Germany - Inaugurated in 2005, Munich’s Allianz Arena, with its striking façade of almost 3,000 air-filled panels which made it the first stadium to display a full colour-changing exterior, is one of the best-known football stadiums in the world.
Inside, too, the three-tiered stadium construction leaves an impression on the 75,000 plus spectators who come to see top national and international sport, and especially to support home football team Bayern Munich. For this season, the sound system in the Allianz Arena has stepped up its game. In cooperation with the engineering and planning office Müller-BBM, L-Acoustics certified provider system integrator, Wilhelm & Willhalm event technology group, have installed an extensive Kara system from L-Acoustics.
Since the Arena opened, Wilhelm & Willhalm has been the infotainment technology service provider to the venue, and won the upgrade project when Müller-BBM launched a tender for the new sound system which would provide optimized, uniform sound level distribution across all three tiers, improve of the transmission quality for music playback, as well as increase speech intelligibility for announcements. In addition, the new system needed to anticipate the upcoming Euro 2020 where, as part of the first pan-European European Football Championship, the only matches in Germany will be staged in there.
"The membrane roof of the Allianz Arena creates considerable reverberation in the spectator area. For this reason, care was taken to design a system that delivers sound to the spectators, minimizing
Finland - The Pori Jazz Festival is one of the oldest music festivals in the world. Technical provider for the event, rental company Aku’s Factory Oy, provided audio support which included multiple DiGiCo consoles for this event’s main stage.
Pori Jazz Festival started in 1966, with 2019 being its 54th consecutive year. The majority of the festival takes place on the beautiful Kirjurinluoto park island in the heart of the coastal city of Pori and delivers a diverse music programme that attracts artists from around the world.
This year’s main stage headliners were Stray Cats, Christina Aguilera and Toto, with popular local artists including contemporary singer-songwriter J Karjalainen, and global artists such as world music singer-songwriter, actor and activist Angélique Kidjo and living jazz legend, saxophonist Archie Shepp, also gracing its stages.
House consoles for the main stage were a DiGiCo SD10 and SD12 for front of house and an SD10 at the monitor position, plus an SD-Rack with 32-bit Stadius I/O cards. Guest consoles also included an SD9 and SD5.
“The majority of performances on the main stage used DiGiCo consoles,” says front of house engineer Jorma Tikka from DiGiCo’s Finnish distributor, Audico, which supplies consoles and provides support to Aku’s Factory Oy and who has been working on the festival’s main stage since 1992. “Typically, guest engineers who come here are demanding and technically knowledgeable. DiGiCo consoles have been the first choice of console for most of the engineers when we look at the tech
USA - A roundtable discussion exploring the transformative effects networked AV has on learning and higher education will take place at 11am, PT on 29 October. The event includes an in-person discussion between multiple AV experts. A live Q&A, where webinar attendees can ask questions of the participants, will occur immediately after the discussion. Registration for the webinar is open now at: www.audinate.com/ddm-edu
The roundtable event is hosted by Audinate, developer of the Dante AV networking technology, and brings together experts from the University of Southern California, University of Oregon, Arizona State University, University of Colorado, Denver and Brigham Young University - Idaho.
“When we talk with our partners about how they are using networked AV we always come away impressed at their innovation and ingenuity,” said Joshua Rush, senior vice president of marketing at Audinate. “This is especially true in the higher education market. We realised it would be incredibly beneficial to bring together some of the leading minds utilising networked AV in higher education - and then share that discussion with the industry at large.”
Germany - Martin Luther University Halle-Wittenberg (MLU) uses Sennheiser wireless systems in its lecture halls and seminar rooms to convey the spoken word in the best possible audio quality. It currently has 53 wireless channels from the Sennheiser SpeechLine Digital Wireless series operating in the DECT range.
The systems are spread around different university locations and were installed successively over a period of two years. The conversion from UHF to DECT frequencies has not yet been completed at Martin Luther University – an application to purchase further Sennheiser wireless systems has already been made. The homogeneous wireless equipment at the Universitätsplatz, the Steintor Campus, the Weinberg Campus and the Francke Foundations simplifies both handling and servicing.
