UK - Maestra Group has made some major sound, lighting and video equipment investments recently in the London office, including white sound and lighting kit, which will ensure all its clients have the most flexible and dynamic solutions available for their shows and events.
The equipment is proving especially popular for car launches and other automotive events, fashion shows, corporates, industrials and expo stands as well as for art exhibitions, parties and architainment applications, where white equipment is often better suited to blend into the environment than traditional black.
The kit includes a substantial purchase of 30 x custom coated white Robe moving lights – 12 x LEDBeam 150s, 12 x Spiider LED WashBeams and six Pointe multipurpose fixtures which bring Maestra London’s total stock of Robes to over 100 including black versions of these three types and others.
In addition to these, there are over 100 other white luminaires in the inventory – a mix of Showtec Sunstrip Active Mk IIs, ETC Source Four Junior Zooms and Aria F1000 fresnels, all giving an excellent choice for different lighting designs.
On top of that, there is a selection of d&b audio speakers in white – currently a combination of Y7Ps, T10s, E5s and M6 monitors – which is expected to be expanded soon.
Maestra’s MD Justin Hammond highlights how the demand for white lighting and sound kit has dramatically increased in the last year in certain speciality sectors, and both Maestra Group’s London and Dubai bases have been proactive about addressing thi
UK - Le Mark Group has announced the appointment of Jeff Demain as northern sales manager, UK.
Demain has worked in the entertainment industry for over 35 years. His experience has encompassed sound, lighting, sales and installation, and he has managed key projects in Russia, the Middle East and the UK. His history has included leading companies including Concert Light Systems, Playlight Hire, White Light North and most recently, HSL Blackburn.
“I have known Jeff for many years and have always been in awe of his industry knowledge,” said Linda Gibbons, joint managing director. “With Jeff now on the ground locally, he is perfectly positioned and readily available to meet with many more companies interested in our products and to expand our sales in the north of the UK. It is an important move forward for the company.”
“We are all delighted to have Jeff join us,” said Stuart Gibbons, joint managing director. “Jeff is exactly the right person to help take Le Mark to the next level. His experience is invaluable and his enthusiasm to succeed is clear. The sales team are eager to work with him.”
“I am really looking forward to joining the team at Le Mark,” said Jeff. “I’ve known Linda and Stuart ever since they began the business and have been really impressed with the company’s growth and innovation.”
Demain will provide sales and support for Le Mark’s leading range of consumable items, including the self-adhesive tape MagTape, Pro Tapes, Slipway and award-winning BlackTak. He will be the lead advisor in the nor
USA - A sense of foreboding runs through Murder Ballad like the creaking noise in a dark and unfamiliar house. The Julia Jordan and Juliana Nash rock musical tells the story of a love triangle gone bad, as it spins into a vortex of ever-increasing pain, betrayal and shattered emotions.
In a recent production of the 2012 cult favourite at the Broward Centre for the Performing Arts in Fort Lauderdale, lighting designer Clifford Michael Spulock captured the apprehension of characters caught in a world turned upside down. Helping him evoke this feeling in powerful, unsettling fashion were the gobo capabilities of the Chauvet Professional Rogue R1 Spot fixture.
“The show is really charged with emotion as it moves through the breaking and splintering of relationships,” said Spulock. “I wanted to portray this feeling as literally as I could, not just with color, but also by breaking up the light with gobos, which I felt would really convey a sense of the characters’ fragmented world.”
Spulock relied often on soft-edged gobo breakups even when front lighting the actors. He explained why: “With the gobo effect shaking up the sense of reality, the lighting tells you that ‘something is happening here, but we don’t quite know what.’ I decided to use this to my advantage to foreshadow the upcoming events of the show.
“The lighting was really able to bring the emotions to the audience,” he said. “In this way, it supported the powerful performances by the play’s extremely talented actors: Sabrina Lynn Gore, Eric O'Keefe, Ch
UK - West London lighting and video rental specialist Colour Sound Experiment has expanded its fleet of vehicles with a new artic and trailer – a Volvo FH460 Globetrotter Euro 6 tractor unit, complete with a 45' Schmitz Cargobull low-ride Tri-axle semi-trailer.
