Gibraltar - Pixel Artworks’ recently completed, immersive visitor experience at St Michael’s Cave on the Rock of Gibraltar, features a TiMax SoundHub-controlled spatial audio solution to complement the intricate projection-mapped visual show.
The spectacular mixed-media show, created deep within the caves themselves, vividly charts the formation of Gibraltar, for visitors to the country’s most distinguishing feature, the rock itself. The ambitious project was commissioned by WrightTech Media, a local digital marketing solutions company.
Viewing the final project before the attraction’s June opening, WrightTech Media director, Christian Wright, underlined the vital dimension audio adds to the visual element of the project, commenting, “The lighting is amazing, the projection is incredible, but the audio takes it to another level. There has never been anything like this in Gibraltar.”
The audio aspect of the project was specified and installed by Raven AV’s Dan Roncoroni, who worked closely with content producers, Zelig Sound, to create the emotive and reverential soundtracks which work with the video content. Dan advised Zelig on the content styles that would work most effectively through the system of caves. Dan credited Zelig’s Matthew Wilcock and Connor Duin, as a huge asset to the project, “They very quickly adapted to creating content for a TiMax installation and coped superbly with the challenging acoustical environment the cave presented.”
Audio content was zoned to highlight and focus on individual features of
USA - Shuttered since March 2020, Greenfield Lake Amphitheatre in Wilmington, NC enjoyed a spectacular reopening on 29 June 2021, with the first performance of Florida-based blues rock band, the Tedeschi Trucks Band.
Martin Audio MLA Compact PA was selected by the artists themselves for its control technology, that would afford the capability of avoiding slap-back from the highly reflective building fascia behind the FOH mix position. This was supplied by Martin Audio rental partner RMB Audio, based in Raleigh, NC.
The 1200-cap amphitheatre seating rises 11.6ft above the stage and at a distance of 95ft is the cinema booth, situated directly behind the audio engineer. Reflections from behind generally impair the engineer’s assessment of the mix.
However, Martin Audio’s Display predictive software was employed from the stage position, the audience start and elevation to the mix position in order to ‘hard avoid’ the cinema booth.
RMB Audio owner, Cooper Cannady, explained that there was no means to fly the cabinets - only wing or ground-stack. Thus, six MLA Compact elements were ground stacked on 5ft high decks, positioned on the stage wings. Six DSX subwoofers were set in a broadside time aligned arc behind the barricade for the audience. Further Martin Audio DD12 networkable cabinets were applied as in-fills (and a single DD12 for the out-fill area).
The venue was fully sold out, much to the relief of facility manager, Jenny Dubois. She expressed her delight at finally having returned to live entertainment, in front of an extre
Italy - Based in Conversano, Bari, TeleNorba SPA has been one of Italy’s principal TV broadcasters since RadioNorba TV production began in 2012.
The main studio at its headquarters, used for all TV production, was recently fitted with innovative new lighting effects from GLP - including KNV Dot and impression FR1 - supplied by its Italian distributor, Alto Lighting Srl.
Alto Lighting has enjoyed an extremely good relationship with RadioNorba. “Therefore, when they started to think about the new studio, we were asked to provide support with the lighting,” said Alto Lighting CEO, Cristiano Perandini.
He emphasised that since the studio was only three metres high, it had not been possible to create conventional beam effects. Therefore, designer Massimo Pascucci, one of Italy’s most experienced LD’s and DoP’s, looked no further than GLP’s KNV Dot modular strobe, which would be used in combination with special double, pixel controlled RGBW LED Bars - custom made by Alto.
He deployed 30 of the GLP fixtures, installed inside the scenography, which are used both for lighting effects as well as for back light. “This creates perfectly balanced whites at 180° and lights the studio homogeneously,” said Perandini. All are controlled in a matrix from the Resolume platform.
One particular advantage of the KNV Dot - particularly in a TV studio - is that the source can ‘disappear’ back into the set when used individually.
