UK - Unusual Rigging reports that its support of the United Nations Sustainable Development Goals has been recognised by Support the Goals.
The UN Sustainable Development Goals, also known as the Global Goals, or SDGs is a plan to end poverty, extreme inequality and climate change by 2030. Agreed in 2015 by world leaders, these goals can only be achieved with the support of businesses.
Unusual Rigging has gained its first star rating; a maximum of four stars can be awarded as the company progresses and communicates its journey to support the goals.
Tom Harper, director at Unusual and head of sustainability, comments: "On face value, the goals laid out by the SDGs may feel too broad and interdependent, hence way beyond the scope of an entertainment rigging and engineering company's influence. Yet with headlines such as "Only 12 years to act on climate change" or "Human activity causing the 6th mass extinction", it becomes incumbent on us to act - however small our organisation, or limited our impact may seem - being part of 'Project Everyone' means just that - a contribution to something greater."
Unusual has been working on demonstrating its commitment to sustainability for several years, incorporating the principles of a circular economy within its business practice, from running on renewables (SDG7) to 'closing the loop' through RFID technology, on thousands of items of equipment.
Harper adds: "In a circular model, businesses aim to create an economy that is restorative by design. In our case, we aim at keeping resources in use for
UK - East of England Arena Events Centre (EEAEC) has announced a collaboration with Pearce Hire. The EEAEC is one of the UK’s top event venues, hosting over 300 events, conferences and meetings a year. The multi-purpose events complex sboasts over 9,000sq.m of indoor space and over 250 acres of outside space. With significant and ongoing investment in the venue and its infrastructure, the venue has appointed Pearce Hire as a preferred contractor working throughout the complex.
“With our HQ based in Peterborough we are ideally placed geographically to offer an outstanding level of service and support to the venue, to the organisers putting on events at the venue, and to the exhibitors at all the major trade and consumer exhibitions which take place here throughout the year,” observes Shaun Pearce, managing director, Pearce Hire.
“Having provided services for many years to the EEAEC, we are familiar with the venue, and understand the requirements of many of their regular event organisers coming through the doors year on year. We are delighted to have now stepped onto a more significant footing and to be linked more closely with the venue.”
Jason Lunn, venue director for EEAEC, explains: “Pearce Hire and EEAEC share the same goal to provide the best services possible to our customers. We consider Pearce Hire’s overall production services to be a faultless and wide-ranging offer. We note with pride that the touring productions which come into our venue always rate them very highly.”
Europe - Sixty82 has expanded its global distribution network with the appointment of Electro Waves Oy as its exclusive distributor for Finland and Sweden.
“We are very happy with our newly formed partnership with Electro Waves,” says Sixty82 CEO Fokko Smeding. “It will help strengthen market synergy for Sixty82 as it creates a solid foundation to penetrate the Scandinavian market.”
Date Jonkman, Sixty82 executive account manager, continues: “Electro Waves is a highly-regarded and well-renowned distributor in the trussing and staging industry. Their team is well experienced and, with their expertise and support, we are confident that, together, we can create something special.”
Miko Nurkki, CEO of Electro Waves, comments: “In order to offer our customers holistic, quality solutions, we have gathered the best partners around us - Sixty82 shares our passion as innovative forerunners and as professionals implementing unique solutions in an ever-changing world. They are a highly versatile, progressive and innovative manufacturer with a big future. So we are proud to be able to use our expertise to put them on the Scandinavian map.”
France - Colour Sound Experiment supplied lighting, video, rigging, special FX plus a snow-loving crew to various entertainment venues and events associated with the Varsity Trip 2018 in Val Thorens, the highest ski resort in the French Alps at 2,300 metres in the beautiful Tarentaise Valley, Savoie.
The Colour Sound team of four was led by Steve Marley and working for Zero Degrees Events who designed and produced a busy series of Varsity Trip events running throughout the week. Marley and their managing director Neil Cranston have collaborated on many previous projects, and with Tom Williams from Zero Degrees running things on the ground, the mission ran like clockwork.
The main music venue for the week was the Centre Sportif de Val Thorens, which featured three full-scale DJ performances – including Rudimental’s DJ set - with numerous other smaller venues hosting ‘off piste’ events - including restaurants and bars - scattered around the resort.
Colour Sound also supplied lighting and video - with Zero Degrees co-ordinating and managing production - for French corporate networking company Les Big Boss who had a large event booked in to the same venue immediately before the Varsity Trip Opening Night Party. This provided a practical and high-quality technical solution.
