UK - As Entourage Pro, the freelance crew network and technology insights company, celebrates having successfully placed hundreds of crew on tours and gigs across the globe this summer, co-directors Joel Perry and James Stanbridge have announced the appointment of Harvey Goldsmith CBE to the Entourage Pro board to further expand their standing in the industry and help communicate the site’s suite of services to the global sector.
Goldsmith is one of the best-known names in the industry. He has acted as promoter for Live Aid and Live 8, The Rolling Stones, The Who, The Jam, Teenage Cancer Trust, Madonna, Queen, Hans Zimmer and countless other international artists, and has recently launching the Nvisible Agency. He will assume the role of non-exec director at Entourage Pro with immediate effect.
“I’m excited to join this young, pioneering company,” he says. “EP has succeeded in bringing six major components of the live entertainment sector together in one accessible eco-system. Having recognised that the industry has long needed digitising, they have managed not only to create something entirely new, but something that is simple to use and benefits all stakeholders in the process.”
Perry adds, ‘We’re thrilled to have Harvey join us. He’s a true industry visionary whose wealth of knowledge has already proved indefatigable. Harvey knows that in order to implement change, you have to convince people that change is necessary. He knows better than anyone how to communicate that message and we’re already seeing the results.”
Australia - ITV’s I’m a Celebrity…Get Me Out Of Here returned to the Australian jungle earlier this month, for the first time since the Covid pandemic saw it relocated to North Wales. Unusual Rigging was once again involved, providing consultancy and creating the brief for two aerial stunts.
Unusual’s Robin Elias has worked with ITV on the hit show for years and, while the show was filmed in Wales, a team of Unusual riggers headed by senior production rigger, Sam Carter, were on set, rigging and operating the challenges. With the show’s return to Oz, Australian-based Tri-Point Rigging were once again contracted to manage and execute the project locally, with Unusual Rigging consulting with Tri Points’ Graham Dew & Damian Green, on two of the key challenges.
Robin commented, “It’s a great pleasure to once again work with the I’m a Celebrity team, devising more hair-raising stunts that seem to get a little bit crazier with each passing year. This year, we were pleased to get to consult on the entry challenge - The Ledge – a revamped version of the infamous Walk the Plank challenge that had featured in previous years.”
Taking place 33 storeys above the ground below, on the roof of The Focus Building in Queensland’s Surfers Paradise, three campmates were asked to step out onto a plank. What they didn’t know was that, once they were out on the very end of the plank, the rest of the plank would disappear from behind them, leaving them only with the plinth they were standing on, plus a sloped edge. Once all three
USA/Spain - A simple solution that protects trusses from damage and scratches was unveiled by Fantek at the 2022 LDI show in Las Vegas.
The Fantek Ring (F-Ring) is a cost effective and patented innovation that can be installed on trusses in a matter of minutes. Once in place, the F-Ring ensures that no damage can occur when the truss is being stacked on trolleys, moved from venue to venue or placed on the ground. Although removal is easy, there is no need to remove the F-Ring before using the truss, which means that the same F-Ring can remain in situ for the duration of the truss's life. And because it is very secure there is no opportunity for the F-Ring to be lost during transit.
Available in sets and already in stock, Fantek's F-Rings are suitable for rental companies that want to protect their valuable truss stock. They are compatible with all truss models from any manufacturer using 50mm main tubes, the type most common with the 29cm wide trusses used for trade shows and live events.
Europe - Nearly 45 years after founding Belgian event staging pioneer Stageco, Hedwig De Meyer is stepping down from his leadership role, and has named Hans Willems as Stageco Belgium’s new executive CEO, effective 1 January 2023.
The move, says De Meyer, 68, was intended to take place two years ago but was delayed due to the pandemic lockdown. “Now that our business has begun to stabilise after a very busy summer, the time feels right to pass the baton to Hans, who gave us every confidence that he was the most logical choice of successor,” he explains.
