UAE - Digital signal processing specialist Xilica has appointed Venuetech as its new distributor for the GCC. Based in Dubai with an experience centre in Riyadh and staff in Kuwait and Egypt, Venuetech will work closely with Xilica to raise brand awareness with AV consultants, systems integrators and IT engineers that specify, install and manage AV systems. Venuetech’s represented brands include Atlona, Barco, Sennheiser and Televic.
“We continue to see rapidly evolving business opportunities in MENA across most AV verticals, and almost every project requires a professional DSP,” said Ismat Assafiri, audio specialist, Venuetech. “Xilica separates itself from other DSP manufacturers with truly modular, plug-and-play designs that can support projects of any size, and they deliver the future-thinking technology that will become integral as our industry moves towards greater AV/IT convergence. These combined strengths, along with an open software architecture, better position Venuetech as a full-service provider for the larger corporate, government and public-facing AV projects we see in the MENA region.”
Assafiri sees strong upcoming opportunity to use Xilica DSPs with the Sennheiser TeamConnect Ceiling 2 beamforming microphone, which will help end businesses produce high-quality sound for online meetings.
“Xilica’s pricing structure is enterprise-ready, and highly competitive compared to many incumbent DSP brands,” said Assafiri. “That opens us to a large number of new business opportunities for professional conferencing solutions in
UK - Shure UK’s Pro Audio team has been striving to maintain business continuity and increase industry support amid the coronavirus crisis whilst protecting the health and safety of all their associates. The company has been responding and adapting to help support its industry, freelancers and fans.
The Shure Audio Institute is providing workshops for Shure customers including system integrators, consultants, music industry retailers, engineers, and musicians. In order to continue delivering education to the audio community, Shure has adapted its usual face-to-face workshops to online virtual masterclasses which are broken down in to one-hour sessions hosted by David Phillips, senior sales manager, Shure UK.
The virtual sessions, which started earlier last month, are designed to deliver the essential elements of the usual full day workshops over the course of a couple of hours and once the online course is complete, attendees are invited to complete an online certification test.
David Phillips comments: “We’re used to running these sessions face-to-face, so it’s been quite a change presenting virtual training. To make an entire day of training manageable, we’ve broken the training down into easily consumed one-hour sessions. I’ve been really encouraged by the response we’ve received from the attendees, many of whom are good friends and clients of ours from the industry.”
New sessions are released regularly and can be found at the following link: https://p.shure.com/wirelessmasterclassvirtual https://p.shure.com/wwb-mastercla
Europe - IBC 2020, scheduled for 11-14 September, has been cancelled due to the COVID-19 crisis. The annual broadcast technology show, held every September at RAI Amsterdam, will instead transition to a virtual event.
In a statement on the IBC homepage, Michael Crimp, CEO, IBC, said: “I hope you are safe and well, as we continue to adapt to the changing world in which we find ourselves. As previously outlined, the IBC team has been focused on assessing and developing appropriate plans for IBC2020 this September at the RAI Amsterdam.
"Within these plans it is crucial that IBC can deliver a safe and successful environment. However, as governments announce the route forward, it has become clear that a return to (a new) normal is unlikely to be achieved by September.
It has also become evident, through our dialogue with the IBC community, that an early decision is preferential for the industry so it can plan for the future.
Right now, despite the best work of the IBC team and our Dutch colleagues, there are still many unknowns. Therefore, we cannot guarantee that we will be able to deliver a safe and valuable event to the quality expected of IBC.
It is also evident that important aspects of a large-scale event such as IBC will be greatly altered by social distancing, travel restrictions, masks etc. so much so that the spirit of IBC will be compromised.
With that in mind and based on what we know at this point, it is with a heavy heart IBC has made the difficult decision to cancel the IBC2020 show. You may have seen IBC and the IABM
USA - Elation Professional’s 20 May Elation Hour will feature lighting designers Bradley King, Jeff Croiter, John Froelich and Jason Lyons who join hosts John Dunn and Matthias Hinrichs to share their personal insight, experiences and tricks of the trade in lighting the theatrical stage.
