USA - UK-based Audiologic has announced its collaboration with Technically Creative, to deliver an immersive experience at the Harry Potter Flagship Store, New York.
Technically Creative, specialists in creating immersive audio-visual solutions, worked together with Audiologic to deliver an exciting brief to bring to life the magic of Harry Potter, in an immersive in-store experience. The experience store is billed as 21,000sq.ft of magic, housing the world’s largest collection of Harry Potter merchandise.
The main aim of the project was to deliver a store-wide sound system with visuals and special effects. Due to differing styles of room and ceiling spaces, Technically Creative and Audiologic needed to be mindful of the carefully curated aesthetics adopted for visually discrete speakers.
The entire site is run on the Q-SYS ecosystem, namely the Core 110f processor. Q-SYS is a fully capable audio, video and control ecosystem and provided Technically Creative with the platform to deliver the entire experience.
James Voakes, senior audio visual engineer at Technically Creative, comments: “Audiologic were able to offer us a huge range of equipment and as always were incredibly attentive with both quoting and supply. Q-SYS is our platform of choice and allows us to deliver prestigious projects such as this one at the Harry Potter flagship store. Both us and the client are very happy with the immersive solution.”
Ben Spurgeon, senior technical manager, Audiologic, concludes: “Technically Creative are an incredibly proficient Q-SYS
UK - With his repertoire of music blended with comedy, Tim Minchin’s UK tour, which began back in 2019, resumed after lockdown with a further eight-week stint. Titled Back . . . Encore, this took him through a number of sold-out UK theatre shows, interspersed with a handful of arena dates.
The Australian was supported onstage by a seven-piece band - three brass players, bass, guitar, drums and percussion. Masterminding the sound production was Martin Audio’s rental partner, Capital Sound, with Dave Roden mixing once again to his favoured Wavefront Precision WPS.
Capital drew on their inventory of 32 WPS line array enclosures, but purchased six additional multi-channel, Dante-supporting iKON amplifiers for the tour, enabling the system to be driven in the optimum one-box resolution.
Explaining the need for the expanded WPS inventory this time around, Capital account manager, Martin Connolly, said that the additional elements had provided Dave Roden with increased horsepower when matching to the main hangs and outfills.
“The WPS system is perfectly matched for Minchin,” he said. “It was so successful last time and so Dave [Roden] requested it again.” Crucially, the restricted loading points at some theatres became another defining factor.
However, WPS was supplemented at the three larger capacity arenas - Nottingham Motorpoint, Leeds First Direct and Cardiff Motorpoint - where Martin Audio’s larger WPL took over main duties, moving the WPS out wide to function as side-hangs.
Providing low frequency extension we
UK - Overcoming the somewhat inauspicious climate created by the global pandemic, Legoland Windsor Resort has continued to invest in its infrastructure. Part of that investment has included the upgrade of their 4D cinema as well as the implementation of a new ride, the UK’s first Flying Theatre attraction, Ride of the Sky Lion.
The new attraction forms part of Legoland’s most recent development, Mythica, an area that was inaugurated for the park’s reopening in early 2021. The Legoland production team overseeing the design and installation of the new ride called on their long-term audio supplier and consultant, Dave Shepherd of D.S. Audio to ensure the audio experience was the best possible. Shepherd specified a system based on EM Acoustics’ new flagship Reference Series R10 system.
Shepherd’s brief was straightforward enough – to design a world class sound system for the new Flying Theatre ride with consideration to budget and future technical expansion. Shepherd began the project by conducting extensive research on similar installations in the U.S. in order to improve on known issues, namely intelligibility. Following his research Shepherd decided on an EM Acoustics system built around a core of R10s.