According to the Alto CEO, Massimo Pascucci was already experienced in using solutions from the GLP port
Spain - Higher education institutions had to rethink their education model and adapt to hybrid learning during the past year as COVID-19 pandemic hit the world. Pompeu Fabra University (UPF- Universidad Pompeu Fabra), selected Shure’s Microflex Ecosystem products as the best solution across campus to meet the needs and requirements of a successful hybrid learning concept.
The UPF, established in 1990 and awarded as the 10th Best Young University in the world in the Times Higher Education World University listings, required a complete overhaul of the old AV system, which had only held physical classes. The adoption of hybrid learning across the Pompeu Fabra campus now means that all lessons are catered for by a cutting-edge AV system that exceeds audio requirements and provides the best possible learning experience for academics and students alike.
For the ambitious project, 38 rooms across campus were redesigned to adopt the new learning model. Audio is now captured via a selection of Microflex Advance MXA910 Ceiling Array Microphone and MXA710 linear array microphone including proprietary IntelliMix DSP and Autofocus technology, providing a clear and clean sound for faculty and students across physical and virtual learning environments.
The setup also includes Microflex MXN5W-C Networked Ceiling Loudspeakers offering high quality sound reproduction, while the entire system is managed by the installation of IntelliMix® P300 in each of the rooms.
Spanish AV specialists Ditec Comunicaciones, with the support of the official Shure distributor
USA - A cheering crowd of more than 75,000 witnessed a choreographed Independence Day drone show in the Cincinnati suburb city of Blue Ash, as Verge Aero’s drones displayed patriotic symbols in the night sky.
Two hundred Verge Aero drones were programmed to deliver a coordinated display, which included a 300ft wide ‘waving’ American flag as the National Anthem began. Verge Aero’s director of show operations, Mason Hayes, piloted the drone fleet.
It was all part of the Red, White & Blue Ash show, held at the city of Blue Ash’s Summit Park.
Brian Kruse, director of parks and recreation for the City of Blue Ash, says: “The incredible accuracy and scope of the drone displays is something you just have to witness in person. Only then do you realise how large the displays are and the remarkable pin-point accuracy needed to make the shapes move like they do. The ability to time the displays with the simulcast makes for a dramatic and impressive dance between the music and the lights.”
Red, White & Blue Ash has been a cornerstone event for the city for more than 30 years and has become important to the entire Cincinnati region.
“The crowd’s reaction was incredible - 75,000 visitors were impressed in unison,” Kruse continues. “Our staff universally felt that this was the best part of the evening. We see technology advancing and drone shows becoming more accessible for event organizers as they reach the mainstream. However, at the time of our show it was something 99% of our audience had never seen in pe
Portugal - The Teatro Nacional de São João (TNSJ) in Oporto, has increased its inventory of Robert Juliat Dalis Access 863 cyclorama lighting with the addition of a further 20 units after a comprehensive tender process which saw the Dalis Access fixtures hold their winning position against a number of alternative options.
The purchase brings TNSJ’s total complement of Dalis Access 863 units to 34. This is more than sufficient to cover the theatre’s 12m x 9m cyclorama cloth and back wall from floor- and grid-mounted positions, plus fill in as ‘ribalta’ lighting when required.
“Dalis Access is a very versatile tool which can be used as both cyclorama and footlight,” explains TNSJ’s lighting department coordinator, Filipe Pinheiro. “This is a real advantage for multi-purpose theatres with an eclectic programme of shows, conferences, debates and dance, and at a price that makes it accessible to all budgets.”
The Dalis Access 863 were supplied by NAN AudioVisuals, Robert Juliat’s exclusive distributor for Portugal and the project supplier for TNSJ. The fixtures were chosen by TNSJ’s tender jury - lighting department coordinator Filipe Pinheiro, stage director Emanuel Pina, and stage director assistant Filipe Silva - following several demo sessions with similar products organised by NAN AudioVisuals. “The lighting team was unanimous in its decision that Dalis was by far the best product,” says NAN’s Jorge Santos.