Up to three SL Rack Receiver DW units are used in typical lecture halls at MLU. These are employed together with wireless table microphones (SL Tablestand 133-S DW) and handheld or bodypack transmitters. The SL Handheld DW transmitters are all equipped with MME 865-1 super-cardioid condenser capsules, while the SL Bodypack DW transmitters are operated with clip-on or head-worn microphones.
The lavalier microphones (Sennheiser MKE 1 with omnidirectional pick-up pattern) are always kept in the lecture halls and seminar rooms on the Weinberg Campus, while the SL Headmic 1 head-worn microphones (omnidirectional pick-up pattern) together with their corresponding bodypack transmitters are issued to the teaching staff each semester, not least for reasons of hygiene, and are s
The Netherlands - dBTechnologies has added another user to its Vio family. TSR AV - Audiovisual Interactions is the first company in the Netherlands to acquire the Vio line array system. The company has decided to purchase several elements of the VIO system. In total, TSR AV added 16x VIO L212, 12x VIO L210 and 16x VIO S218 modules to its rental inventory.
Han Wassink, managing & sales director and founder of TSR AV, comments, “We see great potential for the audio system in the Dutch market. As a long-standing dB Technologies user we have great trust in the expertise and quality of the dBTechnologies brand. With the Vio system, dBTechnologies has taken an enormous step in technical development. And last but not least, we are very satisfied with the dBTechnologies R&D team.”
Martijn Groot, managing and operations director adds: “One of the goals in purchasing the system was to show the Dutch market how excellent the quality and sound of dBTechnologies systems is. Not only as a company, but also as AV technicians, we are very satisfied with the quality of the VIO system. We are really proud to be the first company in the Netherlands to use the Vio system.”
The Vio L212 is dBTechnologies' full-size line array for large sound reinforcement applications. Despite its fully active design, the Vio L212 is one of the most compact and lightweight 2x12" line array systems in its class.
Canada - Cast Software has released wysiwyg as a 64-bit application.
Available for download from the Cast members area, the application offers noticeable stability and performance increase across all modes and can now utilise more than 4GB of memory to open files.
Cast VP of product, Dino Mazza comments: “This is a special release for Cast. I am proud of the entire wysiwyg development team for getting us here, identifying the challenges along the way and finding the easy, and sometimes difficult solutions, and continuing to plug away at this project until its completion.
“R43 delivers our wysiwyg in a 64-bit architecture, and along with the increased responsiveness and improved user experience, which we know the users will love. But, also included are some new features too. I know there are some happy faces around Cast, and I’m suspecting the same is true amongst the wysiwyg R43 users out there as well.”
USA - Harman Professional Solutions has announced the new JBL Eon One Compact portable PA system.
The latest addition to the JBL Eon One range of portable PA systems, the Compact is an ultra-portable, all-in-one PA system with Bluetooth that “delivers high-quality sound anywhere, for hours on end”. The swappable, rechargeable battery lasts up to 12 hours.
Weighing less than 18lb with a built-in carrying handle, the Eon One Compact is easy to take anywhere. A variety of inputs for microphones, instruments and more, plus a four-channel mixer with onboard Lexicon effects and dbx EQ provides ultimate flexibility. Bluetooth connectivity makes it easy to stream music and link multiple speakers, and a handy mobile app for Android and iOS provides intuitive control.
“The Eon One Compact’s impressive volume, bass output, portability, connectivity and control features make it uniquely suited to a variety of applications, in addition to being the ideal portable PA for musicians,” says Brandon, Knudsen, loudspeaker product manager, Harman Professional Solutions. “Bluetooth connectivity and high-speed USB charging make it ideal for parties and the ducking feature makes it great for voice-plus-music applications like DJing or fitness classes and an excellent
The 8" woofer and 1-inch tweeter produce up to 112dB of output from 37.5Hz to 20kHz, providing loud, uncompromising sound with extended low-end. A built-in four-channel mixer makes it easy to dial in a balanced sound, and optional automatic ducking ensures that speech is always heard clearl
UK - The eighth Sundown Festival, promoted by U-Live, took place at the Norfolk Showground in Norwich over August Bank Holiday weekend. It was the first at which the record crowds of 22,000 on the Saturday were treated to the optimisation technology of Martin Audio’s MLA.