This vehicle - chosen for its efficiency and dynamics - is an investment made for the convenience of trucking equipment to tours and festivals across the UK and Europe. It will also offer clients an additional element of cost-effectivity as Colour Sound can offer independent trucking services for large one-offs.
The truck will be especially busy during the upcoming festival season and will help streamline overall production logistics by reducing the off-site pick-ups required.
“All our vehicles have been bought with a view to making our operations as flexible and versatile as possible to suit client needs,” commented Colour Sound’s H (Haydn Cruickshank). “Having the artic substantially enhances the capacity of this service.”
With shows, events and projects involving increased amounts of kit, a larger and more spacious option was required in addition to the existing transport as the new truck joins a 12-tonner that was delivered in November.
Both tractor and trailer are fully air ride enabled and all of this and more ensures that Colour Sound’s kit gets the safest and most comfortable rides to and from site.
Colour Sound already has one full-time Class 1 HGV driver on the transport team, and more will have the opportunity to gain their licences in the coming
Mexico - Experiencias Xcaret is aptly named. A collection of majestic parks by the sea, this eco-tourist destination is intended for those who want not merely to visit Mexico, but to experience it in all its natural beauty and rich cultural traditions. Within its expansive grounds, visitors can enjoy over 40 attractions that afford them the opportunity to wander through lush jungles, swim in underground rivers, explore caves, contemplate evocative Mayan ruins, and enrich their minds and senses with an array of other activities.
The winner of three consecutive Travvy Awards (the international tourism industry’s equivalent of the Oscars), Experiencias Xcaret is constantly seeking ways to enhance its offerings to visitors, while maintaining its earth-friendly environmental footprint. It did both recently when it upgraded the lighting in its theatres with Ovation E-260WW IP LED ellipsoidal fixtures from Chauvet Professional.
A collection of 60 Ovation E-260WW IP units was installed at the park’s main Tlachco Theatre, a 6,000-capacity 360° outdoor venue, which hosts spectacular productions like Xcaret México Espectacular, featuring over 300 artists on stage. The high-output fixture serves as the theatre’s principal front light. (Another 28 Ovation E-260WW IP fixtures are used in the theatre at the park’s Hotel Xcaret.)
Jose Manuel Rodríguez, technical area manager for art and culture at Experiencias Xcaret, explained why the famous attraction felt it needed to upgrade its theatrical lighting. "We faced strong electrical problems due to
USA - Singer songwriter Jackson Browne is takin’ it easy these days on lamp changes and power requirements by using an all-LED touring rig which includes High End Systems Sola Series.
Lighting designer/director Steve Comer chose five SolaFrame 2000s from lighting vendor Bandit Lites on his springtime acoustic concert tour, which ran through 13 U.S. cities 22 March through 9 April.
“Our acoustic tour is a scaled-back tour production wise,” Comer explains. “I had to design a rig that could fit in a minimal truck footprint and still go up easily on a daily basis.”
The LD says using an all-LED rig has been an ongoing goal. “We have been pushing to go 100 percent LED with Jackson for a long time now. The fixtures that were always lacking were LED spot fixtures. I tried the SolaFrames because of their light output (at 26,000 lumens from a 600 watt LED source) and the ability to zoom wide (6-46 degrees zoom). I was also able to use them for a whole stage wash with gobos with minimal fixtures, and they acted as a primary backlight for the performers.”
Comer says that with just the five units he had, he was able to achieve both an even stage wash and backlight for his show. “I was very impressed at the light output, the even field and great optics,” he notes. “The colour mixing was smooth and the fixture did a great job of CTB and CTO colours along with pastels.”
The LD – who has worked with Browne for 10 years now - is constantly redesigning looks for his ever-changing configurations that range from a run with a couple of
USA - A Yiddish-language production of Fiddler on the Roof opened at Stage 42 in New York City on 21 February with direction by Joel Grey and lighting design by Peter Kaczorowski. Playing an important role in this version of the musical are Elation Colour 5 Profile LED ellipsoidal spots supplied by G Scott Designs.
Associate designer is Ethan Steimel who says that Kaczorowski required a fixture that colour changed in a tight warm palette from no colour incandescent to gel colours L162 to L147. He adds that the designer also wanted to achieve a deep blue.
