Lighting News

visual-elementsVisual Elements takes control with Vista 3
Thursday, 14 February 2019

UK Equipment rental supplier Visual Elements has invested in a Vista 3 by Chroma-Q lighting & media control system featuring a Vista EX surface - taking its inventory to 18 separate Vista desks.
Established for almost 20 years, Visual Elements provides wet and dry hire solutions to live events clients across the world - including music festivals, theatre shows and film premieres. It is also the in-house supplier to leading London events venue, Tobacco Dock, whose diverse client list includes awards ceremonies, corporate conferences and consumer exhibitions.
A Vista user since the platform launched in 2004, Visual Elements has one of the UK's largest inventories of Vista systems, which range from full size all-in-one consoles to ultra-compact control surfaces.
Visual Elements director, Mike Townsend commented: "Visual Elements has been supplying Vista systems for nearly 15 years. We find it ideal for running large shows on a wide range of events, such as the Pavilion Theatre in Cromer's world-famous End of the Pier variety performances three times a year.
"It's so quick and easy to programme complex lighting designs, and the Timeline feature enables us to perfectly sync the lighting with audio and video running from timecode."
Mike wanted to take full advantage of the Vista 3 software's powerful next generation capabilities by investing in a Vista EX control surface, which is purpose-designed to be used with the new software.
He commented: "I've found it very easy to make the jump to Vista 3. It offers some really nice enhance

soweto-theatreSoweto Theatre invests in Robe
Thursday, 14 February 2019

South Africa - The Soweto Theatre has become a river that has quenched the thirst of art devotees in the busy community of Jabulani in Soweto, near Johannesburg. Staging ongoing productions ranging from poetry to choirs, and beauty pageants to music festivals, the theatre has nurtured both professional and emerging talent.
More recently, the Soweto Theatre took delivery of 20 Robe Robin LEDBeam 150s supplied by DWR Distribution.
“Initially we considered the Robin LEDBeam 100s as part of our venue upgrade,” explained Lebugang Mnisi, technical manager. “Having chatted to Kevin Stannett of DWR, he advised us that the 150s would be a better match.”
According to Kevin Stannett, the Robin LEDBeam 150 is small fixture with a massive zoom range and sweeping beams. Lightweight and compact, it will be useable across all three of the theatre’s venues from the smallest to the largest.
To test their functionality and ability, the units went straight onto DVD recordings for gospel artists including Bishop Ledwaba Live DVD Recording, Joyful in his Presence, Thompho Ephraim Mutika and Hophethehile.
“It is said dynamite comes in a small package, and in this case, this is undoubtedly true,” said Nkululeko Mazibuko, a lighting technician at the theatre since 2012. “The lights may look small but they possess so much power and accuracy. They are easy to setup, easy to use, very light and portable, with sharp clean beams and crisp colour from open white to other colours.”
The theatre has enjoyed a busy calendar, from the Abantu Book

 
 
elcGreen-GO expands global sales network
Thursday, 14 February 2019

The Netherlands - ELC Lighting, manufacturer of the multi-award winning Ethernet-based digital intercom system for event production and broadcast applications, has announced the appointment of two new distributors. These latest appointments bring the brand’s global sales network total to 39 countries, as Green-GO continues to increase its market presence worldwide.
The new exclusive distributor for Green-GO in Slovenia is MK Light Sound, based in Ljubljana. The long-established and highly respected company provides top-end lighting, audio and multimedia equipment and systems as well as consultancy, engineering, installation and technical event production services.
In Thailand, Bangkok-based Broadcast Audio Service becomes the exclusive Green-Go distributor. A systems design and integration specialist founded in 2008, the company provides equipment and services to all major Thai broadcasting organisations.
Speaking on behalf of MK Light Sound, Dean Karov says, “We are very satisfied to begin this cooperation with Green-GO. Converged networking is becoming a standard in our industry and as a technology solutions provider, we needed a simple but effective and capable networked intercom solution.”
Green-GO’s Silvio Cibien says, “We are delighted to welcome Broadcast Audio Service and MK Light Sound to our growing worldwide family. Both companies are highly respected, multi-skilled experts in their fields, and we are confident that the unique offering of the Green-GO digital intercom solution will be a successful fit with all aspects of

 
forge-custom-led-moduleForge develops adaptable LED modules
Wednesday, 13 February 2019

