World - Ayrton is a new sponsor for Women in Lighting, the international support and networking project for women in both architectural and entertainment lighting. Ayrton’s primary aim is to raise awareness of, and expand, this global network across the entertainment lighting industry.
Launched in 2019 on International Women’s Day by Light Collective, Women in Lighting (WIL) is a digital forum where women can inspire, support and encourage the next generation of female lighting designers. It provides a platform on which women designers can share their passions and achievements and celebrate their work. Its worldwide programme of events and activities is augmented by a series of online interviews where women share their career paths and goals with other members. (https://womeninlighting.com/site/your-interviews)
In two short years the project has grown rapidly and is now represented in over 70 countries by its network of ‘ambassadors’, women who act as a point of contact for those seeking to discover more about WIL, join the supportive community and benefit from the many online activities which are tailored to the different needs within each country.
Until now WIL has focused largely on women working in architectural lighting, but the new collaboration with Ayrton brings a new engagement with the entertainment lighting industry, and an opportunity to raise awareness and expand the network into a different market.
“Our intention is to build bridges between different lightin
UK - The ALPD exhibiting at this year’s PLASA Show with its new name and identity. The ALPD is located in the ABTT Show Hub on stand ABTT17.
The stand is hosted by ALPD team representatives all on hand to talk to current members and those wishing to join.
ALPD Members can also make use of the Aaptle Lounge, also located in the ABTT Hub. Aaptle was formed over lockdown and brings together many of the different associations and groups, including the ALPD, that work in our industry. The lounge, kindly offered by ABTT, has been created as a hub for people to gather and meet. It’s the perfect place to talk about the deeper issues that are on your mind and the subjects close to your heart, and if there are any areas you feel deserve a greater focus from the ALPD, let us know.
Germany - Robe’s waterproof iSpiiders wash beam LED moving lights provided the solution for the recent production of Stuttgart. Ein Traum (Stuttgart. A Dream) a new work that is a collage of street, puppet, physical and ensemble theatre performance referencing the city’s history and culture, created in a collaboration between Stuttgart Staatsgalerie, the Schauspielbühnen Theatre.
The show was presented in the open air over 10 days in the Stuttgart Staatsgalerie’s Rotunda, an outdoor amphitheatre and one of the most striking architectural features of this postmodern masterpiece building designed by James Stirling in the 1970s.
Lighting and audio rental company Mad Music supplied the lighting and sound for the production with company owner Mathias Bremgärtner and project manager Peter Wormstädt working in close conjunction with the Schauspiel’s technical director, Stefan Hauschke.
The iSpiiders were part of a purchase by Mad Music initially for this show, and now for general rental stock.
With the live performance and event industry cautiously returning to work after a lengthy pandemic-enforced shutdown, Mathias and Peter felt confident about making this investment in iSpiiders due to the general increase in outdoor events prompted by the Covid situation.
Initially this is through the rest of summer and the early autumn months, but it’s a trend they think could easily extend further during these Covid times, to feed the general surge in demand for performance events in safer external environments.
UK - Lighting designer Tim Lutkin employed two Robert Juliat SpotMe systems in their first double use at the National Theatre on this summer’s production of Dylan Thomas’ Under Milk Wood.
Lutkin, who has extensive experience of automated tracking systems - but none with a real person behind the light - was curious to explore the features of SpotMe. The result was a lighting design full of sculptural subtlety and creativity that went far beyond traditional tracking.
Jack Champion, National Theatre’s lighting supervisor for Under Milk Wood, explains: “Tim used SpotMe in a different style, hardly using the actual light output from the front followspots, but using instead the positional data generated by SpotMe to control the moving lights to follow the actors. He assigned one SpotMe system to lead actor Michael Sheen and the other SpotMe to cover the rest of the cast, and could use SpotMe to cherry pick the lights he needed at any certain moment, picking the actors up and ‘releasing’ them when he wished.
