UK - FIX8Group has launched a new in-lift AV experience, designed “to deliver content to customers in a fully immersive, captivating and memorable manner”.
Called elev8, it enables clients ranging from museums to malls, airports to attractions to reach lift users with customised displayed messages.
The elev8 project involves the installation of audio-visual display solutions within an elevator, to which everything from simple static marketing video, 2D animation, landscapes, audio experiences and fully immersive 3D worlds can be delivered.
FIX8Group has already completed a major elev8 installation, at the St James Quarter, Edinburgh. This encompasses a new retail led, lifestyle district that fully integrates into and enhances Edinburgh’s City Centre providing an inspiring, attractive, and vibrant destination for locals and visitors to live, shop, eat, sleep and play.
FIX8Group collaborated closely with Nuveen, the investing organisation of the project, and Gardiner & Theobald LLP, which was appointed as an independent construction and property consultancy working across all sectors of the built environment.
Antony Ranger, Nuveen director of operations at St James Quarter, says: “At the outset of this unique initiative, we were not at all clear about what we wanted, or what may be achieved. FIX8Group managed the whole destination-creating solution, from greatly assisting in defining the specification, to providing wonderful and extraordinary content and sound, all on-time and on-budget. This was despite working for the first
Europe - Prolight Concepts UK has expanded the eLumen8 Tank Trap range with the addition of a version with wheels.
Tank Trap consists of a 600mm square steel plate fitted with a 50mm receiver that features wing bolts to firmly secure aluminium or steel tubes in place. A cut out in the base allows compact stacking for transport and storage. Heavy-duty 75mm wheels are fitted to one edge for ease of transportation.
USA - ESTA has released six documents for public review on the TSP website. The publications are free to download and read, with comments due by 21 March.
E1.26, Entertainment Technology - Recommended Testing Methods and Values for Shock Absorption of Floors Used in Live Performance Venues sets out the energy absorption requirements for floors in venues used for live performances, and the methods for testing them. This document is to be used in conjunction with all applicable local building codes and requirements. The existing American National Standard is being considered for reaffirmation.
E1.36, Model Procedure for Permitting the Use of Tungsten-Halogen Incandescent Lamps and Stage and Studio Luminaires in Vendor Exhibit Booths in Convention and Trade Show Exhibition Halls is a model set of procedures that can be used by convention centre and trade show exhibition hall staff to mitigate the risks perceived to be associated with the use of tungsten-halogen lamps and stage and studio luminaires. The standard gives guidance to allow T-H lamps and luminaires to be used in a safe manner in convention centers and trade show exhibition halls. The existing American National Standard is being considered for reaffirmation.
BSR ES1.18, Event Safety - Rigging is a new draft standard addressing the roles, responsibilities, and general requirements for design, planning, installation, set-up, removal, and operation of rigging
USA - Organisers of the New World Rigging Symposium has announced the 2022 edition of the event will take place online on 5-7 April. The symposium will carry nine ETCP education renewal credits for re-certification, and the admission cost is $99.
“We’ve turned the table on the ever-popular session featuring some of the industry’s top structural engineers - Bill Gorlin, Dan Louis, Miriam Paschetto, and Jeff Reder,” say the organisers. “Instead of getting to ask your questions, they are going to tell you the things they want you to know. There was so much we’ve given them two sessions to cover subjects such as ballast, wind speeds, site safety, codes, AHJs and why things don't always stay the same.”
Paul Sapsis will walk attendees through a complicated custom flying system designed for a concert and DVD shoot at the Wembley Stadium - from concept to implementation, install to risk assessment and rescue whilst seasoned touring pros Jim Digby, Chad Kohler, and Bill Rengstl will discuss the tools and techniques used when rigging abroad.
Event sponsors are Electronic Theatre Controls and Sapsis Rigging, Kish Rigging, TAIT, Texas Scenic Company, and Wenger|J.R. Clancy, IA Stage, The Light Source, Reed Rigging, Reliable Design, and Stage Rigging, CM-ET, DeLong Rigging Solutions, EPS, Geiger Engineers, H&H Specialties, and Tyler Truss, Lighting & Sound America and Protocol.
USA - Lighting and rigging company RZI Lighting has added a significant number of Stagemaker products to its rental inventory. Acquisitions include a large quantity of Stagemaker award-winning SR10 D8+ compliant chain hoist as well as Motion Labs Hoist controllers.
