Austria - Now in its 19th year, the three-day Krone-Fest has been running in the Austrian city of Linz since 2001. This year, once again the free event saw more than 70 acts appearing on 13 stages in different squares spread throughout in the city centre.
Promoted by KOOP Live-Marketing and Upper Austrian Kronen Zeitung, a total of around 400,000 people gathered across the duration to hear artists such as Darius & Finlay, Status Quo and Milow headline on the respective days.
Last year, a Martin Audio Wavefront Precision Compact (WPC) loudspeaker array featured on the second Herberstein stage but this year the scalable resolution and control technology was also promoted to the Sparkassen main stage in the Linzer Hauptplatz (main square), where a WPC system was provided by rental company Z-VT.
“The threshold was set at 100dB in the audience areas with Z-VT’s system tech Christian Jell programming ‘Hard Avoid’ [into Martin Audio’s DISPLAY software] for the area behind the stage,” says Johannes Stummer, managing director of K24 Technik & Vertrieb, Martin Audio’s Austrian distributor.
On the Sparkassen stage, Z-VT ran two hangs of 16 WPC in the optimum 1-Box Resolution (one enclosure per amplifier channel providing optimal coverage and consistency) with 24 SXH218 subwoofers providing potent LF extension. A further four CDD-LIVE12 provided front-fill while a pair of 16-element Wavefront Precision Mini (WPM) hangs provided delay sound - again in 1-Box Resolution.
The Herberstein stage, meanwhile, was equipped with two hang
Denmark - Nanna-Karina Schleimann has become one of the first sound designers to make use of DPA’s new 4560 Core Binaural Headset Microphone, which gives sound technicians, vloggers, film makes and YouTubers “an accurate and reliable tool to capture authentic 3D audio in realtime”.
This new headset allows film, theatre and online content creators to capture exactly what each ear is hearing so that those consuming the content on headphones can experience full immersive sound. The headset features a pair of 4060 Core Miniature Microphones that are mounted on ear hooks and sit just outside the user’s ear canal so that the mics capture the sound being heard by the person making the recording. The ear hooks are attached to a flexible headset that is simple to fit, comfortable to wear and can be easily adjusted to suit the dimensions of each individual head.
Earlier this year, while the 4560 Binaural Headset Microphone was still in development, Schleimann was given the opportunity to beta test it during her graduation performance from the Danish National School of Performing Arts in Copenhagen.
“I had heard about binaural technology and techniques from other students who had used this method of recording sound in previous theatre performances,” she explains. “I had only seen it used live on stage once before, in a smaller and more experimental performance at the school. Therefore, I wanted to go even further and try the technology in my graduation performance, which is the biggest and last production before graduating.”
Portugal - NEXT-proaudio has introduced the i Series, the company’s new installation line. Th range comprises the i4 (a 4” LF transducer and a 0.8“ dome tweeter), the i6 (a 6” LF driver with a 1“ HF driver), and the i8 (a 8” LF transducer with a 1“ HF driver).
All speakers are housed in IP65-rated plastic white or black cabinets designed for indoor and outdoor applications, with the speakers benefitting from dust and splash protection. The speakers are equipped with a four-position Phoenix connector located on the back plate, whilst the screw connector provides a faster and easy way to wire the system allowing the speaker to perfectly fit the wall shape while keeps invisible.
This speaker is designed for PA applications in restaurants, bars, shopping centres or conference rooms. For greater versatility, the speakers can be used at 100V or 16Ω. In high impedance operation, a multi-tap transformer is available with three different taps to be used according to the pretended 100V power and impedance needed.
Europe - Coda Audio has released a beta version of its upcoming 3D prediction software.
The Coda System Optimiser enables users to design audio systems, from small to large-scale productions. The software is currently under development, with users invited to register to access the beta version from the Coda website (codaaudio.com). The System Optimiser will eventually be compatible with the company’s entire loudspeaker range.
David Webster, global marketing director at Coda Audio International, comments: “This is a ground-up development, so taking the long view; it’s very important to us that audio professionals out in the field are directly involved with the evolution of our 3D system optimisation software. A beta release gives us the opportunity to allow early engagement for Coda system-users operating in real-life environments.
“Our System Optimiser allows the pinpoint design of Coda systems from the smallest fixed install to the largest, most complex stadium production and does so with great ease, in incredible detail, delivering results in seconds, not minutes. The team is looking forward to working with our clients and taking account of their feedback during this development stage, before we roll the product out across the entire Coda range.”