UK - In recognition of the demand for high-performance reliable LED modules, Forge has introduced a custom module to do exactly that.
Forge has also recently developed a <10⁰ optic to suit the module, fulfilling that demand for a tight crisp beam pattern to complement the medium and wide offering. With Forge’s optic design and manufacturing capability, you can also create your own bespoke beam pattern and achieve specific light distribution. All of this is before you even consider your light CCT and CRI requirements - you really can put light where you want it, says the company.
(Jim Evans)

 
 
super-bowl-liii-halftime-show1Elation Rayzor 760 debuts at Super Bowl
Wednesday, 13 February 2019

USA - Los Angeles-based Elation Professional’s home team Rams might not have come out victorious in Super Bowl LIII but the company was a winner nonetheless as its new Rayzor 760 LED wash/beam light played an integral role on the American football championship’s celebrated halftime show.
Held at Mercedes-Benz Stadium in Atlanta and broadcast live on CBS, the Pepsi Super Bowl Halftime Show featured a headline performance by Maroon 5, along with rappers Travis Scott and Big Boi. Production design was by Bruce Rodgers of Tribe with lighting design by Bob Barnhart of 22 Degrees for what is traditionally the most-watched musical event of the year in the USA.
The Super Bowl Halftime Show marked the live show debut of Elation’s Rayzor 760, a LED luminaire with seven 60W RGBW LEDs, five to 77° zoom, continuous pan and tilt, and new SparkLED technology.
Barnhart, who has lit over 20 Super Bowl Halftime Shows and says he was happy to audition the fixture, positioned 45 Rayzor 760s in an impressive 60-yard row behind the large M stage at field level. “When we layout a Super Bowl Halftime light plot we look for different layers that give us effect, scale and diversity,” he stated. “When Eric Loader showed me the new Rayzor 760, I immediately told him I had a place for them on the Super Bowl.”
Barnhart placed the Rayzor 760s on a field truss all the way upstage, close to the first row of seats. “I wanted to use the 760 to colour the air in the background, which becomes a nice layer to offset the beams in the foreground,” the designer e

 
winter-jamBandit illuminates Winter Jam Tour 360
Tuesday, 12 February 2019

USA - The Winter Jam Tour 360, Christian music’s largest annual tour, is out on the road with a lighting package supplied by Bandit Lites. This year’s line-up features Christian music’s top artists and speakers including Newsboys United, Mandisa, Danny Gokey, Rend Collective, Ledger, Newsong, Hollyn with special guest Adam Agee and speakers Greg Stier and Zane Black.
With multiple artists on the roster, production manager Jerry Holcomb and lighting designer Kurtis Wheat had to design a rig that would allow each performer distinct looks while still accounting for a line-up that ranges from a rock show, to a rap artist, followed by a speaker sharing the gospel.
“Lighting can often be a distraction to important moments, so I try to create a look that allows the speaker to be the focus, while still allowing the crew to change over the bands on the main stage,” says Wheat. “No matter the artists or the lighting rig, that will always be the main focus of this tour, so we have to make sure we do our part in not taking away from those moments. This year we decided to go with silver Tyler truss which allowed me to use the GLP X4 fixtures as truss warmers giving the rig a completely different look from the flashy bands and make it a bit more corporate.”
Bandit Lites supplied nearly 400 fixtures, including 120 Ayrton MagicDot-R fixtures, Robe BMFL, Chauvet Rogue RH1 Hybrids, Elation CuePix WW4, Elation CuePix WW2, Elation SixPar 200, GLP X4 RGBW and Martin MAC Auras.
“I try to pick fixtures that are not a “one trick pony” because