“The ride includes a 15m high parabolic metal screen and three floors of moving gondolas to create an immersive flying experience through the new World of Mythica,” explains Shepherd. “With localised scent, water spray and wind devices on each gondola adding to the immersive experience, it was essential that the dynamic audio
UK - Like many public events, the outlook for the Edinburgh International Festival in 2021 was a little different. With restrictions limiting the use of indoor venues, the festival looked to d&b Soundscape - and its acoustic shell - to unite the disparate worlds of classical music and sound reinforcement; to recreate the comfort and quality of the concert hall in a temporary open-air environment.
On the grounds of Edinburgh’s Junior Academy and the city’s Old College Quad, two custom built pavilions, a hundred metres long, were installed like giant bubbles, roofed, but open sided for free-flowing fresh air. Striking in scale and appearance and, as it turns out, entirely capable of the intimacy and focus essential to the arts.
Knowing they had a long-standing reputation for delivering exceptional classical performances, Edinburgh International Festival initiated an informal, exploratory, chat with sound design consultants, Sound Intermedia. With thousands of discerning listeners in mind, especially those accustomed to unamplified music, the necessary sound reinforcement would need to be imperceptible to the ears.
“At Sound Intermedia we’ve been embedded in the cultural world of classical artists and music for more than twenty years,” says founder, Ian Dearden. “Serving as a bridge, or translator, between the art and the technology. A PA often brings an element of anxiety to classical musicians. Of course, we’re always thinking about the audience experience, but you’re three quarters of the way there if you have performers who ar
Indonesia - A major new development at Universitas Katolik Parahyangan (Parahyangan Catholic University) in Bandung, West Java, has seen the inclusion of a high specification, multipurpose auditorium for choir performances, presentations and lectures. An Alcons Audio system has been chosen for sound reinforcement.
The university tasked design and build contractor PT Esa Sinergi Selaras Indonesia (PT ESSI) with delivering the audio in the new auditorium.
PT ESSI also chose Alcons knowing that the company’s pro-ribbon technology would ensure minimal ear fatigue for audiences. Jakarta-based KC Sound - Alcons Indonesian representative - would also be on hand to offer full support, including tuning the system to deliver its full potential.
The chosen system for the 1000-seat auditorium comprises compact hangs of two single 12” VR12/90 mid-size versatile monitors on each side of the stage, plus a central BF362i mkII double 18” high output subwoofer beneath the stage. Amplification and control duties are fulfilled by a single 4x 2.5 kW Sentinel10 amplified loudspeaker controller.
The system’s compact size ensures an unobstructed view of a giant video screen installed downstage, even at the back of the raked audience seating, and that there is no visual impact on the auditorium’s modern, attractive décor.
“Before the new building formally opened, we hosted five trial events, which included demonstrating the audio system,” says Hardy Nanda of the university’s technical support department. “University staff and audience members
Canada - Before any entertainer ever sets foot on its stage, Club Regent Event Centre is already equipped to put on a show with its computer-automated flexible seating system, which can adapt in minutes into over a dozen seating configurations for any kind of show: theatrical, concert, meetings, and more.
This 1,400-seat venue in Winnipeg, Manitoba, which is part of the larger Club Regent Casino features a new L-Acoustics K3-based sound system.
“This is a fairly complex sound system for a very flexible environment,” explains Martin Van Djik, senior consultant and partner at Toronto-based Engineering Harmonics, which designed the Solotech-integrated system.
The system comprises L/R hangs of eight K3 loudspeaker enclosures each, with six 12 KS21 subs per side, eight arrays of three Kiva II as delays, eight coaxial X8 frontfills, two larger X12 out-fills, four A15 Wide deck-fills, and one centre-fill consisting of one K3 plus four Kara II. Nine LA12X and four LA4X amplified controllers drive the system, which is connected to an audio network using six LS10 AVB network switches. For control, a DiGiCo Quantum338 console was also part of the new package, installed by integrator AVG.