The solution was found in the Colour 5 Profile LED ellipsoidal. Housing a 180W RGBAM (Red, Green, Blue, Amber, Mint) LED engine, the Mint LED enhances the production of variable white colour temperatures from 3,200 to 6,500K and increases the CRI. An exceptionally flat field of light, CRI over 94, and a professional feature set that includes a 4-blade framing system and interchangeable lens options make it a highly flexible directional spot luminaire for theatre.
For Fiddler, eight Colour 5 Profile fixtures are used to light the crinkled paper portal legs.
Glen Davis of G Scott Designs says they have successfully used the Colour 5 Profile in their own designs for years and keep 70 in stock along with other Elation gear like SixPar series LED par lights, Colour Chorus LED battens, and TVL CYC RGBW cyclorama wall wash luminaires.
"It was a big job moving the entire village of Anatevke from Battery Park to 42nd Street,” said associate designer Steimel. “Glen Davis at G.
Europe - Ayrton and Lightpower have announced that, from 1 July 2019, Lightpower will take over the exclusive distribution of Ayrton in Germany.
"We are looking forward to working with Ayrton,” states Herbert Marx, sales director of Lightpower. “Ayrton is an extremely dynamic brand with innovative, market-leading products of the highest quality. Ayrton's high-quality standards and product and portfolio strategy are a perfect match for Lightpower."
“It is a big step for Ayrton to join forces with Lightpower,” comments Michael Althaus, Ayrton’s global sales director. “A short four years after introducing Ayrton to the German market, it is now time for the next distribution level. To have a broader sales approach, to develop new markets and to also offer convincing service on the after sales side.”
USA - At Lightfair 2019, the lighting and design trade show held in Philadelphia, TMB will show a wide and varied selection of products derived in large part from the company’s extensive experience supplying innovative products to the entertainment and production staging markets.
New to the Firefly Festoon range of professional-grade LED festoon lamps are ‘Classic’ S14, glass, 120V versions. The classic Firefly G45 versions, available in 24V and 120V, are outdoor rated, shatterproof, and safe. Firefly Festoon lamps are well known for their bright consistent colours and whites, plus a selection of golden warm white ‘Filament’ versions.
The new Mozart UV is compact and lightweight, is IP65-rated and delivers up to 40 Watts of LED UV power, outputting 100% pure UV light with ZERO visible light. In addition to the compact size, a remote PSU and easy to connect wiring scheme make these the UV fixtures that will go almost anywhere!
The popular FloppyFlex range of world-class, professional-grade, flexible ‘LED Neon’ continues to grow. Super-bright, reliable, easy-to-use, long-lasting, durable and low-voltage SAFE, FloppyFlex can be used indoors, outdoors, and even underwater. FloppyFlex is available in four sizes with various bend options, in an extensive pallet of single-colours and whites, plus DMX-controlled RGB, RGBW, and multi-pixel Digital RGB and RGBW versions
Rounding out the comprehensive ProPlex range of control and drive devices for permanent installations are three new ProPlex DIN Rail devices: The 0-10V DMX Converter, bidir
USA - Ayrton, and its exclusive US distributor, ACT Lighting Inc, in conjunction with lighting equipment supplier 4wall Entertainment, supported Boston Ballet’s 2018–2019 spring season with the provision of Ayrton WildSun K-25 TC LED fixtures for Full on Forsythe, a trio of works from prestigious choreographer William Forsythe.
The programme features Playlist (EP), Forsythe’s first world premiere to be created with an American company since 1992, the North American premiere of Blake Works I, and the return of Pas/Parts 2018.
Boston Ballet’s lighting director, Brandon Stirling Baker, explains why he chose Ayrton WildSun K-25 TC: “As the lighting director of Boston Ballet it is my responsibility to maintain the work of over 100 international lighting designers in our repertory. I am always looking for creative tools and lighting equipment that allow the designers to create their vision but, most importantly, find equipment that is efficient and reliable enough to endure a month-long season.
“For over 20 years, Boston Ballet has used HMI 4K Fresnels which provide a beautiful quality of white light but are not without their own unique consequences. I have been searching for the perfect HMI replacement. Ayrton is a company that I have greatly admired for many years and when I heard about its WildSun K-25 TC, I immediately knew that this could be a great replacement and solution to the HMI problem.”
