Tim Boot, production music mixer for Jersey Boys, relied primarily on DPA's d:vote 4099 Instrument Microphones and d:screet 4061 Omnidirectional Miniature Microphones to capture the live instruments on set. Easy to conceal during filming, these mics provided a very natural sound quality and proved to be the perfect complement to the era of the film. Further keeping with the film's theme, the crew used vintage
The seminar, conducted by Neutrik product application engineer Frank Studer with the assistance of Neutrik Product manager Pavel Aheuin from NMK, focused on the fibre optics theory on the first day of training including the applications for transmitting and receiving audio, video and communications. The second day was dedicated to a hands-on workshop that highlighted the NeutrikOpticalCon field assembly kit where attendees were given the opportunity to improve their skills on terminating LC connectors, applyi
One of the new products is NEO 5 A ES, the updated version of NEO 5 A. This installation loudspeaker has been developed to maximise savings in energy consumption and, therefore, to be more efficient. Under this ecological company philosophy, the brand has come up with a smart solution capable of shutting down when it is not receiving an audio signal: this means a reduction in its consumption below 1W under these circumstances. "Thanks to this product, it is possible to exponentially enhance the performance and efficiency of the audio installations," say WorkPro
Key to the design was providing a dedicated fader per mic input channel while retaining a compact footprint, the Qu series distinctive styling, and extensive I/O, comprising 32 mic/line inputs, three stereo inputs, 24 mix outputs including 2 Stereo Matrix Mix Outputs and 4 Stereo Groups with full processing, patchable AES digital output with a f
Dante Via transforms Macs and PCs into networked I/O devices. With Dante Via, you can now build a complete, standalone audio system of networked PCs without the need for any dedicated Dante-enabled hardware to be present on the network. Any computer instantly becomes a networked audio I/O device, says the company.
Dante Via "expands AV horizons, freeing one from the limiting constraints of short reach point-to-point analogue and USB cables". Dante Via allows you to create a flexible audio bridge for your computer to connect with legacy USB, FireWire and Thunderbolt audio interfaces and transform them into networked devices. Without the need for additional hardware, Dante Via transmits and receives professional qual
Utopium's hire and sales manager Ben Knowles commented, "It was great to work with the festival organisers putting together the full scale production to ensure it translated for every element of the event.
"It was also a fantastic opportunity for us to showcase our new lighting technology live for the first time. We supplied six SGM X-5 LED Strobes, 12 Chauvet Legend 419 Washlights, 16 Chauvet 230 SR Beams and 18 Chauvet Nexus 4 x 4 panels, which allow f
Commercial Audio Solutions is a long established supplier to the installation market and stocks a large range of prestigious world-wide brands as well as offering an in-house system-design service. The addition of these Audio Logic brands increases further the scope of Commercial Audio's offer whilst at the same time extending Audio Logic's reach into new markets.
Interest in Audac's new range of amplifiers at the recent PLASA Focus event in Leeds was keen. Ecler continue to offer a quality product for just about every au
Designed by Maki & Associates (Japan), TRCC exudes an elegant simplicity and balance of aesthetics and functionality that reflects an appreciation for the arts and culture. Under its fan-shaped roof, TRCC has three main performing arts venues: a 1,000-seat theatre, 300-seat studio and, 120-seat lab, all of which are open to the public.
This is the first upgrade for the main theatre since its opening in 2007. With more international acts gracing its stage, and taking into account the evolving needs and criteria of modern shows, Mark Spencer, former student and Head of TRCC's Audio Division, felt it was time the audio caught up to speed. "Audiences nowadays are mo
After walking a short distance across the field, the Pope arrived at the stage where the previous night Italian rock star Luciano Ligabue had delivered a major concert. The audio system used on this occasion was made up of four of RCF's flagship TTL55-A Touring & Theatre line arrays, comprising 84 elements in total. This was not the first time an RCF system has been used to amplify an event of this kind: in 2012 the company provided the audio system for the official and historical visit of Pope Ratzinger to Cuba, an event followed by millions of people all around the world.
Now, two years on, RCF has again amplified t
PRG's inaugural K2 deployment came almost immediately - two dozen enclosures were put into active duty for the 25th annual National Memorial Day Concert, attended by countless spectators on the West Lawn of the US Capitol in Washington, D.C. on 26 May. This year's event, hosted by actors Joe Mantegna and Gary Sinise, featured an all-star line-up of performers, including the National Symphony Orchestra, Jennifer Nettles, Megan Hilty, the US Army Chorus and Air Force Singing Sergeants.
Having supported this annual holiday event for over two decades now, PRG's new K2
Despite the change of image and musical direction of recent years, Cyrus has remained faithful to key members of her technical team, in particular monitor engineer Vish Wadi and FoH engineer Paul David Hager. Both have been working with Cyrus (and Sennheiser) for a number of years. Wadi's relationship with Sennheiser goes back some 17 years, whil
Wireless Workbench 6.10 now supports the newly introduced QLX-D Digital Wireless System, a cost-effective solution that features networked control and Shure's intelligent rechargeable battery technology.
For greater insight into frequency compatibility, Wireless Workbench 6.10 introduces a re-designed Frequency Analysis view. Providing more transparency when troubleshooting, Frequency Analysis displays a detailed and interactive listing of conflicts discovered per frequency and enables users to filter conflicts by type.
After all desired settings are in place, the software
dbn has been the lighting supplier for the festival organised by Ground Control since it started five years ago, since when it has grown in stature, popularity and physical size. Last year, it moved from the original site in Platt Fields to Heaton Park to allow for expansion and this year the capacity was increased to 70,000.
dbn's project manager Pete Robinson created an individual production design for each area, all of which served as eye-catching backdrops for the heterogeneity of acts appearing over the two days.
