UK - Epic, the company behind Unreal Engine, has finalised the refurbishing of its London-based Innovation Lab, including a complete virtual production LED stage featuring ROE Visual LED products.
Epic Games, known for its video games, develops the Unreal Engine realtime 3D creation tool. This game engine not only powers their internally developed video games such as Fortnite and Infinity Blade series but is used to develop the virtual backgrounds and sets that made virtual production in film possible.
Since the technique of LED virtual production was explored and the first pioneering steps were taken, both Unreal engine and ROE Visual have been involved.
“ROE had already proven itself at the very cutting-edge and high end of LED virtual production with its pioneering use on Star Wars Mandalorian. It was important for us at Epic to give customers and our own teams a chance to get hands-on with this world-class tech in the heart of London. More importantly though is the amazing working relationship we have with ROE Visual, so together we can experiment, discover and shift the boundaries ever further”, states Ben Kidd, technical artist and project lead for the LED stage.
“With the new London studio we now have the availability to try and test new features on a screen the size which is normally used for mid-sized to smaller virtual production stages and studios as well.”
The full-operational virtual production space, using ROE Visual products for the LED wall and ceiling, will not only be used for testing, but
China - A watch tower that overlooks China’s second-longest river - the Yellow River - is lit by Christie laser projectors for a light show aimed at promoting Yellow River culture and boosting the local cultural tourism industry.
Located in Lanzhou, capital of Gansu province, the 90m high Yellow River Tower is the centrepiece of a night-time extravaganza titled The Great Lanzhou, which made its official debut on 29 September ahead of China’s 71st National Day celebrations. The outdoor show features 3D projection mapping, stage lighting, lasers, atmospheric effects and live performances to tell the story of the Yellow River basin - birthplace of ancient Chinese civilisation, and the most prosperous region in early Chinese history.
Projection is accomplished by Christie’s newly-appointed distributor Zhongqing Yingye Group using 32 Christie 1DLP and 3DLP laser projectors comprising DWU2022-HS and Crimson WU31 models featuring Christie BoldColor Technology, which offers enhanced colour performance and saturation. They are strategically installed to deliver bright and colourful visuals on the Yellow River Tower’s eastern face, as well as the grand stairway and podium in front of it.
A spokesperson for Zhongqing Yingye Group said: “We are proud to be involved in this landmark 3D projection mapping light show that highlights the history, culture and development of the Yellow River and Lanzhou. Christie’s high-brightness HS Series and Crimson Series laser projectors, known for their long-lasting solid-state illumination in a rugged and
USA - Foo Fighters recently played the #SOSFest livestream with Brit Row providing the virtual remote mixing solution. Performing at West Hollywood’s Troubadour, the gig was streamed to fans on 18 October as part of a collective action weekend in support of independent US-based music venues.
A total of 35 artists - including Miley Cyrus, The Roots, Major Lazer and Leon Bridges - played in multiple venues in cities across the US and joined the Foo Fighters in raising awareness and funds to keep North America’s cherished independent concert venues from closing indefinitely.
Named #SOSFest, the three-day virtual music festival was created to support the Save Our Stages initiative and America’s National Independent Venues Association’s (NIVA) Emergency Relief Fund. NIVA’s YouTube hosted the festival, with individual sets also aired on artist channels.
Prior to the gig, Foo Fighters frontman Dave Grohl told Forbes why raising awareness is vital: “The smaller music venues are the ones that are really struggling and are not only culturally important, they are emotionally important.”
The LA-based rock band’s production team had just five days to produce an unforgettable show for the cause. With the pressure on to deliver a clear message, the long-time clients of Britannia Row Productions were in capable hands when travel restrictions called for a creative approach to their traditional monitor set up.
Monitor engineer Ian Beverage - the band’s longest serving crew member - was unable to travel from his home in Canada t
Italy - A Lawo 24-fader mc²36 All-in-One console and two compact Lawo stageboxes are at the heart the new 4K OB truck that Lawo partner ARET Video & Audio Engineering has designed and built for a Middle East customer. The Gulf state client manages a culture-based television channel in addition to various tourist, cultural and media activities, and plans to expand into the filming of sporting events.
