Projects News

powersoftPowersoft drives Santiago del Estero stadium
Thursday, 10 December 2020

Argentina - In April 2018, the Government of Santiago del Estero, together with the Argentine Football Association (AFA), began drawing up plans for a new provincial stadium that was to commence construction in June. Although its destiny of serving as a host venue for the 2020 Copa América was derailed due to the pandemic, the stadium was still completed nevertheless, its final design complying with all FIFA, CONMEBOL, and AFA standards.
The finished Estadio Único Madre de Ciudades consists of a cylindrical covered stadium with a capacity of 28,000 seated spectators, and includes VIP sections, press booths, spaces for catering, and covered parking for 400 cars, as well as a main access plaza and sports museum.
The Estadio Único Madre de Ciudades is also the first stadium in the country to be designed with the sound system in mind from the early stages of construction stage, making it one of the most future-proof venues in Argentina.
The audio portion of this ambitious project was entrusted to Equaphon Sistemas de Sonido SRL, an Argentine company with more than 45 years of experience in the professional audio market.
“In this type of venue, the safety of the equipment is a determining factor,” said Rubén Branca, Equaphon’s managing director. “Thanks to the different limiters offered by the Powersoft amplification platforms, a very high degree of system security is achieved.”
As of June this year, all Powersoft amplifier platforms have achieved EN 54-16 certification, which provides an extra layer of certainty to the cus

adamsonSoundbox brings CS-Series to the drive-in
Thursday, 10 December 2020

Canada - Adamson Systems Engineering’s CS-Series powered loudspeakers provided the audio for Big Wreck’s recent drive-in show at Canada’s Ancaster Fairgrounds
While drive-in concerts have become commonplace during the pandemic, increasingly they require traditional live sound reinforcement and the ability to transmit over FM, explains Colin Moore of Soundbox: “It’s all about the experience, so it’s becoming a mandatory part of the production specifications, and bands and audiences prefer it that way.” You can still socially distance and have great sound, he continues, adding: “Maybe one out of every 10 cars had their doors closed and the radio on, but most people were listening to the PA.”
Big Wreck FOH engineer, Dan Preston adds: “With some rigs, the guitars are producing frequencies through the cabinets that they’re not producing through the actual amp and, as far as the guitars, in particular, Ian Thornley has an expansive sound - a big, wide tone that needs to be reproduced accurately. I was able to do that here without having to fight the PA. I actually had to dial back my effects from a prior mix considerably. I use a lot of rolling and trap delays with Big Wreck and, with this PA, I didn’t have to fight for them to be heard or separate at all.”
Soon after Adamson officially launched the CS-Series, Soundbox purchased CS Upgrade kits for their entire Adamson S-Series inventory; 28 CS10, eight CS7, and six CS119 kits in all. “And based on their performance we’re really happy we did,” Moore adds. In all, for Y108 P

 
 
flipsideFlipside meets audio needs of Blue Jasmine
Wednesday, 9 December 2020

UK - Flipside Soundsystem has installed a new audio system at the recently opened contemporary Asian restaurant, Blue Jasmine. Based in Southampton, the fine dining venue needed an aesthetically pleasing installation for both indoor and outdoor use, and Flipside met this need with equipment from Yamaha and Apart Audio.
Blue Jasmine’s co-owners, Xi and Phoebe Zhao required an audio installation that could be distributed across; the bar, a VIP room, two main dining spaces, a raised dining area and the toilet facilities. With a Yamaha MTX3 acting as the brain of the entire system, Flipside installed a wall panel control for each zone of the restaurant, allowing easy accessibility and seamless coverage.
“Usually with restaurant sound system installations, owners are never too specific on how they want the audio to integrate into their design of the space – they tend to fall into one of two camps: either low to the ground or high in the atmosphere and that’s it,” says Flipside managing director, James Cooper. “But Xi and Phoebe clearly had a good idea of how they were going to integrate the sound system across the newly designed space and were ultimately convinced by our approach.”
The Flipside team wanted subs throughout the whole space and tried to work out the most efficient way of getting consistent coverage across all of the tables without using a large number of amplification channels. “The Yamaha’s VSX series are equipped with an internal 100V line transformer which allowed us to operate at both high and low impedance just by

