UK - Trending in Twitter’s top 3 on the night, the #LightItInRed campaign saw over 670 buildings, monuments, landmarks and structures all over the UK illuminated in ‘Emergency Red’ on 6 July (Monday) to highlight the vast challenges facing the live events, music and performing arts sectors.
The action was organised by Steven Haynes from Clearsound Productions and Phillip Berryman from The Backstage Theatre Jobs Forum. It energised theatres, arts centres, live music venues, technical production and rental companies and associated individuals and freelancers everywhere, who were able to enjoy the camaraderie of working together once again on a massive national event with real purpose, after many months of the industry being closed and shuttered.
On the eve of the event (Sunday) the government announced a £1.57bn financial assistance package for arts and culture including live music venues, independent cinemas and heritage sites which has been widely welcomed by everyone.
Noted structures illuminated in red included The Eden Project in Cornwall - where GLX lit all eight of the inter-linked geodesic transparent domes; Blackpool Tower which turned its permanent LED lighting scheme red for the night and the elegant metal skeleton of Glastonbury’s Pyramid Stage in Somerset, which shimmered red thanks to the work of locally based rental company, Fineline.
The furthest North red installation on the UK mainland was Aberdeen Art Centre Aberdeen in Scotland and the furthest South the Apollo Theatre in Newport, Isle of Wight. To the West, it was t
UK - SARM Music Bank in northwest London has transformed its rehearsal rooms into COVID-compliant live streaming, recording and session spaces in partnership with local rental specialists, Colour Sound Experiment.
Each studio now has a fully equipped, modular and scalable lighting, video and multi camera system ready to go. FOH, monitor and broadcast mixing are taken care of in house. Dedicated leased line broadband along with Source Connect is available if needed, and a suite of breakout rooms including dressing room, artist lounge, manager's office, interview rooms and a kitchenette are part of each studio.
Each step of the process has been carefully considered to ensure that artists and crew can operate safely, from a socially distanced chauffeur to contactless catering options.
Haydn Cruickshank, managing director of Colour Sound Experiment, was contacted by a band wanting to do a live stream. “Just down the road, Music Bank’s premises were already almost tailor made. They have a world class selection of Backline equipment for hire to complement Colour Sound’s vast lighting and LED stock, it was a perfect choice.”
Music Bank director Jimmy Mac had already been exploring the idea of setting up a semi-permanent flexible installation, to help artists still reach their fans. The rooms have been set up with a starting framework which can either support existing touring rigs or be enhanced using the two companies pooled resources.
“As soon as it became clear the live sector would have to write off this year, I started to look a
Germany - The Hyperbowl studio has just opened its doors at Expo Munich, offering the largest virtual production space in Europe.
ROE Visual was selected as preferred partner to provide all LED screens for the studio, a concept by ACHT and NSYNK, realised by TFN in corporation with Fournell.
Trying to find alternative platforms for tradeshows and live events while the COVID-19 restrictions are in place for large scale events, companies are offering inventive solutions that involve a mix of live presentation with virtual audiences, so-called hybrid events. ROE Visual LED screens are increasingly used to create large, visual displays for these types of events, due to their perfect on-site as well as on-camera performance.
Early April, TFN set out to present their format to several interested parties, after which they were contacted by the Expo Munich. The Expo Munich fortified its interest, based on feedback from several of its clients, some of which from the automotive industry, and continued the conversation with TFN. The decisive factor being the Expo Munich providing a 10,000sq.m venue to build the virtual environment.
The virtual studio could be employed at least till September 2021, encompassing the annual car show, normally planned at this time. This interest in a virtual studio environment for an extended period, opened doors to look int the actual investments needed and parties to involve in the implementation and execution of the work involved.
Appointed to supply the LED screens and further technical infrastructure Fournell turn
UK - Last night (6 July), some of the UK’s most iconic venues and landmarks were lit up in ‘emergency red’ as part of the #LightItInRed campaign to draw attention to the critical condition of the live events and entertainment industry. A glimpse of hope was given to Britain’s arts industry on Sunday evening (5 July), as £1.57bn was pledged by the government – yet the supply chain behind the production of live events and festivals, including many freelancers, is still awaiting clarification as to what support they will be offered.
