Australia - Sydney Theatre Company (STC) has reopened its home venue, The Wharf, at Walsh Bay in Sydney, following a two-year closure for a total renovation. A highlight of the complete technical upgrade was the installation of 32 new Meyer Sound loudspeakers, largely drawn from the company’s new Ultra-X series.
The system was designed by Bob McCarthy and Josh Dorn-Fehrmann to implement Spacemap Go, Meyer Sound’s new tool for spatial sound design and live mixing. When it opened in late February, STC’s production of Playing Beatie Bow became one of the world’s first theatrical productions to use dynamic spatial effects provided by the new technology based on the Galaxy 816 Network Platform utilising Milan and a new iPad user interface.
For the theatre’s sound & video manager Ben Lightowlers, selection of the right solution was critical, so the venue chose to retain complete control of the PA budget, from specification all the way through to installation. The system renewal was a logical extension of a decades-long relationship with Meyer Sound.
“We did explore options from other manufacturers,” he says, “but over the years we’ve been happy with the UPJ and UPM loudspeakers, which we could easily integrate into the new systems. More importantly, we were very impressed with the new Ultra-X loudspeakers. They are excellent for vocal clarity, which is paramount as the dialogue must be out front. But they are also exceptional for music.”
The flexibility and scalability of Spacemap Go enable the system to be easily reco
Switzerland - The Andermatt Concert Hall, located in the village of Andermatt in the Ursern Valley of the Swiss Alps, opened its doors in 2019 to rave reviews by hosting the Berlin Philharmonic, bringing world-class classical music performance to the alpine wonderland (see LSi Jan-Feb 2021).
The concert hall is a beautiful venue with seating for up to 650 and offers an up-close and intimate atmosphere with enough room for a 75-piece orchestra. The hall's stage and lower level are below ground level, and the space features a high ceiling with upper-level walls of glass, wood-finished ceilings, and a wrap-around balcony. Studio Seilern Architects created a captivating space, integrating acoustically optimized “origami” panels to provide an immersive, lively acoustic in every seat. A new enhanced acoustic system was also deployed to increase the subjective volume of the space for varying performances.
To address acoustic challenges, Andermatt Swiss Alps brought in KahleAcoustics, specialists in space acoustics for concert and performance venues, and Amadeus Active Acoustics, developers of the Amadeus multi-channel, active acoustic and immersive sound system. They were challenged to design and deploy a high-quality sound system that was both accurate and natural. To do this, the team used 75 CX41 loudspeakers and eight CX/CA118S subwoofers from Renkus-Heinz
USA - XXXX Audio Systems recently outfitted MontBleu Resort Casino & Spa with a Harman networked audio system.
MontBleu Resort Casino & Spa is a casino hotel in Stateline, Nevada owned by Bally’s Corporation. Originally constructed in 1978 and known as Caesars Tahoe until 2006, MontBleu includes a 48,456sq.ft casino and 438-room hotel along with multiple restaurants and shops.
MontBleu needed to upgrade its aging audio system and hired XXXX Audio Systems to replace its existing system with a networked audio system consisting of JBL Professional, Crown and BSS solutions.
“Our overall goal was to create a vibrant sound experience for our guests from the minute they arrive to the time they’re playing their favourite slot machine or table game,” said Marimille Dacia, director of marketing, entertainment and retail, MontBleu Resort Casino & Spa. “The sound quality provided by the new system is outstanding. The difference between it and the previous system is night and day. I noticed the drastic improvement immediately. The new system is also very user-friendly - you don’t have to be an audio professional to make adjustments.”
XXXX Audio installed a total of 212 JBL Professional loudspeakers throughout the facility, including JBL Control 45C/T ceiling-tile loudspeakers and Control 40CS/T in-ceiling subwoofers for the casino’s main floor.
“We selected the JBL ceiling loudspeakers for their excellent sound quality and coverage,” said Carl Sagen, lead technician, XXXX Audio Systems. “After installation, I walked
Austria - As historic churches strive to serve their existing congregations and expand their reach using new technology, inevitably they find themselves balancing their needs for quality audio systems with the desire to maintain the aesthetic beauty and singular atmosphere integral to the worship experience.
That’s of particular concern in historically important spaces like Eisenstadt, Austria’s Dom St. Martin, which recently deployed a low profile, high fidelity Adamson Systems Engineering PA to improve speech intelligibility and reinforce small, contemporary musical ensembles with clarity and depth.
