UK - Music Support, the charity created by and for music industry professionals to provide help for UK workers affected by mental ill-health and/or addiction, has been commissioned by Tour Production Group (TPG) to deliver pioneering Addiction and Recovery Aware training.
Co-ordinated by the TPG, donations totalling nearly £20,000 have been provided by contributions from Backup Tech, Massive Attack, Hipgnosis Songs, We Need Crew, and Rock-it Cargo. A bursary scheme has also been specially created to enable 100 touring freelancers working in the technical and production side of the industry to take the course free of charge.
Live music has suffered immensely since March 2020, and support groups and vital online networks have become a part of daily life for out of work crews. Formed in the early months of the COVID-19 pandemic, TPG has hosted online weekly discussions about issues faced by the touring industry ever since.
As Music Support turns five, its collaboration with the TPG reinforces its desire to positively impact the health and wellbeing of live music and events workers.
TPG’s Mental Health and Personal Wellbeing facilitators are tour manager Suzi Green and production manager Nick Gosling. Green comments: “Engagement with our members showed that addiction is one of the biggest challenges touring crew and musicians face. After a number of TPG members completed Mental Health First Aid Training, we felt a separate short course in addiction and recovery awareness would be really beneficial.”
The course is suitable for anyone
UK - Peerless-AV has announced that it will be hosting an AV exhibition and networking event on 16 September at Lord’s Cricket Ground in London.
AV and digital signage brands signed up to take space at the exhibition, include Absen, Philips, Samsung, NEC, Kramer, Sony UK, Iiyama, Datapath, Hypervsn, Signagelive, Tripleplay and Matrox. The AV User Group, AV Magazine and AVIXA Women’s Council UK will also be involved.
“After a long time planning and deliberating, closely following the latest government announcements, we’re very pleased that we can finally push ahead with our exhibition and networking event,” comments Keith Dutch, managing director - EMEA, Peerless-AV. “For many AV professionals, ISE 2020 will have been the last time they had face-to-face interaction of this scale. I think I can speak for the majority in that, as restrictions ease, we’re all eager to get back to live meetings, training sessions and presentations.
“This event will give partners the opportunity to showcase their latest innovations and technology at a convenient, central location, to an audience keen to find out what’s new in the world of AV and Digital Signage.”
Europe - ALC NetworX, developers of the high-performance Ravenna AoIP networking technology platform, has announced that the new Ravenna website is now live. Sporting a new, more modern look and feel the new site offers ‘even easier access to information and resources concerning all things that relate to Ravenna, including standards information, use cases, webinars and other resources.
The RAVENNA website is already a comprehensive resource in the world for AES67, and the new site aims to provide the same level of information for SMPTE ST 2110. While still it its infancy, the new SMPTE ST 2110 section already offers information and illustrative diagrams on what it is and why it’s useful, along with use cases, application examples and much more. Over time this information will become increasingly granular as we delve further into the subject.
Furthermore, a new feature due for rollout in the coming weeks is a searchable Ravenna product database; interested parties will be able to search for products by manufacturer, product name and product type.
As with the previous site, access to certain tools and resources will require users to log in - even users who had accounts on the previous site will be required to re-register on the new one for reasons of data privacy protection.
Andreas Hildebrand of ALC NetworX reports, “We’ve spent a lot of time going through every single bit of information on the old site to make sure that everything that has been transfe
Germany - Van Damme cables has announced that it has agreed a new MI-only distribution partnership with German audio industry specialist, Audiosteps.
The deal is designed to expand Van Damme’s reach in the German market through Audiosteps’ local expertise. The partnership will offer German customers support and availability of the latest products, including Van Damme Silver Series guitar cables, Starquad and Classic mic cables as well as the Blue and Black Series speaker cables.
Audiosteps.de was founded in 2018 as a website offering free tutorials to anyone wanting to learn more about the music industry. Professionals in the sector would live stream sessions on various topics including recording, mixing, mastering music production and distribution. It was initially very much a ‘hobby project’ but it quickly became a well-known platform used by German producers and engineers alike.