Marley designed and drew up a lighting and visual plot for the Centre Sportif, inspired by the stunning mountain location, starting with the video elements – which were made up of Colour Sound’s 2.6mm Unilumen LED screen rigged in three diamond orientated sections u
Poland - The first Rigging Conference to take place in Poland will be held at the Giliwice Arena from 19-20 February. Attendees can look forward to learning about ICOPER (International Code of Practice for Entertainment Rigging) and the National Rigging Certificate, the leading industry certification from PLASA.
Additionally, PLASA’s managing director Peter Heath will present a keynote talk on the importance of European collaboration. Heath comments: “It’s good to see initiatives such as this encouraging industry standards and safety. I am looking forward to speaking at the conference to play a part in promoting professionalism across the entertainment rigging sector in Poland.”
For more information please go to: http://www.riggingconference.pl/
Europe - The QL52 double pitch roof from Litec is an evolution of their popular QL40A single pitch roof and is the right choice for your medium-sized outdoor events.
Thanks to its double pitch construction, and use of QL52A load-bearing truss with fork connections, it looks great and provides stability you can count on, even when encountering winds that increase loading requirements.
Key benefits include: 15 x 12m roof structure (up to 11m’s height); grid constructed from Litec’s QL52A high load, anti-torsion fork connection truss; six Maxitower 40 towers; 7,000 kg UDL; optional PA/LED wall wings; covered technical areas available on request, and eight-hour set-up time with five riggers.
Luxembourg - Trussing and staging systems manufacturer SIXTY82 has entered into an exclusive distribution agreement with Codex Events.
With immediate effect, Codex will be SIXTY82´s exclusive partner responsible for the distribution of the full SIXTY82 product range in Luxembourg, which enables, SIXTY82 to guarantee full distribution coverage to its Luxembourgian customers.
“We look forward to working with a company of Codex’ standing, and our partnership will help meet increased local demand for technical know-how from experienced people,” says SIXTY82 executive account manager, Date Jonkman. “We believe that Codex is well positioned to further develop our existing customer base and that with their market presence and sales support network, together we can make a real impact,” says SIXTY82 CEO, Fokko Smeding.
Patrick Risch, CEO of Codex, comments: “Together with the team we have unanimously chosen SIXTY82 as our exclusive trussing and staging brand because they deliver unrivalled quality and top-class support. In addition to the strong points of know-how, flexibility, and an extensive engineering department, SIXTY82 brings innovations which are trend-setting.”
UK - White Light will be returning to London’s VAULT Festival once again this year to supply the complete lighting and rigging solutions. This will mark the seventh consecutive year that the company has worked on the Festival, having supported it from day one.
Located inside the Waterloo tunnels, this year it will run from 23 January to 17 March, with more than 400 shows from over 2,000 artists. It features the best new writing in theatre and comedy along with immersive experiences, late night parties and much more.
The event is produced by Mat Burt and Andy George of the Heritage Arts Company. Andy, who is also head of production, comments: “When we first started the festival back in 2012, we had no idea it would grow to become what it is today. We initially thought it would be a one-off yet the more people heard about it, the more who wanted to came along and get involved. One of our biggest aims has always been to make theatre accessible and remove barriers for our visiting artists. As we know, making creative work for a live audience is always risky but we try our hardest to minimise up-front costs and reward the creative party.”
With the festival being so committed to supporting its artists, this often means it relies on the help of other organisations. Andy George explains: “We are not publicly funded which often makes things difficult; especially when the whole purpose of the festival is to make theatre financially viable! That’s why when we first started, we contacted WL as we knew about their reputation for supporting emerging ar
Canada/USA - Christie Lites has made a major commitment to Kinesys automation with the purchase of Elevation Liftket 500kg chain hoists as their flagship automation products going forward – both 200V and 400V systems - for North America and Europe.
The initial investment has also included Kinesys LibraCELL load monitoring and Mentor 4 E-Stop aggregators to provide a full Kinesys safety architecture as well as the powerful and flexible Kinesys Vector control.
This will be available to clients worldwide throughout all of Christie’s 13 shops.
The move coincides with the appointment of Mark ‘The Drifter’ Desloges to head up Christie’s new Automated Motion Control & Rigging division, established to co-ordinate this specialist area of technical production.
Extensive specialist Kinesys training will be implemented for all Christie crew working on the systems.
Drifter will be based in Toronto, Canada, and will spend his time between Christie’s facility there and, primarily, their Orlando hub, the home of Christie Lites Enterprises and where much of the Kinesys kit will be stationed when not on the road.
