USA - When Seattle was forced to adapt its customary New Year’s Eve celebrations due to the ongoing disruption caused by COVID-19; necessity, once again, proved itself to be the mother of invention.
The result - a collaboration between event production company, Modern Enterprises LLC, and projection mapping specialist Maxin10sity - was a revolutionary ‘sky mapping’ show that saw virtual lights, projection, and special effects superimposed on live footage of the city’s leading landmark, the Space Needle, and the sky above.
CEO and founder of Modern Enterprises, Terry Morgan, reports: “I’ve worked with Tamás Vaspöri (managing director at Maxin10sity) for years and have always been so impressed by what we were able to create together; namely the Borealis Festival of Light here in the US, which debuted to a wonderful crowd of over 120,000 people.”
Although the New Year’s Eve sky mapping show - fittingly named The Dream - had its own advantages (such as the absence of civic considerations like security, power, crowd control, and portable toilets) the team still only had two months to realise this unprecedented concept; mapping projections, lights, and special effects on the sky itself.
“There are challenges in all productions but, because this show is something new, we had to be very prepared and think through everything twice,” says Vaspöri. “We had to work a bit more on the storyboard but, when it was done and approved by the client, we could move on as normal from an animation / production point of view.”
The Netherlands - The increasingly popular EclPanel range from Prolights is making waves in The Netherlands with the help of newly appointed distributor Full AVL. Adding to the list of companies adopting the Italian products are Dutch companies Stagelight (SL), First Impression, Purple Haze and Freek Gerris Stagesupport.
Marcel Bruijns from Stagelight (SL) said, “We have tested a lot of manufacturers who offer a soft-light panel and found Prolights' EclPanel TWC to be the best performing and well-equipped for mobile use in rental companies."
At First Impression, adapting the business for COVID was extremely important: “Due to the pandemic we had to transform our rental department into several streaming studios,” says Ron Haans from the Tilburg-based company. He added: “The EclPanels were the perfect solution for this due to their intuitive use and excellent on-camera performance."
André van der Heijden from Purple Haze added: “Prolights EclPanels were the perfect addition to our rental fleet. The high-brightness and perfect colour rendering make them the best solution for our video lighting needs.”
When asked about the success of these units in the country, Patrick Leijten, CEO at Full AVL, says: “Prolights' studio range offer the right solutions for the present climate. Furthermore, customers need a supplier with fast delivery times so they can respond to whatever business comes through, along with great technical support and outstanding product quality - Prolights offers exactly that, and companies are recognising it very quic
UK - Projects Department Ltd (PDL) specified and installed two Zero 88 FLX lighting control consoles, four SCD Servers and a ZerOS Wing for YouTube’s Space London facility in the Kings Cross area of the UK’s capital.
Projects Department, led by Peter Daffern, is an independent company specialising in a wide range of technical services for assorted entertainment lighting industry sectors including broadcast, and is well known for its adaptable and lateral thinking approach.
The three main studios at Space London are available for YouTube’s top creators and influencers - those with 10,000+ subscribers to their channels - to use for content creation and other related endeavours, offering a vibrant community, an imaginative workspace and well-equipped environment to encourage the production of more high-quality material.
When they needed a multifunctional lighting control package for the studios, PDL was contacted by broadcast consultant David Errock and initially taken on to offer production lighting expertise to the YouTube design team. This included Chris Lock, then YouTube’s engineering lead and his number two, David Livett.
The solution had to be slick and aesthetically pleasing as well as simply working efficiently, so getting a satisfactory end-result involved a degree of bespoke engineering including custom designed hoists for the larger studios.
For lighting control, they wanted to be able to run lighting in each studio space independently from within that studio as well as from a central control room.
France - David Guetta played a live New Year’s Eve set at the Musee du Louvre in central Paris.
Celebrating the roll-over from 2020 to 2021 in this special environment, 116 x Robe iPointe moving lights on the rig helped make it impressive. It was also the third in David Guetta’s United at Home concert series to raise money for those in need in what’s been a tough year for everyone.
Director Romain Pissenem’s and his UK and France based creative production company High Scream were also the stream’s executive producers, working directly for the artist and collaborating closely with staff from The Louvre. The 15-camera stream was directed by Job Robbers.
Romain’s team included lighting designer Ian Tomlinson and lighting programmer and operator James Betts Gray.