The new OB van features a layout that maximizes internal space while allowing interoperability between all three operational areas: the main production area, with monitor wall, slow motion equipment and character generator stand, the Audio room, with its custom acoustic insulation, and the engineering and camera control area with control of up to eight cameras via fiber-optic connection, plus two wireless cameras. Each of these areas, including the racks, has its own independent air conditioning system optimized for the area’s tough weather conditions, ensuring operation under any climate conditions.
The OB van’s video workflow is complemented by an audio system just as sophisticated. A fibre Ravenna IP connection to two Lawo Compact I/O stageboxes ensures maximum flexibility during remote productions and dramatically reduces cabling infrastructure needed to send audio back to the truck - without sacrificing sound quality. The van’s mc²36 console interfaces directly with the video router via MADI, giving router operators direct access to all audio signals, plus the powerful audio signal processing toolbox offered by Lawo.
UK - disguise has launched three Extended Reality (xR) stages in its London, Los Angeles, and Hong Kong offices. The new stages provide a dedicated space for xR innovation and customer demonstrations, allowing disguise to present new workflows.
The stages are equipped with disguise’s xR solution and a proven complement of LED displays, cameras and camera tracking systems to ensure successful xR productions. For its London and LA stages, disguise has chosen long-term partner ROE Visual to deliver LED panels that bring high-quality visual effects to life on large display formats, creating immersive experiences for performers on stage and audiences at home.
“It’s a pleasure to have partnered with disguise on this fantastic project. We are pleased to be at the forefront of the ever-popular technique of virtual production and it’s great to have a fully functioning stage in the UK. I’m sure disguise and their team of experts will make a huge success of this growing technology,” comments David Morris, responsible for business development in the UK & Ireland for ROE Visual.
The London stage opened in August and marked its debut with a visit from creative studio dandelion + burdock. The space affords EMEA customers the chance to visit a permanent xR installation and gives disguise the ability to stream demos to clients around the globe.
“We felt very privileged to have been the first to come and play at the disguise London xR stage,” says Nils Porrmann, technical director at dandelion + burdock. “We were very cordially received,
UK - Having secured £3.6m in funding from the Solent Local Enterprise Partnership (LEP), the University of Portsmouth will launch its new Centre for Creative and Immersive eXtended Reality (CCIXR) in 2021.
The CCIXR will be the UK’s first fully integrated facility to support innovation in virtual, augmented and extended realities. In order to deliver this project, the University has partnered with technical solutions specialist White Light (WL). The Centre will utilise WL’s SmartStage technology for innovation, research, and delivery of the Faculty’s curriculum.
CCIXR will offer 12 XR areas of development. The facilities will enable staff and students, in collaboration with the university’s national and global partners, to engage with a diverse range of content in an innovative way. The flexibility of the SmartStage will allow users to “push the boundaries of integration with different technologies, far transcending the parameters of other solutions”. Content sources such as AR, photogrammetry, motion capture and volumetric video, streamed directly into the SmartStage, will make the Centre a one-stop immersive environment for XR innovation and learning.
Richard Wilson, director at WL comments, “As well as supplying our SmartStage technology for the new CCIXR, we are hugely excited by the partnership with the University of Portsmouth. This ongoing relationship will enable our experts to support the teaching of the next generation and collaborate on R&D with the UK’s leading institution in this sector.”
Pippa Bostock, busi
UK - Green Hippo is launching an online version of its popular HippoSchool training for the first time, making it universally accessible in response to the COVID-19 pandemic. The move means more emerging users of its Hippotizer Media Server range can access learning in a virtual environment ‘anywhere, anytime, while adhering to social distancing guildelines’.
HippoSchool Online offers complete basic training of the Hippotizer ZooKeeper software - the control interface for Hippotizer and the hub for real-time control of the engine and all of its components. Sessions consist of two online courses that take approximately five hours to complete, with more courses in the pipeline. They are modular, with videos that the user can follow in their own time, featuring ‘Try It Yourself’ tasks to ensure full immersion into as-real-world use of the feature-packed software.