Italy - Every October for the past five years, over a thousand musicians have gathered together in Italy to perform as the ‘biggest rock band in the world’. Yamaha digital mixing has featured each time, with a Rivage PM10 digital mixing system making its debut in 2018. This year the event moved to Linate Airport, Milan, where a Rivage PM7 system was added for the first time.
The scale of Rockin’1000 That’s Live means that the sound has to be managed by a highly professional team. Yamaha Music Europe’s Italy branch were on site in Milan as technical partners, with Alessandro Arturi, Marco Giovanetti and the rest of the crew facing the major task of mixing FOH and monitors for over a thousand singers, guitarists, bass guitarists, drummers, keyboard and wind players.
The event’s biggest digital mixing system yet comprised a Rivage PM10 with CS-R10 and CS-R10-S control surfaces to manage the Front of House mix. A Rivage PM7 system was used for the monitor mixes, with five RPio622 I/O racks providing 304 inputs and 96 outputs. The system was based on a TWINLANe network, with Dante distributing the audio to the PA amplifiers and to multitrack recording via two RMio64-D Dante/MADI I/O racks. A QL1 digital mixer was also provided for the conductor, who was busy keeping all the musicians in time.
Groups of each type of instrument were assembled symmetrically throughout the space to provide an even soundfield and avoid spill or feedback as much as possible. Inputs to the system were from a large number of microphones - either close miked or one m
USA - While he officially retired from touring after his 2012-2014 Cowboy Rides Away tour, George Strait was one of the first headliners at Fort Worth’s new Dickies Arena, playing two back-to-back, sold-out shows in late November.
With those shows and others now being mixed on a DiGiCo SD12 96 desk at front of house, Strait stays at the forefront of live sound technology. Commissioned by Epicenter Productions of Dallas, the console was acquired by George Olson, who has been with Strait since 2004.
“It was the SD12’s compact size, and the power that it packs into that footprint, that really convinced me to go with it,” says Olson, who bumped up the console’s channel count from 72 to 96 with DiGiCo’s latest software, increasing its desirability as a rental unit for his GP Productions company when he’s not using the desk for shows with Strait. “When I looked at its dimensions, I knew that it would fit in virtually any truck or trailer, or the back of any bus, so it would always be able to get to the gig,” he says. “But when I saw how many features they had crammed into that console, I knew it was the one I wanted.”
Olson cites the SD12 96’s two DMI slots, which he’s filling with Waves and Dante cards, and the 192kHz SD-Rack that’s fully loaded with 56 32-bit mic pre-amp inputs, 40 analogue outputs and 16 AES connections among those attractive features. “Plus, the SD12 has the dual screens of an SD5, but in a much smaller size, which makes it great for a wide variety of types of venues,” he adds.
USA - Although Louisville residents have long associated the term ‘Triple Crown’ with Kentucky Derby thoroughbred horse racing at their own Churchill Downs, this year’s Trifesta may well pose a legitimate threat to that reigning royal trio title.
Produced by Los Angeles-based Danny Wimmer Presents (DWP) - the concert promoter behind popular US music festivals like Sacramento’s Aftershock, Columbus’ Sonic Temple and Charlotte’s Epicenter - a Trifesta pass served as the golden ticket to get into three large Louisville music festivals held on consecutive weekends during September, each of which utilised an L-Acoustics K Series loudspeaker system deployed by Brown Note Productions (BNP) of Thornton, Colorado.
Staged at the Kentucky Expo Centre’s Highland Festival Grounds, the inaugural Hometown Rising festival packed in more than 70,000 country music fans over September 14 and 15 to hear from headliners Luke Bryan, Tim McGraw, and Keith Urban, among others. The following weekend, a crowd of more than 90,000 attended the three-day Bourbon & Beyond festival featuring performances from a wide variety of artists, including Foo Fighters, Robert Plant, and Zac Brown Band.
Anchoring the final weekend of the month was the three-day Louder Than Life, which brought out 128,000 hard rock and heavy metal enthusiasts to headbang along with Guns N’ Roses, Slipknot, Disturbed, and many more.
According to BNP president Ryan Knutson, who, with the help of Soundvision, created the system design for Trifesta, each of the three weekend festivals f
UK - Shure has opened a new Experience Centre and office in London. The move further establishes the company’s presence in the UK and wider EMEA region by providing a location for product demonstrations with corporate, government and education customers looking for audio solutions for their respective facilities.