 
 
parkwayAyrton Ghibli on Parkway Drive tour
Tuesday, 12 February 2019

Australia - Formed in 2003, Parkway Drive are an Australian metalcore band from Byron Bay in New South Wales with an international following. The band’s Reverence tour in support of their sixth studio album kicked off in Canberra in October 2018 and employed 16 Ayrton Ghibli LED spots for the main beam fixtures.
Lighting provider for the Australian leg of the tour was New South Wales-based ei Productions who purchased the Ayrton Ghibli units just prior to the start of the tour. “This was a complex show with lots of lighting, moving staging and pyro flames, and it relied heavily upon the Ghiblis to provide much of the lighting’s punchy looks,” commented Neale Mace, managing director of ei Productions. “The fixtures were chosen by the band’s lighting designer, Steve Granville, after he heard we were looking at them, and I don’t think I’ve seen a light - especially an LED-based one - have so much punch and colour output, not to mention its zoom.”
Granville positioned the Ghibli fixtures across three flown trusses where, Mace remarks: “They looked incredible. Having seen this show, I’ve never seen an LED based fixture that is as bright as the Ghibli. They also have intense colours and can produce beautiful air / beam effects. We didn’t actually use the motorised framing feature on this tour, but it’s great to know that we can also use them for front truss profile work when needed.”
Granville agrees: “The Ghibli is the first LED profile fixture I’ve seen that is super bright and has a perfectly flat field that doesn’t d

 
dancers-and-lanternsVerity Studios drones in New Year’s Gala
Tuesday, 12 February 2019

China - AG reports that 88 Verity Studios drones were chosen to feature in the CCTV New Year’s Gala. The CCTV (China Central Television) New Year’s Gala is one of the world’s most-watched TV programmes.
This event was broadcast live to an estimated one billion viewers across the globe. With 88 Lucie micro drones flying over performers in red Chinese lantern costumes, this is the largest number of costumed drones ever seen in a performance.
Sponsored by, a leading social media platform in Asia, the show opens to The Distance of Time, sung by popular singer Sun Nan and up-and-coming pop star Jason Zhang. As the song builds, 88 Lucie micro drones fly from the back of the stage like butterflies to dance above the 50 performers dressed as blossoming cherry trees.
“This stunning performance proves how compelling drones can be. More than just flying lights, we’ve shown that costumes can transform this technology into moving sculptures. This is the first large-scale performance ever done with drone costumes,” says Raffaello D’Andrea, founder of Verity and co-founder of Amazon Robotics.
The Chinese lantern costumes adorning the Lucie micro drones were all designed and produced by Léa Pereyre who creates the costume design in CAD software before laser-cutting the materials and assembling the costumes. The drones feature special guards that have pre-defined slots to easily attach costume elements.
Chinese smart media entertainment company, Keey Media, collaborated with Verity Studios on behalf of the main sponsor TikTok to pro

 
 
colour-sound-the-nestColour Sound AquaBeams on the Nest
Tuesday, 12 February 2019

UK - Seventy four of Colour Sound Experiment’s AquaBeam moving lights, rigged on a 25.5m diameter circular truss supported by an eight-legged ground support system, were an integral part of Nest, an immersive lighting, sound and sensory installation experience.
Nest was imagined by artists Marshmallow Laser Feast, in Lloyd Park, Waltham Forest, as part of the Mayor of London’s first ever London Borough of Culture event Welcome to the Forest.
The lights were choreographed to run with a special ‘transcendental soundscape’ created by composer Erland Cooper, who compiled a series of ‘sonic murmurations’, working with over 1000 participants including local choirs, schools and musicians.
Matthew Button of Buttonlight was the lighting designer for this project, one of a carefully curated collection of works celebrating ‘Radicals, Makers and Fellowship’.
Matthew has worked with Marshmallow Laser Feast on several previous projects, and he designs their lighting concepts and displays in close collaboration with others in the team, including Ersin Han Ersin and Barney Steel.
The structure and form of the ring of lights was inspired by the impressive architecture of traditional gas holders - an important industrial artefact of the gas-powered age, much loved by many - which are fast disappearing!
Matthew needed fixtures that were bright and would withstand the cold and inclement January weather, and approached Colour Sound, with whom he also works regularly. The AquaBeams were the chosen solution, and the

 
pearcehire-and-eeaec-managementl-rdeanreesshaunpearcejasonlunnceast-of-england-arena--events-centrePearce Hire collaborates with major UK arena
Tuesday, 12 February 2019