“This way he could, for example, follow an actor to a position with moving lights, then instead of fading off that set of lights to pick up someone else, he could remove just some of those moving lights from SpotMe control to leave them covering the stationary actor, then assign different lights to SpotMe with which to pick up another actor. It was clever, and a subtle and sophisticated way of using SpotMe that was much more fluid and organic, especially with the followspot operator being in control of the movement. It felt
UK - Creative Technology’s UK operation has appointed Lee Dennison as head of client relationships. With over 25 years of experience in the live events industry, Lee brings extensive technical knowledge as well as a deep understanding of how to build and maintain strategic relationships and partnerships.
Dennison has previous experience at Autograph Sound Recording and DeltaLive. More recently, he was part of the senior management team at White Light, performing the role of head of business development.
Dennison comments: “The world has changed so much in the last 18 months, and we have seen technology rapidly evolve to support new ways of communicating and engaging with audiences. It’s an exciting time to join CT and I am looking forward to helping our clients explore technologies and solutions we offer, to help achieve their objectives”
“We’re really excited to have Lee on board.” notes Nick Askew, head of corporate. “Lee is well known and respected in the industry and alongside Lee, myself and the team are looking forward to developing new relationships and strengthening existing ones over the coming months, focusing on delivering high quality projects for all our clients.”
UK - One lucky visitor who attends a training session at the ChamSys PLASA stand (E23) will win a new special edition Red MagicQ PC Wing. But even those who don’t win, will take away something invaluable - insights into a series of products that will elevate their level of control over shows to new heights, as the company showcases its expanded line of MagicQ Stadium consoles.
Occupying a high-profile podium at the stand will be the powerful MagicQ MQ250M. This high-capacity console can control up to 128 universes without any additional processing equipment.
The versatile MagicQ MQ250M offers a range of features, such as 10 backlit playback encoders with executors.
Joining the MagicQ MQ250M in the training room will be the 64-universe capacity MagicQ Stadium Connect, a PC-based programming interface with the same programming keyset and dual crossfaders as the MQ250M and MQ500M will also be on display.
As for the chance to win the Red MagicQ PC Wing, visitors simply have to register and attend one of the ChamSys training courses running during PLASA 2021,
Conducted by James Harrison, Dan Coombs and Rebbecca Cadd of ChamSys, the courses include: MagicQ Basics; Intro to GDTF and MVR with MagicQ; Timeline Trackers and Multi Emitter Colour Picker and Getting Started with MagicVis Visualisation. Sessions will be held throughout the day Sunday, Monday and Tuesday. For times and to register, visit the ChamSys website, test
Dominican Republic - The Voice Dominican is being aired for the first time ever in the Dominican Republic and is being run from the largest studio in the country by Procapital Films and RAM Productions.
Paulinho Lebrão, a Brazilian designer, has recently had the opportunity to work on this project. Working for BM Eventos, the lighting, video and sound supplier of the Voice Dominican, Paulinho is the owner of FOH Lighting Control, established in 2009, specialising as a light programmer and operator. He has been using wysiwyg since 2016.
As with everyone in the industry, struggling through the pandemic, Paulinho has been no different, taking this time to focus on his family and expand his skills and repertoire of abilities. Rather than think of it as a negative, Paulinho used the time to evolve into a more forward-ready person, for when our industry kicks back into gear, which he seems optimistic is happening, considering the work coming in.
wysiwyg is used on all aspects of this show as an important tool, because the show is programmed virtually, even before rehearsals start. So, all the details and the process need to be very reliable and wysiwyg delivers that.
The show has a total of 84 Universes running (including lighting and video mapping).
UK - At this year’s PLASA Show, on stand D4, Data Strategy will showcase QC-Check’s integration with SimplyPATS, a software programme that specialises in providing the download of data from over 50 PAT Testers.
This integration was developed to allow QC-Check to import into its database the test results from other manufacturers’ Portable Appliance Testers. It offers the facility to use the powerful QC-Check database to selectively filter equipment requiring a test into manageable chunks of data and download it to the client testers.