“We’ve built the new online training sessions for HippoSchool to make it more accessible for our users, allowing them to do the training in their own time, anywhere,” says Green Hippo’s training manager, Suzy Stenning. “HippoSchool Online enables our users to take control of their learning. We’re proud of what we’ve achieved - a truly comprehensive and easy-to-access online version of the courses - and we hope those wishing to advance in the world of Hippotizer will agree."
Green Hippo says it acknowledges that previously, those undertaking the courses would need to take two or three days out of their schedules to complete the course, travelling to training locations, wi
USA - Atlona has promoted David Shamir to VP of product management. Reporting to Atlona co-founder and CEO Ilya Khayn, Shamir will continue to lead the company’s product strategy while expanding his responsibilities to oversee engineering and product development.
“Our industry was already very dynamic and constantly changing, but the pandemic has accelerated many existing trends while making AV more critical in environments such as small and home offices,” said Shamir. “With Covid-19, things are changing by the minute, making it challenging to accurately predict how the AV market will evolve. We will stay as nimble as possible to address our customers’ changing needs, while offering flexible solutions that help them adapt to world conditions and whatever their ‘new normal’ becomes.”
Shamir notes that the agility of Atlona’s solutions is strengthened by its leadership in the convergence of AV and IT, a hallmark that he intends to continue. “One of our core philosophies is ‘AV built for IT,’” he explained. “As remote learning, work-at-home, and hybrid working models become more prevalent, IT infrastructure is even more important for keeping everyone connected. We are crafting our products and roadmap with IT managers’ challenges in mind, while helping dealers and systems integrators efficiently meet customer needs.”
“David’s insight, experience and process implementation have been major factors in Atlona’s growth and innovation over the past five years,” said CEO Khayn. “We look forward to his expanded leaders
UK - Like many events, the BBC Proms, which turned 125 in 2020, had to undergo a significant re-conception in format due to COVID-19. Once again returning to its home at the Royal Albert Hall, the season this year combined live performances with archive footage of past festivals. However, for the first time, no guests were in physical attendance for the live shows and instead the audience tuned in via TV or radio from their homes.
Technical solutions specialist White Light (WL), with strategic partners ELP and SFL, supplied the lighting and video elements for the Proms 2020 Live run.
While planning commenced prior to the pandemic, the creative and technical teams, led by production manager Steve Nolan, began collaborating virtually during lockdown to find a solution. A range of options were explored, enabling the festival to go ahead in accordance with guidelines, resulting in a reduced two-week live performance season and archive content completing the programme.
Darren Fletcher, sales director at ELP, says: “Without a live audience in the Royal Albert Hall, we had to think more creatively about the aesthetics that could be achieved through lighting to enhance the camera shots. We worked closely with lighting director David Bishop and gaffer Mark Gardiner, who suggested using LED pars to light from the audience side, which worked well and highlighted the venue’s stunning architecture.
“Over the last few years of this event, we have increasingly been specifying LED units over tungsten, and this year the addition of the Martin Encore Perf
UK - Avolites has released Prism Player, a new software application for media previewing and encoding. This is the first release under the Prism product range and can work as an auxiliary tool to the Avolites Ai video software platform.
Earlier this year, Avolites launched the Q Series Media Servers, a range of four media servers designed to power every performance. The company is now looking to expand its user base and introduce the discipline to new users with Prism.
The Prism platform is designed with an intuitive and clear user interface to give newer video designers and operators a stepping stone into the discipline. “With Prism, we wanted to create a set of complementary tools that would help designers start to integrate video into their projects as well as improve the user experience for our current Ai users,” says Paul Wong, managing director at Avolites. “Now that we have synergy, we really want to get as many users as we can to start looking at video and seeing how they can incorporate it into their designs.”
Prism Player is a powerful tool for previewing and encoding media clips without connecting to a server or Ai application. Video clips in most common video formats can be easily encoded into the AiM codec, ready to be loaded into the server. AiM is Avolites’ video codec that is designed for high performance projects and shows. Prism also supports the HAP codec, so clips from other servers can be previewed and transcoded to be used in Ai. Clips can be encoded in batches to save time.
Content rendered in AiM can also be
Canada - Solotech has announced the appointment of Omar Prashad as sales director, Ontario.