“Our decision was based on the dimensions, brightness and colour mixing of Dalis Access,” explains Pi
Spain - An ancient olive oil factory near Seville was brought to life by lighting designer Yaron Abulafia in May, as contemporary Flamenco piece Agua was performed with a specially rigged array of fixtures from Vari-Lite.
Billed as a ‘visual piece that drifts between dance, visual theatre, and art installation’, Agua was performed at the ‘La Aceitera’ space by Israeli artist Adva Yer in collaboration with Andrés Marín. As the title suggests, it is a water-inspired piece that explores movement, colour, texture and sound – with a nod to the famous Matisse painting The Swimming Pool.
Leading the Vari-Lite luminaires was the VL5LED Wash, which beamed rich colour combinations across the derelict space, complemented by VL2600 Wash fixtures. A team of VLZ Profileand VL2600 Profile luminaires added front light and effects, with sidelight from the SL Bar 720ZT.
“I was very curious to try the VL5LED Wash for this production due to its retro look, which was very suitable for the site,” says LD Yaron Abulafia, who has designed productions around the world including at Deutsche Oper Berlin, London’s Royal Opera House and the Shanghai International Dance Centre.
“The rich colours - both saturated and subtle - and the colour mixing calibration were a pleasure to work with, and the accurate optics were outstanding. The exterior design is so appealing to the eye and the versatility of its light with blades open or closed had a very interesting impact on the look of the space.”
Abulafia says he used eight VL5LED Wash un
Finland - Uuden Musiikin Kilpailu (New Music Contest), is an annual event in which Finland’s representative for the Eurovision Song Contest is selected in a live broadcast by Finnish television viewers and an international UMK jury. This year’s Finals on 20 February marked the show’s 10th anniversary. The evening was broadcast live in four languages from Mediapolis TV studios in Tampere and televised on Yle TV1 to an audience of 1.7m viewers, breaking all records.
Lighting designer, Pekka Martti of Aku’s Factory, turned to MDG haze generators to breathe life into his lighting design, using its pure white haze to show off a range of visuals that created a different look and mood for each of the seven contestants.
With the help of MDG’s Finnish distributor, MSONIC Oy, Martti selected an MDG ATMe haze generator and an MDG theONE dual haze and fog generator for this important, spectacular event. “I wanted a haze machine that I knew would make the beams of light look good on camera,” explains Martti, “and, for TV shows, MDG - which I have been using since 2006 - is a must. I love the haze quality I get from them in television and live shows. The haze is white so does not discolour the light beams, or make them appear brownish like some other machines do.”
Martti positioned theONE atmospheric (dual fog and haze) generator, set in haze mode, on stage behind the upstage curtain, and placed the ATMe haze machine in the auditorium (there was no live audience due to Covid restrictions). “This way we were able to show the beams to best advan
The Netherlands - The new Collection Centre of The Netherlands, or CC NL, is one of the most extraordinary repositories anywhere. Four different museums in The Netherlands, including the world-renown Rijksmuseum, use the new facility as a storehouse for a large proportion of their collections. The art archive is celebrating with a piece of art of its own, a permanent light installation across multiple façades of the building created by light artist Herman Kuijer using Elation Proteus Rayzor 760 luminaires.
In 2018, Kuijer, known for light installations around The Netherlands since the late 1970s, visited the Elation booth at the ISE fair in Amsterdam, where initial discussions of the project took place with Elation key account manager for Benelux Bert Schmeits. During a subsequent visit to the Elation showroom in Kerkrade, it became clear to the artist that he could realize the creative ideas he had in mind for the building using Elation lighting. After various tests and demos on location at the CC NL facility, the project was realised using 28 Proteus Rayzor 760 moving heads, a 7,200-lumen wash light housing seven 60W RGBW LEDs and 5- to 77-degree zoom.