The new SimplyPats integration will be demonstrated on an operational, two-bay QC-check workstation. New and existing customers will see the simplicity of adding test results to one database of equipment for which a portable PAT tester is the only logistical solution.
The two-bay QC-Check workstation, custom engineered for Data Strategy by SES Entertainment, features the robust test hardware capabilities of Out Board’s PAT-4 PAT Testers, CAB-5 cable testing, as well as RCD (distro) processors.
UK - Artistic Licence is featuring a spread of new and established products at Olympia.
Commissioner multi is a hand-held tool for testing, programming and configuring DMX512/RDM and DALI lighting installations or fixtures that has already generated considerable interest.
candlePower octo is being officially launched at PLASA Show 2021. It is a DMX512/RDM controlled eight-channel LED dimmer. Each channel can be individually set to constant current (CC) or constant voltage (CV).
sunDial quad is an award-winning DMX512/RDM controlled 4-channel trailing edge mains dimmer. The product works 'out of the box' with dimmable replacement LED bulbs.
For those who use DALI, Artistic Licence will be showing its latest DMX512-to-DALI conversion product, DMXtoDALI quad. With support for DALI DT8 (colour), DMXtoDALI quad is specified for the new generation of DALI products coming to market.
Finally, artLynx uno is arecently launched single universe ethernet gateway. It forms part of our best-selling artLynx range of DIN rail mounted solutions for Art-Net/sACN to DMX/RDM conversion.
USA - The Brooklyn Mirage is an aptly named open-air live music venue located in the heart of New York City’s most populous borough. The sanctuary in the East Williamsburg area of Brooklyn recently reopened after a 15-month hiatus and now greets crowds of eager live music fans with a an IP-rated lighting package from Elation Professional.
The Brooklyn Mirage lies in the Avant Gardner complex, an 80,000sq.ft site that occupies an entire city block. The vast complex includes an indoor space, The Great Hall, and an intimate club space called The King’s Hall, as well as the outdoor The Brooklyn Mirage.
The large courtyard is surrounded by towering walls and is lined with palms and other foliage. Multi-tiered, it includes a balcony that encircles the courtyard, as well as a fourth level overlook called The Crown. The venue hosts all types of events - corporate or private - but thrives as a bastion for electronic music lovers.
Head of production at Avant Gardner is Stephen Wyker, who verifies what many had expected after an extended absence of live music. “Not only are people back, they are back at 150%. Artists were ready to get back on the road and demand for tickets has been sky high.”
Wyker handles lighting design at The Brooklyn Mirage and says lighting wise the overall need was fairly simple. “We wanted a creative lighting package we could use outside and the only way to do that was to use IP65-rated fixtures. When we were looking for IP fixtures in 2019 there was really no other competition to the Proteus Hybrid. We had used 16 of t
UK - MDG is returning to the PLASA Show 2021 as an exhibitor (stand E19) and looking forward to seeing so many of its customers and colleagues face to face. MDG UK’s stand will be beside the Robe stand once again, with plenty of MDG products on show:
The ATMe haze generator will be shown alongside ATMe WPE, the IP55-rated weather-proof and dust-resistant version, designed specifically for the challenges of outdoor use.
The MDG’s Me2 fog generator produces a pure white fog with fine particles in unbelievable volume, governed by the finest of control, while theFAN, MDG’s ultra-compact, variable speed digital fan, can direct the output wherever it is needed.
MDG’s ICE FOG Q is capable of producing ‘beautiful low fog effects’ and will be shown in its high-pressure version (ICE FOG Q HP).
No show would be complete without theONE award-winning dual haze and fog generator (which has seen duty on tour with the likes of Pink, Celine Dion, Beyoncé, Justin Timberlake, Sam Smith, Muse, and many more) and this year’s PLASA is no exception. theONE will be providing the atmospheric effects for the Robe show on the stand next door.
UK - Wireless LED lighting manufacturer Astera will highlight its three newest product innovations - all launched this year - at PLASA 2021 on the booth of its UK distributor, Ambersphere Solutions. PixelBrick, AX2 PixelBar and the AX9 PowerPAR will make their trade show debuts.
