USA/Europe - Elation Professional has several new lighting products launching this spring. The weatherproof Proteus range welcomes the Proteus Lucius, a compact and powerful LED profile with IP65 rating that features a 580W hotspot LED engine and over 30,000 delivered lumens to cut through in any environment.
Feature-packed and outfitted with framing shutters, 20 gobos on 3 wheels, animation and CMY + variable CTO colour mixing, Proteus Lucius offers outstanding projection qualities and is the latest step in Elation’s quest to provide “the widest range of IP65 moving heads on the market”.
Elation is introducing two additions to its multi-award-winning Artiste LED moving head series, the Artiste Rembrandt and Artiste Mondrian. The Rembrandt and Mondrian partner alongside the Artiste Monet and feature the same seven-flag SpectraColor colour mixing system (CMYRGB+CTO) and endless and continuous rotational framing system.
The Artiste Mondrian is a powerful LED profile with 50,000 lumens of power to cut through at great distances in arena touring environments or any large-scale show setting. With a 226mm PC lens and 3.3 to 45-degree zoom angle, this fixture utilises a custom hotspot LED engine to provide outstanding centre intensities at long throws. Its comprehensive FX package includes 12 rotating interchangeable glass gobos, full animation wheel, dual prisms, dual frost and a high-speed iris.
Obsidian Control Systems has available a new and comprehensive data distribution range of products, Netron. The range encompasses Ethernet to DMX ga
USA - VNS Inc has introduced a 10-bit HDR-10-ready processor solution designed for large display installations. The GeoBox G901 processes 4K, 60Hz inputs/outputs for LCD or LED video walls, or projection edge-blending systems.
The G901 video processor places and controls secondary PIP or POP imagery (any digital input source in any format) onto projection-blended or video wall installations, without the need for a separate PC. It can switch video sources, convert formats, scale up and down in 10-bits, precisely crop and flip/rotate images, and supports non-VESA standard input timings and editable output timing.
The G901 boasts five inputs (three HDMI 2.0b and two DisplayPort 1.4) with switcher functionality outputted via one HDMI 2.0, and allows switchable dual-source content selection (maximum two images displayed at a time) with flexible, programmable output resolution. Maximum input is 4096 x 2400 at 60Hz or 7680 x 2160 at 30Hz via HDMI, and 7680 x 4320 at 30Hz via DisplayPort. With progressive RGB 10-bit 4:4:4 chroma sampling, the G901 supports 8, 10 and 12-bit deep colour, as well as BT.2020 HDR10 signal processing; refresh rates of 24-120Hz, with 3D motion adaptive de-interlacing; low angle smooth algorithm; and 3:2/2:2 film mode cadence.
Thanks to its powerful PIP/POP functionality, PIP (sub) images can be placed in any location and in any size on the video wall or projection-blended installation, with POP images able to be placed side-by-side or top-to-bottom. Main and secondary images can be rotated, flipped and swapped around independent
USA - Global design and BIM software provider Vectorworks has released Vectorworks 2020 Service Pack 3 (SP3) with quality and performance improvements as the central theme of this update. As part of the SP3 release, Vectorworks is introducing additional partner integrations with Enscape and NBS Chorus, as well as providing key updates for users of its BIM, landscape and entertainment design product line.
“Our release of the Vectorworks 2020 Service Pack 3 is the perfect example of our focus and drive to improve software quality and performance and to further enable Vectorworks to be a design hub for many workflows,” said Steve Johnson, vice president of product development at Vectorworks. “By continuing to develop connections to the latest technologies and partner solutions, we’re delivering a design ecosystem that is helping designers around the world to ideate, discover and realize their design visions.”
With Vectorworks Spotlight 2020 SP3, lighting devices and their schematic views have been re-engineered, improving overall file open time and performance. Specifically, issues with Schematic Views related to project sharing, the display of 2D label legends and how views are updated with model changes have been implemented, which will provide users with significant speed gains
Additionally, quality fixes have been made to optimise snapping and attaching loads to rigging objects in 3D, as well as to improve the graphic generation of lighting fixtures when using Duplicate, Mirror, Rotate and Move by Points commands.
Canada - Xilica has announced the release of Xilica Designer 4.0 software, a flexible, universal, drag-and-drop platform that simplifies the design, configuration and integration of Xilica DSPs and third-party AV systems.