UK - East of England Arena Events Centre (EEAEC) has announced a collaboration with Pearce Hire. The EEAEC is one of the UK’s top event venues, hosting over 300 events, conferences and meetings a year. The multi-purpose events complex sboasts over 9,000sq.m of indoor space and over 250 acres of outside space. With significant and ongoing investment in the venue and its infrastructure, the venue has appointed Pearce Hire as a preferred contractor working throughout the complex.
“With our HQ based in Peterborough we are ideally placed geographically to offer an outstanding level of service and support to the venue, to the organisers putting on events at the venue, and to the exhibitors at all the major trade and consumer exhibitions which take place here throughout the year,” observes Shaun Pearce, managing director, Pearce Hire.
“Having provided services for many years to the EEAEC, we are familiar with the venue, and understand the requirements of many of their regular event organisers coming through the doors year on year. We are delighted to have now stepped onto a more significant footing and to be linked more closely with the venue.”
Jason Lunn, venue director for EEAEC, explains: “Pearce Hire and EEAEC share the same goal to provide the best services possible to our customers. We consider Pearce Hire’s overall production services to be a faultless and wide-ranging offer. We note with pride that the touring productions which come into our venue always rate them very highly.”
(Jim Evans)

 
 
robe-perpetuum-jazzile-329-photo-sasa-huzjakRobe builds layers for Perpetuum Jazzile
Tuesday, 12 February 2019

Slovenia - Lighting designer Gregor 'Grga' Smrdelj helped create a high-profile show by Slovenian vocal group Perpetuum Jazzile at the Arena Stolzice in Ljubljana.
Grga works full time with Event Lighting, one of Slovenia’s leading rental specialists and the show’s lighting equipment provider.
Grga integrated LED and video into his proposal for the stage and production design. It was at the first production meeting that he suggested having the singers on the three different levels, which everyone liked, so they went with it. “I wanted to make a statement, and the idea was that the full profile of all 44 singers could be seen rather than just the front row and everyone else squeezed in behind with only their heads showing.”
Up in the roof of the Arena Stolzice, the Event Lighting crew installed seven straight trusses for lighting positions. Ladders were used from the side trusses to get lights into exactly the right low positions for beaming across the stage.
The Robe count comprised 28 x Spiiders, 16 x MegaPointes,16 x Pointes 12 x BMFL Blades, 48 x LEDBeam 100s and 24 x LEDBeam 150s, distributed all over the trusses.
The Spiiders were used as ‘all-rounders’ for top, back and front light.
The BMFL Blades were on one of the front trusses for key lighting. The shutters enabled them to pick out singers for solos and he programmed some highly effective blade chase that looked uber-cool resembling a barcode scanning effect for a couple of the numbers. The Pointes were used as the traditional effect light.
Eight MegaPoi

 
jean-charlesIn Memoriam: Jean-Charles Juliat
Tuesday, 12 February 2019

France - Robert Juliat has reported the passing of Jean-Charles Juliat, aged 76. Joining Robert Juliat in the 1960s, Jean-Charles became company manager in 1972 and was a driving force behind RJ’s move into theatrical and entertainment lighting.
“This is a very sad news for all Robert Juliat family and friends,” says a joint statement from François and Frédéric Juliat. “We cannot find the words to express the deep sadness that overwhelms us as we pay tribute to our father, Jean-Charles, who passed away today at the age of 76.
“Blessed with a curious spirit, a passion for the entertainment world and its lighting, and a strong personality, Jean-Charles raised us with the same spirit and made Robert Juliat into an enduring family business of which he can be proud. The flame of his presence will continue to shine in our hearts forever.”
(Jim Evans)