“Stagemaker continues to impress us with consistent quality and a robust feature set of their products,” says RZI president, Ray Ziegler. “The SR10 series will be a workhorse for our clients. The hoists are a natural fit with our continued growth in the rigging market. The sales and technical support we receive from Stagemaker is fantastic.”
RZI Lighting has remained open throughout the pandemic. Once events started happening again RZI worked quickly in procuring new gear their team had been evaluating during the downtime. Additions to RZI inventory include a full hoist certification centre from ProofCert, which allows the load testing & annual inspections of any sized hoist.
Stagemaker business development manager, Jay Cid, comments: “We are very excited to work with RZI in building their rigging and hoist inventory in the New Orleans market. Our products will be a great addition to the company’s growing inventory”.
UK - Thomas Heatherwick’s Materials House was commissioned by the Science Museum in London as an exhibit to show “everything that anything can be made of” for the Challenge of Materials gallery. The idea was that, instead of prioritising any one material to make the house from, and then exhibiting small samples of all the other materials within it, the studio chose to make the house itself from all of the materials.
The result - six-metre-high pieces of each material bonded together into a single element of many strata was built in situ on the first floor of the museum in 1999 and remained a centrepiece of the gallery until December 2021, when Unusual Rigging was called upon to help the museum remove the exhibit from its long-time home, and lower it to the ground floor, ready for transportation to be held in storage.
Robin Elias, director at Unusual Rigging explained: “Materials House is a fantastic artwork made of 213 materials, bonded together in over 2000 individually shaped pieces sourced from more than eighty suppliers and sponsors. Measuring 7m x 4m x 1.5m, it had been welded to substantial steel foundations beneath the floorboards at the museum. It was displayed at a jaunty angle and restrained by attachment to an overhead beam, but it had no useful fixing points and was of indeterminate weight but estimated to be between 4-8 tons.”
In order to be able to move Materials House in one piece, Unusual needed to remedy this - it was vital to know the exact weight of the exhibit and design and install a system to allow the team to move it
USA - The 2022 New World Rigging Symposium, taking place virtually on 5-7 April, will bring together professional riggers, engineers, manufacturers, venue managers, educators and students to further their rigging knowledge, hear about challenging projects, get up to speed on new technologies, discuss current industry challenges, and get their questions answered.
The session line-up features an array of subject matter experts sharing their knowledge on: Rope 201, Load Monitoring Systems: Know Your Limits, Rope Access in Entertainment: Training and Usage, Performer Flying Case Study: It Happened at Wembley, Hosting Road Shows at a University, What the Engineers Want You to Know, Touring Overseas: Getting Your Ducks in a Row, Rigging Challenges: Infrastructure Case Studies, Women Riggers of ETCP and Intro to Mental Health First Aid.
The three-day symposium will also include breakout rooms where attendees can get in-depth information from our sponsors as well as virtual networking opportunities with attendees and presenters.
The symposium will carry ETCP education renewal credits for re-certification. For a list of presenters, visit www.esta.org/nwrs. The cost of the NWRS is $99.
Germany - HOF is expanding its company management team with immediate effect. Dennis Klostermann and Isabel Inclan, two experienced employees are joining the management. Together with Björn Heinzmann, managing director and shareholder at HOF since 2003, they will lead the company as a trio.
Björn Heinzmann will continue to manage the areas of technology and finance. Dennis Klostermann, who has been with HOF since 2006 and was previously key account manager, will be responsible for sales and product development. Isabel Inclan was previously in charge of marketing and will now represent the marketing and human resources departments.
Hans-Wilhelm Flegel, who founded HOF 25 years ago, is retiring from management and operations, but will remain with the company in an advisory role. "I am pleased that a new generation is now taking over the company management at HOF. I am even more pleased that we have been able to develop the two new leaders within the company and that they are now ready for their new tasks," he says.
Sweden - Power distribution specialists StageSmarts has added Pierre Nyström and Jakob Aronson to the team at their manufacturing facility in Arboga.
Nyström has extensive manufacturing and testing experience from the electrical power industry, most recently from Alstom. Aronson is an experienced field service engineer who joins the company from Kone lifts.
“Guys of this calibre are very hard to find, and we’re super excited to have them join our growing team of craftsmen. Their extensive expertise will strengthen our company and help us innovate and build even better products,” says Mats Karlsson, CEO of StageSmarts. “We’ve seen steady growth over the past nine months, and with Pierre and Jakob onboard, we can increase our capacity while at the same time maintaining the highest build quality.”
