The Netherlands - Pro Display completed a major project in partnership with Integrated Systems Europe, LANG AG, Panasonic, Tenfeet and Green Hippo to bring the nhow Amsterdam RAI hotel to life.
Pro Display supplied 392 pieces of its Projection Mapping Film which were installed across 25 storeys of the hotel’s glass façade. Throughout ISE 2019 the film was used as a canvas alongside Panasonic’s powerful PT-RZ31K projectors to advertise exhibition highlights and the potential of projection mapping technology.
The impressive 25-storey hotel boasts 650 rooms and was developed following a tender process by the City of Amsterdam and the RAI that began in 2014.
This ambitious display required input from a range of experts in order to successfully complete the project which was managed by LANG, hire and production specialists. They called on 14 of Panasonic’s PT-RZ31K projectors to provide the 400,000 lumens needed to project the mapped content onto 392 windows of the building.
3D-mapping specialists Tenfeet worked in partnership with media server specialists, Green Hippo to deliver the content and of course, Pro Display developed, supplied and installed the projection film required to make image reproduction possible.
The Projection Mapping Film is a removable dry application self-adhesive film that enabled the windows on the nhow Amsterdam RAI Hotel to receive and display the content being projected onto them.
ISE’s Mike Blackman comments, “For the duration of the exhibition, attendees were treated to a daily showcase of proj
UK - Video solutions specialist Production AV will be on Stand I2E at the Event Production Show at London Olympia on 26 and 27 February to showcase the Agile Arc Lite PTZ camera integration solution from leading media server company disguise. Based in Cheltenham, Production AV has been at the forefront of AV innovation for 14 years. It is inviting visitors to get hands-on with the new disguise and Agile kit at the show.
In February, disguise launched the latest version of its award-winning software, used to design, sequence and control live shows and experiences. Version r15.2 now includes integrations with Agile Remote Cameras’ range of PTZ cameras, enabling live video feeds from the discreet PTZ cameras to be used as part of the visuals on impressive live events.
“We’re thrilled to demo just what disguise’s new Agile integration protocol can do in a real-world scenario to enhance the video capabilities for a whole range of events,” says Production AV founder, Pete McCrea. “The latest r15.2 software release brings full control over so many features, such as recording pan, tilt and zoom information as a preset, and it can all be adjusted from the software interface. It really is special.”
Also on Production AV’s stand will be Desay’s X2.6i 2.6mm indoor LED modules, which can be built in both concave and convex configurations as either a flown or ground support system. “We recently made a major investment in more than 200 Desay LED modules and in doing so we now have a significantly higher resolution LED option, which p
USA - Atlona has appointed Craig Childs as regional sales manager, TOLA, for the residential and commercial markets.
A certified technology specialist in professional AV technology, Childs will also manage relationships with regional partners that sell and install Atlona solutions. He will be based in Dallas and report to Bruce Moses, director of sales, western region.
“I look forward to capitalising on the success that Atlona has had in the TOLA region by developing new residential and commercial accounts, and providing excellent customer service to established customers,” says Childs. “I will leverage my extensive commercial AV sales experience to drive my ambitious sales goals, as well as the strong relationships I have built with corporations, universities, systems integrators, consultants, and others throughout the region. The common denominator is that these organisations all require reliable AV solutions that enhance collaboration and communications.”
Childs brings nearly 25 years of industry experience to this new role, and has held positions of increasing responsibilities with some of the industry’s most recognised brands.
Pakistan - KYAF Corporation recently outfitted DHA Sports Club with a new complete Harman Professional Solutions sound system to provide an immersive audio experience on the field and in the stands.
Located in the heart of Karachi, DHA Sports Club is managed by renowned Pakistani cricketer Moin Khan. As part of the facility’s mission to provide a place for young Pakistani athletes to develop their talents in a supportive environment, DHA Sports Club hired KYAF Corporation to upgrade their sound system with modern audio solutions. After careful consideration, KYAF Corporation and DHA Sports Club selected a sound reinforcement system comprised of JBL Professional speakers, Crown amplifiers and AKG microphones.
“DHA Sports Club asked us to provide a high-quality audio system that would complement their beautiful sports facility and provide great coverage,” says Ahmed Bawaney, KYAF Corporation. “After we demonstrated the quality and performance of the Harman audio system, they gave us the green light to install.