He comments, "It was great to be involved again! We are all really excited to see the festival develop and to be ab
ARX managing director Colin Park said, "Matrix Sound are a well known and long established Distribution, Sales & Rental Company in the South African Professional Audio Industry.
"Here at ARX we're looking forward to working with the Trevor Peters and his team at Matrix, they're very enthusiastic about the possibilities for the growing ARX product range amongst their extensive client base throughout South Africa."
(Jim Evans)
From safety announcements and music, to team changes and minutes of added time, stadium announcer Steve Buxton is a busy man who carries great responsibility. On February 1st Stoke's heroes demonstrated their progress under manager Mark Hughes by putting Premiership giants Manchester United to the sword. On a memorable day for the club, Steve was putting into action some progress of his own.
Prior to that momentous day, Steve was to be found high above the pitch, behind glass and mixing his output from information received by walkie-talkie. This unsatisfactory state of affairs
Announced on his Facebook page only a matter of hours before each performance, and drawing crowds of up to a thousand at a time, Passenger's latest 'busks' have seen him perform in Manchester, Brighton and on London's South Bank outside the Tate Modern and they certainly haven't been disappointed in the quality of the audio.
Simon explains why he chose to use the LSP 500s. "I looked into this long and hard," he says. "The whole vibe of these gigs is that we need to be able to turn up anywhere and be completely self con
In the case of Timberlake they were able to meet the spec by deploying Optocore's sophisticated fibre distribution system comprising four XR6-FX interfaces at the FOH, stage and delay tower ends. One device was configured 8AE/8MI and the other three 8AE/8LO.
Transmission to the L-Acoustics PA and delay towers was via Optocore AES, Analogue and Ethernet on a redundant loop, with two AES lines from the DiGiCo SD-7, through a routing/summing Lake LM-44 to a total of five AES lines on the Optocore rack. These were configured for AES and analogue, while an analogue line was connected for backup.
The two Optocore stage rac
The work was carried out by Phil Clark and Neil Kavanagh of UK-based Old Barn Audio. They were commissioned by the owners, who also operate the Oon.Dah Restaurant below it in the Edifício Escom, Luanda's tallest tower.
Phil Clark takes up the story. "We had already designed the original system 18 months ago, with assistance from Nigel Meddemmen at Martin Audio, but it was such a roaring success that we were asked to return and make the system louder to satisfy the DJs. This we did by upgrading the nightclub with more subs, bigger amps and processing."
Doo.Bahr is one of Luanda's chicest cocktail bar/lounges with an outdoor terrace offering spectacular views. It was originally designe
Fox Sports Brazil, a key broadcaster of the games, is using a GLD-80 digital mixer connected via Dante to 3 LAWO consoles and 3 RTS matrixes for broadcasts from Rio de Janeiro. Broadcaster, Sigma, is using a Qu-16 and a Qu-24 compact digital mixer, plus two iDR-16 and an iDR-48 iLive MixRacks.
Fox Sports' Sao Paulo studio installed a GLD-80 earlier this year. As part of the system, an AR2412 remote I/O rack was selected as a master unit, with two AR84 expander racks installed in the Fox studio with the mixer. This system is being used to provide audio fe
Managing RF system design and frequency coordination for Firehouse Productions was Vinny Siniscal. "With so much real estate to cover, so many frequencies to manage and so many live bands, I specified Shure UHF-R systems again this year," he states. "When I'm doing a live network broadcast, that's my preference. Even though the product has been around ten years or so, I know there's nothing else out there that I trust to be robust enough to survive in such a crowded RF
The award was presented to Orbital Sound's Richard Carter, part of the Nemesis design team, at a joint ceremony hosted by The Association of British Theatre Technicians and The Stage Management Association, at the end of the first day of the show.
Orbital MD Chris Headlam commented, "This is a great achievement for the team behind Nemesis - representing two years' research and development to create something that has long been missing in the theatre market. The objective is to remove the complexity and often random nature of computer playback systems - something that has plagued us all at s
Settings affecting I/O levels, routing, and more may be defined with SymNet Composer 2.0, which gives customers the ability to consolidate design on a single software platform where previously multiple platforms were required.
"As of this release, integrators will no longer need Audinate's Dante Controller as well as separate software packages for each manufacturer's products," comments Trent Wagner, senior product manager at Symetrix. "Supported Attero Tech and Stewart Audio Dante-enabled products can now be configured and managed right alongside to SymNet hardware. Integrators who have
Once Optocore had decided to set up Broadcast Manufactur (BroaMan) to extend the Optocore infrastructure (and distribution options) into broadcast applications such as studios, OB vans and sport events, Huffer admits "it all clicked into place."
When he first saw MUX-22, the latest addition to the BroaMan portfolio of routing and repeating devices at this year's Frankfurt Prolight+Sound Show, and sensed its full I/O capacity and configurability, it really ignited his interest.
Consequently, his company - which specialises in the sales and distribution of a range of premium pro audio brands - gave BroaMan's MUX-22 device a prime spot on
SSE sales director, Alex Penn, confirms: "We have a long history with Soundcraft's Vi Series." He continued "We saw the new console for the first time at Frankfurt Prolight+Sound; it sits neatly between the Vi1 and Vi4 and offers many new features which will secure the longevity of this series, which has always been popular with engineers."
Marking a massive technological upgrade to the Vi series, Vi3000 offers many advantages, including the much requested access to Universal Audio's plug-ins and Soundcraft Realtime Rack plug-in engine - both points picked up on by Penn.
"The Realtime rack can also be used with our exis
