Video and AV

Details

14 March 2016

Aside from the music, the video production delivered a spectacular environment with LED screens surrounding all 360 degrees of the national bowl and with weird and wonderful performers and the combination of LED light displays, pyrotechnics and lasers, it was clear that Electric Fly wanted to make the event just as visually appealing as the music itself.

Musically, this year's EDC delivered a diverse line up of producers. Avicii's 80 minute headline set brought the show to a close and as the sky became pitch black, the Electric Daisy Carnival came into its prime.

The epic showdown of pixels started with Electric Fly, and the Uber-creative team of Nick Jevons & Philip Winward of Electric F

Details

14 March 2016

Featuring on MultiTouch's stand will be an interactive wall comprising 8x 55" Ultra Thin Bezel MultiTaction displays showing MultiTouch's MultiTaction Experience app. MultiTaction 55" tables will also be on display, demonstrating a range of applications including a bespoke Glenfiddich whisky application.

"We're delighted to be involved in this prestigious event," says Hannu Anttila, vice president of business development at MultiTouch. "It's a privilege to be able to demonstrate to attendees at Integrate Expo the technology behind the unique QUT Cube, albeit on a smaller scale, along with our most

Details

14 March 2016

The primary benefactor of Discovery Park of America is the Robert E. and Jenny D. Kirkland Foundation, which has donated approximately $80m to the creation of the park and endowed a programme for its continuing operational support and expansion. As long-time supporters of education in the area, the Kirklands have given Discovery Park the mission of enhancing the educational experiences of children and adults, and inspiring them to see beyond their current level of knowledge.

The Discovery Centre's diverse array of ga

Details

14 March 2016

"We chose the EPT9IP panels for a couple of reasons," states Howard Jones, president and owner of Nashville-based Digital Console Rental, the sole production company for Gilbert's current Let it Ride tour. Digital Console Rental provides audio, lighting and video for the tour, a rig that also includes Elation Platinum Beam 5R Extreme fixtures.

"First, the screen looks great and the resolution is high enough for touring work," he says of the 9 mm pixel pitch EPT9IP panels. "Second, it is IP65 rated and has the output for outdoor use." Designed for professional touring, the spring leg of the tour was t

Details

14 March 2016

Says the company, "Our new location enables us to stock more products on the shelves as well as offering a dedicated demo area for customers to come and test equipment. In addition to this, we will also be creating a client lounge where you can relax and meet our team with a drink and if you need to work, you can utilise our hot desking facilities."

(Jim Evans)

Details

14 March 2016

CPL's MD Matthew Boyse says, "For some time we been considering the harnessing of fresh new talent at school leaver age rather than after University, with the idea that they can then grow and develop their career at CPL, which offers a diverse range of job opportunities in many specialist fields."

CPL devised the module-based course that will incorporate all elements of TTS including audio, lighting, AV, project management, stage management, administration, etc. It's been designed to offer a basic

Details

14 March 2016

Over that last two years we have had two very successful Product Design internships within our Product Department, so continuing on the streak we have new intern Bella Reid, also from Brunel University, just like her two predecessors.

Bella Reid is studying Industrial Design and Technology at Brunel and has already completed the first two years of this tough degree. Bella explains: "I chose this course because it encompasses everything I love and am passionate about into a technically grounded and well rounded set of skills from drawing, graphics and practical work to programming, engineering, applied physics and human studies. You become a jack of all trades in some senses. And I decided on Green Hippo for a placement because of the family vibes. I felt I would ac

Details

14 March 2016

"It was very nice to be able to illuminate the audience with colour coordination based on the mood of the show," said Todd Roberts, president of Visions Lighting. "As an artist Marco Antonio Solis is very one-on-one with his audience. The Nexus 4x4 panels were extremely helpful in allowing us to highlight diff

Details

14 March 2016

The RC-43T uses proprietary KNET protocol to power and communicate over a single cable and between Kramer products. Easy to use front panel buttons are touch-sensitive and give press confirmation using LED lights. The slimline unit measures 6.9cm x 1.6cm x 11.4cm (2.72" x 0.63" x 4.5" W, D, H - US) and matches 1-gang US wall plates. Rugged and robust, the RC-43T is made for extensive use and brings significant return on investment, says the company.