As with previous generations, Xilica Designer 4.0 software offers integrators a single, centralised platform for project design and management. Xilica Designer software provides optimised configuration of Xilica Solaro DSPs, as well as Xilica’s XWP networked wall controls, XTouch screens, and I/O expansion devices. It also handles configuration and management of any networked Dante device, and delivers comprehensive third-party control integration.
Xilica Designer 4.0 offers AV integrators more freedom to customise designs through Lua programming, a fast and powerful scripting language embedded within the software. “With Lua scripting, users can programme modules to flexibly control the equipment without limitations,” said Eddie Tam, director of engineering at Xilica. “That opens up new avenues for integrators to design complete AV systems with greater flexibility.”
Other Xilica Designer 4.0 software enhancements include an improved DSP schematic design that expands support for drawing elements. New capabilities include native insertion of comments and labels, resulting in clean schematics that are easy to read. Xilica engineers have also accelerated device boot-up times by 30 percent through updated firmware.
The new software release retains Xilica Designer’s drag-and-drop functionality, which simplifies how u
USA - ADJ’s MDF (Magnetic Dance Floor) System is a new portable illuminated dancefloor aimed at event production and mobile entertainment companies. Featuring vibrant LED illumination, a robust yet lightweight design, a magnetic connection system for easy setup and individual control of each panel via DMX, it is designed to create impact and atmosphere at a wide range of corporate and private parties and events.
Each panel (MDF2) is illuminated by an array of 3-in-1 RGB LEDs that cause its opaque surface to glow intensely. Full colour mixing (red, green and blue) allows the creation of an almost limitless selection of vibrant colours, while each panel in a larger dancefloor system can be controlled individually. This provides unlimited creative potential for the design of static patterns and animated chase effects using DMX control, while the system also offers a variety of easy-to-use pre-programmed colour macros and chase effect patterns.
Users can choose between Sound Active, Standalone or DMX Controlled modes, while the later offers four different DMX channel modes (3, 5, 7 or 10), allowing flexibility depending on the total number of available channels and the level of control required. Mode selection and DMX addressing of each panel is facilitated via a four digit LED display on the side of the panel, which is hidden when a full dancefloor is setup.
Thoughtfully designed with input from seasoned event professionals, the MDF2 panels fit together quickly and easily thanks to an innovative magnetic locking system. This not only makes it easy t
USA - Lectrosonics has introduced a new miniature IFB (Interruptible Foldback) Receiver pack, the IFBR1B, as well as the companion CHSIFBR1B Dock Charging System.
The receiver unit is nearly half the size and weight of the industry-standard IFBR1A receiver that it is replacing and uses a slim 3.7V LB-50 rechargeable lithium ion battery instead of the archaic 9V type. The IFBR1B is fully compatible with the existing line of IFBT4 transmitters, so that adding the convenience and new features of the IFBR1B receivers to existing Lectrosonics IFB systems is quick and easy. With a backlit LCD and membrane buttons, the new receiver is easy to set up and use, offering 10 presets which are easily programmable from the front panel.
Five tuning ranges are available for the new IFBR1B receiver: the VHF version (red knob) covers 174-216 MHz, the A1 (470-537 MHz), B1 (537-614 MHz) and C1 (614-692 MHz) versions (blue knob) cover the UHF TV frequencies for most countries, and the 941 Band version (black knob) covers the North American license-only 941-960 MHz range. Future firmware updates can be installed in the IFBR1B in the field via the USB jack on the bottom of the unit. The IFBR1B comes standard with a wire belt clip for light weight and easy placement. An optional “clamp” style belt clip, part number IFBR1BBCSL, is also available, and easily installed with two small screws.
The system’s new companion dock charging system, the CHSIFBR1B, is capable of charging up to four receivers or four batteries in any combination. The charging dock can be also be ga
UK - Martin Audio has announced the release of two new compact, high performance cardioid subwoofers, the SXCF118 and the SXC115, suitable for both live sound reinforcement and fixed installations.
The SXCF118 is a flyable version of the SXC118 released last year and has been purpose designed to accompany the WPS optimised line array system, while the ground stack SXC115 is set to partner WPM.
The SXCF118 combines maximum low frequency output with exceptional pattern control. It features an 18” (460mm) forward facing driver and a 14” (356mm) rear facing driver, each driven independently by separate amplifier channels and DSP. Each driver has its own chamber with optimised bass reflex porting.
