"Here at The Concertgebouw we have been planning for some time to install a state-of-the-art permanent system for speech reinforcement," states Wouter van Poppel, head of technical services at the venue. "After listening to CAL demonstrations here on site and at the Musikverein in Vienna, we were extremely impressed with the system's clarity, speech intelligibility, and configuration flexibility."
The new Meyer Sound s
To refine the lighting rig to the practicalities of touring, budgets and equipment availability, lighting designer Kenneth Posner and associate lighting designer John Viesta made some changes to the New York design for the road, switching the side ladder moving lights from Martin MAC 2000s to Vari-Lite VL3500s and replacing the overhead VL2500 Wash lights with LED par cans.
As ever with changes like this, the lighting data in the console show file no longer produced the correct lighting on stage, since each fixture type responds differently to the same DMX data. In this situation what is needed is clear, precise, accurate information about what the lights did in each preset focus and in each cue in the origi
The award winning company purchased Showline SL BAND 300 RGBW, SL STRIP 400 (both RGBW and Tunable White) SL BAR 520 and SL BAR 620 luminaires. The units were employed to deliver stunning lighting for the function, which was attended by members of the ministry, members of the Shoura Council and top executives from the companies involved in the scheme.
"We came across the Showline products at Prolight and Sound last year, and were extremely impressed," says project manager Nawal El Masri. "We decided to purchase them as the quality was so high - the standard we offer our clients."
Maestro has an impressive portfolio, with experience managing a broad range of events f
The Sydney Symphony Orchestra live in concert was combined with visuals celebrating the artistic and musical heritage of Vienna from Ample Projects and projected onto the roof or "sails" of the Sydney Opera House and broadcast to music lovers across the world in a live web-stream. The event took place on Wednesday, 4 February 2015.
"Having worked with Michael Hassett and his expert projection design team already back in the 90's we knew we could turn to TDC again for another unforgettable visual spectacular. TDC are a dream-team to work with," enthused Astrid Mulholland-Licht, director of the Austrian National Tou
Selected by the show's sound supervisor, Daniel McCoy, CAS, a long-time DPA supporter, the d:screet 4061s are used by the entire 16-member cast, which includes a host and three judges as well as six designers and the carpenters with whom they are partnered. "I've had a lot of experience doing build shows," he e
Very early in the process, even before the new music was available, Sinclair had a meeting with Creative Director William Baker and Set Designer Alan Macdonald, during which it was decided that 'precise geometry' and 'Bauhaus aesthetics' were to be the key themes for the set design, inspired by the lines of the set and the early costume ideas. Baker then created a very detailed and instructive style gui
Jean Paul Gaspard of Audio Concept, Prolyte distributor in Latin America, put PROmontaje in contact with Prolyte. "I knew Prolyte was the only truss manufacturer I could trust to deliver a structure of the size and capacity my customer was looking for," comments Jean Paul Gaspard, "PROmontaje already owns an ARC roof and barriers from Prolyte, and they are very happy with the quality of those products and the ease of use".
The structure PROmontaje was looking for needed to have enough loading capacity, paired with a large
Working with tour and production manager, Tommy Winstone, XL Video project manager, Connie Glover specified the package for the massive show at London's O2 Arena.
The unusual LED screen set up used XL Video's Pixled F-12 LED housed in XL's custom touring frames, and featured a combination of 2 square on-stage LED screens displaying playback content, and two tall portrait IMAG side screens - a change from the more commonly seen landscape IMAG screens. This set-up allowed the portrait IMAG to display full-length images of the band as well as split screen set-ups of multiple band members. LED for the tour was managed by Gareth Manicom and Joe Makein.
Glove
"Everyone wants to book the main boardroom as they're all so impressed with the system installed in there," says the office receptionist.
Founded by Jay-Z in 2008, Roc Nation is a full-service entertainment company, inclusive of artist management, music publishing, touring, merchandising, film, television and an independent record label. It has an impressive roster of musicians and sports stars signed to either the record label or management services, including Rhianna, Kanye West, Kylie Minogue, Rita Ora, Matthew Dear, HAIM, Santigold, Shakira, Timbaland, Calvin Harris, Deadmau5 and Frank Ocean, as well as Jay-Z himself.
(Jim Evans
This was the first experience of using GLD for both FOH engineer, Dave Nutbrown, and monitor engineer Ian 'Squid' Walsh, who needed a system that could handle large arena shows whilst keeping to a compact footprint.
A GLD-80 connected over Cat 5 to AR2412 and AR84 AudioRacks provided 32 XLR inputs for stage sources and delivered five in-ear mixes, side-fills and a pair of centre wedges. Both GLD-80s were fitted with Dante cards and mic preamp signals were split digitally via Dante over Cat 5 to FOH. The analogue gain was set at the start of the tour, with the engineers using the consoles' digital trim (+/- 24dB) to independently make adjustments during the shows.
Ian 'Squid' Wals
The list of product innovations from Sennheiser is as extensive as it is impressive. Sennheiser has made a significant impact on the evolution of audio technology over the past seven decades, from the world's very first open earphone, the HD 414, and the wireless stage technology pioneered by the Digital 9000 system to present-day innovations such as MobileConnect, an inclusive audio-
The project has been earmarked for funding from the Heritage Lottery Fund, Glasgow City Council, Creative Scotland and Historic Scotland that go a long way towards financing the transformations, which are far-reaching.