Bradley King, is a two-time Tony Award-winner for his work on Natasha, Pierre, & The Great Comet of 1812 (2017) and Hadestown (2019); Jeff Croiter is a Tony award-winning lighting designer for Peter and the Starcatcher (2012) with over 25-years of Broadway experience; John Froelich is resident lighting designer at the Metropolitan Opera who oversees all technical and artistic aspects of lighting design for the opera. Jason Lyons, credits include On the Town, Bronx Bombers, Barefoot in the Park and Rock of Ages.
The Elation Hour is a weekly (Wednesdays, 10am PST) virtual presentation that delves into the more personal side of product development and includes discussions with top industry designers who share their experience across the broad scope of entertainment lighting. To RSVP, follow this link.
Germany - Club culture continues to thrive in Germany even amidst the COVID-19 lockdown. The country’s world-famous night spots may be closed to the public, but they are still reaching out to clubbers thanks to United We Stream.
Run in alliance with ARTE Concert, United We Stream hosts a series of online shows from event organizers and artists that showcase the rich diversity of German club culture. In addition to streaming live DJ sets, live music and other performances, the initiative serves as a platform for discussion sessions, presentations and club culture-oriented films.
The alliance was started to support Berlin’s club culture and expanded internationally. Hamburg was the first city outside of Berlin. It was here that Koyo, the designer behind many Hamburg’s well-known clubs, a group that includes Uebel & Gefährlich, a venue located in an old-World War II bunker, where the livestream show took place.
Aiding Koyo in her endeavour was a collection of Chauvet Professional fixtures. Key among them were 12 ÉPIX Strip IP linear units. “It it was important to be able to show a very different image with every content, which is what our VJ Mateo did with the ÉPIX Strips,” said Koyo. “They are a still fixture of course, but we made them look flexible and moving by having them floating behind the DJ playing.”
“The ÉPIX fixtures have a truly beautiful dimming curve which made it possible to have them visually in the dark, making them look like they were floating in the middle of the huge space,” continued Koyo. “The cre
Australia - Australian web-based organisation ALIA is expanding its area of activities to cover the wider live production business. For 20 years ALIA has been a resource for the lighting community in Australia. Starting as a simple website, ALIA, it has continued to grow with daily updates on gear, people, projects, productions, business news – basically anything to do with lighting. Now, as Australasian Live Industry Alliance, it plans to offer more.
Earlier this year ALIA rallied lighting manufacturers to donate gear to their Fireaid Appeal which raised $61,000 through an online auction.
Last month, ALIA organised #lightunite to draw attention to those fighting the battle against Covid-19 and also the production industry that has been decimated. The project reached national news stations and helped to lift spirits of those involved.
“Over the years, I have often been asked why ALIA only caters to the lighting side of production and so today, at the risk of infuriating lighting purists, ALIA will be doing just that,” says ALIA’s Cat Strom. “The format is still the same, as are the categories, but the focus will be more on the people of our great industry and so I will be relying on your input.
“Since the start of the Covid-19 lockdown, I have implemented My Gig, whereby you can send in info on any gig you have done in the past 12 months, and also Lockdown where you can share you experiences.
USA - The largest cast iron statue in the world shines brightly over Birmingham, Alabama, thanks to lighting design by Schuler Shook and lighting design revisions, control system design, and programming by Marc Brickman and Tactical Manoeuvre, Inc. The essence of the 56-foot Vulcan statue overlooking the city is the 124-foot pedestal on which it stands, highlighted and enhanced with seven Solaris Flare IP HR dual-head outdoor fixtures.
Lighting for the project was provided by 4Wall Nashville. “The Flare IPs have an incredible amount of firepower and are killer bright,” says 4Wall account executive, Damon Herbert. “We used the dual-head version of the Flare IP outdoor lights, with narrow 8-degree lenses for maximum throw.”
Damon adds, “At night, the statue can be seen for miles and Tactical Manoeuvre’s programming is exquisite. Over two years in development, the clients are extremely happy with the results. Flares make us look good.”
Schuler Shook worked with the Kiwanis Club of Birmingham to develop concepts for re-energising Vulcan’s presence over Birmingham through a dynamic use of light. The statue’s inclusion on the National Register of Historic Places led the team to design fixture mounting locations concealed around the base of the pedestal and on tall poles strategically placed around the park.