This arrangement produces a cardioid dispersion pattern which maximises the front radiation, while reducing unwanted radiation behind the subwoofer. The recommended iK42 amplifier optimises the DSP parameters for front and rear drivers to maximise the rear rejection - from 21dB at 43Hz to 28dB at 75Hz. This keeps low frequencies away from stages and walls as well as reducing reverberant energy in the room - greatly improving low frequency response accuracy and impact.
In front of the enclosure, the output from the two drivers is additive, giving an extra 2dB of output when compared with a conventional 1 x 18” subwoofer.
The SXC115 follows similar principles and contains a 15” (380mm) front facing driver and 12” (300mm) rear facing driver, each driven, again, independently by separate amplifier channels and DSP. Each driver, similarly,
Spain - Following the initial introduction of its all-new LMS series loudspeaker management processor in Q4 2019, with the LMS206 dual input / six output device, Amate Audio has launched the more extensive and powerful LMS608.
A completely new and robust loudspeaker management processor platform employing a 64-bit DSP architecture, LMS provides continuous ‘round the clock’ operation and uncompromising performance in the most adverse application environments. Fully configurable, each input is assignable to any output; with two crossovers - with selectable Butterworth, Linkwitz-Riley and Bessel filtering – and independent compressor/ limiter settings available on each output.
With four analogue inputs, a two channel AES/EBU digital input, and eight analogue outputs, all on balanced XLRs, the 1U 19” rackmount LMS608 offers advanced system configuration capabilities - comparable with Amate Audio’s NÍTID active loudspeaker series - for the management of large-scale passive sound reinforcement systems for touring, event or fixed installation applications. Higher performing 24-bit ADDA convertors on the units I/Os gives the LMS608 even higher sound quality than its less powerful sibling.
“The LMS608 greatly extends the advanced capabilities of our new loudspeaker management platform to a wider range of more complex applications,” states international sales manager Jordi Amate, “In terms of power, quality, reliability and ease of operability there is little in the market to challenge it.”
Europe - Following the launch of the company late last year, punQtum B.V. has unveiled its first product - the Q110 Beltpack is the first element of a larger networked intercom system that offers up to 32 party lines via standard IP networks and infrastructures. Designed for easy, plug’n’play use on a digital platform that is as easy to use as analogue intercom, the Q110 provides ‘all the features you need to help crews communicate better’.
All functionality is designed to be instantly accessible thanks to ergonomically designed buttons and an easy-to-read colour display. In a stand-alone capacity the Q110 offers instant access to two channels of party line intercom, and besides being powered via standard PoE switches, the Q110 Beltpack offers the option to daisy-chain up to eight units on a single wire. The feature set also allows for any missed comms to be replayed in a ‘voice-mail’ style setup. Providing ‘ultimate scalability’, the Q110 suits systems of any size, ranging from small events requiring just two beltpacks to as many are required for large, complex systems.
Using AES67 as a solid technology cornerstone the punQtum Intercom system integrates seamlessly with AES67-compliant networks such as Dante and Ravenna. Further, punQtum will shortly release a multi-platform editing software for easy configuration and management of systems.
“The Q110 Beltpack offers all the benefits of digital technology in a package that’s as easy to use as any analogue intercom,” says CEO, Arie van den Broek. “It’s flexible, scalable, p
UK - MBSi has introduced the VFX Wall 20:40, a modular inflatable VFX backdrop and the latest addition to their growing portfolio of creative production solutions.
Having already proved itself on a number of major productions, the VFX Wall 20:40 is the first in a new range of modular, inflatable visual effects backdrop designed specifically for use within the film and television industry.
Exclusively available through, and fully supported by the team at Pinewood MBS Lighting, VFX Wall 20:40 is supplied in a choice of VFX Wall Green or VFX Wall Blue VFX, depending on the requirement. Flexible and adaptable, the system is designed for creating expansive visual effects walls across backlot sets or for creating privacy screens to protect from prying eyes.
Simple to operate and easy to maintain and adapted for studio or location based work, the system requires almost no maintenance or specialist training. Under normal conditions, the inflation/deflation time is around 10 minutes and once set up the system’s built-in air pump monitors and maintains full inflation. For easy transportation between sets each wall is supplied with its own case, custom designed to house the deflated wall.
Unlike traditional systems, VFX Wall is completely reusable and installation leaves little or no impact, making it an environmentally conscious option.