Astera’s sales director Sebastian Bückle commented, “PLASA will be one of the first established industry trade shows to take place as events and expos gradually re-start post-pandemic, and we know there is a huge enthusiasm from everyone in the entertainment sector wanting to finally get together and meet face-to-face again after such a challenging and uncertain 18 months.”
PixelBrick is designed for concerts, events, filming, or broadcast scenarios and can also be utilised as a compact, light (1.1kg) and y handy up-lighter like an AX3 LightDrop. It can be hung anywhere and become a universal light for accenting and texturing buildings or facades. For exterior use, its IP65 rating is resistant to rain and other elements.
The AX2 PixelBar is a linear wash fixture with wireless control, onboard battery, individually addressable LEDs, ultra-high colour rendering, digital colour calibration and a 21-degree beam.
As the name implies, the AX9 PowerPAR is a high-intensity, all-purpose everyday LED lighting fixture with battery operation, wireless control, and quality engineering. AX9 is the ‘big brother’ of Astera’s successful AX5 TriplePAR.
Also highlighted on Booth C11 will be Astera’s award-winning Titan family of LED tubes - the original Titan Tube p
UK - In a post-pandemic world, Robe looks forward with a range of new products designed for ‘maximum performance, versatility and operational life aspects for the entertainment and production industry’.
Product wise, there is a big emphasis on Robe’s Transferable Engine (TE) LED technology on Stand E19.
The booth features another eye-catching design with The Show Goes On, inspired by - among other things - rapper Lupe Fiasco’s insightful Billboard Top 10 hit of the same name.
This year’s PLASA show has the additional dynamic of teaming up with ABTT who will be hosting their own theatre-dedicated Hub area of the show floor.
With the performing arts in mind, Robe will highlight its T range of luminaires designed specifically for this demanding discipline - notably the new T2 launched a few months ago and the soon-to-be-revealed T11 which will be previewed.
The stand’s own lightshow will feature 40 x T11 luminaires in action, being seen for the first time in a ‘live’ show situation ahead of its official launch later in September.
The T2 Profile is a high-powered fixture utilising Robe’s multispectral LED engine to achieve next level brightness, colour detail and quality to throw its beautiful light over impressive distances.
Manufacturing the light-engines in-house in its factory in the Czech Republic, Robe offers the world’s first full range of LED Transferable Engine lighting fixtures - an intelligent, powerful, and eco-friendly lighting solution for now and the future which enables different engine
USA - Dierks Bentley’s current Beers On Me tour is providing an emotional and welcoming reunion for the singer/songwriter’s production crew, who are savouring the experience of being together on the road again connecting to fans and entertaining them after a long lockdown.
Contributing to the positive atmosphere at the shows is a deep and immersive Bruce Rodgers production design, engagingly lit by Chris Reade with help from Chauvet Professional fixtures supplied by Christie Lites.
“My job is to piggyback on Bruce's vision, and really push a perspective that pulls fans into the performance and personalities on stage,” said Reade, who with his partner Jay Ballinger, is the owner of Las Vegas-based KYVA Design, LLC. “This design is very much about angles that engage you visually.”
A key component of the set design is a V-shaped video wall. Roughly 50ft wide at its widest point, the LED wall is used to show a mix of upbeat content, IMAG images and textures patterns.
“Sometimes we are unable to hang the video wall in the way it's intended, which is like looking down into a V,” said Reade. “So, working within the angles of the set and the architecture of the lighting design, we make adjustments when necessary, but we always stick to that motif.”
Complementing the colourful video images and washes on the stage, is Reade’s inspired mix of cool and warm white light. Throughout the set are crossing bars of cool light, punctuating them with warm white fixtures in various configurations. The total effect is a balanced blend of
UK - PLASA Show 2021 will reopen its doors this weekend to reunite industry professionals at Olympia London after a two-year hiatus due to the pandemic - and time is running out for visitors to secure their free entry passes.