Speaking about the new innovation, Ezra Ozer, vice president marketing at Kramer Electronics said, "Created with the end

Details

14 March 2016

Massive Attack are well known for their innovative and original use of video to reinforce the message of their music and their immersive and visceral live shows. They use video to engage audiences on a cerebral level as well as delivering great music. Sometimes controversial, always passionate and heartfelt, their message and exploding some of the myths and realities of mediated propaganda circulated in daily news . . . is at the essence of any Massive Attack show.

The band have been developing their own highly distinctive text based style of video content ever since first incorp

Details

14 March 2016

Designed to appear as if they were floating in the crowd space rather than flanking a festival stage, Star Events Group cantilevered the screens off the front of twin 20m VerTech platform wings, hiding the masts and roof grid supporting the seamless landscape video palettes.

Pete Holdich, head of structures at Star Events, comments: "It took a lot of planning to work out how it could all be achieved. There were 18m by 10m screens either side of both stages with a header linking them across the proscenium and a traditional backdrop screen behind the artist, all mapped together."

Production manager/director at LarMac Live, Ian

Details

14 March 2016

Acknowledging that a growing trend for 'flip teaching' would affect the way in which their lectures would be delivered in the future, the university took the decision to supply comprehensive video tutorial, web lecture and online learning facilities 'in house'. In order to achieve this, a dedicated AV studio was built at Erasmus, forming part of the Media Support Centre which is the central knowledge point for audiovisual services and communication technology.

The 'flipped classroom' is a form of blended learning in which students learn new content online by watching video lectures away from the classroom. As a result, time in the classroom is used by the teaching staff for p

Details

14 March 2016

Offering a full video pixel slice with some very practical as well as innovative and creative properties, LightSlice was designed in the UK using Japanese components and assembled in Korea.

In its native form the slice's 10mm pixel pitch allows a true 10mm display surface. But the product really comes into its own when creating variable pitch displays with video effects and organic shapes to complement highly creative stage and set designs.

The digiLED Navigator-NV processor makes sure the content is perfectly mapped on the display and resolutions can be scaled to any custom requirement based on array alignment. With multi

Details

14 March 2016

The event is aimed at meetings professionals, conference organisers and event planners. Visitors will be able to experience the latest technologies designed to provide maximum impact and engagement at any event.

Saville business manager for Leeds, Ann Seddon explained: "The Pavilion is an excellent venue and offers the opportunity for us to demonstrate our large screen and LED videowall technologies in an authentic environment. Visitors can see exactly how these new technologies can enhance th

Details

14 March 2016

It was the largest amount of screen supplied to date to the festival with which XL has been involved for the last five years via creative and technical production specialists, LarMac LIVE. The production values for this year's event were significantly increased following excellent results last year and to keep at the forefront of the vibrant European festival scene.

Three XL project managers - Steve Greetham, Paul "Macca" McCauley and Connie Glover - co-ordinated the project on site due to its scale and the tight timescale.

Around 70,000 dance music fans enjoyed an impressive

Details

14 March 2016

Colour Sound's team was again led by crew chief Jon Rickets, and they all worked closely with creative and technical production specialists LarMac LIVE to achieve spectacular results as the clubbing event, which sold out to its 70,000 capacity, pushed new heights of production excellence. Colour Sound has enjoyed an association with Creamfields since the first event in 1998.

Now a global brand of huge significance in the buzzing world of EDM, this year the line-up included open air stage headliners Avicii and deadmau5 (Saturday) plus Calvin

Details

14 March 2016

It was only a few years ago when managing director Neil Trenell was working single-handedly on projects and events using Hippotizer. These days his company employs 10 staff and owns more than 30 Hippotizer units, which have been used to run an average of 120 shows and events each year.