Ayrton WildSun K25-TC (True Colour) is an evolution of the WildSun K25, specially geared to shooting and bro
USA - On the North American leg of their current Timeless tour, multinational classical crossover group Il Divo is being supported by a smoothly flowing and versatile lightshow anchored by Chauvet Professional fixtures, supplied by Showtime Sound LLC. A collection of 22 Rogue R2 Wash fixtures, along with 20 Rogue R1 FX-B units and seven STRIKE 4 multi-formatted lights, are used in the touring rig.
Flown on the upstage and midstage truss and hung on vertical truss towers, the Rogue R2 Wash fixtures bathe the stage in even fields of richly coloured light. While the overhead RGBW units bathe the stage in a variety of colours to reflect different moods, their 12° to 49° zoom range allows changes in the coverage area throughout each show to create a variety of different looks.
The linear Rogue R1 FX-B fixtures are used to frame the stage. With their infinite pan and tilt and five independently controlled moving heads on each fixture, these units serve to provide a level of eye candy not typically associated with a classical concert, something that delights and surprises audiences.
Also engaging audiences are the versatile STRIKE 4 fixtures. Flown on upstage truss, these high-output units provide audience lighting, while also engendering a sense of engagement with their warm white light.
France - Elation Professional’s French distributor, Best Audio & Lighting, is inviting lighting professionals to its studio near Paris 21-23 May for a chance to demo and get hands on with Elation lights, including the newest luminaires in Elation’s comprehensive product line.
This is an opportunity to check out Elation’s award-winning product line and get up close with some of the newest offerings such as the Proteus Maximus, Artiste Monet, Rayzor 760, Proteus Smarty Hybrid and Fuze Profile. Lighting control products from Obsidian Control System like the NX 2, M-Touch and M-Play will also be available for hands-on examination. Registration is requested at email@example.com
South Africa - DWR Distribution is hosting a studio lighting workshop presented by Peter Rieck on 28 May from 9am to 5pm local time.
Peter is well known in the South African industry for lighting countless studio and television productions. His easy-going nature and wealth of experience will make this a training course not to be missed.
The course will be hosted at DWR, 9 Zeiss Street, Laserpark, Honeydew. The cost is R450 and includes eats and refreshments. Bookings can be made here.
UK - At the beginning of May, a two-year project came to be realised for inspirational Guildford School of Acting lighting tutor Michelle (Mig) Burgess when her design installation Blackout was revealed to the industry.
Harnessing the collective powers of light, sound and video in the hope of affecting genuine changes in an approach to mental health, Mig set about on her quest over two years ago.
Mig is open about living with Bipolar II disorder – a condition with which she was finally diagnosed in her late twenties. And for the past couple of years, she has been formulating a plan to create a design installation to portray, in a sensory way, the mental journey inside a Bipolar II patient’s head as they transition through a manic episode.
The result has been a highly provocative, moving installation, experienced alone for six minutes, and which, over the course of four days was seen by over 250 industry professionals, venue operators, young people and mental health experts.
The creative team role call is certainly impressive and made up of a number of recognised industry professionals all of whom are long-term friends of Mig’s. “I had to bide my time to ensure that if I went ahead, I could deliver the project to a high enough standard to do the installation justice” explains Mig.
Finn Ross is a university friend “who just happens to be a fabulous and talented, award-winning video designer’, smiles Mig. “And the first person I broached Blackout to was theatre director Simon Anderson who I have previously worked wi
USA - Djembe! The Show is an energy-filled, theatrical concert experience that mixes traditional West African beats with modern takes on contemporary music that has toured Europe and even been featured on Ted Talks and Oprah’s Super Soul Sessions. It made its limited US debut at the Apollo Theatre in Chicago with lighting design by Zach Blane who used an all Elation LED lighting rig to accentuate the production. Support was provided by Elation dealer ILC.
Djembe!, which opened 10 April and ran through 12 May, is a celebration of African culture with drumming and musical performances by a cast composed mostly of West African musicians. Guests of the show were handed a drum – a djembe – and invited to play along.