Taking place from 5-7 September, the show will welcome back leading brands from pro audio, AV, lighting and stage technologies, who will take up residence in Olympia’s Grand Hall alongside the ABTT Theatre Show which is relocating for one year only.
“In light of the monumental shifts felt by the live events and entertainment sector over the past 18 months, PLASA Show 2021 will be people-centred, with inclusive networking spaces, support resources and learning opportunities,” say the organisers.
Free registration ends at midnight tonight, 31 August – those wishing to claim a free entry pass should head over to www.plasashow.com.
Exhibitor highlights include the show’s headline sponsor Robe, who will showcase their latest luminaires including the Forte, T2 Profile, iSeries, LED Beam and Esprite in regular show-stopping presentations. Also exhibiting will be Chauvet Professional, ETC, GLP, Avolites, Artistic Licence and SGM.
For pro audio enthusiasts, in attendance will be L-Acoustics, Shure, Sennheiser and Yamaha among many others. The stage is also set for bespoke staging from Race Furniture and Drapemakers; heavy-duty gear from Area Four Industries and NSP Cases; web-based services from trackingThis and Current RMS, and the
UK - ETC will be returning to the PLASA Show at the Olympia London this year for its joint ‘come-back’ industry event with the ABTT. ETC will be attending the trade show to connect and network with old and new faces, present in-depth product seminars and showcase newly launched fixtures on stand B29.
Sales Manager for ETC Ltd, Darren Beckley comments: “After a long and challenging period for our industry, we are really looking forward to returning to PLASA and catching up with our customers in-person. Throughout the past 18 months, ETC has continued to innovate and develop its product offering and we are excited to share some of those products with visitors to the show.”
Attendees will be able to join a series of seminars hosted by ETC product specialists during the three-day show. The available sessions will explore Comparing Moving Lights, Multi-emitter LEDs and Incorporating Augment3d into your workflow.
ETC’s stand B29 will also feature some of the latest fixtures that the company has launched including Lonestar, Source Four LED Series 3, Desire Fresnel, ColorSource Spot jr and more. For anyone who can’t attend the show, ETC’s online demo studio has product experts available to give tailored one-to-one demonstrations on these and any other ETC products, suited to your needs. Slots can be booked via etcconnect.com.
UK - Avolites heads to PLASA Show in London Olympia this September (stand D17) as the company celebrates its 45th anniversary.
From humble beginnings underneath a Hammersmith railway arch in 1976, the company has been at the cutting edge of major developments in the lighting sector in the decades since. From the first programmable consoles designed to control the then-new intelligent lighting arrays of the 1990s, to the rise of the media server, the virtualised console, and the blending of lights and video into a single visual canvas, the company's products have been instrumental in the success of some of the biggest events in history.
As the industry starts to recover post-Covid, the latest generation Avolites technology is being used on some of the largest tours, stages, festivals, corporate events and cutting edge installs around the world. At this year’s PLASA Show the company will be highlighting the power of its new flagship Diamond 9 console, which features vast screen real-estate, all-new controls, and unique media integration that intuitively combines the control of all visual aspects of a show.
Alongside the Diamond 9 console, Avolites will be showing the latest versions of its Q3 Media Server, that unlocks 4k playback through a single DisplayPort 1.2 connection; the ability of the Titan Net Processor’s networked DMX processing to act as the hub of expanded lighting installations; and how the optical Titan Net Switch can connect FOH to stage over large distances.
USA - There are some productions where lighting is so intricately woven into the story that it becomes part of the narrative itself. Pagliacci falls squarely into this category as it cleaves dramatically between the bright frivolity of a clown’s life and the dark madness of murder.
Keith Arsenault reflected this dichotomy in vivid fashion recently when lighting the St. Petersburg Opera’s production of the Leoncavallo opera. With help from a collection of Chauvet Professional Rogue fixtures, he used bold and subtle changes in colour and brightness to reflect the spiral of events that gives Pagliacci its compelling power.