“We faced a few challenges during the installation - namely, the left side of the stadium is blocked by an apartment building, posing a potential for harmful reflections. In addition, the unusual architecture of the stadium posed challenges in the rigging of the speakers. The flexibility and clarity of the JBL speakers helped us overcome these challenges to provide perfectly clear sound throughout the stadium.”
To ensure premium audio quality and coverage throughout the facility’s stadium, KYAF installed eight JBL AWC82 all-
USA - At the recent NAMM show, Westview Productions presented a cheque for $5,162.32 to Behind the Scenes as their first donation to the charity as a new Pledge-a-Service Partner.
Westview is an entertainment, energy, and immersive technology solutions firm headquartered in Denver, Colorado. Their project process encompasses all aspects of design that integrates with all construction trades to ensure a cohesive and seamless project experience. Westview has global experience in lighting, motion control, audio and AV systems, media, and architectural systems allowing them to provide comprehensive services as a sole solutions organisation.
On presentation of the cheque, Eric Bloom, president, states: “I feel so strongly about the Behind the Scenes Foundation’s efforts, that it’s a great pleasure to be able to support the foundation this way. Helping to support our colleagues in a time of need, especially with funds from service work that came directly from the industry is really special. We are just pleased to be able to give, even in a small way, to such a beneficial organisation.”
Rick Rudolph, the chair of Behind the Scenes, commented, “We were thrilled to receive such a wonderful first-time donation from Westview. Their generosity sets a benchmark for other service companies and helps to ensure we will be able to assist the many people coming to us for assistance. We thank them for their commitment to the programme and challenge other service companies to follow their lead in caring for our colleagues in need.”
The Behind the Scen
Europe - Luminex Network Intelligence has announced that its GigaCore Ethernet Switch is now Avnu certified to support the Milan/AVB protocol. By adding this protocol, the GigaCore switch is validated against following protocols: Milan/AVB, Dante, AES67; ArtNet, sACN, MANet, and many more.
“This means a user can allow AVB traffic on the switch,” the company says. “It has the same ease of use as before: no command line interface, no complicated parameter to set, no specific license to purchase to enable this feature. With one click in the web interface, the switch takes part of the clock domain of the AVB devices and will allocate the necessary bandwidth. The user can therefore be sure the audio streams will be handled the right way, in a perfectly synced manner, providing audio quality and user experience at its best.”
UK - Technical production specialist, Hawthorn has announced a significant investment in its video department, having invested over £1m in new equipment over the last year. The latest kit additions focus on bolstering the company’s 4K offering and sees significant investment in infrastructure from Lightware and Barco.
With a long-standing history of working with Lightware products, Hawthorn has added two MX2-16x16-HDMI2.0 Matrices to its hire shelves. The standalone product is a member of the Lightware HDMI 2.0 matrix switcher family, supporting uncompromised 4K UHD resolution at 60Hz 4:4:4. Alongside this, the company has also purchased six channels of HDMI2.0-OPTC-TX/RX220-Pro, an HDMI 2.0 compatible, HDCP 2.2 compliant extender pair for video, RS-232 and Gigabit Ethernet signals, supporting uncompressed 4K UHD resolution.
Hawthorn has also upgraded its Barco Event Master E2 and S3 products, investing in 4K Quad HDMI 2.0 input cards, 4K Quad DP 1.2 input cards and 4K Quad HDMI 2.0 output cards. On top of this, the company has also added the Barco Event Master EX to its range. The EX, a 4K60p scaler with the same processing power as four ImagePROs, works alongside the E2 and S3 processors to add input and output capacity, expanding the scaling and switching power of the entire system.
The latest expansion follows on from Hawthorn’s investment in Barco’s UDX 4K-32 laser projectors last year.
Talking about why he chose to invest in the Lightware & Barco products, David Barton, Hawthorn’s Group Head of Video said: ”We pride ou
France - Colour Sound Experiment supplied lighting, video, rigging, special FX plus a snow-loving crew to various entertainment venues and events associated with the Varsity Trip 2018 in Val Thorens, the highest ski resort in the French Alps at 2,300 metres in the beautiful Tarentaise Valley, Savoie.
