USA - Shoreline City Church (SCC) held a fully social distanced and masked Covid-safe Christmas Eve service and celebration at the American Airlines Center (AAC) in Dallas which featured a diversity of performances by multiple artists and a flurry of different vocalists from the church, all backed by their house band.
The church asked Josh Beard and Jacob Vanvlymen from Houston, Texas-based production design specialist Visual Edge to create a memorable production design.
They chose Robe BMFL moving lights – a mix of BMFL Blades, BMFL WashBeams and BMFL FollowSpots – to be at the core of the lighting rig.
Visual Edge was initially asked to present some design ideas which would incorporate lighting and video by SCC’s technical director Jeremy Hix. Three concepts were presented and one selected in which automation was also central to the design.
Taking into account the idiosyncrasies of a socially distanced audience, Josh and Jacob knew the importance of the design being “immersive” and able to reach out and touch everyone in the room, transferring the energy and action of everything happening onstage.
Automation helped achieve this, allowing completed shifts in the stage architecture and plenty of visual surprises that could be revealed throughout the event.
Movement also enabled “supersizing” the rig at key moments to make the environment look and feel huge, sweeping everyone up and into it. Furthermore, working in conjunction with a large ‘blow-through’ LED screen upstage, it helped create a series of unique p
UK - SLX, specialist technical supplier to theatres, touring productions, broadcast and live events, worked alongside young artist, Cameron Flynn - a member of New Adventures dance company on tour with Matthew Bourne’s production of The Red Shoes until the pandemic hit – as he created a digital performance that would speak to the challenges faced by artists nationwide. The performance, titled Unskilled, is available to watch online.
Cameron says: “I was determined to use this time to do something meaningful. I didn’t want to moan about it but I wanted to convey a world where dance, performance and theatre didn’t exist yet all around were individuals trying to fit uncomfortably into other jobs, with their performative skill invisible and dreams to perform bursting to get out of them. It certainly has parallels with now as so many of my peers are working in roles simply to get by whilst the whole cultural industry remains largely closed. We’re all out there in the shadows doing other jobs.
“I began to flesh out my idea with the support of a group of friends, and then New Adventure’s heard about the project and were keen to invest some funding as part of their Young Associate Artist program to help us realise this vision. That’s when it really started to take shape.
Through being part of creating the whole production, I have been exposed to all the hard work and skill that is needed behind the scenes to make productions run and that has been such an important part of it. When I
UK - On 21 April 2007, The Grove Theatre in Dunstable held its opening gala hosted by actor Brian Blessed. The following day, its first show, Joseph and the Amazing Technicolor Dreamcoat, began a one-week run. From that point on, the 750-seat venue looked like it would never slow down, staging over 5,000 shows and events in a 13-year period. Then the COVID-19 pandemic brought its busy schedule to an abrupt halt.
Although the theatre had to close its doors to the public during the lockdown, activity within its walls didn’t stop. With the popular venue empty, its technical director Richard Shrubb and his team were more readily able to upgrade its lighting rig by adding 16 of the new Chauvet Professional Force series fixtures supplied by its long-time vendor 10 out of 10 Productions.
“Grove Theatre was opened well over a decade ago, and was still using a sizeable number tungsten fixtures in its rig,” said Paul Need of 10 out of 10 Productions. “The lockdown proved to be a suitable time to commence this work as there were no dates in the diary for any performances. Richard and his team wanted to bring the rig in to this century. They also appreciated the savings in power they could expect from both their FOH and stage lighting, as well as the savings in replacement lamps. Also, having 16 moving fixtures in the rig will reduce their change-over and focusing times.”
Thanks to the support of the theatre’s patron, the Central Bedfordshire Council, Need and the 10 out of 10 Productions team were able to install 12 Maverick Force1 Spot and
Europe - Genelec has confirmed the appointment of Audio-Technica France to handle the French distribution of its studio and AV loudspeaker ranges, with Gilles Pétrotey joining the Audio-Technica team to spearhead Genelec sales in the region.
This new distribution partnership is effective from 1 March 2021. With Audio-Technica already handling the distribution of Genelec products in the Netherlands and Spain, this move further strengthens the relationship between both companies, which will also benefit from the three decades of pro audio experience that the highly regarded Pétrotey brings, says the company.