Previously known as St. Martin's Church, the Gothic cathedral was completed in 1522 and features a pipe organ created to the specific instructions of Austrian composer and ‘Father of the Symphony and String Quartet,’ Franz Joseph Haydn. Over time, it’s been damaged by fire and rebuilt, and, more recently, in 2003 underwent a painstaking remodelling undertaken by architects Lichtblau-Wagner.
The Dom is also renowned for its presentation of sacred music, including Eisenstadt’s annual Haydn Festival, and required an audio system that delivered class-leading vocal and instrumental reinforcement and pristine reproduction of speech.
“These types of churches were designed to project the voice without any reinforcement because there was no reinforcement,” says Jochen Sommer, Adamson’s Hamburg, Germany-based director of operations. “It’s a difficult acoustic environment. So, to upgrade and achieve more intelligibility, from a system
UK - The 2021 BRIT Awards made history on 11 May as 4,000 audience members gathered at London’s O2 Arena for the UK’s first indoor live music concert in 14 months.
In celebration of the best in British and international pop music, The BRIT Awards audience - made up by primarily of NHS key workers - brought hope back to live music crews.
The test show was a momentous return to multi-artist, large scale productions, and although the limited numbers presented challenges, the Britannia Row team was happy to take up the mantle.
Safety was paramount, as crew chief Steve Donovan explains: “The BRITs were very different this year in terms of crew logistics and, in particular, the Covid-19 testing of every individual onsite. Crew were tested every 72 hours minimum throughout the course of the build and show. It was critical to ensure we didn’t have positive tests prior to show day.”
Social distancing, masks and a strict hygiene system was implemented. “The BRITs team handled testing with such efficiency that results were coming back in just 15 minutes,” says Britannia Row’s Josh Lloyd.
Lloyd was charged with PA design and FOH artist mixes, while Chris Coxhead was handling presenter audio. Lloyd opted for DiGiCo Quantum 7 consoles whilst Coxhead used a pair of mirrored SD12s with multiple layers of redundancy. A DiGiCo SD11 was utilised for the comms talk back system.
A different approach was mapped out for 2021. With no second stage required due to the limited capacity, Lloyd formulated an in the round system to suit the
France - Modulo Pi has announced the immediate availability of Modulo Kinetic version 4. With this release, the fully integrated media server solution offers a revamped user interface, improved 3D engine, and new extensive capabilities dedicated to virtual productions.
Introduced in 2016, Modulo Kinetic makes a major step forward in its development with a variety of new features and improvements. The Modulo Kinetic Designer offers a revamped user interface with new icons, optimised views, toolbars, timelines, nodal programming editor, and more.
Special attention was paid to the 3D scene viewer to offer users a smooth navigation and polished experience with the software.
Version 4 includes the support of Notch Block, 10-bit Apple ProRes, and 10-bit GoPro Cineform. Modulo Kinetic also supports LUT format, allowing creative filters and real-time colour grading.
With support of the WebSocket protocol, it is now possible to create custom web applications, and interact with shows created in Modulo Kinetic from a smartphone, a touch screen, or any other computing device.
Improved 3D engine Modulo Kinetic V4 includes a large series of improvements to its embedded 3D engine. New features allow to significantly enhance show study and simulation in Modulo Kinetic. Projectors can be easily imported into Modulo Kinetic Designer from a csv file. Their distribution in 3D scenes is much faster and easier thanks to a new clone and symmetry tool.
USA - Established in 2001, Oaks Christian School (OCS) in Westlake Village has quickly flourished over the past two decades to become one of the most sought-after private middle/high schools in the West Los Angeles area. With a number of the school’s events now being held outdoors on its 25-acre Conejo Valley campus per current health and safety protocols, OCS recently purchased a portable sound reinforcement system that is being piloted via an S21 digital mixing console from DiGiCo.
David Alexander is Oaks Christian School’s technical director as well as the facility manager for the Bedrosian Pavilion, the campus’ 30,000sq.ft multipurpose performing arts centre that opened in 2007. “We have a large-format desk as our mainstage console at the pavilion, but it’s far too big to move quickly and deploy easily as an outdoor desk for mid-size events,” he says. “We needed something that would be much more portable, but also wanted something that would sound great without requiring additional outboard gear. The DiGiCo S21 was perfect.”