 
parklane-hotel6-1Harman enhances Parklane Limassol
Wednesday, 9 December 2020

Cyprus - ALA Equipment Company has installed a JBL Professional audio system at Limassol’s Parklane Hotel.
Parklane Hotel is a luxury resort that features luxury accommodations, from lifestyle suites to private villas. Formerly Le Meridien Hotel, the building was purchased in 2015 by Marriott, who commissioned a complete overhaul of all communications and A/V technology. Parklane Hotel hired ALA Equipment Company to renovate key facilities in the hotel, including the Diamond Ballroom, Park Room, Meeting Rooms, Kids Club, as well as other ancillary areas and guest suites. ALA installed a JBL Professional audio system featuring JBL Professional loudspeakers, Crown Amplifiers, BSS Signal Processors and AKG Microphones.
More than 2,000 Control 25, Control SB2210, Control 47HC, Control 24C, Control 26C, and Control 19CS loudspeakers and subwoofers were installed throughout the hotel, enabling staff to create a relaxed atmosphere by broadcasting ambient music. Additional Control 126W and 128W in-wall loudspeakers provide even coverage on the first floor.
Audio systems installed in the gyms, spas and other recreational areas deliver JBL sound quality throughout the hotel, while JBL Control 80 Landscape series loudspeakers installed in the external areas of the hotel surrounding the swimming pools and outside bars provide extended coverage.
The entire system is routed through BSS’s Audio’s Soundweb London digital signalling processing via a combination of Harman’s propriatary protocol BLU link and Audinate’s Dante digital transport. More th

 
 
turandotAyrton’s Khamsin-S illuminates Taiwan’s Turandot revival
Tuesday, 8 December 2020


Taiwan - When Taiwan’s National Kaohsiung Center for the Arts (Weiwuying) hosted a revival of the German/Taiwanese co-production of Puccini’s Turandot earlier this year, Chien-hao Kuo, lighting designer and head of lighting, boldly chose to replace all the discharge moving lights of the original design with LED fixtures.
He carefully selected 26 Ayrton Khamsin-S profiles which were supplied to the venue from its rental stock by Hispot Workshop of Taipei, Taiwan, a company which has been dedicated to theatre design and equipment rental for over 26 years.
Kuo’s had used Ayrton Khamsin-S on several operas in the past and knew them to be both powerful and quiet. “Because opera singers perform without amplified sound, I was focused on methods of reducing the background noise in the theatre,” he explains. “Moving lights with discharge sources are notorious for having fans, the noise of which causes disturbance in this kind of performance.” An LED source was therefore the way to go, but without compromise on performance or versatility.
“I knew from experience that the Khamsin-S is a very versatile fixture: it is fully-equipped with everything you need, whether used as a spot or a wash, and has great gobo projection,” says Kuo. “I knew that, as long as I had all Ayrton Khamsin units hung on all the grids, I would never have to worry about anything the director requested during tech time! Ayrton Khamsin-S can reproduce any picture in my imagination very rapidly, and I can even use its graphic animation effect wheel to simul

 
krk-nicolas-ramirezArt House Academy relies on KRK monitors
Tuesday, 8 December 2020

USA - As a Latin Grammy Award-winning mixing and recording engineer, musician and sound supervisor, Nicolas Ramirez’ resume also includes head mixing and recording engineer at Art House Academy & Abbey Road Institute Miami, a music performance/production and sound engineering school.
He recently implemented KRK Systems’ V6 Series 4 powered reference monitors into the space. Ramirez was elated to continue working with the KRK brand as he also uses the ROKIT 5s and 7s in various home studio applications. Using his KRKs, Ramirez is up for three Latin Grammys this year with nominations for two Record of the Year awards as well as an Album of the Year nomination.
Ramirez has worked with high-profile recording artists such as Jennifer Lopez, Shakira, Will Smith, Jaden Smith, Marc Anthony and Bad Bunny, and knows quality matters. “KRK makes a variety of superior studio monitors that align perfectly with my workflow; the brand’s solutions are ideal for both professional and home studio applications,” he says. “Not only do they sound spectacular, but they are also very budget friendly.
“I especially love that I can use KRK’s Audio Tools app to adjust the monitors to best suit each unique environment I work in. Overall, deploying KRKs is easy. You don’t need any amplifiers for them to sound good — they are amazing on their own.”
Ramirez has also used both the monitors and Audio Tools app at recording artists’ home studios, which has been especially beneficial amidst the pandemic. “The KRK ROKITs are lightweight and perfect