Having held senior positions at Yamaha, Beyer, Lexicon and the TC Group, Pétrotey joined the Music Tribe organisation to oversee Western European sales - with particular responsibility for the TC Electronic, Tannoy, Lab Gruppen and Midas brands. His appointment enables Audio-Technica France to significantly expand Genelec’s regional brand presence, embrace new business opportunities and both support and engage with local customers more effectively.
Petrotey comments, “To have the opportunity to be part of the Audio-Technica team in France, and to represent Genelec, is doubly exciting. Professional loudspeakers are a particular passion of mine, so the prospect of being involved with the undisputed market leader in this field is something I’ll relish.”
Genelec international sales director Ole Jensen adds, “I’ve known Gilles for many years and have had the pleasure of working alongside him. I can’t think of anyone better qu
UK - Guildhall School of Music & Drama has announced 15 new online courses that will run from April – July 2021. The school has transferred its most popular short courses online and created a range of new ones, working with tutors to ensure that they are “just as enriching and memorable as they would be within the building”.
The courses cover music, drama, music production for young women and girls, sound design for theatre, video mapping and an introduction to game audio. Participants will have the opportunity to learn with Guildhall School staff members, as well as guest tutors, in a range of workshops all held on Zoom.
In addition to these courses, Guildhall School is hoping to run several in-person Summer Schools from July - August. For a full list of in-person courses and to register your interest, you can go to the website here. Guildhall School hopes to be able to confirm whether these will go ahead at the beginning of April 2021. The courses would run at the School in London from 12 July to 7 August.
Online courses that may be of particular interest to LSi readers include:
An Introduction to Video Projection Mapping: Online - “This one-week course will give participants a unique opportunity to learn and develop the necessary creative and technical skills to prepare and project video onto a 3D structure, using industry standard video projection software Resolume Arena 7. Participants will b
World - Following the postponement of Showlight 2021 which had been set to take place this May in Fontainebleau, France, its organisers have announced that a one-day Virtual Showlight will be held in its place “as a temporary interlude”. The live online event will take place on Tuesday 25 May 2021 between the hours of 15.00 – 23.00 BST. The date coincides with the final day of the original event and the time has been chosen to best accommodate a global audience.
Virtual Showlight will host an online presentation of papers, each up to 30 minutes in length, from international keynote speakers, plus a live Panel Discussion. Q&A sessions will follow each paper with delegates able to message their questions via the chairperson.
The remainder of the time will stay true to the spirit of Showlight with scheduled breaks between sessions providing opportunities for delegates, speakers and sponsors to network in ‘breakout rooms’ where they can spend the time mixing and mingling with others, both socially and within interest groups, in a virtual way.
Virtual speakers wanted
Showlight is issuing a fresh Call for Speakers to enrich the Virtual Showlight programme and make the most of the opportunities presented by the virtual format. “We envisage this will be especially appealing for those speakers whose commitments usually prevent them from speaking at a full Showlight event,” say the organisers. Ideas should be submitted to email@example.com
Virtual sponsors wanted
Sponsorship opportunities are available t
UK - On Tuesday 2 February, #WeMakeEvents gave evidence during the DCMS select committee inquiry into the future of UK festivals. The campaign’s political group leader Duncan Bell detailed the ongoing challenges faced by the live events and entertainment industry.
When asked if there is a problem with people leaving the industry due to COVID-19, he stated: "Freelancers have been forced to find work elsewhere. In a recent survey of 2,800 people over 30% of freelancers said they have had to leave the industry, and 20% say they hope to come back but are very unsure whether they are able to because of the lack of certainty." #WeMakeEvents is currently verifying the data from this survey and will be publishing the full report in the coming weeks.
One of the central aims of #WeMakeEvents is to get government-backed cancellation insurance for events, and following a question on the financial processing Bell explained: “In many cases there will be payments in the planning stage but the majority of funds will not be paid until the event has gone ahead…It’s one of the reason the insurance discussion is such an important discussion for us.”
"Conversations have been going on for some time and we have put forward various schemes," he added. "I think the urgent requirement and benefit of the insurance is to bring certainty to being able to plan and book equipment, making it the first link in the chain, not the last."
