Three audio hardware and software solutions providers have joined forces under a new umbrella organisation, Audio Squadron.
Tracktion Corporation, the makers of music production software Waveform, and audio product developer 2JW Design have combined with Prism Sound and Sadie in a bid to increase investment and produce “a unique shared creative environment”.
The companies say in a statement: “The resulting pro audio powerhouse brings together all the diverse, highly-skilled workforces and technical expertise of these renowned global brands enabling them to accelerate innovation, development and the cross fertilization of ideas.”
Prism Media Products retains the test and measurement equipment business and will continue to supply leading manufacturers worldwide.
“We are excited by the multitude of opportunities offered by this collaboration,” comments James Woodburn, Traction co-founder and CEO. “It is the best of both worlds for Tracktion, 2JW Design, Prism Sound and SADiE. Whilst we remain independent, we can more easily work together to bring renewed focus to delivery of the highest quality audio products.”
Prism Sound founder and director, Graham Boswell, adds: “The shared vision of this venture will greatly enhance our ability to accelerate creativity in the design and development of the industry leading audio tools our customers have come to rely on. We’re eager to start working on this exciting new chapter of Prism Sound and SADiE’s life.”
Europe - Tech start-up PEEX has become a partner to the Ziggo Dome, Amsterdam’s 17,000 capacity arena.
PEEX makes wearable technology and software that enable concert-goers to control the live sound from their phone through a five-channel mixer.
The first concerts involving PEEX technology at Ziggo Dome will be two of Elton John’s Farewell Yellow Brick Road tour dates on 8 and 17 June. Attending fans will be able to rent out the PEEX rX wearable device at the venue or pre-book it online for €10 per show, with a discount available for those booking in advance.
The technology has also been made available for booking for Elton John’s tour dates in Italy, Ireland, Wales, France, Austria and Germany.
Pieter Hamelink, chief executive officer of PEEX, comments: “Partnering with a globally recognised venue that can accommodate up to 17,000 people will allow more fans to experience the PEEX technology. We are thrilled to announce this and it is a testament to the progress we’ve been making, but also reflects the positive engagement we have received from the industry and beyond.”
Ronald Fiolet from Ziggo Dome adds: “We support new and innovative technology that enhances the experience for fans. The live music experience is becoming richer, with deeper immersion and interactivity fuelled by exciting technology trends. The ultimate goal is for our attendees to have the best possible experience they possibly can, and we see PEEX as the perfect technology to help achieve this. We are sure this will be hugely popular.”
India - Waves Audio will be presenting the eMotion LV1 digital mixing solution at the upcoming PALM Sound & Light Summit. The presentation will take place between 15.30-16.30 on 30 May (Thursday) at the Bombay Exhibition Centre in Goregaon.
The eMotion LV1 Live Mixer is modular and can be adjusted according to the user’s mixing and business requirements.
Involved in the presentation will be Ravisankar Nadiyam (Waves regional sales manager), Pravin Muralidhar (FOH for Neha Kakkar and Jonita Gandhi) and Supratik Subramanian (FOH for MADBOY/MINK and The Fanculos).
USA - Campbellsville University is a Baptist institution of higher education in Kentucky that serves 13,000 students and supports a robust athletics programme.
After a long hiatus that started during the Great Depression, the Campbellsville University Tigers football team reconstituted in 1987 with the construction of a new football stadium.
After several expansions, Finley Stadium today seats 3,500 fans. Its most recent addition is a new, fully-weatherised Danley Sound Labs sound reinforcement system that was designed and installed by the Campbellsville University alums at local integration firm JCA Media.
“The previous audio system had been in place for about a decade,” explains Alex Peake, audio/video integration specialist at JCA Media. “It was adequate when it went in, but a combination of time, weather, and aggressive over-driving of the small drivers had taken its toll; the system was dying in every form and fashion!
“We’ve been hearing fantastic things about Danley systems for a long time, but we didn’t think many of our clients would have the budget for it. That was before we really looked into the pricing. Although there are certainly cheaper boxes on the market, we were surprised at how fairly priced the Danley products are, and now that I’ve heard them, I know they’re worth every penny.”