Mathew Smethurst-Evans, who is leading the Theatreplan team, explained, "This is a major project that incorporates significant improvements to the environment for both visitors and staff. Visitors will benefit from much improved public spaces to create a venue where they can experience much more than a theatre show. There will be pur
The school's large and attractive new facility serves 700 students and includes classrooms equipped with the latest technology, a gymnasium and fitness centre, a cafeteria and multipurpose room along with a theatrical auditorium.
Jorge Guillén of Guillén Technology Consultants provided building technology, AV, audio systems and safety and security consulting services for the new school. The building's many different spaces presented Guillén with numerous challenges in his audio system designs. The school's goals included intelligible voice paging and high-quality sound reinf
For BL°F's recent show at Amsterdam's 17,000 capacity Ziggo Dome lighting designer Patrick Kramer did exactly this ... with a little help from over 200 Robe moving lights including 26 of the new BMFL Spots.
Patrick cut his professional lighting career teeth in the theatre and has always liked to work as part of a creative team. On this one, he collaborated with set and video designer Bart van Rooy and between them, the concept of building geometric shapes, squares and rectangles evolved. These were based on a Layher sca
Schipper got the look he was seeking with a massive diagonally slanted overhang array of high-output Nexus 4x4 LED panels from Chauvet Professional. Starting close to ceiling level upstage, the truss overhang formed a descending wedge of rich and varied colours as it moved down stage. The movement of the lights on the array, along with their intense o
The conference took 700 attendees through the history of the Citroën and DS brands, and unveiled a new dual brand strategy for the two ranges. Blackout continued its long standing relationship with Crown and production manager Steve Webb having worked together for over 20 years. The show featured automated tracking LED screens, and vehicles that drove onto the stage.
The audience entered into the main exhibition area, where both new and old DS cars were displayed. Blackout's drapes were utilised to cover the retracted seating to make space for this area. Additional drape walls were added by the venue, which were lined with Blackout's aesthetically attractive wh
Both front of house engineer Shan Hira and monitor engineer Francoise Le Moignan have worked with Lily since her 2009 It's Not Me, it's You tour, where they first specified Sennheiser mics and in-ear monitors.
"We had used a Sennheiser SKM 500-935 G3 935 in 2009 and were very happy with the way they worked," says Shan. "Mark [Saunders, Sennheiser UK artist relations] very kindly offered to support us again and brought a prototype MD 5245 capsule down to rehearsals for us to try out. We really liked it and
The non-profit Stagecraft Institute began in 2006 and provides an immersive education to around 70 people each summer, 90 per cent of whom receive either a full or partial scholarship. All of the topics of study revolve around disciplines within the world of stagecraft and live entertainment, including lighting design and programming, media programming, sound, costumes,
Concept visuals of the new store revealed curved surfaces running along the front of the entire shop fascia. This gave World Duty Free Group and Blynk Digital Media's Neil Muir the idea to fill the surfaces with LedGo's innovative FLEX curved LED panels, to display eye-catching, moving content, visuals and tailored messaging to visitors in the new terminal.
Blynk Digital Media approached A.C. Video, a specialist sales division of A.C. Entertainment Technologies (AC-ET) Ltd., to supply them with the LedGo FLEX curved L
The special celebrated Bruce Forsyth's long career in show business and featured artists paying tribute to the stars who inspired them. Stars appearing included Jessie Wallace, who recalled music hall legend Marie Lloyd; Jamie Cullum, who performed a Tony Bennett song; and Alfie Boe who was inspired by Dean Martin.
Working with production designer Markus Blee and line producer Charlene Farrell, XL Video supplied two types of LED for the show's set - a 5.4m wide x 3m high LED screen formed of its ROE MC-7T product and a 7m wide x 2.5m high Unilumin 3.9mm LED screen.
The high resolution ROE MC-7T screen was flown and used as both an audience rel
At the end of January 2015, Current RMS officially became a partner of the popular cloud accounting software Xero, offering seamless integration with this easy to use product, streamlining the rental cycle that one step further.
Prior to launching Current RMS, rental experts came onboard to test the system, working with the team to ensure it was entirely ready for launch. The same process took place for the Xero integration. One of the testers, Steve Lucas, owner of Soundbite Productions, has quickly seen the benefits of operating his rental business entirely in the cloud.
"Current is a must have for rental and hire companies, especially for those
An extensive range of topics, focusing on developing trends and market intelligence will be covered in the programme, offering "countless business opportunities and industry knowledge".
Ms Fiona Chiew, deputy general manager of Messe Frankfurt (Shanghai) Co Ltd explained, "Participating in Prolight + Sound Guangzhou is essential to staying ahead in this industry. The show and its accompanying fringe programme provide a prime opportunity for exchanging market information and keeping up-to-date with the
PMC is a Silver Sponsor of the P&E Wing's annual party at The Village Studios in Los Angeles, an event that traditionally kicks off Grammy Week and regularly attracts over 500 industry VIPs.
All sponsors are given the opportunity to host a technical demonstration and in PMC's case this took the form of a joint presentation with Auro Technologies, which showcased its Auro-3D audio format. Five PMC twotwo.8 monitors, four twotwo.6 monitors and a twotwo.sub2 active subwoofer were positioned around The Village Studio's Studio A live room in an Auro 9.1 configuration to create the Auro-3D effect of an enveloping cocoon of sound. The flagship AV processor Auro-3D Mensa was on hand to create th