The Colour Sound team of four was led by Steve Marley and working for Zero Degrees Events who designed and produced a busy series of Varsity Trip events running throughout the week. Marley and their managing director Neil Cranston have collaborated on many previous projects, and with Tom Williams from Zero Degrees running things on the ground, the mission ran like clockwork.
The main music venue for the week was the Centre Sportif de Val Thorens, which featured three full-scale DJ performances – including Rudimental’s DJ set - with numerous other smaller venues hosting ‘off piste’ events - including restaurants and bars - scattered around the resort.
Colour Sound also supplied lighting and video - with Zero Degrees co-ordinating and managing production - for French corporate networking company Les Big Boss who had a large event booked in to the same venue immediately before the Varsity Trip Opening Night Party. This provided a practical and high-quality technical solution.
Marley designed and drew up a lighting and visual plot for the Centre Sportif, inspired by the stunning mountain location, starting with the video elements – which were made up of Colour Sound’s 2.6mm Unilumen LED screen rigged in three diamond orientated sections u
The Netherlands - Building on its expertise, Christie continues to deliver end-to-end solutions for visual experiences coupled with service and support.
For the first time, stand visitors will experience the new Christie MicroTiles. The Christie D4K40-RGB pure laser 3DLP projector will make its European debut at ISE.
The Christie APS Series, launched in January, is being shown for the first time at a public show. The new 3LCD laser projector will be located in Zone 8. Featuring an efficient laser illumination system and patented optical light path design that uses only one motor, the APS Series provides up to 20,000 hours of reliable, maintenance-free operation at an extremely low cost of ownership.
Christie has partnered with Da-Lite, which will provide the screens for the Christie stand while both the LANG AG and SDVoE stands are demonstrating interoperability with Christie Terra, and other SDVoE-member products, to demonstrate a flexible AV over IP system.
Arlonna Seymour, senior director, corporate marketing, Christie, comments: “At ISE 2019, the focus for Christie will be our leadership role as a full system support partner. It is not just about the technology itself, but more about our relationships and expertise in delivering the right solution for our customers. The theme ‘Let’s imagine, together we make it extraordinary’ expresses this collaboration, with Christie working together with our customers, our partners, and our vendors to bring to life extraordinary experiences.”
UK - London-based lighting and visual rental company Colour Sound Experiment supplied video, including LED screens, cameras, PPU and crew, to Madness’s most recent tour.
The Sound of Madness arena tour was production managed and designed by ‘Luton’ Pete Hosier, who was also the LD, with the video elements co-ordinated by Toby Vogel, who has worked with Madness since 2010.
Video has been a massive part of their live show, especially for the last three of these biennial arena tours, and the screens were in use for most of the band’s lively, up-beat set.
Utilising over 175sq.m of Colour Sound’s BT-6 and BT-7 mm LED product, the main screens comprised a 10m-wide by 5m-high upstage centre surface, flanked either side by two 5 x 5m ‘return’ screens positioned diagonally upstage/downstage.
As well as co-ordinating all the video hardware, Toby creates, generates and formats the content, an area in which he works closely with band members Chrissy Boy (guitarist Chris Foreman) and keyboardist Mike Barson.
Colour Sound supplied a three camera/Blackmagic 2ME PPU package, plus video director Phil Woodhead, who brought his own aesthetic to the visual mix as an integral part of the video team. Phil also worked on the 2016 arena tour.
Toby’s control system was based around Mac Pro Resolume 6 media servers which he ran from FOH, with Phil’s camera mix fed in via Blackmagic external capture cards.
UK - Universal Pixels supplied a flexible video package for British synth pop stars Years & Years’ Palo Santo live campaign, including festival dates, UK arena shows and European performances
Years & Years landed back in the UK charts last summer with their critically acclaimed second album, Palo Santo, and a production befitting of the band’s standing in alternative pop culture. A number of festival dates coincided with Palo Santo’s highly anticipated release before a UK arena tour and subsequent European concert hall dates were met with sold out crowds last winter.
Universal Pixels worked closely with production designers, Cassius Creative, taking on the design and supply of the video elements, as well as the indoor venue IMAG requirements. The versatile design peaked in size at the London O2 Arena, with the show featuring a 195sq.m ROE CB5 screen and bespoke Leyard CLM 6mm LED stage panels.