 
 
adjADJ expands Focus LED series
Monday, 11 February 2019

USA - ADJ has announced the expansion of its Focus series of compact and affordable LED-powered moving heads. The new Focus Spot 4Z becomes the most powerful mover in the range, offering considerable versatility thanks to an expansive feature-set that includes motorized zoom.
The Focus Series is popular with a wide variety of users, from mobile entertainers to production companies, to applications in bars and nightclubs and houses of worship. With the addition of the Focus Spot 4Z, the range can satisfy the demands of even larger venues and bigger productions, says ADJ.
Harnessing the power of a 200W cool white LED engine, paired with carefully-designed optics, the Focus Spot 4Z generates a striking beam of intense light. Its LED light-source has a 50,000 hour rating, removing the need for regular lamp replacements required for halogen and discharge lamp-based fixtures. The fixture also runs cooler and requires far less power.
An colour wheel has eight options (+open white), while the gobo wheel features six aluminium replaceable patterns (+ open). The rotatable gobos with indexed rotation allow for precise orientation of logos, while the projection can be kept sharp - regardless of distance - using the remote motorised focus function.
The fixture is supplied pre-programmed with an ‘Auto’ lightshow that allows it to be utilised without DMX control for easy operation. Multiple fixtures can also be linked together in a Master/Slave configuration, with three different Slave settings allowing for a synchronised lightshow running offset movemen

 
five-fingerChauvet lights Five Finger Death Punch
Monday, 11 February 2019

USA - Metal band Five Finger Death Punch is famous for forging close emotional connections to fans at its shows. This was very evident on their recently completed arena/amphitheatre tour with Breaking Benjamin, which featured memorable sing-alongs accented by warm audience lighting from Chauvet Professional STRIKE 4 fixtures, supplied by Christie Lites.
John Santos, the lighting designer for the band, had 10 of the STRIKE 4 LED fixtures spread out evenly on the downstage truss during the tour, which ended in mid-December.
“They were my primary source of audience lighting and my blinders,” says Santos. “The show is designed around the skull over the drum kit and the two bats crossed in the back. My general lighting is very raw and aggressive, like the music. I try to create a look that matches the rhythmic and percussive feel of the music to accentuate the heavy hits. But as I am doing this, I also want to use lighting to reach out into the crowd and connect them to the band.”
This crowd connection reaches some of its high points during the band’s famous sing-along moments. “There are some great moments created during sing-alongs for tracks like Jekyll and Hyde and Gone Away,” says Santos. “You can feel the energy in the crowd. My crew chief, Marc Durning, and L2, Axel Noel, who focused the lights every day, did a great job working the STRIKE fixtures as well as the rest of the rig.
“All of us felt that the warm white audience lighting set the mood,” continued Santos. “We liked the way that each cell of the

 
 
avolitesAvolites Arena excites X Factor Malta
Monday, 11 February 2019

Malta - The X Factor landed on Malta for its first season at the end of 2018, culminating in a live final to find the country’s Eurovision 2019 entrant.
The TV series proved to be a big hit on the island, with the ultimate show broadcast live in January from the Malta Fairs & Conventions Centre.
Lighting designer for the series was Ismael Portelli, with Duminku Attard and Juan Vella taking care of the programming. Anton Borg Olivier joined the team for the finals, using an Avolites Arena as his master console to give the last rounds of the contest an ‘extra kick’.
“The Arena has a large surface, with a good number of faders and executors, making it perfect for a demanding lighting show like The X Factor,” says Olivier. “And as well as being powerful, it’s also reliable, which is required for a high profile show that’s being broadcast live.”
Programming duties were spread between Olivier, Attard and Vella. In addition to the Arena, the team utilised an Avolites Tiger Touch II with Wing for white light and a second Arena as backup. Another Tiger Touch II ran the pyros and other effects on a separate network.
All desks ran Titan V11.1, networked using two Avolites TitanNet Processors, one master and one backup.
“Some programming was done off site, since we had very tight schedules, and then the shows where merged together on the main desk,” Olivier continues. “All the songs cues were triggered using SMPTE timecodes, which ensured that all the lighting, vision and effects were triggered corr

 
colour-sound-experiment-md-haydn-cruickshank-with-space-force-and-color-force-ii-72-belowColour Sound Experiment adds Space Force
Monday, 11 February 2019