Available in 20ft by 40ft sections, the modular, tough, waterproof blocks can be mixed and matched to create all manner of VFX backdrops, and with additional sizes arriving shortly, there is no limit to the creat
China - Roe Visual introduced a new processing platform at this years’ ISE exhibition. Showcasing its new Ruby LED panel on the Helios processing platform, the large display screen showed content in full 4K HDR.
The Helios processing platform is the result of a close cooperation between Roe Visual and Megapixel VR. Combining their forces and in-depth knowledge of LED- and processing technology the result is a future-ready processing platform that reimagines processing to support large-format LED displays for use in demanding pro AV, broadcast and installation applications. The Helios processor will be exclusively available for Roe Visual LED screens.
Designed as a flexible growth-system, the platform offers a versatile solution with modular slots. The inputs and outputs of the Helios LED processing platform utilize SFP+ ports, a compact hot-pluggable network interface. Using the SFP+ ports, the processor capacity can easily be scaled to meet your requirements. Furthermore, the fact that Helios works as an AVoIP based system makes it very easy to use and implement. Multiple units can be used to create a redundant system, and multiple inputs can be stitched to achieve canvas resolutions up to 16K wide.
“One key advantage of the Helios processing platform is its scalability; you can invest in this system to have it grow with your demands. Starting with a Helios Junior package, you can scale the system up to become a full-fledged 8K processing system,” comments Victor Kortekaas, technical manager for Roe Visual.
“With its modular slots an
USA - ADJ has introduced the Vision Series of LED video panels. The new range offers a versatile modular system, with features including front serviceability, magnet-aided rigging, and fold-out corner protectors.
The ‘VS’ Vision Series of LED video panels offers a versatile modular solution that has been developed to make life easier for video professionals installing LED walls on either a temporary or permanent basis.
Each panel in the range features four individual modules, which are front serviceable, making it ideal for temporary hanging as well as permanent installation. Across the range, the modules are all mounted to the same frame, allowing panels of different resolutions to be used together and meaning that the same rigging bar and other accessories can be used for all VS models.
The VS5 offers a 5.95mm pixel pitch (84 x 84 pixel density), the VS3 has a 3.91mm pixel pitch (128 x 128 pixel density) and the VS2 offers the highest resolution in the range with a 2.97mm pixel pitch (168 x 168 pixel density). All three panels utilize 3-in-1 RGB SMD2121 LEDs with a brightness of 1000 NITS and a very high refresh rate of 3840Hz. They offer a wide viewing angle of 160° (horizontal) / 140° (vertical) and a high contrast ratio of 5000:1, allowing for the delivery of exceptionally vibrant video reproduction.
Every panel in the range is equipped with a Novastar A5s data receiving card and features DataLock securely-locking ethernet input and output sockets that allow the signal from a compatible video processor) to be linked from panel to pa
USA - Vari-Lite has announced that the Vari-Lite VL800 Eventprofile is now shipping. Originally debuted at LDI 2019 in Las Vegas, Nevada, the VL800 Eventprofile is the newest member of the popular VL800 Series of event luminaires.
The VL800 Eventprofile brings the DNA of Vari-Lite in a compact profile luminaire designed for the event market. “The VL800 Series has already been embraced by designers on tours and installations alike,” says Martin Palmer, senior product manager, Vari-Lite and Strand Luminaires at Signify. “This latest member of the family is a compact framing profile with a high output and professional-grade features, making it the ideal tool for a variety of applications.”
With a tour-ready build and a small form factor, the VL800 Eventprofile was designed to look and feel like a Vari-Lite, with full CYM+CTO colour mixing and the signature “Vari-Lite smooth” movement designers expect. “The VL800 Eventprofile offers the same colour palette as the industry-standard VL2600 Profile,” adds Palmer. “With the Eventprofile, designers get a fixture built on that same popular innovation, but in a more compact package and a feature set targeted specifically at the mid-market.”
“We continue to expand our popular VL800 Series so we can address more needs for more designs,” says Fernand Pereira, head of marketing and product management, Vari-Lite and Strand at Signify. “We are committed to ensuring the VL800 Series brings the quality and capabilities customers expect from us in fixtures targeted at event applications. We ar
USA - Magmatic atmospheric effects is shipping the first snow machine in its Polar series of high-output snow effects - Polar Crisp. Crisp is a professional, high-volume snow machine with intuitive innovation that makes it easy to create scene-setting wintry settings.