The Rose Shure Experience Centre, named after the company’s late former chairman Rose L. Shure, was inaugurated earlier this month with a VIP opening that featured key Shure executives, including CEO Christine Schyvinck.
Schyvinck comments: “I think Rose would be honoured by having such an amazing complex named after her, especially given the short amount of time it has taken to complete such an ambitious project.”
“The Rose Shure Customer Experience Centre has been the accumulation of many, many months of work by Shure employees from all areas of the business,” adds James Hill, UK director of integrated systems sales. “We look forward to welcoming all our existing and new customers to the Rose Centre and understanding their AV needs and requirements in the best possible environment.”
The facility contains three meeting rooms to represent a range of typical workplace environments, as well as a training space with voice-lift camera tracking functionalities. The facility also features a selection of products that reflect modern offices and educational facilities, offering clients the appropriate environment to demonstrate and understand performance and potential of various AV systems.
“As a global leader in man
UK - Silent Disco King, a leading provider for wireless headphone events, helped deliver the biggest ever silent disco event at Lowlands festival.
Back in 2017, the festival organisers wanted to increase the size of their silent disco to 10,000 headphones and needed a suitable supplier. Having visited the company’s UK head office, Lowlands turned to Silent Disco King, who, in August 2018, delivered a silent disco for the festival with not 10,000 headphones but 20,000 headphones.
In August this year, the supplier provided 30,0000 headphones to light up an arena with three channels of music, keeping festival goers dancing until sunrise as customers were able to switch between two DJs or the on-site radio station.
Seven technicians and supervisors from the Silent Disco King team were on site to help set up and manage the event, with a local crew of 90 people for distribution.
Paul Gillies, managing director, comments: “To ensure this event ran smoothly we worked closely with Kees Heegstra, festival frequency co-ordinator, to select frequencies and optimise coverage by linking each DJ wirelessly to our centralised transmission mast. This provided coverage across a large part of the site, including two 10,000 capacity venues, the refreshments area and the campsite.”
The festival’s license for audio covers the Friday, Saturday and Sunday and the Silent Disco King solution enabled a whole day to be added to the festival resulting in additional revenue streams and more entertainment for the festival goers.
UK - Anna Valley has announced their purchase of over 500sq.m of 3.9mm Unilumin LED, making the AV and entertainment technology company one of the biggest suppliers of single-batch high-resolution LED in the UK. The purchase was motivated by increased demand for super-sized screens for projects like X Factor: Celebrity 2019 where 200sq.m of Anna Valley’s new stock was used to create the digital backdrop for the live final at the SSE Arena, Wembley.
The improvement in LED resolution and the increase in the computing capability of video processors and servers has prompted a surge in demand for large screens to display ultra-high-resolution content for live events and broadcast shows. However, in order to achieve image consistency across these video walls, they have to be built from LED panels that are not only from the same supplier, but from the same production batch. Anna Valley now hold enough high-resolution LED stock to cover the stage area at the SSE Arena, Wembley twice over, or to build a giant screen measuring 30m x 17m to display 8K content at a native resolution.
“With 500sq.m of single-batch LED, we’re now able to offer almost limitless scale and versatility in display design,” says Anna Valley operations director, Pete Jones. “This represents a significant financial investment and reinforces Anna Valley’s position as the leading entertainment technology supplier to the event, live entertainment and broadcast sectors.”
Anna Valley has also bolstered its stock of black marble LED floor by 6sq.m, bringing their total inv
Europe - Over the past five weeks, Bose Professional has hosted Installed Sound Expansion events in 10 cities across Europe and the Middle East. Over 900 dealers, integrators, consultants and end users visited Bose offices and external venues to experience a two-hour showcase of some of the latest audio solutions that are now available.
These events were the culmination of the launch of over 50 new products earlier this year. The Installed Sound Expansion has one goal: to provide consultants and integrators with the components they need to deliver complete systems - from simple, repeatable background music systems, to sound reinforcement, to more complex, networked, and distributed solutions.
To accurately demonstrate how the expanded lines of loudspeakers, amplifiers, processors and controls can provide flexible, full audio solutions for more spaces than ever, the listening experiences were focused around two key verticals, Hospitality and Education. During the sessions, complete audio solutions for small, medium and large installations were carefully explained alongside a wide range of listening experiences.
