level of control and functionality to the mid-range LED washlight market; and impression FR10 Bar, with a new optical system, and larger size aperture.
Fusion by GLP’s Fusion Stick 10 and Fusion Stick 20 feature a connector system, which allows the Stick to create seamless light lines in either a horizontal or vertical set up; the Fusion Par 7 is equipped with seven high powered 30 Watt RGBW LEDs, and with an IP65 rating, it is capable of outdoor applications; Fusion Supernova features a powerful, homogeneous pixel free RGBW light output, making it a suitable wash fixture for any event, indoor or out. Two new additions are the Exo Beam and Exo Wash.
Also distributed in North America by GLP, Cosmic Truss will present new additions to its F34DNA 12” spiral truss, its twisted truss design. In addition, it will show corner and new angled conical pieces for box to spiral conversion. Finally it will present a new ‘Ubase’ that features stabilizer arms for U-Torms, its flexible solution to create both hanging drop and ladder positions for lighting fixtures and other pieces of kit.
Scenex Lighting will introduce the latest innovation in pixel LED control, the PixeLit Control Manager. PixeLit empowers control of up to 256 indi
Indonesia - To enhance the architecture of the Sopo Del Office Towers and Lifestyle Centre in Jakarta, Chayolite recently installed Martin by Harman lighting fixtures.
The Sopo Del Office Towers and Lifestyle Centre is mixed-use development featuring office spaces, premium retail stores and a lavish hotel. The complex consists of a massive 41-floor tower, a smaller 28-floor tower and a shared lifestyle centre. Sopo Del’s architecture and design showcases an interpretation of North Sumatra’s ulos heritage and value, representing bravery and strength.
In order to accentuate the buildings’ ulos-inspired design with immersive lighting, Sopo Del hired leading lighting and acoustic consultants PT. Litac to deploy a cutting-edge lighting display. To accomplish this task, Litac designed a lighting solution consisting of Martin Exterior Dot-HP fixtures.
“We wanted to emphasize Sopo Del’s ulos pattern and height,” said Hestu Widinugroho, Litac. “This was done using Martin Exterior Dot-HP LED fixtures and linear up-light systems with warm white color, giving a continuous flowing effect from the body to the crown of the building. The dynamic Dot-HP fixtures accentuated the diamond shape of the building, making for an exciting overall visual experience.
“One of the challenges our supplier faced during the installation was the placement of the Dot-HP fixtures in their precise locations while protecting them from exposure. We are thankful to the team at Martin Professional APAC for being so helpful in programming and achieving the perfect so
USA - With its fresh water springs, meandering wooded paths, and sparkling lake, Suwannee Music Park in Live Oak, Florida, is normally a tranquil, relaxing place. But on the last weekend in October, this 800-acre slice of paradise assumes a different, more frightful persona as the site of the Suwanee Huluween Festival.
Combining a bag full of musical treats from a diverse array of acts that includes a mix of big-name stars like Bassnectar and rising artists, with some tricky scenic elements that scare the senses, the three-day festival has become a Halloween ritual for a growing number of fans. Enhancing their experience throughout the grounds as well as at two of its stages this year were over 200 Chauvet Professional fixtures supplied and installed by The Design Oasis.
Abbas Ritscher and his team at The Design Oasis, which included John Hollingshead and Joe Donnelly, positioned 150 COLORado 1-Tri IP fixtures around the lake that served as the “festival centrepiece”. They used the high output RGB fixture to wash monsters, goblins, mad beasts and other freakish figures in a range of scary colours. Drawing on the Rogue fixture’s 16-bit master dimmer, they also relied on the interplay of moving light and shadows to endow the ghoulish scenery with menacing sense of animation.
In addition to illuminating scenic elements, the COLORado units were used to direct light on the lake itself as well as the surrounding trees to impart a haunting sense to the festival grounds. “The COLORados are a workhorse,” says Ritscher, who also installed the fixt
Denmark - Lighting and audio rental company Allround Lyd & Lys, based in Struer, invested in two Robe RoboSpot systems, comprising two BaseStations and two BMFL Follow Spots with the integral cameras when they sought a straightforward follow spotting solution for the dry hire side of their business.