Compact and lightweight, Crisp is capable of producing high volumes of naturalistic snow with the capacity to adjust snowflake size for greater versatility, says the company. Small flake or large, short throw or long, this 1250W high-volume snow machine can project snow up to 40ft with the flexibility to adjust to the occasion.
An all-in-one APF (Air Pump Fan) system together with an auto-clean feature lowers the risk of clogging and reduces the need for maintenance. An easy-to-open housing and serviceable design add to its user-friendliness.
Built to withstand travel and repeated use, Crisp features a durable aluminium housing and robust design for powerful performance that delivers on time, every time.
All Polar series snow machines introduce quieter, snow-producing technology. A noise-blocking layer of insulation reduces fan noise for quieter operation, making them suitable for more noise-sensitive environments.
Crisp uses Magmatic’s specially formulated Atmosity Premium Snow Fluid (APS-4L) to create a snowflake that mimics the look and feel of actual snow. Atmosity is Magmatic’s professional, universal fluid series formulated for use with all types of fog, haze and snow machines.
Crisp includes an onboard LCD touchscreen control panel with manual and timer
UK - Triple E has a long-established reputation for manufacturing efficient, mechanical products and gadgets to aid the movement of curtains and the assembly and construction of stage scenery. As the demands of the industry change, it is often the case that pre-existing pieces of equipment need a review and a refresh to ensure their design adapts to the demands of the applications they are used for.
The team at Triple E has developed its Rearfold accessory for their industry standard UniTrack and UniBeam carriers.
“The UniTrack system was first launched in 1988, and the Rearfold accessory has been an integral part of the system since that time. Therefore, a long overdue review of the Rearfold accessory design was implemented,” says David Edelstein, founder and managing director of Triple E. “The Rearfold carriers enable a curtain as it travels to stack offstage instead of the standard system of stacking from the centre” he continues. “The demand for these accessories has increased and so the design has been changed to ensure not only dimensional accuracy but also to allow us to run a more efficient production process and manufacture greater quantities to match this demand.”
The curtain carrier body of the UniTrack and UniBeam has in recent years changed from steel to an MRP (metal replacement polymer) moulding which is stronger than the metal it has replaced but is lighter and therefore easier to work with. To complement the re-designed runner, the new Rearfold accessory has now been updated with a moulded re-developed rope bridge with
Europe - At ISE 2020, Void Acoustics showcased the latest additions to the Bias and Air ranges.
The Bias Q1 joins the Bias family of Void Acoustics amplifiers. It is a four channel DSP+Dante amplifier and has been adapted with smaller dimensions and is lighter in weight than the Bias Q5. Whilst operating from the same amplifier platform the Bias Q1 is still durable and maintains the impressive sound quality which end users have come to expect from Void Acoustics. It is multi-application and designed for use in bars, clubs, for corporate and live music venues as well as large-scale outdoor events and touring.
The Airten V3 release is the latest addition to the Void Acoustics Air Series. Having made significant enhancements to the futuristic-styled composite loudspeaker, the Airten V3 offers improved performance and is built for the exacting demands of high-end venue operators and integrators. “With its sculpted fibreglass shape and the fact that it can be custom built to a RAL colour of your choice it is fair to say that these speakers are selling like hotcakes across the globe,” says Mike Newman, head of sales & marketing.
Reflecting on the overall response to their product ranges at ISE where Void were exhibiting for the second year running, Mike continues, “The show was excellent and although footfall at the exhibition was significantly lower due to various global events, the quality of visitors attending was still very high and we saw customers from all over the word including South Africa, Armenia, France, Germany, Spain and the UK.
UK - Solid State Logic (SSL) and UK distributor Sound Technology have announced that the new SSL 2 and SSL 2+ USB audio interfaces are now shipping in the UK.
SSL has been designing mixing consoles and processing tools for the world's recording studios for over four decades, and the new SSL 2 and SSL 2+ interfaces takes this technology and know-how, and places it in the hands of today’s creatives and aspiring professionals.
“When SSL's founder, Colin Sanders set about making his first mixing console in the early 70s, he did so because every other console at the time fell short of his expectations and needs,” comments SSL director of new products, Niall Feldman. “Fast-forward 40 years, that same philosophy has inspired the team to create the SSL 2 and SSL 2+ for the personal studio market, and share some of that amazing technology in a new format.”