Prashad will be responsible of the leadership of the sales teams (Toronto and Ottawa offices), with the objective of establishing Solotech’s business position and growing revenue and market share in the province. He will oversee the development of key existing accounts in the live performance and entertainment sectors, while ensuring a strong diversification strategy to penetrate high-promising market segments such as corporate and education.
With over 15 years of experience in the systems integration business, namely at Westbury National, Advanced Presentation Solutions and DuoCom Canada, Omar Prashad has a strong background in managing and motivating sales teams, financial management and strategic planning initiatives.
“Omar’s proven vision and sales development curriculum make him an exceptional asset for our company. We are all looking forward to benefiting from his in-depth knowledge of the business and his vast expertise in systems integration. We are confident that he will help bring a new dynamic to our business and generate growth across Ontario”, said Philip Giffard, president, sales and systems integration division
UK - iMAG Displays has added a Brompton Technology Hydra to its inventory.
The Hydra is an advanced measurement system custom-designed for LED panels fitted with a Tessera R2 receiver card. Panels must be measured with Hydra to benefit from Dynamic Calibration, the technology that enables Brompton HDR.
iMAG has invested in a Hydra not just to recalibrate its own stock of LED panels, but also to make it available for hire to other UK rental houses so they can update their own panel inventory.
The decision to purchase Hydra was made before the pandemic but was put on hold whilst the company – previously focused on servicing live events – realigned its focus and looked at new business opportunities. Such an investment may seem like a bold move in the current climate, but the decision was based on seeing first-hand the benefits of Dynamic Calibration and Brompton HDR, close consultation with the Brompton team, general market intelligence, and finally galvanised by a significant client win.
“We know this may look like an odd time to be making a major investment,” says iMAG founder and technical director, Alex Strachan. “However, it now gives us the opportunity to open up new avenues of business and to allow fellow companies in the LED rental sector to hire our Hydra and update their screens. This gives their existing stock a new lease of life and allows them the same opportunities as us without having to make any major investment.”
“We are delighted that iMAG has been able to fulfil its desire to be the first UK-owned company t
UK - Following the sudden death of its legendary landlord Louis Hayle – more commonly known as Dutty Ken – the future of reggae venue, the Star & Garter in Montpelier, Bristol, was cast into uncertainty.
The pub had already been saved from the hands of the tax man a few short years ago thanks to a vociferous crowdfunding campaign, and in the months after Dutty Ken’s death, fears surfaced that it would be sold and converted into flats.
This threat, which could be seen as indicative of a wider phenomenon that has swallowed a number of the UK’s most well-loved venues in recent years, was enough to call the local community to action once more.
With this new campaign succeeding in saving the Star & Garter for a second time, another stalwart of the Bristol music and events scene, Malcolm Haynes, stepped in to take ownership of the situation.
With the pub due to reopen, its new sound system needed to be compact, flexible, and powerful.
The venue hired local company Qualitex Sound System (QSS) to carry out an audio overhaul, which was overseen by self-confessed Powersoft evangelist Linford Bailey, better known within the industry as Kutty Qualitex.
“I only ever recommend Powersoft to QSS customers,” he said. “Obviously the size of the job determines which models I’ll specify. I linked up with CUK Audio about seven or eight years ago and, since then, I’ve been able to get access whatever is required, whether that’s T Series or X4L for live gigs or Quattrocanali and Ottocanali for fixed installs.”
Sweden - Visual design studio PXLFLD recently deployed Hippotizer Media Servers from Green Hippo to provide the visual backdrop for a secret party and live performance by singer-songwriter Veronica Maggio.
Conceived by Red Bull, the exclusive event, staged at the Nobis Hotel in central Stockholm, was available only to fans who completed a treasure-hunt-like series of tasks.
Nikolaj Brink, Maggio’s lighting designer and a recent addition to the PXLFLD team, was responsible for the event’s show design, and called in his colleagues to deliver the show’s visual playback elements. But with the limitations imposed by Covid-19, this was a show with a difference.
PXLFLD’s Anders Granström explains, “The stage was built in the hotel’s grand lobby. To maintain social distancing, the audience enjoyed the concert from their hotel rooms, looking down at the performance, while a multi-camera production was broadcast to their hotel room TV sets.”