The four-story, nearly 25m-high storage facility, often referred to as the physical memory of The Netherlands, is located in the city of Amersfoort. The building’s façade, made of Kalzip aluminium with vertical seams that create extra shades, proved an excellent canvass for Kuijer’s art.
Lined along multiple sides of the building and mounted on steel bases produced by CMS (Custom Made Steelp
Japan - Yokohama Stadium has selected RCF as its sound reinforcement system for both sports and entertainment events. The stadium is one of the venues of the Summer Olympics and one of the leading sports facilities in Japan. It is primarily used for baseball as the home field of the Yokohama DeNA BayStars. International artists who have performed at the stadium include Santana, David Bowie, Madonna, and Michael Jackson.
Yokohama Stadium started in 1876 as a cricket ground. In 1929, it was reconstructed as a baseball stadium with 15,000 seats to host the country's most popular participatory and spectator sport. Then in 1978, Yokohama Stadium was rebuilt as the first multi-purpose stadium in Japan, officially named Yokohama Stadium.
After a complete renovation started in 2018, Yokohama Stadium was selected as the venue for 2020 Tokyo Olympics and Paralympics, postponed to the following year to better manage the Covid-19 pandemic. Developers at Yokohama Stadium have added additional seating with the number of seats increased to just over 34,000. It is now known as the official venue of the baseball competitions for the 2021 Olympics. Baseball will be featured at the Summer Olympics in Tokyo for the first time since the Summer Olympics in 2008.
The RCF speaker system serves as a PAGA system (public address and general alarm system). The main systems, consisting of two arrays of four TTL 33-WP each, are placed on six light poles around the Stadium (total 48 speakers). Fly bars are fixed to custom built titanium brackets. Yokohama Stadium has expanded s
USA - Last July in the middle of the pandemic, Northlands, a popular concert venue in rural New Hampshire began life as Drive In Live, offering fans a chance to enjoy live music from their cars. Today, with lockdown restriction easing, the site has changed its name and policy, allowing customers to take in shows by national acts from 10’ x 10’ pods following CDC safety protocols.
The new setup creates a more engaging environment for enjoying live music, according to Brian Courchine, lighting designer at Northlands. Also enhancing the fan experience this season is a lighting rig that has been upgraded with the addition of eight Chauvet Professional Maverick Storm1 Wash fixtures.
“As an outdoor venue, we placed a lot of importance on the Storm 1 Wash’s IP65 rating,” said Courchine, noting that the RGBW units are hung on downstage truss. “But the benefits go way beyond that. The ability to zoom and really focus the best positions to shed light on band members is a game changer. No more adjusting the wash with a ‘pokey stick!’ So, it’s a great improvement over the static washes we had before.”
In addition to the new Storm 1 Wash units, the Northland rig features Rogue R1X Spot fixtures (split evenly between mid and upstage truss) and Rogue R1 Washes, evenly spaced on upstage truss. “We added the Rogue R1 Wash late last season,” said Courchine. “Other than the addition of the Mavericks this year, we kept last season’s rig in place, but re-arranged things based on our experience.”
A big motivator behind this rearrangeme
Korea - TechDataPS Co and Yeong Sound recently collaborated to equip Joodasan Church’s newest location with a high-quality, easy-to-operate live sound system featuring JBL Professional, Crown and Soundcraft audio solutions.
Built in 2014, the chapel at Hwaseong-si in Gyeonggi-do province is the third facility constructed by Joodasan Church. With around 2,200 seats, including two-story balcony sections, the 1,500sq.m worship space regularly hosts a wide variety of spiritual events, in addition to musical performances and youth Sunday school.
In order to accommodate the large space and growing community, the church needed a high-quality and easy-to-use sound reinforcement system capable of projecting consistently clear audio throughout the worship space. To meet these goals, TechDataPS partnered with Yeong Sound to design and install a complete Harman Professional audio system featuring JBL loudspeakers, Crown amplifiers and a Soundcraft mixer.