OCS typically pairs its new S21 with either two or four stacks of JBL line arrays, each featuring two self-powered VRX932LAP full range cabs and a single VRX918SP subwoofer. “Our new rig is designed to fill the gap for any and all outdoor events, including High School worship events - we are doing them on a grade-level-only basis for now to keep our students and faculty appropriately distanced - and admissions events, like our Family Tour Day and Open House. Eventually, when we are cleared, the new system will al
USA - Ridgeland High School in Jasper County, South Carolina, is an school of about 700 students focused on preparing young adults for successful college and career paths. When faculty at the school decided they needed to modernise and upgrade their gymnasium sound system, local installer, Sound Systems and More recommended LEA Professional amplifiers.
Ronnie Carroll, the lead installation technician at South Systems and More, explained that the Ridgeland High School had a sound system in place that was out of date, limited in its functionality and connectivity, and only half functional. The gymnasium seats a little over 200 and the old system had poor sound quality and coverage and was difficult to use.
"Ridgeland had many issues with their previous sound system, and their top requests for a new system were for excellent system quality, flexibility and usability," said Carroll. "We were able to give them the quality they needed, and we gave them the capability to connect via Bluetooth, allowing them to play music during pep rallies and events without the equipment being directly in the gym. Plus, the entire system is easier to use, more efficient, and much more flexible. The amplifiers from LEA Professional greatly contribute to the system's success."
The team installed a new system that included a mix of about a dozen Community R Series loudspeakers and subwoofers, driven by a set of three Connect series amplifiers from LEA Professional. The LEA Connect 704 is a 4-channel, 700W professional-grade amp suited for small- to medium-scale installations
South Korea - Daelim Musical, Amate Audio’s long time exclusive distribution partner in South Korea, has been installing Amate Audio line array systems extensively in churches throughout the country. Over the previous 14 months the company has installed Amate Audio systems in more than nine churches.
The largest of these, in the First Presbyterian Church in Wonju city, comprises 16x Nitíd N208 1500 W active, self-powered line array cabinets and two 2500 W N18W sub bass cabinets, flown in L – R strings. A majority of the installations, however, have deployed Amate Audio’s Xcellence series X12CLA ultra-compact constant curvature array.
Since March 2020 Daelim, has designed and installed five sound systems in churches featuring the X12CLA array together with the X18T active sub; with left and right flown strings comprising an X18T sub and four X12CLAs: Seo Won Church in the city of Cheongju, Mu Guk Central Holiness Church in Eumseong city, Yumchang Central Church in Seoul, Chuncheon Gwangyum Church in the city of Chuncheon and Jangheung Central Church in the city of Jangheung.
Daelim musical general manager Sun Uk Ji states, “Four cabinets of X12CLA will provide 110˚ x 60˚ with a fully uniform coverage for a hall throughout two floors.” While Mr. Ji references power and performance in determining his customers’ preference for the X12CLA over products from competing brands, he is also highly appreciative of the onboard DSP system management in greatly reducing the time required to install, tune and fully commission an installation.
USA - Costa Mesa-based manufacturer, QSC, will present Mental Health Amplified, a special virtual fundraising event to celebrate the healing power of music. This live, 90-minute musical event, to be held on 27 May from 4pm to 5:30 pm (PST,) will celebrate the magical power of music to transform peoples’ lives and enhance our mental, physical and emotional well-being.
All proceeds support The Priority Centre of Orange County California, whose mission is to deliver life-changing programmes to assist people in crisis by giving them the tools and support necessary to end the generational cycle of trauma- including prevention of child abuse and neglect, through early intervention and mental health services and advocacy.
Headlining the event are three of today’s top up-and-coming artists – singer/songwriter Lee Coulter, R&B artist Cedrice and Latin soul artist Andy Vargas & Soleras – each of whom have been lifted-up and transformed by music in their own lives.
The event will be hosted by Wesley Geer, founder of Rock to Recovery, which helps people heal and transform their lives through the powerful experience of writing, playing, and performing music as a group.
Sponsorship opportunities remain available through 20 May at all levels, some of which include dinner or appetisers as well as drinks delivered to sponsors’ recipients of choice in the local Los Angeles, Orange County and San Diego areas.