The company works in the live music, festivals and concert touring sectors and also services theatre productions. Dry hires are an important segment of their business, and they saw the demand rising for a plug-and-play remote follow spotting system.
The purchase was made specifically with local theatres in mind. They are often tight on prep time so their production schedules would always benefit from follow spots that were quick to calibrate and set up, explained Allround Lyd & Lys’s head of lighting, Martin Breinholt.
“The RoboSpot system is very straightforward to set up, it is intuitive, and the camera integration works well - it offered all the PNP functionality we wanted.”
The new system went out on a four-month hire almost immediately after it had been delivered by Robe’s Danish distributor, Light Partner.
The two systems were then used by Allround for some of their own shows and festival projects including a show with Sting at the Holstebro Theatre for which they were the equipment supplier, with three RoboSpot systems positioned on the front bridge.
They have also been subbed out to another rental company on another long-term hire.
South Africa - DWR Distribution has announced the appointment of Nicole Barnes to the marketing team. Barnes was previously employed as the editor at etech magazine.
“We are very pleased to welcome Nicole on board,” said Duncan Riley of DWR. “Being a vibrant people’s person, we know that she will fit right in. Our brands have grown over the years, and with her help, we look forward to being able to offer an additional service to our clients and suppliers in terms of press releases and marketing ideas.”
USA - History runs deep at Washington’s City Tavern Club. Built in 1786, the venerable Federalist structure (one of the last such taverns in the US capital) counted George Washington, John Adams and Thomas Jefferson as regulars. Today, the venue hosts a variety of upscale events, and although it provides an evocative setting, power limitations in the 233-year old building can present challenges for anyone looking to light these affairs.
At a recent, corporate showcase at the historic building, Tarik Smith of Atmosphere, Inc. met these challenges and transformed its interior with elegant uplighting created by wireless, battery-powered WELL Fit fixtures from Chauvet Professional.
“As with any historic venue the biggest issue is power, so I had to pay a lot of attention to the design,” says Smith. “The limited power draw at the club meant we had to go wireless, but I still needed even, colourful light that would create an immersive, welcoming atmosphere.”
Smith tapped 60 WELL Fit fixtures to illuminate the main hall and upstairs lounge area. The compact dimensions of the WELL Fit units allowed them to blend easily into the background, while their four RGBA LED’s offered a wide palette of rich colours to deliver a bright, even uplight wash to the walls and architectural columns.
“For the Main Hall, I really wanted to create an entirely different look for the room,” says Smith. “The WELL Fits helped transform the space, to the point that even the house staff was impressed with how different it looked. I also used a few WELL Fits
USA - Robe’s new Esprite moving lights made their US live TV debut on the 2019 CMT Artists of the Year event, staged at the Schermerhorn Symphony Centre in Nashville, Tennessee.
“I absolutely Love these lights,” declared the event’s lighting designer Tom Kenny who worked alongside a talented production team which included set designer Anne Brahic.
The Esprites plus other extra lights on the show - which also included Robe BMFL WashBeams and Spiider LED wash beams - were delivered by Morris Light & Sound. They were used together with fixtures from the venue’s house rig.
Ten of the 20 Esprites were positioned on one of the rear LX production trusses installed at the Schermerhorn Symphony Centre for this event, and used for rear lighting the band, and for texturing, colouring and gobo work on the stage.
Another 10 luminaires on one of the downstage trusses provided key lighting for musicians onstage, and for pick-ups at the dinner tables distributed around the room including on the wrap-around balconies.
Tom’s lighting design also utilized 30 Robe BMFL WashBeams, 24 of which were on over-stage LX trusses 3 and 4 to provide band keys and highlighting scenic elements.
“Morris Light & Sound is very pleased with the output, colour and beam qualities as well as the feature sets of the Esprites which checks many boxes for us,” says Han Henze who also took on a lighting directorial role for this show.