The 2-In/2-Out SSL 2 packs in two analogue mic preamps together with pristine 24-bit/192kHz conversion to capture and hear every detail, a single high-grade headphone output, easy-to-use monitor mix control for critical low-latency monitoring tasks, and balanced monitor outputs with an impressive dynamic range. In addition, the ‘Legacy 4K mode - inspired by the studio favourite, hit-making SSL 4000 series consoles - gives you the ability to add extra analogue character and sparkle to your input sources. The included ‘SSL Production Pack’ software bundle, which includes some of SSL's own studio-grade Native plugins, gives you an incredible arsenal of tools for refining your recordings.
USA - Vari-Lite has announced that its new Vari-Lite VL5LED Wash fixture is now shipping. Originally debuted at LDI 2019 in Las Vegas, Nevada, the VL5LED Wash is the successor to the Emmy-winning VL5.
With an RGBALC colour system, onboard motorized zoom, and LED blade lights, this compact VL5LED Wash brings a host of modern features to a familiar form factor.
“Often imitated but never duplicated, customers continue to use both the original VL5 and the VL500 many years after the end of their original production because of their love not only for the unique look of the front face, but the high quality of the wash and the compact build of the fixture,” explains Martin Palmer, senior product manager, Vari-Lite and Strand Luminaires at Signify. “The new VL5LED Wash carries over the size and quality of light from the original VL5, but with features for a modern market.”
The heart of the new VL5LED Wash is the RGBALC colour system, which provides lighting designers with a wide range of rich colour options, including both pastel and saturated colours from a single fixture. To simplify programming of this fixture, the innovative SmartColor Control system adjusts the six-colour engine using traditional CYM+CTO mixing control. These vivid colours are then reflected on the Dichro*fusion blades that bring the vintage stylings of the original VL5 along with the variable diffusion first seen on the VL6500 Wash.
For further creative options, the VL5LED WASH adds a separate ring of LEDs that light up the Dichro*fusion blades a different color than the
USA - ADJ has announced the availability of its most compact wireless LED uplighter to date, the Element ST HEX. Building on the success of ADJ’s popular Element Hex, the new model features powerful output, and compact design as well as a full colour touch screen display for easy setup and DMX addressing.
Featuring four 6W HEX (red, green, blue, amber, white + UV) LEDs the fixture offers smooth colour mixing with an almost limitless palette. The inclusion of both amber and (cool) white LED elements means that it can be used to create white light with a wide variety of colour temperatures. Meanwhile, the UV LED element not only allows for the creation of the classic ‘blacklight’ effect where white and fluorescent materials glow vividly, but it can also be combined with the other primary colours to create hues such as hot pink, electric purple and lime green that aren’t possible using tri/quad colour uplighters.
Although the fixture allows for full colour mixing, through altering the intensity of all six of the primary LED colour elements, it also comes pre-programmed with 63 built-in colour macros. These allow for easy static colour washing to be setup without the need for any external control and also help to speed up DMX programming. Pre-programmed colour chase patterns are also included
An internal fixed lithium battery with a capacity of 6.6AH (amp hours) is capable of generating 73.26WH (watt hours) of power. This is sufficient to drive the LEDs for up to 15 hours using a single LED colour on full brightness, which can be increased to as
UK - AVer Europe has launched its professional conferencing system, the VC520 Pro, in the UK.
The VC520 Pro has been developed by AVer Europe as a solution for various meeting room sizes, alleviating the challenges that teams face on conference calls. The VC520 Pro has an audio pickup range of 15ft and the ability to daisy-chain two additional speakerphones to reach up to 45ft, offering “ultra-clear unparalleled audio even throughout large meeting rooms”.
With Sony True WDR capability, AVer Europe’s VC520 Pro offers clear and high-quality imaging even in high contrast backlit environments. With up to 1080p and 60fps even in poor lighting, the conferencing system’s 12X optical zoom with precise detail enables teams to showcase items such as products or documents live in the room on camera.
The VC520 Pro’s SmartFrame technology uses face recognition to automatically adjust the camera to include all members in the room in the frame. This includes anyone new that enters the meeting room, saving any delays if any colleagues are running late.
AVer Europe’s VC520 Pro features advanced centralised management through an internet browser to enable users to remotely control the camera and stream on platforms such as Facebook or YouTube.