Formerly head of R&D at Stageco, Willems, 51, established his own business, Wicreations nearly 18 years ago. As CEO, he has driven his company to become one of the global live industry’s leading creative players in motion technology. Together, Stageco and Wicreations have collaborated on many of the world’s leading concert tours by the likes of U2, The Rolling Stones, Beyoncé and Rammstein among many other premier acts.
“Hans knows the industry inside out, and possesses exemplary leadership skills,” comments De Meyer. “The manner in which he has grown Wicreations is extraordinary and while our two companies will remain independent of each other, there is now greater potential for partnership and creative collaboration.”
Until the end of 2022, Willems will divide his time between the two companies, working with his teams to align their cultures and shape a new ecosystem that further exploits their already existing organic synergies.
Says Willems: “I have always h
Germany – Stage lighting and rigging specialist Christie Lites has opened a Berlin base to strengthen its Central Europe operations.
Located in the north of the city, Christie Lites’s Berlin shop, which is already fully operational, offers local industry expertise and a diverse and well-serviced inventory to the company’s existing network across the USA, Canada, and the UK.
Christie Lites CEO, Huntly Christie, comments: “We are pleased to be launching our European operations in Berlin, alongside the Clair team at the Black Box production facility. We have plenty more work to do to bring our operations to scale but are well on our way after only six months in the market.”
The new location has also seen Christie Lites expand its global account rep team, appointing respected industry professional Torsten Mund as their first account/rental representative based in Central Europe.
Torsten's focus will be on developing new business, strengthening client relationships in the region and offering project and kit support. He is well-known in the events industry, having worked for three decades in a wide range of positions, including as a technician, project manager and fixture rental professional.
“I’m thrilled to be joining Christie Lites – a company that I believe offers a very smart business philosophy,” says Mund. “I’m excited to have the opportunity to expand our services and support in Germany and across Europe, welcome new customers and enhance Christie Lites’s reputation as a client-focused, added value organisation.
UK - As a contribution to Global Lifting Awareness Day, the Lifting Equipment Engineers Association (LEEA) put lifting-related topics for end users in the Entertainment sector under the spotlight.
Without lifting the entertainment industry will grind to a halt: theatre, television and film sets would not be moved, lighting rigs for live concerts will remain on the stage instead of above it. However, in the spring of 2020, the sector really did come to a sudden stop. Entertainment was hugely impacted by Covid, being one of the first sectors to be put into lockdown and often one of the last to be freed from restrictions, as Paul Fulcher, founder and managing director of Rigging Services, explained in his presentation on Post Covid rigging training requirements for new recruits working in the Entertainments Sector. Many freelance contractors found themselves out of work, and often ineligible for furlough or other assistance. There was a mass exodus from the industry and many experienced hands have not returned.
New recruits need training, but so do those hired from other sectors because the lifting environment in entertainment is in many ways unique. It is, for example, the only industry that deliberately lifts loads above people – whether they are performers or an audience, sometimes with artistes ‘flying’ on the load. Often, multiple lifts are involved, including many electric hoists lifting and lowering in a synchronised manner. A lot of this is ‘live’ so there may be only hours to install rigging along with lights, sound, video a
Europe - Neumann&Müller has developed an IoT-based system for checking and monitoring safety-related suspension points used to bear loads in the event sector.
Loadwatch has been designed to monitor many such suspension points in parallel. This new product underwent its first major acid test at Fira de Barcelona. It provides trade fair companies and venue operators with greater safety in load distribution to load-bearing structures.
Loadwatch can be seamlessly integrated into trade fair and event processes, says N&M. The information needed for assigning parameters to the individual load cells is transmitted digitally and wirelessly. Feedback on the approved load case is given visually by LEDs on the device itself – whereby a traffic light system signals the degree of utilisation. Further information is transferred via an ‘Internet of Things’ (IoT) interface to a centralised web server, where the acquired data is analysed and visualised in a transparent manner.
This information is available any time, any place via various communication interfaces, for example via a cloud-based web application. The loads can be monitored by N&M in its role of technical services provider for trade fairs and venues as well as by booth builders and exhibitors to check whether the load distribution agreed in the planning phase has indeed been complied with.