Guests were able to experience the full and consistent coverage of the new, aesthetically designed DesignMax Premium surface and ceiling loudspeakers as well as the EdgeMax In-Ceiling Premium loudspeaker, the Panaray MSA12X steerable column line array as well as ArenaMatch Utility loudspeakers and MB210 compact subwoofers. Some events also featured demonstrations from the DeltaQ range of ArenaMatch stadium loudspeakers and ShowMatch portabl
Europe - Two years ago, after Thomson Cruises (part of TUI) had rebranded to Marella Cruises, the instigation of a refurbishment programme of the fleet saw UK technology company tedav (part of The Entertainment Department), awarded a long term contract to provide entertainment and comms systems, starting with the conversion of Mein Schiff 1 to the Marella Explorer luxury ship.
Audio and networking components deployed through the many entertainment spaces and general deck areas were sourced from the Harman Professional Solutions catalogue via UK distributor Sound Technology.
tedav’s successful audio design template - along with the addition of Martin from Harman lighting - was adopted and expanded when the company returned to Navantia Cadiz Shipyard in Spain 12 months later to begin work on their second project - the Marella Explorer 2. And with technology having moved on, they were able to place the first UK order at the time for the new JBL VTX A8 line array system.
Under the direction of tedav’s senior project manager, Martin Jones, and cruise technical manager, Flavio Diolaiti, just eight weeks after embarking on the project, they had equipped eight venues on the 14-deck vessel, transformed by a 40-strong team (including permanent technicians respectively dedicated to sound, light and automation).
“We created a bespoke installation out of nothing,” says Flavio Diolaiti. “We had to start from scratch, as none of the equipment onboard was reusable.”
Overall, the project involved around 25,000m of cable, and from an audio per
USA - Rapper Logic toured 26 cities across North America this fall on his The Confessions of a Dangerous Mind tour with lighting design by Mitchell Schellenger and lighting supply by Volt Lites of Burbank, California.
Schellenger employed a rig of Elation Professional Artiste Monet moving heads as the workhorse fixture in his design and says the powerful, multi-purpose LED profile was just what he was looking for.
Schellenger had visited the Volt Lites shop in LA to demo the Monet and found the fixture’s multiple capabilities to his liking. “I didn’t want to use the typical wash, profile, beam configuration,” he says. “I wanted this to be a simplified look and by doing so I needed a fixture that was capable of doing a lot of things with the power and capacity to light the entire show from above. The Monet just made perfect sense.”
On the Logic show, an overhead rectangular rig holds 24 Artiste Monets in six rows of four fixtures each. Across the backline and lined up with the six overhead finger trusses are six more Monet fixtures used for aerial effects and to shape the band. Running perpendicular to the Monet truss fingers are four automated finger trusses, which at times disappear completely to leave the Monet fixtures alone.
Despite the large arena settings, Logic wanted the show to have an intimate feel so Schellenger abstained from LED video graphics and used IMAG with a supporting light show. While two monolithic screens (each 15ft wide by 32 ft tall) project live images of the artist, the upstage centre is left intentiona
Austria - An Allen & Heath dLive mixing system recently provided audio support for the 200th anniversary of one of the leading financial institutions in Europe, Erste Bank.
Held at the Wiener Stadthalle, the event saw more than 12,000 in attendance and with nearly 80 musicians performing, including an orchestra, big band and choir, the event presented several challenges, requiring several mixing consoles with the ability to handle over 120 inputs and 44 monitor outputs to both wedges and IEMs. Additionally, an extensive Dante network was used for shared access to wedges and wireless systems, track playback via DAW and connections to the main PA.
Supplied by live production company, Habegger Austria, FOH comprised a dLive S5000 surface equipped with a Dante card for stem playback and PA feeds, and a DM32 MixRack fitted with a gigaACE card for the digital split to the monitor system. An IP8 remote controller was used for controlling FX returns and channel mixes for video voiceovers.
Operated by Felix Zwerger, monitors featured a dLive S7000 surface, IP8 remote controller and a DM48 MixRack, fitted with a gigaACE card for TieLine connections to the DM32 at FOH. Two DX168 expanders and a DX32 expander were also used to add extra physical I/O onstage. Both MixRacks were fitted with Dante cards for monitor and wedge sharing and access to Shure wireless devices.
