UK - PMC is marking its 30th anniversary by opening PMC Studio London, a Dolby Atmos music mixing suite that will be used to demonstrate the company’s professional loudspeaker products, particularly those suited to this immersive audio format.
Based in a former piano factory in Islington, PMC London reflects the company’s long-standing relationship with Dolby and its determination to further the development of Atmos in a music mixing context. This new facility, which joins other PMC audio suites in Los Angeles, New York and Nashville, will give artists, record labels and recording professionals the opportunity to experience Dolby Atmos music mixing and discover the full extent of its creative possibilities.
This ground up project was carried out in conjunction with acoustics consultants JV Acoustics.
PMC’s commitment to the Dolby Atmos format dates back to 2017 when it designed one of the very first Atmos Music monitoring systems for Universal Music Group’s Capitol Studios in Los Angeles. Similar systems have now been installed in many other top studios around the world, including London’s iconic Dean Street Studios, Dolby’s New York Midtown Studios, UMG’s Berry Hill Studios and msm Studio Group in Munich.
“This is an exciting development for PMC - and for the UK’s professional audio industry,” says Oliver Thomas, PMC’s commercial director. “Dolby Atmos is already the leading immersive audio format for film and television and it is now gaining ground as a music format, with Dolby Atmos music releases now available thr
World - Showlight has announced the first sponsors of Virtual Showlight, the one-day online event taking place on 25 May.
Planned in celebration of the enduringly popular quadrennial lighting conference and networking event that was due to take place this May in France, Virtual Showlight aims to bring lighting professionals together online for a day of engaging papers, discussions, networking opportunities and break-out sessions from the comfort of their own homes.
Sponsors of the event so far include headline sponsor Robert Juliat, plus ACT Lighting Inc, Altman, ARRI, Ayrton, Claypaky, Copper Candle, ETC, Robe and Vectorworks. Virtual Showlight is also supported by media partner LSi, and by LSA.
“Sponsorship of Virtual Showlight offers a unique opportunity for sponsors to connect with clients and industry colleagues whom they have not seen for many months,” says Showlight. “As a sponsor you will qualify for a slot in which to host your own ‘breakout’ room during the day.”
Those wishing to get involved by sponsoring Virtual Showlight are encouraged to contact email@example.com.
All proceeds from Virtual Showlight will go to support industry charities, including Backup and Behind the Scenes.
Backup is the UK’s registered charity that provides financial support to industry technical professionals, crew/production personnel and people working in the technical supply chain across the UK enterta
UK - Specialist recruitment agency SER Limited has committed to donate 10% of its event industry placement fees to Backup, the technical entertainment charity.
Established in 2004, the Blackburn-based company works with clients of all sizes throughout the UK and internationally, covering sectors including audio visual and lighting, plus building controls, machine tools, construction, mechanical and electrical, fire and security, telecommunications and more. SER says it is dedicated to understanding all parties’ situations when recruiting, taking time to understand why vacancies have arisen, why the candidate is open to the opportunity and the motivators, ambitions and goals of both the client and the candidate.
Kate Booth, SER’s AV and events recruitment consultant, comments: “I was aware of Backup pre-coronavirus and had attended a previous fundraising event held by the charity; the work they do is amazing. It has been really difficult to watch the events industry, and the freelancers that support it, fight for financial survival over the last 12 months. We’re (hopefully) anticipating an increase in demand for event recruitment once the restrictions are lifted and companies start to rebuild, and I wanted to pay back to the industry that I love.”
She continues: “So, with agreement from SER’s MD, Gary Bentley, and having spoken to Backup we have agreed that from now on we will donate 10% of every event placement fee (once the candidate has passed probation) to Backup in order to support the amazing work they do. It’s our way of giving
UK - The British Standards Institute has published the five-year review of BS 7909, with comments from the public sought until 26 March.
The standard gives recommendations for the management, design, setting-up and operation of temporary electrical systems using low voltage AC electricity, for the entertainment and similar or related industries. It gives guidance on matters of common interest to producers, production companies, event organizers and managers, freelance people, facilities and services hire companies, equipment hire companies, equipment manufacturers, electrical consultants, electrical installation contractors, distributors, suppliers of electricity, venues, local authorities and those responsible for safety.