The Apollo Theatre features a three-quarter thrust stage with the audience on three sides, a setup that gives guests an intimate experience. According to LD Zach Blane, it also gave lighting a large role in Djembe. “Separate of supporting all of the beats of the piece tonally, the basic lighting need to have everyone be seen requires more lighting than a traditional end stage set up,” he said. “There are three points of vision at all times and it required three times the amount of lighting to render the piece, as designed.”
Used to reinforce the energy and emotion of the show was an all LED Elation lighting rig of ellipsoidals, moving heads, Pars and battens with the mid-air projection canopy coming from Antari F-4 Fazers. Blane says that haze, and the “air lighting” it makes possible, played a v
Spain - Lighting designer Eduardo Valverde of Pixelmap Studios utilised the dynamic multi-functionality of Robe’s MegaPointe moving lights together with Robe LEDWash 800s and other fixtures to help create the atmosphere for Popland, a musical journey staged at the WiZink Centre in Madrid.
The show was a diverse electronic and symphonic fusion illustrating pop, rock and dance music ‘moments’ from the last 50 years, presented by one of Spain’s most influential mix-masters, DJ Nano, in conjunction with Catalan experimental theatre company La Fura dels Baus and the Darevitam! Orchestra conducted by Bruno Axel.
The event - three years in the making - was the brainchild of DJ Nano, who initiated with the concept together with Sharemusic! who produced this very special event with another two major Spanish promoters, Planet Events and Disorder.
Eduardo and Pixelmap Studios designed the stage in consultation with Nano – his first working with the artist – and set which included a 10m-wide by 6m-high upstage automated LED screen and four impressive 14m-tall 1.5m wide curved truss sections filled with convex LED panels.
The idea with the set was to create a stage to accommodate two sets of DJs that could also conceal the orchestra.
The night kicked off with a homage to some of the most legendary rock bands and artists of our time including AC/DC, The Rolling Stones and Queen, with the orchestra prominently involved in some unique arrangements for this chapter of the story.
When it came to moving lights, he wanted the most
Macau - Six Robert Juliat 600W LED Oz followspots have been installed as part of the recent upgrade of the spectacular Franco Dragone show, The House of Dancing Water in Macau’s City of Dreams. The powerful, long-throw LED models were supplied with push-pull, six-way colour changers and heavy-duty adjustable yokes in anticipation of the show’s extremely busy schedule.
The House of Dancing Water has been seen by over 5m people since its premiere in 2010. It is probably the largest and most spectacular water-based show in the world and, after more than 3000 performances, the longest running show on the Cotai Strip.
The show takes place in the purpose-built, 2000-seat, 270° in-the-round, House of Dancing Water Theatre and is directed by Franco Dragone. The story is focused around a huge 50m x 7m deep pool containing 3.7m gallons of water and involves 90 performers and over 200 international technicians who work their magic to create a show that dances with colour and light.
The show’s lighting designer, award-winning Luc Lafortune, originally specified Robert Juliat Victor followspots and 14 RJ D’Artagnan profiles, all of which have worked hard for eight years, playing 10 shows a week in a highly unusual, moisture-filled environment, and been maintained by the lighting team led by head of lighting, projections and special effects, Karl Jenkins.
Jenkins comments, “Robert Juliat provides some of the most optically accurate luminaires in the world, and for this reason and their amazing longevity, they were chosen for the ori
UAE/Europe - AO Technology has launched AO Drones, a new division in its portfolio of visual design services.
Utilising advanced technology developed specifically for entertainment applications, AO Drones’ software facilitates flexible, fast show creation for both indoor and outdoor environments, says the company.
AO Drones currently serves the Middle East region from its UAE hub, and Europe from its German HQ. However, with partnerships in America, Asia and Africa, the business is able to deliver shows worldwide.
“We’re thrilled to bring AO Drones to the market,” says AO producer Marco Niedermeier. “Over the last couple of years we’ve merged 25 years of experience in visual design and entertainment technology development with this innovative new drone technology, to enable live visual design to achieve a whole new level of spectacular.”
Niedermeier continues: “AO Drones offers our clients full-service 3D pre-visualisation using 3D design software and 3D video rendering, plus we have a global network of trained pilots, creatives and technicians who can work with our clients to deliver mind-blowing visual designs in the sky.”