Tactical Manoeuvre (TactMan) was brought on to the Vulcan project toward the end of the design and construction process. After viewing the proposals for programming services from several other companies, Wayne Gillis of t
UK - The Tacchi-Morris Arts Centre (TMAC) is a multipurpose performance space located in Taunton, Somerset, UK, and dedicated to staging an array of shows, events and activities for the whole community embracing music, dance, drama, comedy, spoken word and other genres.
Just before the coronavirus pandemic temporarily halted the entire entertainment industry, TMAC took delivery of a brand new Zero 88 FLX lighting control console, complete with two wings, which was specified by technical manager Kevin Stratton.
The new console replaces their previous generation Zero 88 consoles which have been there since the venue opened in 2000.
Kevin has worked there since 2016, and before then was a busy freelancer, touring theatre technician and production LX who has also worked as a Level 3 instructor in production arts at a leading Somerset further education college.
He decided on the FLX after extensive research. “A new console isn’t an item purchased every year, so we wanted to ensure that it was right for us and fit for purpose and trialled / demo’d a number of options before choosing the FLX.”
Familiarity was a major factor he explained, together with the price to features ratio – as a non-funded venue, best value was a major consideration. “FLX is a complex, competitively priced desk that will grow with our venue.”
The FLX is controlling over 200 generic and LED lighting fixtures in the house over 96 channels of dimming including the house lights, and there are additional moving light and other intelligent luminaire rentals
UK - On 19 May, the Sennheiser SoundAcademy will be discussing one of the hot topics of the day - immersive audio.
Sennheiser hosts David Missall and Brian Walker have invited Leslie Ann Jones, Michael Romanowski, Steve Genewick, Jim Anderson and Ulrike Anderson to speak about this subject.
The five industry experts will discuss their approach to recording, mixing and mastering the immersive sound experience, and share their views on how immersive audio can help open up new creative possibilities and connect listeners more intimately with music.
Please note the new changed timing for this webinar: It will take place at 19:30 CEST (13:30 EST). Registrations are now open at https://zoom.us/webinar/register/WN_kiCShCe4SX2EjaClcVz-Sg.
In addition to round tables, Sennheiser’s SoundAcademy provides a host of other popular pro audio training webinars and in-depth product discussions. Visit https://www.sennheiser.com/webinars for a full, up-to-date list and to register free of charge for a SoundAcademy webinar of your choice. The free training sessions are offered at several different times to allow as many people from around the globe to tune in as possible.
UK - White Light managing director Bryan Raven has written an open letter asking for support for the supply chain to the live events industry. The London-based supplier, in conjunction with a number of industry colleagues, has outlined a 10 point plan for help needed from the UK Government.
“The live events industry - which includes music, theatre, corporate events, festivals and live broadcasts - was amongst the first to be closed down by the COVID-19 pandemic and will be the last to return to normality,” writes Raven. “This is global issue and I would ask you to take the time to watch this video from the Live Events Coalition in the US which graphically represents the issue for the whole world.”
He continues: “Both the producers of live events but also the suppliers to live events need help. It is critical to consider the entire ecology of the live events supply chain when designing business support mechanisms.”
The key points listed by Raven in the letter are:
“1. Live events are pretty much impossible until the 2m Social Distancing rule is either unnecessary or relaxed - 2m distance needs to be advisory in conjunction with face covering and hygiene (in combination with testing) NOT compulsory. Until the 2m distancing requirement is reduced or, eventually, removed, many live events will not be financially viable.
2. Need to recognise the supply chain to industries/sectors that are still closed – and therefore offer support especially in those sectors that use theatres and live music venues which will be closed until th
USA - Extending the spirit of the CARES Act enacted last month by Congress, Stampede has announced the pro AV industry-specific Stampede XtraCare Programme to “provide employees with much-needed extra protection and resellers with business relief and facilitation tools, as well as Personal Protective Equipment (PPE) kits to enable them to complete projects in a safe and secure way”.
Complete information about the programme can be found at www.stampedeglobal.com/xtracare.