Ron Finley Stadium is arranged with seating exclusively on the northwest side of the field below a press box and behind the northeast end zone, although fans regularly congregate on the other sides of the field during game
Europe - French singer, songwriter and producer Christine and the Queens has been touring her studio album Chris, bringing a blend of theatrical set, contemporary dance, and her own 'freakpop' to the stage. For the French leg of her international tour, systems engineer Vladimir Coulibre brought in L-Acoustics L-ISA Hyperreal Sound technology.
"Christine's show is a whole - a complete universe," he explains. "It has lots of machinery, lots of lighting, and lots of sonic details, as well as the amazing physical performances. We have to be able to create a strong interpretation for every song: to make sure the audience completely understands the sense and the story. Also, because the show is so theatrical, Christine didn't want technical equipment to be a distraction - she wanted it to be invisible.
“With L-ISA we get both - we can take a cinematic approach to the sound and use multiple shorter hangs that don't obstruct the set."
Coulibre’s approach to implementing the technology on the tour combines equal parts enthusiasm and method. "I had to think of the new system from three angles: creative for FOH, technical for production, and financial for the commercial side,” he recalls. “I had to learn as much as possible about this technology to satisfy those three aspects."
A primary requirement was to make sure the system was easy to load in and out. The solution was to create a double truss arrangement with the motors on the front truss and the system rig, including the speaker cable, on the rear truss. "It didn't cost any more t
UK - West Side Story continues to delight audiences 60 years after its Broadway debut. The production at Manchester’s Royal Exchange theatre is the first not to feature Jerome Robbins’ original choreography, having been adapted for the theatre’s in-the-round configuration by Aletta Collins. The re-imagined production, directed by Sarah Frankcom and mixed by associate sound designer, Owen Lewis boasts sound designed by Richard Brooker and delivered by KV2 Audio.
“As a theatre, the Manchester Royal Exchange is brilliant because it’s so intimate,” says Brooker. “There are 700 seats, but not one is further than 9m away from the stage, so it’s a wonderful experience for audiences. However, it’s a very challenging venue in which to deliver good sound, especially for a musical, and particularly when the majority of the audience already knows every word and every note of every song.”
Brooker has been using KV2 Audio loudspeakers almost exclusively since 2013. “I simply can’t imagine how I could have achieved the same results using anything else,” he says. “One of the biggest issues in the Royal Exchange is that you’re extremely limited as to where you can put speakers, so as a designer it helps to know that the tools at your disposal are the very best and that you’re used to using them.”
Brooker’s design is based on concentric rings of loudspeakers to serve each of the three tiers of seats that are divided into seven separate blocks all the way around the stage. There are 14 front-fills sunk around the edge of the
USA - House of worship AV specialist MABE was recently tapped to design and install new audio, video, and lighting systems for Grace City Church’s freshly-renovated Lakeside Campus in Lakeland, Florida. Anchoring the audio system in the 792-seat auditorium are loudspeakers from Adamson Systems Engineering’s install-focused IS-Series, selected for their pristine audio performance and sleek, unobtrusive aesthetic.
“We had many discussions on which line array would offer the performance and warmth that Grace City was looking for,” begins Steve Griner, lead account manager with MABE. “Our conclusion was Adamson’s IS-Series, which provides plenty of volume and impact while maintaining a smooth sound at higher SPLs with no harshness.”
“We wanted to give 800 people an amazing experience in church, and not have one seat with a different audio experience than another,” adds Chase Wagner, Grace City’s creative arts pastor. “We also wanted a warm-sounding speaker that didn’t need to be run at an overly loud volume to still sound huge. Adamson delivered an amazing product that fulfilled all of our needs.”
The solution for the Lakeside Campus auditorium includes main left-right arrays of eight IS10 two-way, full-range cabinets in front of four flown IS119 subwoofers per side. Three IS10p point-source cabinets are flown as left, centre, and right fills, and an additional complement of seven PC5 compact two-way coaxial loudspeakers was sourced for front-fills.
“MABE has worked closely with us at every step of the process of our
Sweden - Gruppo Italiano’s latest restaurant venture in Stockholm, Ciccio’s is the fourth establishment of the family-run restaurant group, and perhaps the most ambitious. Inspired by New York’s Little Italy district, Ciccio’s is designed to be “a meeting place that blurs the boundaries between work, eating, drinking and socialising”. To help create the right atmosphere, Gruppo Italiano turned to systems integrator, Hages in Stockholm, who supplied and installed a Genelec sound system.