At the beginning of 2021, founders Andre Freitag and Christian Nelles decided to turn this successful initiative into a company. Later this year, Audiosteps.io will begin to offer musicians, producers and engineers both educational courses and an online shop where they will be able to purchase products from new and innovative pro-audio manufacturers such as Van Damme.
Andre Masterati Freitag commented: "I first became aware of Van Damme in 2019 through mastering engineer Andreas Balaskas. At the beginning of 2021 I was in need of a new cable solution for my mastering setup and contacted VDC London. I loved the signal quality and processing capabilities of
Dubai - Pixel Artworks recently specified a TiMax SoundHub spatial audio server for a new high-profile AV experience greeting visitors arriving into Dubai International airport. The immersive installation captures the spirit and ethos of the rescheduled Expo 2020 event, now running from autumn 2021 to spring 2022.
Raven AV’s Dan Roncoroni handled the highly sophisticated audio aspects of the installation, following an earlier preparatory visit to site by Out Board’s Robin Whittaker. Due to its late addition to the project, TiMax had to be retrofitted into an existing system design within very tight timescales, adding interesting challenges into what was, as Roncoroni explains it, “quite a difficult scenario”.
Aside from the airport’s highly reflective environment and characteristically high level of background noise, the requirement for loudspeakers to be neither surface mounted nor visible added to these challenges. Additionally, significant negotiation with the airport had been necessary to ease some incredibly restrictive decibel limits, and because intended electrical cabling ran contrary to the airport’s infrastructure schedule, only data cables could be run across the airport.
Despite these challenges the client expectation was for sound as immersive as the visuals from a comparatively small physical area. Roncoroni comments: “The project called for a spatial audio setup outside the envelope of most spatial audio processors. It was just one of many situations where you could either mess
No Guidance - Organisers of the Kendal Calling festival have blamed the government's "complete absence of any guidance" for their decision to cancel again. It had been due to take place at Lowther Deer Park in Cumbria from 29 July to 1 August after cancelling in 2020 due to the pandemic. Promoter Andy Smith said a delay in publishing research from national pilot events had made planning impossible.
Stereophonics, Supergrass, The Streets and Dizzee Rascal were set to headline. About 25,000 people were expected to attend the four-day music and arts festival. The promoter said there had been a "complete absence of any guidance" from the government, adding: "The fear for us is we build a festival and we find out on, say, 21 July we have to double the size of our campsites or something. We don't know what that could be, it could be anything. It's a complete unknown."
He said the 25,000-capacity event sold out in "record time" in February showing "how much people were looking forward to enjoying a sense of joy and community".
Off The Road - The National Theatre is unlikely to mount another global tour until 2024 or 2025 because of the travel restrictions caused by the pandemic, the head of its commercial productions arm has warned.
Kash Bennett, managing director of National Theatre Productions, said consecutive touring weeks – when a production remains on the road as opposed to returning to the UK between some dates – will be the biggest issue facing international touring for years to come and could prevent work visiting far-away locatio
UK – Martin Audio has set up a new online official merchandise store to coincide with its 50th anniversary year.
A comprehensive range of clothing and accessories is now available for shipment across the world. Items include executive backpacks, face masks and coverings, T-shirts and Polo shirts (with and without 50th anniversary branding), as well as hoodies, sweatshirts, bomber jackets, baseball caps and beanies, body warmers and even embroidered logo Barbour jackets. Other accessories include mugs, golf umbrella and lanyards.
States marketing director James King, “Our 50th anniversary has given us the opportunity to implement an idea we’ve had for some time. Many users have requested the store over the years, and having found the right partner - which came about through our work with #WeMakeEvents - we are happy we can now offer a range of merchandise for Martin Audio fans around the world.”
The merchandise store can be found at https://store.martin-audio.com/
UK - The mental health of jobless events industry professionals will be supported by Indie rock band Memphis Stone and the Elevators, which has pledged to donate all proceeds of its new song, Summer to help the industry.