His starting point for the production design was the 21.6m-high glass and metal pyramid structure designed by architect I M Pei with its 603 rhombus shapes and 70 regular glass triangle segments, a timeless contemporary masterpiece that defines the Louvre’s main courtyard.
While Romain and High Scream have been producing David Guetta’s live shows for the last couple of years, working on a show of this stature and significance took everyone to new levels of show production.
“The biggest challenge was to respect the wonderful aesthetics and integrity of this very special space and add in a complex, high-impact, show-stopping electronic music show capturing the sheer magic of this incredible moment,” comments Romain.
The pressure was on for ever
USA - Following the success of the Element HEXIP outdoor-rated wireless up-lighting fixture, ADJ has introduced the Element HEX IP Chrome model. Offering the formula of 6-in-1 HEX LEDs, a powerful rechargeable battery, WiFLY EXR wireless DMX and an innovative casing design, the new version features a striking chrome housing. This makes it suitable for applications where, instead of blending into the background, lighting fixtures are required to make a bold statement.
The Element HEX IP Chrome is powered by four 10W HEX (RGBWA+UV) LEDs, which generate a consistent colour wash with a 20° beam angle. The 6-in-1 LEDs allow for the creation of a huge palette of colours ranging from vivid saturates to subtle pastels.
In addition to the primary colours of red, green and blue, the inclusion of both white and amber LED elements allows for the generation of a wide variety of colour temperatures of white light, ranging from stark cool white to soft warm white. Meanwhile, the UV LED element not only allows for the creation of the classic ‘blacklight’ effect where white and fluorescent materials glow vividly, but it can also be combined with the other colours to create hues such as hot pink, electric purple and lime green that aren’t possible using tri/quad colour uplighters.
As well as full colour mixing of the six LED elements, which allows the choice of a vast variety of colours, the unit is pre-programmed with 63 colour macros to allow for quick setup when required. It also offers Sound Active operation as well as an Auto Run mode with a choice of 16
USA - Livestream concerts are not just for rock. The Augusta Symphony demonstrated that in spirited fashion recently with its A Little Night of Music, a pay-per-view Friday night show that drew an enthusiastic response from music lovers throughout its market.
Taking place at the historic Miller Theatre in downtown Augusta, the livestream performance followed strict social distancing guideless. A very limited crowd was allowed to buy tickets for the performance in the spacious venue; and there was no intermission during the show to minimize contact. The orchestra itself was reimagined to include a smaller number of musicians on stage, led by music director Dirk Meyer, and featuring principal violinist Anastasia Petrunina, oboist Brian Lyons, and trumpeter Brian Winegardner.
Despite the limited number of musicians, the livestream show encompassed a bold and diverse musical mix representing different eras.
Supporting this far-ranging musical mix was a versatile lighting design by Cliff Smith of Quest Sound & Productions that drew on the flexibility of the Chauvet Professional fixtures in the Miller Theatre’s recently installed lighting rig.
Part of the theatre’s $23m renovation in 2018, the new lighting, system, which includes Ovation, Rogue and STRIKE fixtures installed by Bandit Lites with input from Rob Boggs, production manager of Miller Theatre. The new system was put together with the idea of having something with the flexibility needed to support the diverse range of programs, both musical and non-musical, that take place a
UK - Television lighting rental company Version 2 supported lighting director James Tinsley, gaffer Adam Mitchell and the production crew behind the latest run of I’m a Celebrity . . . Get Me Out of Here!.
The impact of COVID-19 resulted in a well-publicised relocation of the show, from the Australian jungle of New South Wales to the atmospheric setting of Gwrych Castle in Abergele, North Wales. The combination of a new venue plus the global pandemic presented a multitude of challenges, which the production team overcame to make this 20th season of the show one of the most successful runs yet.
As one of the first UK TV shows to make a full return to regular production, including nightly live broadcasts direct from the location, the IAC team implemented stringent operational guidelines across the board. Alongside this, Version 2 added their own set of carefully constructed working protocols to help ensure the safety and well-being of everyone involved.
Commenting on preparing for the show, Version 2 managing director, Nick Edwards says: “Staging what has become an iconic TV event, in a new location with the additional challenges of the pandemic, required meticulous planning. Operating within strict guidelines, which included our own custom protocols, we worked closely with the production team to help protect the well-being of all concerned.”
