Wharfedale has launched three new product series to add to its comprehensive loudspeaker portfolio.

Wharfedale have launched a range of trapezoidal enclosures designed to meet the requirements of high output, near field reproduction. The two-way ported, compact Programme 50, 52 and 60 foreground/background systems provide a wide frequency range, coupled with high power handling in an attractive, acoustically-efficient enclosure. The series offers four different versions, with black or white paint finish options (and with 70V/100V line transformer versions depending on markets).

The Programme 50 features a 5.5" woofer and 3/4" titanium driver, the Programme 52 features a pair of woofers and 3/4" titanium driver while the Programme 60 features two 6.5" woofers and a 1" titanium compression driver/horn, with 60° x 60° coverage. The HF horn/driver combination generates over 10 times the usable acoustic energy of a conventional dome radiator, giving the system significantly greater output capability and headroom. The trapezoidal design allows multiple enclosures to be arrayed for broader coverage (e.g. an array of four Programme 60 will give a smooth 180° coverage pattern).

Also new from Wharfedale Pro is a pair of highly-specified, utility portable systems - aimed at both the professional and inexperienced user. EZGO 10-100 and EZGO 12-200 are simple to operate, complete packages, comprising a pair of speakers and a mixer/amplifier control unit which lock effortlessly together in a convenient lightweight package. A pole-mount top hat is supplie

Hayden Laboratories, the exclusive UK distributor for Denon products, has announced a special edition of chrome fascias for two of its most popular Denon DJ products - the DN-X400 mixer and the DN-1800 twin-CD player. 100 chrome fascias versions of each product are now available. The idea behind the move is to satisfy the current trend for chrome equipment for these entry-level professional products, in the fashion-conscious environment of the professional DJ.

The stylish chrome fascias are constructed from a laser-cut panel that retains the engineering quality, aesthetic integrity and rugged build for which Denon is known.

(Lee Baldock)

Manchester-based Digital Projection International (DPI) has announced the addition of three new projectors to its successful product line-up. The Blacklite range has been specifically designed for applications where cinema quality high contrast images are required.

The range offers light output levels from 3000-7000 ANSI lumens to suit every application: all the projectors utilize the unique dark metal Thunder DMDs which are the core enabling device of this 3-Chip DLP system, offering SXGA (1280 x 1024) resolution with optional SD-SDi or HD-SDi. This dark metal chip technology has only previously been available in D-Cinema projection units, and coupled with special lenses and Digital Projection’s optical know-how, offers a contrast level of 1200:1.

All the Blacklite range features as standard composite, component and DVI inputs. A unique link mode function offers conversion of analogue and digital sources to DVI output, making them ideal for easy stacking and multiple link capability where required. The three new projectors feature a rigid chassis design, integrated carry handles and mounting points. Each projector includes memorised lens mount for automatic optical resizing between aspect ratios, a quiet 48dB and seamless switching, which allow clean and continuous displays perfect for any application.

(Ruth Rossington)

The much-anticipated Flying Pig Systems Wholehog III console is now shipping with version 1.0 software. The first five US Wholehog III consoles and DP2000 DMX processing units were passed through High End Systems' Austin Quality Control before being shipped to their various beta test locations nationwide. This delivery follows the placement of several beta consoles throughout the UK and Europe. HES’ Brad Schiller is managing the beta launch in the US, while Lee House is handling it in the UK.

The response from the beta test program led to the release of Wholehog III software version 1.0. As Robert Mokry, Wholehog III product launch manager, told us: "The beta test program yielded great results. The idea behind V1.0 software is to release a reliable build that offers the core features users must have to do a show, with features such as XYZ positioning and Hog II show import scheduled for delivery later this year. We're also releasing WHIII console launch program materials such as a new website, an Ethernet system design guide, system risers/examples, pricing, etc. Wholehog III training classes will also be announced soon, and will be run by HES' Vickie Claiborne in the US and Lee House in the UK.

(Ruth Rossington)

Marantz Professional Europe has announced the introduction of a new range of professional AV installation products, offering extensive surround sound playback and control facilities. The range comprises SR4200Pro AV receiver/amplifier, DV4200Pro DVD player and PM4200Pro integrated stereo amplifier.

The SR4200Pro is a 19" rack mountable, multi-channel AV receiver/amplifier, with built-in decoders for Dolby Prologic II, Dolby Digital and DTS multi-channel signals, with 12 surround modes. Power amplifier output is 70W RMS (into 8 ohms) for each of the five channels, ensuring powerful surround-sound performance in a wide range of configurations. A switchable stereo mode provides amplification of the front left and right channels through left and right rear surround outputs when required, along with a combined mono signal for the centre channel speaker. The unit incorporates a programmable FM/AM (MW+LW) tuner. Input and output provision includes a range of AV options: Svideo inputs and video monitor outputs, two pairs of recording inputs/outputs, coaxial and optical digital inputs and outputs, as well as six channel (5.1) pre-amp outs to enable use within larger scale installations requiring slave amplification.