Drones can be deployed individually or in small or large groups. Indeed, large numbers of drones can create stunning swarming effects and deliver vibrant volumetric patterns, which in turn can interact and respond to other elements of a production such as audio, lighting and video.
Each drone unit features high-brightness LED surfaces, offering visual
Singapore - Concept System recently upgraded the ballroom and function rooms at the Grand Copthorne Waterfront hotel with Martin by Harman RUSH LED light fixtures.
Overlooking the picturesque Singapore River, the 30-story Grand Copthorne Waterfront is located in one of Asia’s most popular tourist destinations. The hotel’s management recently decided to upgrade the antiquated lighting systems in the ballroom and function rooms with efficient LED solutions, and hired Concept System to outfit the property with Martin RUSH MH 1 Profile.
"Elaborate functions like weddings and banquets require stunning visual effects," says Gerald Fong, senior sales manager at Concept System. "The Grand Copthorne selected Martin fixtures because of their quality, efficiency and Harman’s remarkable service, and specifically asked us to use Martin’s LED fixtures in their grand ballroom and function rooms."
In addition to their reduced power consumption, Concept System selected Martin LED fixtures for their rich colour palette, versatility and low-profile design.
"Martin’s lighting equipment is perfectly complements the luxury aesthetic of The Grand Copthorne,” says Selamat Danyati, audio visual manager at the Grand Copthorne Waterfront. "Since our hotel hosts a variety of spectacular events, it was important to have a reliable and flexible LED fixture that could produce beautiful colours and stunning effects."
"It is a privilege to see Martin products add to the allure of the Grand Copthorne Waterfront and we appreciate the hotel’s continued trust in
Japan - It’s impossible to walk through the prefecture of Gion and not be swept up in its vibrant pace of life. The most celebrated geisha district in a city that is itself the cultural heart of Japan, the neighbourhood is renowned for its dining and entertainment attractions.
Both of these offerings are found in the Kyoto Sushi Theatre, a lively venue that serves up a culinary and artistic feast for its customers. Creating a colourful and engaging backdrop for this dual experience is an Andy Hinago-designed lightshow that features a collection of Chauvet Professional fixtures, supplied by PRG Japan.
Given that the ‘theatre side’ of Kyoto Sushi Theatre features not only traditional Kabuki, but also more modern, western-style Shingeki performances, Andy (who owns GOTTA, Inc.) placed an emphasis on versatility when putting together his rig for the venue. This led him to place the Maverick MK Pyxis at the top of his gear list.
“Typically, I start building my rig by selecting washes, but when I saw the Pyxis, I knew I had to have it,” says Hinago, who installed 15 of the moving fixtures at the theatre. “Pyxis was first because of all I could do with it. The outer ring of pixels and centre pixel offer so many options. Plus, it has continuous pan and tilt, built-in colour macros, gobos with vibrant, punchy colours, so it opens a lot of options.”
In addition to its Pyxis units, the theatre rig features three Rogue R1 FX-B fixtures. “The Rogue R1 FX-Bs are very flexible and work well with the Pyxis, allowing me to create a wide variet
Australia - Melbourne-based lighting rental and production company MPH Australia, headed by Matt Hansen, continues to invest in Robe products, with the latest additions being over 80 MegaPointes, 50 Spiiders and 50 BMFLs.
These join a growing inventory of Robe moving lights, currently in the region of 700, including BMFL Spots and Blades, Pointes, LEDWash 600s and LEDBeam 100s. Hansen has made the commitment to Robe’s newest tech after having utilised the products on shows - including his own - for several years.
He founded MPH (Matt’s Party Hire) in 2006 initially to stock LED products like SoftLED cloth and the company has grown into a much larger ‘party’. Having the new technology onboard has been “incredible” says Hansen. “They have been out constantly, and that’s set to continue; MegaPointes and Spiiders are both products ‘of the moment’.”
The Australian festival scene is notoriously environmentally tough, in terms of the weather and the location, another aspect where Matt thinks Robe has always done exceptionally well.