A road map still has yet to be presented by government on how and when the events industry is likely to re-open. "We
Europe - The organisers of Integrated Systems Europe 2021, scheduled for June in Barcelona, have set a 1 March deadline for making a decision as to whether the physical event will go head.
ISE managing director Mike Blackman remains hopeful that the show will go on. However, in his most recent statement, in view of the unpredictable nature of the pandemic and continuing travel restrictions, he remains guarded.
“Following the announcement that the InfoComm 2021 show will now take place in Orlando in October 2021, we want to confirm that Integrated Systems Europe, remains scheduled to open live and online on 1-4 June in its new home at the Fira, Barcelona,” says Blackman.
“Whilst we recognise there continue to be challenges ahead, we are in touch with government and the relevant health authorities to constantly monitor the situation. None of us can predict how the situation will look in June, but we are hopeful that by the second quarter of 2021 we will see the world return to a new ‘normal’ with vaccines being rapidly delivered in many countries around the world.
“We understand our exhibitors and partners need to make commitments that will incur cost and we do not wish to burden them unnecessarily. For this reason, if circumstances impact our ability to host an in-person event and we are forced to cancel this element of ISE, we will make this decision by 1 March.
“With the backdrop of the global pandemic, our priority in recent months has been devising the means to deliver a safe and secure event for all exhibitors and vi
UK - Leading trade associations have backed a campaign to keep UK’s VAT rate on ticket sales at 5% to aid the live events sector’s recovery.
Last July, the government temporarily slashed the VAT rate to 5% from the standard rate of 20% to support businesses severely affected by the pandemic. The cut currently applies until 31 March 2021.
#KeepVATat5, initiated by LIVE (Live music Industry Venues & Entertainment), aims to convince the Treasury to extend the VAT rate cut for the next three years and comes ahead of chancellor Rishi Sunak’s hotly-anticipated budget announcement on 3 March.
“With the budget approaching, we must act now to convince the chancellor to #KeepVATat5,” says LIVE in a statement. “Of all the industry’s asks from government currently, keeping the VAT rate on tickets at 5% for the next three years will make the single biggest impact to the sector’s recovery. If it is reversed, the rate (...) will take millions from our industry when we need it the most.”
This week, LIVE is coordinating letters to Sunak and other prominent MPs, but the body is also asking those willing to help to write to their local MP (see .docx template here) and raise awareness of the campaign on social media by using #KeepVATat5.
The campaign is backed by some of the most influential industry bodies, including the Concert Promoters Association, the Association of Independent Festivals, the Musi
Taiwan - J.studio, a commercial recording studio in the centre of Taipei, has made a Neve 8424 console the centrepiece of its main control room because it gives the facility the routing flexibility, modularity and freedom it needs to combine a modern, digital workflow with its extensive collection of analogue outboard equipment.
and is now offering recording, mixing and mastering facilities to all types of musical genres including classical, jazz, EDM, and pop.
“We especially love working with Taiwanese indie bands as many of the bands we have worked with have had their full creative potentAudio engineer Zhu Chiao Chen opened J.studio in 2019 ial realized in our studio space,” Zhu Chiao Chen explains. “Our approach is to bridge old school gear and apply modern techniques to achieve sonically unique results. The studio is equipped with Urei 813C main monitors and we love collecting all types of vintage audio gear. The 8424 console is what connects everything together.”
J.studio’s new 8424 replaces an older console that had reached the end of its working life.
“We were starting to encounter a lot of problems because buttons and knobs were slowly wearing out and this was hindering our workflow,” Zhu Chiao Chen explains. “As an alternative, the 8424 was an affordable option in this market segment and it allows us to seamlessly use the gear we want to use alongside it. Plus we are big fans of the iconic Neve sound.”
Like many businesses, J.studio has had to come to terms with the impact of the global Covid-19 pandemic that
USA - Nautilus Entertainment Design, Inc. (NED) has announced that after 30 years in business, the company founders Laura and Jim Tetlow, are selling their stock to the company ESOP (Employee Stock Ownership Plan.) With this sale, the company will become 100% employee-owned. Jim Tetlow will continue in a consultancy role as principal consultant and lighting designer for select shows and projects in an effort to provide NED’s clients with a multi-year seamless transition.