Also launched is the DV4200Pro an entry-level priced, professional, dual laser, 2U 19" rack mountable DVD player; complete with ISO9660 MP3 CD playback and full CD/CDR/CDRW compatibility. The unit supports Dolby Digital, DTS, MPEG and PCM audio formats. The DV4200Pro also delivers a 24-bit 48/96kHz digital output, in addition to stereo analogue outputs. DR

JBL’s recently introduced Control 26-DT ceiling speaker is now shipping, JBL tell us. JBL Professional introduced this new ceiling speaker at this year's NSCA trade show in Denver, Colorado, in response to specific requests from consultants and contractors.

Designed to be used with standard backcans, the Control 26-DT is a coaxial low/high frequency driver assembly, with a network and transformer. Without a dedicated backcan assembly, the Control 26-DT is applicable for new construction in which installation of the backcan and wiring must be inspected prior to the final completion of the finished ceiling. The Control 26-DT can also easily be used as a retrofit loudspeaker in cases where standard backcans and 8" ceiling speakers were previously used.

The low frequency driver has a 6.5" polypropylene-coated cone for reliability and long life. The high frequency tweeter diaphragm is coated in titanium and the tweeter is diffraction-loaded for optimum pattern control. In a can with a volume of 0.25 ft3, the Control 26-DT has a sensitivity of 89dB (1W @ 1M) and low frequency extension down to 70Hz. The line distribution transformer has 70.7V taps at 60W, 30W, 15W and 7.5W, and 100V taps at 60W, 30W, and 15W.

(Lee Baldock)

A C Lighting Ltd has introduced the Tourmate Splitline - a 3-way 16 amp moulded splitter. The robust plastic moulded body is designed to fit neatly into truss and lighting bars, secured by a standard cable tie, making it a very neat solution. The Tourmate Splitline is available in two versions - the straightforward 230/240v 16 amp into 3 x 16 amp 230/240v outputs and also the series wired option giving 230/240v in and out and 2 series wired 115v outputs - ideal for powering ACL bars and MR16 battens. This latest introduction compliments the large range of Tourmate connectors and Tourflex cables available from the company.

(Ruth Rossington)

James Thomas Engineering recently previewed its Pixelpar 660 - the first in a new range of solid state lighting fixtures using high brightness LEDs. The unit is scheduled to commence shipping in late summer 2002.

Following heavy investment in a new manufacturing plant and R&D facilities, the team at James Thomas has spent the last 12 months developing the new products, and conducting considerable market research into the advantages and applications of LED lighting. As a result, the Pixel range has a silent, non-mechanical, additive colour mixing system and the fixtures can produce stunning and instant effects - from the subtlest of dissolves to the fastest of high impact stroboscopic colour sequences.

The heat and energy saving properties (typically 90%) of Solid State Lighting should guarantee its future success, and the technology is predicted to replace incandescent light bulb sources during the next decade. Pixelpar 660 is the first of a complementary range of solid state lighting products to be launched at PLASA 2002.

(Ruth Rossington)

Martin’s third fixture in the MAC 2000 Series is ready for release. Continuing the MAC tradition, the MAC 2000 Wash boasts a number of features, including extremely high light output from an HMI 1200W source, full CMY colour mixing and variable CTC filters, multiple front lens options for various beam spreads and a fully motorized zoom system.

Created as a response to market demands for a powerful 1200W MAC Fresnel fixture, the MAC 2000 Wash combines some of the best features of the MAC 2000 Profile and MAC 600 eNT and was specifically produced as a complementary fixture to the other MACs in the 2000 Series - the MAC 2000 Profile and MAC 2000 Performance. The MAC 2000 Wash comes with electronic ballast as standard. The MAC 2000 Wash features a brand new reflector design developed specifically for this high-powered washlight.

A large number of colour options was also a key priority. The fixture has a full CMY colour mixing system with a brand new etching design, to ensure smooth and even colour mixing across the entire beam. There are also two fixed colour wheels, each fitted with four replaceable colours. Finally, the variable colour temperature correction filters that became popular when Martin originally introduced them with the MAC 600 NT have also been included to give designers a range of options.

The MAC 2000 Wash is the first washlight fixture from Martin Professional that features a fully motorized zoom system. The zoom and optical systems operate in conjunction with three interchangeable front lens options to provide a choice of beam angles. The fixtur

The new SA8 from Stanton owes its inspiration to the creative mind of DJ Focus - and his Signature Mixer has been conceived as "the ultimate performance console", packed with numerous innovations which will appeal to scratch artists. This studio-style scratch mixer has been designed to function in a similar fashion to a multi-channel production console for both the live artist, taking into account DJs working within a band context, and the production artist. At the suggestion of DJ Focus, the SA8 features Individual Rec/FX and Direct outputs, so that each signal can be sent separately though the four direct outputs located at the rear of the mixer.