USA - Area Four Industries has announced Will Todd as the new president and CEO of Tomcat US and Area Four Industries America. Todd has been with the Tomcat brand for more than 20 years, working through various departments. He began in sales covering the central region of the US, then moved to project manager, followed by product support supervisor, then design manager, then COO and now president/CEO.
“The best part about Tomcat is the relationships we forge in the industry and within our own building,” says Todd. “We strive to create relationships that are more than partnerships with our customers. If our customers are successful, then we are in turn. Within our building, we all work together towards our goals. The goals for the company are shared within the building, everyone provides ideas and input to help us all reach those goals.”
He adds: “The wide variety of products under the Area Four umbrella really puts Area Four in a great position to give customers the most options when it comes to covering their needs. Continued growth of the brands is the main goal.”
Germany - Sixty82 has confirmed Berlin-based edelmat. as its newest reseller for Germany.
Edelmat. services include consultation, conception, implementation, as well as service, for rental and installation projects in the field of event technology. It is here that the human being is in the foreground, and edelmat.’s well-trained specialists maintain consistent contact with each and every client to develop budget-oriented and individual solutions.
Sixty82 and edelmat. have very similar values and goals, and the cooperation between the two companies has proved promising. “At edelmat. we connect people through conception and technology,” says edelmat.’s Ayke Bröcker. “The innovative solutions of the Sixty82 brand fits perfectly into our portfolio and our joint work is successful and fun. It is partly for these reasons we chose to become a reseller for Sixty82.”
Edelmat. will offer the full product portfolio from Sixty82. “We find Sixty82 products durable and innovative, which in turn helps us create inventive solutions for our customers in the rental and installation business,” confirms Bröcker.
Edelmat. has completely converted its rental park with products from Sixty82 and, as a sales partner with its own stock, can provide its customers with comprehensive assistance in the rental and installation business at short notice.
Edelmat. has already participated jointly as exhibitors with Sixty82 at Future of Festivals, the trade fair for the festival industry, with great success. “Personal customer contact is very import
UAE - The United Arab Emirates marked 50 years as a nation with 50 days of celebrations, culminating in a spectacular live show from Dubai’s Hatta Water Dam in the Hajar Mountains featuring a floating stage and drone-launched fireworks, produced by live event specialists, LarMac Projects.
The show charted the country’s history in the lead-up to its inception in 1971 and across the subsequent 50 years.
For the country’s Golden Jubilee, the creative team - led by artistic director and designer Es Devlin and LarMac executive creative producer Jo MacKay - knew that the boundaries of possibility needed to be pushed to their limit.
The initial show was live streamed on 2 December and followed by 10 additional performances that took place between 3-12 December, featuring specially composed songs and poetry, drone-launched fireworks, a light show, water displays and 5.1 surround sound ‘to convey the relationship between people and nature, and the ties between Emiratis, their homeland, and the environment’.
“This year, Es’s creativity was the most technically audacious and emotionally ambitious in order to deliver a country's attitude to its past and future,” says Jo MacKay.
LarMac enlisted a team of 650 creative, cast, technical and safety personnel from 100 countries to bring Devlin’s designs to life.
"The whole show floats, the audience floats," says Es. "We explored some new ways of using less pyrotechnics to elevate the fireworks into the air, using drones to lift them to a height, then a combination of drone and fi
UK - Independent rigging specialists Rigging Team has appointed Adrian Skelton to the role of project manager at the company’s Stevenage headquarters.
With an extensive career spanning over 25 years working within the live events industry, Skelton brings with him considerable expertise. Beginning his career in the world of touring theatre before gravitating toward the area of specialist rigging projects, he has more than 3,000 events under his belt, including numerous high profile engagements such as the G20 Summit and 2012 Summer Olympics.
Working previously as head of rigging at ExCel London, Skelton has built a comprehensive understanding of all areas of the project management remit.
Rigging Team director Adam Searle says: “Ade has amassed a wealth of specialist knowledge, working at the highest level. His management capabilities, hands-on style and thorough technical understanding will be an enormous asset to our team.”
Skelton adds: “I’m absolutely delighted to be joining Rigging Team. Their service and support is renowned within our industry - it’s a pleasure to be bringing my own experience to the mix of skills they offer. As we make the careful transition back to normality, I am looking forward to working with friends and colleagues as part of Rigging Team. I’m particularly interested in the technical training which the company provides, something that will help create a more secure future for our industry.”