 
 
wonderlandADJ launches Winter Wonderland contest
Tuesday, 8 December 2020

USA - As this difficult year draws to a close, ADJ is hoping to spread a little festive joy over the holiday season with its Winter Wonderland Lighting contest. The company is offering lighting pros and enthusiasts at all levels the chance to win one of three prizes simply by using their ADJ fixtures as part of a festive display or holiday event and tagging the photos or video on social media.
Says ADJ, “Entries could be a holiday project created for a client or you could simply use your ADJ lighting, video or effects equipment to decorate your yard, front porch or home for the holidays. It probably goes without saying, but in whatever you do to celebrate the holidays and enter the contest, please be safe, take any necessary precautions and practice social distancing.
“The ADJ team will be selecting the first, second and third place winners based on how good the photos/videos look as well as the creative use of ADJ products. The contest is open to anyone around the world and you can enter as many times as you like, just be sure to let us know what ADJ fixture(s) you have used in the description of your social media post(s).”
When the contest has closed at 12 midnight (Pacific time) on Sunday, 10 January 2021, the ADJ team will carefully search through social media for every post that uses the #ADJWinterWonderland hashtag and choose three winners based on the creative use of ADJ fixtures and the aesthetic appeal of the photos/video. The winners will then be exclusively announced via ADJ’s social media channels on Thursday, 14 January.
T

 
the-farm-studiosSocial distancing with Dante down on The Farm
Tuesday, 8 December 2020

USA - In the face of tight travel restrictions and the industry-wide slowdown due to the coronavirus pandemic, music producer to the stars Garth Richardson has spent several months focused on renovating and updating his The Farm Studios.
Nestled within the Sunshine Coast region of British Columbia, The Farm Studios offers a tranquil cabin-in-the-woods workshop atmosphere for recording and studio production. The seven-acre property features several cabins and a main house where the control room is located.
Richardson's goal for the extensive renovation is to expand the studio's footprint and create a varied set of indoor and outdoor recording spaces. Rooms in the main house are connected throughout with a Dante network, and Richardson is now extending the network out to another large cabin adjacent to the main house and other locations.
Dante allows audio, control, and all other data to coexist effectively on the same network. And with devices often needing only power and an ethernet cable, Dante also allows for flexibility - enabling both unique and socially distanced recording options.
"I want to make it so that anyone can record from anywhere. If a vocalist wants to sing alone from the band house, I can just plug a mic preamp into that network jack, and we're good to go. If they want to sing outdoors in the woods, we can do that too. The network makes it very easy to set up whatever we might need," said Richardson. "It's a very cool concept, musicians can be together in a space, in separate rooms, or separate cabins - all with great views an

 
 
caesars-forumBroaMan solution for Caesars Forum
Tuesday, 8 December 2020

USA - When Caesars Entertainment, who operate Caesars Palace in Las Vegas, planned their next expansion phase – Caesars Forum, a new conference centre - they needed a first-class technical infrastructure for site wide multi-signal transmission over this large facility, and opted for BroaMan, the video and data based sister company to Optocore.
Locally based design and engineering specialists, National Technology Associates (NTA) have a long track record working with the Caesars Entertainment family, including LINQ promenade, the High Roller, and many restaurants and venues. Thus, they were again contracted, and as their project manager Shane Snell recognized the building was way too big to run traditional SDI cabling, he instead turned to a BroaMan fibre solution.
The Conference Centre itself measures a massive 550,000sq.ft including more than 300,000sq.ft of flexible meeting space with the two largest pillarless ballrooms in the world at 110,000sq.ft each.
Snell explained that the original design had “tons of SDI cabling” running to a total of nine IDF distribution frames. “With 400 floor boxes going to nine comms rooms, none of them connected, there was no way to tie them all together and certainly not by using coax point-to-point cabling.
“We needed a way to tie these isolated comms closets together—without a bunch of loose gear, adapters, boxes, or anything that could be less than reliable. It also needed to be easy to use by Encore Productions, the in-house productions team who live in the world of event production where flex

 
macys-paradeMavericks add new dimension to Macy’s Parade
Tuesday, 8 December 2020