“Although a ‘one act opera’, Pagliacci is very specifically divided in two scenes,” said Arsenault. “One is set in a bright, sunny Italian day; the other takes place while night is falling. The story gets darker and darker dramatically. As that second scene descends into homicidal madness, the colour palette shifts into a more and more unnatural look.
“At this point, the intensities lower and the follow spots take over,” continued Arsenault. “I also have no issue with having those backlight washes slowly move from the platform stage where the Commedia takes place to the tragedy centre stage. This occurs slowly and steadily, so I doubt anyone actually notices the move, but it works for me dramatically.”
Arsenault deployed 11 Rogue R2 Wash fixtures spread out over three battens: five on the downstage first electric; and three each on the second and third positions. Also in the rig were three Ro
UK - Industry charity Backup has long recognised the technical entertainment industry as an exciting, but challenging place to work and is committed to helping those who face the pressure and stress involved by providing further help and support.
Now, the charity has launched a free helpline that is available 24 hours a day, seven days a week, to provide a centralised access point for both urgent and non-urgent well-being support.
The helpline offers a number of options, from a dedicated Backup counsellor, to direct transfer to other industry charities, including the Music Support Helpline, Theatre Helpline and the Samaritans. Upon selecting one of the above options, you will be transferred directly to the support you require.
The Backup Counsellor option is a free, independent and confidential phone service with a certified counsellor who has a broad experience of the industry and will provide initial support or signposting on mental health and well-being to people working in the live technical entertainment industry. If further sessions are needed, The Backup certified counsellor is available to offer support and to assist with Backup grants.
“Whilst we already have information about a number of resources that can be accessed on the wellbeing section of our website, we understand that it’s never easy asking for help, so we wanted to make it as simple as possible for people to get the direct help they need,” says Backup chairman, John Simpson. “Our hope is that the addition our dedicated helpline will encourage more people to take adv
USA - Chauvet Professional’s aptly named Rouge Outcast 1 BeamWash is a new compact IP65 rated fixture, which weighs only 20.2 lbs.
“The Rogue Outcast 1 BeamWash breaks new ground,” said Albert Chauvet, CEO of Chauvet. “By going beyond the standard beam/wash concept to include an outer ring, we’ve been able to offer designers a compact, but powerful, fixture that opens a world of design possibilities.”
Made up of 97 RGB LEDs, the pixel mappable outer ring features 12 zones of control and can be run independently from the centre pixel beam/wash. A stealth filter hides the outer ring when it’s not in use, so the fixture appears and works as a pure beam/wash.
Designers can control the background colour and foreground effects independently on the outer rim. This allows them to create complex multi-coloured looks on the rim whether they are pixel mapping or using the fixture’s extensive library of built-in effects.
The centre of the Rogue Outcast 1 BeamWash consists of seven bright 45-watt RGBW LEDs capable of producing a 4,073 lumens output. Advanced optics incorporated into the fixture’s design result in excellent colour blending and tight beam effects. (A 3.9ﹾ to 55ﹾ zoom range ensures maximum coverage.)
The Rogue Outcast 1 Beam Wash is loaded with high performance features. Among these are 16-bit dimming of the master dimmer and individual colours. There are six distinct dimming modes for advanced control.
Other features include emulated red shift, selectable PWM settings for broadcast applications, remote acces
USA - Forced from the road in early 2020 due to the pandemic, tribute band Brit Floyd is back after kicking off a world tour 29 July at Red Rocks Amphitheatre in Colorado beneath an all-Elation lighting rig.
The tour is produced and promoted by UK-based CMP Entertainment, who own and supply all of the Elation gear. Elation has enjoyed an excellent relationship with CMP over the years and many of Brit Floyd’s past tours have featured Elation gear.
Chas Cole of CMP Entertainment comments: "Eric Loader was supportive of Brit Floyd in its early days with great product at a great price and even though we’ve worked the equipment really hard it’s held together really well and allowed us to produce a great light show year after year."
Many have had a hand in shaping the Brit Floyd look over the years, a design that echoes Marc Brickman’s original and classic Pink Floyd designs of yesteryear. Mark Jacobson has been designing lighting for Brit Floyd since their 2019 tour and says there is no single designer for the show but has been the work of several designers over many years.