“Commercial AV is an essential infrastructure industry, as defined by the federal government, but the industry is being challenged on every front to remain viable in the face of the COVID-19 pandemic,” said Stampede president and CEO Kevin Kelly. “Supported by the strength of our corporate resources, Stampede is making available to employees, resellers and manufacturer partners a comprehensive lifeline that includes SafeXSound Care Packages, a PROAVXchange online marketplace that can turn product into cash and FleXFinancing.
“Taken as a whole, we believe that XtraCare is the most comprehensive health assurance, business relief and facilitation program ever developed for the ProAV industry - and it can’t come at a more critical time,” Kelly said.
According to Kelly, free SafeXSound Care Packages are now being shipped directly to every Stampede employee. Designed to provide employees with the peace of mind they deserve when returning to work, each package contains three-ply surgical masks, hand sanitizer, powder-free gloves and the gift of audio, which will inc
USA - Professional Solutions has added 18 free Live Workshops available for registration through the company’s Learning Sessions programme in conjunction with Harman Professional University.
Available workshops scheduled for the remainder of May feature lighting or audio experts who have extensive industry knowledge and experience working with various artists including Alicia Keys, Arctic Monkeys, Halsey, Jimmy Eat World, Josh Groban, The Killers, Maroon 5, OneRepublic, Prince, Rage Against the Machine, Ringo Starr and his All Starr Band, Weezer and many others.
More than a dozen Live Workshops conducted earlier this month are now available at Harman Professional University’s YouTube channel. Workshops include Loudspeaker Design for Airports, Festival Lighting Control and The Art of Making Productions Look Larger. Many more sessions are in production for release in the coming months.
USA - As part of Meyer Sound’s ongoing webinar education programme, today (15 May), company president & CEO John Meyer will present From Apocalypse Now to Bluehorn at 9:00 PST (16:00 GMT).
The one-hour presentation traces Meyer Sound’s innovative development path in the world of cinema, post-production and residential from the company’s early days collaborating with Francis Ford Coppola to today’s Bluehorn System.
“Education has always been a pillar of the holistic Meyer Sound core brand philosophy of sharing knowledge. Recent events have put the spotlight on the importance of offering our public training not just with in-person seminars but via online platforms,” comments John McMahon, Meyer Sound senior vice president of sales and marketing. “Our global team was quick to respond to the need by curating an informative and engaging programme.”
To join From Apocalypse Now to Bluehorn, click this Zoom link at the scheduled time.
The training content offers a natural progression of subject matter, providing attendees both practical knowledge for honing skills as well as case studies for reference. The instructors review specialty tools that cover a diverse set of solutions across all industry verticals. The education team also welcomes attendees to choose from an à la carte menu to create every other Friday ‘On Demand’ programming via a weekly poll through the Meyer Sound Users Community Facebook group.
UK - Technical entertainment charity Backup will be holding a virtual pub quiz on Friday 15 May to raise money for the charity.
Backup provides financial support to industry technical professionals working in live events, theatre, TV and film who have fallen ill, been injured or are suffering from mental health problems. The charity provides a range of services including financial support, advice and re-training, and the organisation is working harder than ever to support those in need during the COVID-19 crisis.
Tom Wilkes of Collaborative Creations will be hosting the quiz at 8pm on Friday 15 May, which will be taking place via Zoom, and all industry members, friends and family are welcome to take part and compete for some fantastic prizes.
Backup Trustee Lee Dennison said: “Unfortunately due to the coronavirus outbreak our annual fundraising extravaganza Kartfest can’t take place in July, so this quiz and other similar events in the coming months will make a huge difference to the charity.
“Those who know me will testify to the fact that I take all forms of fun extremely seriously, and I’m sure Tom will treat this quiz with the same level of respect and maturity that we have all come to expect.”
Tom added: “We understand this is a hard time for everyone, so entry fees and donations are encouraged but at your discretion, there’s no pressure to donate if you’re not in a position to. Having said that, if we raise enough money I will have to shave my head.”
White Light Systems Manager Jamie Wells will be runnin
UK - Phil Wright has enjoyed a 25-year career in the pro audio industry, specialising as a live sound designer and mix engineer for large scale classical, concert, broadcast, dance, cinema and operatic productions.