“We had to design a system that would always provide excellent coverage, whether the room was configured for Broadway show-style theatre seating or as a flat, open ballroom-type floor for a trade event or fundraiser,” he says. “Each configuration has its own specific coverage needs, so we designed a sound system to accommodate all of them.” For instance, he s
Australia - ARX Systems has recently supplied a large quantity of their USB Ultra I/O audio interfaces to multiple campuses of the Australian Catholic University (ACU). The USB Ultra I/O was chosen by the ACU as part of a series of campus wide AV upgrades designed to facilitate remote and blended learning from each lecture room.
David Prentice, audio visual systems administrator for ACU, along with colleague Douglas Simpson, headed up the project. “What we wanted to achieve at ACU, which most other unis are also doing, is being able to use Teams/Zoom in our existing lecture rooms, to facilitate remote/mixed teaching. We are using the ARX DI Boxes to take microphone audio out of the Crestron DMPS (Digital Media Presentation System) and feed it to the PC, so that Teams/Zoom and other software can utilise the microphones in the space.’
The ARX USB I/O range has been a popular choice for university lecture theatres as the standard digital/analogue pro audio interface between any USB equipped computer and the balanced inputs and outputs of professional sound systems. The latest version, the USB Ultra I/O is a true 24-bit, high resolution, ‘plug and play’, USB 2-channel play and record digital/analogue pro audio interface with 5 selectable sample rates out to 192KHz.
Commenting on why the ARX products were chosen, Prentice explains, “We chose this box as it was well-priced, well-built, and just did the job. We had a few small teething issues with other similar products. So, by just adding this box and a camera to the room we were able to enable
Germany - DirectOut has named Australian company tm stagetec systems its distributor of the year for 2020, while SeeSound (Spain) and ITR Engineering (Russia) receive the outstanding sales performance and Prodigy of the year awards.
Jan Ehrlich, CEO of DirectOut, states, “tm stagetec has demonstrated a very deep knowledge of our entire portfolio during the recent years. At the same time they used this to consult the clients at best and reached out to every single opportunity the market presented. Even though our relationship is still quite young, we are a well-coordinated team with the same customer-oriented understanding.”
SeeSound has been the distributor of DirectOut products for the Iberian peninsula for a few years and the relationship between the two companies has been very positive since day one. After a kick-off year in 2018 and a constant growth in 2019, 2020 was finally the year of collecting the fruits of the seeds planted.
Yuriy Cheshev from ITR Engineering comments “On behalf of ITR, I would like to thank DirectOut for this award. We are very pleased that you have appreciated our efforts in the Russian market. And we hope for an even more successful cooperation for the future! Good devices from you, good sales from us.”
Ehrlich concludes, “In such a difficult year for the entire audio industry, flexibility and creativity were required for the sales business. Many of our distribution partners have succeeded very well. We are particularly pleased with our business relationship with the three companies, which have been ext
Germany - The Riedel Group has announced an expanded management structure. Starting 1 January 2022, the Wuppertal-based company will be organised into three main divisions: The product division and managed technology business units will have Rik Hoerée and Lutz Rathmann as their respective new CEOs, with Riedel Networks and its managing director and CEO, Michael Martens, forming the group's third division.
This move allows Riedel Group CEO Thomas Riedel to devote his attention to driving business development and expanding global partnerships and networks. Together with group chief financial officer Frank Eischet, who is responsible for finance, HR and IT, Thomas will form the spearhead of the Riedel Group.
"The last year has given us time to take a deep breath and reflect on our setup. We realised that we would have to change some things to sustain the rapid expansion of our business," says Riedel. "These past few years, our company has seen tremendous growth, and 2021 is no exception. Now is the right time to broaden the management team to support this dynamic upswing. This reorganisation is the foundation to master current and future challenges to our business and to continue our strong organic growth."
Riedel chief sales officer (CSO) Martin Berger who has been driving this evolutionary step forward will withdraw from the Riedel management board.