“It adds a substantial extra layer of safety,” explains Matthias Rupieper, the head of N&M’s trade fair division. “Planning can be validated with actual measured values, especially
USA - Powersoft has confirmed its first-time attendance at IAAPA Expo, the largest trade show for the attractions industry, which will be held in Orlando, Florida, from 14-18 November 2022.
At booth #465, the Powersoft team will be showcasing Mover, the company’s low-frequency direct-drive/tactile transducer, which is designed to reproduce sound through haptic perception, or the body’s capability to feel low-end frequencies through bone conduction. More accurate, powerful and efficient than other existing products, Mover can be used in moving floors, seats and rides to transfer both audible and inaudible frequencies to the human body – its earth-shaking vibrations adding another dimension to theme and amusement park rides, museum exhibitions, science centres, clubs, and other attractions where an immersive user experience is desired.
Powersoft Mover enables AV professionals who provide solutions for immersive experiences to add ultra-low frequency haptic feedback to their final products.
Its compact nature and power-to-size prowess allow it to be integrated into small spaces, without orientation limits, and to provide a very high ratio between moving mass and total mass, which increases the overall final product efficiency.
Marc Kocks, key account and business development consultant for Powersoft, comments, “Mover allows for an unprecedented and immersive user experience. It can give the audience the sensation of falling, elevation, or being shaken as part of an attraction.”
This technology is already being used to maximum eff
UK - Birmingham’s Resorts World Arena hosted the first Tropic skincare in-person ‘Glammies’ event to be staged since the pandemic. Attended by 4,200 Tropic ‘Glambassadors’, product launches were combined with aspirational and motivational speeches, recognition segments and an evening gala Awards, plus full entertainment including live music from the 20-piece Symphonic Ibiza orchestra.
Central Presentations Ltd (CPL) supplied a full production package – lighting, audio, video, screens, rigging and staging – working for producers, Pandora Events. Two days of build and two days of rehearsals preceded the one-day event, with CPLs team of around 40 led by Lee Gruszeckyj.
CPL created the production design from initial sketches to full supply and delivery. Being the first Glammies post-Covid, it was all about creating a big spectacle with lots of vibrance and energy in the room, complete with pyro and SFX. Additionally, the event had an oceanic / nautical theme related to the importance of keeping toxic waste products out of the seas.
The LED screen design set an epic tone, with two large portrait orientated slabs of Roe 5mm CB5 each measuring 7.2 by 9.6m upstage, and six different sized flown video cubes measuring 3.6, 2.4 and 1.8m respectively strategically positioned and flown. In total there were over 120 points of rigging on the project.
All screens were driven by Brompton SX 40 processors over fibre with full redundancy.
The stage featured a 12m long 5ft high runway emanating at the front, ramped on the audience end ena
Slovenia - The venue known today as Dom kulture Kamnik (DKK), located to the north of Ljubljana in Slovenia, was built in 1953 as part of the Kamnik Chemical Industry. Constructed by the workers themselves, DKK was designed to be a cultural entertainment centre to serve the local community. Although the main stage incorporated hoists, the venue was primarily used as a movie theatre until it temporarily closed its doors in 1991.
With the idea of revitalizing live performances came the decision to renovate the building. Over the past two decades, a variety of improvements have been made, including the recent installation of a stage machinery system from ETC Rigging, comprising Prodigy P2 hoists, Helix cable management, a ColorSource Raceway prewired power and data distribution system, and a QuickTouch Preset controller.
“Back in 2017, we were at DKK installing an ETC ColorSource ThruPower system for dimming, and an Element console,” says Ivan Franinović, from ETC dealer Elsis d.o.o. “We were asked by Primož Jeras – the man who holds together this venue in every technical respect – to come up with some ideas for replacing the hoists.
“As demand to see theatre shows was growing, the risks associated with using 70-year-old counterweight hoists were also increasing. No disrespect to the original stage builders, but the hoist structure was made of wood and pipes hanging on hemp ropes. They did a perfect job for that period, but it was time for an overhaul.”