USA - Main Light has expanded its truss inventory with GT Plus truss from Tyler Truss. Both Main Light East and West now have the standard 10’, 8’, and 5’ lengths in stock in addition to bases, corners, Tyler’s indexable spigots, and necessary accessories. GT Plus truss features redesigned leg sleeves and locking leg collars that allow for smoother operation.
The GT Plus truss inventory purchase continues Main Light’s commitment to building inventory that offers benefits for their clients. “By having the moving lights safely and securely travel in the truss, this eliminates the need for road cases, which means less space is needed on the truck,” states Randy Mullican, general manager for Main Light. “GT truss saves on space, weight, and reduces fuel consumption, which our clients really appreciate. It also speeds up the load-in and -out times as well, again providing a big savings for our clients.
“The indexable spigots allow you to easily make designed shapes, because you can take the spigot out and rotate it 90°. With their gate system, you can easily and quickly build an arch or build circles with standard pieces of truss.”
Bill Edwards, VP of marketing and sales for Tyler Truss, further explains how the indexable spigots offer more compatibility to Main Light’s clients, “When you buy truss, it generally has fixed fork ends; they're either vertical or horizontal. So, if you want to use certain accessories like gates to do arches and things like that, you have to have your gate match your fork end. You can't have a horizo
UK - London welcomed in 2022 with a spectacular city-wide display, sending a message of thanks and hope to the nation and the world. Jack Morton, the global brand experience agency, helped to develop the original concept and worked in partnership with the Mayor of London’s office and a dedicated team of experts to create an extraordinary experience for the second year running.
The 13-minute show designed for home-viewing was broadcast live on BBC One and watched by a global viewing audience of millions.
Jack Morton’s creative show team worked in collaboration with On the Sly for the music production, Titanium Fireworks for the pyrotechnics design, and Skymagic for the swarm drone sequences.
Patrick O’Mahony, creative director of Skymagic, comments: “We were delighted to collaborate again with Jack Morton to design and deliver the drone light show for London New Year’s Eve for the second year running. Building on last year’s show, we have returned to the capital with a larger fleet and having developed our drone division both technologically and creatively. The 2022 show tells a celebratory story with an emphasis on three-dimensional formations, conceptual shapes and complex trajectories.”
Lighting for the event was designed by Durham Marenghi with Paul Cook as associate LD and programmer in Central London and Pedro Marcé Socias programming at The Old Royal Naval College (ORNC). All the lighting and lasers were pre-programmed and visualised on WYSIWYG and Depence2 to give the client and the BBC a clear indication of what they c
UK - With government advice putting the decision-making onto the shoulders of the public and consumer confidence eroding as a consequence, the live events sector is stressed to the limit, says industry organisation #WeMakeEvents (WME).
Despite a devastating 2020 and a challenging 2021, businesses in the industry have worked hard to exceed revenues last recorded in November 2019 by the same month in 2021. But, says WME, the current climate has already eroded this by 80% during December 2021 and is forecast to continue through January.
From the UK’s first lockdown in Spring 2020 until summer 2021, companies in this sector only received around 12% of the Cultural Recovery Fund (CRF) awards whilst many of the freelance technical specialists who work in the industry are still catching-up on their finances, having had no work for over a year.
WME says in a statement: “While we are pleased to see the government recognise the existence and critical role of freelancers in the entertainment sectors, the chancellor’s announcement of £1.5m support will have little to no effect whatsoever. Added to this, local government grants are not sufficiently targeted to reach the supply chain, compounded by the ‘postcode lottery’ of these grants by the issuing local authorities, and exclusion for many within the recently announced CRF criteria. Over 25% of people had to leave the sector they loved over the past 20 months for more regular and dependable income to support themselves and families. Another talent drain like this will be fatal.
“While we fee
Croatia - Perinic Sistemi is the latest company to be appointed an exclusive distributor for Sixty82 and will be covering the Croatian market with immediate effect.
Perinic Sistemi has been operating in the Croatian market for over 25 years. Beginning life as a rental company for sound systems, the company expanded its business over the years to include the full range of equipment needed for the entertainment industry.
“The main reason we chose to be a Sixty82 distributor is because of the long term relations we have with the company’s top-quality and experienced personnel who have always been extremely professional, fast and patient with all our questions and requests,” says Iva Perinic from Perinic Sistemi. “The products are high quality, made to last, and at the same time easy to use.”