In the last couple of years FIX8Group has hired a few talented and experienced designers and programmers. Two years ago Nick Charalampidis, formerly of Green Hippo, joined FIX8Group as technical manager. And more recently, since early 2014 John Montague is bringing extensive experience and a long history in video design, programming and visual production to the company.

For a corporate event in Tenerife, FIX8Group created a huge immersive 360-degree projection screen which allowed 1400 de

Details

14 March 2016

Stardraw's symbols library has been a work in progress for over 20 years. Since the advent of the Symbols Request service in 2002, Stardraw's specialist symbols department has received almost 13,000 product requests, of which 95% have been published. On average, the company receives around 100 product requests per month.

The result is that Stardraw's symbols portfolio represents the largest, high-quality graphical library available to the professional AV industry from a single source: all symbols are generated in-house by Stardraw's Symbols Department according to an established data specification. This means that regardless of the original data or what the symbols might represent, a qualitative standard is m

Details

14 March 2016

Digital Revolution: An immersive exhibition of art, design, film, music and videogames, which opened on 3 July and which closes on 14 September, is described as "an immersive exhibition of art, design, film, music and videogames" and "the most comprehensive presentation of digital creativity ever to be staged in the UK". The exhibition will tour the world after its London run.

The BrightSign media player is normally deployed in digital signage applications. It is, however, characterised by its ability to deliver content to a screen with absolute accuracy and reliability, and this capability was critical for the designers of Digital Revolution, 59 Productions.

"We specif

Details

14 March 2016

Neets Switching Relay - 8 incorporates a full range of options for real-time system control, including RS-232, IR or LAN. The unit is designed to join AV control systems, to facilitate seamless integrated relay switching functions. All functions are easily configurable through LAN using Neets configuration software or third party systems, making the Switching Relay-8 a valuable tool for demanding applications.

The IEC Mains Adaptor option extends versatility by c

Details

14 March 2016

Located adjacent to the main A12 trunk road, by the old Ford works, London's most recent Lighthouse roadside installation features its Impact 10 LED screen measuring 12.16m x 2.88m, controlled by the company's proprietary LIP-HDI M5 technology.

Commissioned by Outdoor Plus, the screen is mounted on a bespoke steel tower, designed, manufactured and installed by London-based SIS Digital. Outdoor Plus has commissioned a number of outdoor advertising screens using Lighthouse panels, including the iconic 'Twin Towers' East and West installations by the A13 and A4 respectively.

"Lighthouse LED screens are a tried and tested product, robust, resilient and they offer the level of f

Details

14 March 2016

More detailed information, such as protocol and user bit checks, is accessible through an external application via USB and Bluetooth. The integrated signal generator makes ANNA-LISA a convenient, all-round tool for any MADI environment. The device is powered by an integrated battery and chargeable via USB.

Over the past five years, DirectOut has acquired an excellent reputation as an audio transport specialist providing all kinds of converters, routers and little problem solvers for MADI en

Details

14 March 2016

Taking care of mixing cameras and content for the main stage video screen, the Roland V-1600HD multi format live video switcher played an integral part in the tour. Chosen for its versatility, compact design, high channel count and the ability to accept a variety of video input formats out of the box, the V-1600HD proved to be an appropriate solution. XL Video, supplied the V-1600HD.

"XL Video suggested the V-1600HD to me while I was on the road with Elbow, I liked the sound of the functi

Details

14 March 2016

The high profile event, held annually by the Academy of Television Arts & Sciences, was broadcast live on NBC 25 August from the Nokia Theatre in downtown Los Angeles.

"The televised event required the high resolution video equipment that we specialize in," said Pete's Big TVs vice president Guy Benjamin.

Pete's Big TVs provided nearly 500 of the CS5 5mm LED tiles, two Barco HD-W26 projectors (double-stacked at the FOH) and their crew to fulfill the set requirements from production designer Keith Raywood.

The 500 CS5 LED tiles were fashioned into five screens in the set. Two tracking screens mid-stage at stage left and stage right measured 13 tiles high by seven tiles wide. Two "tower" screens at t