USA - The colourful floats were there, 26 of them in all; so too were the giant helium balloons, bands and street performers, but the 2020 version of the Macy’s Thanksgiving Day Parade was unlike any of its 96 predators. The usual throngs of fans were nowhere to be seen, and instead of following its normal route down 5th Avenue, the entire ‘parade’ took place within a designated area in front of Macy’s flagship store.
For the 20.7m who watched on TV, this year’s parade offered all of the pageantry, excitement and holiday spirit that people have come to expect from this popular tradition, pandemic restrictions notwithstanding.
Helping to create this image on television was a Geoff Amoral lighting design that artfully relied on lighting and props to support the parade with an engaging background, despite the absence of fans. “The normal look for the parade is a sidewalk full of people in bleachers,” said Amoral. “Without them the scene behind the floats would look empty. Our scenic designer, Ed Helbig, thought it would pull the scene together to fill the background with attractive visuals - and our producers Brad Lachman, Bill Bracken and Carmela Tripodi agreed.”
A key element of these critical visuals, in addition to tree and foliage props, were 40 Chauvet Professional Maverick Storm 1 Wash fixtures supplied by 4Wall Entertainment.
Arranging the high-output RGBW washes in two rows behind the parade staging area, Amoral and his programmer Tim Stasse used them for much more than filling space with light. They also relied on th

 
 
robe-exhibition-londonRobe lights Exhibition London
Tuesday, 8 December 2020

UK - Exhibition London is a new multipurpose live music and events venue in White City, West London initiated and operated by Broadwick Live and Venue Lab, offering 1400 seated to 2800 standing capacity. It is designed for conferences, exhibitions, gala dinners, awards presentations, location filming and live music events.
Opened in early 2020, Exhibition London’s complete technical infrastructure was specified and procured by consultant and technical production director Simon Jones of SJ-TPM who also coordinated and oversaw all elements of the technical installation and commissioning. Simon had started work on the project in the second quarter of 2019 after having been involved in other Broadwick Live venues.
He chose both Robe and Anolis products to be core house lighting system elements for the main show-space where the spec features 28 x Esprites and 30 x Robe Spiider LED wash beams plus two RoboSpot remote follow spotting systems with two BMFL Follow Spot fixtures to run with them.
Simon’s previous Broadwick Live project was the new Magazine London concept in Greenwich, where he spec’d nearly 100 Robe LED moving lights including T1 Profiles and Spiiders plus Anolis Divine 160 RGBW LED floods. Once again Anolis Divine 160s were selected for LED house lighting at Exhibition London.
Having had a great experience with the Robe moving lights at Magazine London, Simon looked again at the brand for its “reliability and cost-effectiveness”.
Simon was keen to utilise Robe’s latest technologies for the venue and wanted the Esp

 
claypakymoscowtheaterVakhtangov Theatre celebrates with Claypaky
Tuesday, 8 December 2020

Russia - Moscow’s Vakhtangov Theatre marked its upcoming 100th anniversary with a special 10-minute music and light show featuring more than 100 Claypaky Axcor Profile 900 LN high-wattage moving head LED spotlights and HY B-EYE K25 moving head LED wash.
The theatre’s lighting designers Ruslan Mayorov and Alexander Matveev created the lighting spectacular with Sergei Dobrikov, software engineer from equipment supplier and installer Doka Centre, choreographing the intricate play of beams to music by Faustas Latenas.
An invited audience was in attendance for the show, which featured forests of parallel beams, dancing beams, textured curtains of light and giant beams that broke the boundaries of the proscenium to sweep the audience. The theatre’s heads and the Russian government’s Minister of Culture were on hand to offer congratulations.
“When we were looking for lighting equipment for the Vakhtangov, we looked at many manufacturers, but somewhere deep in my heart, we made a choice of Claypaky fixtures long ago,” say designers Mayorov and Martveey. “We live at a time when lighting equipment loses its relevance in a year, and the challenges for this show were to use LED fixtures with no loss of intensity and colour and little noise backed up by reliability and support.”
They travelled to Claypaky’s plant in Italy with Doka’s Vasily Litvin, where they observed the entire Axcor line as well as the B-EYE and K-EYE products. “The most important thing is that Claypaky listened to our wishes and developed quiet, theatrical version