V2 delivered illumination on a massive scale, deploying three articulated lorry loads of equipment to the show, for use throughout the entire location. The comprehensive lighting package, mixed
Europe - A selection of the latest ETC and High End Systems lighting equipment is now available through ETC rental partners with a newly launched programme, ETC Rent.
Jeremy Roberts, regional sales manager for the UK and Sub-Saharan Africa comments: “To help the creative industries get back on their feet, we have introduced ETC Rent in the UK - a programme that will give local venues, hire companies, creative designers and more, access to the very latest ETC and High End Systems lighting equipment via our rental partners.”
ETC Rent includes the new fos/4 Panel lights - designed specifically for the studio and film industry. They deliver intense light output and the highest color quality with the addition of Deep Red LEDs. ETC’s fos/4 Panels come in a Lustr X8 array and Daylight HDR array with different sizes also accessible via ETC Rental Partners.
A range of the newest High End Systems’ gear is available on the ETC Rent programme, including SolaPix, SolaFrame and SolaHyBeam fixtures. These powerful LED automated luminaires offer a diverse range of effects and a variety of features that are suitable for every application or budget.
Darren Beckley, sales manager ETC Ltd adds: “ETC Rent is here to assist the recovery of our industry with the support of our rental partners. As ETC expands its product range, we plan to offer even more with ETC Rent, continue building customer relationships and push the industry to get back on its feet.”
New and upcoming products will continue to be added to the ETC Rent platform which is availab
USA - The Wonder Years’ November livestream was a homecoming of sorts, not only for the Top 20 alt rockers, but for Victor Zeiser who lit the 90-minute show. “This band is one of our oldest clients, so working with them again was a real thrill,” said Zeiser, the owner of Squeek Lights. “Earlier during the pandemic, the guys did a more-low key livestream at a recording studio, but they decided they wanted to cut loose and do a full production show, so they came here to the Ruby Stage in our new facility.”
Drawing on the versatile rig at the new Ruby Stage (it opened this summer), Zeiser and the Squeek Lights team delivered the dynamic show the band was seeking. Wrapping itself around The Wonder Years’ distinctive sound, the lightshow reflected the mood and spirit of the music with its colourful crossing beam patterns, intense side lighting, and evocative silhouettes.
Playing a key role in creating this supportive vista was the rig’s 30 Chauvet Professional Rogue R1 BeamWash fixtures. “They did a lot for us,” Zeiser said of the 40-watt RGBW movers. “Their most critical use was as our key light. Silhouette moments are great, but people want to see the band. With the 10 units out front we were able to hit them with a nice quality white light, which looked great on camera.
“We also used BeamWashes for mid-stage down washing, back washing from our upstage wash, and on tail-down pipes upstage,” continues Zeiser. “We love the versatility of the beam washes in the rig. It's great how such a small unit has so much punch when used as
USA - The Holiday Road drive-thru experience in Calabasas, CA features larger-than-life festive displays and millions of Christmas lights arranged throughout a two-mile track, which families can enjoy from the comfort and safety of their own car. ADJ fixtures are used extensively for the theatrical and architectural lighting of the various scenes that make up the experience, with over 300 ADJ 12P HEX IP and 7P HEX IP units spread throughout the attraction.
Holiday Road has been put together by the same creative team - Ben Biscotti, Bobby Rossi and Tony Schubert - that hosts the annual Nights of the Jack Halloween attraction. Originally launched as a walkthrough experience in 2018 and 2019, this year Nights of the Jack pivoted to a drive-thru model so that it could go ahead despite COVID-19 restrictions on public gatherings in California.
Following the success of this, the creators decided to use the same venue - King Gillette Ranch – to host a totally new holiday-themed drive-thru event. The large estate, filled with mature trees and areas of open grassland, is a suitable blank canvas for the creation of magically-festive displays.
Made up of a variety of different scenes, each with their own soundtrack, the Holiday Road experience is an all-inclusive celebration of the holidays, including displays dedicated to Hannukah, Kwanzaa and every imaginable aspect of Christmas. From the Nutcracker to Santa’s workshop, snowmen to the a crib scene, all kinds of holiday traditions and imagery and combined into a non-stop display
USA - Canadian singer producer, The Weeknd, was one of a number of artists performing at unusual outdoor settings in Manhattan to mark the 2020 MTV Video Music Awards.