Top of the line custom-designed Penny & Giles crossfader and line faders are installed on this mixer, offering three-way adjustable curve control. In addition, Stanton has included an extra crossfader, the newly redesigned CFF2 Focus Fader. The layout of the mixer has been carefully designed by DJ Focus, with each feature positioned according to a scratch DJ’s natural hand movement (for instance the Gain). He also designed the one-off knobs and faders, moulded to fit the DJ’s fingers.

Another unexpected surprise innovation is the ability for the DJ to listen to his scratches in the headphone (via the Post Fader cue) while using the crossfader as normal. One final DJ-friendly innovation - the Autocue feature eliminates the need for touching the cue pan (switching from channel 1 to channel 2). It all adds up to an ergonomically-considered package designed to anticipate the every need of the scratch artist.

Avolites has launched the Pearl 2004, an updated and streamlined version of its popular live console - the Pearl 2000. The 2004 version uses new technology and offers a host of improvements.

It also uses the same professional master faders as Avolites’ Diamond 4 for the 15 Cue Playbacks and Master Faders. On the output panel, 2048 DMX channels are provided on four separate DMX connectors. Internally, the software OS has been upgraded to the 2004 version. Many enhancements include the Colour, Gobo and Beam Tables, making it even easier to control complex, multi-channel fixtures such as the High End X-Spot and the Martin MAC 2000. Additionally, all Pearl 2004 consoles are supplied with a free suite of PC software, including the Pearl 2004 Simulation Program, Avolites Visualiser and the Cache Builder.

Visually, there have also been a number of changes: the end cheeks are in a stylish metal impregnated material, and the Cue Roller is now silver. The front panel has been modernized and now uses the same elegant, polycarbonate laminate technology as found on the Diamond 4 console. The elegant two-speed encoder knobs were also first custom-designed and manufactured for the Diamond 4 console.

(Ruth Rossington)

ETC has reinvented the classic theatre batten. The technology - basically a long metal box filled with ordinary par lamps - has remained unchanged for years, but ETC’s new MultiPAR has put an end to that, transforming this traditional theatre workhorse into a powerful thoroughbred.

The new fixture combines the optics and energy-savings of the Source Four PAR (EA) with the functionality and flexibility of the classic batten. The patented lamps - 375W, 575W or 750W - offer energy efficiency, providing more illumination with over 40% less energy use. The simplicity of design of the ETC Source Four PAR is maintained throughout the MultiPAR, allowing for easy lamp replacement and high quality focus from the moment it is turned on. Meanwhile, its rugged housing and construction will withstand the wear and tear of the most demanding stage or road productions. The fixture is available in five standard configurations: 3, 4, or 12-lamp strips, plus two 3 x 3 versions, a yoke-mounted unit and a stand-mounted unit with in-line switches. For lighting venues with unique needs, a custom-length version is also available.

The compact design of the MultiPAR allows ETC to offer twelve lamps in one 2.5m (8ft) long strip. Because lighting designers' needs change between three and four-colour batten designs, ETC has also engineered MultiPAR's circuiting to be switchable between three and four circuits. From one job to another, there is the flexibility to use the same batten for three circuits of four or four circuits of three lamps. End users will also be pleased to cut down on lamp in

Martin’s new Alien 02 is a powerful architectural colour changer with endlessly adaptable characteristics. Equipped with a long-life CDM 150W discharge lamp, the Alien 02 combines full range CMY colour mixing with a modular construction for multiple variants of coloured light, design and positioning.

A subtractive CMY colour mixing system blends the three complementary colours to offer an unlimited palette of tints, shades and saturated colours, whilst also ensuring smooth crossfades thanks to the incorporation of the same colour mixing technology as Martin’s established Exterior 200 colour changer. Designed with a discreet yet stylish look, the Alien 02 consists of compact components that can be fitted together to create various forms of pendant or spotlight. Available as separate base and head modules, the modular design allows lighting designers to place the base in an inconspicuous location or even hide it above a ceiling. This modular construction also allows Martin to offer a range of head designs for additional choice.

The 150W CDM SA/T lamp (included) lasts 6000 hours making the Alien 02 an ideal low maintenance fixture for permanent installations. It also includes a full range intensity control for easy adjustment of beam intensity. New stepper driver technology relegates the notorious whine of stepper motors to history. The Alien 02 can be controlled via DMX for complex lighting scenes, or by using its programmable stand-alone feature with infrared remote control.

(Lee Baldock)

Cirro Lite now has available for rental the new Bag-o-Lite system from Licht Technik. The Bag-o-Lite was originally designed for the film and television market, but when combined with Licht Technik’s combination shutter/colour changer, has been used to stunning effect on a number of live productions.

The system was originally conceived by Uwe Hagenbach and Bernhard Grill of Licht Technik, the original idea being to provide a soft light with unique qualities that would offer new solutions to some of the more traditional lighting and rigging problems that occur on locations and in studios. The units are filled with nothing more than compressed air and have the ability to protrude up to a full 6m when horizontal. Cirro-Lite are currently stocking six-metre and three-metre bags with attachments to fit onto 4k and 6k/12k ARRI & LTM Pars.

(Ruth Rossington)