For the festival shows and European dates, the production featured a scaled-down video design - specified by Universal Pixels to suit the size of each venue.
Universal Pixels’ Jay Mobbs-Beal explains: “The upstage screen is very standard and quick to build in touring frames. Incorporated into the set, it stayed there for the duration of the tour and, again, was quick and easy to build every day - this was realised thanks to the pre-tour planning with the tour vendor, All Access Staging & Productions.”
On the attributes of the Leyard CLM6 screen panels, Mobbs-Beal adds: “It’s hi-res, bright and significantly ligh
The Netherlands - Audinate has announced Dante AV, an integrated audio and video-over-IP solution for manufacturers.
Dante AV promises to bring all the benefits of the audio over IP solution to video, including discovery, ease-of-use and integrated control. Dante AV enables complete interoperability with more than 1600 Dante-enabled audio products already on the market.
Dante AV reportedly resolves syncronisation problems of networked video and audio by utilising a single network clock for sub-microsecond accuracy. With Dante AV, audio and video signals are independently routable in a single interface using the Dante Controller software. Manufacturers can also take advantage of Dante API to customise their management user interface. Dante AV solves time alignment issues and eliminates the need for audio de-embedders in applications such as sports bars, live events and multi-zoned AV systems for perfect lip sync everywhere.
The Dante AV Module is available with the Dante AV Product Design Suite, providing a complete AV-over-IP endpoint product design for manufacturers that wish to quickly get a product to market.
“Customers want us to bring the V to AV,” says Lee Ellison, CEO of Audinate. “With Dante AV, we are excited to make that a reality. The Dante AV Module and the Dante AV Product Design Suite will enable manufacturers to quickly get integrated audio and video products to market, with all of the benefits Dante has to offer. With Dante AV, we’re taking everything we've learned from years in networked audio to the video world, and
The Netherlands - Avnu Alliance has announced new members and ecosystem tools, while manufacturer members plan to demonstrate and showcase new Milan-ready products at Integrated Systems Europe (ISE) 2019.
Milan is a standards-based, user-driven deterministic network protocol for professional media, that assures devices will work together at new levels of convenience, reliability and functionality. Created and maintained by members of the Avnu Alliance, Milan is billed as the first tangible solution for promising deterministic, reliable, and future-proof delivery of networked media. Milan combines the technical benefits of the AVB standard with pro AV market-defined device requirements at both the network and the application layer for media streams, formats, clocking and redundancy.
“Members of Milan have been diligently working behind the scenes for the last six months and we’re excited to use ISE as a forum to showcase the momentum and progress that Milan has made and set the stage for Milan in 2019. We now have the full suite of Milan specification documents available, representing almost two years of work from technical workgroup members and dedicated manufacturers who are providing the tools and resources for the correct implementation of this protocol,” says Avnu Alliance Pro AV workgroup chair Tim Boot, Meyer Sound.
“With the new members that have joined us in 2018 and now, the Milan initiative has proliferated the professional audio market. With more members, more expertise and more market leaders contributing to the effort, we’re g
UK - A.C. Special Projects (AC-SP) has supplied a bespoke performance LED lighting and AV solution to dance-circus company Motionhouse for its creation and rehearsal space in Royal Leamington Spa.
Celebrating its 30th anniversary this year, Motionhouse creates and tours a wide range of inspiring and powerful productions to theatres and festivals in the UK and across the globe.
Earlier this year, Motionhouse moved into its inspirational new rehearsal space in the new home of British furniture manufacturer Vitsœ in Leamington Spa. The co-habitation was conceived by Vitsœ and Motionhouse to create a vibrant and like-minded working community, and Motionhouse’s move to Vitsœ received capital funding from Arts Council England.
AC-SP needed to adhere to a strict technical specification in order for the installation to blend in with the building.
The original idea was to have motorised truss grids within each of the rehearsal bays, however, initial costs were higher than expected. As a more cost-effective alternative, AC-SP project manager, Chris Little specified Sixty82 fixed ladder truss grids into each rehearsal bay, along with a 3m motorised truss using Columbus McKinnon D8+ Model F motors and Kinesys load monitoring and control.