UK - Event hire and production company Colour Sound Experiment has invested in Chroma-Q's award-winning Space Force and Color Force II 72 LED fixtures.
The Space Force fixtures were recently utilised on the E-sports gaming tournament FACEIT Major London 2018, which culminated in a live final at the SSE Arena, Wembley in front of 10,000 fans and a global TV audience of millions.
Haydn Cruickshank, Colour Sound MD, comments: "As an LED fixture, Space Force’s cool running and no fans means no noise, which makes it perfect for the demands of film and production work. Color Force II has, in my opinion, significantly raised the performance bar again for an LED alternative to traditional cyc, wash and effects lighting sources.
“Colour Sound has been using Chroma-Q LED fixtures for more than a decade. With innovative products such as theirs, we've built up an extremely strong offering for entertainment lighting over the years, and we have now expanded into our fourth warehouse this year."
(Jim Evans)

 
 
lessons--carolsphoto-by-hayden-antal2Elation at Knoxville’s Lessons & Carols
Monday, 11 February 2019

USA - When Knoxville-based Shoreline Church, Hope Fellowship Church and City Church came together in December for a night of scripture and song called Lessons & Carols, Harmonic Audio and Concert Productions of Chattanooga accentuated the evening with mood-generating lighting using their inventory of Elation Professional lighting.
“Chuck Hooten, worship pastor at Shoreline Church, wanted to create a new tradition in Knoxville and came up with the Lessons & Carols concept, which combines teachings from the story of Christmas with music,” explains Harmonic’s Drew Hornback, production designer for the event. “It was an inaugural event and we turned to our Elation lights to accent what they were doing.”
Held in Knoxville’s historic Bijou Theater, Harmonic was called on to create a ‘massive look’ with lighting as the stand out element of the show. “They wanted an immersive design so we went to Capture and designed a rig that highlighted the Artiste DaVinci as our profile with Fuze Wash Z350s adding colour,” says Hornback, who also handled lighting design and lighting programming duties.
Lessons & Carols was Harmonic’s first show using their zoomable Artiste DaVinci LED moving heads and Hornback says they provided them with a great look. “The DaVinci was the right fixture for the job,” he states. “The CMY colour mixing and the gobos provided incredible texture to the stage. They really gave an impactful punch at an incredible price point. You can’t find another light like it.”
Eight Artiste

 
fredfoster1ETC CEO Fred Foster passes away at age 61
Friday, 8 February 2019

USA - ETC has announced that Fred Foster, its co-founder and CEO, has passed away at the age of 61. Foster started ETC in 1975 with the goal of installing the first memory lighting-control system in the New York Metropolitan Opera House. He went on to develop a wide range of innovative products including Mega-Cue, perhaps the first console to utilise digital multiplexed data over two conductors between the desk and dimmers; the Concept console that led to the Expression / Express line of control desks; the Obsession Console and the Sensor Dimming System. He also contributed to the design of the Eos, Congo and Ion desks and led the commercialisation of what became the Source Four family of spotlights.
A statement from the company reads: “Foster was a visionary, an innovator, and a role model. The ETC culture of family, support, and encouragement is attributed to Foster and his vision of a creating a people-focused environment. It’s difficult to put into words what it has been like to work for and with such an inspiring leader.”
“One of Foster’s greatest qualities was his ability to bring people together and rally them around a goal or a vision. Whether it was a new product technology, a tradeshow booth design, or an employee meeting space, he was always creating, always making, and always giving. His ideas were big, and his heart bigger.”
Foster is credited with countless industry contributions, ranging from product innovations to student mentorship programmes. He has been recognised repeatedly for his philanthropy from a number of organ

 
 
westview-productions-check-presentation-to-btsWestview Productions makes first BTS donation
Friday, 8 February 2019