David Bond of Kinesys USA commented, “Huntly Christie is very discerning when it comes to choosing the brands and product types his company carries. We are very proud to be his chosen automation manufacturer and envisage a prosperous relationship with his company. Drifter’s energy and experience, along with the Christie Lites sales team, will help drive our products to the current Christie Lites market and beyond, furthe
Europe - Eurotruss is celebrating its 25th anniversary this month. Martin Kuyper, company founder, states; “I am extremely proud and grateful for all the love and support I received from great people, partners, and users during this incredible Eurotruss journey. Together with all of them, we have built a world leading brand representing not only high-quality truss and stages but also an amazing team of dynamic people who, on a daily base, do great work for our users and partners.
“It all started in a small barn in Leeuwarden, The Netherlands. Today our truss finds its way into 97 countries, represented by 40 distributors, three Eurotruss sales offices and three factories including Total Structures, leading brand in the USA. A lot happened since that 17th of January 1994, but it flew by and the journey has been full of energy, joy, and happiness. I feel blessed.
“I want to thank all of you supporting the product and the brand. I cannot wait for the next 25 years to come as our future looks bright and we still enjoy every day the rush of making awesome products and providing you with the best support and solutions.”
The Netherlands - Blumano, engineering consultancy for design and safety in the entertainment Industry is expanding its operation with the announcement of Blumano Netherlands. This prime west European base will work in close collaboration with the existing offices of Blumano in the UK and in Italy.
Michiel van der Zijde is joining the ever-expanding organisation, who in addition to his extensive knowledge of stage machinery, brings a background in project management to the dynamic equation. He is an industry professional and has an impressive track record in production design and product development spanning over 20 years with experience working as a technical producer with industry leading brands.
“We share the same core values - a commitment to excellence, a passion for what we do and a dedication to making our industry a safe working environment. It’s the art of finding the optimum balance between creativity and pushing the envelope in safe and practical scenarios” commented Michiel.
The team worked with Michiel on several projects including the 2018 Beyoncé and Jay-Z On the Run II tour, which is where they noticed his erudite approach to project management and substantial knowledge of technical co-ordination, calm character, and the ability to source cost-efficient engineering solutions that do not compromise on safety.
Blumano is specialised in atypical technical frameworks - all of the areas that standard engineering companies might choose not to handle. This often includes dealing with performer flying, moving elements above aud
UK - Lighting and visuals rental specialist HSL supplied lighting equipment to 32 Qdos pantomime productions across the UK for their 2018-19 season, together with a full rigging – truss and motors package – plus Kinesys automation for Cinderella at Glasgow’s SEC.
Lighting the colourful fantasy environments that characterise this genre of comedic melodrama is huge fun for lighting designers, and this year HSL worked with 17 LDs and liaised with 25 production LX’s who made it happen on the various sites which included Belfast, Cardiff, Edinburgh and London.
HSL’s 2018 panto team was led by Jordan Hanson, assisted by Emma Turner, and included account handlers Sean McGlone and Mark Shakeshaft, all well-known for their multi-tasking and number-crunching abilities.
Jordan comments: “Fluid communication, having a cool head for logistics and being organised about the prep is essential. Ensuring the whole team is onboard from the start and in touch and in tune with each other and the overall picture at all times is also key. Qdos has incredibly high standards, and we enjoy rising to the challenge each year”.
Glasgow is typically the largest show in terms of production and venue size and this year lighting was designed by Tim Oliver.
Other key ones were Snow White at the London Palladium, Peter Pan in Birmingham and Goldilocks in Newcastle, all lit by Ben Cracknell, together with Edinburgh’s Beauty & The Beast and Aladdin in Bradford with lighting designed by Matt Clutterham. Ben also l
The Netherlands - Prolyte Group has made a number of appointments as it continues its international expansion.
Eddie Slotboom has been appointed projects director, responsible for determining the strategy on large structures and seeking cooperation with global event organisations. Slotboom has previously worked at Stageco for over 21 years.
Lambert Bouwmeester, CEO of Prolyte Group, comments: “Eddie shares the same vision as Prolyte in terms of safety and professionalising the business. I’m convinced that his role will be instrumental to the ambitions of Prolyte.”
Meanwhile, Ralph Stockley will move on from his position as chief commercial officer to chief business development officer. Stockley will be tasked with realising business opportunities in new areas for the Group whilst also supporting sales director North America Juan Kopinsky in further strengthening the company’s position in this market.