UK - Brompton Technology has collaborated with White Light (WL) to showcase the new functionality of its latest Tessera V3.1 software release.
The software’s new features, such as Frame Remapping and High Frame Rate+, have unlocked a number of virtual production opportunities. Frame Remapping within White Light’s SmartStage LED studio enables multiple cameras and shooting modes to each see their own render perspective. It also means that a live feed can be captured, fully utilising the benefits of XR technology, including reflections and bespoke lighting, while adding the capability to simultaneously shoot against a green screen to give options in post-production.
Dynamic chroma key adjustments can be made, allowing any 24-bit RGB colour to be specified. For events with remote participants in different countries, the technology allows outputs to be tailored and regionalised to simultaneously deliver unique content in multiple languages.
“We were delighted when Brompton approached us to look at how their new software could help enhance the projects and solutions we are developing for our clients,” comments WL’s technical solutions director, Andy Hook. “As the leaders in selling and deploying multiple SmartStage XR environments around the world, collaboration with other global leaders is key to our evolution journey. The powerful combination of these technologies unleashes so much potential for the creative industries and we are hugely excited to see how this partnership develops.”
“Having the opportunity to work with Andy, Sarah
USA - As Cuba’s oldest brewery, Cerveceria La Tropical dates to the year 1888 when La Tropical founded the Cuban beer industry. The business thrived until the arrival of the Cuban revolution when the company’s assets were seized. Fast forward 50 years, which includes relocation of the founding family to Miami, and Cerveceria La Tropical has a new home. Cuba’s oldest brewery is now one of Miami’s youngest, and this new business has DAS Audio loudspeakers installed throughout the complex.
Sound Investment Audio, a design / build AV integration and live event production firm with offices in New York, Chicago, Los Angeles, Miami, and Las Vegas, was contracted to handle the audio system design and installation at Cerveceria La Tropical.
Jon Raymond, Sound Investment’s Chicago‐based national project manager, is involved in many aspects of the company’s projects. Working in close coordination with the company’s regional project managers, he was responsible for the design, planning and installation of Cerveceria La Tropical’s new sound system, which included loudspeakers drawn from the WR, Artec, and Vantec series catalogues of DAS Audio. He discussed the project, which opened in February 2021.
“Cerveceria La Tropical’s inside areas make up roughly 17,550sq.ft and include the brewery and bar in addition to table seating,” Raymond explained. “This inside area is where the beer tasting, and dining take place. The outside area includes a 5,850sq.ft courtyard, with tables and a stage area located at the far end of the space. The stage
USA - For the past year, the world has been preoccupied with Zoom meetings. Disguise has been looking at a very different type of zoom. Instead of video meetings, disguise allows its users to zoom in and out of a virtual world on camera.
disguise’s extended reality (xR) workflow, released to the general public in April 2021 through its new r18 software, includes this new feature which extends the virtual scene to allow cameras to zoom in and out of each scene. With these capabilities, the community of disguise users can now build even more exciting and elaborate scenes than ever before.
xR pioneers and disguise partners, XR Studios, were among the first to incorporate the new feature into their current workflow and explore its full potential. Their first project using virtual zoom was with singer Katy Perry. For what is now the third collaboration with Perry, XR Studios used the new feature to enhance her performance for the Lazada, the Malay e-commerce platform, annual Super Party that was simulcast across Southeast Asia.
“The virtual zoom allowed us to work outside the box because we can now simulate shooting in a space that is ten times larger than ours,” says J.T. Rooney, chief creative officer at XR Studios.
Silent Partners Studios were the xR content designers on this project, and by partnering with XR Studios, they were able to create worlds that went beyond the limits of the physical screens. Perry performed against a giant Pierrot statue, Escher-inspired architecture, swan sculptures, and a fireworks display, with the camera
Canada - For Global Kingdom, the mid-pandemic upgrade to their audio systems is all about staying ahead of the curve and expanding the reach of the message they preach. While Coronavirus restrictions hastened the Toronto-based church’s efforts to enhance their ministry, using cutting-edge technology to do just that has always been an important driver for the growth of their congregation.
Realising that during this challenging time, their ministry is more critical than ever for those who depend on their support, inspiration, and community, Global Kingdom pivoted according to the needs of the moment. Working closely with Apex Sound & Light and GerrAudio Distribution, they adopted a solution that serves the needs of today and tomorrow with the addition of a DiGiCo Q338 mixing console and KLANG immersive mixing platform.