Jim Tetlow comments, “When we started the business 30 years ago, our focus was on lighting design for TV and live events. At that time, it never occurred to us that we would expand into so many more disciplines including architectural lighting design, A/V system design, and theatre consulting. One of our proudest achievements is the fact that we have built a team of professionals that excel in their work across live events, cruise ships, architectural installations and themed entertainment.”
Continuing in their leadership roles with NED are principal consultants Bill Havens and Brian Pratt, both of whom will assume the responsibilities of managing directors.
Joanna Rodriguez, vice president of business operations will serve as chief financial officer and came to NED three years ago from Bank of America.
Jim Tetlow states, “Laura and I are excited about this new chapter in the life of the company and we are confident that moving forward, Bill, Brian and Joanna’s roles will provide the continuity and leadership for Nautilus to continue to thrive and grow.”
USA/Denmark - DPA Microphones co-founder Jens-Jørn Stokholm and R&D manager Ole Moesmann will soon be bestowed with an Academy of Motion Picture Arts and Sciences’ Technical Achievement Award for the innovative development of the brand’s high-performance, miniature lavalier microphone technology.
The pair’s accomplishment is among 17 scientific and technical achievements to be honoured by the Academy of Motion Picture Arts and Sciences in a virtual Scientific and Technical Awards presentation on Saturday, 13 February. The ceremony will be available on the Oscars website starting at 1pm PT.
The Academy’s Scientific and Technical Awards honour those whose discoveries and innovations have contributed in significant and lasting ways to motion pictures. First developed by Stokholm in 1996, DPA’s 4060 Omnidirectional Miniature Microphone continues to be a popular solution for sound designers and film sound engineers around the world.
Since its development, DPA has expanded its miniature microphone into a complete product line, which also includes the 4061, 4062, 4063 and 4071 miniature mics, as well as the 6060 and 6061 subminiature mics.
An expert in the miniaturization of electronic and electro-mechanical devices, Stokholm initially began developing miniature microphone technology for the hearing aid industry. Later, he and his business partner Dan Ingemann Jensen, joined forces with DPA Microphones Co-founders Ole Brøsted Sørensen and Morten Støve to develop a miniature microphone for the professional audio industry based on hi
UK - If you’ve ever fancied owning an industry-relevant personalised number plate, now’s your chance! The plate, which reads A1 DMX is currently owned by a prominent lighting director, who would prefer to remain anonymous. It has been kindly donated to LSi to be auctioned in order to raise funds for the #WeMakeEvents campaign.
The LD says: “Some of us working in TV and film studios are fortunate enough to have kept some of our work since the COVID pandemic closed the majority of our industry last March. So many of our friends and colleagues, particularly in music, events and theatre, haven’t had any work at all during that time and have had little or no support from the government.”
“I would like to try to help out in a small way. I know many reading this in LSi will have homes and offices cluttered with old equipment and industry memorabilia. Some of this might be quite valuable, so I’d ask everyone to consider helping out by raising funds for #WeMakeEvents in a similar way, if they feel they can.”
He continues: “In my case, I have the UK vehicle registration ‘A1 DMX’ which, for a number of reasons, I cannot put on my current car. I purchased the plate from the DVLA in the early ‘90s, largely to put a smile on the faces of friends and colleagues around me. As a young, ambitious board op in the ‘90s, its first car was a Peugeot 205 GTi!”
“As the years have gone by, it has transferred several times onto bigger and better cars. It has definitely achieved my ambition to raise a smile, and has no doubt caused
No Coachella - Another major music festival, Coachella, has been cancelled due to the pandemic. The annual event in the southern Californian desert was scheduled over two weekends in April but the region's public health officer Dr Cameron Kaiser says it will not go ahead.
The Stagecoach country music festival, on the same site as Coachella but later in April, has also been cancelled, Dr Kaiser said, blaming the dire COVID-19 situation in the state. He said in a public health order: "If COVID-19 were detected at these festivals, the scope and number of attendees and the nature of the venue would make it infeasible, if not impossible, to track those who may be placed at risk."