Hages specialises in audio design for public spaces, and especially restaurants. CEO Thomas Axelsson explains that they were contacted by the restaurant group in the very early stages of the project and asked to design the audio environment for the new restaurant: “Being involved so early in the construction process was a huge advantage as it enabled us to measure and calibrate the space accurately and include the speakers in the blueprints. As a result, we knew that once the speakers had been installed, we would achieve the same level of sound distribution throughout the entire space.”
For this project, Axelsson opted for a total of 16 Genelec 4030C loudspeakers from the installation-specific 4000 Series. “We chose the 4030C because the sound is incredibly precise, and it has great range and power. In fact, the low end is powerful enough that it makes the need for an additional bass speaker almost redundant. We did add bandpass subwoofers in a few places because we had the budget to do it and it just fills out the sound a bit more at the bottom end, but
Japan - Maxell Aqua Park Shinagawa collaborated with Hibino and Harman Professional Solutions to implement an audio system that provides immersive live entertainment while showcasing the charms of marine life.
Maxell Aqua Park Shinagawa is an aquarium in urban Tokyo that showcases the mysterious and colourful marine world. The aquarium offers a range of programmes reflecting seasonal characteristics and popular trends - especially The Stadium which is a massive round pool, featuring performing dolphins.
“To ensure that all visitors can hear the performances clearly, the management requested us to implement a system that would produce crystal clear, immersive sound in every corner of the venue,” said the spokesperson at Hibino. “To provide balanced audio coverage, we used JBL's AWC Series waterproof speakers along with Crown amplifiers and a range of other Harman accessories. This new system delivers seamless coverage across the entire venue, ensuring that every guest receives the same, compelling listening experience.”
To improve performances and immerse the audience, JBL AWC Series speakers were installed in The Stadium. AWC159 loudspeakers were installed to provide more extensive coverage and cover a greater area with fewer speakers. AWC15LF subwoofers were utilised for additional low-frequency support.
In addition, Crown DCi 4|600N amplifiers and BSS BLU-160 digital audio processors were installed, enabling flexible control over the outputs of 16 AWC Series speakers. Also, to add high-quality, realistic sound effects to moving obj
China - K-array's K-academy took its teachings on the road for a week of seminars throughout China in Beijing, Hangzhou and Shanghai that covered Large Venue Sound System Design hosted by K-array China.
At each stop, K-array China were able to give attendees a complete K-experience with product presentations and demos of its Installed Sound, Portable Systems and Concert Series lines. K-array Global president and co-founder Alex Tatini and live sound product specialist Klaus Hausherr were present to provide a detailed introduction to the Italian manufacturer's product design concept for large venues.
In particular, the K-academy trainers explained the advantages of Electronic Beam Steering, Pure Array Technology and Slim Array Technology featured in their loudspeakers from a technical perspective and included real time demonstrations using EaseFocus software based on FIRmaker for speaker tuning.
Additionally, other relevant industry experts were invited to provide an encompassing approach to sound design, including Mr. Zhu Heng, a well-known engineer in the field of architectural acoustics, who presented on the relationship between the acoustic environment and the electroacoustic system.
Beyerdynamic wireless system engineer Chen Yugong's gave a presentation which explained the necessity of frequency planning.
In Hangzhou, a K-array Concert Series set-up was on display outdoors to allow the audience experience the uniform coverage and high performance sound. And at VAS Livehouse, the site of the K-academy in Shanghai, top talent It
USA - The youngest country music artist to be inducted into the Grand Ole Opry, Kelsea Ballerini began her career with the release of her album, The First Time in 2015 followed by Unapologetically released in 2017, the same year in which she received a Best New Artist nomination at the Grammy Awards.
Ballerini just finished her Miss Me More tour with audio support from Spectrum Sound of Nashville using a d&b audiotechnik KSL line array system. “We have been thrilled with the product and are long standing fans of d&b,” states Chris Diener, production manager and front of house engineer for the tour.
“The KSL System offers unprecedented control for an enclosure of its size. Coupled with the SL-SUBs, I was amazed at the evenness of coverage from the pit to the top seat in the arenas. This system has changed the way that fans experience Kelsea's show, and we couldn’t be more impressed with the reaction.”