His designated location was the rooftop of the new Edge observation deck at Hudsons Yard, 387m high, and consequently the highest in the Western Hemisphere. This presented challenges for lighting designer LeRoy Bennett and his long-serving collaborator, Jason Baeri; but with the help of GLP’s X4 Bar 20s, The Weeknd gave a dynamic rendering of Blinding Lights, the song which earned him gongs for Best R&B Video & Video of the Year.
Bennett worked closely with La Mar Taylor, The Weeknd’s creative director, to come up with the concept. GLP’s award-winning battens not only lit the stage platform but also lined the perimeter of the building’s triangular balcony architecturally. Wearing his signature red suit, black gloves and the bloodied face featured on the After Hours cover, the staging was in stark contrast to other artist sets featured on the show. “Where most relied on XR technology, [our concept] used no special effects; there was nothing virtual, it was all real.” But it had been an intense shoot.
As for the deployment of the X4 Bars, he said, “I liked the idea of a linear light and the X4 Bars were used to outline and define the space itself, to accommodate the helicopter shots from above. They also worked really well as keylights.”
Everything was run in white, with extreme brightness due to the nature of the event. “We created a sheet of whit
USA - Lighting design bridges gaps, connecting sometimes widely different elements, and fusing them into a unified whole. Jason Patsel of 81 Productions demonstrated this recently at a socially distant outdoor benefit show at the Five Points Music Sanctuary in Roanoke, VA, where he melded different eras and expanded space with help from a collection of Chauvet Professional Rogue fixtures.
For the Five Points benefit, Patsel lit a concert by the popular Pink Floyd tribute band Darkside Experience, a quintet that captures the essence of the British band with their evocative and challenging sound. Patsel‘s design reflect the quintet’s music and onstage persona with its bold colours and unsettling light angles.
However, with this being the third decade of the 21st century, and the band including its own contemporary flair in their performance, Patsel also wanted to add some distinctively modern touches to this show. The big challenge, as he recalls it, was to create an old school vibe without being old fashioned.
“Bringing old school music into the new age can be tricky,” he said. “I wanted to keep it low key, until the time was right. By not using gobos often, and keeping the focus out, I got that retro feel spotlight. Then, when I had a nice hard bridge in the music, I would snap the focus back in and go with a gobo that fit the mood.”
A new look that Patsel particularly favoured was what he called the “stairs”. He created this by having four different tilt positions for his six Rogue R1X Spot and six Rogue R1 Spot fixtures. “T
UK - Born from a disused china clay mine and a need for environmental sustainability education, Cornwall’s Eden Project was created in 2001. Eden has two large geometric bubble-like biomes, the Rainforest and the Mediterranean. The rainforest is the world’s largest indoor rainforest at 50m high and 16,000m2 and the Mediterranean houses some of the world’s rarest horticultural specimens.
For the second year, GLX Productions has designed and delivered the biome lighting for Christmas at Eden, using over 300 lighting fixtures, 3km of cable and 5km of fairy lights.
The dramatic landscapes of the biomes were lit in rich colours to create a compelling world of shadows and light. The crowning centrepiece of the Mediterranean Biome this year is a giant mirror ball casting a blizzard of snowflake-like points of silvery light across the giant structure.
The biomes themselves catch light well provided you have the right positioning throughout. The rainforest, due to its immense height, looks incredible when lit but does present its own challenges. Whereas the Mediterranean structure picks up light easily from the floor due to smaller plants, in the rainforest the vegetation is so thick it is borderline impossible to get light from the floor to the roof.
To combat this, 40 LEDJ Spectra Par 7Q8, 30 LEDJ Spectra Par 15Q8 and 35 LEDJ Spectra Flood 18T3 are deployed across the space. This picks up the intricacies of the plants from below and rig additional Chauvet Colorado Q40 Panels and Strike 1’s from the roof of the biomes to tie the entire
UK - Lancashire-based LED lighting manufacturer CFE Lighting has taken on its first apprentice as it looks to accelerate growth and build on its strongest ever trading performance over the last 12 months.
16 year-old Jack Davies has started an 18-month long LEAN Engineering apprenticeship with the company, with the aim of becoming a qualified engineer and securing a permanent role within the rapidly growing business.
Over the course of his apprenticeship, Jack, who lives in nearby Nelson, will be working across a variety of different areas within the company, which specialises in bespoke LED luminaires and lighting solutions for commercial, industrial, and public sectors.