The Coachella Valley Music and Arts Festival takes place in the Indio desert near Palm Springs and attracted about 250,000 attendees in 2019, while Stagecoach draws more than 70,000 country music fans. On Friday, health officials in California announced the state had surpassed 40,000 coronavirus-related deaths.
Musical Moves - Andrew Lloyd Webber has indicted that plans to open his new musical Cinderella in the spring may have to be postponed, saying he is now unable to confirm when the show will open. His comments, made to BBC Radio 2, appear to contradict the bullish stance he took at the very beginning of this year, when he said he was holding firmly to plans to have its official opening in May, with previews beginning at the end of April.
At the time he did also warn that his dates may be out by “weeks”, because of the ongoing and changing situ
USA/China - The World Championship (Worlds) is the crowning event of Riot Games’ League of Legends. Last year, like many other productions, the world’s most watched esports event migrated to the virtual realm and was broadcast live for over 240 hours using the most advanced and pioneering XR (Extended Reality) and MR (Mixed Reality) technologies, relying heavily on Brompton’s Tessera 4K SX40 LED processors to ensure quality image reproduction on its LED video set.
League of Legends tournaments have traditionally featured a host country, with teams touring different cities for each round of the games. However, with the challenges posed for both travel and live audiences, Possible Productions, a creative developer agency that has been working with Riot Games since 2016, looked for a solution that would give a sense of evolution to the tournament while broadcasting the entire production live from Shanghai.
“The key challenge that Riot presented us with was extending the feeling of campaign throughout the entire month of the tournament without physically bringing people to different locations,” says Michael Figge, creative director at Possible Productions. “It quickly became apparent that in order to bring different places to us, we needed to build a highly advanced extended reality stage that would sustain hundreds of hours of live broadcast of mixed reality content.”
With a tight schedule, Possible Productions put a crack team in place, including those that had worked on the Disney+ The Mandalorian TV series, and Riot’s engine
Belgium - Countries worldwide welcomed 2021 in many different, creative and Covid-safe ways, recognising the highly symbolic temporal roll-over from a year where everyone everywhere has been impacted dramatically by the pandemic.
Brussels’ Laser Lights – which featured Robe moving lights among others and 12 custom lasers – was designed to be enjoyed from the comfort and safety of people’s homes, uniting everyone in spirit, feeling and determination during these extraordinary and restricted times. Fundamental to the project was that, while being a streamed event, Laser Lights should contain some core human elements relating to real life and not just be in a virtual digital environment.
This special light art event at the Heysel Plateau in Brussels was instigated by the Mayor of Brussels, Brussels Major Events (the city’s public events organisational body), show producers Alice, and Brussels-based creative agency, More To Show.
These four entities pooled ideas, resources, imaginations, enthusiasm, and their expansive collective practical experience to stage a highly innovative show replacing the traditional fireworks extravaganza that usually takes place around the city’s iconic Atomium sculpture.
Originally called City Lights, the concept was a collaboration between Frank Anthierens from Alice Events and More To Show’s Jordi Vandekerhof and Camille Anthierens, and the plan was to connect the city’s tallest buildings with lasers – in a laser web – reinforcing the strong bonds between districts and comm
Finland - Sirkus Finlandia, Finland’s biggest touring circus, completed a successful tour of the country late last year with a lighting rig composed almost entirely of Ayrton fixtures. The Ayrton products were supplied and supported by Ayrton’s exclusive distributor for Finland, Oy Lafoy Ltd of Helsinki.
Established in 1976, Sirkus Finlandia is a family run business with an international reputation. Before the coronavirus pandemic hit, Sirkus Finlandia had planned a 250-date tour across 115 cities from April to November, with audience capacities of 1600.
The pandemic may have delayed its plans but it certainly didn’t stop them. Determined to keep the show on the road, the company still managed to bring its colourful, uplifting show to the Finnish people over the summer, performing 108 shows in 23 cities to reduced audiences from the beginning of June until the start of November – a major achievement in these difficult times.