End-users are encouraged to submit their comments on the proposals during the review period. All comments will be examined by the standard development committee, enabling the public to directly influence the next revision of the standard.
Head over to BSI’s landing page to see the latest proposal and log your comments.
UK - Sustainable events agency and consultancy, Legacy Events, is set to launch its new marketplace on 13 April.
Legacy Marketplace’s mission is to connect and empower anyone who wants to "create successful, sustainable events and facilitate a positive change in the world. It will include everything needed for a successful sustainable event, in one place".
According to Legacy, the UK events industry emits 1.2bn kg of CO2e every year. However, events are hugely important for evoking positive behaviour change, with 43.1% of audiences stating that they had changed their behaviour as a result of green initiatives or ideas they had discovered at festivals.
Abena Poku-Awuah, founder and managing director of Legacy comments: “We’re so excited to be launching Legacy Marketplace for the events industry. The platform is a modern way to deliver sustainability without compromising quality or ease.
“This one-of-a-kind platform connects event organisers to products and services that reduce their environmental impact and contribute to positive social change. It offers a clear way through the jumble for those who want to make a difference but who do not have the time or expertise to source a sustainable solution themselves. Now more than ever, sustainability is a mainstream issue and increasingly under scrutiny in the events industry and attendees are looking to events to lead the way on this more and more.”
The marketplace will launch with an online event on 13 April which is free to attend for all event professionals. It will include network
UK - A new ranking developed by Leeds-based events specialist AYRE Event Solutions reveals the events capitals of the UK, with London taking the top spot.
The new ranking is based on the number of large event facilities in the city, successful Business Event Growth funding applications, the number of major events held in the location, percentage of corporates and associations which chose the location for events and finally the total number of events related jobs available in the area.
Unsurprisingly, with 60 large event facilities across the city, London takes the top spot across all metrics but is closely followed by Manchester, Birmingham and Glasgow. The top 10 locations in the UK for events as revealed by the new study are: London, Manchester, Birmingham, Glasgow, Bristol, Liverpool, Edinburgh, Leeds, Belfast and Brighton.
AYRE managing director, Chris Ayre says it’s the discrepancy between the number of large event facilities which is holding back towns and cities north of London: “Obviously London is the capital city and many businesses have their head offices there, but the Northern Powerhouse in digital and tech business is rising in cities such as Leeds and Manchester.
“It’s still disappointing to see that outside of London, there is a long way to go in terms of building large events facilities to meet the events’ need. Local councils and the Government need to place more investment in these conference centres and arenas outside of London so that these locations can effectively compete with the capital and host big scale
UK - Focusrite Group is launching Optimal Audio, a commercial audio brand that will join a stable that also includes Focusrite and Focusrite Pro, Adam Audio, Martin Audio, Novation and Ampify.
The new brand will be introduced to the market on 20 April in a virtual event, for which interested parties can register here.
“It’s a rare privilege to create a brand from scratch,” comments Focusrite Group CEO, Tim Carroll. “The commercial audio sector has grown consistently over the years, and even during the pandemic has been more robust than many. We expect that momentum to accelerate in the coming months, so we feel that the timing is perfect for the introduction of Optimal Audio.”
He adds: “Taking a considered view of the commercial audio sector led us to conclude that it represents a maze of often overly complicated products that can be difficult to understand, install and operate. Optimal Audio will set out to do things differently, with a streamlined offering that is straightforward to install and simple to use.”
Carroll concludes: “Alongside its own dedicated staff, a number of colleagues from across the group - most notably within Martin Audio - are helping to bring Optimal Audio to fruition. In the long term, our ambition is that the brand will have its own distinct team.”
To Safely Go - Pilots to assess how small and large-scale events can reopen safely are being launched by the government, which is describing the work as “crucial” for getting venues such as theatres reopened in June under the roadmap. The government said it was working with event organisers and local authorities to get “fans safely around a dozen events this spring”, as part of the previously announced Events Research Programme.
The ERP will provide “key scientific data into how small and large-scale events could be permitted to safely reopen”, the government said, in line with getting venues - including theatres - reopened without social distancing no earlier than 21 June. Major events already lined up for the pilot scheme include the World Snooker Championships, at the Sheffield Crucible, and the FA Cup final at Wembley.