One of the key requirements from the building owner was that all of the truss had to be installed above the bottom of the timber horizontal beams. This was technically challenging, as a requirement from Motionhouse was to get the rigs a close as possible to the centre beam between each rehearsal bay. The buil
South Africa - The South African Roadies Association (SARA) has invested in an Absen D3V indoor/outdoor LED screen consisting of 150 panels and a Green Hippo Karst+ Media Server from local distributor DWR Distribution.
SARA - a non-profit training organisation based in Newtown, Johannesburg – acts to provide students with skills across lighting, audio, staging, power, rigging, AV and production specialties through a hands-on training and tutoring programme.
Freddie Nyathela is the heart behind SARA and he has fought to get the programme off the ground. Students with limited resources are given the opportunity to join the entertainment industry and many reputable technicians have passed through his establishment.
The investment of a new Absen D3V screen and Green Hippo Karst+ was funded by the National Lotteries Commission (the NLC).
Nyathela explains: “The equipment is crucial for SARA’s training. The purpose of purchasing this equipment is not to compete with anybody’s business or with any hire companies. The main focus is for students to touch, to play and to have access to hands on training with the latest technical gear. We will also assist some of the SARA graduates who have set up their companies and need gear for an event. They don’t have large budgets and we will loan it to them at a minimal rental fee.”
In addition to providing the kit, DWR Distribution has also committed to present a range of training courses from lighting to audio, fixture service workshops and a list of other topics, to SARA students.
Australia - Playing bars and clubs in their native Des Moines, Iowa in the 1990s, Stone Sour got their name from a popular drink that mixed one-part whiskey with one-part orange juice and a splash of sour mix. In the years that followed, the Grammy-nominated multi-platinum band has attracted a global fan base with its own cocktail mix of metal and alternate rock sounds.
The band’s performance revolves around a simple concept: rock hard, rock loud and be ferocious. This nonstop intensity led Scott Warner to feature the high-output Nexus Aw 7x7 in the first lightshow he designed for Stone Sour in 2017. This December, he went back to the same fiery well again, using the warm white LED panels for his client’s co-headline appearance with The Offspring at Australia’s Good Things Festival.
“I really liked the way these panels worked on my last tour with Stone Sour,” said Warner. “So, when I learned that they were available for this festival run, I didn’t hesitate to add them.”
The Good Things Festival takes place on consecutive days in three cities: Sydney, Melbourne and Brisbane. A leading hard rock and metal event in Australia, the festival draws passionately dedicated fans that come seeking intense sounds and sights. Stone Sour and Warner didn’t disappoint. Along with the band’s heavy guitar riffs, double bass drums and growling vocals by frontman Corey Taylor was a bright, searing and punchy lightshow with plenty of audience lighting from the Nexus Aw 7x7 fixtures.
“I focused the Nexus units so they would punch up the inc
Australia - Pro AV Solutions Queensland and avt installed AMX SVSI Networked Media Solution at The University of Southern Queensland (USQ) to create flexible teaching spaces leveraging the university’s standard network infrastructure.
With campuses in Toowoomba, Springfield and Ipswich, USQ offers courses in law, health, engineering, business, education, arts and the sciences. USQ recently deployed a series of POD-based learning and teaching techniques to facilitate interconnectivity both within and between campuses. USQ turned Pro AV Solutions Queensland and avt to design an affordable and easy-to-use AV solution. Pro AV Solutions Queensland suggested the AMX SVSI networked media solution, capable of delivering high-definition audio and video with minimal latency across a variety of end-points on multiple campuses.
"We realised that we couldn’t approach this project with a traditional AV technology platform due to the scope of the network,” says Marc Braganza, sales & business development manager, pro AV solutions Queensland. “USQ wanted to bring content closer to students across three campuses. We needed a unique solution that could distribute massive amounts of audio and video over several devices using standard network cabling and IP technology. We chose the AMX SVSI networked media solution because of its flexible, affordable, and it distributes content over the entire network without instantaneously.”
The AMX SVSI network media solution enables USQ to create a complete digital media distribution solution. Students and staff can q
UK - Lighting and visuals rental specialist Colour Sound Experiment supplied lighting and LED screens for the recent tour by UK rockers You Me At Six, which promoted their latest album VI. The tour also celebrated 10 years since their first album Take Off Your Colours catapulted them to the top of the charts.