 
 
hippo-dior-xmasHippotizer Nevis+ maps Christmas at Dior
Tuesday, 8 December 2020

UK – Luxury fashion brand Dior’s flagship London store has launched its festive Christmas display, unveiling an entirely video mapped frontage powered by a Hippotizer Nevis+ Media Server.
Motion Mapping is masterminding the technical set up, control and running of the festive projections, having been commissioned by Dior’s creative agency to deliver the project.
Motion Mapping’s creative director, Stuart Harris, specified the Nevis+ as the main show control and media player, driving two Panasonic RZ21 projectors protected by Tempest Outdoor Enclosures.
The projection and visual control and manipulation equipment is installed on the roof of Dior’s neighbour Louis Vuitton, which is situated directly opposite in London’s New Bond Street.
“The small form factor of the Nevis+ has made the setup of equipment on the top of a six-storey building, in an outdoor enclosure with limited space, much easier,” says Harris, a long-time Hippotizer aficionado. “The content for the projections was supplied by Dior’s creative agency, and we were then challenged with beaming it onto the intricate architecture of the building.
“The flexibility that Hippotizer provides in the control of the image has been invaluable. The ability to change the contrast, saturation and multiple other variables to ensure the fine details of the content have the desired impact, has contributed hugely to the success of the project. And it looks really, really good.”
With the installation set to run throughout December, on a London rooftop in the famo

 
oasis-drive-in3Chauvet backs Petty Junkies drive-in
Monday, 7 December 2020

USA - Under normal circumstances, Kyle Upchurch, doesn’t have to think much about the area directly in front of the concert stage, as it’s filled with fans. His goal as a designer is to create the kind of immersive looks that pull fans into the performance on stage. But during a pandemic, rules have to be rewritten.
When lighting a drive-in concert by The Petty Junkies at the new Oasis outdoor theatre in Marion, IL, Upchurch had to weave the empty area in front of the stage into his overall design. “With safety protocol, you typically have the area in front of the stage empty,” he said. “Unless you address it, this creates this jarring blank space in front of your design, which disconnects your stage from the audience.”
To avoid this, Upchurch extended his design by covering the area in front of the stage with bold gobo patterns and colourful crossing beams that flowed seamlessly throughout the area. “My goal was to make the stage and the entire space in front of it look like they were part of one integral image,” he said. “This made the show much more immersive for the people in their cars. It creates a more natural concert experience that people are accustomed to.”
Helping Upchurch accomplish this were 34 Chauvet Professional Maverick and Rogue fixtures furnished by Midwest Music Supply. “Having intense, high-output fixtures was essential to creating the look we wanted,” said Upchurch. “If the light in front of the stage wasn’t punchy, our plan wouldn’t have come off.”
Upchurch used six Maverick MK1 Storm Was

 
 
spacemapgovirtualcrowd2Spacemap Go creates crowd sounds
Monday, 7 December 2020

USA - With safety measures limiting the number of fans who can physically attend university football games, one Midwest top-ranked football team lost a major component of home field advantage - the sound of 100,000-plus fans reverberating through their massive stadium. To recover this advantage, a temporary distributed system of 66 Meyer Sound self-powered loudspeakers was deployed to reproduce the crowd with uncanny realism by applying dynamic sonic movements via the new Meyer Sound Spacemap Go spatial sound solution.
“A crowd of 100,000 football fans does not produce a flat, static sound,” explains Rob Snyder of Rob Snyder Productions, one of the originators of the college stadium concept. “The sound is almost like its own living, breathing entity, something that pushes and pulls, that changes dimensions. You can’t make that happen with a typical distributed PA system, but with Spacemap Go we were able to simulate the effect in ways that would be practically impossible without it.”
This stadium application was the brainchild of Snyder and Brian Jester of JCR Studio and Sound. The two had earlier discussed the potential for using Spacemap Go for audience simulation at smaller venues but later decided to present the concept to one of the top-ranked college teams. Initial scepticism was overcome with a scaled-down demonstration, and the go-ahead was given to deploy a full, Spacemap Go-controlled system for the season.
“Spacemap Go is powerful and versatile, but it’s also amazingly easy to set up and intuitive to operate,” says Snyder.

