UAE - Sennheiser has introduced a free firmware update for its Team Connect Ceiling 2 microphone solution for conferencing audio in business and distance learning applications
“We have many happy TeamConnect Ceiling 2 users across the globe, and we asked ourselves: What if they could use their existing tech for even more?” says Jens Werner, portfolio manager in Sennheiser’s Business Communication division. “This was the starting point for designing the latest software update which adds the TruVoicelift functionality to TeamConnect Ceiling 2. It endows the mic array with many innovative features for perfect audio all the way to the back row.”
For existing TeamConnect Ceiling 2 (TCC2) implementations, users can now add the TruVoicelift functionality simply by installing the free firmware update (1.6.4) via the new version of the Sennheiser Control Cockpit app (4.3.0).
Depending on the size and configuration of the room, additional TeamConnect Ceiling 2 microphones can now be installed as audience mics, thus creating a completely touchless microphone solution that reduces potential hygiene risks.
TruVoicelift is powered by an advanced frequency shift algorithm that delivers a few crucial extra dB of gain – an enhancement that could make all the difference to clarity. At the same time, TruVoicelift also includes a “feedback prevention mute” function – if levels should get too loud, TCC 2 briefly mutes to prevent any feedback. Speakers can therefore relax and focus on their presentation, knowing that TeamConnect Ceiling 2 will p
USA - Chauvet Professional has introduced the Maverick Force 2 Profile and Maverick Force 1 Spot.
“We developed the new Maverick Force series to address the demand for compact, but powerful fixtures that our touring and broadcast customers have been asking for,” said Albert Chauvet, CEO of Chauvet. “Smaller framed, easier-to-handle fixtures are especially well-suited to today’s social distancing environment where limited set-up crews are expected to do the jobs that were once performed by more people.”
The units are not only designed to be lightweight and compact, their output also has force from power-packed advanced LED engines. Weighing in under 60lbs (27.2kg), the Maverick Force 2 Profile is powered by a 580-watt LED engine that produces an intensely bright 21,000 lumen output. Tipping the scales even less than its stable mate, the under 50-lb (22.7 kg) Maverick Force 1 Spot features a 470-watt LED engine capable of blasting out 20,000 lumens of brightness. Both high-output fixtures produce an array of hues from brilliant reds to soft pastels with CMY+CTO color mixing and an added color wheel with CTB and CRI filters for design flexibility.
Maverick Force 2 Profile features a quick four-blade framing shutter system with 120-degree rotation for precise control, a 7° to 55° zoom to cover a wide range of areas, and 16-bit dimming for smoother fades. Added versatility is provided by its five-facet prism with frost, motorized iris, two rotating gobo wheels, and animation wheel. Maverick Force 1 Spot’s effect wheelhouse has one rotating
USA - Pliant Technologies has announced the CrewCom CB2 Professional Wireless Intercom system. The latest member of the CrewCom family is designed for small to mid-level applications requiring a reliable, great sounding wireless intercom with excellent RF coverage and range.
Available in both 900MHz and 2.4GHz frequency options as well as 900MHz Oceania and 2.4GHz CE compliant models, the system includes the CrewCom CB2 basestation and up to six CRP-12 two-channel radio packs to create a powerful but economical wireless intercom system. This latest solution from Pliant provides customers with two intercom channels as well as interconnectivity to all industry standard two- and four-wire intercom systems.
“Ideal for a wide range of applications and budgets, the new CrewCom CB2 is perfect for customers who are looking for an intercom with more capabilities than our MicroCom products, but do not require roaming or the full feature set of our larger CrewCom system,” says Gary Rosen, vice president of global sales for Pliant Technologies. “As a member of the CrewCom brand, CrewCom CB2 offers a lower cost per user with the excellent RF and audio quality of the CrewCom system - allowing customers to benefit from the exceptional performance of CrewCom technology, at a lower price point.”