Trained at the Guildhall School of Music and Drama, he spent the early part of his career at Sound by Design, during which time he handled the Royal Albert Hall in-house sound contract, including taking responsibility for the BBC Proms live requirements.
In 2012, Phil went freelance, creating Phil Wright Sound Limited and has since worked on a very wide range of projects. The impact of the Covid-19 pandemic has been keenly felt throughout the industry, but creative solutions for audio conundrums are never far from Phil’s mind, as was the case recently when his friend Jaap Pronk of TM Audio in the Netherlands, reached out for help.
At the beginning of this year, British-Jamaican soul singer Celeste won BBC Music’s Sound of 2020. The annual award is given to artists tipped to be successful during the year and its previous recipients include Adele, Haim and Ellie Goulding.
For Celeste, whilst lockdown has meant the suspension of live concerts, it hasn’t meant withdrawing from the public eye. The artist and her management team have found creative ways to stay in touch with her growing audience. As well as broadcasting via social media platforms, she is in demand for radio and TV appearances, which is where Phil Wright enters the story...
Phil became involved when Dutch national radio station 3FM was seeking an audio solutio
USA - North American Spanish-language television network Univision has been working with Orlando-based Professional Wireless Systems (PWS) to handle their production and broadcast wireless needs for more than 20 years.
“I started working with Professional Wireless when James Stoffo first started out and was lugging around gear in cardboard boxes,” explains Mike Karsch, Univision technical manage for events. “They have been my go-to wireless services partner for large and small broadcast events ever since.”
The list of annual projects is long starting off with PWS providing RF coordination, products and services for Premio Lo Nuestro, the awards show established by the network to honour the previous year's top artists in Latin music followed by Premios Juventud, a viewer-decided awards show honouring Hispanics and Latinos in film, music, sports, fashion and pop culture. They have been onsite for the Latin Grammy Awards since Univision became the Latin Recording Academy’s network of choice in 2005.
“We rely upon Professional Wireless to provide wireless coordination and gear along with a team of extremely talented individuals to assist with all of these events and more,” adds Karsch. “I also work with them when making decisions about purchasing new gear to ensure our internal needs are met. If I am in New York City and need a tech with a couple of wireless microphones last minute? I know I can call Professional Wireless and they take care of me. They’re national in their scope, which is another terrific advantage
UK - Martin Audio’s first virtual tradeshow takes place on Wednesday 20 May, with registration slots throughout the day filling up fast.
Much like Martin Audio’s Open Days, the virtual tradeshow will offer an overview of the portfolio suitable for end users, distributors, rental companies and integrators. The event will be webinar-based across three time slots on Wednesday 20 May to ensure that people in different time zones can come together for the show. Each session will last for 90 minutes with the first starting at 7.30am BST, followed by a second at 10.00am BST and a final session beginning at 5.00pm BST.
“We’ve been delighted with the response so far,” says Dom Harter, managing director at Martin Audio. “With over 500 registrants to date this is fast becoming an excellent opportunity for us to guide people through our portfolio and to help attendees find the right product for different applications and budgets.”
As with all tradeshows, the timing of the event is aimed at ensuring that people who can attend will be able to find real solutions for potential projects.
“We see May as a time when more countries will start to be rebuilding their economy and when projects within pro audio will once again be discussed and so its opportune to provide this showcase,” reasons Harter. “Equally, we have already announced many new products this year and May is a time when much of the production on these will commence. We’re looking forward to talking to as many people as possible, albeit virtually, and discussing how Martin Aud
USA - New York City house and EDM DJs come to Norwalk,Connecticut’s ARC Sound Stage and Lighting three times a week to perform livestream shows as part of ARC Live.
“We are big on using art to touch the lives of people in a positive way,” says Gene Morrell, owner of ARC. “This is why we are always eager to get involved in community art projects, whether it’s putting on block parties or commissioning local artists for graffiti – and it’s why we do the livestreams.”