With this audience viewpoint in mind, the team opted for an LED floor beneath a plexiglass stage deck, while clusters of Barco projectors maximized the visual impact around the lobby. “The biggest challenge was to create an immersive concert experience with a block party feel, despite the physical distance between the artist and her audience,” said Brink. “The LED and projections played a huge part in achieving this.”
Granström’s playback solution used two Hippotizer Boreal Media Servers to handle the 8K projections, while a single Amba+ Media Server delivered the content for the LED
Italy - The Green Carpet Fashion Awards (GCFA), organised by Italian fashion body, Camera Nazionale della Moda Italiana and sustainability consultancy, Eco Age, traditionally presents a star-studded celebration of sustainability in the fashion industry during Milan’s Fashion Week.
This year, the Awards’ ethos of togetherness was upheld with a revolutionary show designed by NorthHouse incorporating cinematic footage with augmented reality, visual FX and hologram technology provided by AHRT Media. The show was directed by Giorgio Testi and produced by Livia firth and Pulse Films.
NorthHouse, a creative studio focused on design and direction for live shows, put forward the concept to overcome the restrictions in place due to the global pandemic. The studio’s ideas saw Milan’s La Scala transformed into a vibrant magical garden.
Founder and creative director of NorthHouse, Tom Bairstow, says: “This was a truly prototype show, borne out of the restrictions and uncertainty placed on the world during this pandemic. It gave us the opportunity to push boundaries, experiment with big ideas and use technology in new and unconventional ways. And with a virtual space, your imagination is the limit.
“We’re really proud of this show and I think between my team, Eco Age, Pulse films and all the amazing creatives who helped to build this show, we have created something truly ground-breaking together. We’re thrilled to be at the forefront of this wave of new technology and excited for what the future will hold for live and broadcast shows even wi
South Africa - Rokunda Netshiluvhi of DirectorRo has managed to ride the COVID-19 wave and come out tops, using this time to learn, establish himself as a lighting designer and set up a virtual platform at Vision View Productions based in Cosmo Business Park, Johannesburg.
Rokunda resigned from full-time employment at rental company Murangi Productions and started his own company as a freelancer in November 2019. “I decided to register myself as a business so that I could be accountable in everything I do,” he explains. “If freelancers pay attention, they can do what I’m doing. It starts off by thinking of yourself as a business instead of living hand-to-mouth.
“Many freelancers rely on receiving a phone call and being booked for an event. They think that to get work, someone has to call, instead of thinking let me try and make something myself, let me pitch an idea to people, let me do something for myself. If work can’t come to you, find work. For people to trust and take you seriously, present yourself as a business, ensure you have a business profile and have a voice outside your personal self that will enable you to work for a company or event.”
With gratitude to his former employer, Murangi Productions, where Rokunda worked since 2016 as an audio engineer and a self-taught lighting designer with an interest in technical directing, Rokunda established DirectorRo.
Working as hard as possible to make an income, Rokunda pushed hard. More work trickled through in January, and then, just as his calendar started filling up with bo
UK - Torpedo Factory Group has upgraded the audio-visual system at the central London home of the Royal Over-Seas League (ROSL), a non-profit private members organisation originally formed in 1910 with the collective aim of bringing people together from around the world to meet, socialise and foster an interest in the Commonwealth.
A long-standing and fervent supporter of the arts, ROSL has over the last 65 years developed a diverse portfolio of activities in music, visual arts, and literature. ROSL Arts regularly supports talented young professional artists and musicians through an annual music competition as well as a programme of music and visual arts scholarships.
In providing performance opportunities for its prizewinning musicians, concerts and other events such as wedding receptions, banquets and conferences take place at the ROSL’s historic Princess Alexandra Hall, an impressive room with renowned natural acoustics.
However, the hall’s patchwork of audio-visual facilities had fallen behind and were in need of an upgrade, and consequently the ROSL approached the Torpedo Factory Group to submit a design for a modern and fully integrated solution.