Representatives from Joodasan Church stated that their ultimate goal was to elevate and modernise their existing sound setup. Since the Church hosts a wide array of religious events, worship services and performances, they needed a flexible system that could deliver superior audio quality and clarity for a range of applications.
TechDataPS reported that after considering their client’s request, JBL VTX A8 loudspeakers were the natural choice. The company then partnered with Yeong Sound to install the new speakers in a way that complimented the church’s architecture. With the help of top constructio
USA - A new addition to the San Diego skyline, The Rady Shell at Jacobs Park was built to host open-air concerts by the San Diego Symphony. The sheer size of the bayside structure - 57ft high, 92ft wide at stage front - makes it amenable to hosting large productions while enabling orchestra musicians to hear and respond to one other as well as they would in a top-tier concert hall.
To create an optimum acoustical listening environment that can be fine-tuned for various performances, a Meyer Sound Constellation system has been installed inside the shell - making it the first Constellation system designed for stage acoustics in an outdoor venue. The Rady Shell at Jacobs Park opens 6 August.
Pre-opening rehearsals and online concerts have elicited effusive praise from orchestra principals.
“The sound onstage is unbelievable,” San Diego Symphony music director Rafael Payare reports. “We can hear each other wonderfully and you feel like you are in one of the top-notch concert halls of the world.”
Equipping the shell structure with an active acoustic system for monitoring was strongly recommended by Shawn Murphy, an Oscar-winning film score mixer (and frequent FOH engineer for high-profile outdoor orchestral events) who served as special consultant to the symphony. Meyer Sound’s Constellation team designed the acoustic system, with complementary physical acoustics entrusted to Salter, the project’s acoustical and AV consultant.
Because many performances at the venue - most notably amplified pop or rock - would not use the Constella
Israel - Singer-songwriter Hanan Ben Ari kickstarted his tour in April after a long hiatus during COVID-19 lockdown, selling out the biggest venues in Israel. Hanan was the fourth most listened artist in Israel on Spotify at the end of last year and is now back on tour with his band.
The tour's lighting rig was designed by Ronen Najar, co-designer at the Eurovision Song Contest in 2019. The tour features twenty-four Prolights Pixie WashXB spread around the back truss, giving depth and a range of colours to the show.
“I was looking for a lighting fixture that will be small in dimension without compromising on quality,” said Najar. “The Pixiewash XB had all the qualities I was looking for - perfect size, a very wide range of colours, great light output and precision when working with it.”
The Pixie WashXB has 280W single lens RGB and warm white source, with a frontal planoconvex lens and a zoom range from 7,6º to 43º, high CRI and TLCI values.
USA - Created in 2015 by the merger of two churches, worship at South Carolina’s Hope Church ranges from high energy music to spoken word sermons. A recent enlargement of its Simpsonville campus provided the opportunity to upgrade its audio system. An Alcons Audio pro-ribbon system provided a blend of power and clarity.
The expansion of the single-story Simpsonville building enlarged the room’s depth by around 70ft and added gallery seating at the back, providing a total of 700 seats. The existing audio system was not adequate to cover the newly enlarged space with high quality sound for all styles of worship, so the church contacted AVL Solutions (AVLS), based in nearby Greenville, for help.
“A challenge for the sound design was the pitched roof, which ranges from 15ft at the sides to more than 18ft in the centre,” says Chris Craine, AVLS designer / director of sales. “We discussed the benefits of Alcons’ pro-ribbon audio technology with the client and, having worked with them before, they were happy to trust our recommendation.”