The World Snooker Championships at the Crucible will “test a theatre setting”, the government said, and evidence will then be shared across the sector so venues can “prepare to accommodate fuller audiences". It said the review would be “crucial to how venues - from major sport stadiums to comedy clubs, theatres to live music spaces, wedding venues to conference centres - could operate this summer”.
Centre Stage - Drama schools need to appoint more people of colour in academic and management positions “as a matter of urgency to create permanent institutional change”, according to a new report from the Andrew Lloyd Webber Foundation that points to slow progress on diversity. The report, called Cent
Denmark - Sound recordists and production sound mixer Jono Cary has switched to Bubblebee Industries’ Sidekick in-ear monitors because they are “so comfortable that they can even be worn underneath headphones”.
“Comfort is such an important factor, especially when you have a long day ahead of you,” he says. “Sidekick fits into my workflow perfectly and makes monitoring the IFB feed when doing ‘lives’ so much easier. I’m able to wear the earpiece all day without any pain or discomfort.”
Designed to be virtually invisible, Bubblebee’s Sidekick in-ear monitor features a micro driver solution where the driver fits invisibly in the ear canal, eliminating the need for acoustic tubes outside the ear. This gives it a small and lightweight footprint and makes it a popular alternative to earwigs. With this IEM in place, the sound crew, presenters and talent on set can easily communicate with directors and sound mixers back in the studio while still hearing everything that is going on around them.
“The difference between Sidekick and other IEMs is literally night and day,” Jono says. “Normally on a live set, I’m listening to the feed from the gallery whilst monitoring my lav/boom mics from my sound recorder with headphones over the sidekick. The great thing about Sidekick is that it floats in the ear canal so it doesn’t block out all the other sounds around you when you have your headphones off.”
In 2020, as the Covid-19 pandemic hit, Jono was seconded to ITV to work on various shows with presenter Andi Peters, host of
UK - Brixton Village Market, purchased over two years ago by new owners, Hondo Enterprises, has since undergone a series of renovation projects with the most recent, a sympathetic rejuvenation of the lighting system. The Brixton Market team turned to Bristol-based Fineline Lighting for a system that met the diverse needs of the space whilst maintaining the integrity of the Grade-II listed architecture.
Brixton Market is a traditional market by day and the place to go for foods from around the world. At night, the space transforms into a popular nightlife hub, drawing in the locals with restaurants, rooftop bars and a bar playing jazz music.
The lighting system, however, was inflexible and did not meet the diverse needs of the space. Brixton Market’s general manager, Diana Nabagereka, explained, “The lighting had always been a problem across the two covered markets. The centralised overhead white lights gave the effect of a mortuary. It didn’t work for the night-time economy.”
Fineline Lighting met the brief to create an ambient and congenial atmosphere for both faces of Brixton Market. Combining over one kilometre of festoon lighting with LED lighting solutions from Briteq, in the guise of Colorstrip battens and Beamspots, Fineline Lighting created an intimate setting that allowed the market’s nightlife to flourish, and a warm enticing environment with a pleasant tone to counter the cold of the wintry days.
The installation featured over 1000 lamps, 40 Briteq LDP Colorstrip battens and over 90 Briteq Beamspot 1s, controlled by dimm
USA - Ferri Lighting Design & Associates (FLDA) recently equipped CNBC Studio B with a complete Martin LED lighting rig for optimal on-camera looks and increased energy efficiency.
When anchor Shepard Smith joined CNBC in July 2020 to host The News With Shepard Smith, the network took the opportunity to completely renovate its 3,600sq.ft Studio B set. The new set is dominated by two massive LED video walls, including a five-panel display opposite the host’s desk that can be used to show multiple video feeds for remote guests and correspondents or combined to display one large image.
Additionally, the centre screen can be moved up to 17ft away from the wall via a motorised arm to draw focus to a specific element. In order to complement the light from the displays with precisely-calibrated illumination and reduce electricity costs, CNBC opted to replace the studio’s incandescent lighting with a modern LED solution.