His role will see him work with the manufacturing team to learn how to assemble a vast range of light fittings and controls, as well as being involved with both the sales and customer services teams.
His arrival follows the appointments of two senior-level hires last month, with Amanda Speight joining the company as national business development manager, and David Clews taking up the split role of general manager and North West area sales manager.
They join as the business looks to build on double-digit growth over the last 12 months, with CFE Lighting Ltd achieving its highest-ever turnover of £1.1m over the 19/20 financial year.
Commenting on Jack’s arrival, CFE Lighting’s general manager and North West area sales manager David Clews said: “Jack joins CFE Lighting Ltd at an incredibly exciting time as we look to build on stellar growth over the last 12 mon
USA - Responding to the current trend for streaming and videoconferencing, necessitated by the coronavirus pandemic and social lockdown, GLP has designed Streamer. This is a small, versatile LED light source whose sole purpose is to present hosts, interviewees and collaborators in professional, studio-type lighting with the ability to be fully remote controlled by a lighting designer, if required.
UL-listed, the spec includes flicker-free high intensity output, with a colour temperature range of 1900-5600K, provided by three different colour sets of LED’s.
A ‘prosumer’ product developed by GLP’s North American operation, it is tailored to both the professional and general consumer markets.
GLP Inc president, Mark Ravenhill, commented that their new solution is both easy to use and transport thanks to the robust yet compact case, that at just six inches long easily fits into a laptop bag. “Streamer plugs directly into a standard USB-C socket on any computer, no batteries or bulky power adapters are required,” he explains.
A range of inbuilt colour temperature pre-sets can be accessed directly from the onboard buttons, which also give instant intensity control. These pre-sets can also be easily modified by the user within the desktop app, available on both Mac and PC.
Streamer has an aluminium outer shell, designed to survive the rigours of a road warrior. “Whether you find yourself in a badly lit hotel room, an overcast airport terminal or just at your home office, you can make sure that you will always look your best,”
Portugal - João D'Oliva Monteiro Cine-Theatre in Alcobaça is considered one of the most beautiful in Portugal. The work of Swiss architect Ernesto Korrodi, the building is also of historic importance in Portuguese architecture, combining elements of Art Nouveau, Art Deco, Modernism and Functionalism. Its varied programme covers all forms of international and local music, dance and theatre productions.
Commercial and independent cinema also makes up an important part of the venue’s programming, ensuring the Cine-Theatre has become the main focus of the social and cultural life of Alcobaça and its surroundings.
Following a period of enforced closure due to the COVID-19 pandemic, João D'Oliva Monteiro Cine-Theatre joyfully reopened its doors at the start of October for the R'B & Mr.SC concert that marked the opening date of Novo Palco, a festival exclusively dedicated to artists of the municipality.
To enable this to happen in a COVID-secure way, Cine-Teatro de Alcobaça carried out a series of measures to adapt and effectively disinfect its performance and public spaces, meeting all the conditions of safety and hygiene to ensure the prevention of the spread of the new coronavirus.
Audience capacities were reduced to 50%, use of masks on the premises before, during and after the shows became mandatory, specific entrance, exit and circulation standards in the auditorium were implemented and appropriate signage installed.
In addition to these measures, the Cine-Theatre was also equipped with a system of UVC disinfection lights from
USA - Hosted by Ana Brenda Contreras, Victor Manuelle and Yalitza Aparicio, the 21st Latin Grammy Awards were celebrated in late November to honour the cream of the Latin music scene.
This year saw a rather different format from the usual star-studded occasion due to the dictates of the COVID-19 pandemic: to ensure the safety of the artists and the production team, the nominees were showcased to the world in a remote, live broadcast by Univision from the American Airlines Arena in Miami, with breakout performances streamed from other cities throughout Latin America.
Despite the lack of a live audience, this year’s performances were no less glamorous, and the line up - which included the likes of Bad Bunny, Camilo, Kany García, J Balvin, Jesse & Joy, Natalia Lafourcade, Ricky Martin, Fito Páez and Carlos Vives all competing for Album Of The Year - were presented in their best light, bringing some much-needed joy and warmth to its worldwide viewing audience.
The Awards show’s lighting designer and director, Tom Kenny, operating from the Miami base, chose to enhance the appearance of the artists with the elegance and subtleties of a number of Robert Juliat Dalis 860 LED fixtures. Nine of the 8-colour LED battens were arranged at ground level in a horseshoe configuration bordering the front of the performing area, from where they were used as footlights and for low level front lighting.