Based on the same RF and audio technologies as Pliant’s successful CrewCom system, another feature of the CB2 is system expandability. Two CB2 basestations can be connected and the audio synced to create one system with up to 12 full-duplex users. Two separate CB2
USA - ETC’s F-Drive LED power system has been expanded with the addition of F-Drive W1 Chroma. The wall-mounted LED driver is compatible with Navis 100 RGBW luminaires, offering a new solution to control colour-mixing LED fixtures.
F-Drive makes the critical components controlling an LED system accessible, utilising familiar category type cable with RJ45 connections. All F-Drive solutions control your LED luminaires via DMX with RDM configuration, management, and monitoring. For simple connection to Navis RGBW, the W1 Chroma offers a single output for up to four uniquely addressable luminaires. The driver is convection cooled, making it ideal for noise-sensitive environments.
With the addition of W1 Chroma, F-Drive now has more options for locations where a centralised driving solution is not required. Together, F-Drive power controls and Navis luminaires offer one robust LED system for any space. Users can schedule a one-on-one virtual product demo with an ETC team member at www.etcconnect.com/schedule-a-demo.
Denmark - GRAS Sound and Vibration is introducing two new products: GRAS 12BA and 12BB microphone power modules aimed at engineers who need to power CCP measurement microphones and would like “seamless integration of microphone sensitivity data via TEDS”.
These single-channel (12BA) and four-channel (12BB) USB-powered modules provide integrated TEDS support and are competitively priced for production test applications, saving time during setup and configuration.
The 12BA and 12BB power modules can be used with any audio analyser, with TEDS data accessed in two ways. When paired with Audio Precision's APx audio analyzers, TEDS can be read directly via the APx500 software. For use with other analyzers, TEDS data is available through the Mic Power Module App, a command-line interface for TEDS data output. The software and app ensure the accessibility of TEDS data.
ETC has announced the release of Hog 4 OS v3.15 software, which includes enhancements to MIDI mapping of third-party control panels, adding tap tempo for effects and internal effect engine optimizations. This version also contains new keyboard shortcuts a number of bug fixes, listed in the release notes.
Hog 4 OS v3.15 is available for download at www.etcconnect.com.
Entertainment controls product manager Sarah Clausen comments: "We are happy to bring improvements to MIDI mapping in this release to follow on our opening up of MIDI/OSC control of encoders and faders in the last release. And many users will be happy to see implementing tap tempo for effects."
USA - Audinate, developer of Dante AV networking technology, has announced the availability of a software development kit (SDK) for manufacturers of Arm-based audio products. This SDK lets manufacturers deploy Dante audio networking as on-chip software in their products, reducing costs and conserving on space while delivering world-class audio performance.
The Dante Embedded Platform SDK provides the tools needed to develop Dante-enabled products built upon 32- and 64-bit Arm Cortex-A processors using a Linux operating system, and supports online license activation for OEMs. The SDK allows manufacturers to validate their own designs for performance and capability, ensuring solid reliability for end users.
“We’re very pleased to offer the first SDK for Dante as software,” says Nick Mariette, product manager at Audinate. “We’re just beginning to see the changes brought to the AV industry through families of software-based products. Arm-based audio devices are incredibly flexible and cost effective, and now Dante can be integrated in to deliver a truly great customer experience.”
In addition to support for Arm Cortex-A processors, a Dante Embedded Platform SDK for x86-based audio products is anticipated for release in the near future.
USA - MXL focussed on the complete Revelation line during Believe in Music Week, including its original Revelation, the Revelation II, which was announced earlier this year, as well as the most recent Revelation Mini FET.
Borrowing concepts from the renowned Revelation tube microphone, the REV II offers musicians the clarity and versatility of the classic Revelation but is more accessible to musicians on a budget, says the company.
Offering the itube mic sound, the REV II is designed for capturing ‘crystal-clear vocals and instrumentals for a variety of genres’. Although geared towards studio use, the Revelation II is a versatile and flexible solution that is suitable for both home and studio recordings, and its simple set up makes it an appropriate solution for recording while on the road. Adding to the mic’s versatility, the mic’s polar pattern selection is virtually limitless, controllable by a variable pattern control knob.