Elsis d.o.o. consulted the stage machinery team at ETC, and together they wor
UK - Andy Bell, former operations director at KB Event, has joined Truckingby as events operations director.
Andy has over 23 years' experience in live event trucking, working with bands and artists such as Ed Sheeran, Rod Stewart, the Stereophonics and many more.
“I’m looking forward to bringing a wealth of experience and knowledge into Truckingbyand being a valuable part of their team in expanding their live events division,” says Andy.
Kevin Hopper, Truckingby managing director said Andy’s appointment to the company adds additional strength and knowledge to our live events logistics operation, we are all looking forward to working with him, and wish him all the best for the future with Truckingby.”
USA - This month, the American Society of Theatre Consultants (ASTC) welcomed Michael Nishball as its newest full member. Membership into the ASTC, follows a highly selective process that considers a candidate’s range of capability and experience, their past industry achievements, and the quality of service they provide to clients.
“I can think of no person more deserving of full membership,” offered Scott Crossfield, Theatre Projects principal and fellow with the ASTC. “Michael’s experience in equipment and systems design is unparalleled, and he is the type of person we want in the ASTC: committed to the industry, dogged about the appropriate use of technology in the design of performance spaces, and invested in safety for audience and performer as his number one priority.”
Michael is Theatre Projects’ principal theatre equipment designer and one of the industry’s leading voices on structural systems, rigging equipment, and specialty stage machinery. He makes the eighth Theatre Projects employee currently on the ASTC membership roster and brings over 40 years of experience to the elite organisation.
Theatre Projects has been Michael’s professional home since 1995. Prior to Theatre Projects, he worked with Pook Diemont & Ohl, Inc. as a rigging contractor, and earlier on, he was a stagehand, production designer, and rigger with a variety of theatre companies. He supervised lighting and rigging for the Wooster Group all over the world and worked with the Boston Shakespeare Company, the American Repertory Theater, and several mode
UK - The 2022 Commonwealth Games Opening and Closing Ceremonies, took place at Birmingham’s Alexander Stadium in August, Celebrating the rich history, culture and identity of the city and the West Midlands, Unusual played a key role as the contracted rigging supplier.
Working for Gary Beestone, Unusual’s job was to provide all the rigging and install all the lighting for the spectacles. Sam Carter, Unusual’s lead rigger on the project explained: “It’s been a couple of months now since the opening ceremony and the feedback we’ve had ever since has been unreal! We had our work cut out – it was a mammoth event with a modest budget, but the result was two fantastic ceremonies.”
Birmingham’s Alexander Stadium is a relatively new venue, with the west stand just recently built and the north and south stands set up as temporary structures. Big towers were erected by ESG, with the Unusual team installing video screens, supports for lighting, and hanging all speakers on wires.
“We were essentially responsible for all the duties that you’d imagine production riggers could handle – all the lighting, PA and video – basically, we suspended everything that needed hanging and took on the role of problem solvers in that area too,” added Sam.
As can be expected with an event of this scale, the challenges were many – from tight schedules (“we had six weeks to get everything done,” said Sam), to making the venue suitable for the ceremonies.
“We took an initial couple of weeks to carry out some capital works to the venue.
Europe - ETC has announced that the two new models of the innovative Prodigy P2 package hoist are now shipping, adding more load capacity to this line of utility hoists. Like the existing 300kg model, the compact profiles of the new P2-600 kg and P2-900 kg powerhead means they can fit into spaces that other hoists cannot and can be used with the unique structural compression tube which allows drop pulleys to be positioned anywhere along the length as well as absorbing lateral forces on structures that were not originally designed to support motorised rigging systems.
These technologies allow many more venues to access the safety and speed advantages that automated hoists provide for setup of stage electrics, drops, and scenic elements.