"I take great pride in the fact that we have developed first-class leaders within our own ranks, who are now ready to take on greater responsibility for our next growth phase," said Berger. "It wa
The Netherlands - Located in the eastern Dutch town of Hengelo, the Metropool is a long-established live music venue featuring a wide range of acts and genres. It moved to its present home in 2009 and at that point its console stock was updated to include three DiGiCo SD8s and a large-format analogue desk, covering all its audio mixing needs across its Jupiler and Jack Daniels halls.
They were one of the first Dutch venues to invest in DiGiCo technology as Teun Zekhuis, their Head Technician recalls: “We chose the SD8 for its sound, interface, workflow and overall look and feel. Being one of the first stages in the Netherlands with this first series of SD8s we were really pioneering in a new world of digital audio. The SD8s proved to be a great choice and served us very well.”
Fast forward nine years to 2018 and through a series of events, Metropool found itself taking over the business of Atak, a venue for pop music, creating Metropool | Pop stages of Twente. “The audio equipment we inherited at Enschede confirmed that we made a good choice back in 2009; unlike ours, it had not withstood the test of time! So, one of the first things we did in Enschede was to replace the consoles,” Zekhuis continues.
“Having DiGiCos in Hengelo, the choice for a new series of DiGiCos in Enschede was obvious; why change a winning formula? But to be sure we checked a few competitors and concluded that there was no other brand with a product line so compatible with our business, both affordable and quantitative. So, in 2018 we chose an SD5 for front of house i
Japan - Kobe Port Museum, is a new cultural complex in the Japanese city, consisting of an aquarium, food hall, and bridal desk. The space on the ground floor is a ‘next-generation food hall’ typified by the well-known Kobe restaurant brand, Tooth Tooth which has recently installed a Martin Audio system with background music produced by Fish Four.
Based in Kobe, the president Yutaka Okano says: "High-quality BGM is an indispensable element for restaurants and cafes. We choose music suitable for both daytime and nighttime and develop the atmosphere of the place. We have enjoyed a long relationship with Martin Audio and have used the brand in several facilities to date. With confidence in the quality of Martin Audio's speakers, we again requested them without hesitation."
A total of 29 CDD6TX cabinets have been installed on several pillars, covering a wide area of the food hall. In addition, Adorn series speakers have been deployed in the aisles with ACP-55T pendant and ASC-55T ceiling speakers. Including the outdoor terrace, 52 Martin Audio speakers feature in total.
"At night, DJs come in and play live. In addition, there is an event space in the hall, and if necessary, a portable Blackline X10 can be set up."
Since there are three locations in the building where DJ booths may be set up, it was necessary to devise ways to smoothly transfer the signal inputs from these locations, and this was accomplished via a mobile input DSP rack, with the input signal delivered to the system via Dante. Switching between the ‘Start DJ’ and ‘Return
UK - Sound Technology has announced the addition of Solid State Logic SSL Live consoles and Network I/O devices to its live sound distribution portfolio, with a focus on installed applications including theatre, music venues and educational facilities.
"Sound Technology has had a successful long-standing relationship with Solid State Logic distributing its music production tools portfolio in the UK,” comments David Marshall, MD Sound Technology. “We're proud to have the opportunity to expand our partnership with the addition of the SSL Live range of consoles in market sectors in which we also have proven technical and commercial expertise."
Responsibility for SSL Live consoles at Sound Technology will sit within its pro audio application team for specification and support, with consoles installed in Sound Technology's pro audio and lighting demo facility at its Letchworth Garden City headquarters.
Last month Solid State Logic announced SSL Live v5.0 software, new 'Plus Processing Packs' offering additional DSP resources for existing SSL Live L100, L200, L350 and L550 consoles, and new L450 and L650 consoles.
Jim Motley, senior vice president of international sales for Solid State Logic comments, “We’ve been very impressed by the enthusiasm and professionalism of the pro audio application team at Sound Technology and think they’ll make the perfect fit for installation customers in the UK, representing our Network IO range of interfaces as well as our Live consoles. We are confident that they will reach and support clients in a wide ra
UK - Audiologic has announced that as of the 1 December 2021, it has been appointed as exclusive UK distributor for LEA Professional, manufacturer of pro-audio amplifiers with cloud and IoT-based technologies.