Unlike other industries, live theatre, outdoor events, concerts, festivals and performances have been unable to safely resume due to social distancing guidance and other restrictions. Many predict these events may not resume until 2021. The #LightItInRed campaign aims to draw attention to the often hidden workforce behind such events, many of whom are not eligible for any of the government COVID-19 financial schemes – putting further strain on the sector.
Inspired by Germany’s #NightOfLight protest which took place in June, the #LightItInRed campaign saw hundreds of buildings and landmarks across the UK illuminated, from Cornwall’s Minack Theatre, Glastonbury’s bare Pyramid stage, Brighton’s famous pier and the Biomes of the Eden Project, to London venues including The Royal Albert Hall and the National Theatre, and further north to the Blackpool Tower, Liverpool’s Everyman Theatre, Theatre Royal Dumfries and countless other sites. Industry companies taking par
UK - After weeks of relentless campaigning, the British arts sector has been promised a coronavirus bailout worth £1.57bn.
The funding was announced late on Sunday evening, with the UK government stating it represents “the biggest ever one-off investment in UK culture”.
The package includes:
- £1.15bn support pot for cultural organisations in England, comprising £880m grants and £270m loans;
- £100m of targeted support for the national cultural institutions in England and the English Heritage Trust;
- £120m capital investment to restart construction on cultural infrastructure and for heritage construction projects in England;
- extra £188m for the devolved administrations in Northern Ireland (£33m), Scotland (£97m) and Wales (£59m).
The news follows the government’s announcement of a roadmap to reopening, which was heavily criticised by the sector for lacking investment and timeframes.
Commenting on the funding scheme, chancellor of the exchequer Rishi Sunak said: "Our world-renowned galleries, museums, heritage sites, music venues and independent cinemas are not only critical to keeping our economy thriving, employing more than 700,000 people, they’re the lifeblood of British culture. That’s why we’re giving them the vital cash they need to safeguard their survival, helping to protect jobs and ensuring that they can continue to provide the sights and sounds that Britain is famous for."
UK - Artists including Sir Paul McCartney, The Rolling Stones, The Cure, Radiohead, Coldplay, Dua Lipa, Annie Lennox, PJ Harvey, The 1975 and Blur are among the names demanding immediate action to save live music in the UK by signing an open letter to the UK government's Secretary of State for Digital, Culture, Media and Sport, Oliver Dowden. The move is a bid to “show the vital importance of the UK’s live music industry, ensure the Government cannot ignore live music and make noise to get the public and financial support the industry needs to survive”.
The full letter reads as follows:
“Dear Secretary of State,
“UK live music has been one of the UK’s biggest social, cultural, and economic successes of the past decade. From world-famous festivals to ground-breaking concerts, the live music industry showcases, supports, and develops some of the best talent in the world – on and off-stage.
“As important as it is, our national and regional contribution isn’t purely cultural. Our economic impact is also significant, with live music adding £4.5billion to the British economy and supporting 210,000 jobs across the country in 2019.
“Like every part of the entertainment industry, live music has been proud to play our part in the national effort to reduce the spread of Coronavirus and keep people safe. But, with no end to social distancing in sight or financial support from government yet agreed, the future for concerts and festivals and the hundreds of thousands of people who work in them looks bleak.
USA - E2i Design’s Josh Holowicki had no hesitation in specifying GLP’s X4 Bar 20 as an essential component in a major technological upgrade at Church of the Highlands’ Grants Mill broadcast campus in Alabama.
E2i has been a partner with the Church since 2012, providing solutions for their broadcast and extension campuses with lighting and LED video technology. But this latest project was a year in the making due to their determination to select the very best fixtures and build flexibility within the already constructed worship facility. In their determination to create a ‘tour grade’ technical infrastructure, the visual upgrade to the stage space is an exciting and ongoing process.
“Ultimately the technical and visual directors of the Ministry wanted the ability to re-configure their stage design any way they wanted without limitations,” Josh Holowicki explains. “This would allow for virtually unlimited possibilities and the style of the system we designed, which essentially is a portable rig in a permanent space, allows for just that.”