 
digicobellevue1DiGiCo heads Bellevue Baptist Church refit
Monday, 7 December 2020

USA - Bellevue Baptist Church, the largest house of worship in Memphis and one of the leading churches in the Southern Baptist Convention, recently finished a complete renovation of its audio systems, which also included extensive acoustical work throughout the sanctuary.
The project was led by the church’s long-time systems integration partner, Springfield, Missouri-based Paragon 360, which had previously designed and installed the scenic, lighting and video systems there.
The new installation, in the church’s 6,800-seat main sanctuary in the suburb of Cordova, features three Quantum7 consoles deployed at FOH, monitors, and broadcast. In addition, an SD12 console is now also deployed in the church’s fellowship hall, wrapping up what Mark Coble, audio/acoustics design & commissioning lead for Paragon 360, calls “a full DiGiCo solution for the church”.
“When looking to update its loudspeakers and consoles, the church required a mixing system with a high channel count, and DiGiCo was one of the few that could handle this, being able to mix 256 inputs and offer 128 outputs, all running at 96k,” says Coble. “Reliability and customer support were also very important reasons they chose to go with the DiGiCo platform.”
Coble further cites the redundancy of the Quantum7’s dual processing engines, and the fact that the entire system runs at 96 kHz, including multitracking for virtual soundcheck at FOH and importing to ProTools in the broadcast control room. “The church wanted a system that could last up to 20 years,” he sa

 
 
robe-queensland-theatre-que100657137Queensland Theatre chooses Robe
Monday, 7 December 2020

Australia - Queensland Theatre - usually - sits at the heart and soul of Brisbane’s lively arts and performance scene, producing around eight or nine main stage productions a year between the 351-capacity Bille Brown Theatre in the south of the city and at the four-venue Queensland Performing Arts Centre (QPAC). The theatre also has a strong youth and educational programme which allows school-aged artists to stage shows with the company. On top of that, they also receive shows at both the Bille Brown and QPAC, and tour productions across Australia throughout the year.
The Theatre has Robe LEDWash 300+s, eight of which were in residence when technical coordinator Lachlan Cross arrived in May 2017, which has since increased to 32 fixtures.
The main increase in fixtures came when they finished renovating the Bille Brown Theatre in October 2018, after a A$ 5.5m renovation which converted it from the former 228-seat Bille Brown Studio into the space it is today, complete with corner stage.
The new lights were installed to facilitate the first show after the reopening, and more recently additional LEDWash 300+s brought the count up to 32.
This number gives enough stock for the option of being able to service more than one production simultaneously with LEDWash 300+s including their touring shows.
The Bille Brown Theatre has a flexible pipe-based rigging system and the LEDWash fixtures can be orientated in either direction above the corner stage as they have the single hook clamp. They are fitted with the top hat modules for soft diffusio

 
dampsfamilya4300dpiKV2 D Series amplifiers debut at Volksoper
Monday, 7 December 2020

Czech Republic - KV2 Audio has introduced D Series amplifiers with onboard control and diagnostics. The first deployment of these is at the Volksoper or People’s Opera in Vienna where 56 units are in use every day.
KV2’s D Series amplifiers use a range of topologies including Class AB for high frequency response, a unique high current switching topology on low frequencies, and consistent power delivery that features toroidal transformers hand-wound in the Czech factory, specific for each model.
In terms of control, the D Series amplifiers offer the option to set up gains, operate mutes, configure the limiters, or select filter, EQ and bridge modes depending on the model, whilst the diagnostics section provides information on the temperature of heatsinks, mains voltage, real-time health checking and the output levels relative to limiting. This is a crucial feature for the increasing requirement of monitored loudspeaker systems in public spaces.
Amplifiers may be set up individually or in groups using the new KV2 Control & Diagnostics software tool, including saving and recalling pre-sets, or show files. Configuration and monitoring are accessible either via the front panel or remotely via any Windows or Mac OS device.
KV2 Audio founder, George Krampera Sr comments, “Finally, our users can now benefit from control without compromise as well as real-time monitoring and system diagnostics - elements which are vital when running large systems. Our customers no longer have to rely on third-party solutions which inevitably affect the sou