The company’s rental partner Capital Sound had been brought in by production company, Mark Ward’s Proper Productions, with whom they have a long-standing relationship, most notably at Hyde Park’s British Summertime season - and on this occasion the production manager was Rishi-Louis Gowry. With acts including Mabel, Jax Jones and Anne-Marie topping the bill on the Saturday and Example, Ella Eyre, Jonas Blue and Becky Hill supporting headliner Tinie Tempah on Sunday’s main stage, dance aficionados were in for a treat.
Capital’s project manager Amy Newton-Smith confirmed that the event had run smoothly. “We quoted to meet the spec issued in previous years and adjusted it accordingly. When noise pollution is a big issue then MLA is our go to system of choice.” Noise propagation tests were duly conducted and throughout the festival, Capital comfortably managed to meet an offsite threshold of 55dB(A) while maintaining 98dB(A) at the mix position.
Deciding to dispense with delays as a more economic option - yet safe in the knowledge that MLA’s coverage over distance can be optimised - Capital added a couple of extra elements to the main hangs which consisted of 13 MLA per side and one MLD (Downfill). Eight MLA Compact per side were flown as side-hangs and there were eig
UK - Occupying the site of the former Cabin Club on Bold Street, Jimmy’s is Liverpool’s newest live music venue. It opened on 1 August with a homecoming by favourite sons of the city, The Coral and has already attracted a positive wave of support from punters and press alike.
Sister venue to the already-established Jimmy’s, Manchester, the venue is in the hands of George and Jimmy Craig, who have created a seven-nights-week basement live room, as well ground floor bar and first floor eatery. Fundamental to the success of any live music venue is its sound system and as pro musicians themselves, it’s something that the entrepreneurial pair took very seriously during the creation of the venue.
Installer Adlib was consulted over the way forward. Given that the venue was set to attract a high proportion of signed artists, it was essential that the system carried a strong rider-friendly brand that would deliver high quality audio. For this low-ceilinged cellar venue, Audiologic supplied Adlib with a QSC ILA line array system comprising six WL2082-I and four WL118-sw subwoofers. Compact and attractive in appearance, the system is optimised for installation across a broad range of venues.
As well as the live room PA, Audiologic also supplied a QSC Q-Sys for system control, providing the site with a simple-to-operate user control interface on iPad, enabling easy management of multiple inputs across three floors of audio.
More than 50 bands have passed through Jimmy’s since its launch and the response from visiting front of house engineers ha
Spain - In a Roman Catholic ceremony to mark the beatification of Guadalupe Ortiz de Landazuri, audio rental firm Delta Sound Spain employed a Bose Professional ShowMatch DeltaQ system to provide full-bandwidth sound and exceptional audience-area coverage for the event.
Landazuri was the first lay member and the first female member of the Catholic church’s Opus Dei body to be beatified. Cardinal Angelo Becciu, prefect of the Congregation of the Causes of Saints, represented the Holy Father at the beatification ceremony.
The ceremony took place at Palacio de Vistalegre, a multipurpose venue that originated as a bullring (and therefore has a 270-degree seating aspect); the space is usually configured for 9,000 attendees, but was reconfigured to accommodate 11,000 for this special occasion. To meet the needs of the Vatican for the special event, a sacristy, chapel, press area and volunteer hosting room were specially constructed.
The multiple-array sound reinforcement system set up for the event included a total of 40 ShowMatch modules configured in two main 12-box left/right arrays supplemented by a total of 12 ShowMatch SMS118 bass modules for low frequency extension. Multiple outfill arrays were made of four additional ShowMatch modules. Additional ShowMatch loudspeakers were used as ground-based frontfills, with two modules each mounted on multiple pairs of SMS118 subs.
Jose De La Torre, CEO of Delta Sound Spain, comments: “With such a high RT60 measurement and a very reverberant space, the challenge was to achieve high intelligibility i
South Africa - Pretoria-based rental company AJR has decided on the L-Acoustics colinear Syva system to offer high-end quality audio to their corporate events. In doing so, they have become the first in South Africa to purchase Syva.
Owned by Altus van Rensburg, AJR was one of the first in the country to buy into the L-Acoustics X Series with X12 and X8. Contemplating the best way to build on his existing audio system, he came across the Syva at local distributor DWR Distribution and was sold.
