Video and AV

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14 March 2016

Charles Steward has been appointed as head of managed services, to head-up and drive the fast-growing Eclipse Services division of the company.

John Michaels and Martin Worman join as area managers, who will help co-ordinate Eclipse's dedicated site teams working across the 18 high-profile central London venues for which the company provides event services, technical production and AVL equipment.

Steward's background includes 10 years of operational experience in the professional AV industry including as a director of Impact Marcom. He also brings a wealth of knowledge in the contractual and finance sectors garnered working nationally and internationally.

His role at Eclipse Services will include building the portfolio, managing investment and equipme

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14 March 2016

The company will be supporting IBC TV and the IBC conference programme, and is once again the supplier for digital cinema projection at the IBC Big Screen experience.

First up is the Christie Brio - a presentation and content sharing solution which enables meeting participants to share across multiple locations, running audio and video presentations from their own smart devices wirelessly without the need to install any third party software. Brio features a whiteboard which can be shared in real-time for comment, note-taking or drawing - all of which can be saved, shared or recalled for later editing. As a result, participants are able to share information much more easily and leverage critical knowledge

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14 March 2016

The new software brings "sparkling new features that answer the demands of customers in the forefront of the action". Two versions are available: GrandVJ 2 and GrandVJ 2 XT which includes a VideoMapper feature.

New Features for GrandVJ 2: new interface; VideoMapper module (XT version); new software activation system; improved performance; new effects plus support for audio files.

GrandVJ 2 comes with a new interface, making it even more user friendly and straightforward, while integrating all the new functionality.

Simple colour coding (orange for layers, blue for cells) makes editing faster and more intuitive. Existing features, such as panel locks, have been moved and grouped under the mixer for convenie

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14 March 2016

"Historically, Avolites consoles have been Siyan's first choice at Lovebox," explains project manager Jez Johnstone. "For the past few years we've used the D4 range for FOH at the main stage, with the Expert on the smaller stages. With technology moving forward, it was a natural progression to spec the Sapphire Touch at main and the Tiger Touch Pro at stage 2."

At the controls of the Sapphire on the main stage was lighting designer Paula Trounce, taking care of artists including headline act Azealia Banks as well as Tinchy Stryder, Jurassic 5, D'Angelo, Rudimental and Charlie Wilson, among ot

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14 March 2016

Design and Production company,59 Productions and interiors and exhibition designers Real Studios collaborated on the David Bowie is exhibition design. Expert systems integrator, Sysco AV configured the museum's existing inventory of technology and Dataton Watchout powered the multi-image display and presentation software in two areas of the galleries including a 7m high video wall display and TV displays throughout the exhibition. Sysco AV has worked with the V&A for many years on several exhibitions. Watchouit is support

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14 March 2016

Sigur Rós's provocative and interesting live visuals are a collaboration between LX and stage designer Bruno Poet, the band's artistic director Sarah Hopper, Damian Hale the editor for Third Company and video director/Catalyst operator Ray Gwilliams, all working towards creating a visual look that both reflects and adds to their musical style for live shows.

Gwilliams has been supported on the road by Robyn Tearle, the two of them forming the tour's core video crew.

Both of their roles have evolved since starting in May 2012, reflecting the fluidity of the video e

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14 March 2016

To help XL Video bring the shows to life, forty units of Panasonic 20,000 lumens PT-DZ21KE and PT-DS20KE projectors are being installed into the grand scale stadiums and arenas, as the musician delivers 27 electrifying rendition performances across Europe running until autumn 2013.

Roger Waters comments on the technology of the show, "This wide wall stadium show couldn't have been done 40 years ago. We couldn't have filled the space in a way that would have been emotionally, musically and theatrically satisfying. Technology has changed. Now we can."

The Panasonic PT-DZ21 models project exceptional brightness levels and crystal clear imagery onto the colossal 20,000 sq.ft o

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14 March 2016

The one-off event also coincided with the launch of the 2014 e-Luminate Festival in Cambridge - which in February will celebrate the fusion of lighting and technology to show the city literally 'in a different light' - with a fundamental emphasis on eco-sustainability.

Ashton was approached by Rud, who had heard about his work and wanted to take AniMotion to a different level.