AVLS installed an Alcons pro-ribbon system comprising L-C-R arrays of two single 12” RR12 point-source array modules at each side and four in the centre, to provide the congregation with a full stereo image. Three horizontally-mounted VR12 mid-size 12” versatile monitors were suspended from the building’s main overhead beam to cover the new gallery seating, with three SR9 ultra-compact double 5” in-fill monitor for altar lip fills. The church’s existing subwoofers were tied into the Alcons system,
The Netherlands - The 2021 Eurovision Song Contest (ESC) which took place at the Rotterdam Ahoy in The Netherlands last month, was coordinated under the direction of a team of experts with decades of experience. Among them were ESC head of broadcast sound Thijs Peters and ESC head of venue sound Jeroen ten Brinke, long-time, consistent users of the DPA brand.
The show’s design team was further supported by Ampco Flashlight, the official technical supplier for lighting, rigging and audio, which provided one-hundred 4088 Directional Headsets and 40 d:facto 4018V Vocal Microphones from DPA Microphones for all of the show’s vocal performances.
“I have over 25 years’ experience as a live sound engineer and designer, and I have been using DPA since it was B&K; the d:factos are great-sounding mics,” says ten Brinke. “It was an honour to work on Eurovision, one of the world’s biggest live television productions. It was wonderful to find that there was no doubt from anyone within the production as to which mics to use.”
For Thijs Peters, who has 30 years’ experience running sound for the Dutch National Radio & Television Services, “taking care of the Eurovision Sound Contest was a unique experience,” which was further compounded by the unique COVID-19 protocols in place this year. In terms of the microphones, Peters noted that “they matched best with the needs of this production”.
Due to the pandemic, the Eurovision team was extra cautious about hygiene. As a result, the production invested in 120 separate d:facto m
Australia - The Australian National University (ANU) in Canberra touts an impressive resume – not just due to its seven robust academic colleges of study, but because it is also connected to the Australian Government by way of its position across the river from Capital Hill, where parliament is located.
The university often hosts high-profile meetings in the Mills Room, an ornate conferencing space featuring Tasmanian blackwood woodworking and capable of hosting up to 54 people. Located in the ANU Chancelry Tower, these meetings can include high ranking members of the government, making the Mills Room a premiere location of importance on campus. Because of its design and the fact that is has served as the location of significant ANU meetings since 1964, the meeting space is deemed by the university to have heritage significance.
However, after decades in service, the room was due for an AV upgrade. And a Renkus-Heinz-based solution was chosen.
“Since the space was deemed to be of heritage importance we were given the directive of no substantive changes to the room,” said Christopher Watson, consultant with Alder Technology – the firm that designed and specified the system for ANU. “The space itself is roughly 17 by 12m in size, and it has a massively vaulted ceiling. It’s also made of solid concrete, with a floating wall existing on one side. Simply put, the acoustics in the room were very poor and would present a challenge.”
Watson said the needs to precisely position audio in the space, coupled with the need to install as littl
USA - Bluegrass and orchestral music might come from vastly different places, but the two genres can happily share the same lighting rig, provided it has enough versatility designed into it. This was readily apparent on the banks of the Ohio River in Louisville this Independence Day weekend, as foot stomping shows by Greensky Bluegrass were followed by a rousing performance by the award -winning Louisville Orchestra.
Taking place at the city’s Waterfront Park, the bluegrass and orchestral shows were supported by a powerful and flexible rig anchored by 14 Maverick Storm 1 Wash and six Maverick MK3 Spot fixtures from Chauvet Professional.
Supplied by C&H Audio Visual Services (the event’s production company), the IP16 rated RGBW washes were evenly spaced across 40ft downstage truss. The high output 820-watt spot fixtures, which were rented from 4Wall Entertainment, were spaced throughout the upstage truss.
From these positions, the fixtures performed different functions for the bluegrass and classical music shows. For example, when Greensky Bluegrass performed on Friday and Saturday, the Storm 1 Washes bathed the band in an array of colours, while during the classical music concert on Sunday the 4th they were relied on to wash the orchestra in 4200 Kelvin for the video cameras. The spots, meanwhile were used for intense specials with the bluegrass band, and then were counted on to create engaging frost washes over the front rows of the orchestra.