“When Syva first came to the country last year, we stood around like excited school boys, listening and wondering what magic was coming out of the boxes,” Altus says. “We hoped that someone would buy the system first because we wanted to hire it from them and try it out. My initial thought was to expand on our ARCS WiFo system. We currently have six X12, six X8, six ARCS WiFo and eight SB18 subs. The Syva presents a solution to deliver the same audio quality with a one over one, and is ideal for a quick set up by a single crew member.”
AJR’s personal and professional approach has enabled them to consistently grow and provide service to longstanding clients and their marketing is solely due to excellent referrals. Altus knew that for larger events, he could hire in extra gear. For the smaller to medium sized events, Syva presented something unique to the market and Altus believed this would be a cost saving to clients and more affordable than flying a full audio system.
“For us quality has no alternative,” Altus explains. “We want to set
UK - Adlib delivered a full-service production package including lighting, audio, video and rigging for Glasgow’s TRNSMT Festival 2019, held at Glasgow Green in July. This popular event is now in its third year and headliners included Stormzy, Catfish & The Bottlemen and George Ezra.
Serviced from Adlib’s Glasgow office, it was project-managed by Chris Neary, assisted by Graham Cochrane and Craig Hamilton. The company deployed part of their large L-Acoustics inventory including K1, K2, Kara and KS28 loudspeakers, five DiGiCo SD12 digital mixing systems were used as the house desks for FOH and Monitors plus visiting consoles.
At the heart of the system was, once again, Outline’s Newton FPGA-based processor, which has become Adlib’s go-to device for interfacing multiple consoles with the PA at festivals, in addition to many other duties. James Coghlan was Adlib’s system engineer at TRNSMT and he commented, “Since using a Newton for the first time in May 2018 as a console matrix, it’s been my preferred method of getting multiple consoles into the PA system at any one time. This year at TRNSMT we stepped it up a notch and used a pair of Newtons in tandem to do all of the console matrixing and system processing.
“Taking LRSF from up to four consoles at any one point in AES3 format with an analogue backup and giving me all my PA sends plus record and programme matrices, the Newtons worked seamlessly throughout the weekend. With the latest software update including SMAART integration and the tablet mode, what was already a fantastic bit
The Netherlandsd - Amate Audio Benelux / Imagination AV is holding a two-day showcase in Rotterdam this month.
On 10 October, the company will run a comprehensive demo of its new X212AF line array at Onderzeebootloods, a 5,000 capacity venue on the former site of the EDM Submarine Wharf. Amate Audio Xperience will demo the new X2121AF line array and X218WF sub systems, with vice-president and chief technical officer Joan Amate giving an overview presentation of the systems.
On 12 October, attendees will be taken to the Dagvlinder Festival, where the same system provides the Main Stage sound, with a second system of eight-a-side NÍTID N208 line array elements and 12x N18W subs on the Jack’s House stage. More details on attending are available from the company's Facebook page.
The X2121AF line array has V-shape geometry, totally phase linear line array, with a 2x 12”, 4x 6” MF and dual 3” HF transducer configuration and proprietary acoustic design features - including the ABS mid-phase plugs, all-new HF waveguide and sonically transparent 1.5mm speaker grille - the X212AF incorporates discrete 3-way power channels with independent limiters (with differing time constants), and multi-channel DSP system management via Amate Audio’s Active+ integrated power and control platform.
The X218WF is a matched 5000 W X218WF sub system, loaded with 2 x 18” LF neodymium drivers with 4” double-layer voice coils in a compact bass reflex de
Switzerland - The Fête des Vignerons is held once every 20 years at a temporary stadium at the edge of Lake Geneva. The celebration, which features a vast troupe of performers donning elaborate costumes, as well as animals and vehicles, is held every day for a month to honour the winegrowers of the region, which stretches from Lavaux to Chablais in Switzerland.
Organised by the official Brotherhood of Winegrowers - la Confrérie des Vignerons - the show represents a year in the life of the vineyard through 21 action-packed scenes. This year’s event also received a technological boost in the form of a gargantuan LED floor from Absen subsidiary VISS Display, provided by rental house, Alabama.
As two decades have passed since the last Fête took place, the 200-strong technical team had to ensure that the 2019 edition lived up to expectations, as well as demonstrating the best of the last 20 years in live event technology.
With this in mind, a temporary 20,000-person arena was constructed in the Swiss town of Vevey to house more than 5,500 volunteer performers and 900 singers and musicians from the area.