Ashton immediately saw the potent

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14 March 2016

The public will be invited to have a cathartic yell or scream inside the building. Each scream will generate an instant light composition that illuminates the entire building.

The unique quality of each scream will create the colour and movement of the light composition through a unique computer program which will analyse the sounds in real-time.

The installation will be visible to thousands of passers-by on Borough High Street between 5pm and 10pm each night.

House Of Pain is a centrepiece in the 2013 Merge Festival, an arts festival in the Bankside area of London.

(Jim Evans)

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14 March 2016

Featuring the same optical performance and construction as the S300, the Christie MicroTiles S310 screen is slightly larger and features 0.7-millimetre seams (compared to 1.3-millimetre seams for the S300). The S310 operating temperature range is 5 degrees Celsius (41 degrees Fahrenheit) to 35 degrees Celsius (95 degrees Fahrenheit). Just like the S300 screen option, the Christie MicroTiles S310 screen delivers excellent contrast with deeper blacks and image uniformity in even the most demanding i

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14 March 2016

Dark Matter AniMotion was created by Maria Rud and Ross Ashton in collaboration with virtuoso flautist and composer David Heath, punk rock icon Fay Fife and DJ Dolphin Boy. AniMotion is akin to live story board in which music plays the role of the script. The result was a fusion of colour and fascinating images which enchanted the audience and created a unique atm

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14 March 2016

The LED Stair was specified by the show's designer Patrick Doherty for the launch event, which was staged at Elstree Studios, Borehamwood UK.

The 11th edition of the massively popular series has moved to a new much larger home at Elstree, and for this, Doherty has again specified S+H's Pea-light starcloth.

For the launch event, Doherty wanted something visually different and spectacular, and the idea of constructing a functional and practical set piece - that also came alive with kinetic motion, energizing the presentation space - ticked all his boxes.

S+H's robustly engineered LED stair product is made up of 122 x 244 mm panels with a high resolution pitch of 7.6 mm, wi

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14 March 2016

Le Maitre needed a large studio space that could provide enough height for their higher effects such as the Mines and Comets, as well as Falling Stars, Cascades and Waterfalls, and they needed full blackout. The 17,664 sq ft rehearsal arena in South Kirkby was a suitable location with a height of 54 ft to the underside of the gantry. LS-Live's in house rigging company Knight Rigging Services were also on hand for the rental of two chainhoists and a power controller for the day.

Said Le Maitre's Sally Dobinson,"The location at LS-Live was perfect for us, with 54 ft height space it offered a unique opportunity for the higher effects which we

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14 March 2016

The ArKaos team will be demonstrating ArKaos MediaMaster which recently toured the world with The Killers' Battle Born tour, mixing live camera feeds with visual content in real time across a complex array of multiple surfaces and video walls. New for the show will be MediaMaster 3.2, the latest software version which brings even more new features. MediaMaster 3.2 is available to existing MediaMaster 3.0 users as a free upgrade.

Also on show will be ArKaos Stage Server Pro which this summer was used to create a spectacular 3-dimensional overhead video wall at Belgium's famous Pukkelpop Festival. Three Stage Server Pros were used to animate a ceiling of the Boiler Room using SGM 3D Graphic Tubes in one of the largest media server installations to date.

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14 March 2016

The PLASA Awards for Innovation recognise products that advance the industry by demonstrating a new style of thinking, improving technical practice or taking a key step forward in terms of safety. All successfully vetted products are judged against one another on the strength of their innovation alone.

Companies and products in the running include:

• Altman Lighting (STAND F40) - UV LED Spectra CYC - A 100W cyclorama/wall wash lumina

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14 March 2016

Chris Toulmin, Head of Events, PLASA London 2013, said: "Visitors come to PLASA London expecting to see the latest products and technologies, and they will not be disappointed with the wide range of exciting product launches at the show. We are proud that so many manufacturers choose PLASA London to launch their new products to the market."