Richard Redl, head of audio at Habegger Austria and FOH engineer comments: “I was one of the first dLive users in Austria and I’m still in love with this console. The show needed a hi
USA - Prism Sound, part of Audio Squadron, has appointed Full Scale AV as its first ever exclusive USA distribution partner for all its products including SADiE.
Full Scale AV has been a distributor of professional audio and music products in North America since 2005. The company provides sales and support of industry leading hardware and software products for musicians, live sound, recording, film/video production and commercial installations.
“We are very excited to begin working with one of the most respected and trusted audio distributors in the States,” Prism Sound & Audio Squadron CEO James Woodburn comments. “The added bonus is Full Scale AV already distribute Tracktion products, so this neatly brings all the Audio Squadron Products under one distribution umbrella in the USA.”
In addition, Prism Sound has also appointed dBm Pro Audio in New York City, along with their affiliates, as the company’s authorised service centre extending support in the key hubs of NYC and LA. Further to this, long-time Prism Sound specialist, Frank Oglethorpe has re-joined the team to handle US technical support, rounding out a comprehensive localised customer support strategy.
USA - Harman Professional Solutions has released the JBL Professional One Series 104-BT and 104-BTW desktop reference monitors with Bluetooth.
JBL One Series 104-BT reference monitors enable content creators and audio professionals to stream ‘accurate, studio-quality audio via Bluetooth or play back audio using a standard wired connection’. JBL One Series 104-BT monitors deliver ‘clear, detailed sound while mixing and editing’. With an array of easily accessible input options, smart features and a compact design, JBL 104-BT monitors provide great sound in every listening scenario, with the added flexibility of wireless streaming. Black (104-BT) and white (104-BTW) finish options are available.
“Music production has evolved beyond the recording studio, and today’s creative professionals and music lovers need reference monitors that deliver neutral, accurate sound to create mixes that translate well in a variety of listening environments,” says Chris Hansen, director, recording and content creation, Harman Professional Solutions.
“With class-leading sound quality, impressive output and high-bandwidth Bluetooth 5.0 streaming capabilities, JBL 104-BT monitors provide an accurate, reliable sonic reference and a truly enjoyable listening experience. They’re perfect for musicians, producers, podcasters and professional audio engineers who want a compact reference monitor with the added benefit of Bluetooth at an accessible price.”
The JBL 104-BT reference monitor features a coaxial driver that pairs a contoured low-frequency woo
South Korea - The largest jazz festival in East Asia has selected Amadeus’ newest speaker Series including Diva M², Maestro II, as well as bespoke stage monitors which are to be released in 2020. SSL Live L500 consoles were featured at the event as well.
Jarasum Festival has hosted over 2m attendees since its inception in 2004 and featured performers from 55 countries on its stage. Over 200,000 spectators attended the 16th Jarasum Jazz Festival in October. Elan Tech is the South Korea-based production company in charge of both sound equipment and technical production for the event.
Located in the Gapyeong region, northeast of Seoul, the festival site is an island surrounded by a beautiful city near the mountains and the banks of the Bukhan River. The yearly three-day festival features all types of jazz including swing, fusion, bossa nova, bebop, as well as world music. This year’s festival featured Black String, López-Nussa La Familia, 4-Wheel Drive, Omar Sosa Quarteto Afro Cubano, Jon Cleary & The Absolute Monster Gentlemen, and The Danish Radio Big Band & Marilyn Mazur, among many other musicians and groups.
“Because a recent typhoon had hit Korea, we started setting up the sound systems on-site only three days before the festival began,” reports Yongwoon Jeong, CEO and technical director at Elan Tech. “The main speakers and subwoofers used were all made by Amadeus, for a total of 30 units of DIVA M², 12 units of Diva M² Sub, and 12 units of Maestro II.
“We have also worked with Amadeus to develop new speakers - stage
UK - Light Fantastic Production Services once again supported CoppaFeel with a full production package as well as taking on the overall production management mantle for Festifeel 2019.
The work being done by CoppaFeel raises awareness of the signs and symptoms of breast cancer particularly amongst young people.
Held at House of Vans London, deep within the arches below Waterloo Station, Festifeel is the charity’s annual music and comedy festival that flies the flag for the work they do and highlights the help they provide.