Written in the first UK lockdown, Summer is an ode to better times and the return of music festivals.
Tom Weaver, the band’s bass player and co-writer said: “It’s a celebration of being in a field with thousands of other people and sharing the amazing experience of live music. So many of us have so many great memories from festivals and that’s what we wanted to capture in this song.
“At the same time, we know that thousands of technicians, engineers and production crews have been without work for over a year. Summer is dedicated to them and its proceeds will go to support their mental health. This is an industry that’s close to our hearts and we’re determined to try and do something to help people whose struggles will continue - today, tomorrow and for months to come.”
The band has nominated non-profit organisation Make It Blue CIC to distribute funds raised by sales of the song. The organisation is the fund-raising arm of #MakeItBlue, the global mental health campaign sparked by the UK the events and entertainment industry at the start of the first lockdown.
Make It Blue director Tim Owen said: “While the industry is doing its best to open up again, the short to medium term future remains bleak for many as people suffer stress over debt and threatened homelessness. We’re trying
UK -Following the government’s latest decision to delay lifting of restrictions, organisers of the remaining summer festivals have said that cancellation is inevitable unless Covid cancellation insurance is made available.
Several major festivals, including Glastonbury and BST Hyde Park, have already been axed for the second year running. Many more followed suit after the government announced lockdown restrictions would be extended until 19 July. Events like the Boomtown Fair and the Deer Shed festival said the lack of an insurance scheme was a key factor in their decision to cancel.
Peter Gabriel has warned he may have to cancel this year's Womad Festival, unless the government helps organisers get insurance, while Gareth Williams, organiser of Fairport’s Cropredy Convention says festivals have been put in “a very difficult position”.
“The increasing number of cases of the Delta variant and the announcement of a four-week delay to Step 4 has placed all remaining festivals this summer in a very difficult position,” says Williams, “but we are not giving up yet!
“Whilst Her Majesty’s Government say they are confident about removing social distancing restrictions on 19 July, our industry has still been unable to obtain Covid cancellation insurance. This places us at serious risk if we commit to going ahead only to be forced to cancel at a later date. We remain hopeful that the Treasury will step in soon and help rescue the summer for festivals.
“The situation at Cropredy is that we are going to wait a further two week
UK - Registration is now open for PLASA Show 2021. The London-based trade event for entertainment technology is returning to Olympia London on 5-7 September - and for one year only, the ABTT Theatre Show will be co-locating with PLASA Show, bringing two popular industry event under one roof.
This year, PLASA Show is moving to Olympia’s largest space, the Grand Hall, which will allow for a more awe-inspiring show experience, wider aisles and larger social areas to ensure the safety of visitors and exhibitors.
Visitors will be able to connect with leading brands from the pro audio, AV, lighting, rigging and staging sectors, whilst the free seminar programme - details of which will be revealed in the coming weeks - will offer business advice, unpack technical topics, and present the latest creative achievements. There will also be various interactive offerings including live audio demonstrations, lighting console training, and more.
The ABTT Theatre Show Hub will have its own dedicated area on the expanded show floor, giving the popular show autonomy to retain its conversational atmosphere, reminiscent of its usual home at Alexandra Palace. During its time at Olympia, the ABTT will celebrate its 60th anniversary - an impressive milestone, which will be marked in style throughout all three days.
PLASA MD Peter Heath comments: “With live events and entertainment returning, slowly but surely throughout 2021, we are confident that it is the right time to bring back PLASA Show. And we are equally pleased to partner with the ABTT, whose Theatre S
World - Following on from the inaugural Virtual Showlight event, which took place on 25 May 2021, the Showlight Committee have announced that all papers and video shorts are now available to view online on the Showlight website.
Speakers Hamish Jenkinson, Mike Bauman, Ken Billington, Aaron Porter, Rob Halliday, Isabel Nielen, Floriaan Ganzevoort and Mike Evers, and David Bishop spoke on topics that included the illumination of a lighthouse on an island in the Bahamas, lighting a comic book movie, the remote lighting of a stage musical from half way around the globe, transforming a shipyard into an art gallery, and taking a spin on the Strictly Come Dancing dance floor.