The very first gig for his newly delivered MegaPointes was the 2018 Parrtjima Festival of Light in Alice Springs where LD Richard Neville of Mandy Lights used 80 fixtures to illuminate the West MacDonnell Mountain Range - for a whole month - with custom gobos and spectacular effects!
The fixtures were spread out over 1.5km and run via wireless Ethernet for control, where their incredible brightness and excellent build quality ensured a great installation.
They returned briefly to the ware
UK - PLASA Focus Leeds will present a first opportunity for GLP UK to showcase the five new products unveiled at Prolight+Sound in Frankfurt last month.
It will also demonstrate the degree to which the company has grown this past year. From the corporate end they have celebrated their 25th year by adding Fusion to their brand portfolio, while the UK operation, having moved to larger premises in Redhill, and recruited former Robe and TSL specialist, Greg Westwood as new technical manager. The full complement of UK staff will be present at the booth.
In order to give full exposure to the new products GLP has moved to a new location at the Royal Armouries, occupying the main foyer of the New Dock. “This will provide us with a great opportunity to build brand awareness and engage in the kind of networking for which PLASA Focus is well known,” said head of GLP UK, Simon Barrett.
As to the new products these consist of the following:
Highlander: Launched in Frankfurt with a distinctly Scottish theme, this is an impressive, traditional wash light based on a 1,400W discharge lamp, with a large zoom range, impressive field angle, full motion 4-blade framing system and fast iris.
KNV Dot / KNV Line: The KNV Line consists of five single pixels in a row, in which form factor is maintained 1:1 and thus they correspond to five KNV lines in form and pixel distance of a KNV cube. The KNV Dot is formed from a single power pixel (1 x white + 16 x RGB) in the form factor 2:1. Both were central to the Frankfurt lightshow, and wooed crowds permanently th
France - Details of Showlight 2021, the unique lighting colloquium organised for lighting professionals by lighting professionals, have been announced. The next gathering for this quadrennial event will take place on 22-25 May 2021 in the French town of Fontainebleau. The main sponsor for the event will be the 100-year old French manufacturer of followspots and theatrical luminaires, Robert Juliat.
The Showlight committee searched long and hard for a setting worthy of Showlight’s reputation for fascinating locations, and settled on the historic town of Fontainebleau which lies 55.5km (34.5 miles) south east of Paris.
A UNESCO World Heritage Site and famous for its medieval Château de Fontainebleau, a royal and imperial residence for more than 800 years, and surrounded by former royal hunting park, Fontainebleau Forest, Fontainebleau is a picturesque setting full of characterful bars and restaurants which will provide an entertaining backdrop to the main activities of Showlight 2021.
The highly-anticipated conference will take place in the town’s Théâtre Municipal, directly opposite the Château de Fontainebleau, where delegates can enjoy the varied programme of conference papers delivered by professionals across many lighting disciplines. A small supporting exhibition will take place in the theatre’s foyer and courtyard between papers sessions, offering superb opportunities to network and exchange ideas with other lighting professionals. And of course, the event will close with a resplendent Gala Dinner in a
Europe - ETC has given new roles for two of its employees. Jeremy Roberts has been appointed as regional sales manager for the UK and Mark White - as regional sales manager for Ireland, & UK rigging.
Roberts will support ETC and High End Systems’ dealers, distributors and customers across the UK and Sub-Saharan Africa sales territories and provide strategic and operational client management whilst continuing to identify sales opportunities across these regions. He joined ETC 20 years ago having previously worked as the head of light and sound at Nottingham Playhouse Theatre. He had experience working in theatre for 15 years before starting with ETC in the London office.
Mark White has worked for ETC for over 18 years. In his new position, he will focus on growing the business in Ireland whilst progressing ETC’s stage machinery offering across the UK. As the rigging sector continues to grow, White will concentrate on ETC’s exciting developments in this area whilst also continuing to build customer and dealer relations.
Prior to ETC, Mark worked at the Royal Opera House where he was actively involved in the redevelopment of the building.
Darren Beckley, sales manager of ETC, comments: “As ETC continues to grow and develop as a business, offering these new positions ensures that there is a sustained effort in driving the business forward. They have both been instrumental in the growth of their regions for ETC and High End Systems and their wealth of knowledge and expertise gives me huge confidence that they will be successful in their