Perinic Sistemi will distribute the whole SIXTY82 product line, selling as well as renting out the products. They believe that the Perinic Sistemi rental department itself is great promotion: “If it’s good enough for us - and we use only high-quality products - than you can be sure that the Sixty82 is your right choice,’’ states Iva Perinic.
Perinic Sistemi believes that the best way to develop the brand in their market is by showing the products ‘in action’ to its customers. As a result, they invite customers along to live events or to their premises to discover the SIXTY82 products and show them its potential.
“You need to have a product that you can rely on, and if you have great support from the company and factory as well,
France - Dushow recently helped deliver the world’s biggest concert, Global Citizen Live, as lead technical partner for the Global Citizen Live event in Paris.
Serving as the main official service provider for the broadcast event which featured Ed Sheeran, Elton John, Black Eyed Peas, Christine and the Queens, Doja Cat and Måneskin, as well as special guest performances by Angélique Kidjo, Charlie Puth and Fatma Said, and raised more than US$1bn to fight climate change, famine and vaccine inequity.
Dushow partnered with its video-specialist subsidiary, Alabama, and sister company Magnum to deliver a complete technical solution encompassing audio, LED, lighting, video, cabling and power.
This tour de force was made possible thanks to the wider Novelty Magnum Dushow group offering organisers a single point of contact for the complex 20,000-person show.
This year, as part of its Recovery Plan for the World - a year-long campaign calling on governments, philanthropists and the private sector to commit financially to helping the world beat COVID-19, including funding 1bn vaccines for the poorest countries - Global Citizen planned its biggest and most ambitious show to date: Global Citizen Live 2021, a 24-hour broadcast event featuring live events across seven continents.
Screened live simultaneously from cities including New York, London, Rio de Janeiro, Sydney, Seoul, Los Angeles, Mumbai and Paris, 25 September’s Global Citizen Live was ‘the closest thing to Live Aid in the streaming age’, said John Taylor of Duran Duran, w
UK - Doughty Engineering was the supplier of choice for Audio Light Systems when the company was contracted to kit out a lecture theatre and public event space at Norwich University of Arts (NUA).
Neil McLucas, project manager at Audio Light Systems explained: “We were brought on board by NUA to supply and install cabling infrastructure with numerous facility panels, production lighting boxes, a bespoke truss/ hoist system, sound reinforcement and AV infrastructure, to allow for a multipurpose space.”
Audio Light Systems has worked with the team at Doughty on several projects over the years and knew that Dan Phillips, Doughty’s special project manager would understand the exact requirements of the project and deliver a workable solution. Dan commented: “Having been briefed by Audio Light Systems, we came up with a range of kit including all the facility panels, production lighting boxes, backboxes and internally wired bars, combining some of our readily available off-the-shelf products with some bespoke items designed specifically for NUA.”
Owing to the impact of COVID-19 and current supply chain issues, the project did experience some delays. Neil said: “Doughty did everything they could - back boxes, where free, were issued to the electrical contractor for install prior to our start date from Doughty. This has been an issue experienced by most contractors however and there is sadly very little that can be done about it. Needless to say, Dan pulled out all the stops to make sure we had the kit we needed at the earliest opportunity.”
USA - Registration is now open for the 2022 New World Rigging Symposium, which will take place online on 5-7 April 2022. Produced by ESTA and USITT, the NWRS brings together professional riggers, engineers, manufacturers, venue managers, educators and students to further their rigging knowledge, hear about challenging projects, get up to speed on new technologies, discuss current industry challenges, and get their questions answered by a host of subject matter experts.
The NWRS also offers valuable information to those working in other areas of the industry who want to further their knowledge of rigging. The three-day symposium will also include breakout rooms where attendees can get in-depth information from our sponsors as well as virtual networking opportunities with attendees and presenters.
The event will carry ETCP education renewal credits for re-certification. Sessions for 2022 are being developed in response to comments received from previous attendees and will be posted at esta.org/nwrs when they are finalized. The cost of the NWRS is $99.
Sponsors for making the 2022 NWRS are: Electronic Theatre Controls and Sapsis Rigging, Kish Rigging, TAIT, Texas Scenic Company, Wenger|J.R. Clancy, Reed Rigging, Reliable Design Services, Stage Rigging, CM-ET, Geiger Engineers, and H&H Specialties.
Serbia - Sixty82 has continued the expansion of its global distribution network with the appointment of PSP Elektronik as its exclusive distributor for the Republic of Serbia, with immediate effect.