Tom Lodu, manager of operations & special events for Global Kingdom Ministries states, “This (effort) is not a band-aid. This is the level of quality we are implementing going forward, and we want to do it with excellence.”
Founded in 1956, Global Kingdom has grown substantially and now operates out of a facility able to host an on-site congregation of nearly 2,000 on any given Sunday, and streams live services to 32 countries around the world.
Audio director, Joshua Rambajue, who began performing at the church as a musician before taking on his current role, explains that the scope of the musical component to their services ranges from basic setups with just a singer and a guitar to a full praise band featuring any
Germany - Expansive performances have been transforming the building and outdoor spaces at radialsystem, a former pumping station in Berlin-Friedrichshain on the banks of the river Spree, into a stage since 2006.
As a creative production and event venue for the development of new artistic programmes and event formats, radialsystem also hosts numerous conferences, meetings and trade fairs, which often deal with innovation and futuristic topics. The large number and variety of events, with their associated demand for quality, means it is part of the radial DNA to constantly develop and challenge itself technically, and the venue is the first in Germany to boast a permanently installed L-ISA Immersive Hyperreal Sound System.
In total, radialsystem has around 2,500sq.m of usable event space spread over five floors. The L-ISA Immersive Hyperreal Sound System has been designed for the largest room, the 600sq.m Main Hall, and considers the broad spectrum of events hosted at radialsystem - from concerts, musical theatre and dance performances to sound installations of contemporary electroacoustic music, and events that focus on language and dialogue.
Additionally, as the former machine hall of the sewage pumping station, the room still retains its historic industrial architecture and, with its wide arched windows and expanses of stone and concrete, also poses a variety of acoustic challenges.
Working alongside Martin Rode, L-Acoustics head of application install for the DACH area, the radialsystem team settled on a modular system based on A15 arrays
UK - The complex audio system for the 2021 BRIT Awards once again was designed, provided and operated by Britannia Row Productions. As in 2020, a Newton processor was specified to deal with a number of mission-critical tasks at the very core of the system.
The 2021 BRITs was notable as one of the UK's first major indoor live music events in more than a year, following the impact of COVID-19. The event was staged with a limited live audience as part of a test by the UK government to trial the idea of crowds with no social distancing, along with the FA Cup final and World Snooker Championship final as events that would feature larger crowds than allowed by law at the time.
The BRP show team included two system techs, Laurie Fradley and Adam Smith, system engineer Sergiy Zhytnikov and system designer / FOH engineer Josh Lloyd.
“The Newton was used to handle the matrix mixing from our FOH consoles into the PA and we were able to utilise its optical Madi, AES and analogue inputs to provide a main and redundant path from both the band console and presenter board,” reports Lloyd. “The 18x16 matrix also gave us additional inputs for playback, system tuning and alignment, with the unit simultaneously outputting back-up mixes for broadcast and additional effects used in the room.
“This year the PA was a distributed ring system covering the audience in Level 1 of the bowl and the boxes, then to cover the nominees on the floor we used a separate Left /Right system. Due to the location of the presenter stage, perpendicular to the end-on performance
South Africa - After many years of holding congregations in houses, school halls and tents, South African Christian church, Capital City Church International (3Ci), has realised their dream of inhabiting their own space.
The client brought in Stage Audio Works (SAW) to provide audio-visual solutions for their new base in Pretoria. Involved in the process from the early stages, SAW played a large part in the planning and execution of the project - delivering a comprehensive PA system based on state-of-the-art d&b line array speakers, as well as a turnkey house lighting system and building-wide BGM and control.
One of the primary considerations was audio clarity in the main auditorium, a large space with a maximum capacity of 2,500. Ensuring sound constancy in such a large space proved challenging, but the collaboration between SAW, 3Ci, the architect, Ferdi Le Grange, as well as acoustician Bruce Gessner resulted in ‘a stellar audio solution’.
The goal was to design a space that was intimate and functional, with no disparity between seats. To achieve audio consistency in such a large space, acoustics were a key consideration. “We recommended that 3Ci bring in Bruce Gessner from AcousticWorx to develop a bespoke turnkey acoustics design and treatment plan,” says SAW CTO, Nathan Ihlenfeldt. “This resulted in an immaculate sound environment boasting a sub 1.2 second reverb as well as excellent intelligibility.”