“I grew up in the area and everybody around this region knows about the Fête des Vignerons because it is unique,” says the Fête des Vignerons technical director, Francois Mottier.
After the installation of the first technical elements in May 2019, the project evolved for budgetary reasons as well as from a creative perspective to guarantee it was in line with the vision of artistic director, Daniele Finzi Pasca - th
UK - Allen & Heath has revealed its new 96kHz digital mixer, Avantis, the third to be based on the company's XCVI FPGA engine. Avantis puts Allen & Heath's technology in a 64 channel / 42 configurable bus console, with twin full HD touchscreens, extensive I/O options and processing from the company's flagship dLive mixing system.
"Joining dLive and SQ, Avantis completes our trilogy of next-gen 96kHz consoles," says Rob Clark, Allen & Heath's managing director. "Avantis takes many of the features that have made SQ and dLive so popular, putting them in a standalone 64-channel mixer that offers a new UI experience, connectivity with our Everything I/O ecosystem, and the dPack option which gives you access to our advanced dLive processing options if and when you need them.
"On top of that, we've taken a new approach with the industrial design, coming up with a full metal chassis that’s super-strong, lightweight and looks fantastic."
Encased in its alloy shell and tubular frame, the Avantis control surface is centred on the two full HD touchscreens and their corresponding rotary controls.
"Having two touchscreens isn't a new concept, but we realised we could use it to unlock exciting new possibilities, which led us to develop Continuity UI," says Andy Bell, Allen & Heath's R&D director.
"Within seconds of getting hands-on with Avantis, engineers are going to appreciate the seamless flow between the physical controls and the on-screen software. You can work gains and pans on the rotaries, then at the touch of a soft key
UK - Celebrating its 16th year at its familiar Clapham Common site, South West Four is a familiar August Bank Holiday destination for London’s clubbers. This year it again welcomed the House of Commons Festival, curated by Madness, onto two of its stages for Bank Holiday Monday itself. Returning after two years, the giants of ska were accompanied by artists including Ziggy Marley and Jimmy Cliff.
The event’s long-serving sound production company, Capital Sound, were again brought in by promoters Lock ‘N’ Load Events, with whom they have a long relationship, and of the five stages they equipped, Martin Audio PA systems dominated the first four.
The event again drew some of the world’s leading exponents of electronic dance music, including Martin Garrix, Tinie Tempah, Plan B, Pendulum Trinity and Chase & Status, while under canvas Sigma and Craig David were among the Stage 2 headliners, in the vast 55m x 75m, 10,000 capacity space.
For Capital account manager Martin Connolly and Lock ‘N’ Load’s Andrew Mattle the event is all about improving the customer experience year on year - particularly with regard to the audio - and this year was no exception. Capital upgraded Stage 3 from MLA Compact last year to the full MLA, flying eight elements (plus an MLD Downfill box) on either side of the stage. “Although the speaker complement was roughly the same as before we needed more horse power to deal with reflections at the back of the tent,” says Connolly, explaining the reasons for the change.
The Capital FM main stage saw 13 MLA
Finland - Green Hippo has announced that the Finnish National Opera & Ballet (FNOB) has upgraded its stock of Green Hippo media servers with the company’s latest Hippotizer V4 systems.
The new equipment, supplied by Green Hippo’s exclusive Finnish distributor Msonic Oy, comprises seven Hippotizer Karst+ DVI, two Hippotizer Boreal+ DP and six Hippotizer Montane+ RTX servers - all with dual SDI input cards.
The new servers were specified by Johan West, video product manager at Msonic. A long-standing Hippotizer user, West has enjoyed a close relationship with the FNOB since specifying their very first Green Hippo systems back in 2008. Since then, he has been responsible for training the opera house crew, as well as advising on the use of Hippotizer on many productions. He also provides all Green Hippo training and support for the FNOB team.
“A series of new pieces are premiering and the designer wanted to use Notch and live camera feeds mixed together with content, in realtime,” West explains. “This gave us some things to think about: camera feed latency, latency of LED/video projector processing/signal distribution. Everything specified had to meet some rules: latency had to be kept as low as possible, it had to be flexible and it needed to work with existing signal distribution formats.”