Sirkus Finlandia’s lighting designer, Eero Auvinen, incorporated Ayrton Perseo IP65-rated fixtures into his design for the first time - a design which already used six Ayrton NandoBeam S3 wash lights and eight Ayrton MagicDot-R. These were rigged over the main ring on trusses suspended from the Big Top’s supporting structures and used pre-show to light the audience and create eye-catching visuals.
Throughout the show, the NandoBeam S3 fixtures were used as front lighting, while the MagicDots and Perseo units created an array of wonderful effects, textures and colours that provided a magical ambience for the hug
South Korea - Arthur, Robert Juliat’s new 800W LED followspot, made its global debut at Big Eoul Madang (Yongin Cultural Foundation) in Seoul, which became the world’s first venue to receive the new followspot.
Arthur is an 800W LED followspot with a 5.5° - 15° zoom that has been designed for long throw applications in larger venues. Complete with all the ergonomic, optical and maintenance benefits expected from Robert Juliat products, Arthur is already becoming a firm favourite with opera houses and theatres around the world.
The first two Arthur followspots were shipped to Big Eoul Madang in late summer 2020, having been supplied by Robert Juliat’s exclusive Korean distributor, C&C Lightway. The pair were specified by the venue’s lighting designer, Mrs So-Jin Kang, who chose them as the perfect match for Big Eoul Madang after seeing them at LDI 2019 in Las Vegas.
“We were already familiar with the quality of Robert Juliat products having 36 RJ 700 Series zoom profiles (18 each of RJ 710SX2 and RJ 713SX2 models) in our generic rig,” says Mrs Kang. “However, Robert Juliat’s reputation for excellent followspots is well-known and the new Arthur did not disappoint. It delivers a bright, uniform beam, is easy to control for both dimming and irising and, having an LED source, gives out less heat and saves on power. It ticked all our boxes.”
Yongin Cultural Foundation is a multipurpose cultural hub that hosts a wide variety of performances for the city, which has over one million inhabitants. ‘Eoul Madang’ translates as
UK - Sound Control Technologies (SCT), the Connecticut, USA based manufacturer best known for their camera extension solutions has appointed CUK Group to distribute their products in the UK where distribution was previously handled by ScanSource.
The addition of SCT to the CUK Group portfolio significantly strengthens the company’s video products offering which has grown through the recent addition of several brands and the purchase of York based distributor, Tukans.
“SCT products are renowned in our industry not only for the problems that they solve for AV integrators but their rock-solid reliability.” states Stuart Thomson, managing director at CUK Group. “Our focus is to make sure that these products are backed with great customer service, technical support and of course fast delivery from our East Kilbride distribution centre.”
Peter Nice, SCT’s business development manager adds, “The success Sound Control Technologies has achieved is down to being close to our customers and end users and understanding their needs. Partnering with a distributor like CUK Group that shares our philosophy of building strong relationships will ensure we continue to develop our business in the territory.”
Ecuador - Martin Audio has appointed Quito-based Mejor Sonido as its new distributor for Ecuador - the first time the British brand has had direct representation in this South American country.
The move was confirmed by Berenice Gutierrez, director of Pro Active Latin America and Latam Sales for Martin Audio, who handle all Martin Audio’s sales activity on the continent. “This is the first official distribution partner in the country and I’m proud to get them on board, and into the LATAM Distributor Partnership,” she said.
She said the groundswell of interest had been building in the country for some time. “Martin Audio had been approached by several system integrators, rental companies and major distributors due to the wider product catalogue and solutions that the brand has developed in recent years, covering markets such as installation, rental / touring, broadcast and MI.”
After deliberation, Mejor Sonido were appointed. “We are proud to get the support of Ernesto Vallejo, Lorena Parra, Dave Escobar and Eduardo Leon at Mejor Sonido, who already report a high level of customer support in their country, notably with BlacklineX Powered. During the pandemic this has received great feedback from their team and market.”
Ms Gutierrez said she had known the Mejor Sonido family for many years, adding that the company now had the experience to unite the entire Martin Audio community under the manufacturer’s new business model “with a multicellular powered line array on the one hand and any of our other new systems on the other
USA - Michael von Keitz has acquired 100% ownership of the loudspeaker company VUE Audiotechnik he co-founded in 2012.