“We’ve all been on video conference calls with poor sound or visual quality and it’s hugely frustrating, not to mention a drain on business time, resource and money,” explains Rene Buhay, AVer Europe vice president of sales & marketing. “The VC520 Pro’s feature combination of 12X optical
Europe - Brompton Technology has hailed ISE 2020 as “a resounding success” after showing its Dynamic Calibration technology in Europe for the first time and launching its latest LED processor, Tessera S8.
“Our demonstration stations were a big draw and the reaction to the Tessera S8 has been very encouraging,” comments Brompton’s senior business development manager, Rob Fowler. “But the reactions to our presentations of Dynamic Calibration, the enabling technology for Brompton’s HDR solution, were truly astounding.”
The Tessera S8 is a “cost-effective solution for high profile projects that do not require the large output capacity of the award-winning Tessera SX40 processor, but still want to benefit from the flexibility of Brompton’s Tessera feature set and easy-to-use software to produce stunning results”.
“HDR is what everyone wanted to see,” concludes Dan Hamill, director of UK video rental company 80six, whose LED screens also graced Brompton’s ISE stand. “When it comes to image quality, our clients are always looking for the best and they are now able to experience the benefits of viewing HDR content on our rental LED rental products.”
USA - Elation Professional has introduced a new addition to its multi-award-winning Artiste range of moving heads, the Artiste Rembrandt LED Wash, a companion washlight to the popular Artiste Monet LED Profile. The Artiste Rembrandt is designed for service ‘on even the largest stage’.
The Artiste Rembrandt’s Fresnel lens optics and hotspot LED engine provide an optimised wash field and high centre intensity that make it an ideal wash solution for high output applications. This robust moving head uses the same efficient 950W 6,500K Bright White LED engine as the Monet to power out up to 51,000 lumens of superior wash output. With a fast zoom range from 8° to 72° and an impressive 180mm front lens, the Rembrandt has the power to cut through ‘at even great distances in arena touring environments or large TV or theatre stages.’
The traditional Fresnel lens is interchangeable with a Pebble Convex lens, providing a tighter beam angle and higher centre intensity for long throws or beam applications, and DMX controllable variable fan modes ensure low noise operation in noise sensitive environments
The Artiste Rembrandt houses the same seven-flag SpectraColor colour mixing system as the Artiste Monet. Exclusive to Elation Professional, SpectraColor combines CMY colour mixing with complementary RGB flags for the ability to fade between the softest pastels to deep saturated primary colours.
Europe - CLF Lighting has launched the Odin outdoor LED luminaire to the market.
Designed for high-demanding applications, it comes with an optical system that provides even light and colour projection; a fast and accurate zoom function that ranges from 11° to 50°; and an IP65-rating that makes it suitable for indoor and outdoor usage.
The RGB+Lime LED engine generates a rich colour set, from vivid and saturated colours to subtle pastels. Adding lime fills the gaps between red, green, blue and enhances the colour spectrum of the fixture. It also adds beautiful white tones to the feature set. High performance LEDs deliver high CRI and R9 values.
Packed in a signature CLF housing, the Odin combines convection cooling with an ultra-quiet intelligent fan. The fixture can be aimed easily by using the one button test function. The fixture can also be configured for exhibition applications by using the definable user modes.
USA - City Theatrical has announced that its Multiverse Receiver Cards are now available in either the 2.4GHz or 900MHz band through City Theatrical distributors worldwide.
Multiverse Receiver Cards can be used to implement wireless DMX/RDM into entertainment projects or lighting equipment in a simple way. They act like full Multiverse wireless DMX/RDM receivers without the housing, XLR connectors, and user interface as used in wireless DMX receiving products like the Multiverse Node and Multiverse SHoW Baby. Multiverse Receiver Cards include an internal antenna and a connection to an optional external antenna.
Configuration for Multiverse Receiver Cards is done via RDM with DMXcat Multi Function Test Tool, or with City Theatrical’s USB Configuration Programme for PC/Mac.
In addition to receiving wireless DMX and outputting wired DMX, the Multiverse Receiver Card can output 0-10V, and has four PWM control outputs.
While Multiverse Modules require a full circuit board level implementation by professional lighting manufacturers, Multiverse Receiver Cards can be used by any lighting user to implement wireless DMX/RDM into their lighting equipment, whether props, costumes, or lighting fixtures.
The Cards can be used as part of a full Multiverse wireless DMX/RDM system to connect up to 10 universes of wireless DMX/RDM to a single Multiverse Transmitter.
Lighting manufacturers can use the 0-10V and PWM output capabilities to quickly add wireless DMX control to their products.