Also viewable online is the panel discussion on the subject of diversity in the industry, chaired by Paule Constable, which gave voice to young people with inspiring insights into their journeys into lighting, their plans to raise awareness going forward and the importance of free communication between colleagues to aid mutual understanding.
The papers are augmented by a series of video shorts that tantalised the lighting tastebuds between papers on the day, with a few bonus presentations added for good measure. Contributors include Jules Fisher + Peggy Eisenhauer, Tony Simpson, Ryan Metcalfe and Elliot Smith, Marco Miglioli and Bill Klages.
All papers and video shorts are available to view free-of-charge, but Showlight would like to remind people that donations to industry charities Ba
China - Following the success of the 1 June online event, LED manufacturer Absen has extended the availability of its virtual booth showcasing its product portfolio and its online event, accessible to anyone who wishes to attend.
The online experience stages Absen’s products, all within a fully interactive and free-to-navigate virtual booth. The online event covered the advantages of LED in immersive experiences and featured a live Q&A for audiences across the globe.
The booth, split into sections such as corporate, virtual studios, retail and MicroLED, enables visitors to see Absen’s products up close and personal from the comfort of their homes. Each section of the booth features a voiceover explaining the section for visitors, and features Absen’s latest products, such as the AbseniCon3.0, Aurora Series and Jade Dragon series, for each market. The products are fully interactable for visitors and feature detailed information such as product specifications, case study videos of real-life applications and product brochures.
“The virtual booth is designed to be an immersive experience, presenting all the creative applications for LED in a variety of markets,” said Jessica Golding, Absen’s European brand manager. “The booth allows visitors to explore just how powerful LED can be in all areas, by expands on Absen’s years of experience in applications of all shapes and sizes and presenting them for anyone to see.”
The segments of the booth consider the most common applications for LED within each space.
For retail, visi
UK – TSL Lighting has joined the events sustainability organisation isla, as it focuses on re-emerging from the challenges of the COVID pandemic with a positive, forward-thinking outlook.
TSL’s management team has for many years championed more sustainable practices, including sourcing renewable energy for its sites, working alongside youth groups and volunteer associations to donate ex-rental equipment and of course re-using its stock as a rental business. Director Loz Wilcox says that the downtime over the past twelve months has allowed them to reflect and further implement environmentally friendly initiatives. Becoming a member of isla marks the significant next sustainability step for the company.
TSL is the first technical equipment provider to join the isla collective, which has members from a range of events sectors including Jack Morton Worldwide, George P. Johnson, and Amplify.
“Joining isla really aligns with our core company values, so we’re thrilled,” says Wilcox. “isla offers resources, training and tools from across the events sector which will help fuel TSL’s goals to reduce waste and carbon emissions and support our industry to transition to more sustainable events.
“We’re also excited to be in a better position to share our knowledge and findings with our clients, freelancers and teams.”
isla, which was set up by 12 founding agencies in September 2020 as an action-focused peer-to-peer network, says it hopes to accelerate meaningful change through focus in three core areas: zero waste, 100% renewable,
USA - Entertainment industry insurance solutions provider Take1 Insurance has announced the immediate availability of a new educational white paper entitled Reopening Live Events Safely: An Industry View.
The publication of the new white paper follows last week’s announcement that Take1, in partnership with Intact Insurance Specialty Solutions and the Event Safety Alliance, will provide free Event Safety Access Training to professionals returning to work after more than a year of being side-lined because of the Covid pandemic.
According to Take1 Insurance vice president and programme director Scott Carroll, “The entertainment and live events industry have been through a nightmare scenario as the COVID-19 pandemic brought everything to a halt. Virtual events have helped fill gaps, but, ultimately, the desire of people to experience live events in person cannot be denied. Now with vaccines rolling out, the prospect of getting back to some semblance or normality is becoming a reality. Together with our partners, we are doing everything possible to help shake off the rust and get our industry back to work safely.”