With Music Makes Us Human as the evening’s theme, Kenny used the Dalis fixtures to bring a warmth and depth to the performers’ faces; Ricky Martin
UK - The technical team at the National Theatre have been working tirelessly since August to re-purpose its venues in the face of COVID-19 restrictions.
A COVID-secure performance of Dick Whittington in-the-round in a newly-configured Olivier theatre opened on 11 December - only to be closed shortly thereafter due to London’s tier three restrictions - whilst the Lyttelton Theatre has been temporarily transformed into a film studio for the upcoming Romeo & Juliet original film. In both instances, Martin MAC Encores from the theatre's in-house lighting resources proved highly flexible core fixtures in the respective lighting rigs.
"Our investment in MAC Encore units has proven invaluable over the last few months as the National Theatre has adapted to the current restrictions for live indoor performances.” commented Paul Hornsby, lighting resources manager, National Theatre. “We found with Dick Whittington that the units were called into use in a way not envisioned when we first bought them - big splashes of bold colour moving around the auditorium creating a magical environment for cast and audience alike. And again, in the Lyttelton Theatre, creating wonderful colour temperature controlled soft light boxes for filming Romeo & Juliet.”
For Dick Whittington, directed by Ned Bennett and with lighting design by Jessica Hung Han Yun, a total of 55 Martin MAC Encores are in the rig - comprising 31 x MAC Encore Performance Warm, 16 x Performance Cold and eight Warm Washes.
They are mostly positioned o
UK - Seen from a distance, the Steam Illumination Christmas Train appears like a rolling band of moving light cutting through the dark night as it rolls past the farms and fields of the Hampshire countryside. To those inside, the experience is even more magical, as they find themselves immersed in a rotating tunnel of brilliant colours and patterns.
Covered entirely by LED lights, this special 120m-long train seems like something out of a fantastical Hollywood Christmas movie suddenly come to life in South East England. In reality, however, it was the result of extensive of planning and hard work by the non-profit Mid Hants Railway's Watercress Line and a creative team that includes Simon Horn.
The owner of Purple Lighting in West Sussex, Horn was responsible for designing and programming the 78-universe Steam Illuminations lightshow with the help of his ChamSys MagicQ MQ500M console and MagicVis software. “This was the kind of project you become completely immersed in,” he said. “The Watercress Line typically has visits with Santa every December, but this year that was impractical because of COVID, so the foundation turned to something new.”
Horn spent two weeks programming and four months on background research for his show, which involved two Steam Illumination trains, each adorned with 14,000 individual fixtures. (Some fixtures are banked, so the console sees just shy of 10,000 heads and pixels.) He programmed roughly 1000 cues for his show, breaking them down into an internally timecoded cue stack for each section, which cover the inte
Australia - Hollywood heartthrob Channing Tatum’s popular dance show Magic Mike Live opened in Sydney on 17 December, with a dynamic all-new lighting design created by Philip Gladwell, using a rig supplied by TSL Lighting.
In contrast to its runs in London, Las Vegas and Berlin, the Australian production takes place in a specially-designed Spiegeltent named The Arcadia. For the Sydney dates, The Arcadia has been constructed in the city’s entertainment quarter in Moore Park. Within this ‘circus-like’ venue, the production team has created an immersive lighting experience that complements the energetic, exhilarating dance routines performed in the show. All of the action is performed in the round, facilitating acrobatic routines and synchronised 360° dance spectaculars that envelop the audience.
Gladwell, who has designed all versions of Magic Mike Live around the world, worked with TSL Lighting to specify the sizeable lighting rig, which uses some of the most powerful LED technology on the market.
“Gaz Clowes is our very talented and very hard-working production electrician, and he introduced me to TSL as he had worked with them on some projects before,” says Gladwell. “With a huge rig to source and supply, this was a challenging project in terms of lighting. I had a large wish list and some of the fixtures I wanted were non-negotiable, but TSL completely understood this and simply sourced them ready for use.
“Right from the start, it was clear that TSL really cares - it never felt like a business transaction, fa
USA - The 2020 E! People’s Choice Awards (PCAs) was again staged at the Barker Hangar in Santa Monica, California, and lit for the third consecutive year by Tom Sutherland of DX7 Design, working for production company Den of Thieves.