William Voskuil, former general sales manager at the Prolyte headquarters in Leek, The Netherlands, will move to the position of sales director EMEA and LATAM. He will be responsible for all sales and marketing activities within Europe, Middle East, Africa and Latin America.
Another new member of the Prolyte family is Tracie Welch-Brenton. As of November 2018, Welch-Brenton has the position of chief marketing officer North America and will work together with Eddie Slotboom, Ralph Stockley, William Voskuil and Juan Kopinsky on Prolyte’s global marketing and sales strategy.
Europe/Asia - Two teams will take part in the 2019 Mongol Rally to raise money for technical entertainment charity Backup.
The rally, which takes place in July and spans 10,000 miles from the Czech Republic to Ulan Ude in Russia, requires participants to ride a very small vehicle, with no support or set route to the finish line, which must be crossed in four to eight weeks.
Team Backup, comprising Salvador Avila, Ethan Forde and Duncan McLean, are aiming to raise £50,000 for the charity, with team The Nomadic Numpties of ‘Turbo’ Anthony Hall and ‘Henri’ Abby Cooper targeting a further £1,000.
Team Backup will ride a 2001 Toyota Yaris with over 121,000 miles on the clock. Meanwhile, Team Nomadic Numpties are looking for ideas from the industry on turning their car, Poppy, into a mobile mirror ball.
“It won’t be easy, and the drive is fraught with danger,” says Duncan Mclean, a video and projection designer based in London and New York, who has worked in theatre, TV and large-scale live events for the past 15 years. “There will be highs and lows, the car will breakdown - a lot - and friendships will be pushed to their limits.
“But our goal is to raise £50,000 for Backup and we’re aiming to get manufacturers, hire companies
USA - The Crosby Group has completed the acquisition of Straightpoint UK (SP), a manufacturer of load cells and force measurement equipment.
The acquisition, effective 2 January, includes SP’s Hampshire-based manufacturing facility and headquarters, which will become Crosby’s 'centre of excellence for load monitoring and measurement'.
David Ayling, formerly CEO at SP, will step into a new role overseeing sales, marketing, and product development functions for all load monitoring equipment. He will report to Robert Desel, chief commercial officer at Crosby.
Ayling comments: “SP has built a very strong team focused on innovation and high service levels and we wanted to ensure we could maintain and capitalise on these important features of the company. Crosby’s brand, its channel strength, global reach, and management team will enable us to build on our strengths and take the business to a new level.
“Becoming part of Crosby represents an opportunity to deliver our solutions to more customers and increase the pace of our innovation. It’s an exciting new chapter for SP, its team members, and customers.”
Robert Desel adds: “We’ve had a close relationship with SP for quite a while - its load shackles are based on the industry standard Crosby G2130 shackle, and we use SP products on our Safe Rigging trucks. SP’s position as a leader and innovator in load measurement and monitoring, and the opportunity to integrate its technology into our already strong portfolio, made this a compelling addition to Crosby.”
UK - Def Leppard continued their 2018-19 Hysteria tour in UK and Irish arenas just before Christmas, celebrating 31 years since the release of their seminal Hysteria album, which was played in its entirety in track order.
HSL supplied lighting equipment plus rigging, with over 100 motors including a 25-way Kinesys automation system, to the tour which features a striking lighting design by Kenji Ohashi, who has lit the band for 17 years.
The lighting and rigging - which also included supplying motors for video and PA - was co-ordinated for HSL by Jordan Hanson, who comments that they “were delighted to be back working alongside production manager Chris Adamson and ‘universal’ lighting crew chief Kevin Cassidy again. It was really interesting to see Kenji’s work and the vitality and energy his lighting brought to a great looking and sounding production”.
Kevin Cassidy, together with his two touring technicians, Kinesys operator Christian Alvarado and Calvin Mosier who looked after their touring Follow-Me remote spotting system, went to HSL’s HQ in Blackburn to prep the gear ahead of the three week tour.
They were joined on the road by four technicians from HSL, crew chief Dave Dickinson, FOH and systems tech Tim Dunn, moving light tech Tom Soltan and Andy Whitt who looked after dimmers. Rigger Ian ‘Tuffy’ Bracewell was also working via HSL.
All the trussing was HSL’s pre-rig and populated with six main types of fixtures.
The primary wash fixtures were Vari*Lite VL3500 Wash FXs and the main profiles wer
UK - The Maestra Group in London and Dubai have switched from their existing server-based equipment rental software to HireHop’s cloud-based rental equipment software to manage their productions, hires and inventory.