Here is just a selection of the new products that will be on show at PLASA London 2013:

Avolites (STAND M10) will launch a range of wings to extend the capabilities of all of its Titan consoles - the Sapphire Touch Wing, Sapphire Media Wing a

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14 March 2016

Two power levels are provided in a first step - the PRO-700RGB with up to 700mW power, and the PRO-1300RGB with up to 1.300mW power. In contrast to the Club Series projectors the Proline units come with the bright 637nm red, which increases overall visibility. The small housings and the light weight make the units perfect for applications in nightclubs, bars or for mobile DJs. Due to the compact setup and versatility they are also suitable for rental companies.

The units of the Proline Series come with fast and angle stable 40kpps scanners. As an extension to the product range, an "advanced" version of the Proline lasers is available. These systems have the additional full analogue modu

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14 March 2016

Live_Transmission sees a selection of Joy Division songs deconstructed by Scanner and reinterpreted by the "ferociously non-classical" Heritage Orchestra to a backdrop of dismantled Joy Division imagery.

Visuals for the show were provided by Matthew J Watkins of the Beat13 collective. To display these atmospheric images, XL Video supplied front projection on to a screen behind the orchestra using a Barco FLM HD20 projector. A gauze screen in front of the orchestra was used for rear projection images supplied from one of XL's Barco SLM R12+ projectors.

The co

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14 March 2016

The annual event is staffed entirely by volunteers. Andy Mahaffey, head of lighting at Blitz Communications has been the show's lighting designer since 2004/5: "Each year has a theme to it and, in this 25th Anniversary year, it's 'The Best of British'. Over time the show has grown both in perf

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14 March 2016

With competitors diving from a height of 27m from the top of the Pembrokeshire cliffs, XL Events needed to ensure that spectators in both of the cliff viewing areas had an excellent view of the 14 divers from nine different countries.

To achieve this, XL Events installed two Lighthouse R7 LED screens, one at the top and one at the bottom of the cliffs, and each measuring 5 x 3m.

XL selected the R7 screen for this outdoor project as it is weatherproof, robust and its high brightness and shaders make it the perfect choice for use in sunlight. The screens were installed by Sandro Bruni and Jan van Geet, who also operated cameras during the two-day event.

The co

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14 March 2016

The West London based company - which delivers cutting-edge visuals technology to some of the UK's biggest shows including X Factor, Million Pound Drop, Britain's Got Talent, and many events, conferences and award shows - is working closely with Avolites Media to offer the industry powerful solutions to push the boundaries of on-screen displays.

"Having looked at the marketplace we wanted to select a media server that would be user friendly and at the same time have plenty of future capabilities," says Anna Valley's Shaun Wilton. "The extended features combined with a familiar user interface were a great fit."

The Ai Infinity features an incredible 8 Full HD outpu

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14 March 2016

PLASA London is supported by Platinum Sponsor Robe Lighting, Gold Sponsor Martin Professional and Silver Sponsor Clay Paky.

Chris Toulmin, Head of Events, PLASA London 2013, said: "Our move to ExCeL has given us and our exhibitors the scope to truly get bigger, brighter and louder. We are very proud to unveil the AudioLab feature which brings the latest a

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14 March 2016

CT's latest innovation is a full colour, high brightness, super lightweight 10mm LED display weighing a mere 11kg per m2. At less than half the weight of previous comparable systems the G10 offers massive advantages in terms of production opportunities and reduced freight costs, says the company. The extraordinary weight saving means a native resolution HD screen measuring 207 m2 can be built weighing only 2.3 tonnes. Alternatively typical on stage effects and Imag screens for touring applications of 5x3m (16x9') will weigh less than 225kg(500lbs). Screens can now be tracked, rotated and flipped using simpler rigging and mechanics, greatly reducing production costs and increasing impact.

The light weight and low volume design has similar advantages i

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14 March 2016

Additionally MA has enhanced its MA VPU plus and MA VPU basic in comparison to the MA VPU light. All MA VPU will now offer Full-HD (MA VPU plus MK2 6 layers, MA VPU basic MK2 4 layers, MA VPU light 2 layers - which are rendered in parallel). Also MA VPU plus MK2 and MA VPU basic MK2 are now equipped with 3 x DVI-outs instead of two as with the prior version, while the MA VPU light offers 2 x DVI-outs and 1 x VGA-out.

All MA VPU have common features enabling all videos, still images and 3