Dante networks MNK Studios in Dubai
- Details
“I went with Dante because I wanted to route audio signals for our various requirements seamlessly,” said Miltiadis Kyvernitis, founder and engineer-in-chief of MNK Studios. “Quite frankly, it was the best decision I made for the facility.”
The facility's primary goals were to have acoustically isolated rooms designed for superior live instrument performances and the best-sounding rooms for recording. While the live rooms primarily serve as rehearsal spaces, they’re often also used for podcasts and video shoots. Two rehearsal rooms, Studio M and Studio S, are each 320sq.ft in size, with sound attenuation of approximately -55 dB.
The main live room of the facility, Studio B, is 700sq.ft and connected to both control rooms via Dante. With sound attenuation at around -65 dB, Studio B also serves as a multipurpose room, with in-room stereo and multitrack recording abilities, ADR for film, music rehearsals, video shoots, and podcasts.
Up to 24 audio channels (expandable) are transmitted bidirectionally between Studio B and both recording studios via a Dante-enabled Avid MTRX with negligible latency, which is suitable for recording anything from a single instrument to a live band. The audio is transported to the respective MTRX Studio Interfaces in Studio 1 or 2 using Dante Controller and then routed to Avid Pro Tools through DADman control software running on a MacBook Pro.
The control rooms use Dante AVIOs for system audio playback. The ability to route any audio coming from the MacBook allows the studio to record that audio and transmit it without requiring third-party software. It also allows them to route their talkback microphone into other software, such as Zoom.
In Studio B, an Allen & Heath Avantis digital mixer - equipped with two Dante expansion cards for connecting inputs and outputs - was connected to an Allen & Heath DT168 Dante expander and DT164-W preamplifier for session recordings. Using the second Dante card on the Avantis, the studio can multitrack record up to 32 channels from the Avantis to the MacBook Pro, which uses Dante Virtual Soundcard to route the signal to a REAPER digital audio workstation.
“One of the biggest benefits of Dante has been the huge reduction in the number of XLR cables that need to run from the live room to the control room, and the ability to route signals to and from both control rooms provides a good backup in the event one of them is unavailable,” said Kyvernitis. “Using Dante has made our workflow efficient and flexible to the needs and requirements of any task that comes our way.”