 
 
larigoletto1Rigoletto plays the field with L-Acoustics
Monday, 7 December 2020

USA - Live music has proved it will find a way despite the lockdowns on performances compelled by the COVID-19 pandemic. One of the more imaginative examples of this was the 9 October performance of Verdi’s iconic opera Rigoletto by the Tulsa Opera, which was staged at ONEOK Field, home of the Tulsa Drillers minor league baseball team and Double-A Affiliate of the LA Dodgers.
Every note of the operatic repertoire of Rigoletto was heard clearly and sweetly by the 1,685 socially-distanced audience members seated in the 2,700-capacity stadium thanks to an L-Acoustics Kara PA system provided by locally-based Axiom Audio.
The system consisted of 24 Kara enclosures, six SB18 subs, and three four-speaker clusters of Kiva II used as centre and side-fills, all powered by six LA12X and three LA4X amplified controllers. These components were on an Optocore fibre network that also included a DiGiCo SD10 FOH mixing console paired with two SD-Racks.
The stadium management wouldn’t permit the rigging necessary to fly the sound system to be erected on the field’s grass areas, as would typically be done in an outdoor location such as this one. Instead, taking inspiration from Super Bowl music system configurations, the Kara speakers were loaded onto nine wheeled carts. These lined the first and third baselines, four per side, facing the grandstands, with the ninth cart positioned at home plate, just in front of the low risers that were the stage for six orchestra members: two violins, viola, cello, bass, and piano. This arrangement provided th

 
backdroplondon20201025012disguise xR showcased on The Gadget Show
Friday, 4 December 2020

UK - During UK Friday night primetime television, disguise showcased its xR technology on Channel 5’s The Gadget Show, highlighting how extended reality offers virtual production and performance in immersive real-time video environments.
The Gadget Show presenter Georgie Barrat was treated to an all-encompassing xR experience, taking in the disguise London HQ and filming a series of one-to-one interviews about the origins and ambitions of xR technology with disguise’s executive leadership team, including CSO Tom Rockhill and CTO Ed Plowman.
The show was also taken across town to experience a cross-location meeting on disguise certified solutions provider White Light’s SmartStage at London’s Science Museum. White Light technical solutions director Andy Hook said, “It was fantastic to see xR and our SmartStage solution getting such a great reaction from mainstream media. It was the natural choice for us to work with disguise when we started our xR journey more than three years ago and it's amazing to see the tools we’ve helped them develop since then being used across a wide range of industries.”
“In an unforgettable year when the world had no choice but to find virtual solutions due to the impact of the pandemic, disguise xR continues to go from strength to strength, powering many virtual events, performances and productions, in entertainment and corporate settings across the globe. We were thrilled to host The Gadget Show at our London base and at White Light’s SmartStage, providing the nation with a holistic

 
 
factory-purpleTFG paints Manchester landmark purple
Friday, 4 December 2020

UK - On 3 December, TFG Stage Technology teamed up with Laing O'Rourke to light up Manchester arts venue The Factory, currently being built in the heart of the city, in support of International Day for People with Disabilities.
PurpleLightUp is a global movement that celebrates and draws attention to the economic contribution of the 386m disabled employees around the world. It has been driving momentum for disability inclusion across hundreds of organisations, reaching thousands of employees in different ways. This includes lighting up prominent buildings purple, holding events, developing workplace policies for disabled employees and sparking conversations about disability inclusion worldwide.
The Factory is designed by Rem Koolhaas’s OMA and backed by Manchester City Council, HM Government and Arts Council England. It will be Manchester International Festival’s permanent home, commissioning and presenting a year-round programme of extraordinary, ground-breaking and interdisciplinary work by leading artists from across the globe.
TFG Stage Technology has recently been appointed to work alongside Laing O’Rourke and Manchester City Council as the specialist contractor supplying the stage lighting and audio-visual systems throughout Manchester’s new flagship venue.
“As a local company we are excited to be working on what will become one of the most important venues in the North West,” explained TFG sales consultant David Cusworth, “Not only do we get to deliver state of the art technical systems, but we expect that our employees wi

 
robe-skoda-enyaq-launch-estonia-dsf2689Robe joins launch of all-electric Škoda
Friday, 4 December 2020