LEA Professional, founded in 2019 by CEO Blake Augsburger. The LEA portfolio of products is made of the Connect Series smart amplifiers, with both a standard and Dante format available. As the rest of the signal chain has continued to grow with smart connectivity with IoT integration, LEA have bought amplifiers right up to the forefront of the technology race.
The Connect Series has full cloud connectivity and monitoring allowing for real time visibility of your entire roster of amplifiers worldwide.
David Budge, founder and managing director at Blue5 Technology, LEA’s representative in the UK & Ireland, comments: “LEA Professional has seen exponential growth over the last few months as more integrators rely on its progressive technology, particularly its Cloud based solutions. LEA is unique in its offering, not only because of its technology but because of its agile nature and customer focus. I look forward to working closely with Audiologic and further expanding the LEA Professional customer base over the coming months."
Ben Spurgeon, senior technical manager, Audiologic, concludes: “We are hugely excited to welcome LEA to our product portfolio. From a technical perspective, their smart amplifier range fits perfectly within the rest of our brand roster and suits the forward-thinking network-based designs that we love to prod
Canada - Brompton Technology recently helped the VFX team at Pixomondo bring Star Trek: Discovery into a new era using virtual production. The new season of the Paramount+ streaming hit leveraged virtual production for the first time, filming on Pixomondo’s large volume LED stage in Toronto, Canada.
Pixomondo’s Toronto stage is a 70’ x 30’ horseshoe-shaped volume equipped with ROE Visual Black Pearl 2.8mm (BP2) LED panels for the walls and ROE Visual Carbon Series 5.77mm (CB5) panels for the ceiling, each with Brompton Tessera SX40 4K LED video processors. The volume also features OptiTrack motion capture cameras to handle multi-camera tracking, and the LED walls are fed CG content in real time from Epic Games’ Unreal Engine.
The Tessera SX40 offers support for full 4K screens at 60Hz with 12 bits per colour output, as well as a zero-latency up/down scaler that matches the source to the screen. It also comes equipped with Brompton’s industry-leading processing features such as HDR, Dynamic Calibration, Ultra Low Latency, HFR+ (High Frame Rate), Frame Remapping, and more.
In addition to this stage for long-term film and television projects, Pixomondo also recently opened the Stage 6 virtual production volume for short-term engagements in Toronto’s Port Lands district; and the world’s largest LED stage in Vancouver, with 23,000sq.ft of stage space, which is currently being used to film Netflix’s live action Avatar: The Last Airbender. All three of Pixomondo’s Canadian stages are built in partnership with rental compa
UK - Harman Professional Solutions has announced that Third Man Records, one of the top independent record labels in the US, selected JBL Professional, Martin, BSS, and Soundcraft solutions for their new store and venue in London.
Located in London’s Soho district, the new Third Man Records store is the label’s third location and its first international storefront. Downstairs from the main store area, The Blue Basement is a live music venue designed for intimate and exciting shows featuring local and international artists. Label founder and musician Jack White is a well-known audiophile and personally designed the store’s audio systems to meet his high standards. White selected equipment from Harman Professional Solutions to deliver high-fidelity background music in the store area and impactful live sound for The Blue Basement.
"We’re on a mission for purity, we build spaces where nothing is translated, nothing impersonating something that it’s not,” said White, co-founder and co-owner, Third Man Records. “Live music venues are like churches, they’re sacred spaces that need to give people what they want, something real. JBL gets that and it’s why they’re obsessed with translating sound in such a pure way."