Church of the Highlands is described as “a high impact worship environment that embraces the active use of technology to help create and support an exciting experience” and therefore utilising the latest lighting and visual technologies was essential.
Within this context, the X4 Bar 20s are more than just ‘eye candy’. “They provide incredible visual punch for the stage,” Holowicki says. “At this point we have 18 units on stage with the hope of adding additional units in the fut
UK - Audio-visual and entertainment technology supplier Anna Valley has built its first off-site online event studio at indigo at The O2, transforming the iconic music venue into a live-streaming studio.
After being closed for over three months due to the COVID-19 pandemic, the popular South East London venue can now host online events for corporate and agency clients using the solution from Anna Valley.
Anna Valley launched the online event studio in June via a live stream demonstration of their in-house studio setup in West London. Online event studio clients were offered the option of hosting events from the audio-visual company’s 42,000sq.ft facility or having a customised solution built at a venue of their choice. The new installation at indigo at The O2 now provides London-based event agencies and corporate clients with an alternative off-site venue for virtual events, in a central location that offers all the benefits of a professional event space.
Anna Valley have already completed the studio installation at The O2, including a high-resolution LED backdrop and a multi-camera setup with record, edit and playout capability from the venue. The indigo team will provide audio and lighting equipment along with all the necessary security, safe working, housekeeping and parking needed for events.
“Anna Valley subsidiary, Matrix UK Solutions, has worked with and enjoyed a successful relationship with the indigo team for many years,” says Anna Valley MD, Peter Jones. “Installing our online event studio at indigo at The O2 provides ou
UK - Live From The Polar Bear heralds a return to live music from COVID-19 lockdown, with VMS Live supporting the Polar Bear and Sesh, presenting a 12-week series of gigs, starting 30 June 2020.
Shows will be live streamed from 8.00pm, with the first sessions featuring The Hubbards and Alice Simmons.
Other acts already confirmed are King No-One with Kitty VR, Polo and Lucy Tessier, Talk More and Jack Conman and Fever with Aimee Duncan.
VMS Live CEO Bert Van Horck comments, “We’re all passionate in our love for live music and very excited to be taking this first step back towards feeling the energy of a live gig again. Performing is a highlight for any artist, creating a special bond with their audience and we are providing a safe stage with high quality technical support to enable that. With social distancing limiting our ability to fill the venue, we will be capturing the chemistry and talent of these bands’ performances and streaming them to a wider audience.”
The Polar Bear is a favourite local, 200 capacity, venue, with bands and audiences. At the heart of the city’s live music and comedy scenes, its state-of-the-art sound system sits in stunning art deco surroundings and organisers are planning a unique set for these shows. The SESH is a weekly night held at the Polar Bear, which has showcased up and coming local talent for 18 years, with an annual festival. Venue management and music service specialists VMS Live is the third partner in this collaboration, bringing a welcome return to the live stage for bands.
UK – AED Group has launched a ‘Mid-Air Disinfection System’ (MADS) for the UK market under its Luxibel brand.
Developed since the COVID-19 pandemic hit, it is made up of UVC ventilation cylinders that disinfect the air using UVC light technology. It has been specifically designed to cater for larger spaces with an audience where air circulation needs to be taken into account.
Glenn Roggeman, CEO of AED Group, used his knowledge of aerodynamics gained during his training as a helicopter pilot to drive the design forward. He comments: “This system sucks air breathed out by people into our aerodynamically-patented system. Micro-organisms such as bacteria and viruses are neutralised, meaning germ-free air is blown back into the room.
“When we are able to meet up again in enclosed spaces with groups of people, air disinfection will contribute to reducing infection rates. I personally would also feel more comfortable and secure visiting locations that have this kind of system installed.”
Last week, Signify (formerly Philips Lighting) published the results of tests on UVC light on the coronavirus. According to researchers at Boston University, UVC has proven to be effective at eliminating coronavirus. Through scientific testing they concluded that UVC radiation is highly effective in neutralizing the coronavirus. There is no risk of harmful radiation to people, as Luxibel carries out the UVC disinfection process within a fully-enclosed device.