“With the REV II, our customers are falling in love with its classic sound all over again,” says Trevor Fedele, director at MXL Microphones. “Today, with most artists working remotely, the last thing we would want is the musical element to be lost. By making high-quality solutions more accessible, we aim to contribute to a seamless experience for both in-person and virtual productions. The MXL Revelation II is sure to take your next performance up a few notches - whether it’s in-person, live-streamed or pre-recorded.”
When Hunter Wolfe, guitarist and vocalist of Born Crooked, was forced to switch gea
Italy - Ever since its release in 2013, Powersoft’s M-Force linear transducer has redefined what was possible in the realm of infra-bass, reaching well below the conventional frequency range.
The Italian manufacturer has sought to push its boundaries even further with the introduction of the new and improved M-Force 301P02 and its associated reference designs, which have been created to ensure that everyone from AV professionals to amateur speaker builders will be able to benefit from the company’s powerful technology.
“Although the original M-Force has had a great life cycle, we knew that the time was right for our patented infra-bass technology to take another leap forward,” said Powersoft’s sales manager for OEM solutions Giacomo Previ. “This new iteration of the M-Force linear motor transducer comes equipped with high voltage and high current connectors and a whole range of internal electromechanical improvements. We’re so excited to share the new M-Force with the world, and we can’t wait to see what our fellow audio innovators will be able to create using this new technology.”
The patented M-Force moving magnet linear motor structure allows “extraordinary levels of efficiency and reliability, making it the perfect choice for high efficiency, high SPL low-frequency sound reinforcement applications”.
The implementation of the M-Force technology is now easier than ever, thanks to the 301P02 - a complete solution that enables all levels of speaker builders to incorporate the M-Force into any design with absolute confi
USA - ADJ has introduced the latest edition to its range of lighting control solutions, The Link. This hardware/ software system combines the processing power, wireless connectivity and multitouch screen of an iPad with lighting-specific tactile controls and a four universe DMX interface to deliver a control solution.
The Link fills the void between small single universe DMX controllers and large format lighting consoles, says the company. It is designed to simplify control for aspiring lighting designers, small production companies, churches, community theatres and performances spaces, providing a new connection between lights and creativity.
The ADJ Link control system is powered by the dedicated Airstream LINK iOS App for iPad, which is available as a free download from the Apple App Store. This lighting control platform includes an extensive fixture library, making it easy to setup for different shows and equipment configurations. It incorporates powerful tools to allow the easy creation of complex movements and colour chase effects, and allows the iPad’s memory to be utilized for storing custom scenes and shows that can be quickly re-loaded when required.
The software also makes use of the iPad’s precise touchscreen interface to facilitate actions such as colour mixing and drawing custom movement shapes.
To augment the iPad’s screen interface, the Link hardware offers a selection of ergonomic controls designed to give lighting designers the hands-on experience of a traditional lighting console. Four large rotary encoder wheels, with
USA - Meyer Sound has announced immediate availability of Leopard-M80 narrow coverage linear line array, a new variant of the Leopard loudspeaker designed for focused coverage and long-throw applications. Leopard D-M80 is identical to the existing Leopard design except that it provides a precisely controlled 80° horizontal pattern instead of the 110° coverage of the original model.
“Leopard has been one of the most successful loudspeakers in our company history and is by far the best-selling member of our line arrays,” notes Meyer Sound vice president and chief loudspeaker designer Pablo Espinosa. “With the introduction of Leopard-M80, we will extend this remarkable success by offering system designers more options for tailoring coverages to the exact requirements of the venue.”
Because the vertical coverage and rigging hardware are identical to the original Leopard, the new M80 may be configured in mixed arrays of both loudspeaker variants. Leopard-M80 loudspeakers in the upper array section provide focused long-throw coverage while Leopard loudspeakers below spread horizontal coverage for closer seating sections. Arrays configured with only Leopard-M80 loudspeakers can offer a long throw with reduced spill to the sides of the array. This can be advantageous in narrow venues with reflective side walls as well as in outdoor applications where side spill into adjacent areas must be minimized to conform to noise regulations, says the company.