Carroll said that everyone must recognise that the workforce of the entertainment and live events industry has changed radically in both quantity and quality over the last year and a half. According to IBISWorld there were more than 270,000 concert and event promotion employees in the US as of February 2019. A year later, that workforce had shrunk to around 148,000, a drop of 55%.
“Even as we start to recover, the workfo
France - Powersoft has appointed Sidev as its new distributor for France, working alongside Powersoft’s other French distributor, DV2.
Founded in 1991 and based near Lyon, Sidev has been a key player in providing audio-visual solutions in France for over 30 years. In that time, the company has grown to offer the largest sales and pre-sales team in the French market, as well as two showrooms in Paris and Lyon, and a yearly turnover of over €60 million in 2020.
Sidev is, since 2010, part of the Midwich Group. More recently, the company developed its market footprint and audio-visual offer on the French market with the purchase in 2019 of Perfect Sound, an audio specialist distributor.
“Powersoft is a recognised and renowned brand on the AV Market, with a strong line-up to address both the staging and corporate markets,” explains Lionel Roudil, general manager of Sidev. “When we looked for a new amplifier brand to develop and expand our audio portfolio, Powersoft was the obvious choice.”
According to Lionel Roudil, Powersoft’s product line-up complements Sidev’s audio product catalogue, offering innovative, high quality solutions for all the different verticals they address.
“The Powersoft amplifiers ranges, and the Mezzo series in particular, perfectly answer the current demand for meeting & conference room solutions, which has seen a real increase with the need for hybrid working spaces,” confirms Roudil. “In light of our unified communications strategy on the market, along with our historical AV positioning, P
UK - Hologramica, specialists in the design and production of holograms, is celebrating the opening of its new demo studios on an historic Wandsworth site, thanks to music charity NEKO Trust.
Liz Berry, CEO of Hologramica, comments: “We were struggling to find a home when the NEKO Trust, headed up by Glen Rowe, came to our rescue. We now occupy a beautiful, secluded rehearsal facility, previously enjoyed by legendary bands including Metallica and The Rolling Stones.”
It is from here that Hologramica’s 3D Holonet gauze will continue its ongoing development, along with the company’s production-based activities, which provide holographic hardware, design, content and consultancy for shows worldwide.
“We’ve already installed a stunning 7m wide 3D Holonet rig, alongside one of our portable Holopops Ultra systems,” explains Berry. “Upstairs our filming room can live broadcast holographic people onto either screen as a fully interactive, life-size, hologram. For fully live and hybrid events, the ability to present beamed-in or pre-recorded holographic people is useful and can be spectacular.”
Hologramica is currently booking in-person and Zoom demos of both systems and say they have been extremely excited and relived to see a tangible escalation in interest.
Finland - Intersonic Oy is now providing import and distribution of Renkus-Heinz products through its resellers and integrators.
Intersonic Oy specialises in the import and sales of AV equipment for the Finnish market. The company offers a comprehensive range of products for the experience and event industry, as well as lighting, sound, video, and AV communication solutions for retailers, contractors, and companies. Intersonic Oy is owned by Audico Holding Oy since March 2020.
“It is an honour for us to be appointed to represent Renkus-Heinz here in Finland,” comments Antti Rintamäki at Intersonic Oy. “Renkus-Heinz was one of the first brands I originally worked with when I started my career as an audio sales manager about 15 years ago. I still have the Distributor of the Year trophy in my drawer, and now I can take it out again, put it on my desk, and work for the next one. My personal attention in the market areas where Renkus-Heinz is a leader is a perfect match for all of us. With Renkus-Heinz products we are now able to offer the range of high-quality loudspeakers to all contractors and AV installers for even the most demanding premises.”