Diener said that Bobby George and the rest of the Spectrum Sound team have been very supportive and really turned the crew loose to see what the KSL can do, noting, “It was crazy. On more than one occasion, I had to walk out past the stage just to make sure walk-in music was still playing. I can’t wait to take this rig out again."
The d&b configuration includes 28 KSL8 boxes with ArrayProcessing for the main hang, 12 V12 loudspeakers for the side-hang, 12 SL-SUBs on the ground, eight Y10P loudspeakers for front-fill and two DS10 Audio network bridge systems for stage control.
“The KSL is an i
India - QSC is celebrating the inauguration of its new SAARC headquarters in Bengaluru. The new 9,270sq.ft office serves as a business development, management and support hub for QSC systems, live sound and cinema businesses in the region. It also acts as a training and demonstration area and includes a 13,760sq.ft terrace for customer events.
“Over the last few years, QSC has been dedicated to growing its international presence, and this new entity is a crucial piece of that strategy,” says Markus Winkler, SVP, EMEA South Asia, & managing director QSC EMEA GmbH. “As we continue to experience tremendous growth in SAARC year-over-year in all our business units, this dedicated facility will allows us to accelerate our growth trajectory in the coming years.”
“Our business partners in SAARC have been instrumental in our success and will continue to be our main focus as we work together to develop new opportunities in all vertical markets,” says Rajesh Mittal, managing director, QSC India and SAARC. “The ability to offer in-region support resources in addition to our comprehensive solutions portfolio allows us to better equip our partners with the right tools to grow their business and deepen customer relationships.
“In addition, we can give customers a first-hand experience of QSC solutions, as well as local training, including the Q-SYS Architect training program, enabling our customers and partners to understand the QSC difference.”
Winkler continues: “In addition to this new office, we are excited to announce the promoti
USA - Visitors to InfoComm 2019 will be able to both see and hear the new Versarray Mk III and Versarray PRO compact line array systems from Crest Audio, plus a host of other Crest and PCA product in audio demo room W224A. Hour-long demos will be running every day at 10am, 12pm, 2pm and 4pm. Attendees will also be able to see the products up close and meet the team to get advice on how a Crest/Peavey solution might suit their needs.
The ‘headline act’ in the Crest demo room is the new Versarray Mk III which was first seen at NAMM in January. The system comprises the Versarray 112 Mk III passive ribbon tweeter line array element featuring a 12” Black Widow Neo series woofer combined with a neodymium-based Peavey ribbon tweeter, and its companion subwoofer, the dual 18” Versarray 218 Mk III.
Designed to provide modular coverage of small to medium-sized venues, Versarray Mk III - which will be powered by Crest Audio amplifiers - combines versatility with high performance in a robust, easy-to-rig package, says the company.
Starring alongside Versarray Mk III is sister system, Versarray PRO, which offers all of the performance benefits of Versarray Mk III in a Dante-enabled, self-powered package. Both systems benefit from Peavey’s ingenious FlyQWIK fully articulated rigging system.
Also gracing the stage will be the new installation-friendly marine-grade Elements CS Series from Peavey. These fully weatherproof IP56-rated loudspeakers are specially designed to withstand the ravages of salt water. Peavey will also be demonstrating the RBN p
UK - Martin Audio has announced BlacklineX Powered, bringing new active options to the BlacklineX family.
Comprising the 12” XP12 and 15” XP15 full range enclosures plus the compact but powerful 18” XP118 subwoofer, BlacklineX Powered integrates acoustic, DSP and amplifier technologies to achieve clarity, precision and richness of tone. The range’s debut follows the international success of the passive BlacklineX Series of portable enclosures, the fastest-selling portable series in Martin Audio’s 48-year history.
In addition, BlacklineX Powered offers optional Bluetooth control, streaming and a built-in three channel mixer, placing increased flexibility and features within easy reach of every user, from live venues, DJs and corporate events to permanent installs, particularly houses of worship. Users will also recognise the road-ready construction, quick set-up and adaptability of this range developed by one of pro audio’s founding brands.
“BlacklineX was the first series the team developed and launched after I became Managing Director,” recalls Martin Audio MD, Dom Harter. “It’s become the fastest selling portable series the company has ever launched and a significant contributing factor in Martin Audio’s rapid success over the last three years. The introduction of a self-powered series makes perfect sense and by leveraging our engineers’ expertise in acoustic, DSP and amplifier technologies, we have crafted a very forward-looking portable range with a classic Martin Audio sound.”