“With Leopard-M80 we are offering system designers and rental companies yet another option to crea
Europe - KV2 Audio has introduced the CS Series loudspeaker range that has been specially designed to deliver ultra-high vocal intelligibility and music reproduction in a compact form factor. A variety of flexible mounting options and easy connectivity make the CS range a candidate for the corporate and rental markets.
The range consists of three two-way passive loudspeakers; the compact CS6, the medium sized CS8 and the larger CS12. Voiced for speech and utilising KV2’s analogue delay line first developed in the ESD series, these discrete solutions are able to cover surprisingly large areas with relatively few boxes, providing results in even the most challenging acoustic environments.
For rapid deployment the focus was placed on easy handling and quick connectivity. Accessories include a KV2 pole mount for speaker stands, as well as vertical and horizontal brackets with a precise tilt angle setting. The M10 fixing points cater for other standard accessories such as spigots, clamps and couplers.
The low profile trapezoidal cabinet design offers 35 and 55 degree angles, which also makes the CS range perfect for a variety of personalised monitoring situations.
The easy handling and connectivity of these boxes means less time is wasted during set up, with a 1+/ 2+ speakON connection, switchable in the field, allowing an additional speaker ring to be run independently down the same cable. The CS6 also features speakON connectivity in the top and bottom alongside the rear panel for neater cabling possibilities on a truss.
Europe - Yamaha has announced a new addition to its professional loudspeaker range, the MSP3A powered monitor, building on the sound reproduction and convenience of the much-loved MSP3.
Yamaha’s MSP3 has long been a fixture of many different applications, thanks to its audio quality, compact size and convenient, front-mounted controls. The MSP3A builds on this legacy by adding key new features, including Yamaha’s Twisted Flare Port technology, which delivers an even clearer and tighter low-end, with faithful reproduction across the entire audio spectrum.
The built-in 22W power amplifier is optimized for the speaker unit, which comprises a 10cm (4” ) woofer and a 2.2cm (0.8”) tweeter, for a clear and natural reference sound. The compact 23.6 x 16.7 x 14.4cm (9.3 x 6.6 x 5.7”) cabinet weighs a mere 3.6kg (7.9lb), making it easy to reposition and move to different locations.
Like its predecessor, the MSP3A has multiple (RCA, XLR and 6.3mm) input connectors, level and low/high tone controls. It is compatible with a variety of optional brackets, making it suitable for a wide range of uses. These include audio monitoring in settings from studios, broadcast, post-production suites and other commercial applications, to monitoring audio from digital musical instruments and computers.
A reinforced metal grille ensures that the woofer enjoys maximum protection, which is especially useful for mobile and touring applications.
Included in the MSP3A for the first time in this loudspeaker series, Twisted Flare Port technology is a form of aero
USA - Christie has launched the new Pandoras Box V8 Software Licence for realtime video processing and show control.
Featuring a host of new features, a simplified workflow and streamlined licensing, the licence has the full Pandoras Box software family feature suite, allowing it to deliver the high-level media processing performance required for fixed installations, live events, theatres and other entertainment environments, in a budget friendly platform.
The simpler, more robust software supports NDI network streams, offers a comprehensive and deep implementation of Notch and accessibility to native Dante audio without requiring configuration. It can be paired with an existing custom setup or any Christie hardware such as the Pandoras Box Server R5, a new hardware solution with powerful components available in different specifications.
“Pandoras Box software Version 8 is a great leap forward in terms of the flexibility and workflow it offers,” says Markus Zeppenfeld, product manager, Christie. “With this new software version, we’ve kept the core appeal of Pandoras Box by combining the feature sets of all our existing software licenses into one single package and offering it to every level of Pandoras Box user. This solution will deliver more value, quality, features, performance and further streamline the creative efforts for our partners, be they consultants, integrators, rental stagers or end users.”