The full line of Prodigy P2-300, P2-600, and P2-900 hoists alongside ETC’s control systems with SIL-2 safety functions, are manufactured to meet and exceed the rigorous requirements of the EN 17206 harmonized machinery directive for Use Cases 1 and 2 (UC 1 / UC 2) and are fully certified by TÜV Süd according to DGUV 17/18 (formerly BGV-C1). With everything tested and pre-commissioned at the factory, there is minimal on-site wiring required which simplifies the on-site commissioning, system certification, final and recurring inspections, and project signoff process, saving time and money on site.
Product manager for rigging and power systems, Ned Keitt comments: “We are thrilled to be announcing the new additions to our Prodigy P2 range and begin shipping larger capacity hoists. With the arrival of the P2-600 kg
UK – Berkshire-based Full Production has announced a new strategic partnership with Coventry-based Avion TSL. The partnership will see both companies benefit from the sharing of premises, resources and expertise, enabling the delivery of a stronger and faster service to a broader range of clients in the UK and beyond.
Founded in 2010, Full Production has worked on a variety of top-flight events in recent years, from touring exhibitions and awards shows, to television, festivals and other special events. Drawing on a network of skilled designers, project managers and crew, the company prides itself on its central ethos of ensuring the customer’s vision is realised as fully as possible.
Avion TSL, a family-run business formed in 2001, specialises in providing full-service production for, concerts, fundraising events, fairs, Christmas walks and other visitor experiences. Under the new partnership it will operate under the Full Production banner where appropriate, while continuing its own activities as Avion TSL.
“Avion TSL focuses on a largely different niche, but is very much a like-minded company,” says Full Production’s managing director, Steve Richardson. “We worked alongside them last year, and we saw that they shared our customer-driven approach to the events market, always taking great pride in bringing an event to life, always enthusiastic and professional. I believe we will complement each other very well.”
“We’re both companies that like to say ‘yes’ when clients ask if we can do something, or if we have previou
Europe - Prolyte has announced its expansion in Norway with the appointment of Prostage as its new distributor in the country.
Prostage AS was established in 2008 in Oslo by CEO Gunnar Waldemar Naas. Since then, the company’s main goal has been to offer high-quality professional lighting, sound, and stage products at an affordable price.
“I am thrilled to work closely with Prolyte and their technical team in a distributor capacity, having worked with their products in a wide variety of projects for more than 20 years. The quality of their products, combined with their well-known level of know-how and service makes Prolyte a solid partner, and the collaboration will further strengthen our position in the Norwegian market”, said Kai Vidar Bech, technical manager, of rigging & stage machinery.
Prostage is the exclusive distribution partner in Norway for several market-leading brands and has a wide product portfolio catering to a large array of business areas in our industry. Its main offices are equipped with a full showroom, sales offices, warehouse, and product repair workshop.
Awarded with the Gaselle prize six times in the last eight years, a prize given to companies based on criteria such as increased turnover and profitability, Prostage has established itself as one of the leading players in the industry.
William Voskuil, sales director of Prolyte, added: “We are proud to introduce Prostage as an official Prolyte distributor in Norway. It is a great step in providing the Norwegian market a professional point of contact.
Germany - This year, HOF celebrates its 25th anniversary. What began in 1997 with five employees has grown over the past 25 years into a team of over 50 people.
The areas of special construction made of aluminium and steel as well as trusses for event technology still represent HOF's core business. In parallel, HOF has established itself over the past two and a half decades as a reliable partner for industry clients from the food, automotive and agricultural sectors when it comes to special constructions and contract welding work.
From day one, the motto of company founder Hans-Wilhelm Flegel has been: "The crazier the idea, the better. There is no idea that cannot be implemented." HOF has remained true to this motto over all these years and still lives by it: "We don't do things by halves. What we do, we do it right!"
One of HOF's first major projects was the tour of German musician Marius Müller-Westernhagen in 1999, which relied on a sophisticated stage design – by the standards of that time. HOF gradually developed into a full-service provider and, in addition to sales, covers the areas of construction, structural engineering and production with a complete in-house team, which guarantees customers fast development and execution of projects and great flexibility.