Fans lined up early on the morning of 25 September for the London store’s grand opening to purchase exclusive in-store records by Paul Weller of the Jam, David Ruffin, the Jesus & Mary Chain and other British artists. Later in the day, White played a surprise show in The Blue Basement as well as a rooftop set near the sto
UK - Dermot Kennedy’s breakthrough #1 album Without Fear, released in October 2019, had its touring cycle interrupted by a worldwide pandemic, just when the Irish singer-songwriter and Brit-nominee would rather have been treading the boards of global stages. Undeterred, Kennedy featured in Billboard's Live At-Home concert, and subsequently organised his own virtual concert, Sound Waves, in May 2020 in support of the World Health Organisation's Solidarity Response Fund.
He also performed his own global live stream from London’s Natural History Museum. Now, he’s finally back on the road with two DiGiCo SD5 consoles supplied by SSE Audio and operated by FoH engineer Will Donbavand and monitor engineer Simon Peter Lawson.
“We were lucky enough to be back out in the US with rehearsals in Nashville from late July,” says Donbavand. “This was followed by a US tour and a performance at Lollapalooza,” Lawson adds. “It’s been a journey since then! It’s been challenging in its own way, digging deep to recover the skills, quick thinking and seamless execution that we took for granted before the pandemic. We found our stride again!”
Donbavand and Lawson have been working with Dermot since 2017. Things quickly escalated in early 2018 with both engineers taking up their current positions. “As soon as we could spec desks for Dermot, we took out a pair of SD11is and gain shared an SD Rack,” says Lawson. “We’ve not looked back since,” adds Donbavand. As the channel count grew, both engineers worked their way up the SD Rang
China - Organised by the Ministry of Culture and Tourism and the Beijing Municipal People’s Government, the 9th Chinese Peking Opera Arts Festival took place over a three-week period in September and October at The National Centre for Performing Arts. As the leading opera art event in China, the Festival has been the launchpad for a large number of productions and performances, and has been instrumental in the advancement of Chinese traditional culture.
The principal work featured at the festival was The Grand Canal of Beijing, a complete orchestral suite for the Beijing Opera, combining a range of different vocal genres with orchestral music. The presentation was a multimedia stage event, combining music, choreography and costumes.
Held in the concert hall of the National Centre for Performing Arts, the symphonic performances not only demanded the highest quality audio, but also that the loudspeaker system was as discreet as possible in order to avoid compromising video feed sight-lines or other aspects of the presentation. Production specialists and Coda Audio’s distributor in China, Tongbo supplied a Coda System based around the German manufacturer’s latest N-Ray product.
The system comprises six N-Ray with 1 x SCN-F subwoofer per side, as well as four Hops5 for a stage-lip system and a further eight Hops8 for monitoring. The compact nature of all the loudspeakers in the system meant that they were largely invisible in the live video feed. Following the performance, Wang Lei of the technical department of the National Centre for the
Europe - PRG Switzerland has relaunched as PRG Gear, to bring its dry rental sources under one brand.
PRG Gear’s office in is located in Zurich. Within 24 hours PRG Gear will be able to serve a radius of 600 km straight from its 7,500sq.m warehouse, which is amongst the largest equipment inventories for all types of production disciplines in the event industry, says PRG.
“Not only will former PRG Switzerland clients be able to rent equipment from PRG Gear in Zurich, they will also be able to count on a widened offer of support solutions for their productions. With the ever-shortening installation and dismantling schedules on-site, we want to include mobile and efficient solutions in our strategic offerings in the future.” says Martin Fischer, general manager PRG Gear Zurich.
“We will be offering an additional space in our warehouse facilities for our clients to optimize time and prepping of their projects on-site.”
Working in close conjunction with Martin Fischer, Niklas Bohr will be the new head of business development at PRG Gear in Switzerland. With his many years of experience, Niklas will focus on Austria, France and Italy and address new customers in Europe.
“The moment is right for us to strengthen our brand and move forward as one PRG. We already have 15 well-established PRG Gear affiliates in the United States that focus on our dry-rental business. It is only natural to unify the sub-rental brand globally.” states Stephan Paridaen, CEO PRG.