One Pandoras Box software product license will now unlock all functionality within the range - previously comprising Server, Player
UK - Avolites has launched its new flagship Diamond 9 (D9) console, available in two versions: D9-330 and D9-215. The consoles are the result of years of technical innovation from the Avolites team, utilising their 45 years of industry experience, feedback from designers across the industry and award-winning industrial designers to create “the ultimate control surface”.
“The Diamond series is designed by visual designers, for visual designers and everyone in-between to intuitively combine lighting, media and other visual aspects of a show together,” the company says. “Each screen, fader, encoder and button has been meticulously thought over, so the console becomes an extension of the designer to give them totally unhindered creative freedom to power their ultimate shows.”
Bringing a new distinctive look and feel to the console, the main front panels are machined from a single sheet of sleek aluminium with high-end finishes. The D9-330 boasts 11 ultra-bright touchscreens, including three main workspace screens, three for media preview, and specific screens for attribute control and softkey short cuts. The new motorised touch-sensitive Penny & Giles faders and new encoders each have their own RGB bar graphs, so levels can be monitored at a glance. There’s also a return of the backlit integrated keyboard.
The right-hand side of the D9 offers five encoder wheels, a T bar for controlling scene masters and a new set of bespoke buttons carefully positioned to help ensure finding them becomes second nature for users.
“I had the pr
USA - Imaginary Labs has announced the release of their premium subscription-based DMX plugin, Carbon for Unreal. It provides “the tools and assets necessary for professional, real time productions within the powerful framework of Unreal Engine.” Producers, designers, and virtual production professionals will now have a “singularly powerful solution for design development, renderings, visualization, and XR productions”.
David S. Perkins, CEO & chief architect of Imaginary Labs states: “Trustworthiness is the most important aspect of visualization. We want users to trust that what they are seeing in Carbon is a realistic representation of what they should expect to see in the real world. We are devoted to getting this right. At Imaginary Labs, we subscribe to the scientific method, with an open mind towards constant improvement. Combined with our devotion to service, we have built a solid foundation that meets the demands of today and can evolve to meet the challenges of tomorrow.”
“Before Carbon there were no real-time tools to give designers, producers, and video professionals an amazing image quality with an easy-to-use workflow and interface,” notes Tom Thompson, chief relationship officer, Imaginary Labs. “Now with the Carbon for Unreal plugin we can offer tools and assets that had not been available for the needs of the entertainment and event industry. Carbon doesn’t just add to the possibilities of creativity during visualization, it enhances the entire visualization process. That is why we, and many of our beta-testers, co
USA - ETC has added a new option to its ArcSystem Pro family of LED solutions. Building on the success of the popular Pro One-Cell High Output luminaire, ETC now has a yoke variant available for purchase.
The High Output version of the Pro One-Cell yields 8700 field lumens and is available in 2700 K and 3000 K color options. Featuring the same optics as its recessed counterpart, the new Pro One-Cell High Output variant has an adjustable yoke that can be mounted or clamped in spaces that were once challenging to light.
All ArcSystem Pro solutions are designed for “ease of installation, high-quality light, and smooth dimming”.
France - 25 years after the launch of the 15” point source cabinet PS15, Nexo has unveiled the P15, its new top-of-the-range 2-way passive/active speaker which offers a combination of heritage and contemporary design engineering.
This model completes the P+ Series, a range of powerful compact speakers which offer advantages of scalability, compatibility and performance to multiple market sectors, many of which are currently adapting to new operational models.
“The versatility of the P+ Series is especially relevant at this time,” comments Gareth Collyer, Nexo’s sales & marketing director. “As venues and production companies have to redefine indoor and outdoor audience areas to accommodate social distancing, the portable power and interchangeability of the P+ Series cabinets is very useful. The P15 is the ideal multi-purpose audio product for theatres, cultural venues and sportsgrounds, extending their ability to handle different repertoires of performance and events.”
The P15 is a powerful 15” coaxial loudspeaker, designed for FOH and monitoring applications, which can be used with or without its companion subbass, the new L18. It offers modular directivity that can quickly and easily changed by the user.