The network hired Ferri Lighting Design & Associates to equip Studio B with a complete Martin lighting solution including more than 200 Martin ELP CL ellipsoidal profile fixtures and 50 RUSH PAR 2 CT Zoom wash fixtures.
“We had previously talked about converting Studio A to LED, but budgets and COVID put that project on the back burner,” said Bruce Ferri, owner of Ferri Lighting Design & Associates. “When the Studio B project came up, I decided to move forward and make it an all-LED installation. The big reason is that most of the set is dominated by displays. When you use incandescent light, you have to
Australia - Stanley, a new Cantonese restaurant on the waterfront of Brisbane's Howard Smith Wharves, has complemented head chef Louis Tikaram’s mix of locally sourced cuisine, with a Martin Audio sound system.
The restaurant needed help with designing and implementing an audio system that delivered high quality and balanced audio across the two-storey venue, both indoors and out. It also needed a single touch point that would be simple to operate by any member of staff, depending on the atmosphere required, with automatic control to provide specific level adjustments to comply with their licence.
So they turned to locally-based Ampd Electronics to create the appropriate aural environment. Designing, modelling and confirming layouts prior to installation, they were able to deliver a custom, high quality selection of Martin Audio components, based around the CDD (Coaxial Differential Dispersion) series - all under QSYS control.
Working with the interior designers they identified the best locations to ensure even coverage while the system’s sleek design complemented the intricate wood panelling that lines the walls and ceilings. A complete tuning of the system was performed to deliver optimum quality - both inside and out.
To achieve this they specified 11 of the powerful CDD8 for the interior, with 14 weatherised CDD8-WR and six CDD6-WR for seamless audio when transitioning from inside to outside areas. These IP54-rated outdoor speakers were hidden in the surrounding gardens to maintain the restaurant’s aesthetic and the immersive experie
USA - Palm Beach Opera has brought joy to Florida’s classical music fans with an innovative opera festival with nine days of performances at the iTHINK Financial Amphitheatre in West Palm Beach. The socially distanced event was the company’s first outdoor, open-air festival which implemented a variety of measures to ensure the safety of performers, crew and audience members alike.
With the outdoor venue not providing the perfect acoustic environment expected at operatic performances, a sound reinforcement system was required to ensure the audience could get the full enjoyment of the event. Sound design for the event called on Point Source Audio Embracemicrophones for every principal performer - allowing each to “self-mic” to observe COVID-19 protocols.
“Every principal got their own microphone,” explains sound designer, Paul Bevan, who has previously used Embrace to mic violinist Joshua Bell. “I was a little apprehensive because who would think a microphone sitting back on the ear is going to give you enough gain in what is basically an arena sized venue with a huge PA system. But I knew right from the first note I heard that we weren’t going to have any problems. There was so much gain and it sounded so clear.”
With the festival taking place during a pandemic, safety and hygiene elements were key to pulling off a successful production. “We needed to put into place protocols that we could all feel comfortable with,” recalls Palm Beach Opera director of production, Jeff Bruckerhoff. “The big tenets were being able to be outd
UK - For Kent-based production rental company, Limelite Lighting, taking delivery of two new QC-Check electrical testing workstations from Data Strategy at the end of February 2020 just as the industry began to wind down into a global Covid-19 lockdown, could have been a mis-timed event. However, the versatility of the product and its ease of use enabled Limelite’s directors to turn the situation to take full advantage of their investment in product safety, warehouse organisation and logistics.
The ability to commission QC-check workstations remotely – which has enabled customers as distant as Australia and the UAE to benefit from the safety testing system – ensured that Limelite Lighting’s QC-Check workstations, including the robust and rapid testing power of Out Board’s PAT-4 Test Processors and CAB-5 Cable Test modules, were up and running within 12 hours of delivery.
Limelite director, Ed Railton, explains how they were determined to make lemonade from the citrusy timing of events. “At that point we decided to start a comprehensive testing programme - testing every single item of electrical equipment onto the new system. By the time the industry wakes again we will have tested in excess of 25,000 items.”