“The existing AV system at the ROSL hadn’t kept pace with the variety of events they wanted to host, and frequently looked to the rental side of our business to hire in additional equipment for special functions,” explained TFG project manager Phillip Palmer. “Thanks to this relationship and the need to augment their systems so often a permanent installation solution became viable, w
Germany - Since its establishment in 1917, ARRI’s historical location in Munich's Tuerkenstrasse has been the main hub of activity for the business. Now, the globally active film technology company is relocating its headquarters and the entire Camera Systems division to Munich’s Parkstadt Schwabing.
On 6 October, 2020, Judith Gerlach, Bavarian State Minister for Digital Affairs and also responsible for the state’s film industry, commemorated the opening with a visit to the new building. She was welcomed by ARRI executive board members Dr. Michael Neuhaeuser and Markus Zeiler, the two managing directors of ARRI Cine Technik Stephan Schenk and Walter Trauninger, as well as by the members of the supervisory board and representatives of the owner family Dr. Carolin Stahl and Christoph Stahl.
ARRIAL is the new production and office building, offering over 600 workspaces, that has been tailored to meet ARRI’s future needs. Located at Herbert Bayer Strasse 10, in the direct vicinity of many other global players, the name ARRIAL was born out of an internal employee competition. Inspired by the architecture of American film studios, the building consists of two spacious, interconnected building blocks.
“Some visitors recognise analogue film strips from earlier times or the carbon housings of our digital ARRI cameras in the dynamic-looking, almost perforated, black brick facade,” comments managing director Walter Trauninger who is responsible, along with Stephan Schenk, for the Camera Systems business unit.
The State Minister for Digital Aff
USA - Brompton Technology reports that ROE Visual US has received its anticipated purchase of Brompton Technology’s Hydra system for their West Coast office in Chatsworth, Los Angeles.
Hydra can perform recalibrations on all LED panels equipped with Brompton’s R2 controller cards. This means that the panels, once measured, will benefit from Version 3 of Brompton’s Tessera Processor software and be fully compatible with Brompton’s Dynamic Calibration technology, to allow greater brightness, improved colour gamut and, crucially, the ability to display HDR imagery.
“When we saw the Brompton Dynamic Calibration system in prototype form at LDI last year, we knew it was going to be a game changer, so we immediately placed orders to ensure that we would benefit from this technology as soon as it became available to the market,” says Frank Montero, general manager of ROE Visual US.
“We were delighted to learn that this system would not only work on new panels but on existing stock as well, meaning our current customers would gain a new lease of life on their original investments, making their decision to invest in ROE Visual LED panels even more attractive. We immediately added an additional system for our local office here in California.”
ROE Visual is passionate about using the latest technologies and making these available for its clients, and the long-term partnerships it has formed have been based on this principle. With this in mind, it was essential to bring the Hydra system to its client base in North America at the earliest op
UK - Having worked on the show’s previous series, White Light recently supplied the technical system to run all the visual content on the latest socially distanced series of The Russell Howard Hour. The company also helped create the technical set-up of the show’s newly built lockdown studio, Your Questions Room.
WL has worked on The Russell Howard Hour for the past two years, having initially being approached by the show’s production company Avalon. The company’s role is to provide a system to run all of the content being sent to the screens throughout the studio. This includes those positioned behind Russell Howard which act as his backdrop and a point of reference for most segments.
WL’s key account manager for broadcast Ian Charlampowicz explains: "The content used is based on a main run of the show but changes every week depending on what topics were being discussed. As we live in a world where so much is changing day in, day out, we had to utilise a system that would respond quickly to any last-minute changes. As such, on the day of recording, our team, led by Lee Woodger and Alex Loftie, has to program in new bits of content for that day’s show which often includes different guest introductions, updating the topic images and, from time to time, adding an entirely new section."
One of the most important aspects of WL’s role is to create a relaxed, helpful environment for Russell Howard which allows him to feel at ease and completely confident that no disruptions will occur; hence he can focus solely on presenting t
USA - Rod Sintow, vice-president, Solotech sales and systems integration division, has announced the appointment of Brad Nelms as sales director of Solotech's Las Vegas office.
Nelms will be responsible for the leadership of the Las Vegas sales team, with the objective of establishing Solotech’s business position and growing revenue and market share in the region. He will oversee the development of key existing accounts in the live performance and entertainment sectors, while ensuring a strong diversification strategy to penetrate other high-promising market segments.
