The non-profit Stagecraft Institute began in 2006 and provides an immersive education to around 70 people each summer, 90 per cent of whom receive either a full or partial scholarship. All of the topics of study revolve around disciplines within the world of stagecraft and live entertainment, including lighting design and programming, media programming, sound, costumes,
Concept visuals of the new store revealed curved surfaces running along the front of the entire shop fascia. This gave World Duty Free Group and Blynk Digital Media's Neil Muir the idea to fill the surfaces with LedGo's innovative FLEX curved LED panels, to display eye-catching, moving content, visuals and tailored messaging to visitors in the new terminal.
Blynk Digital Media approached A.C. Video, a specialist sales division of A.C. Entertainment Technologies (AC-ET) Ltd., to supply them with the LedGo FLEX curved L
The special celebrated Bruce Forsyth's long career in show business and featured artists paying tribute to the stars who inspired them. Stars appearing included Jessie Wallace, who recalled music hall legend Marie Lloyd; Jamie Cullum, who performed a Tony Bennett song; and Alfie Boe who was inspired by Dean Martin.
Working with production designer Markus Blee and line producer Charlene Farrell, XL Video supplied two types of LED for the show's set - a 5.4m wide x 3m high LED screen formed of its ROE MC-7T product and a 7m wide x 2.5m high Unilumin 3.9mm LED screen.
The high resolution ROE MC-7T screen was flown and used as both an audience rel
At the end of January 2015, Current RMS officially became a partner of the popular cloud accounting software Xero, offering seamless integration with this easy to use product, streamlining the rental cycle that one step further.
Prior to launching Current RMS, rental experts came onboard to test the system, working with the team to ensure it was entirely ready for launch. The same process took place for the Xero integration. One of the testers, Steve Lucas, owner of Soundbite Productions, has quickly seen the benefits of operating his rental business entirely in the cloud.
"Current is a must have for rental and hire companies, especially for those
An extensive range of topics, focusing on developing trends and market intelligence will be covered in the programme, offering "countless business opportunities and industry knowledge".
Ms Fiona Chiew, deputy general manager of Messe Frankfurt (Shanghai) Co Ltd explained, "Participating in Prolight + Sound Guangzhou is essential to staying ahead in this industry. The show and its accompanying fringe programme provide a prime opportunity for exchanging market information and keeping up-to-date with the
PMC is a Silver Sponsor of the P&E Wing's annual party at The Village Studios in Los Angeles, an event that traditionally kicks off Grammy Week and regularly attracts over 500 industry VIPs.
All sponsors are given the opportunity to host a technical demonstration and in PMC's case this took the form of a joint presentation with Auro Technologies, which showcased its Auro-3D audio format. Five PMC twotwo.8 monitors, four twotwo.6 monitors and a twotwo.sub2 active subwoofer were positioned around The Village Studio's Studio A live room in an Auro 9.1 configuration to create the Auro-3D effect of an enveloping cocoon of sound. The flagship AV processor Auro-3D Mensa was on hand to create th
The Christie Boxer 4K30 boasts high performance, marking it out as a premium product within the middleweight category. A full 30,000 lumens, 4K (4096 x 2160) native resolution and 3DLP quality, while weighing less than 68 kg. Users receive a projector that is easy to use and offers optimum feed and performance flexibility.
The Christie Boxer has built-in Christie TruLife image processing to provide the highest bit depth, fastest frame rate and native 4K signals, with HD signal upscaling that lets the Christie Boxer fit seamlessly and simply into existing HD workflows.
publitec already offers a wide range of Christie projectors, accessories and add-on parts, and
The new extension allows Le Mark's UK & export teams to expand even further, with almost double the original floor space.
The new development also includes a showroom for its global brand-Dirty Rigger Gloves & Accessories and an in-house photography and video studio. The studio will be there to support Le Mark's global distribution network, offering on-demand, customised product demonstration videos and marketing material.
With energy efficiency and green credentials held paramount throughout the design and construction, Le Mark's new development offers 21st Century low-energy innovation.
From state-of-the-art intelligent air-sourced heating to multi-layer insulation, natural light tunnels and LED low-energy lighting, Le Mark's n
When Tim took over lighting the epic live show in 2010, it underwent a complete redesign. The production toured again in 2012 before this final run, where he again reworked the lighting, this time due to swapping out several older fixtures for newer technology that had come onto the market in the last two years.
He retained all the classic looks and styling that had helped make WOTW such a visual tour-de-force, whilst new elements - not previously possible - were added to help ramp up the drama for this landmark finale.
The six BMFLs replac
Incorporated in the set were no fewer than 480 strings of SGM's pixel product, the LB-100 LED balls. Each string contains seven semi-transparent balls with a sphere of 28mm and a pixel pitch of 120mm viewable in 360?, creating alluring 3D graphic displays.
Demonstrating the magnitude of this show, the award itself is a golden gramophone statue, comprising gold and silver mounted onto a platform of optical glass with laser engravings. Experts estimate the cost of a "gramophone" to be around $1.4,000 US. On top of this, the Gol
In a competitive tender, Black Cat Music's Berlin based team won the contract in the face of tough international competition. Originally built for the Moscow Olympic Games of 1980, the Nazarov Musical Theatre has recently undergone a major refurbishment. The revival in fortunes for the theatre, located within the Olympic Games legacy site, began when it became part of the Moscow State Philharmony in 2014. A requirement of the building overhaul was an upgrade for the auditorium acoustics, with an acoustic shell being specified by Moscow State Philharmony.
With the contract awarded, the Berlin based project team of Paula Ulrich and Tim Ehrlich worked to increasingly tight time scales while also accommodating client changes to the final dimensions of the Diva shell. Tha
The floor lighting package throughout the tour had in fact featured Robe moving lights, and more were added for the finale show, making a complete count of 14 x Pointes, six LEDWash 300s, 39 x LEDBeam 100s, 17 x LEDWash 600s and 26 x Robin 600E Spots, all supplied by Southampton based rental company, GLS.