Maestra is an international event production and AV rental company based out of London and Dubai, with a large portfolio of iclients and events under their belts.
HireHop’s director Keith Jacobs says: “We are delighted to have such a prestigious and well-respected company on board, and we look forward to facilitating Maestra’s growth in the future.”
Justin Hammond, managing director of Maestra London, adds: “We had encountered numerous limitations with our previous rental software and needed a replacement. We switched over to HireHop because it could do everything we needed and more, due to its speed and the wealth of functionality, making it the perfect fit for our ever-growing company.”
South Korea - Star Events’ VerTech Ultra system provided for a production at Riot Games’ League of Legends World Championships final in South Korea.
The opening ceremony at Incheon Munhak Stadium, Seoul, used augmented reality (AR) to fit virtual/in-game band K/DA onstage, and across over 2,000sq.m of screens, for the first musical performance, alongside Madison Beer, Miyeon and Soyeon of (G)I-DLE, and Jaira Burns later in the show.
The 85-minute multi-player League of Legends final was broadcast across more than 30 platforms and TV channels and saw China’s Invictus Gaming beat Europe’s team Fanatic 3-0 to take the trophy and $834,375 in prize money.
Total production ‘frontage’ for the live event stage was 165m wide and 27m high, Star T-towers built on top of the Ultra structure lifting audio hangs fully clear of the screens with a hook height 32m above the ground.
Roger Barrett, Star Events’ special projects director, comments: “It was the first time we have fitted T-towers on top of an existing structure, something the Ultra system made it very easy to do.
“We put a regular VerTech stage frame in as a super-size ground support for the semi-final, at a sports centre in Gwangju, but the screen support in Seoul had to be more than four times bigger so VerTech Ultra was the perfect, flexible fit.
“Working in South Korea with 35 containers of equipment and without a traditional promoter had its challenges. There was quite a lot of new kit with no time to test build it so the main build at Seoul simply had to work
USA - Mountain Productions named Shawn Sack as director of North America Development for Rigging Sales. In his new role, he will be responsible for developing sales and enhanced customer relations across North America in all sectors of the entertainment industry.
Sack began his career at Mountain and has now returned after 10 years working across the entertainment rigging industry. He has almost 30 years’ experience holding positions that span staging supervisor, rigging shop manager and rigging sales. Most recently, Sack acted as a product specialist for rigging sales at A.C.T Lighting and previously with market leader Columbus McKinnon Corp within their Entertainment Business Development team. He also holds an active membership of ESTA Rigging Working Group.
Ricky Rose, CEO, Mountain Productions, comments: "Shawn is the complete professional with extensive product and industry knowledge that will help drive our growing and diverse rigging distribution business across North America. We are excited to welcome him back to the Mountain family."
"We are confident Shawn’s wealth of experience and industry knowledge will only enhance our existing core Mountain sales team.
Sack adds: “Over the past 10 years I have worked with a variety of industry leaders from Tomcat to CM and most recently at ACT. During this time, I fostered amazing relationships and further honed my skills across the rigging industry, but now I am ready to return home. I am excited to be part of the new generation of Mountain Productions team.”
UK - Given the time of year, chances are, if you told your friends you saw two 8m slugs flying above the skies of Chelsea, they'd think you'd had a few too many drinks at the office Christmas party. But this is exactly what happened earlier this month as Unusual Rigging was brought on board by Tate Britain to help install their seasonal decorations.
Sam Carter, Unusual's rigging project manager, says: "Every year, Tate Britain commissions an independent artist to come up with a scheme for its Winter decorations. This year it was the turn of artist Monster Chetwynd, whose gastropod inspired artwork also includes swathes of blue and white LED slug trails across the facade of the building."
The Turner Prize nominated artist took inspiration from Sir David Attenborough's 2005 nature series Life in the Undergrowth. The piece also reflects "her interest in alternative energy sources and the idea that we may one day use bio-luminescence to light city streets".
Sam continued: " We first met with the team at Tate Britain back in October, where we were shown a concept video of two slugs mating (and wondered what on earth we were getting ourselves into). From that, we produced a series of drawings and designs and a solution for how to install the slugs at the museum's entrance. We were also involved in making a giant lighting net to go over the front of the building."