Working alongside Tom, Michael and Han were gaffer Michelle Griesmer Stotts, lighting crew chief Todd Latia,
UK - Magazine London, a purpose-built event space, opened adjacent to the O2 Arena in Greenwich Peninsula this August.
Its simple architectural form offers clean and functional spaces that provide ‘a means for large-scale creative expression’ with 3,205sq.m of versatile interior space for up to 3,000 people, and the capability of a further 7,000 people across the venue’s outdoor showground.
Technical consultant, Simon Jones of SJ-TPM, recommended MDG haze generators for this new venue. He supplied two MDG ATMe haze generators, complete with purpose-built touring cases for easy storage and deployment.
Jones was brought onboard by Venue Lab to review, recommend and deliver the technical infrastructure, establish and fine tune the requirements and purchase the equipment for this multi-purpose venue. Jones worked on the various phases in collaboration with Vibration Design and Production, which delivered the venue’s in-house technical production, to ensure the equipment installed aligned with the building’s innovative principle.
“Haze always has to look perfect on television and camera, and also work well with live events,” Jones explains. “It needs to be finely distributed, and quickly dispersed.
“The haze produced by the ATMe is great for the cameras because it is a good, clean haze, it doesn’t reflect, it’s not too dense and it’s nicely distributed across the whole space with two machines filling the venue quickly and easily. We chose to go with two ATMes because the venue is so large, and there are always points
Trinidad & Tobago - PR Lighting fixtures were out in force at the recent nine-day Divali Nagar Festival on the Caribbean island of Trinidad & Tobago.
Promoted by the National Council for Indian Culture (NCIC), and now in its 33rd year, Divali Nagar is an annual exposition of Hindu culture (generally) and Indo-Trinidadian culture (specifically). It is closely associated with the Diwali Hindu Festival of Light celebration in Trinidad and Tobago.
For the past 15 of those years, All Events Lighting Systems (AELS), part of the SM Group, has been providing technical services to the event at the Divali Nagar site, located in the borough of Chaguanas.
The SM Group itself comprises All Events Lighting Systems, All Events System Ltd and S. Maharaj Equipment Services Limited. SM Group itself stands for ‘Shival Maharaj Group of Companies’ and the organisation collectively provided all equipment for the many local acts who performed, including full lighting and audio, screens, infrastructure, power (generators), technical management and full production services.
Shival Maharaj himself designed the lighting, using 36 PR XLED 1037; 18 XR 330 Beam and 18 XR 330 Spot.
Housing 37 10W RGBW (4-in-1) LEDs, with wide beam angle ranging from 13° to 52°, the XLED 1037 was used to create full stage washes along with visual effects. Equipped with a Sirius HRI 330W lamp and three prisms, the XR330 Beam was tasked with delivering amazing beam effects and piercing gobos and colours, while the XR 330 Spots were used as specials for the band and arti
Japan - The New National Theatre, Tokyo (NNTT) has invested in a stock of Robert Juliat Oz 600W LED followspots for its three performance spaces. The new LED models replace conventional source followspots as part of an upgrade of the lighting inventory for this internationally important arts venue.
New National Theatre, Tokyo is Japan’s only one dedicated to the contemporary performing arts of opera, ballet, dance and drama. The NNTT complex comprises the Opera Palace, Playhouse and The Pit, and hosts over 300 performances a year to around 200,000 theatre goers.
Four of Robert Juliat’s Oz 7°-14° LED Top Control followspots were supplied by RJ distributor, Sogo Butai, initially for use in the small Pit Theatre, but also with the intention of relocating them to the larger spaces of the Playhouse and Opera Palace as needed.
“Because of its silent operation, Oz is extremely suitable for the open space within the smaller Pit Theatre,” says Takehito Suzuki, from NNTT’s technical department for lighting. “In venues like those of the New National Theatre, where many theatrical shows and contemporary dance performances are presented, we found Oz is the best followspot for lighting the performers at every distance.”
Suzuki also stresses that Oz was chosen because its quality met the high standards of the theatre. Its Top Control option was a prime example of this, enabling the operators to control both the dimming and iris smoothly and easily from the top of the fixture. “Amongst many LED followspots, what makes this fixture most rema