Using the current global lockdown periods to its advantage, Limelight’s warehouse team have been testing non-stop, whilst of course abiding by social distancing guidelines, to ensure every unit of electrical stock is tested and ready to go at a moment’s notice. Railton confirms, “It’s proven invaluable now television produc
UK - Lance Show & Publications Limited, organiser of The Showman’s Show has confirmed that the event will be held at Newbury Showground from 20-21 October 2021. The government setting out a roadmap to steadily ease the current lockdown and a tentative date of 21st June for all restrictions to be lifted has provided a much-needed boost to the outdoor event sector and prompted a string of exhibitor bookings, say the organisers.
Johnny Lance, event director of The Showman’s Show said: “The unveiling of the roadmap was the positive news that we’d all been waiting for. As publishers of the Showman’s Directory, we’ve seen a surge in event organisers getting in touch to confirm dates for their 2021 events and we’ve been busy updating the website. It’s also been wonderful to see so many high-profile events receiving national media coverage as they announce that they intend to run and to see ticket sales looking promising. It has certainly prompted conversations with many of our exhibitors and we’re delighted that bookings have got off to a steady start.”
Fellow event director, Jeremy Lance adds: “The roadmap is a step in the right direction, but we know that there are still many challenges ahead for event organisers and suppliers. Whilst we’re optimistic about events returning, our priority is to support our exhibitors and visitors so in the coming months we will be monitoring the situation to ensure that we plan the show in accordance with not only the regulations but the mood of the industry.”
Sweden - The impressive, airy Kulturhuset Spira (Culture House Spira) is a seven-story glass-and-wood structure on the banks of Lake Munksjön. Leading Swedish architect firm, Wingårdh, designed the structure that houses four stages and hosts a progressive programme of music, theatre, dance, and children’s programming, as well as serving as the headquarters for the regional Smålands Music & Theatre team.
Spira translates as ‘grow’ or ‘aspire’ and this spirit infuses the team at Spira’s desire to remain at the cutting edge of technology. When they recently embarked on an upgrade to the venue audio system, they opted for L-Acoustics Kara II.
L-Acoustics was the first and final choice of sound system for Spira. When the centre opened its doors to audiences in 2011, it was with a Kara system and it has served well in the intervening years. However, demand for a larger and more powerful system increased over the years and, with L-Acoustics releasing its Kara II, local integrator JLE Audio AB was able to offer a cost-effective solution to upgrade to the venue’s existing Kara to Kara II and supplementing it with additional new Kara II enclosures.
“The Jönköping’s Sinfonietta performs several concerts a year here,’ says Spira head of sound, Jack Strandberg. “The classical musicians, guest conductors and sound technicians that work here all demand good sound. That’s why we chose the L-Acoustics brand with its ‘hi-fi’ sound, clarity and homogenous response to give the absolute best audio experience for our orchestra guest s
UK - When London’s Adelphi Theatre re-opens later this year, it will do so with a new flying system. The refurbishment – stage one of three has involved a complete replacement of the fly tower hemp sets and a new front loading 42 set double purchase counterweight system.
With all theatres across the country having spent the last 12 months in the dark, LW Theatres and Nederlander who jointly own the Adelphi, has taken the unprecedented circumstances as an opportunity to carry out a programme of work across several of its venues. And with no shows or audiences, this has allowed for refurbishment to take place uninterrupted so that once theatres can open their doors, they can do so freely and start recouping lost revenue immediately.
Martin Skelton, technical and building services manager at The Adelphi said: “Phase one has seen the Unusual team come in to initially remove the old system, make good the structure of the wall behind and put in a new, easier to use structure and flying system in the same position. The old system had evolved over time with half of it being one shape and design and in amongst it were some other cradles, three different types of flying weight, two different styles of loading, a huge variation in capacity across the system and not evenly spaced.
“Over the years shows have got progressively heavier so we needed to look at updating the system to be able to accommodate that. Staff safety is also of paramount importance and we wanted to overhaul the system which saw us using very heavy weights to achieve capacity which we
Denmark - DJ and music producer Martin Jensen has played a series of livestream concerts in unexpected, innovative locations around the country including Copenhagen’s Parken Stadium, aboard Royal Danish Navy frigate HDMS Niels Juhl and aboard historic paddle-steamer Hjejlen, atop the Camp Adventure nature reserve forest tower in Rønnede and amidst Copenhagen’s famous Illum department store.