SAW designed a PA system which would fill the room. The size of the space warranted a line array system, so SAW opted f
USA - When Highland Park United Methodist Church (HPUMC), based in Dallas, TX, wanted to stage a large-scale Easter Sunday service at a 32,000-capacity stadium, it presented Martin Audio partner Alford Media with some different challenges.
The stadium sits on a university’s campus and while Alford Media has provided audio reinforcement for a number of routine graduation ceremonies at the stadium, the emphasis this time was on providing premium audio - particularly with 600 socially distanced chairs set out for family groups on the field itself - according to Alford’s audio services manager, Ben MacKinney.
Alford Media holds a considerable inventory of Martin Audio systems and MacKinney set about combining two - Wavefront Precision Compact (WPC) for on field coverage, and MLA Compact for the bleachers and stands. This provided the optimum outcome for a congregation numbering around 7,000 people.
Alford Media originally invested in MLA Compact back in April 2014. “We auditioned every major manufacturer to decide what would put us in a league like no other, including adjustability and changes in coverage distance and Martin Audio’s technology ticked all these boxes,” said MacKinney. They followed the evolution of this technology through Wavefront Precision (WPC and WPM) and today have over 250 front line elements (as well as CDD-LIVE series).
On duty over Easter weekend were FOH engineer, Eric Faulk, and system engineer, Ryan Sartell. Their task was to overcome the high reflections off the rear of the stadium and the consequent delay.
Germany - Coda Audio has announced the expansion of its HOPS (high output point source) range with the addition of the new HOPS12i. A high output, three-way point source, HOPS12i incorporates high performance 12” neodymium cone drivers with 4” voice coils adapted from those found in Coda Audio’s flagship line-array, AiRAY, delivering ‘power with clarity’.
Versatility is key to the HOPS12i. As well as Coda’s latest DAC (Dynamic Airflow Cooling) technology, it features exchangeable and rotatable waveguides that provide various options for adjusting directivity, but unlike loudspeakers that ‘only’ steer high frequency – the HOPS12i waveguides control all the way down to 300Hz.
90º x 60º and 60º x 40º waveguides are available, and both are rotatable, giving four directivity options. The impressive low end of the full-range HOPS12i means that in many applications, subs might not be required - something that is helpful in multi-use education settings, for example. HOPS12i thus offers system designers even more choice towards achieving optimal solutions across the very broadest range of applications, says the company. As with the entire HOPS range, HOPS12i is complemented by a variety of accessories and mounting options that allow for the greatest possible flexibility in fixed installations.
HOPS12i can be customised in wide range of colours - weatherproofing options are also available for demanding environments. The latest versions of Coda’s proprietary amplifier control software (Linus Control V2.2) and prediction software (Syst
Canada - Following Audio-Technica Canada’s recent announcement of its decision to streamline processes for its professional audio distribution operation, ATCA has revealed further consolidation with a move to new office facilities. This coincides with the appointment of permanent general manager, Kenji Yamabe.
Yamabe – who comes from Audio-Technica Europe – takes over from Susanne Seidel, a business consultant who has been acting GM since June 2019.
Commenting on her time at ATCA, Seidel states, “It has been my absolute pleasure to serve as ATCA’s interim GM; overseeing the development of a proficient organization that is ready for the next step of business growth”.
She continues, “Although the circumstances created by Covid have not been ideal for anyone, I am proud of what we have accomplished as a team and delighted to be able to leave the company in such a robust position. Audio-Technica Canada has remained resolute while staying true to its fiercely independent roots amid a sea of competitors and despite everything we’ve had a strong business year. In conjunction with the gradual lifting of Covid restrictions, I am certain that the future is bright for the company, and I know that Kenji will do a great job in the next phase.”
Yamabe has over 15 years’ experience within businesses that operate on a global scale, including eight spent working across various positions at AT. “I am excited to take on the mantle of GM at ATCA. Susanne Seidel has done a stellar job thus far, and the company is primed for an even more suc
UK - Welsh rental house, Magnum PA has recently purchased a number of Powersoft’s T Series touring amplifier platforms after a consultation with partner – and Powersoft distributor – CUK Audio. The company initially ordered four T604 and four T602, though it soon added another T604 and has since revealed plans to add another three T602 in order to complete its inventory.