“That would include Dave Hill and Jake Whittingham, along with Mark Jones Roberts, who is out with the current tour, and myself,” Jacobson says. “The show numbers are well-known Pink Floyd classics that have been around now for quite some time and the lighting frame structures of those songs were created before I got involved.”
Jacobson says that band musical director/guitarist/singer Damian Darlington, along with Chas Cole of CMP Entertainment, serve as “th
Australia - Expressions of Interest are now open for Vivid Sydney 2022 under a unified, creative vision - The Soul of Sydney. The vision will inform all submissions across the Light, Music and Ideas programs as well as a new Cross Art Form category.
All sectors of the creative industries are invited to investigate what truly is the soul of the Harbour City - its people, places and essence. Creators from around the world are encouraged to share unexpected stories that will engage, inspire and excite audiences, drawing inspiration from Sydney’s hidden spaces, architecture, global icons, people, food, music and ideas.
Destination NSW chief executive officer Steve Cox said: “Vivid Sydney provides a global platform for artists, musicians, creatives and thought leaders, to continually push the envelope when it comes to creativity. I look forward to seeing the innovative thinking from artists around the world and evolving next year’s program to bring new, exciting and engaging experiences to Sydney for everyone to enjoy.”
Festival director Gill Minervini added: “Now more than ever, it’s important to create opportunities for connection and to celebrate our great city. Vivid Sydney is authentically Sydney, but it’s genuinely global. Inspired by The Soul of Sydney creative direction, we challenge artists to share their stories about Sydney and how it aligns with other great cities around the world, driving change through creativity, identifying what brings us together and celebrating the beauty of our diversity.”
USA/Europe - The High End Systems Lonestar offers the brightness, quality and performance of ETC’s bright white LED framing fixtures in a more compact and powerful package. With 15,400 lumen output and a rich feature set, Lonestar is designed for lighting systems in small to medium-sized venues. The luminaire’s colours, powerful zoom, full curtain framing, diffusion and prism effects make Lonestar a versatile and affordable tool for designers who want maximum performance from a mid-sized automated fixture, says the company.
Automated lighting product manager Matt Stoner comments, “With the Lonestar, we aggressively reduced fixture size and cost to make a luminaire that fills the needs of venues of all sizes and design aesthetics. With punchy output, framing, and a full complement of effects and colour capabilities, Lonestar will bring high quality and professional feature sets to a size and price where professional quality was formerly out of reach.”
Tania Lesage, brand manager for High End Systems, adds, “Lonestar is a simple yet powerful mix of three ingredients: an impressive feature set, ETC’s quality service, and a great price tag. From upgrading your lighting in churches or clubs to switching your school stage to all LED, Lonestar does any job in the most effective, reliable, and economical way. We are very excited to bring this product to the market.”
USA - Main Light has hired Steve Nancarrow to be the rental executive based at the new Main Light West in Las Vegas, NV. Nancarrow’s responsibilities will include business development and client interfacing with professional production companies on the West Coast.
“I'm honoured to be here. Main Light has an excellent reputation in the business and everyone here is among the best,” says Nancarrow. “That is what I love about this industry, first and foremost, the people in it. It's a vast industry but it's a small community representing that industry and you end up seeing the same professionals over and over again. Professionals who are highly dedicated, highly professional, and highly skilled, and that certainly includes the people at Main Light.”
Randy Mullican, general manager of Main Light, LLC notes, “Steve is a great fit for our Main Light team. He knows the business, he has great relationships with so many people in the industry, especially on the West Coast, and he is committed to getting customers what they need to make their show a success. With his almost three decades of experience in a busy production house, Steve really brings a deep understanding of our customers and I know he will provide them with Main Light’s highest quality of customer service. We all welcome Steve to the Main Light team.”
Nancarrow previously worked for 27 years at PRG Las Vegas, most recently holding the position of entertainment lighting representative.