Having provided a full production package, including lighting, audio, rigging and video, LFPS transformed the underground venue with a vibrant, creative mix of colour and projections throughout the urban interior. The lively look provided an appropriate backdrop to a host of musical performances that included Bombay Bicycle Club, James Bay and Feeder plus comedy sets from Sara Pascoe, Dane Baptiste and Harriet Dyer.
LFPS project manager Andrew Maxted comments: “We are extremely proud to have once again supported Festifeel and to help highlight the fantastic work being done by the Coppafeel team. This year’s event has been another great success. An enjoyable event to be involved with and a wonderful opportunity to play a part in helping raise awareness of such an important issue.”
On working with LFPS, Coppafeel founder, Kris Hallenga, says: "We worked with Andrew and Light Fantastic on our annual music and comedy festival Festifeel. There were many elements of our event that Light Fantastic dealt with, includi
Italy - At the Vittoriale degli Italiani (The Shrine of Italian Victories) it is possible to discover the bow of the Puglia cruise ship immersed in the promontory in the middle of the trees. There is also a MAS 96 anti-submarine motorboat used for the Beffa di Buccari (a military raid led by D'Annunzio in the Croatian bay of Bakar), as well as the poet's cars and the SVA biplane used in 1918 for his propaganda flight to Vienna.
Overlooking the Garda Lake is the spectacular amphitheatre with about 1500 seats, designed to replicate the ancient structure of a Greek amphitheatre in a seductive setting, surrounded by the Alps. Architect Gian Carlo Maroni was sent to Pompeii to study the Greek theatre and began work in 1934, completing the building after the poet's death in 1952.
In the summer months, the theatre manages a prestigious season of shows, including Tener-a-Mente, the Vittoriale Festival which has hosted over the years artists such as Lou Reed, Ben Harper, Burt Bacharach, Keith Jarret, James Taylor, Damon Albarn, David Byrne, Pat Metheny, Paul Weller, Steven Wilson, Arto Lindsay, and many others.
The 2019 summer season of the amphitheatre, with Garda Lake as its backdrop, hosted the likes of Johnny Marr; Gary Clarke Jr; Billy Corgan; James Morrison; Diana Krall; Garbage; Antonello Venditti; Ghemon; Calexico + Iron and Wine; Xavier Rudd and Glen Hansard.
“The audio system that we installed at the Vittoriale degli Italiani provided total coverage of the area, made up of three sections of seats. Parterre, Steps and Imperial stage, the
UK - Hawkwind celebrate their 50th anniversary this year, releasing their 32nd album and embarking on a tour that culminated in a sold-out show at London’s Royal Albert Hall in November, supported by an Allen & Heath dLive mixing system.
With special guests including Eric Clapton and Motörhead’s Phil Campbell joining the band on stage along the way, the tour saw long-time Hawkwind FOH engineer Rik Elliss behind the dLive surface. “I’ve been an Allen & Heath fan for many years and the dLive is my go-to system these days, both for my own engineering duties and for my rental company Audioworx,” explains Elliss. “For this tour I’ve been using the S5000 surface with a DM64 MixRack at FOH. The MixRack is also fitted with a Dante card, which is used for recording several of the shows.”
Perhaps unsurprisingly, Hawkwind’s dense, layered sound provides some challenges when translating to a live setting, but Elliss points to key dLive attributes that help the process. “I’ve got 11 channels of keys which all need to be heard, five channels of screaming guitars, a pretty distorted bass guitar, 11 channels of drums and four vocals to deal with,” he says. “And trying to get the vocals to sit on top of this very mid-range heavy music is a challenge. But the dLive is great at keeping sounds separate and distinct and that separation really helps with adding clarity to the mix, which is something that’s incredibly important, particularly in a venue as different as the Royal Albert Hall.
“The other key aspect of the dLive that I r
Denmark - Dynaudio recently constructed two fully equipped recording studios within shipping containers (one in Europe and one in the USA), installed professional producers in each and took them on the road.
Unheard is Dynaudio’s mission to give something back. The company believes that not enough artists are getting a fair chance, so they created the pop-up studios to help redress the balance. The Unheard studios have been travelling the world, visiting shows and festivals and allowing unknowns the chance to record and take away their tracks. The glass-fronted containers allow the process to be shared with an audience, entertaining them as well as providing an insight into professional music-Dynaudio’s Unheard studios have been travelling the world, visiting shows and festivals making. Midem and NAMM are two of the high-profile events that Unheard has recently visited.