Says a statement, “The integration of the entire value-added chain with the group’s significant engineering and manufacturing resources will drive the pace of growth of the brand’s renowned range of industry leading products and technologies. Customers will enjoy a greater competitiveness, a quicker time to market and an early extension of the product portfolio into installed applications. The integration of the sales and marketing departments will lead to greatly enhanced communications and increase the quality of customer support.”
The brands now combined under one roof include VUE Audiotechnik, SE Audiotechnik and the high-fidelity product line mivoc. As part of that family Vue will enjoy “enhanced production capacities, larger R&D teams and more efficient logistics”.
One of the most immediate benefits of this process will be the launching of the new domain, www.vue-audiotechnik.com.
Michael von Keitz established his first speaker company in Solingen, Germany in 1980.
“The huge potential of an absolute high-end brand such as VUE was always clear to me.” said von Keitz. “The synergy of bringing together all our resources under one organization will allow us to better meet customer needs without any compromise.”
Europe - The next Elation Coffee Break sees hosts Alistair Smyth and Frederik Afif examine three modern-day ellipsoidals from Elation Professional.
With the WW Profile HP and CW Profile HP the traditional tungsten Leko has been re-engineered from the ground up with efficient LED engines, while the Fuze Profile CW takes the evolution even further with more features and fully automated performance. These LED framing fixtures, all with high CRI and outstanding output, are designed for applications where a top quality ellipsoidal fixture is required.
The Elation Coffee Break on modern-day ellipsoidals will air live on Thursday, 4 February at 11:00 a.m. CEST. Join at www.facebook.com/ELATION.Pro.Europe/live - no registration is required.
The Elation Coffee Break is an online presentation series from Elation’s European office in Kerkrade, the Netherlands that takes an up-close look at some of the company’s most popular product series. Previous episodes of the series are also available from the company's Facebook page.
Malaysia - When system integrator Mahajak Trio was given the job of upgrading the audio monitoring, advanced broadcast control and technical display applications for Radio Television Malaysia in Kuala Lumpur, the company found the answer it was looking for with TSL Products. The project was led by 20-year industry veteran Lee Chin Kah, general manager for broadcast, Mahajak Trio Electronic. As a full-service provider, the Mahajak Trio team was able to offer a turnkey power and monitoring solution to the Malaysian public broadcaster.
“We turned to TSL Products because it is not only one of the most well-known and trusted brands on the market, but all of the audio monitoring tools available, such as comprehensive loudness monitoring, audio metering, phase metering and waveform, feature GUI and panel designs that are amazingly easy to work with,” says Lee. “All functions we need are inside the box and there are no additional tools required.”
As part of the project, Mahajak Trio spec’d and installed TSL Products’ MDU and PDU power solutions. The equipment provided all the necessary hardware and can handle all analogue, AES and Dante applications.
“In today’s cost-conscious and environmentally sensitive world, systems managers may now be required both to streamline maintenance and support teams, and to minimize energy consumption,” adds Lee. “These challenges call for a comprehensive solution that functions remotely over wide or local area networks and can provide both monitoring and control of systems and effective power management.
Europe - Alcons Audio is to present a new series of online educational sessions, featuring industry personalities and special guests. The programme includes:
Introduction to Pro-Ribbon Technology, (28 January, 11,25 February) includes the history of the pro-ribbon technology, features, dispersion characteristics and applications.
Introduction to Residential Home Theatre Solutions (9,19 February) includes an introduction to Alcons pro-ribbon technology, residential home theatre solutions (C-series, CRMS series) and a look at applications and projects.
The webinars are presented by David Rahn of Alcons Audio USA, with guest input from Alcons users, integrators and engineers, such as Greater Atlanta Christian School AV system tech, Ben Chambless and integrator Alex Fleming from Lodestar Labs. Input for the residential/studio episodes is coming from Walter Fortmüller of optimisation company SAVO.
Each session will be 30-60 minutes in length and provide a detailed insight into Alcons’ history, products and applications, and will explore the technology behind the company’s multiple-patented pro-ribbon audio solutions and the benefits they bring to the pro audio and residential home theatre industry.
Every session finishes with a short Q&A session. Participants will be invited to discuss the different topics and to exchange views.