Roggeman emphasises that UVC disinfection can be an important part of the multifaceted ap
Japan - Founded in Los Angeles in 2012, 800º Degrees Woodfired Kitchen boasts eight outlets across the US, two in the Middle East and three in Japan. The latest, at the Tokyo International Forum, features a Yamaha background music system.
The first 800º Degrees restaurant in Japan opened at Tokyo’s Shinjuku City, followed by one in nearby Minami Aoyama. The latest is in the heart of the city’s Marunouchi business district, with seats for 100 diners and a VIP room for 10 people.
“While maintaining the core Californian brand and taste, we have a dedicated concept for each restaurant, with a specially-designed interior and menu in each location,” says Mr Kazuma Suzuki, general manager of the market development department of Lumine Co, the Japanese retail developer which has brought the 800º Degrees brand to Japan.
“The new restaurant is relatively large for this busy office district and we wanted to offer a stylish, cosmopolitan lounge space for businessmen and women in Marunouchi. We also offer a deli box and bakery takeaway service.”
Mr Suzuki recognised how the sound within a space is essential to creating an enjoyable atmosphere and customer experience, so a high quality audio system was an essential factor in the concept for 800º Degrees. Lumine contracted Mr Kohji Fujita, space planner at Hiranya Access Co, to design the audio system. He chose a Yamaha solution, thanks to its “combination of flexibility, audio quality and coverage”.
“The pizza kiln is at the centre of the restaurant, so I designed the system to c
Iceland - The National Theatre of Iceland has made the leap to digital with Sennheiser. Reykjavik’s premier arts venue regularly attracts large audiences who expect the very highest quality every time the curtain raises. When it was time to update the venue’s audio equipment, Sennheiser’s Digital 6000 wireless microphone system - including the SK 6212 mini-bodypack transmitter - was the choice for Kristinn Gauti Einarsson, head of sound at the theatre.
With three different shows every day and more than 10 premieres each year across its five stages, the National Theatre is operated with a leaner team and budget than most national theatres.
Einarsson shares the secret behind their success: he has worked with the same musical composer, set designer and director for six years. “It’s so amazing to start new, great shows with the same team. Our collaboration and coordination get better all the time,” says Einarsson. “We are successful because 90% of the job is communication - and good communication makes good shows.” This trust and relationship extend to the equipment as well: “Our theatre has used Sennheiser in the past and their products have been rock-solid.”
When making the switch to digital, the National Theatre chose to invest in a future with Sennheiser, acquiring a 32-channel Digital 6000 wireless microphone system with Sennheiser SK 6212 mini-bodypack transmitters.
Einarsson praises the combination of performance and simplicity that the Sennheiser system delivers: “We sometimes have three different shows per day, so e
UK - PLASA has launched #WeMakeEvents, a new campaign with the aim of amplifying the industry’s voice and gaining meaningful Government support. Central to the campaign is a video highlighting the vital role of supply chain companies along with the freelance community and the devastating impact of the coronavirus pandemic upon the live events sector.
PLASA is calling for people from across the industry to share the video across social media to give much needed exposure to the supply chain to events including production and rental companies, manufacturers and freelancers, to raise awareness of the need for longer term financial support.
In addition to sharing the video, PLASA has published two infographics illustrating the complexity of the live events supply chain and the typical arena show – which requires an average of 443 professionals spanning design, planning, preparation, warehousing, and venue staff. The graphics also show how valuable the sector is, collectively delivering £100 billion to the UK economy.
PLASA also encourages everyone to add their name to the campaign, and to send a letter to their local MP using the customisable letter samples which were created by a collective of PLASA, ABTT, PSA, SOLT and UK Theatre – details of which can be found here.
PLASA’s managing director Peter Heath comments: “We all know that the events industry has been devastated due to Covid-19, and we expect that the road to recovery will be a
USA - NEP Group in partnership with Skyway Studios has installed the first general-production LED' smart stage' in Nashville to support the local entertainment market as well as national broadcasts and live events.
Using the latest in Ultra High-resolution LED, the NEP-Skyway Smart Stage transforms the typical flat-wall stage into a true 3D environment, allowing for unlimited creative possibilities and a more natural exchange between the talent and the virtual space. Presenters and performers can walk on stage and immediately feel comfortable in the space, reducing or even eliminating the need for additional rehearsal time.