“Andrew Lincoln, the LD for Greensky Bluegrass did a wonderful job designing the rig, not
USA - The Old Navy flagship store in midtown New York City was converted into a four-floor soundstage for a recent commercial shoot, and the production companies found a combination of Clear-Com wireless intercom technologies to be the right fit for covering the retailer’s closed set safely and efficiently.
The project required a mix of pre-recorded segments with employee interviews and a celebrity guest appearance. The talent was staged on separate floors when off-camera, allowing the onsite technical crews to maintain proper distancing while still experiencing high-quality communications among each other and talent, as well as the remote producers and directors who were in Los Angeles.
Gotham Sound & Communications was the lead production company for the shoot, with VP Peter Schneider managing operations remotely and independent sound engineer Ken Goodwin on-site. The pair chose Clear-Com’s FreeSpeak II 1.9 GHz Digital Wireless Intercom System and the Agent-IC Mobile App as the production roamed freely between each floor and even onto the busy Manhattan streets with no drops in coverage.
“The beauty of these systems is that I can remotely log in and verify everything is working as it should, and also troubleshoot to understand where things might not be connecting properly,” said Schneider, who has extensive experience deploying Clear-Com systems in a wide range of configurations.
The team conducted a trial run the day before shooting began, establishing a connection between Gotham’s headquarters in New York City, the line produ
USA - James Baker reflected the enduring magic of the 1972 musical Pippin recently with a neatly balanced, multi-faceted design for a production at Riverview High School, Oakmont, PA.
An all LED rig provided Baker with a level of flexibility that could never have been imagined, even on Broadway, given the technology available at the time, when the play opened. At the heart of this system were Chauvet Professional Maverick and Ovation fixtures supplied by Star Design Event Services.
Baker, who was retained by the school district to light this show, comments, “For the concept of this show, we were playing with contrasting ideas, such as light/bright and dark/shadows, to symbolize the inner conflicts faced by Pippin,” he said. “Our ensemble members assumed the role of phantoms trying to manipulate the thoughts in his head. We had this LED star curtain that we used in a way to symbolize and demonstrate how light can cut through even the darkest of thoughts.”
The Ovation E-260WW ellipsoidal fixtures in the rig were critical to helping Baker achieve this vision. Positioned on house pipes to the left and right of his tech book, the warm white units provided key lighting and illuminated the passerelle, which was used often throughout the show. “They allowed me to adequately light the actors’ faces without having to worry about the harsh look LED fixtures sometimes give when used as face lights,” he said of the Ovation units.
“As a lighting designer, it is critical to understand the inner workings of the various facets that are
Namibia - The Office of the Prime Minister (OPM) is at the apex of the system of government in the Republic of Namibia. A historical building in the Namibian capital of Windhoek, OPM houses the first Cabinet Chamber and the Constitution Room, in which most of the country’s legislatures were drafted.
The government recently elected to augment the Cabinet Chamber with a sophisticated sound reinforcement and visual display system to improve the meeting experience. Gadgets Namibia Solutions – a leading ICT products and services provider - were asked to source an appropriate solution, which they did through Stage Audio Works Namibia.
“This was an interesting project as the multilevel and oval shaped seating arrangement made it impossible to implement a traditional projector and screen solution,” explains Joppie Maritz of SAW Namibia. “Furthermore, we were working in a listed building with a very clear brief to preserve the historic interior finishes, so we had to find clever ways to install our equipment to ensure that it blended in with the minimum amount of disruption to the surroundings.”
SAW, in consultation with Gadgets Namibia, designed and installed a comprehensive, customised solution based on Pixel Plus LED screens, a Novastar LED controller, Sennheiser TeamConnect 2 ceiling microphones, Audac loudspeakers and a Taiden digital conference microphone system. Video routing and switching is via Atlona with Q-SYS control for ON/OFF and source selection.