At the heart of ensuring that all concerts on this tour were visually and sonically engaging experiences was lighting designer Mathias Skall Hansen from Frontsound.
For five of the seven shows, Mathias specified and used quantities of different Robe moving lights – MegaPointes, Spiiders, BMFLs – which were supplied by Nordic Rentals.
Mathias has been using Robe products consistently in his lighting designs for the last six years. “They are very powerful with good colour mixing and gobo selection, very fast, easy to programme and above all reliable and well-engineered,” he commented.
For the Parken show, Martin was positioned right in the middle of the pitch, his DJ booth set up on a 10 x 10m video floor. Around this were three concentric circles of moving lights, the first and second comprising 42 x Robe BMFL Spots in total and the third outer ring made up by 56 x MegaPointes.
The 139m-long Niels Juhl – a fully working Navy frigate – was anchored at the Navy base in Korsør at the time of the concert.
Martin’s DJ decks were set up on the helipad with the 24 x MegaPointes arranged in a V-shape behind him, used to create asso
UK - Last year the Light It In Red campaign saw hundreds of venues, workplaces and landmarks light up in ‘emergency red’ to raise awareness for the plight of the live events industry during the COVID-19 pandemic. Now, in a bid to spread a message of hope and support to individuals in the industry, the campaign is asking everyone to get involved with a week-long show of solidarity from 15-19 March.
Individuals and businesses are encouraged to support the campaign not only by illuminating buildings and structures as in previous #LightItInRed actions, but also by sharing the campaign’s heart logo on social media.
A statement from the campaign reads: “We know the past year has been bad, we don’t need reminding! So we’re not going to focus on that. We’re going to focus on you. We want to bring the live events industry together in a show of solidarity for all those still working or training and those who have had to walk away due to personal and financial hardship. We want to show support for those who have lost their jobs through no fault of their own, for those that have lost family members, for those that have lost homes and livelihoods and for those that have put their lives on hold.”
The statement continues: “As the message this time is one of hope and support, we are asking people to use the symbol of a heart to send their message. Your support could be shown by simply posting our heart logo on social media or could be as grand as building a heart out of lights, flightcases or tru
USA - Founded in 2020, LA-based XR Studios constantly pushes the boundaries of XR technology to new heights. Collaborating with Fuse Technical Group for technical and equipment support, XR Studios provides two high-spec LED stages featuring quality equipment, including Brompton Technology processing and ROE Visual LED panels, and offers a team of expert technologists and bespoke workflows to help bring XR productions to life.
“We have always had a great relationship with Fuse, a company we consider to be one of the greatest pioneers in terms of pushing LED technology for a wide variety of applications,” says XR Studios’ director, J.T. Rooney. “They have a lot of experience with the equipment and provide technical consulting across live entertainment, television, film and virtual production. We wanted to ensure that our entire operation was executed at the highest level, so having Fuse as our technical partner made complete sense.”
Providing a well-rounded XR (extended reality) production service, the XR Studios team works closely with artists, producers, creators and creative directors to deliver their vision in a cost effective and visually stunning manner. “We wanted to be a creatively agnostic group that allows production to bring in its own team, help them get to the finish line and deliver a successful production. With a high level of service with predetermined workflows to keep things consistent and reliable, we know large-scale productions will happen on time, on schedule, and on budget,” Rooney shares.
XR Studios runs a tight
Zimbabwe - Winky D and Jah Prayzah both draw passion and inspiration from the same rich, deep and fertile wellspring that is the Zimbabwean musical tradition. However, the two artists take this inspiration in slightly different directions; the former favouring chanting dancehall reggae beats, while the latter opts for a sound that is a bit more contemporary.
In both cases, the two have soared to superstardom in Zimbabwe and throughout southern Africa, each with a rabidly loyal following. Indeed, nothing divides the country’s music lovers quite like the Winky-Jah debate.
This February, Kayse Concert TV presented Best of Both Worlds, a three-hour pay-per view livestream that showcased the talents of both artists. The widely anticipated show met and exceeded all expectations, as it served up a nonstop outpouring of pure passion and joy, not only with its music, but also in terms of the stunning visuals created by the Events Evolution team with help from Chauvet Professional Maverick and Rogue fixtures.