“Whilst the events sector is still reeling from the corona pand
UK - Audiotonix has promoted general manager Austin Freshwater to managing director of DiGiCo, signalling a new era for long-serving MD James Gordon, who remains Audiotonix CEO.
Audiotonix oversees entertainment technology brands Allen & Heath, Calrec, DiGiGrid, Group One Limited, KLANG:technologies, Solid State Logic, and newly acquired Sound Devices LLC, as well as DiGiCo.
“We were talking about Austin moving into the MD position just before COVID-19 hit, by which time it didn’t feel right for me to run off into the hills,” comments Gordon. “I don't think it would have sent the right message to our customers and teams.”
“In March 2020, everyone went into ‘serious concern’ mode,” he adds. “We’ve basically spent this time reassuring people within the company who aren’t used to not hitting their numbers that we’re all in it together.
“We’ve also spent a lot of time helping our end users, the DiGiCo sound engineers, because they’ve been miles away from their ‘on the road’ family and their usual support groups haven’t been there in person. Seeing how well Austin has led the team during this time has been exceptional. It’s really shown everyone that he’s more than capable.”
It was the first six months of ‘going dark’ that presented the toughest test says Freshwater. “We were in the office most days trying to keep in touch with everybody and keep them genuinely motivated,” he says. “Just checking in on everyone regularly and letting them know we were still around was vital. It’s been
Denmark - DPA Microphones is promoting its latest microphone solutions, designed to meet the growing live production needs of the broadcast and AV markets.
As the rapid adoption of live streaming continues to grow in broadcast applications, speech intelligibility remains at the forefront of all productions. In recognition of the changes in the media landscape, DPA recently released broadcast mic solutions, the 4466 Core Omnidirectional and 4488 Core Directional Headset Microphones, and the 4097 Micro Shotgun Microphone and Interview Kit.
“The pandemic has shown us the true importance of being quickly and easily adaptable to a rapidly changing media landscape,” says Anne Berggrein, vice president, marketing, DPA Microphones A/S. “These new offerings are a direct result of the innovation and forward-thinking response to the industry, and we are excited to call attention to the benefits they provide to the broadcast market.”
Based on the design of the company’s 6066 Subminiature Headsets, the new 4466 Core Omnidirectional and 4488 CORE Directional Headset Microphones feature the brand’s popular 5mm round microphone capsule. With a one-size-fits-all design and adjustable boom height and length, the 4466 and 4488 headsets accommodate all head shapes and sizes.
In addition, the new headsets share the same interchangeable cable and boom options as the 6066 Subminiature Headsets. This includes the 90-degree cable management guide at the neck.
The 4097 Core Micro Shotgun Microphone has been optimised to pick up speech from a distanc
USA/Europe - Solotech, a long-time L-Acoustics partner, has extended its inventory. The company’s already substantial stock of L-Acoustics products now boasts a total of 56 of the newest L-Acoustics K3 compact line array cabinets, split equally across its North American and European operations. This investment will help the company to fulfil its ever-increasing 2022 commitments.
The new K3 is L-Acoustics smallest, full-range line source system to date and is designed for mid-size events. Its light weight and long-throw capability and extensive bandwidth make it an appropriate addition to Solotech’s inventory, allowing the company to propose new approaches, especially for theatre productions and for deployments using L-ISA Immersive Hyperreal technology, providing a cost-effective solution for projects requiring increased cabinet counts in smaller spaces.
“The global Solotech teams consistently create outstanding entertainment experiences for an incredible range of audiences and artists,” expressed Alan Macpherson, chief executive officer of L-Acoustics Americas. “I’m pleased that Solotech saw the new K3 as a strategic investment that will help them to continue offering optimised sound reinforcement for their exciting and growing line-up of projects.”
In Europe, SSE has already deployed its K3 with Post Malone on the Wireless Stage at Reading and Leeds Festival this summer, whilst Solotech’s North American stock is gracing American rapper, singer and songwriter NF’s 20-date, month-long Clouds Tour, where it is being used as out-fill
USA - Offering 360° views over the Hudson River and Manhattan skyline, The Glasshouse is a new multi-function, interconnectable event space in New York City.