At the customer's request, HOF also carries out the assembly work on a turnkey basis. In the field of special constructions, HOF developed, designed, manufactured and installed, for example, the substructures for a new video wall in the stadium of Bayern Munich and for Europe's
UK - The Stage Bus, a Birmingham-based events production company that provides solar-powered staging solutions, has released the latest version of its newest stage, The Stage Box.
A concept that’s been designed and constructed at the company’s Halesowen HQ, The Stage Box is built into a converted 20ft shipping container. It provides a stage platform which can operate from the back of a truck, or as a detachable unit which can self-dismount using hydraulic legs. The entire stage is solar-powered, and can run for up to eight hours on a full charge.
The latest version of The Stage Box expands its power capacity with a modular solar battery system, allowing its running length to be extended past the eight hour mark. Combined with its nature as a self-contained unit which can be locked up and safely left at any event site overnight, this makes it the ideal choice for small to medium sized events, corporate activations, sports events, weddings and more.
The Stage Box is equipped with a powerful PA system and LED lighting, which help bring any performance or broadcast to life. Its hydraulic legs allow it to self-level on uneven terrain, simplifying the stage’s transportation and deployment. The stage can also be deployed on ground level, allowing people to get up close and personal with it when used in interactive events such as marketing activations. It can also be raised up to six feet off the ground, providing maximum visibility.
The Stage Box was first launched in 2019, shortly before the Covid-19 pandemic struck. In the two and a half year
UK - PLASA Show, London’s international event for entertainment technology, will once again open its doors at Olympia London from 4-6 September. Thousands of professionals from across the live sector are expected to attend the show, coming together to celebrate the industry’s strength and innovation following the pandemic. Tickets are still available for £15, which will increase to £20 on the door.
200+ global brands will sit side by side in Olympia’s Grand Hall, representing the very best of pro audio, lighting, audio-visual, rigging and staging technologies. These include the show’s headline sponsor Robe, as well as fellow lighting brands Chauvet Professional, Claypaky, Ayrton, Avolites, ETC, Elation, GLP, Vari-Lite, Martin, TMB, plus many more. The pro audio sector is well covered, with brands such as d&b audiotechnik, Sennheiser, Yamaha, DiGiCo, Shure, RCF and L-Acoustics. Leading names from AV will be in attendance, such as Epson, ROE Visual and PSCo. And plenty of rigging companies will be there too, including Area Four, Broadweigh, Doughty and Triple E.
The show will also feature a market-leading seminar programme, sponsored by Vectorworks, with back-to-back sessions in three seminar theatres. Attendees can learn from business leaders, get inspired by accomplished creative freelancers, and get involved in conversational industry panels. Programme highlights include design insights from the creatives behind Ed Sheeran’s world tour; lighting BMW’s HQ; powering the Commonwealth Games; and live events in the metaverse.
UK - TAIT has confirmed the appointment of Mark Dakin as managing director of TAIT Neasden & Haverhill in the UK.
Mark brings to TAIT over 40 years of production and technical direction for London’s principal opera companies and major performing arts venues, including the Royal Opera House, National Theatre and English National Opera.
In this new role, Mark will oversee local business operations, team and clients, whilst working closely with the Global Executive Group.
Mark Dakin comments: “The one thing that links the many varied roles I have held over the 40 years of my career, is the artistic application of technical expertise, the joy of collaborative practise and the balancing of the systems that enhance and deliver the artistic vision of creatives and optimise the business imperatives of producers and organisations.
“I am thrilled to be joining TAIT where my experience and these shared passions are at the heart of building a world-class, inclusive workplace, where the ambition and creativity of producers, directors, designers, architects, engineers, technicians and craftspeople can continue to thrive, and where the discovery of new fertile ground for the world’s imagination will build new opportunity to grow the broadest range of entertainment experiences for the future.”