PSP Elektronik started its company in 1990 with its main activity being the service of pro audio and video equipment, before expanding into the sales and hire of this equipment to meet the increasing demand in the entertainment industry market for professional products.
On becoming Sixty82’s distributor for the Republic of Serbia, PSP’s Miodrag Tarailo says: “I have known many people from Sixty82 for many years and I have always had a very positive experience with them. With such great, professional and positive people behind the brand, the products are sure to be top level, which is why we choose to be a distributor for them.”
PSP Elektronik will sell the whole Sixty82 product line as well as holding rental stock of several products.
“Knowing PSP as a company for many years, it’s a big pleasure to have them on board as our Sixty82 partner and exclusive distributor,” says Sixty82’s executive account manager, Henry Schuil. “Their approach, experience and professionalism are a well-known fact in the Serbian market. I’m looking forward to meeting new challenges alongside the fantastic PSP team.”
To increase familiarity of the Sixty82 brand in Serbia, PSP Elektronik will promote the product range from within the company and across the internet. A programme of open houses and customer visits is also in their immediate plans.
USA - Responding to requests from riggers across the globe for additional time, the comment period on the International Code of Practice for Entertainment Rigging has been extended to 31 December 2021.
Copies of the current version of ICOPER and the Excel form for submitting comments can be downloaded from www.esta.org/icoper. You can also email email@example.com to request a form be emailed to you. Completed comment forms should be emailed to firstname.lastname@example.org.
ICOPER has been downloaded by over 1,100 people located in 59 different countries. It has been translated into Traditional Chinese and Polish, with additional translations underway in Italian, Korean, Norwegian, Romanian, and Russian. Comments on translated versions should be sent to the organization responsible for the original translation.
The International Code of Practice for Entertainment Rigging (ICOPER) was drafted by industry professionals from around the globe to promote awareness and safety worldwide by providing a model code of practice with a focus on arena rigging but applicable to all event production rigging disciplines. The authors determined ICOPER should undergo a comment and review cycle every four years as a response to changing work practices, technology and terminology.
Riggers and other stakeholders are encouraged to submit comments so their thoughts and suggestions for improvement can be considered in the review process. This is your opportunity to support an impor
UK - A daredevil walk the plank challenge which kicked off this year’s I’m A Celebrity Get Me Out Of Here on ITV, was designed and rigged by Unusual Rigging.
ITV bosses are no strangers to the feats that Unusual is able to pull off, having contracted director Robin Elias as crew chief on several stunts for various different shows. Robin said: “Pre-pandemic, ITV had brought me on board to work with them on the show in Australia. Then when Covid hit in 2020 and the show hurriedly relocated from Oz to Wales, none of the trials involved any rigging - there simply wasn’t the time to devise them. We fully expected to be back in the jungle in 2021, but because of the continuing pandemic, it was once again re-routed to Wales, and I was retained as a consultant.”
This year’s opening trial – the one which sees the celebrities first enter the camp was called Walk the Plank. The team on the show had a rough idea of what they wanted to achieve, basing it loosely on a similar trial that had been filmed from the top of a high rise building in Australia some years back. But, the landscape of North Wales is somewhat different to Sydney. So, Robin and crew chief Sam Carter, travelled to north Wales to conduct a number of site visits and came up with two locations and two different stunts.
The chosen location was Moel Tryfan - a slate quarry in Gwynedd. One of the biggest challenges faced by Robin and Sam, was how to overcome the complexities of the location, to ensure the trial was safe for the contestants and all those operating it.
Russia - Manufacturer of trussing and staging systems Sixty82 has expanded its global distribution network with the appointment of Stagemarket as its exclusive distributor for the Russian Federation, with immediate effective.
Stagemarket has been a provider of professional staging solutions to the Russian market since 2010. Throughout this time, Stagemarket has proven itself as one of the main players for high quality equipment and bespoke structures.
With over 21 years of experience in the live events industry, Stagemarket has a wealth of experience and technical knowledge in recommending solutions to suit their customers’ needs.
“We look forward to working with Stagemarket,” says Fokko Smeding, CEO of Sixty82. “The new arrangement will be a great help in satisfying customer demand in the Russian Federation. Stagemarket has an excellent reputation, and I have personally known Sergey for years. I am very happy to have him and his team on board.”
“Sixty82 has a huge amount of experience in the entertainment industry and a commitment to innovation combined with a level of craftsmanship that is in high demand,” says Stagemarket managing director, Sergey Rybinskiy. “We are very excited to be able to work with them and bring their products and expertise directly to our market.”