BlacklineX Powered will begin ship
China - Hong Kong free-to-air broadcaster ViuTV is preparing for an audio-over-IP future with the purchase of an Artemis Light console, a Brio12, a Brio36 and AoIP interfaces from Calrec.
“The consoles are incredibly user-friendly, vital when being used by a range of operators across a variety of outputs,” says Mike Lau, assistant vice-president of production and facilities at ViuTV. “They are very reliable with great sound quality. We also wanted to be able to satisfy our current networking requirements while also preparing ourselves for an IP future as that transition occurs across our wider infrastructure. Calrec’s technology and after-sales service gave us confidence in making this change.”
The Artemis Light is housed in Studio 1, which is used for general entertainment content as well game shows and live performances. The Brio36 is being used for talk shows in Studio 2 with the Brio12 in Studio 1 acting as a backup. MADI and Dante are used by the broadcaster: the former for intercom connectivity and the latter for connection to a live PA mixing console, for multi-track recording and wireless mike connections.
Commissioning, consultation and additional support was handled by Calrec’s official Hong Kong distributor, Jolly Pro Audio.
“As a new customer, ViuTV was looking for a fresh and modern audio setup that will help them transition to an IP-based environment,” says Calrec international sales manager, Anthony Harrison. “Helping broadcasters make that transition has been central to our product roadmap for some considera
UK - Built in 1894, Theatre Royal Wakefield is a Grade II listed traditional proscenium arch theatre in the heart of Yorkshire’s cathedral city of Wakefield. The design and vision of the famous British architect, Frank Matcham and one of the smallest remaining Matcham auditoriums today, Theatre Royal Wakefield is a good example of his ability to create a beautiful theatrical environment within a very tight space.
The time had come to replace the theatre’s old and failing PA with a new, modern system that would provide high quality, even coverage across all the seats in the auditorium. Theatre Royal Wakefield’s technical manager, Ms Di Clough, turned to Huddersfield-based systems integrator, Sound and Light Concepts, who supplied and installed a full Halo-C compact line array system from EM Acoustics.
Despite its bijou proportions, Theatre Royal Wakefield nevertheless has a capacity of 499 seats and the old system was no longer providing the level of service required for a theatre of this calibre. As well as producing around half of its performances, Theatre Royal Wakefield is also a receiving house, so Ms Clough invited several local hire companies and independent sound engineers as well as the theatre’s own sound designer to be present for a number of demos from well-known manufacturers, including a comprehensive demo of the Halo-C line array.
“We were looking for a high quality system with excellent intelligibility and sufficient reserve power to meet the wide range and styles of performance we have here,” explains Clough. “Budget wa
Sweden - One of the largest and most beautiful of Stockholm’s churches, the Gustav Vasa Kyrka, in the city’s Vasastaden district, has carried out a major refurbishment and technical upgrade.
The Gustav Vasa Kyrka was designed by August Lindegren and completed in 1906, with a capacity of up to 1,200 worshippers, generations of whom have no doubt marvelled at the lavishly decorated marble surfaces, and soaring arches. They also can’t have failed to notice the remarkable reverberation time.
Jacob Julin of Soundcop, the company brought in to solve the church’s intelligibility woes, says, “The acoustics was the biggest challenge. When we started, the hall had an acoustic reverberation of six seconds, so that was of course an issue.”
Later however, following the building’s refurbishment, including new treatments to the floor and walls, that reverb time had risen to seven-and-a-half seconds. Julin continues, “The worst of the reverberation is between 300-500 Hz, so it is possible to improve it with a little bit of system trim, but the reverberation is very long in full frequency as well.”
Representing Svenska Kyrkan, facilities manager Urban Paulander says: “What we wanted was a system which would make speech and music as clear as possible for all the listeners in all areas of the church.”
d&b xC-Series column loudspeakers, which SoundCop had used successfully in Stockholm’s Maria Magdalena church the year before, were well suited to the task. Purchased via ARVA Trading, the d&b audiotechnik distributor for Swe
The Netherlands - For 77 years the locomotive repair facility in the Dutch city of Tilburg was a vital part of the Nederlandse Spoorwegen (NS, or Dutch Railways) network. Employing hundreds of local people, its 2009 closure had a profound effect on the area. But now the building has been reborn as a major cultural and learning centre, where Yamaha audio systems are helping to drive the train of new innovation forward.