With over 15 years’ experience in sales management and operations, namely at ACT Lighting, VER and 4Wall Entertainment, Brad Nelms has considerable customer service skills and a strong background in personnel management, training and organisational development.
“Brad’s certifications and qualifications make him an excellent asset for our company. We are all looking forward to benefiting from his knowledge of the business and strong background in the entertainment technology industry”, said Sintow.
USA - High End Systems has released the new HPU hardware for Hog 4, along with an update to Hog 4 OS with v3.14 software. HPU replaces both the DMX Processor 8000 (DP8K) unit and the Rack Hog 4 in a modern, 2U rack mounted unit. This processor unit can be run in either console mode or in processor mode with a 64 universe capacity.
The new Hog 4 OS v3.14 software includes several advancements in functionality in addition to bug fixes. A new patching structure allows users to patch to internal universes, which then get mapped to outputs on consoles, DP8Ks, Widgets and Gadget II units, sACN and/or ArtNet. Individual patch universes may be mapped to multiple outputs as needed and can be moved from one output to another without universe cloning.
Adjusted keyboard shortcuts include additional mappings to make programmable USB keyboards function more smoothly. Finally, OSC/MIDI control of faders and encoders is now available for all users who have a console or Hog 4 PC system equipped with Hog-Net – the requirement that matching hardware be connected has been lifted.
High End Systems has also rolled out two Hog hardware changes. The Road Hog 4-21 console replaces the Road Hog 4 with a new motherboard and 21.5” HD display. The Road Hog 4-21 update expands the console’s capabilities to include dual display port connections for external monitors or touchscreens. Also, the HedgeHog 4X becomes the sole member of the HedgeHog product range, with the complete networking capabilities of Hog 4, dual display port connections for external monitors or touchscree
UK - As the outbreak of COVID-19 across the globe saw the entire UK go into lockdown late March 2020, the last six months has forced both a sudden hiatus and transformation of the live events industry.
In response, Creative Technology (CT) has moved virtual event technology to the centre of its offering.
CT has expanded its in-house facilities which includes a XR studio powered by the Unreal engine, a fully fitted remote production gallery, two additional remote production suites and two COVID-secure socially distanced performance spaces - all based at its offices in London, Gatwick.
Says the company, “The ability to record, edit, and live stream content all in one location has allowed us to create some extraordinary events, reaching thousands across the globe. From demanding and complex streaming events such as a virtual event for international blue chip company, which saw CT delivering three simultaneous 90 minute live virtual shows twice over one day in six different languages for client, BK Events, to the Human Rights Watch fundraiser which gained over 11,000 viewers across the day raising nearly $8,000,000 for the cause.”
Another event that made use of CT’s newest facilities was Katherine Jenkins’ live sing-along, powered by Vodafone. The opera singer’s home performance was streamed to thousands of people via Facebook Live and into over 100 care homes across the UK and was a huge success.
In August, CT hosted the AIM Independent Music Awards, presented by Tiffany Calvert who was joined by a selection of award-winning artis
UK - disguise’s latest software release, 17.4 combined with its new RenderStream software, rx and vx hardware bundle creates the complete solution for hosting real-time content from render engines, Unreal Engine and Notch.
disguise has recognised the demand for immersive real-time production and their latest release, 17.4, showcases features that were identified through the Netflix's virtual production initiative NLAB, with partners Lux Machina and Fuse Technical Group. The knowledge gained from experimentation and feature testing has optimised their already market-leading workflow for virtual production on set.
RenderStream is a proprietary video-over-IP protocol that synchronises and transfers content between render engines and final composition machines. It provides low latency, uncompressed video transfer and sends control metadata to sync camera tracking between disguise and the render engine in addition to providing parameter control from disguise to the render engine. This new approach to the technology stack allows disguise to move towards a scale-out rendering approach.
With r17.4, RenderStream users can access advanced DX12 features in Unreal such as Ray Tracing to create best-in-class photorealistic content capturing accurate reflections, refractions and shadows.
In collaboration with Adrián Pueyo, virtual production supervisor Orca VFX, disguise optimised the workflow further. “The disguise approach to virtual production has been a game-changer for us, in terms of pipeline, scalability, colour management and performance. While