Estonia - Robe featured on the rig for the Estonian launch of the new Škoda ENYAQ iV all-electric SUV.
The press / VIP event took place at the Škoda dealership centre – Aasta Auto – in Tartu, Estonia’s second city, with technical production coordinated by Andres Sarv of creative visual design and production company Pstudio, and lighting designed by Tõnis Sarv also working for Pstudio.
They work with Robe equipment as often as is possible and, on this occasion, chose to work with eight Robe LEDBeam 100s, 12 LEDWash 800s ,12 300E Spots and two CitySkape Xtreme LED floods. Pstudio has been involved with previous Skoda promotional events and delivers technical design and production for other car brands like Audi.
The show involved a presentation element followed by a reveal of the new vehicle, demanding a combination of different styles and approaches, and the creative brief for lighting was left entirely up to Tõnis who created a design that was suitably adaptable and flexible.
The main focus was lighting the cars well, both practically in an exhibition sense and also theatrically for the reveal. Tõnis worked with a creative team from Skoda Estonia who provided the direction and custom video content while Raul Roma supplied the music track.
The central car was placed in front of a large LED screen, flanked by two smaller screens to cover the width of the space, and ensure that the socially distanced audience in the viewing gallery all enjoyed good sightlines.
The LEDBeam 100s were rigged on vertical truss towers either si

 
 
anolis-porte-de-bourgogne-dsc0483-pAnolis illuminates Porte de Bourgogne
Friday, 4 December 2020

France - The city of Bordeaux has a new Anolis lighting scheme for its La Porte de Bourgogne landmark.
The Roman-style stone arch was built in the 1750s at the end of one of the major roads traversing Bordeaux, now called the Cours Victor Hugo, which is a thoroughfare for both cars and pedestrians crossing the city. It is also clearly visible from across the River Garonne.
With its prominent position and historical significance, the city council are keen for La Porte de Bourgogne to be a highly visible ‘communication portal’ welcoming people to the ancient centre, so they wanted a great looking, energy-efficient lighting scheme to replace the old one which was installed over a decade ago and was starting to look dated.
Above all, they wanted more dynamic lighting that could redefine and celebrate La Porte de Bourgogne’s significance as a symbolic gateway to the city.
The city council’s lighting designer Sylvie Bordes was already talking to urban planning specialist Citeos, a subsidiary of multinational Vinci Energies that partners with local authorities and communities to develop their environments. The scope of their work includes advising on architecture and lighting for long term projects.
Anolis – via Robe France’s architectural lighting specialists Bruno Francois and Eric Tabuteau – was already in the frame thanks to their local partner company Objectif Lumière, who convinced the city council and Citeos to undertake some tests. As it happens, Bruno had been involved with the previous lighting installation on the arch

 
graham-norton-vlaBrit Row’s VLA brings back fan interaction
Friday, 4 December 2020

UK - Created in conjunction with parent company Clair Global, Britannia Row Production’s Virtual Live Audience (VLA) platform represents the latest in interactional and remote entertainment experiences (watch out for a feature on the new solution in the upcoming LSi December, out next week).
Like video conferencing, music fans and TV audience members utilise a propriety browser-based video platform to experience a live performance or be part of a TV filming production – from the comfort of their home.
However, the VLA experience has been created with real time engagement in mind. The VLA system allows for the performance artist or TV host / panellists to both interact and reconnect with confidence during Covid-19 audience restrictions.
Viewers at home also benefit from multi-camera broadcast feeds and can watch the entertainment remotely while feeling as if they have a front row ticket.
In contrast, the talent on stage will experience an immersive production, allowing for authentic fan engagement to finally make a return.
A key selling point of the VLAs is that viewers log on instantly. With no need to download an app, the audience simply logs on via their laptop, tablet or phone browser, requiring an internet connection only. The system generates unique URLs that can only be used once.
The Moderator Panel, a feature built into the original software allows the moderator to view in Live Grid and Waiting Room Grid mode, assigning users to different locations and controlling their microphone for a smooth workflow.

 
 
 
 
 
 
 
 
 
 
 

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