Adam Davis, CEO, TAIT Group comments, “Mark is a motivational leader at the top of his craft and we are delighted to welcome him to TAIT. As we continue to develop our best-in-class teams for all our audience groups, Mark’s unique experience and
UK - Le Mark Group will be exhibiting its extensive product range at this year’s PLASA show. Two new Dirty Rigger products will take centre stage; the V3 edition of the heavy-duty backpack and four-way stretch ladies’ work trousers will both be showcased on Stand E20.
Additionally, Paper-Tak– a paper-based alternative to generic PVC tape will make its debut. Visitors will also be able to see a selection of Le Mark’s best-selling tapes, labels, flooring and crew wear, with a knowledgeable team on hand to answer any queries.
Speaking ahead of the show, Stuart Gibbons OBE, managing director, Le Mark Group said: “We’re delighted to be returning to the show again this year and we’re really excited to see what people think of the new products we will have on the stand. The Dirty Rigger backpack has been built around industry feedback. It’s comfortable to wear and incorporates a tough, waterproof ‘hard case’ base plus a water-resistant fabric. We really rate this backpack as a product that will safely hold both tools and a laptop.
“Meanwhile, the Dirty Rigger ladies’ work trousers will be modelled by a mannequin on the stand. Featuring a new, durable, four-way stretch fabric, the trousers offer extreme flexibility, durability and comfort.”
With an industry drive to become more sustainable and circular, Le Mark Group is proud to be launching Paper-Tak. Stuart explained: “Our customers are keen to reduce their use of plastics whenever possible. To help them achieve this, we’ve produced Paper-Tak - a tough paper-based tape
Europe - Blumano, engineering consultancy and advisers for safety and stage machinery design, has announced its expansion with Blumano Deutschland. This base, located in the heart of Western Europe, will work closely with Blumano’s network of offices in Ireland, the UK, Italy, South Korea and the Netherlands.
Laura van Haperen joins this organisation and brings impressive experience and her qualifications as a DGUV V 17/18 (formerly BGV C1) expert in Germany. Her career as a safety expert in machinery and equipment for stages and other production facilities includes collaborating with leading companies in the entertainment industry. She has also improved quality management issues regarding business and technical processes throughout her work with automated stage machinery manufacturers.
Laura and Blumano's other directors met during standardisation meetings within CEN TC433, collaborating in drafting the backbone of stage machinery technical documents and safety guidelines.
Laura commented: "During several after-work get-togethers throughout Europe, we found out that we share the same visions and mindsets. To give an example, standards and guidelines should always be written in a way that gives technical development departments, as well as designers, the maximum artistic freedom to design new spectacular effects. Of course - above all - within technical possibilities and the necessary safety framework.
“My personal passion is to find the easiest and most effective manner to handle things safely. If we, for example, have a look at equipment
UK - Prolight Concepts Group has announced that it has completed the acquisition of Flightcase Juice. The addition of this brand ‘enhances the current umbrella of brands, and enables Prolight to continue to stock, supply and develop this popular consumable’.
This label cleaner and permanent market remover is developed and manufactured in the UK and is currently available in 0.75 litre spray bottle. A 5-litre version is also available which is suitable for refills or larger usage requirements. Mini sample bottles of Flightcase Juice will be given away at the upcoming PLASA Show in London.
Managing director Andrew Jeffrey comments, “I am pleased to welcome Flightcase Juice in our group. We will be looking at further expanding the range with the same dedication and passion that we have applied to our other brands over the years.”
UK - Free registration for this year’s PLASA Show will end at midnight tomorrow (31 August). Taking place in Olympia London’s Grand Hall on 4-6 September, the leading entertainment technology trade show promises to deliver some of the latest technology, brand showcases and product demos. Alongside ample networking opportunities, visitors will also be able to take advantage of the show’s free-to-attend seminar programme of over 60 sessions, taking place across four show floor theatres. Meanwhile, the winners of the 2022 PLASA Awards for Innovation and the Gottelier Award will be announced at the show on Monday 5 September.
Don’t miss out – register for your free ticket by midnight tomorrow: https://registration.gesevent.com/survey/1ibtbcj5j6f10?actioncode=WB14