Designed to accommodate a full national touring act performing a complete concert in the space, the stage is the largest of its kind for production rental and offers a dynamic, virtual backdrop for a wide range of productions - including concerts, touring acts, news/politics shows and events, film and TV, entertainment and sports award and talk shows, still photography, corporate meetings/events and more. The 38ft wide x 20ft deep x 14ft tall stage is part of a 150,000sq.ft facility with many amenities
The facility opened its doors last week, featuring video content and 3D graphics developed by Lightborne Communications to give visitors an inside look at the creative possibilities of the technology.
“We couldn’t be more pleased with the opening of the Nashville Smart Stage. Our teams have worked very hard to build out the studio quickly with this technology,” said Graham Andrews, global president of NEP Live Events.
Europe - The ARRI System Group, part of the ARRI Group and virtual production technology company On-Set Facilities are coming together to service and deliver virtual production projects and provide integrated solutions for virtual production studios.
Director of technology and owner of On-Set Facilities Asa Bailey comments: “I’m very proud to have signed with ARRI to partner with the System Group. With this alliance, we can use our knowledge of virtual production systems to supply global clients with a lot more first class on-set technology. We can now design and provide complete, turnkey, on-set VFX and virtual production studio solutions with total confidence and better meet the growing on-set technology needs of major studios, production companies, and broadcasters.”
Founded in the Snowdonia Mountains of Northern Wales, building real-time, on-set computer systems, On-Set Facilities now has sales and support offices in Madrid and LA. The technology company develops a full range of on-set VFX and virtual production solutions covering in-camera VFX (LED), mixed reality (green screen), and fully virtual (in-engine) production.
ARRI’s regional business development director, David Levy, adds: “This partnership is one of many steps ARRI is taking to bring virtual production and real time solutions to our customers. We believe, especially in these uncertain times, in the value of these systems and how they will allow our customers to continue to make content and, more importantly, their art. Which we as consumers value more than ever.
UK - A cooperative of top-flight crew and suppliers have come together to launch The Collective Sessions to provide a cost-effective, ‘stream worthy’, fully functional live space, equipped with a full-scale production and adhering to COVID safety guidelines.
Offering adaptable space at Millennium Studios for rehearsals, live-streaming or the recording of live performances, the initiative is the brainchild of Simon Schofield, who has coordinated video teams for the likes of The Rolling Stones, Metallica and Arcade Fire, along with Suzi Green, tour manager for clients such as PJ Harvey, The Chemical Brothers and Marina. Having watched their livelihoods disappear overnight due to the pandemic, they felt strongly there must be a way to help both themselves and colleagues in the same situation and provide an economical platform that would benefit others.
Completing the partnership are Really Creative Media (RCM) providing a significant video package, plus GLS Lighting and Urban Audio Productions providing substantial lighting and audio packages. With this in-house core production setup already in place, costs to artists are minimised, with COVID safety guidelines adhered to.
Having all worked together across various tours and festivals, the team behind The Collective Sessions are putting their time, expertise and equipment into this on a cost and profit share basis. "Because we're all in this together, we're able to offer a significantly reduced rate for a fully resourced facility and it also means anyone hiring the space will be directly helping
UK - Specialist video integration effects company Lucid Technologies and sales, installation, hire, and production company Black Light have announced the launch of Edinburgh-based Black Light Virtual Studio powered by Lucid Technologies.
Lockdown prompted Black Light to immediately turn up the heat on discussions already ongoing with Lucid Technologies. The two companies have worked together to create a permanently installed, Edinburgh-based XR studio which enables customers to continue with production in a safe and socially-distanced environment - as though they were anywhere in the world.
The Black Light Virtual Studio powered by Lucid Technologies is a 5m3 studio and one of the largest in the UK. It easily allows for more than one socially-distanced person to perform within the space. As an environment to produce live or pre-recorded events it enables production teams and the wider entertainment technology industry to get back to work while all live venues remain closed.