Originally opened in 1932, the impressive 90m by 60m steel and glass building was a busy workplace, playing an important role in local employment. When it closed, rather than demolish it there was a strong desire to ‘return the building to the Tilburg people’. It was decided to use it to form the centrepiece of a contemporary, fashionable new ‘railway zone’ in the city.
“Impressed by the enormous size of the space, the design team realised that it is more than just a building,” says Dennis van der Vleuten, owner of Klundert Audiovisueel, who was commissioned to install AV solutions in the redeveloped facility. “It is a part of the urban fabric of the city that, with its heavy construction and internal ambience that gets lighter the further up you go, would provide a fantastic spatial experience.”
Reopened in 2019 and renamed LocHal (short for Locomotive Hall), it has been converted into a modern, sustainable art and cultural centre, featuring a relocated Tilburg Central Library as well as spaces for meetings, education, hospitality, artistic and cultural development, a cafe and more. Each space has been carefully desi
USA - As part of on-going upgrades and developments to its studio facilities, Verizon Media has taken delivery of three mc²36 audio production consoles and a Nova37 Hybrid IP/MADI Plug&Play Audio Router for its studio facilities from German IP broadcast technology pioneer Lawo.
Renamed Verizon Media Studios (formerly Oath Inc) early in 2019, the renovation and new buildout to the facilities will serve all Verizon Media brands, including Yahoo Finance, Yahoo Sports, Huffpost, Yahoo News, RYOT, Engadget, Tech Crunch and Makers. It encompasses live broadcast and pre-tape studio content with shared resources across different locations.
With DSI/Blade Media acting as the main contractor, the upgrade covers three studios; Control Room 1 and Control Room 3 are used for a daily eight-hour live Yahoo Finance broadcast and ancillary shoots, while Control Room 2 is a general-purpose studio for all other of Verizon brands. These have been equipped with three Lawo mc²36 consoles and a Nova37, accompanied by four Lawo A-mic8 microphone interfaces. The intention is to add two further A-mic8s in the near future.
With work begun in 2018, these studios are currently operational with Stage 2 of the project to follow, bringing additional live studio spaces into play.
“We are scaling globally and the ease of interconnectivity, strong system engineering team and customer service that Lawo provides has made planning for the future exciting and easy to understand,’ says Dan Brantigan head of audio at Verizon Media Studios. “I’ve been exceedingly impress
UK - Taiwanese singer and film star Jay Chou has starred in Hollywood blockbusters, broken records for the most expensive live production in Australia and sold over 30 million albums worldwide.
Chou recently entrusted Britannia Row Productions to deliver one of the biggest PA rigs that London’s O2 Arena has ever seen.
For the final three concerts of his 120-date The Invincible 2 World Tour, Chou played two nights in London before deploying the Britannia Row rig for a final show at Paris’ Accor Arena. These three shows were promoted by Magic-Sound Entertainment.
Britannia Row crew chief, Scott Maxwell, says: “Jay is a huge star. We’re essentially working with a stadium-sized PA in an arena-sized production. Everything else in the design had to shrink down to fit inside the venue, but the PA remained the same.”
The entire production weighed in at 107 tonnes and used 208 overhead motors, 44 automation points, 274 rigging points, 14 under-stage lifts and featured a four-minute 180kg confetti hit, meaning the audio delivery had to have ample impact. Britannia Row’s Josh Lloyd designed an L-Acoustics system for the European dates, which featured main hangs of K1, flown K1 SBs, K2 delays and K2 under hangs below the main K1 hangs. The system was powered by 72 LA8 amplifiers and used Lake processing.
Maxwell continues: “One of our biggest challenges in the audio team was working between multiple departments who were all using aerial equipment - there are so many design elements going on, it’s unlike any other show I
USA - As technical director at the Collinsworth School of Music at California Baptist University, Matthew McConnell holds the equipment he purchases to the same high standards expected from the school’s students.
When McConnell recently found that he wasn’t satisfied with the sound he was capturing on the string bass and cello instruments during performances, he turned to Jeff Suchy at Apex Audio to find the best solution. After testing various clip-on mics and pick-ups, the duo ultimately selected DPA Microphones’ d:vote 4099 Instrument Microphone as the right tool for the job.