Able to accommodate almost 2,000 people, and with multiple outdoor terraces set within the 75,000sq.ft footprint, the venue required a cutting-edge production infrastructure, including transparent audio transmission, video and lighting and broadcast-ready cabling.
The work went out to tender, and the successful bidder was Martin Audio partner, Audible Difference (ADI). “We were offered the contract based on our design, and the fact that Martin Audio system offered a robust and adaptable Dante platform,” believes ADI principal, Erich Bechtel.
Consequently, the stage area pop-up space, taking advantage of the extra ceiling height on the 7th floor, comprises two hangs of eight MLA Compact, while LF extension is provided by eight DSX-F subs, four per side, which can be deployed as necessary.
Bechtel’s colleague, Ian Ruben-Schnirman, ADI’s director of technical services, was responsible for overseeing the fit-out of this former warehouse building. The Glasshouse itself occupies the 5th floor and the 6th (the event space, VIP rooms and kitchen), which are entirely new additions to the building.
He noted that the high ceilings, concrete base construction and heavily glazed superstructure were likely to generate reflections. To deliver an adaptable space suitable for private hire, live events, party planners, weddings and so on ADI needed to create an environment which could be rec
Italy - Designed in collaboration with the Department Of Mechanical And Industrial Engineering at the Brescia University and engineered in Italy by Outline, the new GSR (Globe Source Radiator) provides a tool for acoustic analysis.
Optimised acoustics are a prerequisite of many modern buildings and for some (classrooms, offices, theatres, and concert halls for example), their acoustic properties determine how well they are able to perform their core purpose.
Accurate and reliable test data is essential for those engaged in the design and construction of these spaces: a powerful omnidirectional sound source is vital to assist in the testing of acoustic insulation of internal walls, floor slabs, and insulation from the external environment, plus the acoustic properties of any internal space where sonic performance is important.
GSR’s design combines a robust spherical enclosure with an Ergal aluminium inner structure that houses twelve 5” neodymium-magnet transducers and is the first such device to include a bass reflex design to extend its frequency response.
Its ‘globe’ design eliminates diffractions, reflections and other anomalies caused by non-spherical radiators, which can compromise the accuracy of data measurement. The GSR is capable of producing a maximum SPL of over 130.3dB.
The GSR is also available as a part of a complete user-ready kit, comprising a GSR, an NG01 Noise Generator, a compact amplifier (Outline’s L3000) plus the necessary cables, a transportation bag and a set of mounting accessories, providing a port
Romania - Aware that their students needed a way to understand signal flow more easily, course leader Áron Fazakas, associate professor and József ‘Yogi’ Lénárd, sound master instructor at Sapientia Hungarian University of Transylvania “decided to teach a more solid, analogue-based hybrid studio process.” After much research, they chose the Audient ASP4816 mixing console to facilitate this, saying the desk “perfectly met our educational and production needs”.
Áron and Yogi make up two-fifths of the teaching staff on the Sound Master course. Yogi continues, “In the all-digital beginnings of our sound engineer training, the problem was that our students were always staring at the computer screen. Reading the various values and admiring the beautifully crafted audio plug-ins on-screen, slowly began to eclipse their confidence in their musical hearing.”
He explains how they went about choosing the console: “As our adult education course did not have a limitless budget, our aim was to find an analogue mixer with the best price-quality ratio. With very high-quality microphone preamps, excellent EQ and noise-free signal processing, this console is perfectly suited to the sound system we have set up in our studio, thanks to its versatile connectivity.”
The Media Department’s teaching studio in Cluj-Napoca was built in 2013, and the sound equipment here was primarily used for degree-level, practical training in TV broadcasting. “Launched in 2016, the adult training course for Sound Mastery is based in the same space, in a 200 squ