Haydn Cruickshank (H) and the team at Colour Sound worked with Jamie Thompson from MIRRAD who co-designed set, lighting and video together with Dave Cohen, with Cohen directing lighting and visuals on the road.
Thompson explains that the design brief was to create “something big, epic, memorable . . . and cost effective”. Additionally, the band wanted to play two completely different sets - one comprising music from the first album, and the second featuring songs from the latest one and the other four in between. So, the idea was that the show would alternate between these, each with its own look and style.
Taking the Roman ‘VI’ from the album artwork was a visual starting point, Thompson and Cohen wanted to introduce some V-shapes to the stage architecture and accentuate the perspective and depth of the space.
The proposed multi-layered V-shaped risers fronted with LED video panels set the tone with a look that was both striking and practical to tour and build each day. “They are an energetic band, so we wanted to offer them lots of layers and levels to jump and run around on during the performance,” explains Thompson.
Upstage of the set risers were four tall portrait format video screens, hung on angles m
The Netherlands - Marking its 10th year as a major LED exhibitor at ISE, Absen will celebrate its 10th straight year as ta leading Chinese export brand for LED displays. In Amsterdam, ISE attendees will experience Absen’s largest ever stand, covering an impressive 264sqm.
This year, Absen will focus on the Fine Pixel Generation - the company’s new line of narrow pixel pitch displays. During ISE, Absen will launch a number of indoor and outdoor LED solutions that are sure to satisfy all manners of fixed installation, rental & staging, control room and corporate applications.
The company will also showcase its latest LED solutions for retail, live events and entertainment, as well as OOH and sports venues. This inventory will include the successful Polaris and N-Plus ranges; ensuring that the company’s regional partners and global BUs are up-to-date on Absen’s full LED solution offerings.
Lastly, Absen is also due to partner with a number of leading providers within its ISE booth and beyond. The company will use PIXERA media servers from AV Stumpfl on its LED displays, as well as collaborating with Green Hippo / Notch on an interactive LED archway. Absen will also enjoy product sponsorship placements with Peerless-AV and RAI Amsterdam itself.
UK - Sister companies Shooting Partners and Anna Valley have merged under the Anna Valley brand, which has been redesigned to represent a broader service offering and modern style. A new, responsive website has also been created to support the new brand.
The two companies were subsidiaries of the Shooting Partners Group, which launched in 1989 as a camera-hire business and expanded to include AV technology, with the acquisition of Anna Valley in 2000. This announcement comes three years after the Shooting Partners Group underwent a management buyout and follows considerable business growth in existing and new markets. As well as establishing a new AV integration business unit and significantly increasing their rental business year-on-year, in 2017 the group also purchased live event specialists, Matrix UK Solutions which remains unaffected by this re-brand.
The decision to bring Shooting Partners into the Anna Valley stable is motivated by a number of factors, including the convergence of the audio-visual and broadcast sectors and the increasing use of professional camera equipment in the events and corporate markets.
Anna Valley will now offer an end-to-end, production-to-presentation service, providing the expertise and technology for innovative video projects.
“2019 marks our 30th year of operation in the video production and AV sectors,” says Anna Valley managing director Steve Jones. “The company has grown significantly over the last three decades and it’s appropriate for the brand to be updated to reflect our current state, f
USA - Panduit Corp has acquired global AV manufacturer Atlona.
As part of the acquisition, the Atlona team will join Panduit’s Enterprise business group. Atlona will continue to serve its customers from its global headquarters in San Jose, California for all sales, customer support, and training related inquiries.
“Atlona has been at the forefront in developing cutting-edge AV technology that embraces the full potential of the convergence of AV and network infrastructure,” explains Dennis Renaud, president and CEO of Panduit. “Their industry-leading solutions complement Panduit’s extensive physical infrastructure portfolio, which will allow us to offer customers a quality end-to-end solution as they move to increasingly complex network infrastructure systems.”
Ilya Khayn, Atlona CEO adds, “There are strong synergies between our companies including a culture of providing innovative, high-quality, customer-driven products, along with outstanding customer support capabilities. This partnership will ultimately provide our market channels with a single-source solution and expand our footprint globally.”