He adds: “Hippotizer’s 3D toolkit, SHAPE, also plays a big role here. The opera house uses moving projection surfaces that are mapped using SHAPE. Also, some of the automation is pinned using automation objects in SHAPE.”
The new se
UK - KV2 Audio has announced a partnership with RADA (Royal Academy of Dramatic Art) to support the training of young students in theatre sound production. KV2 has provided a range of EX Series loudspeakers to equip RADA’s Jerwood Vanbrugh and Gielgud theatres, and will also offer masterclasses on sound design and the use of point source technology in a theatre environment.
Steve Mayo, RADA’s head of sound, comments: “These partnerships are the life-blood of hands-on training for our students. I am very eager for our sound students to have the opportunity, not only to work with high quality, modern equipment, but also to meet the people behind it. The support we’ve had from KV2 has been invaluable in paving the way for this partnership, from our initial conversations at ABTT in June through to them organising for all our students to have a proper demo of the full KV2 range at PLASA last month.”
Mayo recalls that his decision to approach KV2 was sparked initially by well-known theatre sound designer, Richard Brooker, when he came in to talk to the students about working on musicals and mentioned that KV2 had become an important part of his designs. He was further prompted by the fact that Autograph Sound (with whom RADA already has a close relationship) are an important KV2 user, a fact endorsed by Autograph sound designer, Avgoustas Psillas.
“We were lucky enough to get Avgoustos in to mentor to our sound design students when we were preparing for our musical production during the last summer term, and he was very complimentary about KV
USA - Sound and lighting specialist, Infinity Sound, has completed the design and installation of live and background music sound systems for FireHouse Gastro Park (FHGP) in Grand Prairie, Texas.
Within the original buildings of a 20th century fire station, FHGP is now a diverse hang-out-and-eat location. The venue has been created by owners Jason and Carlee Smith, in collaboration with Rouch Architecture. The FireHouse aesthetic and philosophy was inspired by the Smith’s roots in southern California, their passion for the historic building rehab revolution, and Grand Prairie’s commitment to preservation and economic development. The original fire station remains at the heart of the FHGP and the sprawling and evolving space now features indoor and outdoor dining, a secret garden bar, a family-friendly green-space, coffee shop and a smoke house.
Music is a key element of FHGP, particularly live music. In an outdoor area, a shipping container has been converted into a live stage for use by FHGP guest performers and groups, and to provide a local concert venue. Infinity Sound designed and installed the performance audio for the live stage, as well as interior and exterior background music and paging systems.
Jerry Tidwell, Infinity Sound’s project manager, explained, “Biamp’s Community loudspeakers were our first choice in providing a quality outdoor array that would meet our client’s desire for complete coverage with a system that could handle diverse applications. Flown with IV6 GlidePoint array frames, the system has two arrays each comp
UK - Adlib supplied full technical production to the 2019 Vitality Netball World Cup staged at the 11,000 capacity M&S Bank Arena in Liverpool.
Adlib’s rental departments implemented a fully integrated video, lighting and audio package linking in with broadcast elements for BBC and Sky. The spectacle took place over 10 glorious days of top sporting action which delivered world class netball to an international TV audience and many thousands packing into the court-side seats which were sold out for the duration.
This quadrennial event featured two distinctive criteria. First, a spectacular opening ceremony which wowed the crowds and got everyone in the mood for the sports to follow.
Adlib’s technical team worked closely with curators of the ceremony Culture Liverpool and Iluminos. Adlib provided six Panasonic RZ21K 20,000 lumen laser projectors mounted vertically to project the visuals created by Iluminos onto the courts below. Lighting and video effects combined to produce the spectacle enjoyed by the live audience and TV viewers alike.
On-court drama followed, produced by Sport Presentation specialists Red Sky at Night Events Ltd, this saw 16 nations compete for the coveted Vitality Netball World Cup 2019 trophy.
Adlib’s overall project manager was Dave Eldridge. He worked with a highly talented and experienced crew onsite, and closely with host broadcasters Televideo and several other contractors to ensure seamlessly delivery of a world class sporting event to a hugely enthusiastic audience worldwide.
Working with R
Poland - Warsaw-based AVI Media has been appointed to distribute DAS Audio’s professional audio products in Poland.