“We are pleased with this new setup in Finland and look forward to working with Intersonic and its highly professional team that is focused on value-added solutions,” adds Michal Poplawski of Renkus-Heinz. “Our offerings and plans for the future have been growing at a rapid speed. Working together allows us to tailor systems better to specific markets. The result of which is a better outcome for
Goodbye Yellow Brick Road - Sir Elton John has warned MPs that the UK music industry could lose "a generation of talent" because of post-Brexit restrictions on touring the EU. The musician accused ministers of being unwilling to fix a "gaping hole" in the current Brexit deal which means artists need costly visas to play in the bloc.
The government says the EU rejected its attempts to negotiate visa-free travel, while the EU claims the opposite. Sir Elton called the situation a "looming catastrophe" for the UK. "I want to be clear that the issues of visa-free and permit-free touring aren't about the impact on me, and artists who tour arenas and stadiums," he said. "This gravest of situations is about the damage to the next generation of musicians and emerging artists, whose careers will stall before they've even started due to this infuriating blame game.
"If I had faced the financial and logistical obstacles facing young musicians now when I started out, I'd never have had the opportunity to build the foundations of my career and I very much doubt I would be where I am today." His statement was read to MPs during a hearing by the Digital, Culture, Media (DCMS) and Sport Committee on EU visa arrangements for those in the creative industries. Sir Elton later posted the letter in full on Instagram.
Musical Notes - Boris Johnson has said he is in talks with Andrew Lloyd Webber over the planned West End opening of his new musical, Cinderella. The prime minister said he had "colossal admiration" for Lloyd Webber and the theatre sector and pr
UK - Brighton-based Acute Audio Productions which has produced international festivals and concerts for Mainstage Festivals and NVS Promotions, has launched a new sub brand, Audio Production Hire (APH).
Headed by managing director Giles Bristow, APH offers “new tailored pro audio production services and training platform ‘Sound System engineering - the environmental approach’ exclusively using DAS Audio products”.
“In April 2020 as the pandemic closed down the event sector AAP went to work on a post covid business recovery plan and created APH in readiness to launch new services, and a CPD training programme. The brief is to offer personal tailored services to the end user, driving hire and sales of DAS Audio,” says Bristow. “Together with audio engineer Simon Ryder, we have created a brand-new module based training programme for the industry - Sound System Engineering - The Environmental Approach from Beginner to Advance.
“These training modules have been designed to highlight the environmental approach to sound system design and the capabilities and effects of being able to control the sound wave / audio map from the PA System and the benefits and use of the setup of the system on a network. To achieve this AAP has worked with the training department at DAS Audio to ensure that the training content that has been created in the UK is approved by DAS Audio.”
The courses are accessed through the APH website, the more advance courses have one to one live teacher training sessions built into them. The DASnet, EASE FOCUS and DASa
UK - CEO and founder of ExecSpace, Edinburgh-based Emma Little, has announced the launch of her second business venture, ExecMove. The full-service search, selection and talent acquisition practice specialising in the venue, events, hospitality and tourism sector will support industry recovery through directly addressing the talent and skills gap across these sectors, in the aftermath of the pandemic.
The new operation will support the charity Springboard, with donations for every candidate successfully placed.
Commenting on the launch, Emma Little says, “Clearly our industry has suffered enormously as a result of the COVID-19 restrictions and if we as a sector are to emerge stronger and recover quickly, now more than ever, our clients must have access to the very best talent and strongest performers.
“Whilst furlough was a great initiative, as the months went on, it became unsustainable to protect all jobs and leaders are now in a position of having to rebuild teams and scale-up at pace for the recovery and beyond."
Little continues, “We believe in output and tangible results, ensuring the commercial and cultural requirements of our clients match up with the experience, talent and personal aspirations of the individual. By thoroughly understanding both and tailoring our approach, we create successful and sustainable partnerships that drive significant returns.”
ExecMove will donate £350 to Springboard for every candidate they successfully place. This fund will help a young person starting their career in hospitality with
USA - Meyer Sound has signed on as a platinum supporter of the Home Technology Association (HTA) as it promotes professional audio products and technologies for deployment in upscale residential settings.