“We opted for LED screens rather than a projector/screen solution as the conf
Ecuador - Cinema chain Multicines has just opened a new multiplex in the city of Guayaquil in which all 11 screens are fully equipped with Christie RGB pure laser projectors. The installation was carried out by CES+ (Cinema Equipment & Supplies).
The multiplex is located in the Mall del Río shopping centre in Guayaquil, the country’s main port and largest city. “The 11-screen multiplex is equipped with leading-edge technology and with a totally innovative industrial design, unique in the country,” explained Gonzalo López, general manager of Multicines.
The multiplex includes a 4D E-Motion theatre with seating equipped with vibration and motion systems, as well as wind, water effects and scents. It also has a premium large format (PLF) theatre called Multicines Xtreme (MCX) with Dolby Atmos sound, premium seating and a giant screen measuring almost 200 square metres (2,152sq.ft).
It also has a kids’ theatre designed to give families and children a totally new experience. It includes seats in different colours and a slide that connects with a playroom at the back of the theatre.
When choosing the projectors for its screens, Multicines, a long-standing Christie client, was never in doubt and put themselves in the hands of the brand once again. “Christie is a world leader when it comes to cinema projectors and we have always prided ourselves on having the best technology for our theatres,” stated Gonzalo López.
“RGB pure laser technology offers excellent quality coupled with energy efficiency,” adds López. “It affor
USA - Illuminarium Experiences opened its first Illuminarium in Atlanta, Georgia, with its debut spectacle, Wild: A Safari Experience. The immersive 8,000sq.ft entertainment complex on the Atlanta BeltLine will showcase the beauty and splendour of Africa’s most exotic animals in their natural habitats.
Through a convergence of technologies, Illuminarium’s immersive venues ‘will transport millions of visitors to places that they previously could only dream of experiencing’. By enabling audiences to see, hear, feel, smell and even personally affect an experience, Illuminarium places the guest ‘inside’ the narrative using techniques from traditional motion picture production and virtual reality combined with interactive features that facilitate the experience of the real world. In essence, Illuminarium exemplifies a “VR, without the glasses” experience.
Wild transports visitors to Africa through cinematic content shot by RadicalMedia on location across South Africa, Kenya and Tanzania, showcasing the majestic animals in their native habitats. Complementing the exotic sights of a safari, visitors will also be immersed in its authentic sounds and scents, all without leaving Atlanta’s BeltLine. Wild will be followed by Spacewalk, a journey through the Solar System where audiences will experience what it’s like to walk on the surface of the Moon and Mars.
Although this content is key to the look of the show, another important aspect – the feel – could not have been possible without the inclusion of Powersoft’s linear transducer,
USA - Nearly 750 Martin Audio components have been specified and fitted as part of a complete AV integration at the new $700m Live! Casino & Hotel Philadelphia.
The 510,000sq.ft Cordish Companies development is set in the City’s Stadium District. The audio-visual design and implementation was managed by ECI (Entertainment Consulting International) as are all the entertainment complexes and sports arenas within the estate of their parent company.
Audio-visual requirements in the multi-zone space, incorporating a collection of sports bars and diverse restaurants, were specified by consultants, Las Vegas-based Coherent Design, with integration company, Metinteractive, providing the successful bid for the fit-out.
At the business end, the work was overseen by Dan Defendorf, Director of A/V & Corporate Music Programmer for 130 or so Cordish Companies properties - casinos, bar/restaurants, sports and entertainment venue complexes - spread across nine districts of the US. He planned the design in conjunction with the Ryan Dewey, Director of AV at the Live! Casino & Hotel.
Defendorf had already set up a relationship with Martin Audio, via Southeast Regional Sales Manager Brad Stephens. But the turning point came at InfoComm 2019 when he arrived at the manufacturer’s demo room, essentially looking for a reliable and discreet ceiling speaker at an attractive price point. Projects in Philadelphia and Pittsburgh were initially discussed with the company’s Northeast Regional Sales Manager, Martha Callaghan, and a loose template establishe