AVI Media’s Michal Zelman comments: “During my time working in the PA/AV market I was involved in projects and events with DAS Audio products and I always had a very good impression of their performance and reliability. My goal now is to expand this brand’s excellent reputation throughout Poland and participate in larger projects with AV integrators, designers and sound engineers, providing the best customer service.”
Ignacio Chuliá, executive sales representative for DAS Audio in Europe, adds: “AVI Media is the perfect partner for the Polish market. DAS Audio has been working with Michal for quite some time and we look forward to sharing this new project with him.
“We are positive that our cooperation with Michal will consolidate our position and our growth within the Polish market”, continues Chuliá. “We can count on Michal´s broad experience in the industry. We have been working with him for years and have always had an exceptional relationship which have resulted in outstanding service for our customers. We are delighted to partner with AVI Media and we welcome them to the family.”
Germany - Over 250 guests were in attendance throughout the nine-day Ambion Digital Jungle open-house event. Attendees enjoyed an hour-long sensory journey of innovative installations focused on tracking, immersive interactivity, sensor technology, realtime control and reactive, generative content using BlackTrax, disguise and Notch.
Ambion is a full-service provider that plans and produces technology for concerts, sports events, trade shows and congresses around the globe.
The company recently held open house days where they invited selected clients, partners, innovation agencies and event planners to attend. The Digital Jungle demonstrations focused on technology and its application in a live event scenario.
OBJ.Studio the Ambion design department has been trying some interesting light and media tech projects in Berlin. The last one was a smart installation with curved LEDs. It was a collaboration with another design studio and 22 digital artists from all over the world.
“Ambion has a BlackTrax Lab. Here employees from different departments come together and experimenting with the system. So, we build knowledge together and find creative new ways and solutions for clients and upcoming projects,” says Jo Rychlik, creative director & head of OBJ.Studio Berlin.
Ambion received their training directly from CAST Software at their headquarters in Kaufungen. They purchased their own system as well, going along with their brand of owning their own equipment to have ownership over their projects.
The plans for Amb
Germany - Hooke Audio Verse is a binaural recording device comprising a microphone/headset combination and a dedicated app. 3D audio is recorded wirelessly, via Bluetooth at 16-bit 48 KHz, or wired, using the included adaptor. The system is compatible with Android, iPhone, Go Pro, Field Recorders, DSLRs and Computers and has a continuous-record battery-life of nine hours. A proprietary codec delivers almost zero latency - 4.3 microseconds - so any associated video is in perfect sync.
Hooke Verse has been available in the USA for two years and has established an extensive customer base of musicians, podcasters, vloggers, producers and sound engineers. Grammy-winning producer Tchad Blake and System of a Down’s Serj Tankian are among its advocates. Now Hooke Verse is available in Europe via distributor Mega Audio.
Burkhard Elsner, CEO at Mega Audio, comments: “I first experienced Hooke Audio Verse at Winter NAMM and was really impressed with the sound - both wired and wireless. It works with a wide variety of recording media and is very affordable. There is already a large and talented Hooke Verse community out there, sharing 3D audio experiences online. Please do check-out the links on the Hooke Audio website”.”
UK - More Accurate Audio Solutions, a studio in Offenbach am Main, Germany, is run by audio expert Robert Hauck. The studio offers a wide range of services from production to mixing and mastering, as well as delivering training seminars that cover all aspects of studio craft.
With two studio spaces - one for production and training in modular synth setups, and the other for mastering, Robert was looking for an integrated solution to provide deep routing and audio resource sharing. After careful research it was decided that a DiGiGrid system could achieve all routing possibilities he required to connect every part, analogue and digital, of his studio infrastructure.
With Robert providing a permanent DiGiGrid training and demonstration facility, an education partnership was formed and a full DiGiGrid setup was installed, including an IOS-XL as well as IOX, IOC, MGO, D Desktop and S switch units; everything needed to show the power of DiGiGrid and the SoundGrid network.
Robert Hauck comments: “The new numerous and intuitive routing options created an intuitive studio world. Sound-wise, especially regarding details and resolution, The DiGiGrid interfaces and their converters are top notch. Recordings, whether from our modular system or from the FX rack are in a sonically new dimension and we’re happy to have joined the DiGiGrid family and are proud to represent them.” The first scheduled event at More Accurate took place on 28 September.