USA - At the recent NAMM show, Westview Productions presented a cheque for $5,162.32 to Behind the Scenes as their first donation to the charity as a new Pledge-a-Service Partner.
Westview is an entertainment, energy, and immersive technology solutions firm headquartered in Denver, Colorado. Their project process encompasses all aspects of design that integrates with all construction trades to ensure a cohesive and seamless project experience. Westview has global experience in lighting, motion control, audio and AV systems, media, and architectural systems allowing them to provide comprehensive services as a sole solutions organisation.
On presentation of the cheque, Eric Bloom, president, states: “I feel so strongly about the Behind the Scenes Foundation’s efforts, that it’s a great pleasure to be able to support the foundation this way. Helping to support our colleagues in a time of need, especially with funds from service work that came directly from the industry is really special. We are just pleased to be able to give, even in a small way, to such a beneficial organisation.”
Rick Rudolph, the chair of Behind the Scenes, commented, “We were thrilled to receive such a wonderful first-time donation from Westview. Their generosity sets a benchmark for other service companies and helps to ensure we will be able to assist the many people coming to us for assistance. We thank them for their commitment to the programme and challenge other service companies to follow their lead in caring for our colleagues in need.”
The Behind the Scen

 
fultontheatreoutsidedayClair Solutions helps historic theatre upgrade
Friday, 8 February 2019

USA - The Fulton Theatre in Lancaster, Pennsylvania’s long history began with its first production in 1852, launching decades of dramatic productions that cut across genres and that reflect the nation’s journey from before the Civil War to the present.
Shortly after its 100-year anniversary, the Fulton Theatre earned designation as a National Historic Landmark. Despite its age, the building has only undergone a handful of major renovations, the last one occurring between 1994 and 1995 and the one previous to that occurring in 1908. Constrained by outdated stage rigging and lighting, the Fulton Theatre worked with AVL integration firm Clair Solutions on a $1.3m upgrade.
Bill Simmons is Clair Solutions’ senior lighting designer and the person who led the project at the Fulton Theatre. “I first worked at the Fulton Theatre in 1979, when I was a freshman at Franklin & Marshall College in Lancaster,” Simmons explains. “I started full-time work there in the summer after I graduated and stayed on as the resident lighting designer for the next 15 years. The 1994-1995 renovation reduced its seating capacity to 680 and made a clean transition to support dramatic productions over its previous vaudeville setup. In recent years, executive artistic producer Marc Robin has made musicals a specialty of the Fulton Theatre.”
The biggest challenges arose from the building’s “vintage” wooden grid and the sheer age of the lighting infrastructure.
“Almost no theatres have wooden grids these days,” Simmons observes. “We wanted to repla

 
 
robe-chamorro-city-hall-bogota-cha192250022Robe specified for Chamorro City Hall
Friday, 8 February 2019

Columbia - The Colombian entertainment technology and production industry is full of colourful personalities, and one of those is Andres Chamorro, entrepreneur event producer who has been an industry trailblazer for 25 years.
His very successful rental company is Chamorro Iluminación and his most recent ventures include opening two major live event venues – both called Chamorro City Hall – one in his hometown, the bustling metropolis of Bogota and another identical space in the vibrant commercial hub of second city Medellin.
Andres has invested in Robe moving lights to ensure that clients can receive the best and most comprehensive lighting packages when they are utilising these landmark venues which are unique in Colombia.
The 4000 capacity Bogota Chamorro City Hall is located in the north of the city and it’s already been a huge hit; an open space offering a full production set up - staging, lighting, sound, video, rigging, etc - tailored to each client’s needs, be it a band, a corporate entity or a private individual.
The City Hall venues are acoustically treated for noise containment as they are both in residential areas and artists can have identical technical production for two locations, so they can easily do double shows.
Andres likes the multi functionality of the most recent Robe products – BMFL, Pointe, Spiider, MegaPointe, and the fact you can do a lot with less actual fixtures, and because they are appropriate for so many different sectors.
Their Robe fixtures are used extensively in the TV work they servi