Though these have now become a staple at the school, the use of the d:vote 4099 wasn’t McConnell’s first foray into DPA mics. “I initially discovered DPA a decade ago, when I was trying to close-mic a grand piano, with a closed lid, through a PA system,” he explains. “DPA’s d:screet 4060 Miniature Omnidirectional Microphone helped me get the sound I was looking for, for that application. Soon after, I used a d:screet 4060 on a solo violin (with the included string mount) with similar success. From that point on, I was a big fan of DPA.”
More recently, McConnell turned to DPA after having a tough time finding a good mic position for string bass and cello performers who moved around the stage while playing. “I heard about the d:vote 4099 and purchased three of them, based mainly on my previous experience with the brand,” he says. “It was better than I could have hoped. The microphone stayed in place while the musicians performed. After that, I bought
UK - Ascot Racecourse has announced Bose Professional as its official technology supplier for sound.
The partnership will bring an audio solution to enhance the event-day experience at Ascot.
Integrator SSE Audio Group has led the process to design and specify an audio system that utilises the latest loudspeaker and amplifier technology developed by Bose. Products have been selected based on their ability to form a robust system that delivers best-in-class vocal clarity and consistent, intelligible sound for every listener across the entire Ascot site.
George Vaughan, head of technology at Ascot Racecourse, comments: “Sound is an important facet of the event day experience and having Bose join us as our official technology supplier in this department, will introduce a new level of audio excellence to our venue. Becoming one of the global reference sites for their latest ArenaMatch speakers will not only elevate the audio experience for the hundreds of thousands who visit Ascot every year but also demonstrates our desire and determination to continue to deliver the very best innovation to our customers.”
Andy Rigler, UK sales manager for Bose Professional, adds: “We believe we will truly enhance the audio experience for Ascot’s guests, showcasing our latest technologies, including the new ArenaMatch speaker range. This ties in fantastically with Ascot’s own aspirations to become recognised as a technology leader within the racing world. Once again, we have had the pleasure of collaborating on the project with SSE, as Ascot’s pre
UK - On the three days before Good Friday, the streets of central Birmingham were taken over by The Birmingham Passion Play 2019, an ambitious, contemporary retelling of the Easter story, organised by Christian charity and theatre company Saltmine Trust, with support from The Passion Trust. To help bring the creative vision to life, Saltmine partnered with UK audio visual production supplier SFL.
The Saltmine Trust Theatre company puts on regular public, partner, and education tours, as well as one-off shows, all inspired by the Christian faith. Even for Saltmine though, The Birmingham Passion Play 2019 was an ambitious undertaking as it was delivered on the move - a travelling street performance that started at Birmingham Bullring, progressing along New Street to Victoria Square, and finishing inside St Philip’s Cathedral - effectively making the stage over half a mile wide. It required a team of around one hundred community actors, musicians, and stewards alongside the core theatre company’s cast and crew, as well as extensive technical support and planning.
AV specialist SFL supplies and supports a wide variety of events across the UK and internationally as part of SFL Group, as well as being the official AV partner of The Royal Albert Hall and UK sales partner for d&b audiotechnik. SFL project manager, Mitch Jones comments: “This production was only possible with an incredible effort by all the Saltmine and SFL team members spreads across six locations - each telling the next part of the story as the cast performed through the streets betwe
UK - CUK Audio has announced plans to move into new premises in East Kilbride.
The new building, which is currently being fitted out, is situated in Peel Park around 10 miles from the company’s existing Glasgow HQ. It will provide space for the distributor’s expanding back office, sales and technical teams and also house five training suites and a distribution centre with over 750 pallet locations and 1000 small item locations.
CUK is expected to move in on 5 June.
Stuart Thomson, CUK MD, comments: “When we moved to our current Glasgow location back in 2010, we thought there was more space than we could ever need. However, since then, we have delivered year-on-year growth which has accelerated since a change in ownership and the restructuring of the company in to four divisions two years ago. Over the past year, it became apparent that we were very near the limit of what our building could accommodate, and the search was on for a new property that would allow us to continue on our steep growth trajectory.”
Simon Druce, sales director, adds: “The move is not just for practical reasons; it is part of our strategy to invest in enhancing the service we provide our customers. The first benefits customers can expect are improved delivery times and better facilities for our educational events but that is just the start.”