The virtual studio combines action in both the physical reality, in which the performance takes place; and augmented reality, which enables production actions in physical reality, such as lighting movements from a real lighting console, to take place or be recreated in the virtual space.
Black Light’s spacious warehouse environment is well placed to socially distance all performers and members of the production team. The space available allows a staggered set up at least two metres between production desks to ensure a safe working environment.
UK - As global professional sports teams emerge into new COVID-restricted league and tournament seasons, TiMax Crowdscape has been created to restore an element obviously lacking that normally helps drive their endeavours - the crowd.
TiMax Crowdscape provides a live and interactive sonic cocoon of sound that immerses the players in realistic and responsive spectator reactions to the game. Studies have shown that player engagement, motivation and performance are hugely influenced by the crowd, and currently, of course, the lack of it.
Comments such as “a game without fans is a game without soul” have appeared in the press alongside emotive assertions about “that ecstatic communion between players and spectators.” Fans have begun to notice and there has been a growing demand from teams and players themselves to fill that void.
The Crowdscape system utilises a multichannel “bowl” sound system mounted in the seating bleachers and pointing in towards the playing area. One or more operators use iPads to trigger and variably spatialise selected crowd atmosphere loops as well as cheering, applause and booing spot effects, plus whatever other tailored content is relevant to the game and teams. Samples are spatially mixed to anywhere in the arena or stadium using individual iPad 3D panners, faders and triggers, and can be merged selectively into the existing house system for added energy and immersion. TiMax Crowdscape brings all this in an exclusive portable game-in-a-box package which includes on-board playback, spatialisation, mixing and syste
USA - Among the buildings devastated by the hurricane Harvey in 2017 was First Baptist Humble, in Humble, Texas, which had 18-inches of water in its sanctuary. Determined to rebuild its campus, the 111-year old house of worship gave itself a new name, United City Church, and remade its sanctuary interior, adding an advanced AVL system installed by Stark Raving Solutions that featured Chauvet Professional LED fixtures.
The new 1,200-seat church was scheduled to host services for the first time on Easter Sunday, 2020, but fate intervened once again in the form of the coronavirus. With the lockdown in effect, the church couldn’t reopen on schedule and had to limit itself to online streamed services. Almost two months later, however, with restrictions on public gatherings eased, the church was able to welcome limited groups of worshippers to its new sanctuary, following social distance guidelines.
Although many of its members continued to worship online, those in attendance got to experience first hand the immersive environment that United City’s technical director Chad Kirchoff and his team envisioned when they began working with Stark Raving Solutions on the new lighting system.
“The church wanted a completely fresh start in terms of the environment created in the sanctuary,” says Marcus Hammond, of Stark Raving Solutions. “They wanted a really modern lighting package - lots of color, movers and flexibility, so that’s what our team, led by Bret Hoskins, lead system designer for the UCC project, and Jason Lericos, SRS project manager, were
UK - Stage Electrics has been awarded the key contract to supply and install three new Zero 88 Chilli By-Pass Dimmers, ETC Element 2 Desk and new DMX infrastructure around the stage and FOH for the Shaftesbury Theatre in Dawlish.
This is the first step for the Devon theatre in moving from a traditional tungsten rig towards a more energy efficient LED solution.
Replacing the old dimmers with the new Zero 88 Chilli bypass dimmers offers the ability to swap between dimming or hot power, whilst the 10 new DMX points around the stage and front of house allows for increased flexibility for future productions.
USA - When Celine Orlando in Edison, New Jersey, the city’s newest entertainment venue, was being built, they knew they could rely on local industry pro, Kevin Clouden, GC Pro’s Business Development Manager to procure a reputable sound system. Clouden has been a top seller of pro audio gear in South Florida for the past several years. Celine’s owners knew Clouden’s expertise would steer them in the right direction - sonically-speaking.
Boasting a capacity of nearly 1,000 occupants, Celine Orlando is a multi-faceted entertainment space that hosts live music, corporate events, and private parties. It was created to fill the need for a centrally located, high-end entertainment complex.