The stage design was based on a 'futuristic' 1970's TV show concept, the visuality of which was partly inspired by the work of Ed's two favourite light artists, James Turrell and Dan Flavin, and their experimentation with block colours and the bold vibrancy of neon.
The result
Configured with six X5s and four Q18 bass units each side and powered by Lab.gruppen PLM20000Q four channel DSP amplifiers, the system was a revelation to sound engineer Darryl Walsh. "To say this system is stunning is an understatement," he enthused. "I can only describe it as a blank canvas for mixing; the PA is sonically almost 'invisible'."
Walsh used the Flare system for 31 of the 34 sh
The initial installation supported migration from SD to HD, and included four mc²56 MkI digital production consoles and two zirkonXL consoles. These have now been joined by a further mc²56 MkII console.
The audio mixing systems were initially chosen for the broadcast of the 2010 Winter Games by Canada's Olympic Broadcast Media Consortium and comprised a 64-fader mc²56 console configured with DSP cards, redundant processors, 15 MADI ports, 32 AES3id I/O, and three DALLIS frames which were located at the Agincourt Campu
Ayrton LED fixtures played their part once more in the dynamic lighting design by Bob Barnhart of Full Flood, Inc., with the new, compact MagicRing-R1 and NandoBeam-S6 helping to wow the crowds.
Five-time primary lighting designer for the highly anticipated telecasts, Barnhart delivered a spectacular show, overcoming many of the logistical difficulties of lighting a full-blown, large-scale production in the middle of a football stadium by mounting his lighting equipment on sixteen mobile lighting carts and four band carts.
Twelve Ayrton MagicRing-R1 beam projection fixtures were in
Bandit Lites once again worked with production manager Jerry Holcomb to provide the lighting for this ministry. Equipment included Clay Paky B Eye K 20 wash lights, Martin Vipers, Vari-Lite VL 3500 washes, Clay Paky Sharpys, Martin Atomic 3000 Strobes, 4 lite inline moles, Color Force 72 wash lights, 60ft black A type circle truss divided into 3 sections all lined with 12 mil LED product.
"I really like the arch that we've created on stage,&quo
Lighting designer James Schipper of Kinetic Lighting used 40 Nexus 4x4 panels to create a dynamic stage backdrop for the celebration's main entertainment event: a concert by the hip hop rapper Flo Rida backed up by DJ Blaze. The Nexus panels on stage not only matched the Grammy nominated People's Choice-winning star's performance; they also reflected the upbeat mood of the televised celebration.
Schipper arranged the Nexus panels 20 un
Focus Advanced Event Technology, part of the Netherlands' Rent-All Group, is providing a full technical package for the tour, including a substantial L-Acoustics ARCS Wide and ARCS Focus loudspeaker system.
Designed by Jeroen ten Brinke - arguably Dutch theatre's best-known sound designer, having been involved in large-scale theatre productions including Soldier of Orange and Anne, and European partner for international sound design group ADI - the L-Acoustics solution was chosen for its audio quality and flexibility.
"The position of the lighting rig changes from time to time and, as a result, the posi
The two-day event kicks off Tuesday at 9:00am with Richard Pilbrow's educational seminar titled Light and Theatre? 50 Years of Change. Additional seminars follow and the exhibition hall opens at 10:00am-5:00pm with over 60 regional and national companies exhibiting the latest in entertainment technology. On Wednesday, the exhibition hall and seminar programme runs from 10:00am-4:00pm.
"We are thrilled with the incredibly high pre-registration numbers that we've seen so far, and can't wait for an extremely successful PLASA Focus event," said Laura Hoepker, PLASA Events sales executive. "Between the show floor and educational seminars, we are providing access to the best in the industry to everyone who attends."
Free registration to both the sh
The convention was held in Bergamo, in the splendid setting of the Teatro Sociale, Città Alta. There was a striking contrast between the wooden structures of this ancient theatre and Clay Paky's futuristic computerized equipment.
The Convention's motto was Today Tomorrow which clearly expresses Clay Paky's strategic aim of always looking to the future, ready to accept new exciting challenges. Clay Paky CEO Pio Nahum however, pointed out that future development is founded on past success and that the corporate mission remains permanent innovation a
Matt has worked with the band since 2013, and this itinerary of UK theatres was the latest section in their Stay Gold album campaign which started in May 2014.
As with most tours, the design has developed over the course of time, and earlier on Colour Sound had supplied a floor package, so when it came to upping the production they again offered an excellent deal that ensured Matt had the tools he needed to make the show rock!
The stage design started with a large semi-transparent gold Joel Flex backdrop upstage, sup
The design process for the end-of-tour extravaganza began whilst Will was out in the US lighting Bonobo's DJ set, and he became struck with the difference that good lighting out in the room could make to the whole vibe of the show by involving the audience. So to make this show particularly memorable, he evolved a plan to pull the audience into the show as much as everyone onstage.
Adding the audience trusses, effectively made the cavernous, stark venue feel more like an intimate and atmospheric club. The space became intimate and personal, and a far more
The tour has so far visited major venues including Manchester Arena, Belfast Odyssey Arena and London's O2 Brixton Academy. Supplied by Neg Earth, the Sharpys and the Sharpy Wash 330 fixtures are positioned high in the overhead rig to flood the stage with intense colours and provide dynamic, audience embracing aerial effects.
"Both the Sharpys and the Sharpy Wash 330's range of saturated colour is fantastic," says Gray. "They're also really reliable. Important considering we were going into big arenas and we didn't have a huge budget. We had to choose our fi