“I’ve known of Powersoft for years and was well aware of their famous high power per rack unit reputation,” said Philip Hughes, managing director Magnum PA. “We had been looking for an option to streamline our main system racks for a while, but it was difficult to find an option that also met our requirements for Dante connectivity and failover. Although we didn’t quite have the need for the power of the X4, as soon as we saw the T Series we knew we had found the perfect solution.”
Hughes worked with CUK’s James Lawford to confirm his assumptions of what the T604 and T602 could do for his main PA systems, and was eventually sold when Lawford mentioned the T Series would comfortably drive a 100V line system.
“Part of our production work is in large-scale site-wide systems, and to be able to deploy the T Series across all of our projects was a fantastic prospect,” said Hughes. “I also listened to a T604 on our hardest-working rig (the Logic Systems Ethos CA), which consists of two 8+1 fixed angle array boxes augmented by twin 15-inch subs. The difference between our previous DSP + 10kQ amp racks and the T604 was night and day, especially on the low end.”<
Spain - The town of Altafulla on Catalunya’s Costa Dorada, in Tarragona province, is the spectacular seafront setting for the Pleamar Vintage Market.
As well as a host of stalls selling all manner of vintage clothing, antique furnishings and other second-hand goods, the market hosts an entertainment stage, featuring live music, DJs and a programme of events, alongside a children’s area and numerous terrace restaurants and bars.
Local event AV hire company Solucions so i il·luminació SCP provided various sound reinforcement systems for the annual two-day event in April, exclusively from Amate Audio’s contemporary Nitíd self-powered loudspeaker series.
The entertainment stage FOH system comprised eight N208 line array cabinets and two N218 subs, with eight N12 2-way systems for front-fills and stage monitors. N12 systems provided the audio in various other locations throughout the site.
Canada - Powersoft’s Ottocanali amplifier platforms have been chosen by Solotech as one of the cornerstones of the new audio system at Canadian casino and hotel resort, Caesars Windsor.
The venue – part of the Caesars Entertainment empire – had its original audio system installed in 2008, but with the supplier having sent an end-of-life notice in 2018 and Caesars Corporate changing its minimum standards, it had to act decisively.
“As well as the end-of-life notice, we soon realised that we couldn’t upgrade the Windows portion of the old system without upgrading the hardware to match,” said Brian Drouillard, manager audio visual at Caesars Windsor.
Drouillard had already been working with compatriot company Solotech on upgrading the audio systems in hotel ballrooms and meeting rooms, and so spoke with its on-site technicians first to determine if they had any recommendations for alternate systems.
“We did a cost/functionality analysis to determine what would be best for us, then contacted Solotech as soon as we were ready,” said Drouillard. “Solotech has been a wonderful working partner already, having completed a number of jobs for us in the past, both on time and on budget, with the design and functionality demanded of a world class venue.”
Drouillard was then tasked with providing senior systems designer / Q-SYS software programmer for Solotech, Peter Lima, with all of the functionality requirements, as well as all of the documentation on the old system and any changes made throughout the years.
UK - Austrian Audio and UK distributor Sound Technology have announced availability of the new Hi-X65 headphones. Building on the popularity of their Hi-X55, the Hi-X65 headphones are designed as professional monitoring headphones for mixing and mastering, the open over-ear design and the high excursion driver ensure transparent sound for sound engineers and audiophiles alike.
The development of the Hi-X (High Excursion) technology results from “decades of experience and today’s state-of-the-art technologies”, and it’s the key to the detailed sound of the Hi-X65 headphones. All Austrian Audio Hi-X headphones feature a 44 mm driver and a ring magnet system. This design allows for improved airflow and includes the strongest magnetic field in its class.
The ring magnet, combined with a copper-clad aluminium voice coil, reduces the weight of the membrane and the voice coil connected to it, allowing the membrane to move or change direction faster, providing a more responsive impulse reaction. The result is great bass imaging and superior low THD at low frequencies, a linear frequency response, and open, precise, high-resolution sound that simplifies error detection and makes mixing and mastering a pleasure.
The Hi-X65 ear pads provide a high level of comfort. The ear pads are made of soft memory foam and have been completely redesigned to provide more space for the ears without increasing the external dimensions.
The breathable construction ensures excellent ventilation, while supporting the acoustic design. The soft memory foam padding of