Celine Orlando hosts five different spaces: a Speakeasy that takes guests back to the prohibition era, complete with antique furniture, elaborate drink menus, and an attention to detail that separates it from the rest of the venue; the Mezzanine is an elevated viewing area overlooking the main stage of the venue, offering guests the “next level” experience, with a full view of the stage, a private bar and VIP concierge service; the Rooftop Lounge is for hosting smaller events and overlooks the heart of downtown; the Sports Club at Celine is where guests can watch their favorite sporting events and features an additional area to relax and socialize; lastly, the Ballroom features an elevated state-of-the-art stage design, complete with a LED wall, lighting rigs and a top-of- the-line, RCF line array system and subwoofers.
Celine Orlando is only one of several c
China - Shanghai ACE, a branch of ACE (International) Co, recently installed an end-to-end Harman Professional Solutions networked audio system at the National Exhibition and Convention Centre complex.
At 15.8m sq.ft, the NECC in Shanghai is the largest convention facility of its kind in the world. The massive complex has a four-leaf-clover shape, with four main exhibit halls branching off from a central plaza. In preparation for the inaugural China International Import Expo, an international trade fair proposed by Chinese President Xi Jinping, the facility underwent extensive renovations.
The NECC hired Harman distributor Shanghai ACE to upgrade the facility with a complete Harman networked audio solution including JBL loudspeakers, Crown amplifiers, dbx and BSS signal processors and Soundcraft mixers.
“Due to the rigid security of state leader conferences, there were strict requirements for the renovation project of the National Exhibition and Convention Centre,” said a spokesperson at Shanghai ACE. “We designed the audio system to meet the toughest standards with excellent performance and high flexibility. Following the China Import Expo show, this audio system will continue to deliver premium audio quality for many more large-scale conferences and exhibitions.”
To cover the entire complex with high-definition sound, Shanghai ACE installed a wide range of JBL loudspeakers suited to different roles. The main sound systems in the exhibition halls are comprised of VRX and VTX Series line array elements, which provide ample power and c
UK - Operators are having to think of innovative ways to comply with the rules whilst maximising the number of customers who can safely use their venue, at the same time giving those customers the confidence that their safely is assured.
Navigator systems has developed a new mobile app that could be a very useful solution to keeping track of the numbers in a venue at any one time, ensuring that compliance with the rules is always maintained.
The free app, called Visitor Counter, allows door personnel to count visitors in and out, so at any time they know exactly how many people are inside. No matter how many door personnel there are, and how many doors allowing visitors in and out, the management team and door staff know exactly how many people are in the venue at any moment.
This allows them to halt new admissions as soon as the safe capacity has been reached, and restart admissions as soon as the numbers allow.
Navigator managing director David Rose said that he came up with the idea while watching reports of department stores and open air venues reopening in Italy. "The footage showed door staff using mechanical clickers to count the number of customers entering the premises, and then using walkie talkies to report the numbers to a central figure keeping track for the whole venue. This seemed over complicated and produced a delay in knowing the total number of customers in the venue, potentially allowing more people in that were st
Finland - Åbo Svenska Teater, a Swedish-speaking theatre in the heart of Turku, is the oldest still functioning theatre in Finland. Exuding 19th century glamour, the venue is known for hosting plays and musicals such as Les Misérables, Hair, and The Rocky Horror Show. This April, the theatre’s audio system was brought up-to-date with the installation of L-Acoustics Syva, which has solved the theatre’s complex acoustical challenges.
The system was delivered in March and originally scheduled for installation in May. However, when the theatre was shut and all performances cancelled due to the COVID-19 pandemic, it was decided to use the hiatus to install the system ahead of time, made possible by the theatre’s team performing the installation themselves.
Pauli Molnár of L-Acoustics certified provider distributor, Audico, has a long history with the theatre. In 1991, he had worked there as a followspot operator and assistant to the lighting designer. “I got to know the team there very well and I had known the sound guys even before that,” he says. “The same two guys, Olli-Pekka Lepovouri and Jouni Haavisto, have worked there ever since.”
In Autumn, Lepovouri and Haavisto approached Molnár with the challenge of upgrading their existing PA system. They knew they had a challenge of combining aesthetic of the the Mozart-era architecture with modern technology, and the visual aspect of the system was as important to the team as the electronic and acoustical properties of the sound system. They had already heard about