Morrell and his team got the idea to produce their thrice-weekly live streams “about 10 seconds” after the government’s lockdown order went into effect. “We couldn’t sit idly by,” he recalls. “So, we had to do something to express ourselves.”
Once this decision was made, the details for ARC Live fell neatly into place. First was the question of finding a location for the livestreams. ARC is located right next door to the historic Wall Street Theatre (built in 1915), which the production company installed sound and lights in as part of a recent renovation. With the theatre’s regular programming on hold because of the lockdown, its owners agreed to lease the venue to ARC for livestreamed shows.
Next was the question of talent for the livestreams. With about 90-percent of ARC’s business coming from Manhattan, the company has deep roots in the New York entertainment world. ARC lists Madison Square Garden, Disney Theatrical Group and NBC Sports as clients, while Morrell and his team members Dylan Scott and John Ospina, are L
UK - Simon Thomas has been utilising an SSL Fusion while out on the road with American singer-songwriter, Halsey, to complement her vocal-driven production. The Fusion is a permanent feature on her vocal buss.
Thomas started out in the industry as a lighting operator in the world of amateur dramatics, and because 'no-one wanted to do sound' he volunteered, soon moving into professional theatre and hospital radio, and eventually joining Britannia Row in the '90s as one of the then 'new school' engineers. He worked as a monitor engineer initially – and for a number of A-list artists including Lighthouse Family, Moby, and Machine Head. Further down the road, he moved onto FOH, and has been working at the very top level ever since. After completing Ariana Grande's recent Dangerous Woman tour, he got the call to do Halsey.
“I was only going to do it for three months, but I've been here two years,” he reports. “We've been through trials and tribulations, and Halsey has consistently evolved, and she does steady business. She has a lot of cred, too, and her catalogue of music is really fascinating. I wonder how she comes up with half of it to be honest, as the versatility of her music is insane.”
For the last tour, which wrapped up on 12 March at Manchester Arena, Thomas started off on an SSL L200 console, as he liked how compact it was – but with growing production needs, he switched to an L550, provided by US rental house, Eighth Day.
“The L550 has been very extensively used, and I have some tasty outboard too, including the SSL Fusion
USA - As online resources become a more important part of today’s workflow, Eastern Acoustic Works (EAW) has users covered with its education-based website. Located at www.education.eaw.com, customers can find detailed training, tutorials, FAQ’s and knowledge-based support twenty four hours a day, seven days a week.
“The goal of the EAW Education site is to empower the pro audio industry by providing the information necessary to understand, operate and design EAW sound systems,” says EAW president, T.J. Smith.
EAW’s training section allows audio pros to stay up-to-date with the latest EAW technology. The section features the Intro to ADAPTive Training series, which prepares individuals for the level 1 certification test. Level 1 certification means users are well versed in the basics of ADAPTive technology and system deployment.
EAW’s Tutorials section offers step-by-step video walkthroughs of EAW products and software including its Resolution software, ADAPTive Systems, EAWmosaic and RADIUS. The tutorials include system design, setup and startup, coverage explanation, going online and exporting settings.
EAW’s ‘Knowledge Base’ section is where visitors can find information and frequently asked questions on all EAW product lines.
Austria - New online showcase, StreamAustria is helping Austrian fans to get their live music fix in isolation, with a little support from Allen & Heath’s dLive mixing systems.
Broadcast via Twitch from the chic Gӧsserhalle venue, a former beer warehouse in downtown Vienna, StreamAustria has hosted several live music performances and interviews each week since early April, including sets from Ina Regen, Josh, Nathan Trent and Wiener Wahnsinn. StreamAustria is a not-for-profit venture, with all donations from viewers going to the bands’ chosen charities.
The audio setup for StreamAustria was devised by co-founder, Richard Redl, whose day job is head of sound with leading live events specialist, Habegger. The main broadcast mix system is centred on a dLive S5000 surface, operated by Richard, which shares a DM32 MixRack in multi-surface mode over gigaACE with monitor engineer, Felix Zwerger’s C3500.