Tom utilised 154 x Robe MegaPointe moving lights - all supplied by Felix Lighting - as part of the lighting package which helped create a stylish super-clean architectural aesthetic for this year’s live broadcast.
The popular online-voted awards show that recognises achievements across multiple fields of entertainment took on a different format this year, with a digital live audience replacing a real one in the venue, all requiring a novel approach by camera director Ryan Polito, creative director Paul Caslin and production designer Florian Wieder.
The two-hour show hosted by Demi Lovato included two live performance segments - by Justin Bieber and Chloe x Halle - plus multiple awards, with many winners rocking up in person to receive their trophies and their share of the adulation.
The set comprised a long, black hi-gloss runway - the central section of which was a video floor - that traversed the Hangar lengthways, with several huge angled sections of LED video wall installed on both sides which had to be ground supported due to the roof weight loadings.
At the end of the runway was another section of stage and an LED screen, and along the same trajectory as the catwalk itself was a long, blow-through screen that dissected the space lengthways. Flown on a Kinesys automation system, this moved in and o
USA - Chroma-Q has announced the launch of a new Pole Operated Pan & Tilt Yoke accessory for their Space Force Octo and Space Force onebytwo fixtures.
Over the past few months Chroma-Q says it has seen a large increase in demand from their film and TV customers, particularly for its Space Force range of fixtures.
“The development and launch of this new accessory came about due to customer demand. We are delighted to be able to give our customers what they want and endeavour to respond to their needs to ensure our products tick all the boxes,” comments Chroma-Q’s global brand manager, Paul Pelletier.
“In such a fast-paced industry, having the ability to make changes quickly and easily is essential. Thanks to the pole operation, operators will now be able to make adjustments whilst keeping both feet on the ground - removing the need for ladders on set not only keeps things tidier but also removes a potential safety hazard.”
Sweden - Wireless Solution has announced the release of its new generation of BlackBoxes with the introduction of G6.
The G6 models include some new functionality and communication protocols, including Art-Net and Streaming ACN via WiFi, RDM support in all models, Bluetooth connectivity for configuration and software updates, and full compatibility with LumenRadio’s CRMX technology.
Michael Karlsson, product development manager, at LumenRadio and Wireless Solution, comments: “With the new G6 models, we are taking wireless DMX to a whole new level by introducing official support for both WiFi and Bluetooth as well as support for LumenRadio’s CRMX technology. Especially the question of a common wireless DMX standard within the entertainment lighting community has been an ongoing discussion for many years and with the introduction of compatibility between W-DMX and CRMX, we are now offering customers the world’s first true DMX compatibility.”
Karlsson adds: “With the W-DMX and CRMX technology now under the same ownership we have the possibility to create a truly global standard for wireless DMX. We will continue to work hard to make it easier for our customers to use wireless DMX in their projects without having to think about which supplier to use. We will also look to make it easier to commission products and change settings with minimal effort.”
Robert Larsson, business area manager, Wireless Solution, adds: “Wireless Solution have for the past 15 years contributed to transforming the lighting industry with the development o
South Africa - The University of Johannesburg has recently upgraded its track lighting system used in its SARChI Art Gallery, as a direct replacement to the old system that had no mode of controlling, dimming, or shaping the light, all essential aspects to lighting their art as more demanding exhibitions required.
South African lighting specialist Movievision was contracted to upgrade the system to Prolight. “Our suggestion was to get a lighting solution that would not only light the gallery in a more professional manner but also to give them the option to be able to upgrade, remove or add fixtures anytime they would feel the need to,” said Ruan Marais, sales executive at Movievision.
The wide variety of EclMiniProfile fixtures offered by Prolights made the solution very easy. The team chose the cool-white LED variant as the best for their upcoming exhibitions - the gallery took on a total of 15 EclMiniProfile TRDY's with an Ivela track system. Due to the size of the room and the positioning of the artwork, Movievision chose 11x36° lenses & 4x50°lenses.
“With the built-in dimmer, shutter blades and focus, the gallery is now able to light their artwork in a way which breathes new life into any exhibition they have now or may host in the future,” Ruan said. “With the great variety of quality products which Prolights offer, the ECLMiniProfile range offers amazing versatility to art galleries, museums and commercial product lighting. Ease of use, outstanding light output and visually attractive.”