 
davidoClaypaky packs a punch for Davido at O2
Friday, 8 February 2019

UK - Nigerian music star Davido wowed 20,000 adoring fans with his epic production at London’s O2 Arena, lit by show designer Anthony Hazelden using Claypaky’s Mythos and A.leda B-EYE K10 fixtures.
Briefed with creating a production on the same scale as a Nicki Minaj or Drake concert, Hazelden took to WYSIWYG to plan a show for the artist, which included a catwalk and a flying stage. “I knew Davido wanted the production to be enormous,” Hazelden says. “As soon as I understood his vision, I began to draw out the rig to make it work for the different areas of stage.”
The set heavily featured video content displayed on a 10m x 4.8m video wall. “The Mythos were the main fixture over the stage,” explains Hazelden. “I needed a bright fixture that could punch through the video wall. I used Mythos’ gobos to create a number of different looks, and for each the light was still visible against the video running at 100%.” The Mythos is equipped with two gobo wheels as standard, including six beam reducers.
“The fixture is fantastic as both a beam fixture and as a spot,” says Hazelden who made the most of the Mythos’ 4-50˚ zoom range for various looks throughout the show. “The PAN/TILT capabilities are great, and it doesn’t struggle when I needed them to move at full speed.”
The 24 x A.leda B-EYE K10s were rigged on the truss at front of house and were used as crowd and effects lights during the supporting acts. Throughout Davido’s performance, they were employed as the main stage wash light. “The colours are accurate

 
 
theohphotocredit-swdphotographyThe Oh! celebrates 25 Years with Chauvet
Friday, 8 February 2019

Belgium - For The Oh! dance music club night in Belgium, a tried-and-tested formula of world-class DJ sets and a string of high-profile singles is proving to hold the key to its popularity and longevity, which recently reached the quarter century milestone.
To celebrate 25 years of The Oh!, both old and new generations of Belgian dance music lovers were united in a recent anniversary party that reflected all of the excitement and energy that have made the club famous.
Tasked with providing energetic visuals for The Oh! once again was Belgium design house CRS Rental Solutions, which designed an immersive stage set-up with a Chauvet Professional rig that included 32 STRIKE P38, 12 Maverick MK2 Spot, 19 Rogue R2 Wash, 46 COLORdash PAR H12IP and 24 Rogue RH1 Hybrid fixtures.
In order to build the visual centrepiece upon which artists could perform, Thomas Vandekerkhove and his team at CRS peppered the rigging structure above the stage with the STRIKE P38 fixture. As a result of the combination of audience blinder and strobe, the punchy 90W warm white LED source was on hand to elevate the EDM DJs taking to the stage by evoking that classic feeling of ‘90s dance parties.
"The P38s awarded the fairly cavernous venue with a proper club ambience," commented Vandekerkhove. “In addition to strobing and blinding effects for visual energy, the warm white tungsten effect ensured that we could introduce a classic house vibe to the stage, which really transformed key moments within several of the performances.”
While the P38s provided the famil

 
myrkurDavid Howard powers Myrkur With ChamSys
Thursday, 7 February 2019

UK - Danish sensation Myrkur captivates audiences by weaving wildly different musical influences into a single performance experience that is as beautiful in its simplicity as it is unsettling in its complexity. On her 2018 northern European tour, which ended in December, the gifted multi-instrumentalist dramatized the breadth of her musical vision by dividing her show into two distinct parts: the first devoted to traditional folk music, the second to black metal.
Despite this stark contrast, the show flowed seamlessly, driven by the artist’s passionate performance and supported by a multi-faceted production design by David Howard with a lightshow that was run on a ChamSys PC Wing.
“The show itself is split into two,” said Howard. “It starts with Folksange, a set of folk music from all over Europe played on traditional instruments. Afterwards, the stage falls to darkness before transitioning into an atmospheric black metal set. The show is designed to progress, with the metal set juxtaposing Folksange, but both have consistent design elements.”
Key to creating the unifying design was the floor package that Howard created. Consisting of 10 “trees” of varying heights topped with LED tungsten-style lamps fitted with special RGB backlights fitted in custom-fabricated mounts, the design evoked images of a forest of light on stage.
To distinguish the two sections of the show, Howard used the LED filament for the folk portion and then turned down the intensity level with dynamic strobing and colour effects for the black metal set. T

 
 
 
 
 
 
 
 
 
 
 

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