A DX32 expander is used for video feeds, with a further DX32 onstage, fitted with the new Prime Input 8-channel preamps and Prime Output premium output modules. A Dante card is fitted in the S5000 surface for multitrack recording, and another in the DM32 for integration with Shure QLX-D wireless mics. All equipment has been supplied from Habegger’s rental inventory, with the exception of the Prime modules, which are on loan for evaluation from Allen & Heath’s Austrian distributor, ATEC.
Richard makes extensive use of dLive’s Deep processing, as he explains, “I was the first dLive user in Austria and I still love the flexibility
UK - Sound designers for Beautiful: the Carole King Musical deployed a Harman Professional Solutions audio system.
The 2020 U.K. production features an eight-member pit orchestra to back up the cast, plus live piano performed by Daisy-Wood Davis, who plays the role of King.
To faithfully reproduce the timeless music of King in a musical theatre context, the show’s producers hired sound designer Brian Ronan and associate sound designer Tony Gayle to design a world-class touring sound system. In charge of specifying equipment for the tour, Gayle selected JBL Professional VTX A-Series loudspeakers, Crown amplifiers, AKG microphones and BSS DI boxes.
“The biggest challenge was reproducing the beautiful orchestrations that were written for the show, the details of the instrumentation and the vocals,” said Gayle. “Anyone can put speakers up, put up a microphone, put it through a mixer and make it louder. Making sure you replicate what is actually being played and what's being said is the biggest challenge - keeping true to the material.”
In the spirit of staying true to King’s work, Gayle specified a JBL line array system composed of 34 VTX A8 loudspeakers and six VTX B18 subwoofers for powerful, detailed sound. An improved Radiation Boundary Integrator (RBI) waveguide gives the VTX A8 broad 110-degree horizontal dispersion to reach the entire audience.
The JBL VTX B18 subwoofers give the system powerful low-end with double-flared Slip Stream ports for minimal distortion and turbulence. Gayle specified the subwoofers to be
UK - Full technical production specialist CPL lit two landmark buildings in central Coventry to commemorate International Nurses Day and the bicentenary of Florence Nightingale’s birth. The action also recognised the central role the nursing profession has played worldwide in fighting the spread of the coronavirus pandemic and the World Health Organisation which has designated 2020 as International Year of the Nurse.
CPL was working for Coventry 2021, the organising committee planning and overseeing events for the upcoming UK City of Culture year.
The lit buildings were the original St Michael’s Cathedral and the Herbert Art Gallery & Museum.
The original St Michael’s was built in the 14th century and severely bombed in the Second World War. The original spire is still intact, and the building’s haunting shell is still considered one of the most beautiful and elegant ruins in England. The Herbert is just across the road and also serves as a records archive, learning centre, media studio and creative arts facility.
CPL’s Lee Gruszeckyj project managed and ensured that his crew observed strict social distancing whilst setting up all the kit. Challenges included a short timescale, no site visits or reccies and no face-to-face meetings with the Coventry 2021 team ahead of time, under the current Covid-19 regulations.
Lee used his skill, experience and knowledge to make some educated guesses as to what kit would be best for lighting the Cathedral and the Herbert’s 500sq.m contemporary glass-covered court extension, an addition
UK - The annual Innovation In Music conference is an international music event that brings together music industry researchers and professionals. The event welcomes academics, artists, producers, engineers, and manufacturers to come together and hear presentations and discussions on a wide range of topics.
The most recent conference was held at the University of West London’s Ealing Campus and covered a number of topics including music production, performance and composition, studio technology innovation, and platforms for music sale, streaming and broadcast, to name a few.
Dr. Paul Ferguson, associate professor of audio engineering from Edinburgh Napier University, has been exploring the potential of long-distance creative collaboration over IP networks. This year’s conference keynote was sponsored by Dante licensee, Focusrite Pro, who was very interested in exploring the possibility of using their products and Dante technology over a long distance.
“My area of research for several years has been in looking at remote music performance and production over high-speed networks; we're very fortunate that in the education world, we're connected by high-speed networks for research purposes,” said Ferguson. “At Napier, we use Dante to link studios and resources here on campus, but I always predicted that local and long-distance collaboration could come together.”
Dante has become a standard for digital audio networking, and distributes hundreds of uncompressed, multi-channel digital audio via standard Ethernet networks. Dante allows audi