Lighting designer Kingdom Kudzerema and LED/video technical director Tatenda Gaylord Rushwaya didn’t play favourites, showering both performers with colour combinations that often pulled together unusually bold choices, such as yellows mixing it up with greens.
A collection of eight Maverick MK2 Spot fixtures, four on the back truss and four FOH, served as workhorses during the 6-9 pm show creating specials and gobo patterns, while highlighting the individuals on stage. Working with the FOH Mavericks were four Rogue R2 Spot units. Addi
USA - At AREA15, the new art and entertainment district located minutes from the Las Vegas Strip, visitors should ‘expect the unexpected’. Behind the looming exterior façade, the 200,000sq.ft interior houses a collection of themed retail and entertainment options, all surrounded by an air of cosmic mystery.
One principal attraction is a space called The Portal, where, behind imposing metal doors, visitors can plunge into a 360-degree projection-mapped video experience supported by immersive audio enabled by Meyer Sound’s new Spacemap Go spatial sound design and live mixing tool.
The 6,584sq.ft Portal was initially conceived primarily as a large meeting and event space, one that could compete with the hotel ballrooms on the Las Vegas Strip while offering its own ambience. To that end, the projection systems were designed for four-wall coverage allowing surround video for either the entire space or for one or two walls when the room was subdivided into smaller spaces.
“When we originally designed the audio systems for The Portal, our brief was to supply a very high-quality ceiling system with exceptional flexibility for accommodating different room configurations, as well as offering 5.1 surround for cinema showings and functioning as a delay system for a main front PA,” says Aaron Beck, business development executive and senior engineer at Solotech Las Vegas, the system integrator. “Dynamic, immersive sound was not part of the original plan. It came as a free bonus with the introduction last year of Spacemap Go.”
The opening of A
Sweden - The Rival hotel in the bustling Södermalm district of Stockholm is renowned as one of the city’s favourite meeting spots. A building with lots of history, it has remained dedicated to entertainment and hospitality since its beginnings in 1937.
In 2002, the complex was purchased by Benny Andersson of ABBA along with two associates, and extensive redevelopment work began to shape the complex into what it is today – a luxury 99-room boutique hotel complete with bars, a bistro and café, modern meeting facilities and a theatre.
The latest addition is a new bar named after Benny’s faithful Jack Russell terrier; Watson’s Bar offers food and drinks in a vibrant atmosphere with music at the heart of the experience. A Genelec 4000 Series sound system ensures that the pulse never stops.
Open seven days a week from 11am – 1am except Sundays which has a Monday-morning-conscious closing time of 11pm, Watson’s Bar has rapidly become a favourite haunt for a relaxed lunch, a sneaky afternoon cocktail and of course afterwork DJ sessions.
Rival turned to Adolfsson & Partners – a Stockholm-based firm who specialise in delivering turnkey building and interiors solutions – to conceive, design and deliver the new space. AV integration specialists, Hages, were engaged to design and install a fully integrated sound system capable of delivering a high quality, relaxed music experience during the day as well as high energy DJ sessions for the evening crowd.
Genelec loudspeakers had already provided many years of reliable service in
UK - A new charity fundraiser is aiming to galvanise the support for live event industry professionals in need by making donating as easy as sending a text message.
Launched by the #WeMakeEvents campaign, Texting ONETWO is a text donation initiative, the proceeds from which will directly benefit entertainment technology charity Backup. Anyone who wishes to make a one-off donation can text the words ONETWO followed by the amount they wish to donate, to 70085. To donate £5 for example, you need to input ONETWO5.
The campaign has been backed by several prominent musicians, including The Rolling Stones’ Mick Jagger, who stated: “Everyone who works in production in theatre or live music needs to be recognised and given support in these trying times, so join us in helping them.” Frank Turner, Biffy Clyro, Enter Shikari, Katherine Jenkins and James Bay are also among the music stars who recorded a message to boost the fundraiser - watch the campaign video here.
The charity appeal is aimed at supporting the live events supply chain, which has been under enormous pressure to withstand the devastating effects of the pandemic on the wider events sector. A recent #WeMakeEvents survey revealed that 43% of businesses were at risk of folding by this summer whilst a third of employees revealed they had left or are considering leaving the