The P15 features all the hallmarks of Nexo’s new P+ Series point source category, as seen in the P8, P10 and P12 models launched within the last 15 months. The curvilinear enclosures of custom birch and poplar plywood are unique to the P+ Series, the bent wood delivering significant progress in terms of robust lightweight
USA - ClearOne, a global provider of audio and visual communications solutions has launched two new webcams with the intention of “making true-to-life video collaboration possible for everyone”.
For users who want to upgrade from the basic camera included in their laptop or PC, ClearOne has introduced its most affordable webcam to-date, UNITE 10. The small, powerful webcam supports up to 1080p video quality and offers autofocus. It can capture five-megapixel images with a field of view up to 87-degrees. UNITE 10 attaches to any PC or laptop with a simple mounting bracket, and a 1.5m USB-A cable ensures simple connection to most modern computers. UNITE 10 is also available to dealers and distributors in 20 packs for commercial sale.
Meanwhile, the new UNITE 50 4K AF webcam introduces ClearOne’s new Auto-Framing technology to maximize screen use through intelligent image algorithms and ePTZ automation (electronic pan, tilt and zoom). “With 4K video quality at 30Hz, auto-focus capability, 4x digital zoom, more than 8 megapixels of total resolution and an ultra-wide 110-degree field of view, the UNITE 50 4K AF ePTZ is equally capable of delivering incredible image quality from a home office as it is at capturing all participants in an office boardroom,” the company says.
The camera can be controlled through an IR remote, further simplifying use and enabling real-time control of pan, tilt and zoom to provide greater control when capturing multi-person meeting environments. A standard damping mount ensures fast, easy installation, while an incl
UK - ON LX Limited has announced the latest release of its bespoke user interface creation tool, Ctrl for iPad. The release features a host of key time-saving and practical features taken directly from user feedback and designed to make configuration and multi-protocol support even faster.
Matt Didon, ON LX’s managing director says: “Our users are the most important part of our product, they heavily drive development and this release was a great opportunity for us to focus on feature requests and meet the changing needs of the industry.”
Alongside the new features and improvements, a new ‘Lite’ license tier has been introduced. ON LX’s James Walton adds: “The motivation behind the Lite tier is to open Ctrl for iPad up to creative applications where full commercial grade interfaces with user permissions and support for HTTP, TCP, UPD and modules simply aren’t needed. Lite is a strong mix of UI controls with the ability to send MIDI and OSC. So far, we’ve seen Ctrl for iPad used in all manner of places, including fitness studios, sporting venues, interactive art installations, escape rooms and much more. We’re looking forward to seeing the new creative ways the user community will look to use it.”
Highlights of the release include: new rotary slider types; bulk copy in edit mode; button groups - a new method to ensure only one button is ever active triggered at a time in a simple visual way (removing the need for internal commands); plus improvements and enhancements to existing modules to allow for more customisation, flexibil
USA - Following the success of the Element HEXIP outdoor-rated wireless up-lighting fixture, ADJ has introduced the Element HEX IP Chrome model. Offering the formula of 6-in-1 HEX LEDs, a powerful rechargeable battery, WiFLY EXR wireless DMX and an innovative casing design, the new version features a striking chrome housing. This makes it suitable for applications where, instead of blending into the background, lighting fixtures are required to make a bold statement.
The Element HEX IP Chrome is powered by four 10W HEX (RGBWA+UV) LEDs, which generate a consistent colour wash with a 20° beam angle. The 6-in-1 LEDs allow for the creation of a huge palette of colours ranging from vivid saturates to subtle pastels.
In addition to the primary colours of red, green and blue, the inclusion of both white and amber LED elements allows for the generation of a wide variety of colour temperatures of white light, ranging from stark cool white to soft warm white. Meanwhile, the UV LED element not only allows for the creation of the classic ‘blacklight’ effect where white and fluorescent materials glow vividly, but it can also be combined with the other colours to create hues such as hot pink, electric purple and lime green that aren’t possible using tri/quad colour uplighters.