“We are excited to support HTA and its mission of providing a no-compromise private cinema experience,” says Miles Rogers, Meyer Sound’s business development manager for cinema and content creation markets. “The quality of a private cinema sound is not defined solely by the loudspeakers, but by the sum of all the components coming together - from the room build through final calibration. When all these pieces fit together perfectly, you have a VIP ticket to sit shotgun with the director in Hollywood and experience the film exactly as it was intended. Today, HTA is a key to making that happen.”
“The HTA certification program does an outstanding job of vetting and qualifying integrators,” says Meyer Sound US sales manager, west Daniel Rivera. “And they took it one step further by creating a budget calculator that matches the project to a qualified integrator who is up to the task.”
The company offers a full line of cinema products and solutions for applications of all scales, from the Bluehorn System full bandwidth studio monitor, Amie Systems, and Acheron screen channel loudspeakers to the new Spacemap Go spatial sound design and live mixing tool and Constellation acoustic system.
In 2021, Meyer Sound introduced the Ultra Reflex sound solution for direct view displays. For the first time, Ultra Reflex allows viewers to experi
USA - A new book about the techniques and issues of lighting design for live events and productions being shot for broadcast, webcast or IMAG, has been published by Routledge and their media technology division, Focal Press.
Lighting for Televised Live Events: Making Your Live Production Look Great for the Eye and the Camera unlocks the science, art, philosophies, and language of creating lighting for live entertainment and presentations that work for the television camera as well as for the live audience. The authors, Jeff Ravitz and James L. Moody, each have extensive lighting design credits in both live and televised production and have brought their experience and insights to the book in an attempt to explain the common denominators between live and televised presentation lighting.
Ravitz explains, “The television camera has become an ever-present part of most productions, whether for live streams, TV specials, music videos, or, just as importantly, the IMAG screens that so many shows use. Over the years, I learned that a few, but significant, adjustments can make a live show look so much better for the viewer who watches on their TV, computer, tablet, or phone. They can only see what’s being shown by the camera, and for what it’s worth, there are millions of those viewers out there. The twist is that these shows can also retain all the beauty and dynamics of the live show and still look great for the audience in the venue.”
The book explains the science, art, and aesthetics of the subject and includes production case studies co
UK – Bluesound Professional has announced the addition of three distribution partners as it expands global distribution. The new distribution partners are Studiotec Oy (Finland), Gonher Proaudio (Mexico) and HED Cinema (Israel).
“We are delighted to be able to welcome these distributors to our team as they are all leaders in the industry and in their respective markets,” says Graeme Harrison, vice-president and general manager of Bluesound Professional. “To have them so readily commit to the Bluesound Professional brand with the knowledge and perspective they have of the industry validates for us that we have something special here.”
Since its launch at the Integrated Systems Europe show in February 2019, Bluesound has expanded to 23 international markets.
South Africa - Although the advent of the COVID-19 pandemic brought the live events industry to a virtual standstill, the past 15 months have been busier than ever for SACIA’s Events Safety Council. The Council is an association of event safety specialists and event safety companies providing event safety solutions for the South African event sector. It is part of a global network of event safety professionals dealing with health and safety in the events industry.
The advent of the pandemic saw council members, unable to earn a living under lockdown restrictions, volunteering their time to drive the recovery of the event sector in South Africa instead. "It has been a rollercoaster ride, keeping one's wits about you, staying motivated and positive, and pressurising the government to recognise that our professional recovery plan will successfully keep people COVID-safe at the events we host," says Interim chair Mike Lord.
Previously, the Event Safety Council focused primarily on general safety risks such as erecting structures, crowd management, and fire plans. However, the arrival of COVID-19 emphasised health risk management firmly ahead of general safety. Now health risk and safety risk must be dealt with simultaneously when planning an event. The viral spread has become another risk in the event safety chain. Like any other risk within an event, one must identify the hazard, determine who will be harmed and provide prevention and control measures to eliminate, remove the risk or mitigate against its occurrence.
"COVID-19 is a complex problem, a