Panduit Corp. develops physical infrastructure management solutions. The company serves education, computing, network, operations, storage, healthcare, government, energy, machine building, and shipbuilding industries through a network of electrical, electronic, network, and industrial automation distributors worldwide. Panduit Corp. has strategic alliances with Cisco Systems, EMC, IBM, and Rockwell Automation. The company was foun
UK - Billed as the glorious finale to the Flat Season, QIPCO British Champions Day brings together leading jockeys, horses, trainers and owners from Europe and beyond for one of the most prestigious fixtures in the UK sporting calendar.
As a grand finale to the proceedings, the 2018 event closed with a suitably grand after party for over 5000 guests. The event was staged within a giant Igloo domed roof structure provided by Fews Marquees which was built on the lawn directly adjacent to the main grandstand at Ascot Racecourse. The party featured performances from House of Angels, Ella Eyre and culminated in an epic DJ set from Jax Jones.
Working on behalf of clients Generate Events, Light Fantastic provided full technical support to the show, including lighting, audio, video, staging and rigging along with design and fabrication of a host of bespoke scenic elements.
Andrew Maxted, project manager at LFPS remarked, “Our clients presented us with a really exciting brief for the event, which included a giant ‘boom box’ as the central theme. With this in mind, we created a high impact stage and lighting design to look like a huge ‘retro portable stereo’ incorporating all the old-school controls you’d expect, plus the all-important client branding.”
The team installed a number of overhead trusses to support all production elements including lighting, audio, LED wall and scenic elements. Lighting trusses housed a mixture of the company’s Robe MegaPointe, LEDBeam 150 and LEDWash 600 fixtures, plus Clay Paky Stormy strobes for added spa
Ireland - Thousands of people witnessed Dublin’s New Year Festival with a light show that illuminated the landmark Custom House and River Liffey. Lighting designer Matthew Kilmurry, of Kilmurry Design, controlled the spectacular effects using two Avolites Tiger Touch II consoles.
More than 40,000 people enjoyed the New Year’s celebrations in Dublin, with millions watching live TV coverage of the ‘Midnight Moment’. This was billed as a ‘dazzling lighting spectacle’ featuring a ‘thrilling choreography of lasers and aqua beams’.
“My brief for the event was to light up the sky and surrounding areas of Custom House Quay in Dublin city centre. The lighting needed to be dynamic, original and totally in-sync with the six-minute music piece that played at midnight,” says Kilmurry. “I pre-programmed to timecode, using Capture and a Tiger Touch II at home before the event - there were about 300 cues in six minutes.
“I was really impressed with the timecode features in Avolites’ Titan operating system - the timecode learning really saved me so much time, and the fact you can run infinite cue lists from the same timecode input. I had around eight cue lists running consecutively and over 300 cues and every time the timecode playback system triggered the show ran flawlessly.
“The Key Frame Shape generator is also incredibly powerful, especially when you have 80 movers lined up along a river, you can get some really beautiful effects.”
Both Tiger Touch II consoles were supplied by Production Services Ireland, with Ciaran
UAE - Protec was called upon by Envie Events to provide full AV support for Bao: The Final Frontier EDM festival at Meydan Racecourse, Dubai.
Bao attracted large crowds to the theatrical display and line-up of world class DJs. Artistes included the top 2 DJs of the DJ Mag top 100 Martin Garrix, and Dimitri Vegas & Like Mike as well as heavyweights Afrojack, Don Diablo, Nervo, R3hab and more.
Mel Deighton, Protec’s project manager, worked closely with other suppliers to make sure the show was delivered beyond expectation and on time. Faced with considerable challenges along the way, he credits his team on delivering under pressure.
“Due to the complexity of the production we were on-site 11 days for set-up, two days for the show and we were fully loaded out two days later. It was a challenging build which required cooperation with the staging company. Our LED and lighting needed to be rigged intermittently and built into the structure which took some extra time and careful planning. Unfortunately, we got unlucky with the weather as a thunderstorm hit us a few days before show meaning our timeline was significantly affected. Thankfully we had ample resources and a committed team to ensure we delivered on time and as promised.”
Protec’s Chris McAleese operated audio at FOH and he gave us an insight into what he used to deliver sound that had both the crowd and DJs completely immersed in the moment.
“We used 32 of the powerful L-Acoustics K1 line array (16 a side) and 30 of the classic but phenomenal L-Acoustics V-DOSC (15 a