As well as full colour mixing of the six LED elements, which allows the choice of a vast variety of colours, the unit is pre-programmed with 63 colour macros to allow for quick setup when required. It also offers Sound Active operation as well as an Auto Run mode with a choice of 16
UK - Cranborne Audio and UK distributor Sound Technology have announced immediate availability of the Camden EC1 which combines the Camden preamp technology with a reference-grade headphone amplifier ‘to elevate your audio interface’s front-end to a professional level’.
“We designed Camden EC1 to make it easy for musicians, vocalists, podcasters and video producers to achieve elite-quality recordings and reference headphone critical listening,” says Sean Karpowicz, managing director and founder.
“Camden's unprecedented performance allows you to vastly improve the quality of your tracks,” says Elliott Thomas, product manager. “Using its ‘Mojo’ control, Camden EC1 goes from extraordinarily clean and natural sounding, to thick, vintage-style analogue saturation that can add that ‘magic colour’ to your tracks.”
The Camden EC1’s reference-quality headphone amplifier and independent, 4ch line mixer allows for direct, zero-latency monitoring of the Camden preamp using headphones connected directly to Camden EC1’s front panel.
Camden EC1 also utilises Cranborne Audio’s C.A.S.T. system for distributing audio around the studio or stage using affordable Cat 5e, Cat 6, or Cat 7 cabling.
“Engineered and designed under the Cranborne team’s watchful eyes,” continued Karpowicz, “Camden EC1 features elite audio specifications and application-based features that defy its price tag and is accessible for professional, project, and home studio engineers.”
Europe - Coda Audio has announced the immediate availability of the latest public beta version of its proprietary prediction software - System Optimiser. This is a major update from the current version, providing integration with other software; Trimble SketchUp & Flux: IRCAM Spat Revolution Immersive Engine.
System Optimiser enables the user to accurately simulate several Coda Audio loudspeakers in any 3D scene with ‘unmatched precision and speed’. Design is possible for all sizes of audio system, from the smallest gathering up to the largest of stadium production, with incredible ease. In creating proposals for clients, SPL pressure mapping is presented in detail, with a strong sense of reality. In busy environments, workflow is tantamount to accuracy, and with this in mind, bespoke tools are provided to fully enable the system designer, says Coda.
Various tools are included to create complex designs. The layout tool can be used to place loudspeakers in a multitude of shapes and arrangements. The template engine is a powerful way of managing entities within the layout system. Measurement microphones can be placed anywhere within the 3D scene. Probes are a smart extension of the measurement microphones that make choosing line array angles stress-free. Link Groups define how line arrays are connected, and allow electronic filters to be applied to correct for distance and splay angle.
The System Optimiser Beta is now available as a native macOS / Windows / Linux application for registered users.
Spain - Amate Audio’s new commercial audio loudspeaker, G7, is rolling off the production line and shipping to customers.
G7 is a ‘ground-up, fully in-house, development, two-way system within an EN54-24 certifiable, hexagonal-form, reinforced ABS plastic enclosure’. Continuous programme power handling and output capabilities are rated at 120 W and 112 dB SPL, and a full-frequency response means that the G7 can be deployed without the need for sub bass reinforcement.
Over several years, Amate Audio has secured a worldwide niche demand in music and hospitality install applications, where high performance and operational efficiencies of its premium, self-powered, self-processing loudspeaker systems have found favour. In pitching for mainstream commercial audio success, the company has eschewed prevailing market trends, in offering a distinctively premium product with a comparatively competitive price tag, says the company.
Vice president and chief technical officer Joan Amate states, “G7 was conceived from the outset to disprove the assumption that ‘premium’ necessarily equates with a premium price tag. In developing a compelling proposition for the largest scale commercial audio applications, we understood we had to develop something distinct, in relation to market expectations. As well as something consistent with and representative of our hi-end brand values.”
As a starting point, the company designed its own injection mould, integrating an advanced internal acoustic architecture, within a compact enclosure with a distinctly ae