Centred on a Waves eMotion LV1 software mixer, the Unheard studio process has to cater for fast turnaround, different musical styles and be integrated with an outside PA and live video setup.
DiGiGrid products played a vital role in the studio infrastructure as producer and audio engineer Ashley Shepherd explains: “We have been using the DiGiGrid devices in the Dynaudio Unheard recording studio for over a year now with great success. Since we have integrated Waves LV1 as our primary mixing environment along with SoundGrid, the DiGiGrid devices fit right in the ecosystem.”
Europe - Lithuania system integrator TVC has completed construction of an OB Trailer for Norwegian public broadcaster NRK around a Lawo IP audio infrastructure, including mc²56 mixing console, A__UHD Processing Engine and VSM control.
The new vehicle with advanced equipment is an investment for NRK’s ambitious future productions and is part of a technological standardisation within the broadcast production facilities and mobile studios as NRK already uses mc² consoles in their concert hall and for news program productions.
The 13.6m-long single-side expansion (4.15m expanded), 26-tonne NRK OB24 features a large interior space with 24 dedicated workplaces, high levels of both sound and heat insulation, automatic preparation for operation and transportation, and easy maintenance and reliability. It features two production rooms, slow-motion operator’s row, camera control area, separate audio room and a completely separate equipment & server room, with a separate entrance door from outside.
Alongside its single-side expansion, the truck features protective fold-down roofs on the expandable side and entrance platform, interior floor heating and readiness for deployment in a cold climate - as its main production duties include winter sports like biathlon, slalom and ski jumping. Other assignments will include cultural and music events.
Central to the audio infrastructure are a 64-fader Lawo mc²56 Broadcast Production Console and a core providing 5,096 x 5,096 crosspoints and fully redundant 512-channel use of Lawo’s A__UHD Core, with
USA - Sandwiched between Silver Lake and Angelino Heights, Echo Park has emerged as one of the most happening neighbourhoods in LA. Home to prospering and aspiring artists, writers, and musicians, it celebrates its community culture each year with Echo Park Rising, a sprawling festival which was recently named ‘Best Music Festival' by LA Weekly.
This year the event’s main Liberty Stage relied upon control provided by Allen & Heath dLive S5000 and C1500 control surfaces supported respectively by the processing and networking power of DM48 and CDM32 MixRack systems.
Standing at the confluence of Liberty and Reservoir Streets, the Liberty Stage featured a plethora of bands including many of the festival’s must-see acts. “The level of activity at Liberty Stage can best be described as that which you’d expect from what just may be the ultimate block party,” explained Oscar Zambrano of AOP Entertainment, which managed production for the event. “Crowds ebbed and flowed throughout the day and night. The bands that performed ranged from those just starting out to some of the hottest acts around. In turn, we had to be ready for anything.”
The stage’s PA was implemented and tuned by Brandon Operchuck and Kyle Gish of Huntington Beach, California-based Audio Geer. Allen & Heath’s dLive S5000/DM48 mixing system managed the sound out front. Onstage for monitors, the aforementioned dLive C1500/CDM32 system took charge, expanded to handle 48 channels of input with the aid of a 96kHz Allen & Heath DX168 I/O expander.
UAE - JoeCo is growing its reach in the Middle East thanks to a new distribution relationship with Provision AVL. The Dubai-based distributor will now represent the brand across the GCC region and follows hot on the heels of a similar deal with Boujikian Bros in Lebanon. The new relationships mean that the manufacturer has direct representatives in every territory across the Middle East.
“We had been looking for some time to find the right partners for JoeCo in Middle Eastern territories,” explains Graham Murray, business development at JoeCo. “We feel it is important to have strong partners and a local presence to promote and backup JoeCo equipment sales. Provision AVL can provide the facility to support local customers and effectively promote JoeCo solutions to the Middle Eastern markets. After spending a few days with Kevin and seeing him and his team in action, it became clear that Provision AVL would be the perfect partner for JoeCo’s business for the GCC.”
“JoeCo is one of the leading multi-track recorder and player manufacturers in the world, and with its award-winning Blackbox range, we felt that it would complement the audio brands that we already represent,” adds Kevin Boujikian, general manager at Provision AVL. “The brand deserves further growth in the region, and that happens with more exposure, demos and end-user training.”
The initial stages of the relationship saw JoeCo equipment displayed on the Provision AVL booth at Prolight + Sound Middle East in Dubai, generating a positive response from visitors. “The suppor