Using a crane to fly the slugs into position, Sam and the team positioned the festive molluscs (one 8m x 1.5m and the other 7m x 2m) on a plinth and at the entrance and fastened them secu
UK - S+H Technical, specialists for LED visual effects, drapes and starcloths, supplied around 350sq.m of its LED Animation cloth and 450sq.m of standard RGB starcloth drape for the BBC’s 2018 Children in Need telethon, broadcast live on BBC One and BBC Two.
Featuring a star-studded line-up, the event raised over £50m for the 2018 appeal in what was the crescendo of this year’s fundraising activities for disadvantaged children and young people in communities across the UK.
The telethon production design was created by Alex Craig - working on his 10th Children in Need - and this new look for 2018 featured some threads from the previous design to keep a strand of continuity, together with some spectacular new elements including lots of LED and a large upstage LED wall, 14m wide by 5m high, which split in the middle and opened for performer entrances and exits.
“The look was modern, clean and now,” explains Alex, adding that his brief from executive producer Leanne Witcoop was to ensure the space looked integrated and a contrast from last year where there were three distinctive different performance areas on the one set.
The stage was all on one level, punctuated with curves and spheres which defined its general shape, complete with the spectacular long multi-layered curved LED screen set piece upstage, finished in gold shimmer disc material and outlined with LED strips.
This was flanked by two smaller semi-circle curved screens, also edged with several lines of LED - like a giant geometric spirograph design - and clad in chrome s
USA - The Entertainment Technician Certification Program (ETCP) has announced changes to its examination rules.
From 15 December, candidates who purchase the ETCP practice examinations will have 90 days to complete the web-based exams, increasing from the previous one of 30 days.
There is no application process with the practice exams and any interested candidates will be able to take the exams remotely.
Candidates may grade the answers as they go or keep the practice exam available to study for the full 90 days. Those who have already purchased one of the practice exams are locked into the current window of 30 days.
“The practice exams were one of the greatest tools I used for preparing for the rigging exam. They helped me understand test layout and what I needed to spend more time on. I would suggest everyone takes one, if not all, the relevant practice exams, prior to testing on the actual exam,” says Gabriel Gula, ETCP rigger - Arena.
South Africa - Gearhouse Splitbeam, the South African theatre equipment rental company, has invested in 53 new ProLyft Aetos motors and three Aetos 24 way remote controllers to keep up with demand of upcoming theatre productions. The company was established by Alistair Kilbee and Ofer Lapid in 2010, who realised the challenges of long-term rentals and who wanted to provide the best professional gear at the best possible prices to their clients.
“We have sent the 53 new Aetos motors, along with 47 of our existing stock - a total of 100 Aetos motors - to the Philippines where they will begin a world tour,” explains Alistair Kilbee, managing director. “I will be joining the production in Manila in January 2019 as technical director, but will not be touring with the show, only flying in for load in / load outs as required.”
In addition, Splitbeam has invested in Eilon load cells. “The Eilon load cells are crucial in monitoring your load weights while lifting to ensure an even distribution of weight between motors. The great thing about the wireless Eilon system that we purchased is that the cells can be monitored continuously in real time via an iPad. This particular production has a complex rigging system, so the load cells will help to ensure the safety of the performers and longevity of our Aetos Motors.”
Splitbeam has been involved in a number of international touring productions such as Priscilla Queen of the Desert, Evita and The Sound of Music.
“It is not always easy competing with the equipment requirem
UK - The festive season is well underway and Triple E has gone underwater to provide a magical window display in the centre of the West End.
You wouldn’t usually associate Shaftesbury Avenue with a yacht-chandler, but Arthur Beale has been situated here for over 400 years. Traditionally known for manufacturing ropes for ships, climbers and explorers the company often takes advantage of their central London location to supply the local West End theatres with specialist rigging.
Under the leadership of Alasdair Flint, a theatrical chandler who also has a passion for sailing, the company has revived itself in recent years to provide rigging and ropes to the theatre sector alongside their more traditional sailing business. And each Christmas the company draws on this theatrical side and puts on a window display to rival any other shop in Bloomsbury or the West End!
Triple E has worked in collaboration with Alasdair Flint to provide a magical underwater themed display based around 20,000 Leagues Under the Sea. As a leading provider of drape and scenery tracking to the theatre sector, Triple E has frequently been known to provide tracks to support other well-known West End retail emporiums such as Harrods and Selfridges with their ‘wow factor’ window displays.
Triple E was charged with specifying and building a chain track system to allow the aquatic life in the window display to be in continual motion. Chain Track is Triple E’s proprietary tracking system and was perfect for the very precise and continuous movement of scenic element